Please welcome back Allison Pataki, who recently published the fascinating fictional biography The Accidental Empress (reviewed here).
How I came up with the idea to write about Sisi in ‘The Accidental Empress’
by Allison Pataki
Years ago, I was traveling through Austria and Hungary and the Czech Republic with my family. I am Hungarian-American by descent; Pataki is an odd-sounding and, yes, Hungarian last name. The purpose of the family trip was to visit the places from where our relatives had emigrated, almost a century earlier. This took us, then, to the lands of the former Habsburg Empire—the former realm once labeled on maps as Austria-Hungary.
While on this trip, I kept seeing striking images of the same beautiful young woman. She had this quizzical smile, this rich chestnut hair curled in these elaborate hairdos. I saw her face at every gift shop, museum, even in restaurants and hotels.
I asked someone who she was and the response was that she was “Sisi,” the most beloved of all Habsburg Empresses. I heard just a bit about Sisi’s epic and tragic life—about the legends that she grew her hair to the floor, that she was considered the most beautiful woman in the world, that every other foreign ruler at the time was in love with her. I sensed that she was a combination of Princess Diana and Marie Antoinette and Catherine the Great and so much more.
I read about how Sisi didn’t mean to seduce her sister’s fiancé the emperor, but did, at the age of 15. Just enough to whet my appetite! I went home and dug in, reading everything I could about Sisi’s story; what I found astounded me. Hers is a story of love triangles, love, lust, betrayal, and so much more. It’s an incredibly human story, told against a glittering and beautiful—yet dangerous and duplicitous—backdrop.
Sisi presided over the golden era of the Habsburg Court, in an age that gave us advances in culture and the arts and architecture, as well as advances in science and politics. Her family gave us the castle that we all know of as “The Walt Disney Castle.” Her family gave us the waltz and Wagner’s Ring Cycle and Klimt’s paintings. Sisi ruled at the time that a young Doctor named Sigmund Freud was just down the street in Vienna inventing the practice of psychoanalysis. And this reign of Sisi and Franz Joseph takes us right up to the doorstep of World War I. Her heir was the man who was assassinated (Archduke Franz Ferdinand), prompting her husband to declare war and setting off World War I, the greatest armed conflict the world had known to that point.
We’ve read about Anne Boleyn and the Tudors. We’ve read about Marie Antoinette at Versailles. We’ve read about the Medici in Italy and the Tsarinas in Russia, and yet, Sisi’s story is more compelling and complex than all of those, I believe.
I think people will really enjoy diving into the world of Sisi and the Habsburg Court.
In Sisi’s case, history is even juicier than any fiction I could have dreamed up. I was hooked—and I hope readers will be, as well.
About Allison PatakiAllison Pataki is the author of the New York Times bestselling and critically-acclaimed historical novel, The Traitor’s Wife. She graduated Cum Laude from Yale University with a major in English and spent several years writing for TV and online news outlets.The daughter of former New York State Governor George E. Pataki, Allison is currently working on her second novel, The Accidental Empress, to be published by Simon & Schuster in February 2015.
A lover of history, Allison was inspired to write The Accidental Empress by her family’s deep roots in the former Habsburg empire of Austria-Hungary. Allison is the co-founder of the nonprofit organization, ReConnect Hungary. She is a regular contributor to The Huffington Post and FoxNews.com, and is a member of The Historical Novel Society. Allison lives in Chicago with her husband.
Thanks to Allison Pataki and Simon & Schuster, one lucky winner will receive a $120 gift card to the ebook retailer of their choice (Amazon/B&N/iTunes)! Please enter via the Rafflecopter form. Giveaway is open internationally.
New York Times bestselling author Allison Pataki follows up on her critically acclaimed debut novel, The Traitor’s Wife, with the little-known and tumultuous love story of “Sisi” the Austro-Hungarian Empress and captivating wife of Emperor Franz Joseph.
The year is 1853, and the Habsburgs are Europe’s most powerful ruling family. With his empire stretching from Austria to Russia, from Germany to Italy, Emperor Franz Joseph is young, rich, and ready to marry.
Fifteen-year-old Elisabeth, “Sisi,” Duchess of Bavaria, travels to the Habsburg Court with her older sister, who is betrothed to the young emperor. But shortly after her arrival at court, Sisi finds herself in an unexpected dilemma: she has inadvertently fallen for and won the heart of her sister’s groom. Franz Joseph reneges on his earlier proposal and declares his intention to marry Sisi instead.
Thrust onto the throne of Europe’s most treacherous imperial court, Sisi upsets political and familial loyalties in her quest to win, and keep, the love of her emperor, her people, and of the world.
With Pataki’s rich period detail and cast of complex, bewitching characters, The Accidental Empress offers a captivating glimpse into one of history’s most intriguing royal families, shedding new light on the glittering Hapsburg Empire and its most mesmerizing, most beloved “Fairy Queen.”
My Review:
If the combination of The Traitor’s Wife (reviewed here) and The Accidental Empress tell us that the author has a penchant for writing historical biographies of young women who are thrust (or thrust themselves) into influential positions for which they are not exactly suited, then this reader is all for it.
The Traitor’s Wife shows the American Revolution through the eyes of a young woman who tries to bring it down. The Accidental Empress shows us the fall of the long-reigning Hapsburg dynasty of Austria. While we don’t see it in this book, Elisabeth’s life and trials lead in a slightly crooked line to World War I.
In some ways, Elisabeth’s story feels as if it happened in the Middle Ages. Her life as the Austrian empress shows a world that had not changed since the Hapsburgs first came to power in the 15th century. At the same time, the rest of the world is in the midst of the Victorian Era, with its explosion of revolutions and industry. Elisabeth was born in 1837, just months after Victoria took the throne in England.
But as I read this not-too-fictionalized biography of Elisabeth of Austria, the person she reminded me of most was Princess Di.
Like Diana, Elisabeth married at a relatively young age. She was only 15 when she met Franz Joseph, the emperor of Austria. When they married, Elisabeth was 16 and suddenly thrust into a “family business” of empire for which she was not prepared. Elisabeth was a member of the nobility in Bavaria, but had been raised in a particularly liberal (some may read that as neglectful) household. Finding herself in the midst of a court that thrived on rules and victimized any who deviated, Elisabeth was lost.
Her marriage was not just a love match, but even called a fairy tale romance. She met the Emperor because her older sister was considered a suitable match for Franz Joseph. However, when the families met, Elisabeth stole his heart. Unfortunately, she had more competition for that heart than she could have imagined.
Franz Joseph’s mother Sophie chose Elisabeth’s older sister Helene because she was shy and retiring and would not challenge her for control of Franz Joseph or insert herself into the political realm where the Archduchess Sophie ruled. Elisabeth was neither shy, nor biddable, nor retiring, and did not expect to share her husband with his mother. Elisabeth also expected that her husband would respect her opinions, or at least let her ease his burdens by discussing them with her.
Sophie, and expert in passive-aggressiveness, froze Elisabeth out of everything except the expectation to produce an heir, and managed to make it all seem like Elisabeth’s fault. Elisabeth, at 16, is no match for an experienced political operative like Sophie, and it takes her 14 years to achieve some kind of separate peace for herself. When this book ends, Elisabeth is only 30. As tumultuous as her life is up to that point, it seems as if it should have taken longer. It certainly must have felt like an eternity to her.
So this is the story of Elisabeth’s marriage, it’s failures and it’s successes, and her difficulties in making a place that is truly hers in a world that is changing, set amongst a hidebound court that refuses to see that the world is changing around it.
She is every bit as compelling to the reader, as she clearly was to her own people during her lifetime.
Escape Rating A-: Just like in The Traitor’s Wife, The Accidental Empress is also the story of two women. In this case, those women are Elisabeth and her domineering mother-in-law, Sophie. And while it seems as if their intense rivalry must be part of the fictionalization, it doesn’t seem to be. The worst things that are inflicted on Elisabeth are taken straight from letters and diaries of the time. (The Victorian Era in general is very well documented)
Some readers will want to shake Elisabeth for not having stood up for herself more effectively sooner. We tend to expect 21st century sensibilities from our heroines. But Elisabeth was living in the mid 19th century, and when she becomes empress she is only 16. She also goes into the battle unprepared, while Sophie had been a political operative and the power behind the throne for decades.
And most of us are much more capable of figuring out what we want and standing up for ourselves successfully at 30 than we are at 16.
At the beginning, I said that Elisabeth reminds me of Princess Di. Like Diana, Elisabeth came from minor nobility, and had been raised without the extreme rules and regulations of the court. The Imperial Court was a rigorously controlled environment where the denizens were constantly watched for signs of weakness. Franz Joseph was raised in the “family business” of empire, just as Prince Charles was raised in the Windsor family business of royalty.
Also both were considered fairy tale matches, with the royal marrying an extraordinarily beautiful young woman from the minor nobility. There were stories about the love match in both cases. Like Diana, Elisabeth was expected to present a pretty face for the empire, and her people were expected to follow her fashion sense and love her for her beauty. Both women were tasked with providing the proverbial “heir and a spare” and got pregnant relatively quickly.
And last but definitely not least, both women discovered that they had to share their husbands with another woman who had made a place in his heart long before their advent on the scene. Three is always a crowd, whether that third is a lover or a mother.
Elisabeth usually called “Sisi” by her friends and admirers, is a fascinating woman. Her fictionalized story brings her alive and makes her empathetic for contemporary readers. Her story seems both ancient and modern, a woman trying to make her own way in a world that she is not ready for, and is not ready for her.
Her legacy lives on. She is still a popular figure in Hungarian history. And it was the assassination of her nephew, the Archduke Franz Ferdinand, that served as the opening salvo of World War I.
***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money or borrowed from a public library and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.
Last weekend I was in Chicago for the American Library Association Midwinter Conference. Yes, Chicago in January. And it snowed. The 5th largest snowfall in recorded Chicago history. I used to live in Chicago and let me tell you, Sunday night the streets were as deserted as I’ve ever seen them. Next January in Boston. OMG.
One of the reasons I went to the blizzard was to participate in the ALA Notable Books Council. We spend two or two and a half days locked in a room together picking the 25 or 26 best books of the year, at least according to the collective us. Although the timing of the awards program couldn’t have been worse (in the middle of the blizzard and just as the Super Bowl was kicking off) the books we selected are awesome. If you enjoy literary fiction and excellent non-fiction, you might find something on the list for you. I hope so.
The real problem with going to a conference with 6,000 or so of my nearest and dearest friends is that I inevitably come back with a cold, or something of the flu-ish persuasion. All those people cooped up in an airplane with recycled air does it to me every time. On the plane flying home, I could just feel the crud creeping over me. Yuck.
The fake problem with going to the ALA conference is the temptation to pick up a print ARC of every interesting book in the Exhibit Hall. But then, I have to get them home somehow. Actually, just carrying them around the conference floor has become enough to disabuse me of that notion fairly quickly. Books are HEAVY!
p.s. When I did the Amazon look ups for these books, I discovered that Dead Man’s Reach (actually Deadman’s Reach) is also a brand of coffee.
It’s mid-January, and the weather in Atlanta is beautiful. So of course we’re planning a trip to someplace cold and possibly snowy. There are perfectly valid reasons why the American Library Association tends to hold its conference at what feels like the wrong time of year (Las Vegas at the end of June for example) and there are even more logical reasons why the conference returns to Chicago on a regular basis, but I ask you, who schedules a conference in late January in Chicago? I didn’t know we were the American Masochists Association, but it always feels that way at Midwinter.
At least the days are getting a bit longer again. But there is still plenty of time for reading!
I need to get to the library this week to renew my library card at my new/old library here in Atlanta. Because my old library card back in Seattle got cancelled. The post office change of address let them know that I was no longer a resident. And darn, because they had a good ebook collection. So we’ll see about the new place. I’ve discovered that I use the library a lot more when I actually work in it. I’m not sure whether that’s because I can usually convince someone to buy the books I want, or just the convenience. Picking your stuff up is easy when you’re there everyday!
Format read: ebook provided by the publisher via NetGalley Formats available: ebook Genre: historical fiction Length: 266 pages Publisher: Random House Alibi Date Released: January 13, 2015 Purchasing Info:Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Kobo
A crime that rocked a city. A case that stunned a nation. Based on the United States’ first recorded murder trial, Eve Karlin’s spellbinding debut novel re-creates early nineteenth-century New York City, where a love affair ends in a brutal murder and a conspiracy involving Alexander Hamilton and Aaron Burr erupts in shattering violence.
It is high time to tell the truth. Time for justice. . . . How she was murdered and why she haunts me. It is not only Elma’s story, it’s mine.
On the bustling docks of the Hudson River, Catherine Ring waits with her husband and children for the ship carrying her cousin, Elma Sands. Their Greenwich Street boardinghouse becomes a haven for Elma, who has at last escaped the stifling confines of her small hometown and the shameful circumstances of her birth. But in the summer of 1799, Manhattan remains a teeming cesspool of stagnant swamps and polluted rivers. The city is desperate for clean water as fires wreak devastation and the death toll from yellow fever surges.
Political tensions are rising, too. It’s an election year, and Alexander Hamilton is hungry for power. So is his rival, Aaron Burr, who has announced the formation of the Manhattan Water Company. But their private struggle becomes very public when the body of Elma Sands is found at the bottom of a city well built by Burr’s company.
Resolved to see justice done, Catherine becomes both witness and avenger. She soon finds, however, that the shocking truth behind this trial has nothing to do with guilt or innocence.
My Review:
This novel gets off to a slow start but comes to a slam-bang finish. It has the feel of both history and suspense, because it is both.
Elma Sands, the victim in this case, was a real person. The place where her body was found still exists in a New York City basement. I’m not sure which gave me more chills, the description of her short and tragic life and horrific death, or the author’s afterword describing her visit to the site.
City of Liars and Thieves is a story that proves that the more things change, the more they remain the same.
The story, and the case, center around the first publicized murder trial in New York. And it displays all the facets of the “blindness” of justice, or the lack thereof, that we still expect to see in contemporary sensationalized trials.
Elma Sands was a young woman whose body was found in a well in Manhattan, in what will someday become Soho. But in 1800, Manhattan is a fast growing city with a desperate need for fresh water. “Water, water everywhere and not a drop to drink” could easily describe the situation. Surrounded by salt water, there is nowhere near enough fresh water for the people who live there. A situation made even worse by the lack of sanitation practices at the time.
Elma lives with her cousin Catherine Ring in a boardinghouse owned by Ring and her husband Elias. Elma is a young woman who has shown some questionable judgment back in her small home town of Cornwall, NY, and Caty hopes her cousin can get a fresh start in the larger city. Also, she just plain misses her.
Instead, Elma’s faults drop her into an early grave, as a warning to anyone who would get in the way of much bigger plans by much more important people than Elma (or Catherine) ever expected.
Elma got herself caught in the struggle between Aaron Burr and Alexander Hamilton to create a bank outside Hamilton’s control. That struggle manifested itself in the creation of the Manhattan Water Company, a front for the creation of the Manhattan Bank (which still, in a strange way, exists).
The water company was a complete sham. It was a way of roping investors into a scheme that was bound to fail, but folded their money into the bank in such a way that the investors lost their shirts.
Elma made the mistake of telling one of the founders that she would expose him, based on pillow talk with his brother. Instead, she ended up in the bottom of a dry well, and the trial of her supposed murderer ended up as part of Burr and Hamilton’s presidential campaigns.
And the killer, beneficiary of his brother’s money and influence, got off scot-free. Or did he?
Escape Rating B: This story takes a while to set up, because there are so many historical factors in play. Caty and Elma’s relationship, Caty’s husband and their move to Manhattan, and finally, Elma coming to Manhattan already in the relationship that would eventually get her killed.
The stage also has to be set to show the continuing water crisis in Manhattan. We think of New York City as a place of abundance, both of wealth and material goods. Manhattan is the banking center of the city. But in Elma and Caty’s time, Wall Street was still mostly mud. The colonies as a whole had only been free for a quarter-century. This was a time when the U.S. was still more frontier than civilization.
Caty Ring is used as the point of view character. On the one hand, she survived, so she lives to tell the tale (and apparently did in real life). On the other hand, we are restricted to what Caty knows and does, or is reported to her. She is not privy to discussions with Burr and Hamilton, because in 1800 those gatherings were restricted to men. Her husband does not treat her as an equal partner, because he has myriad secrets of his own. In the dark, Caty forms her own conclusions about Elma’s actions and eventual death. Many of those conclusions turn out to be erroneous, both because Caty naively believed the best of people who obviously did not deserve it, and because she drowns in her grief as surely as Elma drowned in that well.
The suspense in this story, and the point where it starts moving at terrific speed, is when the accused murderer is brought to trial. The way that trials were conducted is both different and the same. The jury has to sleep at the courthouse, on the floor, until the trial is over and the verdict is rendered. The judge makes his bias obvious from the beginning of the case, and the amount of perjury condoned is jaw-dropping.
But the verdict in the end is the one that we expect. Money decides the case, and much of the reporting follows the accepted version rather than search for the truth. In the end, Elma’s virtue is on trial much more than her killer’s guilt or innocence.
And that is all too familiar.
p.s. Even if you don’t normally read the author’s afterward in a book, read this one. It’s even more chilling than the story.
~~~~~~TOURWIDE GIVEAWAY~~~~~~
This tour includes a Rafflecopter giveaway for a $25 gift card to the eBook Retailer of the winner’s choice + a copy of the book! The giveaway runs until midnight of the last day of the tour, which in this case is January 30th. Enter below.
***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money or borrowed from a public library and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.
The internationally bestselling author of Somewhere in France returns with her sweeping second novel—a tale of class, love, and freedom—in which a young woman must fnd her place in a world forever changed
After four years as a military nurse, Charlotte Brown is ready to leave behind the devastation of the Great War. The daughter of a vicar, she has always been determined to dedicate her life to helping others. Moving to busy Liverpool, she throws herself into her work with those most in need, only tearing herself away for the lively dinners she enjoys with the women at her boardinghouse.
Just as Charlotte begins to settle into her new circumstances, two messages arrive that will change her life. One is from a radical young newspaper editor who offers her a chance to speak out for those who cannot. The other pulls her back to her past, and to a man she has tried, and failed, to forget.
Edward Neville-Ashford, her former employer and the brother of Charlotte’s dearest friend, is now the new Earl of Cumberland—and a shadow of the man he once was. Yet under his battle wounds and haunted eyes Charlotte sees glimpses of the charming boy who long ago claimed her foolish heart. She wants to help him, but dare she risk her future for a man who can never be hers?
As Britain seethes with unrest and postwar euphoria fattens into bitter disappointment, Charlotte must confront long-held insecurities to fnd her true voice . . . and the courage to decide if the life she has created is the one she truly wants.
My Review:
England after the end of World War I was a different place than it had been before the war. An entire generation of young men had died in that war, leaving behind a generation of women for whom there simply would not be nearly enough men to marry for those that wanted to. Which meant that, in spite of the country’s desire to return to the gentler days before the war, there was a generation of women that was going to have to earn a living because there was no choice.
Women had spent the war years working at jobs that men did, for relatively good wages, and did not want to give those jobs and wages up. It was difficult to return to the kind of unskilled and unstimulating labor that they had left behind to become nurses and ambulance drivers at the start of the war. And there were too many families where the husband could no longer work because of war-related injuries, but the wife either couldn’t get a decent paying job, or her husband wouldn’t allow it.
Add to this the changes for those privileged, and those in service. A significant number of young people who would have gone into service for a wealthy and titled family before the war, went into military uniform and experienced a life with considerably more equality. Often it was the equal share in being shelled or gassed, and an equal share in the possibility of dying. But the world changed. Fewer people came back to service after the war, and the life of the privileged classes was forced to change, even if those changes went very much against the grain.
Think of the post-WWI world portrayed by Downton Abbey. The post-war period is markedly different from the pre-war. The universe had changed.
After the War is Over is the sequel to Robson’s excellent Somewhere in France (reviewed here). The point-of-view character is one of the friends of Lilly and Robbie from that first book. Charlotte Brown is radically different from Lilly and Robbie, bordering occasionally on downright radical.
Charlotte was a nurse during the war, but before and after she served as an aide to a constituency advocate in Liverpool. Charlotte’s job is to find aid and assistance for families suffering from the economic downturn. Even with all the women being fired from what are supposed to be “men’s jobs” there still aren’t enough jobs for all the returning soldiers.
While Charlotte is happy for Lilly and Robbie, and content in the job she is all but married to, something is missing in her life. Someone. Charlotte fell in love with Lilly’s brother Edward the day she met him. Unfortunately, any chance they have for happiness seems doomed. At first, Edward is caught in an engagement arranged by his parents when he was a child. Then, when his father dies and he inherits the earldom, he discovers that his father did a lousy job of managing the estates and that the death duties are ruinous. He breaks off his engagement and searches for a rich young woman whose family fortunes can repair his own.
But the real block to any possibility of happiness is Edward’s continuing depression and illness after the war. He feels as if he will never be a whole man after losing his leg, and he appears to be drinking himself into an early grave. Edward is suffering from shell-shock, but perhaps something more as well.
It will be up to Charlotte and her nursing skills to find out what is really wrong, and to make sure that he takes the care and cure that he needs. Even if she knows she is making it possible for him to be whole with someone other than herself.
She’ll be happy again. Someday.
Escape Rating A-: It’s easy to sympathize with a lot of Charlotte’s story. She is a career woman, long before it was cool. She has an inbuilt drive to do something about for the people who need help. It’s not just that she saw too much as a nurse, it’s the way she’s always been. She recites her own story in a public speech, off the cuff, and it explains so much about what motivates her.
She was also lucky in that her parents supported her goals, whether they completely understood them or not. Her situation contrasts strongly with Lilly’s, as Lilly had to fight to be her own person. Charlotte always was. While there is a difference in class, Charlotte is firmly middle-class, she also faced the expectation that she would marry and have children. Her mother worries that she won’t be happy without those things, but still loves the person she is, and doesn’t try to change her.
It’s good to see a story like this where the heroine has supportive parents and isn’t running away from a horrible, or even just stifling, situation.
A lot of this story is about women’s relationships. Not just about the friendship between Charlotte and Lilly, but particularly about the life Charlotte has created for herself as a single woman. Her friendships (and frenemy-ships) with her co-workers and her housemates are important. As is the late war that hangs over everything in the story.
Charlotte’s relationship with Edward reminded me a bit of Downton, specifically Matthew’s illness after the war and his engagement to the heiress Lavinia Swire. The way that his injuries affected him, the engagement to a woman who may have been the “right woman” to solve his family’s problems but was certainly not the one he loved, and the problems of class were similar to Edward’s predicament, his engagement, and his love for Charlotte. Nothing turns out quite the same, except the happy ending, but the situations are predicated on some of the same decision points.
After the War is Over is much less soap-opera-like over all. The central story is Charlotte’s becoming everything that she can be, and learning to love the life she has, in spite of difficulties thrown into the path of a career woman in the 1920s. Her happy ending is excellent icing on a well-told cake.
***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money or borrowed from a public library and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.
It’s Sunday and it’s freezing – do you know how your pipes are doing? We’ve lived in both Anchorage and Chicago, so it is always amusing to hear people get freaked when the temperature just drops into the 20s for a day or two someplace that normally has much better weather in the winter. (The first time I heard a freeze warning in Florida I had to pull my car over, I was laughing so hard).
But isn’t all this cold weather a perfect time to curl up with a good cat and a great book? Or the other way around, just ask the cat.
The holidays are definitely over. NetGalley and Edelweiss are back to their usual irresistible best, and well, I obviously didn’t resist. My find of the week is Anne Hillerman’s Rock with Wings. I loved her father’s books, and absolutely adored her Spider Woman’s Daughter. While I hoped she would continue, I didn’t see the announcement for the new book until this week. I can’t wait to read it!