Today I’d like to welcome author Kim Foster, the author of the tremendously fun new book A Beautiful Heist (review here). She’s here to talk about…
The Irresistible Appeal Of A Good Heist
by Kim Foster
The heist story, especially on the big screen, is a well-loved genre. Capers have been a staple in Hollywood for decades—whether we’re talking about Hitchcock’s To Catch A Thief in 1955, The Great Train Robbery from way back in 1903, or more recent blockbusters (and remakes) like Ocean’s Eleven and The Italian Job.
But what accounts for the enduring appeal? Well, being a writer of heist stories, I’ve given this a lot of thought, obviously. And here’s what I’ve come up with.
The Vicarious Pleasure
Pulling off a heist is the sort of daring act that people, in their day to day lives, tend not to attempt. The danger of falling to your death, the likelihood of going to prison—these are all effective deterrents, yes? Which is why it’s so thrilling to read about, and watch, other people doing such death-defying things.
The Underdog Factor
A heist is often structured such that the protagonist-criminals are up against a big bad corporate power with endless resources and money and, frequently, a nasty disposition (think Andy Garcia’s character in Ocean’s Eleven). Just like in sports movies, we love to cheer for the underdog.
Mission Impossible
The challenge of going up against all that security, all that power, not to mention the layers of law enforcement…well, it usually means our protagonists, the criminals, need to be clever. And they need to dig deep to succeed. It’s what compelling fiction is made of, really—heroes who are facing insurmountable odds. If it were easy, it wouldn’t be much of a story.
Cheering for the Team
Tackling mission impossible usually requires a team. And that’s something we like to see in our stories—teams working together. Plus, the more motley the crew, the better. A hodgepodge of people, each bringing a different skill set to the table, and all those moving parts working together, well it’s great fun to watch and very satisfying when it all comes together.
A Criminal We Can Root For
Heists and capers aren’t the only stories with less than honourable protagonists. The anti-hero is a compelling character in many genres. I think, as humans, we’re fascinated by people with layers and contradictions and secrets, and characters who are more than they appear. Of course it can go too far, and then sometimes the anti-hero is just, well, the villain. The key thing about a thief is the non-violent crime. You can get behind a crook who’s not looking to hurt people. A crook who’s attempting to take on Goliath, using his or her own unique talents. That’s a character we can root for.
So how about you? What’s your favourite heist story?
About Kim FosterKim Foster is a medical doctor who has been a lifelong lover of fiction. She’s a mom who decided that midnight feedings of her newborn were a fine time to get serious about writing. And she’s a novelist who, in spite of sound advice to “write what you know,” simply couldn’t resist crafting a story about a professional jewel thief. Online, you can find her blogging about her left-brain, right-brain mash-up on kimfosterwrites.com. A practicing physician and the health blogger for YummyMummyClub.ca, Kim makes regular TV, radio, and speaking appearances. She is a member of the Victoria Writer’s Society and the Pacific Northwest Writers Association, and lives in Victoria, British Columbia, with her husband and their two young boys. A Beautiful Heist is her first novel.
To learn more about Kim, read her blog or follow her on Facebook and Twitter.
~~~~~~GIVEAWAY~~~~~~
Kim is kindly giving away one ebook copy of A Beautiful Heist! To enter, please use the Rafflecopter below.
Format read: ebook provided by NetGalley Formats available: ebook Genre: Contemporary romance Series: Agency of Burglary & Theft, #1 Length: 289 pages Publisher: Kensington Publishing (eKensington) Date Released: June 6, 2013 Purchasing Info:Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Kobo
Everyone has a talent. Some are just more legal than others. Cat Montgomery steals jewels for AB&T, the premier agency for thieves in Seattle. Career perks: good pay, great disguises, constant adrenaline rush. Drawbacks: the possibility of jail time…or worse. Now she’s taken on a lucrative side job—recovering a priceless Faberge egg for an alleged Romanov descendent.
Though Cat is working solo, there are plenty of interested players. Her FBI ex-boyfriend is nosing around, as is her former mentor-turned-nemesis. Then there’s the sexy art thief helping—or is he hindering?—her mission. If her luck holds out, this could be the case that allows Cat to retire with her conscience and her life intact. If not, it’ll be her last job for all the wrong reasons…
My Review:
Everyone loves a great caper story–that’s what made Ocean’s Eleven so popular–twice!
A Beautiful Heist is just that, the story of a great caper, a high stakes robbery (the penny-ante stuff isn’t any fun) but it’s more than that.
In the midst of that high-stakes robbery we have one of the classic forbidden romances: the thief and the cop, well, FBI agent, who have fallen for each other and can’t manage to fall out.
And then there’s two of the greatest stories ever told, all wrapped up in the beautiful object being stolen, one of the missing Fabergé eggs and the secret inside. There are secrets within secrets within secrets.
Cat Montgomery is a thief, and she’s very, very good at her job. It is a job, she even has a real employer: AB&T, the premier thieving agency in Seattle. As long as she plays by the rules, the job has a lot of perks.
The problem is that AB&T is a real employer that files real tax returns, and Cat hasn’t. So when the IRS comes calling for back taxes, Cat takes a very risky side-job for someone she can’t check out properly. She thinks she’s returning one of the lost Fabergé eggs to the Romanov family.
Instead she’s stealing one of those treasures from a Romanov descendant and giving it to, whom exactly?
Stealing it back turns out to be much, much harder than the original theft. The egg’s new owners turn out to be very, very nasty people. But Cat feels like she has to right the wrong she created. No matter what it costs.
Because Cat’s not sure who is betraying her, but someone certainly is.
Escape Rating B:A Beautiful Heist does remind me a lot of one of those great caper stories, because those movies are usually built with multiple plot misdirections that layer one on top of another, and keep you guessing until the very end.
The overarching story is the caper itself. Cat stealing the egg, and then, stealing it back. Everything else fits under that big umbrella. Maybe the better picture would be circus tent.
There’s also Cat’s redemption story. Cat is still trying to forgive herself for her sister’s death. Penny died in an auto accident because Cat wouldn’t steal something from another student’s locker. Cat still hasn’t forgiven herself.
Then there’s the love story between Cat and Jack, Cat’s once and future love-interest. They did break up, because, well, a thief and an FBI agent, that’s a recipe for disaster. But they broke up because they thought they should, not because they were really done with each other. They’re so obviously not.
And speaking of Jack, the way that Cat and Jack resolve their differences revolves around the secret of the egg, which turned out to be a humdinger. This particular bit of mythology, which I’m desperately trying not to give away, was one that I haven’t seen before. The egg, yes, the Romanovs, yes, this particular thing inside the egg, no. And very cool.
***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.
Format read: paperback provided by the publisher Formats available: ebook, paperback Genre: Science fiction Series: Past Doctor Who Adventures, #35 Length: 320 pages Publisher: BBC Books Date Released: March 7, 2013 (reprint; originally published September 4, 2000) Purchasing Info:Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Kobo, Book Depository
Stuck in the end of a hyperspace tunnel lies a huge, chaotic, space city known as the G-Lock — the end product of the most terrible intergalactic traffic jam in history. It has now been transformed into a death-themed park, where the major attraction is a death-simulator known as the Beautiful Death. However, the power generated by people enjoying the ride is being diverted to a mysterious destination. A creature called the Repulsion is on the loose, offering resurrection in two hundred year’s time to anyone who will surrender to it, allowing it to exist in the real world. Can the Doctor defeat it, and escape from the G-Lock before the interface between hyperspace and real space collapses?
There are some serious “wibbly-wobbly timey-wimey” bits in this story. The Doctor, Romana and K-9 cross and recross their own time-streams multiple times on a derelict, or soon-to-be-derelict, or just-in-the-middle-of-becoming-derelict, spaceship cum theme-park where the interface between hyperspace and real-space is becoming unstable.
And Romana is threatening to withdraw the Doctor’s TARDIS-driving privileges if he can’t pass his time travel proficiency test.
Care for a jelly baby?
If you never forget your first Doctor, then the Fourth Doctor was my Doctor. All teeth and curls with his incredibly long scarf and floppy hat.
Before the Time War made even the thought of worrying about passing any exams back on Gallifrey completely pointless–because Gallifrey is gone.
I’ve always wondered what happened to Romana.
Festival of Death is very much a Fourth Doctor story. The Doctor is always running into trouble, and expecting that Romana and/or K-9 will get him out of it. He generally thumbed his rather large nose at any authority, but he was usually right about questioning the rules. And he usually did get arrested very quickly upon arrival. If he didn’t deserve it at the time, he generally did later.
In this story, there are a lot of points where the thing he’s being arrested for is something that he hasn’t done yet. At least from his perspective. Back to the timey-wimey stuff.
The story at heart is about the conundrum of “knowing then what you know now” and living life over. One alien race has that ability. One man has been systematically experimenting with those aliens in an attempt to re-live his life, in the hopes of erasing his past mistakes.
The First Law of Time Travel is not that forgiving.
Escape Rating B: Reading Festival of Death made me want to go and watch some of my favorite Fourth Doctor episodes like The Talons of Weng-Chiang or Pyramids of Mars.
I enjoyed the story, but it reminded me of a couple of things; one, that it’s impossible to forget what came after: the Time War and the death of the Time Lords, and two, that books like this are for fans of the series. I can’t imagine coming into this cold.
Also, Romana was not my favorite companion of this Doctor’s, Give me Leela or Sarah Jane any day.
But it was great fun to go back and relive my Doctor’s adventures. I’d forgotten just how much of a treat these books can be!
***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.
Newlywed Grace Monroe doesn’t fit anyone’s expectations of a successful 1950s London socialite, least of all her own. When she receives an unexpected inheritance from a complete stranger, Madame Eva d’Orsey, Grace is drawn to uncover the identity of her mysterious benefactor.
Weaving through the decades, from 1920s New York to Monte Carlo, Paris, and London, the story Grace uncovers is that of an extraordinary women who inspired one of Paris’s greatest perfumers. Immortalized in three evocative perfumes, Eva d’Orsey’s history will transform Grace’s life forever, forcing her to choose between the woman she is expected to be and the person she really is.
My Review:
It’s not just perfume that is being collected in Kathleen Tessaro’s The Perfume Collector; it’s the collection of memories that are the ultimate prize in this interwoven tale of two women’s choices.
It is 1927. And it is 1955. Both are times of heady exuberance. Grace Monroe is summoned from London to Paris in 1955 because she has just inherited a small fortune from Eva D’Orsay.
Eva D’Orsay is a complete stranger. Grace feels compelled to investigate the reasons behind this mysterious bequest. It is a plus that her halting investigation provides her with an excuse to remain in Paris, away from her increasingly distant, and carelessly unfaithful, husband.
Stumbling through a past that Grace was not supposed to uncover, she finds a young woman forced to make her own way in the world. A woman who used the only talents at her disposal; her beauty, her incredible gift for feats of mathematics, and a surprising ability for captivating people.
Eva’s path crossed a great gambler who taught her how to make money at cards, and a great perfume maker, who taught her the essence of his craft. Eva was Charles Lamb’s apprentice, and Andre Valmont’s muse. But what were they to her? And what was she to Grace Munroe?
Why did she make her bequest to Grace with the words “the right to choose?”
Escape Rating B+: It’s been said that the past is another country; 1955 is over 50 years ago, the world was different, especially for women. Grace is expected to be a wife and a mother. She’s uncomfortable with the first and the second has become impossible. Her life is at a crossroads when Eva’s bequest is dropped into her lap.
1927 is an entire world away, and yet both eras were times of not just plenty, but intense joie de vivre: post-war booms, before the world went through fundamental changes; respectively the Great Depression and the upheavals of the 1960s.
Grace has been privileged and sheltered all of her life, Eva starts as a small-town girl who knows very little of life outside her tiny sphere and with very few advantages. In spite of their differences in time, place and background, they have a lot in common. They are both women in times when women are not supposed to have much agency in their world. Eva makes her own path, often at a high cost to herself. She has determined that Grace will have choices that she did not.
As Grace investigates Eva’s life, she takes possession of her own. The slow double-reveal makes for a marvelous story.
***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.
Today I’d like to welcome author John Marco, who recently published the latest book in his Bronze Knight series, The Forever Knight. John also has the best online ID ever, “happynerdjohn” and he’s probably pretty happy right now, since Kirkus Reviews chose The Forever Knight as a TOP PICK for April. I’d have to agree (read my review here).
Marlene: John, can you please tell us a bit about yourself?
John: Marlene, I’d like to start by thanking you for doing this interview with me and for agreeing to take part in my blog tour. I say this all the time, but I’ve met so many helpful book bloggers over the years who’ve been willing to take a chance and review my books even though they’ve never heard of me. The book blogging community has been wonderful, and I appreciate it.
It always feels a bit strange to talk about myself, but I’ll start by saying that I’m a writer, a husband, and a proud father of a great nine year-old boy. I pretty much always wanted to be a writer, and a fantasy writer in particular, because that’s what I grew up reading and loving. I spent more than enough time as a technical writer in various jobs, and now I am writing fiction full time again. Overall I think of myself as a very average guy who just happens to write stories.
Marlene: Who influenced your decision to become a writer?
John: I’ve had friends along the way who have been very encouraging. Once you actually make the decision to become a writer and get published (or try to get published), it’s good to have people who believe in what you’re doing and support you. There’s always negative people around as well, but you have to ignore them. Those are usually the people who’ve never really accomplished anything in life anyway, so why listen to them? Once you decide to be a writer, you’ll have enough of your own doubts anyway.
Marlene: What is your favorite thing about the writing experience and why?
John: This is a difficult question to answer. I think most writers would say they have a number of “favorite” things about writing, and find it tough to select just one. I love creating worlds and characters, and I’ve always had a need to tell stories. I’m not sure why that is. It just feels like something I was born to do.
Besides that, I love the intimacy of writing. I’m a real introvert, which means that I like to be alone with my own thoughts and I’m comfortable in my own head. Writing gives me the chance to embrace that part of me, to be by myself and be in control. I like being my own boss, in a sense.
Marlene: In The Forever Knight, you changed from third-person narrative to first-person. In general, do you try to experiment with writing style intentionally, or do you find that it just evolves over time?
John: Both. Yes, definitely both. I have always wanted to do different things, to grow and stretch and test myself as a writer. For one thing, I’m very easily bored. I find it surprising that so many writers are able to write in the same world with the same characters over and over and not try something different in between books. That’s never been for me. So trying to write a first person story was always in the cards for me.
On the other hand, there are changes in writing style that come without warning and aren’t by design. I have definitely felt myself “evolving” over the years. For one thing, I’m not as descriptive as I used to be. I used to write really long passages describing things like architecture and culture and dress, and now I do less of that. I just figure that a little goes a long way when it comes to that stuff, but when in my earlier books I really piled it on.
Marlene: Do your characters ever want to take over the story?
John: They do, yes. Sometimes it’s a good thing, and sometimes it’s frustrating. I make a fairly detailed outlined each time I start a book, so I have a pretty good idea of what’s supposed to happen. But very often characters come to the forefront of the story in a way that’s unexpected. Sometimes they’re just stronger characters, and instead of taking a minor role they wind up with a much larger one. And sometimes there are characters in the books that aren’t even in the outline at all. That’s happened to me twice so far with fairly major characters.
Marlene: Will there be more books in this series? What is next on your schedule?
John: Yes, there will definitely be more books in the Bronze Knight series. I am contracted for two more at the moment, and have some ideas for the next one. Before I get to that, however, I will finish up the book I am writing right now. It’s called The Bloody Chorus, and it’s an epic fantasy novel, the first in a new series. I’m also slated to contribute a short story to an upcoming anthology of military fantasy stories. I’m particularly excited about that, because I love writing short stories and don’t get the chance to write them as often as I’d like.
Marlene: What have you learned about writing and publishing since you first started?
John: Oh, so much. Publishing has changed a lot since I first started, and I’ve changed too. The first thing I learned was that publishing a book is only the beginning. I had thought that once I got my foot in the door it would be easy, but that’s really not the case at all. Some books do well, others not so well, and you have got to be ready and willing to weather the storms, because they always come eventually. And then there’s the technical aspects of writing that I’ve gotten better at over time. Again, when I first started I used to say that I was always willing to learn, but it was mostly lip service. I suppose I meant it, but I hadn’t really internalized that idea. It was just something that I would say, kind of like a cliché. Now, however, I’m eager to learn and grow as a writer. I see things that other writers do, and they don’t scare me anymore. I want to be as good as I can be, but I realize that the whole thing involves constant striving.
Marlene: What book would you most want to read again for the first time?
John: That’s a real book lovers question! A tough one to answer to be sure. I’ll say Demon by John Varley. It’s one of the first serious science fiction novels that I ever read, and it filled me with an almost indescribable sense of wonder. Not a lot of books do that for me any more. Maybe it’s because I’m so much older now, and wonder is such a rare thing when you’re older. I’d love to experience that feeling again.
Marlene: Tell me something about yourself that I wouldn’t know to ask.
John: I wish I knew how to draw or paint. I wish I was an artist. If there was any other “art” form that I could participate in besides writing, that would be it. It was fantasy art that first drew me into the genre in the first place.
Marlene: Coffee or Tea?
John: I’ll have to say tea, because I don’t drink coffee at all and never have. It’s just one of those things that I never grew into. And to be honest I’m not nuts for tea either, unless it’s iced tea. I don’t even drink alchohol. Really, I drink like a big kid—soda, fruit drinks, Snapple, that sort of stuff.
About John MarcoJohn Marco is the author of several novels of epic fantasy, many of which have been translated into various languages throughout the world. His first book, The Jackal of Nar, was published in 1999 and won the Barnes and Noble Maiden Voyage Award for best first fantasy novel. John writes full time from his home in Kings Park, NY, a north shore Long Island suburb, where he lives with his wife Deborah and his young son Jack. Though most of his days are consumed with writing, John enjoys spending free time biking, visiting the beach, flying, and of course, reading good books.
To learn more about John, check out his blog or follow him on Twitter or Facebook.
~~~~~~GIVEAWAY~~~~~~
John is kindly giving away a signed hardcover edition of The Forever Knight to one lucky winner! To enter, please use the Rafflecopter below (shipment to U.S. or Canadian addresses only).
Lukien is the Bronze Knight, beloved by his kingdom and renowned in battle throughout his world. After betraying his king and losing his beloved, he wishes only for death, but rather than die, Lukien is given a chance for redemption: to be the protector of the Inhumans—those fragile mortals who live deep in the desert, far from the prying eyes of their world. These remarkable individuals have been granted magical powers in exchange for the hardships and handicaps life has handed them. And Lukien, now immortal himself, must be their champion. But how can one man, even an immortal warrior, protect hundreds from a world of potential enemies?
My Review:
Reboot and redemption, keywords for The Forever Knight.
Don’t let the fact that this is book 4 in the Bronze Knight series deter you from reading this book! Lukien, the Bronze Knight of the series, drops just enough hints about the past that he’s trying leave behind that unfamiliar readers seldom feel lost in the sands of time.
Not that what Lukien does reveal about his past doesn’t sound plenty interesting, because it does. I’d like to go back sometime and learn more. But he does tell readers enough so that I felt teased but not befuddled.
Most excellent.
Lukien has fought someone or something (or lots of both) for all of his life. He brought peace to the kingdom of Jador, but at a high price. Cassandra, the love of his life, died along the way. He hopes that someday, he’ll join her in the land of the dead. But not for a long, long time. Lukien is virtually immortal, his life sustained by the spirit in his sword, the Sword of Angels.
Jador is at peace, but it is an immutable law that warriors with nothing to fight tend to get restless. So the ruler of Jador sends Lukien out as a knight-errant. And Lukien, stubbornly refusing to listen to reason, takes the young girl Cricket as his squire on a dangerous journey to a place known as the Bitter Kingdoms.
Malator, the spirit of Lukien’s sword, knows that Lukien’s mission is a test. The mission is one that will teach Lukien about the being that he has become, but it leads through death. Kingdoms of death, monsters of death and battles with death and that lead to even more death.
Places generally are not given names like “Bitter Kingdoms” without reason.
Lukien is not ready to face who he has become. He is a leader who will change the face of the world. No one, and nothing can be allowed to stand in his way.
But he is also doomed to walk alone. A lesson he will have to learn over and over again.
Escape Rating A-:The Forever Knight is Lukien’s journey. We see all the action from inside Lukien’s head, and it’s a pretty bleak place to be. Lukien is not, as the phrase goes, a “happy camper”. I don’t think that state of being exists in his world view.
Lukien is a man looking for a mission. He’s immortal and he needs something to fill his time. Lots of time. The spirit of the sword, Malator, has a mission for him, but Malator seems to be the king of “I’ve got the secrets”. Malator only speaks in riddles. Lukien wants everything clearly laid out. They argue. A lot.
The person who gets caught in the middle is Cricket. She’s restless in Jador because she can’t remember her life before she became a refugee. She’s attached herself to Lukien and doesn’t relate well to others. They are both outsiders. He brings her along on his knight-errantry as an act of kindness, but also so he won’t be lonely on the trip. She’s his light in the darkness. Of course, that light gets snuffed out.
This is a transformation story. Lukien has to change to be ready for the next phase of his journey. Poor Cricket is part of the price of that change. Damn it.
***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.
Today I’d like to welcome Jenny Davidson, author of The Magic Circle (see my review here). Since Jenny is a professor of literature, I was interested in her take on the difference, or the similarities, between the immersive experience of reading a novel and the immersive experience of playing a game, particularly role-playing games, whether live action or any other kind.
Immersion by Jenny Davidson
I am an addicted novel reader. I’ve stayed up all night reading books – I don’t do it so often any more, but I think the Harry Potter books produced the feeling in many readers that huge numbers of alluring crime novels, fantasies and so forth produce in me. That said, there’s a limit to how much time you can spend immersed in the world of a particular novel, or even reading novels more generally. Whereas a game like World of Warcraft can suck you in to the extent that it really impinges on normal life. Novels can do this too, or television, but I think in this case the difference of scale makes for a qualitative difference between the two.
If games and novels offer an immersive experience that’s basically similar, series fiction seems to me to try to reproduce the greater intensity of a role-playing game. The world of a one-off novel is finite, but the world of a series can be revisited at regular intervals, and the appearance of new installments makes the world seem near-infinite – the fictional worlds that make fans role-play in large numbers (I’m thinking of Firefly in particular, or anything along the Star Trek continuum) have persuaded them that the world of the fiction is infinitely more alluring and appealing than the real world.
Television seems to me to work in ways similar to both RPGs and novels, especially as we now tend to view it: a full season in a weekend, in a “binge”-watching experience (either streaming or as a DVD after the initial season has been released). I can immerse myself in bad television as readily as in good: it is true, The Wire or Fringe or The Closer are my preferred fictional worlds, but I once streamed all eight seasons of House from start to finish over about three weeks (I’d hurt my back and couldn’t sit at my desk to work!).
In the end, I fall down on the side of thinking that immersion is something we’re built for, and that we can take it in all sorts of different forms. No fundamental difference between immersion in reading (or immersion in the world of a novel) and immersion in a game, except that some of us are more vulnerable to the pull of certain kinds of world. I like swimming, and I find that immersion in water is almost always very soothing to me – the same can be said for immersion in all different kinds of fictional worlds.
About Jenny DavidsonJenny has published four novels and two academic books; forthcoming in 2014 is Reading Style: A Life in Sentences. Jenny teaches in the Department of English and Comparative Literature at Columbia University and is the recipient of a Guggenheim Fellowship.
To learn more about Jenny, visit her blog or follow her on Twitter and Goodreads
~~~~~~GIVEAWAY~~~~~~
Jenny is kindly giving away one copy of The Magic Circle (Kindle or paperback, at the winner’s choice; paperback can be sent to U.S. addresses only!) to a lucky winner. To enter, please use the Rafflecopter below.
Three smart young women—the scholarly Ruth, her poet roommate Lucy, and their exotic, provocative neighbor Anna—are obsessed with games of all kinds. They’ve devoted themselves to both the academic study of play and the design of games based on the secret history of the neighborhood around Columbia University, from Grant’s Tomb to the former insane asylum that once stood where the campus is now.
When Anna’s mysterious brother Anders gets involved and introduces live-action role-playing based on classic Greek tragedy, theory goes into practice and the stakes are raised. Told in a variety of formats—including Gchat and blog posts—that bring the fraught drama of Euripides screaming into the 21st century, The Magic Circle is an intellectual thriller like no other.
My Review:
Live action role-playing, otherwise known as LARPing, is normally the sort of geeky fun that adults, or quasi-adults, play at science fiction conventions. Another frame of reference for the average person might be teenage boys playing Dungeons and Dragons and going several stages too far.
In Jenny Davidson’s The Magic Circle the only part of either of those frames of reference that remotely applies is the bit about going several stages too far. That certainly happens.
Most of us don’t even know that game-playing is an academic field of study. Getting a degree in “ludology” seems vaguely ludicrous to most people, no matter how much we might enjoy playing games ourselves.
In The Magic Circle, Ruth and Anna are both game designers in pursuit of their Ph.D.’s. Lucy, Ruth’s roommate, is working on her MFA in Creative Writing. They live in the “magic circle” of academic life, and Ruth and Anna create other “magic circles” in their games.
A “magic circle” in this instance is a game environment. The board a game is played on, the table around which the players play a card game, or the place where LARPers live out their fantasy game.
Academia definitely has aspects of a game environment. The difference is that the stakes in the academic game of degrees, jobs, committees, publishing and tenure are real.
In a LARP, the game blends into the real. It is, after all, a LIVE-action role-playing game. Anna and Ruth are playing a game with each other, only Ruth doesn’t know it’s a game, a competition to see who can create the more immersive game.
When Anna’s brother Anders sweeps in and upsets all the players on the board, the stakes become very real, and permanently life-altering.
Escape Rating B+:The Magic Circle reminds me of the phrase about the riddle wrapped in the enigma. There’s the big game that Anna and Ruth create based on the Greek tragedy The Bacchae. It’s wild and liberating and incredibly immersive, until the game becomes all too real.
It’s a bad idea to base a game on a tragedy. The gods still do not like to be mocked.
But there are also games within games, like wheels within wheels, and those are what keep the story moving forward. Who are Anna and Anders? What game are they playing with each other, and with Ruth and Lucy? Is any of what Anna and Ruth and Lucy have experienced together real? Or was it a game all along?
I still have unanswered questions about this story. But that’s the way this one is supposed to end. It’s not a neat and tidy book. It’s not meant to have a happy ending. This one is meant to shake you up, and haunt you. It definitely did its job on me.
***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.
Format read: ebook provided by Edelweiss Formats available: ebook, mass market paperback, large print paperback, audiobook Genre: Regency romance Series: The Cynster Sisters Duo, #1 Length: 385 pages Publisher: Avon Date Released: March 26, 2013 Purchasing Info:Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Book Depository
The only thing more troublesome than a Cynster man…is a Cynster lady who belives love is not her destiny. Famously known in London society as “The Matchbreaker,” Henrietta Cynster’s uncanny skill lies in preventing ill-fated nuptials – not in falling victim to Cupid’s spell.
But then she distrupts one match too many and feels honor-bound to assist dashing James Glossup in finding a suitable bride for a marriage of convenience.
A task infernally complicated by the undeniable, unquenchable attraction that flares between James and Henrietta, who continues to believe she will never fall…
My Review:
And Then She Fell is the first one of Stephanie Laurens’ Cynster books that I’ve read in some time. But like many readers, the earlier books in the series are among my favorite Regency romances ever. I was very curious to see how much I would miss not having read the ones in the middle. And whether I would go immediately hunting through my shelves to find them!
And Then She Fell is the story of Henrietta Cynster, the next-to-the-last Cynster female of her generation. Which does mean there is one more female, and one more book (The Taming of Ryder Cavanagh) in this particular cycle.
Henrietta is mature for a Regency heroine at 29, and I like her for it. She’s sensible and knows what she does and doesn’t want out of life. She’s no giggling, simpering miss. Even though she’s not sexually experienced (she’s unmarried and that would be very much out-of-character) she is intelligent and otherwise knowledgeable about the ways of her world. She doesn’t hold back on her opinions and she knows very well how to use the influence she has as a member of the illustrious Cynster family.
She’s earned a well-deserved nickname as “The Matchbreaker”. Young ladies of the ton come to her to investigate the true motives behind their suitors’ courtship. Henrietta delivers the goods. Not malicious gossip, but absolute facts. She doesn’t just break matches, she also makes them.
The story begins because her friend Melinda has requested an investigation of her suitor James Glossup’s motivation behind his courtship of her. Melinda desires a love match. James has another motive entirely. His great-aunt’s will left him a landed estate, but reserved the capital required to maintain it unless he married within one year of her death. James is wealthy enough to keep himself and a wife quite comfortably, but not to take care of all the tenants that he feels responsible for. Unless he marries in time, he’ll have to sell the estate. He was not honest with Melinda about his motives so Henrietta tells her friend that James would not suit her.
This leaves James with less than a month to find a bride. Complicating matters, James and her brother Simon are best friends. He’s a good man, he just has a big problem.
Henrietta the matchbreaker feels some responsibility for his predicament. The ton will know that she pronounced judgement on his unsuitability, without knowing the reason why. So she agrees to help him find a wife.
But the more time they spend together, the more they realize that the only match that needs to be made, is one between themselves.
However, Cynsters only marry for love. And that was not what James was initially offering. He will need to convince Henrietta that he has changed his mind. Or rather that his heart has truly become engaged in a suspiciously short period of time.
All while trying to protect her from mysterious attempts to take her life, for a reason that no one seems to be able to determine.
Have they left it too late?
Escape Rating B:And Then She Fell is a well-told addition to the Cynster saga. Henrietta’s position as “The Matchbreaker” makes her different from the usual run of Regency heroines, as does her position as a late-20’s woman who is not a widow and not a wallflower. She’s interesting in her own person, and not just as another Cynster. (Not that the Cynsters aren’t plenty interesting all by themselves!)
James Glossup was not particularly different from any other Regency male, at least as seen in this story. There are references to his having been a “wolf”, but in this outing he seems relatively tame. His “wolfish ways” might have been more apparent in some of the stories I missed.
The wonderful thing about the Cynster series is that it is terrific to see the members of the clan again, however briefly. One of the great things that happens is that when there is trouble, and there inevitably is trouble, the hero or heroine is not alone. She, or he, has all the resources of this marvelous family at their disposal. Henrietta needs help, and the Cynsters deliver. One of the best parts of And Then She Fell is that when Henrietta needs assistance, she calls on the Cynster women, and not the men, to come to her aid. And they deliver!
There are so many Cynsters that the family tree in the front of the book is absolutely required!
The mystery in the story concerns the identity of the man trying to kill Henrietta, and his true motives. The author did a pretty good job concealing the who and the deeper parts of why until the very end. Well done!
***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.
Today’s guest on Reading Reality is Irina Lopatina. She is here to tell us a little bit about her writing life, and her life in Siberia. And, of course, to talk about her fascinating debut epic fantasy, White Raven: the Sword of Northern Ancestors.
But before you take a look at the review, let’s hear from Ms. Lopatina …
Marlene: Please tell us a little about yourself. What is life like in Siberia?
Irina: On the one hand, when living in Siberia, you are in quite civilized conditions. For example, like many others here, I grew up in a comfortable apartment house, went to kindergarten and to school, studied at the university and had interesting work. But once you move away from the town, away from usual tourist routes, you find yourself in a completely different world, in the world that existed millions of years before you and that is able to progress even if there are no humans here at all. Siberia is so majestic that it quickly corrects people’s idea about themselves as “kings of nature.”
Marlene: Could you describe a typical day of writing? Do you work from a detailed outline or do you just let the writing flow wherever it takes you?
Irina: Yes, when I work I always have a plan; it is not too detailed but supports the logic of the plot. First and foremost, this plan is made in order to “fix” the story, because if I let the writing flow freely, I will certainly confuse myself and my readers. It is sometimes difficult to control one’s own imagination. 😉
Marlene: What is your favorite scene in White Raven?
Irina: I like the moments when Vraigo wanders in the forest and communicates with evil forest creatures. For example, I like the scene with the yaga. This forest witch turned out to be an amusing character who is supposed to be extremely evil, but in fact she is not. She is a sort of old grumpy neighbor who knows everything about everybody and is sometimes even ready to play pranks, but overall, she is a pretty charming creature. There is a role of a comic old woman in the Russian theater. My yaga would succeed in such a role.
Marlene: You’ve done something unusual in White Raven, you’ve taken your fantasy characters and brought them to the modern 21st century for part of the story. What inspired you to make this twist in your epic fantasy?
Irina: Yes, there are quite conflicting opinions of this turn of events. However, this travel to our time is an essential and logical part of the White Raven story. It is not caused by a desire to show originality, especially because such ideas are quite widespread in literature and in cinema. One of the key questions that are raised throughout the story is that of magic. Let us suppose that there was magic in ancient times (all the legends and myths tell us about this)–– where did it disappear from our world? While in the 21st century, Vraigo finds only small remnants of this miracle, which are concentrated in certain ancient objects, places and people with special abilities. Honestly, I really wanted to think about this subject, and looking at the matter from two points of view (the ancient hero and our contemporary friend) seemed to me more complete.
Marlene: You’ve said that you tried not to follow the style of other authors, but who are your favorites?
Irina: If we talk about fantasy, I like the brothers Arkady and Boris Strugatsky, Stanislaw Lem, and Ursula Le Guin. But I don’t think it is necessary to mimic their style.
Marlene: You’ve said that you enjoy traveling. Is there any special place that you’ve always dreamed of traveling to? Why that place?
Irina: Actually, I almost never travel to any particular destination. My style of traveling is rather a journey or cruise. I want to see everything. Perhaps, ideally, I want to go on a world tour!
Marlene: What projects do you have planned for the future?
Irina: As a rule, I do not talk about my unfinished projects. It is difficult to discuss what doesn’t yet have its final form. But each of these projects has some sort of a key idea that makes its way through the texture of the story. In White Raven it was a struggle (perhaps, that is why the story turned out to be trilogy – the process of struggle is endless), but now I would really like to write about freedom.
Marlene: Where do you see yourself in five years?
Irina: As usual, at my computer. 😉
Marlene: The seasons in Siberia are extremely different from one another. Which one is your favorite?
Irina: Well, I have a rather complex attitude about seasons. I love each of them, and I always look forward to them. I look forward to the first snowfall, and then the time the snow will melt. I wait impatiently for summer, which manages to annoy me in the end. And, in fact, who will endure six months of cold winter? Or the unbearable summer heat with the very distant prospect of New Year holidays? There is a song in Russia: “I always miss something – winter, summer, autumn, spring.”
What an interesting song! But the weather sounds a lot like Anchorage, and I don’t think I ever missed those six months of winter, although some people must have. 😉
Thank you so much for being such a terrific guest!