Stacking the Shelves (120)

Stacking the Shelves

As you read this, I am at the American Library Association Midwinter Conference, which is being held in Chicago. While voluntarily going to Chicago in January may seem strange, it could be worse. Last year the conference was in Philadelphia. We may be cold in Chicago, but we’re not snowed in. Or out.

Actually out might not have been so bad. It is way warmer back home in Atlanta than it is in Chicago in January. Oh well, the June conference is in San Francisco. But then again, there’s that famous Mark Twain quote: “The coldest winter I ever saw was the summer I spent in San Francisco.”

For Review:
Behind Closed Doors (DCI Louisa Smith #2) by Elizabeth Haynes
The Belles of Williamsburg edited by Mary Maillard
Below the Belt (Worth the Fight #3) by Sidney Halston
BiblioTech by John Palfrey
The Dead Key by D.M. Pulley
The Diamond Conspiracy (Ministry of Peculiar Occurrences #4) by Pip Ballantine and Tee Morris
Footsteps in the Sky by Greg Keyes
The Kill Shot (Jamie Sinclair #2) by Nichole Christoff
Never Too Late by Robyn Carr
The Poser by Jacob Rubin
Uprooted by Naomi Novik

Purchased from Amazon:
Against the Cage (Worth the Fight #1) by Sidney Halston
Full Contact (Worth the Fight #2) by Sidney Halston
Kingston 691 (Cyborgs: Mankind Redefined #2) by Donna McDonald

14 for 14: My Best Books of the Year

 

2014 digital numbers

I do three different “best of the year” lists in different contexts. This is my personal list, but…I also do a Best Ebook Romances of the year for Library Journal, and I’m one of the judges for the SFR Galaxy Awards, which is effectively a best SFR of the year list.

So there are repeats. After all, if it was one of the best in one context, there’s an awfully good chance it will be one of the best in another if applicable. Even so, when I looked at my A+, A and A- reviews for the year, I had too many choices.

That being said, I have wondered whether I could (or should) keep going with the theme of “besting” the same number of books as the year. So far, it is working all too well.

bollywood affair by sonali devIn the romance category, I have three that stood out from the other terrific books I read this year. A Bollywood Affair by Sonali Dev was an absolute standout. (It’s also on my LJ list). Dev’s book is a slow burning romance and an introduction or exploration into Indian-American and Indian culture. Her heroine is a good girl with a little bit of defiance, and her hero is a bad boy who discovers how much fun it can be to be good.

Jeffe Kennedy’s Mark of the Tala is a great fantasy romance and the first book in her Twelve Kingdoms series. In this one, what I loved was the number of different ways that the road to hell gets paved. Her hero and heroine want to do the right thing for both their peoples, and are lucky enough to fall in love in the process. But this is a story about the fight for the soul of two kingdoms, and a lot of men do evil in the name of either good or power. This one goes surprisingly well, if sadly, with Maleficent.

Robin York, better known as Ruthie Knox, told one of the best New Adult stories I have read so far in the genre in Deeper and Harder, the story of Caroline and West. These are real people facing real problems, including a “wrong side of the tracks” type of love story. They overcome a lot of obstacles, with a lot of love, but also quite a bit of heart-rending pain.

No Place to Hide by Glenn GreenwaldI read a bit more nonfiction than usual this year, and two titles have stuck in my head long after I finished. Partially for the topics they cover, and also significantly for the marvelous writing style. No Place to Hide by Glenn Greenwald reads like a spy thriller, but it is a cautionary tale about the case of Edward Snowden, the NSA papers he released, and the subsequent persecution of the reporter who covered the story. It will make you look at everything you read that purports to be true with a much more critical eye.

Forcing the Spring by Jo Becker reads like a legal thriller, but it tells the story of the fight for marriage equality using the lens of the case against Prop 8 in California. Becker was embedded with the legal team during the five years that this case wound its way to the Supreme Court, and her “you are there” style of reporting will keep you on the edge of your seat.

ryder by nick pengelleyTwo books don’t fit into categories at all well. Ryder by Nick Pengelley is action/adventure, with a heroine who is a combination of Indiana Jones, Lara Croft and Robert Langdon from The DaVinci Code. Ayesha Ryder kicks ass, takes names and discovers secrets that weren’t meant to be revealed in a delightful thriller.

The Bees by Laline Paull feels like a bit of an allegory – it is social commentary about human behavior disguised as bee behavior. But it is also a story about listening to your own inner voice and absolutely NOT blooming where you are planted. You will find yourself rooting for the bee, and laughing at some of her observations that hit close to home about both bees and us.

The urban fantasy series Mindspace Investigations by Alex Hughes continues to wrap me in its web. This year’s entries in the series are Marked and Vacant, and the one word titles represent something in the life of the series protagonist, Adam Ward. Adam is a recovering drug addict, a police consultant, and a telepath. He’s also in love with his equally damaged but otherwise normal police partner. The layers created in this post-apocalyptic but still mostly functioning version of suburban Atlanta are fascinating. It is just close enough to now to recognize what is still going right, and what went wrong.

queen of the tearling by erika johansenIn epic fantasy, my favorite this year was The Queen of the Tearling by Erika Johansen. This is in the classic mold of the hero who is raised in obscurity to become the ruler, but the hero is a heroine. This one has the feeling of the King Arthur story, but with a Queen instead. So Queen Kelsea is a fish very much out of water who has to learn fast to save her kingdom. Unlike so many retellings of the Arthur story, Kelsea operates in shades of grey; good choices can have every bit as costly an outcome as bad choices, sometimes more costly. She is learning by the seat of her pants while attempting to preserve her kingdom and fighting with everyone on all sides. A marvelous coming-of-age epic fantasy on a grand scale.

But this year, so many of my memorable reads were in my first love, science fiction.

Two books that I am not going to say a lot about because it’s all been said. These were bestsellers and were covered everywhere.

ancillary sword by ann leckieJohn Scalzi’s Lock In is a murder mystery wrapped in a near-future science fiction setting that, as is usual for Scalzi, has as much to say about our current society as it does about the future in which the book is set. This one works on multiple levels, and has a surprising twist that will tell you a bit about yourself as well. Great fun and an awesome read.

Ancillary Sword by Ann Leckie is a worthy sequel to the “sweeping all the awards winner” Ancillary Justice. This series is fantastic space opera with a unique point-of-view character from a galaxy-spanning empire with a fascinating culture and a very different way of managing its far-flung holdings. Whatever you might have heard about how good this series is – it’s even better than that.

damnation by jean johnsonJean Johnson’s Theirs Not to Reason Why series concluded this year with two books, Hardship and Damnation. Johnson’s series, like Leckie’s, is epic space opera, but Johnson is firmly in the military SF camp with this series. Her heroine rises through the ranks of the Space Force as the story is told, while she fights an interstellar war, first as a grunt, but eventually as Commander of the Armies. The thing that makes this series unique is that her heroine, Ia, is a precognitive who knows what has to happen, but still has to move heaven, earth, the central command, and everyone she ever meets into the right place at the right time to save the universe in a future that she will never live to see. Awesome from beginning to end.

Soulminder by Timothy Zahn was a complete surprise. Zahn is probably best known for his Star Wars fiction, but this is something completely different. As with Scalzi’s Lock In, Soulminder is SF of the laboratory type, where it is a scientific discovery that fuels the story arc. Also as with Lock In, there is a definitely plot thread about the way that humans will take something potentially good and pave the road to hell with it. (Soulminder was published before Lock In, so any resemblance is unintentional). For hard science SF, Soulminder has a surprising amount of story concerned with keeping one’s soul. It is a tale that embodies the principle “for evil to flourish, it is only necessary that good men do nothing.” It’s also about what happens when those good men stop doing nothing.

forever watch by david ramirezLast but not least, The Forever Watch by David Ramirez. If you threw Gorky Park, Blade Runner, one of Robin Cook’s medical thrillers and Anne McCaffrey’s The Ship Who Sang into a blender, along with spice from The Matrix and Madeline Ashby’s Suited, you might come up with a story that has some resemblance to The Forever Watch, but it wouldn’t be nearly as good. The Forever Watch is epic SF of the generation ship type, and it was one of those books that I shoved at people because I was so captivated. And it has one of those ending plot-twists that makes you re-think the entire story.

And that’s my top 14 for the year. 2014 was a wild ride, and I can’t wait to see what 2015 has in store! What were your favorites of 2014? Do share! We all need more awesome books to read!

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 12-28-14

Sunday Post

I reserve the right to change my mind. I thought I was going to get to the Best of 2014 post last week, but well, I gave myself a present for the holidays and read a couple of books just for fun instead of diving through the backfile to figure out which books this year were best. So this week instead. Because of the holidays, there isn’t much going on in general this week. No tours because this is probably not a good week for traffic for anyone.

Even though Xmas is over, there are still a few days left to enter the Christmas Wonder Giveaway Hop.

Life returns to normal, or what passes for normal around here, next week.

christmas wonderfinalCurrent Giveaways:

$10 Amazon or B&N Gift Card in the Christmas Wonder Giveaway Hop (ends 12/31)

Winner Announcements:

The winner of the $10 Amazon Gift Card in the Winter Warm Up Hop is: Linda T.
The winner of the ebook copy of Vacant by Alex Hughes is: Rhianna W.

damnation by jean johnsonBlog Recap:

A- Review: Thirteen Days in September by Lawrence Wright
B+ Review: Butternut Lake: The Night Before Christmas by Mary McNear
A+ Review: Damnation by Jean Johnson
Chrismukkah 2014
B- Review: The Quick and the Undead by Kimberly Raye
Stacking the Shelves (115)

 

 

secret history of wonder woman by jill leporeComing Next Week:

Mercenary Instinct (Mandrake Company #1) by Ruby Lionsdrake
The Secret History of Wonder Woman by Jill Lepore (review)
Best Books of 2014
Most Anticipated Books of 2015

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 11-2-14

Sunday Post

I love weeks when all the review books are in the “good to great” range, instead of in the “OK to good” range. It makes for an excellent week.

lj bestbooksSpeaking of good books, it’s that time of year when the “Best of the Year” lists come out. My first one has already been published, well, sort of. Library Journal has published its overall best of the year list online, but the annotated versions of the specific genre lists will be trickled out in November. I’m the author of the “Best E-Original Romance” section of the list. I didn’t make a note of when it was scheduled to appear, but Galen checked on each of my authors on twitter to see what they said as they found out. Too fun! I swear this is my favorite thing to do every Fall.

Speaking of things to do every year, or nearly; we’re moving again. We’re headed back to Atlanta after Thanksgiving (and hopefully before Xmas). It’s hard to believe that we just did this two years ago, and that we’re doing it again. (I never expected my life to be choreographed to Willie Nelson’s On the Road Again, I just don’t like country music that much.) We have to pack the books again OMG.

Current Giveaways:

Print copy of Burn for Me by Ilona Andrews along with some Burn for Me swag

Winner Announcements:

The winner of the $10 Gift Card in the Spooktacular Giveaway Hop is Amanda K.
The winner of one book in Jeffe Kennedy’s Covenant of Thorns series is Joy F.

burn for me by ilona andrewsBlog Recap:

A Review: Forcing the Spring: Inside the Fight for Marriage Equality by Jo Becker
B+ Review: Dirty Secret by Rhys Ford
B Review: The Unwitting by Ellen Feldman
A Review: Burn for Me by Ilona Andrews + Giveaway
A- Review: Duck Duck Ghost by Rhys Ford
Stacking the Shelves (110)

 

 

core punch by pauline baird jonesComing Next Week:

Ancillary Sword by Ann Leckie (review)
Core Punch by Pauline Baird Jones (review)
The French Executioner by C.C. Humphreys (blog tour review)
Manipulation by Eden Winters (guest review by Cryselle)
Not Quite Forever by Catherine Bybee (blog tour review)

Review: The Unwitting by Ellen Feldman

unwitting by ellen feldmanFormat read: ebook provided by the publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genre: Historical fiction, literary fiction
Length: 304 pages
Publisher: Spiegel & Grau
Date Released: May 6, 2014
Purchasing Info: Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Kobo, Book Depository

In CIA parlance, those who knew were “witting.” Everyone else was among the “unwitting.”

On a bright November day in 1963, President Kennedy is shot. That same day, Nell Benjamin receives a phone call with news about her husband, the influential young editor of a literary magazine. As the nation mourns its public loss, Nell has her private grief to reckon with, as well as a revelation about Charlie that turns her understanding of her marriage on its head, along with the world she thought she knew.

With the Cold War looming ominously over the lives of American citizens in a battle of the Free World against the Communist powers, the blurry lines between what is true, what is good, and what is right tangle with issues of loyalty and love. As the truths Nell discovers about her beloved husband upend the narrative of her life, she must question her own allegiance: to her career as a journalist, to her country, but most of all to the people she loves.

Set in the literary Manhattan of the 1950s, at a journal much like the Paris Review, The Unwitting evokes a bygone era of burgeoning sexual awareness and intrigue and an exuberance of ideas that had the power to change the world. Resonant, illuminating, and utterly absorbing, The Unwitting is about the lies we tell, the secrets we keep, and the power of love in the face of both.

My Review:

I liked this book way more than I expected to, so don’t let the black and white cover fool you. This is one woman’s story of not just her marriage, or not even just life in the 1950’s and 1960’s, but also a hard look at the secrets and lies that make up a marriage. It’s also a story about the lies we tell ourselves, and the questions about whether the ends justify the means. Especially when those means are very, very gratifying.

The Cold War seems quaintly nostalgic from the vantage point of the mid 2010s, but in the 1950s the conflict between the democratic and capitalist West and the communist and totalitarian east was very real. It was also the source of endless spy thrillers that now seem equally quaint.

In the 1950s and early 60s, the war was called “cold” because it was mostly fought with propaganda and ideologies. When it occasionally turned hot it was fought through intermediaries like Korea and Vietnam. Because there was a very real fear that if the U.S. and the U.S.S.R. ever engaged each other directly, there would be nukes flying and not just the end of the world as we know it, but quite possibly the end of the world, period.

But except for the possibility of a nuclear strike, the resemblance between the Cold War and the Great Game of Empires that preceded World War I is quite chilling.

On a political scale, this has all happened before, and it will all undoubtedly happen again. But for our narrator, the writer Nell Benjamin, it is the story of the underpinnings of her life being pulled out from under her.

When her husband is killed on November 22, 1963, Nell starts a long slow journey to re-examine everything she thought she knew about her husband and her marriage.

No, this isn’t an infidelity story, or at least it’s not about infidelity to her marriage. What Nell discovers as she researches her husband’s life and eventual death is that Charles Benjamin was unfaithful to all of the principles that she held dear, and that he never told her.

Nell was a hard-writing member of the liberal intellectual elite. She rubbed shoulders with Mary McCarthy and Richard Wright, and believed that the government was too intrusive, too overprotective, and most of all, too authoritarian. Like many young intellectuals, she had flirted with the Communist Party in the 1930s. She marched in protests against segregation and for workers.

She thought her husband felt the same. He became the managing editor of one of the many liberal magazines that flourished in the 1950s. But Nell was “unwitting”; she had no knowledge that the magazine was a front for the CIA. In the wake of her husband’s death, she discovers that her husband, on the other hand, was all too “witting”, he knew exactly whose money he was taking and what he was supposed to publish to earn it.

Her discovery turns her marriage into a lie. So she finds herself remembering both what it was, and what she thought it was, as she tries to figure out what to tell her daughter, and the world, about the man who she thought was a hero, but may have been a villain. Or certainly was a stooge.

Escape Rating B: “The past is a foreign country: they do things differently there” is one of the thoughts that kept running through my mind as I read The Unwitting. I don’t remember the 1950s, although I do remember the tail end of the 1960s. And certainly the post-WWII years were very much alive in people’s memories as I was growing up.

Anyone who participated in a “duck and cover” exercise in the 1950s and 1960s in school remembers how very real the Cold War was. Certainly the Vietnam War, the Cold War’s bastard child, was the defining event of my high school years.

So we have Nell, living the privileged life of an intellectual at a time when being an intellectual was not considered a dirty word. At the same time, she experiences casual sexism at a level that grates the teeth today, but was a part of every woman’s life in the 50s, 60s and even 70s. Women and men look down on her because she continues to work while pregnant, and keeps her writing career after she has her daughter. it wasn’t done, and the social pressure was enormous.

She thinks she’s lucky; her husband is not just the love of her life, but they share political and social goals and aspirations. She feels like they are working together. Her world-view crumbles when she discovers that he has been working for the CIA all along.

Her journey is to realize just how much she fooled herself into not knowing and not discovering all those years she thought they were in sync.

In a story where the personal is political, and the political is personal, I felt for Nell and her journey. I could understand both how she fooled herself, and how her feelings about her life went through a tremendous upheaval when she was forced to confront those truths.

And even though the particular historic events may not feel relevant in 2014, Nell’s journey to self-discovery and repairing of her past certainly is.

***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money or borrowed from a public library and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.

Review: Dear Committee Members by Julie Schumacher

dear committee members by julie schumacherFormat read: eARC provided by the publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genre: Contemporary Fiction
Length: 181 pages
Publisher: Doubleday
Date Released: August 19, 2014
Purchasing Info: Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Kobo, Book Depository

Finally, a novel that puts the “pissed” back into “epistolary.”

Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can’t catch a break with his brilliant (he thinks) work Accountant in a Bordello, based on Melville’s Bartleby.

In short, his life is a tale of woe, and the vehicle this droll and inventive novel uses to tell that tale is a series of hilarious letters of recommendation that Fitger is endlessly called upon by his students and colleagues to produce, each one of which is a small masterpiece of high dudgeon, low spirits, and passive-aggressive strategies. We recommend Dear Committee Members to you in the strongest possible terms.

My Review:

It’s the incredibly funny snark of Dear Committee Members that is being called out in reviews and summaries. And the book is an absolute screaming hoot for anyone who has ever had to navigate the “hallowed halls of academe” or any arcane, entrenched bureaucracy.

Each of the individual letters in Professor Jason Fitger’s voluminous collection of Letters of Recommendation (LORs) is bitingly funny and sarcastically skewering, sometimes both at the same time.

Fitger is honest to a fault about the qualities of the various candidates, as well as painfully and painstakingly clear about the situation in which he finds himself and his reasons for being willing to write the letters.

Because while Fitger is recommending (or sometimes damning with very faint praise) his current and former students for positions for which they may or may not be either qualified for or happy with, he also manages to couch his lack of enthusiasm in language of honesty and eloquence.

Especially the skewers.

At the same time, the situation at his college is dire, dangerous and emblematic of the problems facing the humanities in colleges today. The English Department doesn’t make money and doesn’t produce graduates who can donate large sums of money to the alumni fund.

And they are part of the national trend in replacing tenure-track positions with hordes of underpaid adjunct faculty who have no benefits and receive paltry stipends. All the money is going to marquee faculty in science and technology fields.

Fitger and his colleagues are being squeezed out, not just in a war of attrition, but also by being forced to work in a hazardous waste site. (The fax machine dies when a block of concrete crashes down from the ceiling above).

Through it all, Fitger writes letters. Each individual letter is funny as hell, but the overall picture he paints of the future of the college and of his own past carries an element of tragedy to it.

Underneath the snark, there is a cry for help and a sense of regret for things both done and not done. Underneath the paint, the clown is crying.

Escape Rating B+/A-: This is a hard book to rate. I read through it in a couple of hours, as I couldn’t wait to see Fitger’s trenchant take on his student’s capabilities. I was also mining each letter for clues about Fitger’s life and view of the world.

He’s looking both back and forward, and he’s not happy with either view. But he still keeps trying to save what can be saved, and to rage against the loss of what cannot. In the end, his reward (or perhaps punishment) for all his letters and voluminous attempts to save his department is totally fitting.

Read the letters for the laughs. You’ll be left with both a smile and a tear.

***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money or borrowed from a public library and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.

Stacking the Shelves (102)

Stacking the Shelves

So, I didn’t actually purchase the Humble Bookperk Bundle from Amazon, but Humble Bundle uses Amazon Payments, so it sort of counts. The current Humble Bundle includes a LOT of science fiction/fantasy/paranormal titles. So even though I already have copies of a few things in print, like American Gods and The Curse of Chalion, I couldn’t resist getting the whole thing in ebook, especially at the lovely Humble Bundle price. Check out the Bundle before it goes away!

For Review:
Ada’s Algorithm by James Essinger
Beauty’s Kiss (Taming of the Sheenans #2) by Jane Porter
The Cat, The Devil, the Last Escape by Shirley Rousseau Murphy and Pat J.J. Murphy
Flirting with Forever (Island Bliss #1) by Kim Boykin
High Moon (F.R.E.A.K.S. Squad Investigation #4) by Jennifer Harlow
The History of Rock ‘n’ Roll in Ten Songs by Greil Marcus
The Innovators by Walter Isaacson
Pie Girls by Lauren Clark
So We Read On by Maureen Corrigan
Tinseltown by William J. Mann

Purchased from Amazon:
Humble Bookperk Bundle

Borrowed from the Library:
Becoming Josephine by Heather Webb
Glamour in Glass (Glamourist Histories #2) by Mary Robinette Kowal
Summer House with Swimming Pool by Herman Koch
The Tale of the Dueling Neurosurgeons by Sam Kean

Review: The Girl in the Road by Monica Byrne

The Girl in the Road by Monica ByrneFormat read: ebook provided by NetGalley
Formats available: ebook, hardcover, paperback, audiobook
Genre: science fiction, literary fiction
Length: 337 pages
Publisher: Crown Publishing
Date Released: May 20, 2014
Purchasing Info: Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Kobo, Book Depository

In a world where global power has shifted east and revolution is brewing, two women embark on vastly different journeys—each harrowing and urgent and wholly unexpected.

When Meena finds snakebites on her chest, her worst fears are realized: someone is after her and she must flee India. As she plots her exit, she learns of The Trail, an energy-harvesting bridge spanning the Arabian Sea that has become a refuge for itinerant vagabonds and loners on the run. This is her salvation. Slipping out in the cover of night, with a knapsack full of supplies including a pozit GPS system, a scroll reader, and a sealable waterproof pod, she sets off for Ethiopia, the place of her birth.

Meanwhile, Mariama, a young girl in Africa, is forced to flee her home. She joins up with a caravan of misfits heading across the Sahara. She is taken in by Yemaya, a beautiful and enigmatic woman who becomes her protector and confidante. They are trying to reach Addis Abba, Ethiopia, a metropolis swirling with radical politics and rich culture. But Mariama will find a city far different than she ever expected—romantic, turbulent, and dangerous.

As one heads east and the other west, Meena and Mariama’s fates are linked in ways that are mysterious and shocking to the core.

My Review:

This relatively near-future piece of literary fiction was recommended to me because I generally like SF. After having finished, I’ll say that the near-future post-global warming setting does not an SF novel make–at least in this case. What the changes in climate have done to alter living patterns in Asia and Africa is futuristic, but I think this story could have found other ways to present the journeying aspects of the story that didn’t require climate change.

It felt like the SF elements were a bit of a gimmick.

What we have is a tale of two journeys; Meena travels from Mumbai to Djibouti, and Mariama travels west-ish across Africa to Ethiopia. Even though the two women’s journeys are a few decades apart, it’s seems clear that they are going to meet in the end. Actually also in the middle, but we don’t know that until the end.

As we learn from their alternating first-person perspectives, both women are fleeing something. And the event that they are fleeing is so terrible that they each obscure the triggering event in myth and metaphor.

Mariama has an excuse for not being able to deal with what she saw. As her story begins she’s only 8 or so years old. Running away from witnessing her mother’s rape and not being able to admit to herself what exactly she’s running from is a kind of mental self-defense.

Meena won’t let herself remember what happened to her because she committed a crime that she can’t bear to face. But she is an adult when it happens.

Meena doesn’t just retreat mentally, she takes herself on a physical journey of nearly mythic proportions. She walks from Mumbai to Djibouti on a construct called “The Trail”, a series of blocks resting on the ocean and harvesting energy from wave-power. There are no mapped communities on the Trail, it is illegal to walk on it. Meena thinks that she has undertaken the 6,000 kilometer journey to reach Ethiopia and find the woman who killed her parents.

Of course, it’s not quite like that.

Mariama is just fleeing the scene of her mother’s rape, and running from the otherwise certainty that she will be enslaved exactly like her mother was, and eventually suffer the same fate. Mariama runs to save herself, and she mostly succeeds.

Until the future catches up with her, and with Meena, in a way that rewrites both of their journeys.

Escape Rating C-: Because the ending is intended to be shocking, the history and background of the main characters is fairly obscured. Also, they are each narrating their own stories, and they are both extremely unreliable narrators; Mariama because of her youth and inexperience, Meena because of her incredible self-deception.

And Meena spends a chunk of her walk along The Trail pretty much out of her head. The reader is never quite sure whether the story she tells is actual experience, metaphor or the ravings of a madwoman.

The Trail itself, and the changes in world climates that make it possible, sound really cool. I would love to have seen more about the way that the world has come to be. The coping and lack of coping, and downright crazy that have manifested in the world’s people would make an interesting story.

The Girl in the Road just wanders around the edges of possibilities, but doesn’t ever get there.

***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money or borrowed from a public library and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.

Q&A with Author Eleanor Moran + Giveaway

Today I would like to welcome Eleanor Moran, who will be publishing the heart-wrenching friendship (and other things) story, The Last Time I Saw You (review here) later this month. Although I didn’t know this when I picked up the book, in addition to the TV series listed in her bio, she has also executive produced one of my favorite series, New Tricks. I knew I liked her writing, and now I know why!

Eleanor Moran Blog Tour

Q. What was your inspiration for The Last Time I Saw You? How did you first get the idea for the story?

last time i saw you by eleanor moranA. The Last Time I Saw You came out of two experiences – a hypnotic, seductive friendship I had at university which exploded in my mid twenties. It took me a long time to process the viciousness of the ‘break up’ and I wanted to write about the ambiguity and treachery of female friendship gone wrong. I also wanted to write about the ‘haunting’ that can take place in relationships we have in our thirties and forties. Livvy’s sister tells her “men move on, they can’t stand the silence” and I think it’s true. I wanted to write about that.

Q. Do you have a favorite character from the book? One who was a pleasure to right? Difficult?

A. I love all my characters! I fell in love with William, despite him being such a stuffed shirt. I sort of have to when I write a love interest. I loved the complexity of Sally, and I loved her, despite her selfishness and how bad she was for Livvy. She is mercurial and a trickster, and in drama those characters are vital. She can do unexpected, wild things. Livvy has a lot of me in her, as all my heroines do.

Q. If you could give just one piece of advice to fellow writers what would it be?

A. Gosh, I wouldn’t presume to advise other writers at my stage, but to newbies I would say… Do you know, I don’t know! Understand the market, but don’t be handcuffed by it, as you need to find your own voice.

Q. Who are your favorite authors? Who has inspired your writing?

A. I adore Rebecca. Daphne Du Maurier found something universal, and then wrote a deeply specific story. Beautiful Ruins. Loved that. The Fault In Our Stars. The Help. Heartburn. The Time Traveler’s Wife. For me it’s the books about rounded, flawed characters doing their very best in believable ways. If you look at my website – I wrote about my 10 favorite love stories. And romantic films.

Q. What’s next? Are you working on your next book?

A. I am hard at work on book 5. It’s about a young female psychotherapist who is forced to confront her past.

Eleanor Moran, photographed by Charlie Hopkinson.About Eleanor MoranEleanor Moran is the author of three previous novels: Stick or Twist, Mr Almost Right and Breakfast in Bed, which is currently being developed for television. Eleanor also works as a television drama executive and her TV credits include Rome, MI5, Spooks, Being Human and a biopic of Enid Blyton, Enid, starring Helena Bonham Carter. Eleanor grew up in North London, where she still lives.To learn more about Eleanor, visit her website or follow her on Twitter.

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Review: The Last Time I Saw You by Eleanor Moran

last time i saw you by eleanor moranFormat read: ebook provided by NetGalley
Formats available: paperback, ebook, large print, audiobook
Genre: literary fiction, women’s fiction
Length: 496 pages
Publisher: Quercus
Date Released: April 22, 2014
Purchasing Info: Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Kobo, Book Depository

When Olivia Berrington gets the call to tell her that her best friend from college has been killed in a car crash in New York, her life is turned upside down. Her relationship with Sally was an exhilarating roller coaster, until a shocking betrayal drove them apart. But if Sally really had turned her back, why is her little girl named after Olivia?

As questions mount about the fatal accident, Olivia is forced to go back and unravel their tangled history. But as Sally’s secrets start to spill out, Olivia’s left asking herself if the past is best kept buried.

My Review:

Sally Atkins was a star who burned bright and hot, and then flamed out. But The Last Time I Saw You both is and isn’t Sally’s story, because Sally isn’t the “I” in that title, she’s the “you”. The story begins with her death, and goes both backwards and forwards in time; back into Olivia Berrington’s memories of their intense friendship at university, and forward into a future that continues without Sally in it.

This is Olivia’s story, and the story of everyone who lived and died in the reflected glow cast by Sally’s incandescence.

Sally’s bright light has gone out. The story begins with her death in an auto accident. Her survivors are left with questions about how, and why, and can they go on? Especially Olivia, who used to be so close to Sally, and for Sally’s husband William and daughter Madeleine. Their world has gotten immeasurably darker.

But also become considerably more even-keeled. When Sally was up, she was all the way up. When she was down, she was completely down. When she loved you, you were the only person in her world, and when you fell out of favor, you were cast into the pit of oblivion.

Sally was bipolar, and she never revealed what she perceived as her weakness to anyone. She always cast every moment of her life as though she was the star, and any others were supernumeraries. And for those who weren’t willing to be hangers on in her life, she lied and she played off one against another, until she emerged as someone else’s victim. In reality, everyone was her victim, including herself.

And even though this is Olivia’s story, it is impossible not to focus on Sally.

In the wake of Sally’s death, Olivia finds herself dredging through her memories at the request of Sally’s husband William. He’s looking for good things to hold onto, in order to keep alive a vision of the perfect Sally who never was. All that Olivia finds is the relationship that set the pattern for her life. A pattern of settling for scraps and hoping she can placate the person she has allowed to control her life and well-being, and a pattern that she finally realizes she must break for good.

Olivia searches for the truth about Sally, but in the end, she also finds out the truth about herself.

Escape Rating A-: I picked this story because of it’s theme of losing touch with people who used to be close friends, and the reasons that we let people go. It was a concept that resonated.

But what kept me enthralled was watching Olivia’s slow transformation, as she continues to learn from her relationship with Sally, and all the ways in which the intense insanity of that relationship continues to influence, even control. her life.

At first, I kept looking for one big betrayal to explain how Olivia and Sally lost touch, but as I kept following Olivia’s story, I came to realize that it was much more than that. It wasn’t a single event, but a pattern of betrayals over and over, and Olivia finally broke free. But only after she’d sacrificed a bit of her soul.

I felt for Olivia, the way that she kept repeating her pattern with Sally, much in the same way that a victim returns to their abuser, or recreates an abusive relationship. She kept trying to understand the other person, instead of figuring out that the person she needed to take care of was herself.

Although this is definitely not a romance, Olivia does find romance. I loved Olivia’s journey, but I’m not sure that the story needed to finish with a semi-traditional happy ending. Olivia figuring out who she needed to be would have been more than enough for me.

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