How many best books?

In time for everyone’s holiday shopping, the best books of 2011 lists are popping up everywhere. This is in spite of the fact that 2011 still has two whole publishing months yet to go!

And maybe it’s me, but I kind of expect best books lists to be organized in lists of “top tens”. You know what I mean, the top ten books of the year, and then the top ten fiction, the top ten mysteries, top ten science fiction, top ten romance, etc., etc., etc.

Amazon’s Top 100 Editor’s Picks went up on the Amazon site on November 8, but they also picked the top 10 books in each genre, grouping, or what-have-you. Admittedly, Amazon’s purpose is to sell books, but somebody still had to sit down and think about which ten books to highlight, even in such esoteric categories as “Quirky & Strange”, which is where they slipped in Go the F**k to Sleep and Pat the Zombie.

As far as I’m concerned, as long as they’re talking about reading, and about giving people books, whether print books or ebooks, for holiday presents, it’s all good.

But, but, but, you’re wondering why I took a look at this? I’m not going to critique the selections. As long as people are reading, it’s all good. Amazon treated every genre and every reading taste equally. If I looked hard enough, I’m sure they forgot someone, but at least they tried.  And if someone wants to debate Amazon’s choices, that person is still talking about reading!

The Publishers Weekly 2011 best books list was released on November 4. The web app to view the list is very cool.  But this time, I am going to debate the contents of the list. It’s not so much what’s on it, but how many. There are only 9 mystery and thriller titles. Just 9.  This is not about whether those 9 are or are not awesome (I know one of them is definitely awesome) but shouldn’t this be a top ten list? Really?

PW lumps Science Fiction, Fantasy and Horror into one big basket. One big and relatively empty basket. There are only six books mentioned, and all are from small publishers. While highlighting small publishers is terrific, it does make me wonder that none of the big SF or Fantasy titles were good enough to be on their best books list? Not Magician King or Wise-Man’s Fear or Embassytown? Or Ready Player One, which everyone has raved about. Even more interesting, the science fiction blogger named her four honorable mention titles; The Heroes by Joe Abercrombie, Broken by Susan Jane Bigelow, The Dragon’s Path by Daniel Abraham, Dead Iron by Devon Monk. Why not just give SF/F/Horror a top ten list in the first place?

There are only 5 romance titles listed. This is something I find just plain impossible to believe. There weren’t 10 best romances? Why not? Where does paranormal fit into this mix, because there wasn’t a paranormal title among the five chosen. And Archangel’s Blade, Heart of Steel, and Dragon Bound show up on an awful lot of lists this year.

But it’s not about which particular titles I would personally choose or not choose. It’s about the fact that, even taken as a whole, none of the major fiction genres were considered worth 10 “best books” recommendations on a list with an seemingly elastic number of slots.

For the kids who read the recommended books like A Monster Calls and Legend and Daughter of Smoke and Bone, where are the similar numbers of fantastic genre recommendations for when they grow up?

Slip Point

The most fun part about Slip Point by Karalynn Lee can be described in two words: “Space Pirates!” It makes me grin every time I even think about it. And I defy anyone to not be reminded of Firefly, just a teeny little bit. Very shiny.

But the roots of Slip Point rest in an entirely different science fiction epic. At the opening of the story, Jayce and Shay are just a boy and a girl growing up on a backwater planet, dreaming of going into space. Pretty much like Luke Skywalker dreamed of getting off Tatooine. Or, come to think of it, the way that James T. Kirk dreamed of leaving that Iowa cornfield, and Jean-Luc Picard dreamed of leaving his family’s winery in France. All of them were once-upon-a-time planetbound children dreaming of space. But then, aren’t we all?

Jayce and Shay watch the ships coming to their “Steader” world, a planet that has deliberately chosen to use as little technology as possible. They are waiting until Shay is old enough to go off-planet and take the Academy entrance exams without her mother’s permission. Jayce is a few months older, and his family is less rigid about him remaining at the family “Hearth”. But then, Jayce has siblings and Shay is an only child, her father is long dead. Or so she has been told.

But when they finally take that exam, and Jayce and Shay are within moments of seeing all their dreams come true, Shay’s dreams shatter into pieces. Her father is not dead. Daddy Dearest is an infamous space pirate. And the Space Corps didn’t want any applicants whose parents were infamous, and infamously successful, pirates. Shay left her dreams behind in the recruitment office. Along with Jayce. She abandoned her best friend, her first and only lover, without a single word of explanation, because Jayce was able to fulfill their dream, and Shay couldn’t.

Shay took a completely different course. If her father kept her from joining the Space Corps, then she figured that he owed her a pilot’s berth. So Shay went looking for pirates.

Ten years later, Shay has become her father’s second-in-command. Not because she’s his daughter, but because she’s earned it. Not by being ruthless, but by being discriminating, and still profitable. Now he has a special job for her–a job that will involve government bureaucrats, newly discovered aliens, xenophobic terrorists, the Space Corps–and Jayce.

What Jayce can do to her heart is way more dangerous than anything the terrorists or even the military might possibly want to shoot her with.

Escape Rating B: I enjoyed the world-building, and I liked the character of Shay quite a bit. She’s definitely a strong enough character to be in charge of her own ship. I found it refreshing that she didn’t wait around for someone to rescue her when her dreams fell apart, she created her own “plan B” and carried it out. At the same time, she did it with the kind of thoughtlessness that would be typical of someone that age, filled with anger that Jayce got the dream and she didn’t.

There are elements of other female space opera heroines in Shay, I saw a lot of Ky Vatta from Elizabeth Moon’s Vatta’s War series. That’s a good comparison, I loved the Vatta’s War series and wish there were more. There is also a space piracy element in Vatta.

Which brings me to the thing that bothered me. Because Shay’s planet has such restricted access, Space Corps must know that Shay hasn’t seen or heard from her father. Why does his existence bar her from entry into the Corps? Something wasn’t explained there, or I’m just used to the average Space Corps being way more omnipotent, or at least omni-aware, than this one.

Shay and Jayce haven’t seen each other in ten years, but they were each other’s first love, first kiss, first everything. She left a gaping hole in his heart when she ran out. They need some serious healing to find their way back to each other, and the story works through that. They don’t pick up where they left off, and it shouldn’t.

One last thing, this book is too short! I want more of this world.  The story needed more details and background than the author had time to tell. And there are all sorts of interesting things going on, including first contact. Let’s come back here again.

The Lady’s Secret

The Lady’s Secret, by Joanna Chambers is a sexy and suspenseful Regency-era romance slightly reminiscent of that wonderful movie, Victor/Victoria. And just as in the movie, the lady has more than one secret, people see what they expect to see, and the clothes make the man, or woman.

Georgiana Knight and her brother Harry are part-owners of London’s Camelot Theatre. But in 1810 London, working in the theatre, even owning one, is not exactly respectable. And that’s the story of their lives. Georgy and Harry know that their father was the second son of the Duke of Dunsmore, but their mother was an actress. Their parents were married, they just can’t prove it–and the Duke disowned their father when he married their mother. As long as their father was the second son, it didn’t matter quite so much, and their parents had a very happy and loving marriage.

But the oldest son died without an heir. Which makes Harry the Duke of Dunsmore–except he can’t prove it. Their parents are dead, and their marriage lines seem to have disappeared without a trace. Harry wants to search the Dunsmore country estate, but he’s been there, and been thrown out.

Georgy decides to help Harry, one last time, on this mad quest to secure their birthright. She tries to get hired as a servant in the Dunsmore household, but they’re not hiring. Then her friend Lily discovers that one of the current Duke’s friends needs a valet, and that said friend is invited to a houseparty at the Duke’s estate in six weeks time. All Georgy has to do is get herself hired as Lord Nathaniel Harland’s valet, and survive in that position for six whole weeks. And to be a valet, she has to transform herself into a man.

Georgy has spent most of her life in the theatre. Not as a actress, but behind the scenes, doing props, scenery and makeup. She has also been blessed with a relatively slim and boyish figure. She sacrifices her hair, binds her breasts, and dresses herself from the costumes available. She doesn’t try to stand out, she tries to fade into the woodwork, she makes herself invisible. Capable, but otherwise nondescript. It works. She’s hired.

There’s only one thing that Georgy doesn’t count on. She finds Nathan Harland devastatingly attractive. And he thinks she’s just his valet. Not merely just another man, but part of the furniture, at that. She has to watch him bathe, help him dress, even shave him, all while pretending that she doesn’t see him as anything other than her employer, instead of as the first man to make her heart beat faster.

Nathan sees Georgy as a young man named George Fellowes. He likes George, finds him soothing to be around. George is always efficient, always careful, and knows exactly what to do to make his life easier. Until one incident when Nathan realizes that he might possibly be attracted to his young valet, and is totally unnerved by the realization.

Then one evening when he returns unexpectedly from an evening out, and discovers George in his, Nathan’s rooms, taking a bath, and finally realizes that the young man he has been attracted to is not a young man after all.

Escape Rating B+: There were two plots going on in this book; the romance between Nathan and Georgy, and the recovery of Harry and Georgy’s inheritance and the villain’s quite nasty attempts to prevent that recovery. Both come to a lovely happily ever after at the end. The irony of the villain providing the solution to the puzzle was quite delicious.

There are multiple points of view about gender identity and homophobia or the lack thereof in this society. For what would otherwise be a pretty light story, there’s a fairly serious discussion going on here.

Georgy spends most of the book successfully pretending to be a man. There will be questions about whether that would have been possible. There are a lot of historic precedents, not in upper class service, but in wartime, in the American Revolution and the U.S. Civil War on both the Union and Confederate sides. So before and after this time period. It clearly could be done  if the person could avoid needing medical attention, which Georgy does.

Once Nathan reveals that he knows what Georgy is, his every action reveals the secret to the entire universe. The charade should have fallen apart at the point, but somehow it doesn’t. But I was enjoying the story enough that I didn’t let it bother me too much.

Victor/Victoria is about a female singer who can’t get work as a woman, so she pretends to be a man who works as a female impersonator. In other words, a woman pretending to be a man pretending to be a woman. However, the scene where the man who is attracted to “him” and has never been attracted to men before, discovers that Victor is really Victoria is when he spies Victoria taking a bath. The scene is a classic. So is the movie.

Ebook Review Central for Samhain Publishing September 2011

This is the third issue of Ebook Review Central. And it is your guide to the Samhain Publishing titles for September 2011.

If you are interested in how this feature came about, or earlier issues, please check out the posts on Carina Press and Dreamspinner for the gory and not-so-gory details. But this week, the focus is on Samhain.

Samhain published 19 ebook titles in September. One of the surprising things about this list is how many Western titles there are. Three Westerns! Maybe there still is a wild, wild West out there someplace.

I always like to make a special note of which books got the most “buzz”, which ones were talked about the most on the list. The Samhain titles were really fascinating in this regard, because there were some huge review numbers racked up by a couple of titles.

Some of that is because there’s a time lapse, these are the September books, and it’s now early November, some of it is undoubtedly good marketing (more on that in a minute) and some is because there were some really great books in this bunch.

Samhain Publishing has done something that I find intriguing, both as a book reviewer and as a librarian. Samhain is participating in Library Journal’s ebook only review program, along with Carina Press. What is unusual about Samhain’s participation is that Samhain ebooks, unlike Carina’s, are not available to libraries on OverDrive. So why does Samhain participate? I confess to being terribly curious. (Full disclosure, I am one of the reviewers for Library Journal)

They certainly get some great reviews from librarians, published in Library Journal Xpress Reviews, and they get name recognition for both their ebooks and the print books. Why Samhain does not participate in OverDrive, I don’t know but I sure do wonder about. It must be a marketing thing.

But speaking of marketing, the first book with a lot of positive buzz this month is Cipher, by Moira Rogers. Not only did Cipher get 10 reviews, all very positive, but there was a lot more. In September, a Cipher giveaway, release party and chat session was held at Fiction Vixen. This was part of a big Southern Arcana Readalong conducted all summer long and cross promoted at Fiction Vixen, Smexy Books and The Book Pushers. It created a lot of anticipation and positive buzz for what looks like a terrific paranormal romance series.

Shiloh Walker’s Locked in Silence is book 5 in her Grimm’s Circle series. I chose it as my second featured book because Ms. Walker is an author who chooses to publish some of her work through traditional print publishers, and some, like her Grimm’s Circle series, through ebook publishers. The author, and the quality of the work, is the same. The popularity, and Ms. Walker’s work is very, very popular, is exactly the same. If hot paranormal romances with demons and angels are what you’re looking for, this series by Shiloh Walker might be a good place to start.

Last, but absolutely not least according to the review, is The Last Detail by Melissa Schroeder. 12 reviews, and all positive. If you like science fiction romance, that’s probably a buy recommendation right there. I’m also overjoyed to see this much interest in SFR! There was also a movie titled The Last Detail with Jack Nicholson from 1973. It’s also about getting someone back to prison, but I think the resemblances probably end there.

Next week’s Ebook Review Central will be the last one to cover September books. Up until now, I’ve been saying that “week 4” would feature a “player-to-be-named-later”. It’s time to name that featured publisher–except it’s going to be publishers, plural. Next week, Ebook Review Central will feature the September books from Astraea Publishing, Liquid Silver Books, and Amber Quill/Amber Heat/Amber Allure.

Tune in next week for another exciting episode.

Sauntering Vaguely Downward

Sauntering Vaguely Downward, by Nessa L. Warin, is a book about falling in love at a science fiction convention. It is a story that is, itself, in love with science fiction conventions. Sauntering is also an M/M romance.  Last, but not least, the title is an homage to the science fiction genre. It’s a reference to the demon Crowley in Terry Pratchett and Neil Gaiman’s masterpiece, Good Omens. For anyone who has attended a lot of cons, this story is sweet, fun and touching.

Dragon*Con is a five-day extravaganza of a con that takes place every Labor Day weekend in downtown Atlanta. It spreads across three major hotels and overwhelms them. The hotels don’t just sell out, they’ve learned not to bother letting mundanes book rooms, because unsuspecting mundanes and fen just don’t mix well at big cons. I’ve personally been there and done that, and the t-shirts are generally very messy.

Sauntering Vaguely Downward starts out with a “meet-cute” that is actually pretty common at cons. Dylan Rojers and Brendan Stone have arranged to room together at the Con, but they’ve never met in person. In their case, it’s because their usual con roommates have bailed for this con, and in Brendan’s case, his roommate also cancelled their room. Dragon*Con sells out months in advance, even with three major hotels.

They need to check-in for the Con and get their attendance badges as early as possible, because the badge check-in line is going to be incredibly long later in the afternoon. But Dylan is on time and Brendan is late. And hasn’t called. Brendan’s plane arrived late, and he just didn’t think about it. So when he finally does arrive, they’re both pissed at each other, and they get started off on the wrong foot. Both figure that it doesn’t matter, they each have friends they were planning to spend time with that they only see at cons, and they’ve split the cost of the room, so it’s all okay.

But it might be better than okay. Brendan and Dylan are both gay, but at the beginning, neither of them knows that about the other. And they have no friends in common, so it takes a while for the light to dawn. Especially since they start out way too annoyed with each other to find any common ground. At first they only thing they have in common is the Con itself, and a mutual love of the book Good Omens, except that Dylan thinks Terry Pratchett wrote the best parts, and Brendan is certain that Neil Gaiman did. This is almost as bad as the Mac/PC debate.

But Dragon*Con works its magic, and with the assistance of their friends, along with too much unidentified alcohol at a room party, they do manage to find out that they are very interested in each other, in spite of the somewhat rocky beginning. But the problem with Con romances is that the Con always ends. Is their five-day romance just part of the magic of the Con? And if it is, how will they make it in the real world of long-distance relationships?

Escape Rating C+: I enjoyed this book because I know what it’s like to be at a con. It brought back some pretty fond memories. On the other hand, I could easily see that for someone who didn’t have that experience, a lot of this would seem like an in-joke that they didn’t get. And even for me, the story went on too long. I know Dragon*Con lasts five days, but the story dragged at bit toward the end.

The experience of coming to a con, having a roommate you’ve never met, falling in love (or lust) at the con, wondering if it’s real or just con magic–that story is universal. It’s happening to someone,  somewhere this weekend, at a con near you.

Shadowlander

Shadowlander, by Theresa Meyers, had an absolutely terrific first 15 pages. I totally got hooked on the teaser pages. Consider me duly teased.

Catherine O’Connell can see the fae that inhabit our world. Except for her three sisters, no one else can. And it would be very, very dangerous for the fae to ever find out that she can see them. So, when ferretlike fae sample her best friend’s food at an outdoor cafe, Cate has to pretend she doesn’t see them. When a fae practically climbs into her friend’s cleavage, Cate can’t even let herself look, no matter how much she wants to go, “Eww,” just before she squashes the little perv like a bug.

But when the guy her friend Maya hooks up with after a personal ad online turns out to be a big, bad fae, Cate has a really big problem. Because Maya doesn’t know about the fae, and her so-called date abducts her right through a rift into faery realm.

Cate has an even bigger problem. Since she turned 16, she’s had her own personal fae stalker, named Rook. Rook follows her everywhere, all the time, and she can’t ever let him know that she’s perfectly aware that he sits behind her when she’s reading and breathes down her neck, or that she likes it. Or that she thinks he looks like he belongs on WWE, or that she thinks he’s hot.

Or that she’s just heard him tell one of his fae groupies that her best friend was abducted as a “war prize” for the upcoming “Invasion”.

Except that now she needs a way into the faery realm. And letting Rook know that she can see him might just be her ticket inside. It has absolutely nothing to do with the fact that she’s been dreaming of his touch for years. Does it?

And Rook. He is beyond astonishment when Cate reveals that she can see him. He’s been watching her fourteen years, since she turned sixteen. But Rook is much, much older than that. But knowing that she can see him changes the game. He had intended to capture her as a warprize, but if she can see him, then she is a Seer, a high-caste prize. Higher in caste than the Prince that he is. And he does not want to give her up to the Court. Rook wants her for himself.

Cate just wants to rescue her friend. These goals are not compatible. Not at all.

Escape Rating C: This is the teaser book for a longer series and it shows. The set up of the “Uplander” world (our world) was interesting, where the fae were here, but most of us couldn’t see them. The picture of the havoc they could wreck while we suspected nothing was both funny and nasty.

The fae world needed a LOT more explanation. Cate was a Seer. Because she could “see” the fae in the Uplander world. I got that part. What I didn’t understand was why that made her high-caste in the fae world or why all the Seers before her had chosen to stay in the fae realm. The book was too short for the world-building required. I would like to have seen it, I was definitely intrigued.

The next book in the Shadow Sisters series will come out in the Fall of 2012. Cate’s sisters will each get their own story.

Darker Still

Darker Still, by Leanna Renee Hieber, is a Victorian ghost story with a twist. The strange romanticism of Victorian spiritualism was particularly suited to this haunting tale of a painting that had captured rather more than just the likeness of its handsome subject.

Natalie Stewart was struck mute at the age of 4 when she witnessed her mother’s death under the wheels of a runaway carriage. When our story begins, the year is 1880, and Natalie has returned to her father’s New York City townhouse after her schooling in the Connecticut Asylum. The Asylum is a school for children with unfortunate handicaps like Natalie’s; some are blind, some are deaf, some are crippled, but all are well-to-do. As is Natalie, since her father is an important man at the Metropolitan Museum of Art.

An intriguing new painting has arrived in New York. It is a portrait of the late Lord Denbury. Denbury is a compelling subject in his own right, young, aristocratic and handsome. Dead by his own hand just after the portrait was completed, distraught over the death of his parents. His case is tragic. But there is something about the painting itself: it seems as if the man’s spirit inhabits the painting, almost as if he is somehow alive in that canvas.

The story of the tragic young lord compels Natalie to visit the current owner of the portrait, Mrs. Northe, in spite of the fact that Natalie can only “speak” either by writing or by sign language. But Mrs. Northe is eager to meet Natalie.  She almost seems to be waiting for her…and Mrs. Northe knows how to sign!

When Natalie is brought before the painting of Lord Denbury, she is certain, she feels, that Denbury is trapped in the painting. Each time she looks at the painting, she sees that something has changed, something has been moved. In the painting, Lord Denbury is writing on the desk, asking her questions, communicating with her!

Natalie takes Mrs. Northe into her confidence, fearful that she will be thought mad. But when Mrs. Northe believes her, they conduct an experiment. Natalie touches the painting, and falls in–to the world of the painting, where Lord Denbury waits for her to save him.

On that other side of the canvas, Natalie must face her greatest hopes, and her greatest fears, in order to have the chance at a real life. The one thing that she feared her handicap had placed forever beyond her reach.

Escape Rating B+: This was a neat story to be reading the night before Halloween. Very gothic, with an added slice of the Picture of Dorian Gray thrown in for good measure. Just a slice.

While I enjoyed Natalie as a character, I found that having the entire story told from her first-person point-of-view to be a little limiting. I wanted to know a lot more about why the other characters were doing the things they did. Mrs. Northe’s motivations were not as clear as they might have been. Was her flirtation with Natalie’s father a ruse, or was she genuinely interested? Why did the demon choose Denbury in the first place? What society of devils? Who else is involved? I still have questions.

And how are Natalie and Denbury going to get out of the pickle they’re in? When is the next book?????

Tuesday’s Child

“Monday’s child is fair of face, Tuesday’s child is full of grace”, or at least that’s how the rhyme goes.

The book, Tuesday’s Child by Dale Mayer, while not totally full of grace, did tell a compelling story.

Samantha Blair has psychic visions. She sees death. Even more horrific, she sees it from the victim’s point of view, as it is happening. She experiences every stab, every slice, every broken bone. She doesn’t just feel the pain, every cut, bruise and broken bone manifests on her own body, the blood drips from her slashed skin, soaks into her ruined bed. But unlike the victim, Samanatha heals. More or less.

Sam has a gift. Or a curse.

Reporting her knowledge of a woman’s death only brings suspicion on herself. She knows. She’s tried before. But she tries again any. Because this time, she saw something that might be useful. Not just a ski-mask and dead eyes, but a ring. Something that could be identified.

The cop who takes her statement is merely skeptical. Sam knows that later, when the body shows up, he’ll be worse. But the one she practically mows down on her way out the door–he’s different.

Brandt Sutherland is in Portland on the track of a serial killer who has been nicknamed “The Bastard” for very good reasons. Sam’s visions turn out to be the best lead he’s ever had. And Brandt is considerably less skeptical of psychics than the average cop.  His best friend Stefan is one, and has proven himself both to Brandt and to the police on many occasions.

But Brandt is only on “temporary” assignment to Portland, and the regular cops are extremely hostile to Sam, especially as more bodies turn up. When a bad cop from Sam’s past blows into town, and then Sam becomes a media target, the situation heats up out of control. In more ways than one.

Escape Rating B-/C+: There were parts of this story I liked a lot, but there were a couple of things that drove me crazy. Brandt’s mom who runs betting pools at the Senior Center is a hoot! And I really liked Sam. She reminds me of Harper Connelly, the main character in Charlaine Harris’ series that starts with Grave Sight. Harper sees dead people. Or more specifically, Harper finds bodies and sees how they died. It is the same gruesome kind of gift. But without the blood.

I think what bothered me was the blood. Not in the squicked out sense. I’m watching the entire run of Bones right now. Having Sam experience the entire set of wounds makes my logic circuit go haywire. She’s losing too much blood, and she’s suffering too many broken bones to heal. Also she’s getting slashed up too much. Peritonitis should have killed her dozens of times over by now from her stomach and intestines getting cut. This happens to her body, not just the victim. When does she take antibiotics? All that blood loss, she doesn’t ever eat enough, or even get enough time to replenish her system.

I also wanted closure. The suspense part of this story was about Sam’s psychic visions of the serial killer. Why did Sam specifically have visions of this pervert’s crimes and no one else’s? Why did his “work” trigger her visions where no one else’s did? That question was never answered, and I really wanted it to be. We find out about everyone’s connection to the murderer, except Sam’s. We even find out about Soldier’s. Just not Sam’s.

I just want my HEA to be a little tidier, that’s all.

Beauty and the Werewolf

Beauty and the Werewolf is Mercedes Lackey’s latest visit to the Five Hundred Kingdoms. As always, the adventure is well worth the trip.

The Five Hundred Kingdoms is a land where “The Tradition” that invests, or perhaps infests, traditional storytelling has taken on a life of its own, to the point where the tropes actually have the power to force people to conform to those stories.

But sometimes it doesn’t work. Cinderella can only become Cinderella if there is a Prince of the right age to rescue her. Otherwise she’s a drudge forever. In the Five Hundred Kingdoms, those who can see “The Tradition” at work, and outwit it, become either mages or Fairy Godmothers. The first book in the Five Hundred Kingdoms series is The Fairy Godmother, and is well worth reading. Elena is definitely not a traditional fairy godmother!

Beauty and the Werewolf is a trope bender. It starts out as another Cinderella. Bella has two stepsisters, and her stepmother is a little vain and a little foolish. But Bella took her stepsisters under her wing, and Bella manages the household quite successfully. She is not a drudge. She is not abused. She avoided the Cinderella trap.

Bella visits Granny out in the woods, and stays late enough that she has to come home through the woods after dark. Bella’s already had two run ins with Eric, the Gamekeeper, and they’ve both been distasteful. Eric is a nasty piece of work. He victimizes any women he meets, knowing that most women are of a lower station that he is. Bella is a wealthy merchant’s daughter, and he can’t treat her the same. I thought the story was leaning toward Red Riding Hood, with Eric as the Big Bad Wolf. He was just right for it.

Then Bella got bitten by a werewolf on the way home from Granny’s. It turns out the werewolf is actually the local Duke. He’s been suffering under a curse for the past few years, becoming a werewolf every month since he turned 19. He wasn’t bitten. The Godmother can’t figure out who cursed him. But now that he’s bitten Bella, Bella has to stay in his castle with him, until they figure out whether Bella will also become a werewolf. And guess what? Eric is the Duke’s Gamekeeper. And his illegitimate brother. And his only contact with the outside world. And a jerk.

With the help of an enchanted mirror, Bella and the Godmother are able to see what “The Tradition” wants her to do. Most of those stories involved some pretty sad endings for Bella. “The Tradition” doesn’t care about the people, it only cares about fulfilling the story. But while Bella was busy protecting herself from Eric the jerk, she was also helping Duke Sebastian research his curse. Bella and Sebastian spent a lot of time together while Bella learned about magic and Sebastian just got to enjoy having someone else around besides Eric the jerk.

So Bella may have been thoroughly protected from the story of “The Rake’s Reward” but she was not in the least armored against “Beauty and the Beast”.

Escape Rating A: This story rides on whether or not you want to spend time with Bella. I did. Bella is very managing. She manages her family, she manages her time, she manages her life. Getting bitten is probably the best thing that happens to her, and possibly them. She gets a vacation!

I’m serious, in a way. Once she and her father are able to communicate, she is able to enjoy herself. She is also in a position to take a look at her life, and make some real discoveries. Learning about “The Tradition” is a real eye-opener. It’s been trying to manage her exactly the way she’s been managing her family. She doesn’t like it at all.

There is a lovely nod to the Disney movie, without being cloying. There are invisible servants. They don’t talk, but they can move objects, and some the loyal servants who were cursed with Sebastian. Very nicely done.

Ebook Review Central for Carina Press September 2011

This issue of Ebook Review Central is your guide to the Carina Press titles for September 2011.

Carina published 19 titles in September! For each title, I’ve listed the usual basic info, the title, author, if it’s in a series, suggested category listings from the publisher, the retail price and the ISBN so you can buy it from your favorite ebook pusher. Oops, I meant supplier. No, I meant seller. (If ebooks are your drug of choice, you know already what I mean).

There’s a cover picture, only going to show that we do judge books by their covers.

Following the basic info, there’s the all important grid of review links as of yesterday, 10/23/11. The grid includes the name of the reviewer (if the site provided a name), the name of the site, a link to the actual review, and the grade or rating if one was given.

Grades and ratings generally come in two flavors. Some reviewers grade on the letter scale, A through F. A is great, F is awful, just like in school. Some things never change.  Others rate on a numeric scale, usually but not always 1-5 with 5 being fantastic. Those ratings are represented as 3/5 or 4/5, meaning a rating of 3 on a scale of 5 or  4 on a scale of 5. Occasionally, a rating will defy reduction to either a letter or numeric rank. Those will be posted verbatim.

This first time, and in future issues,  I plan to feature two or three books, based on the reviews and ratings of my fellow book bloggers. These are the books most buzzed about from the publisher listed in the past month.

For the Carina September titles these are the books with the most buzz:

Altered Destiny by Shawna Thomas not only received 8 reviews, but those reviews were almost all positive to the max. Also, Romantic Times (otherwise known as RT Book Reviews) doesn’t review a lot of ebooks, so when they do review one, it’s worth sitting up and taking notice. The reviewers describe this as a tempting read for those Urban Fantasy fans out there.

 

 

My second pick is Redemption by Eleri Stone.

There are a lot of excellent reviews, one as recent as this weekend, so word is still going around. This looks like a good book for those who like shapeshifter romances, and that’s a pretty big audience!

 

Last, but certainly not least, a romantic suspense title. Deadly Descent by Kaylea Cross has been reviewed all over the blogosphere so far, everywhere from Dear Author to Smexy Books to the Maldivian Book Reviewer. This romantic suspense title will particularly appeal to those who like to see some military action.

 

 

That’s all for this week. Please come back next Monday for the Dreamspinner Press September review roundup.