Knight of Runes

Knight of Runes by Ruth A. Casie is a time-travel romance that didn’t live up to my high hopes for it.

The story begins in two places, or should I say, two times. In 1605, Lord Arik is on his way back to his manor. He has recently picked up two travelers, old Doward the tinker, and Lady Rebeka. The way to the manor is blocked by some fallen trees, and he has to split his party. There’s an ambush, and he has to fight his way back to Rebeka. He watches her fight, and is amazed. She uses a staff as a weapon, along with kick and throwing her opponents in a manner he has never seen or heard of. Women don’t fight in his world, and yet this one does, not just effectively, but as if it is as easy for her as breathing, or dancing.

The story also begins in 2008 in a grand old English estate with an equally grand old lady who is desperately searching for some lost branch of her family. Or rather, her solicitor George Hughes is searching, since that’s how it’s usually done. Lady Emily is reading Doward’s chronicles of Lord Arik’s journal.

In 2011, Dr. Rebeka Tyler is notified that she is the only surviving heir to the estate of Lady Emily Parsons. The estate, Frayne Manor, is in Wiltshire, England. Rebeka Tyler, as far as she knows, is an orphan. Her mother died when she was a child, and her father just a few short years ago. Her dad never mentioned any relatives, certainly not any listed in Debrett’s Peerage. Dr. Rebeka Tyler is a university professor, an expert in Medieval and Renaissance Studies, and content to remain so. This legacy interests her primarily because it gives her access to the family’s private documents.

But when Rebeka travels to England to see her new estate, she is overwhelmed by the sense of feeling at home. It is more than deja vu, it is the feeling that she has dreamed of this place, many, many times. Even the faces in the family portraits seem familiar. She decides to escape from the sensation, and takes a tour bus to nearby Avebury, one of the famous sites of standing stones, like Stonehenge only older, slightly less immense and more accessible.

It is Beltane, one of the Druid high holidays. Rebeka steps near two of the standing stones. She hears chanting and steps closer. Something draws her between the stones, and she steps through–and into 1605.

Escape Rating C: Stories involving time travel have a high bar to get over, because whatever mechanism the author uses to make the time travel happen runs the great risk of tripping up the reader’s willing suspension of disbelief. For this reader, any author who uses the device of using standing stones to go back in time will be automatically compared to Diana Gabaldon’s use of the same device in Outlander. I’m sure it can be topped, and will be by some author some day, but it’s a tremendously high fence to get over.

Also, there was a big bad in this book, but we never met him. He operates from the shadows. The avatar of his that we do meet is a crazy woman who should have been unmasked much sooner so that the real big bad could come in and we could see the real epic battle of magic that this book should have ended with. Instead, it was kind of a fizzle.

Spoiler alert: There were so many good elements in this story. Rebeka turned out to belong in 1605. Her parents brought her forward to keep her safe, then blocked her memories. There was clearly some epic conflict going on between the Druid factions that had some great dramatic possibilities. Rebeka’s 21st century ideas made her a neat character, the changes she brought with her made the conversations very funny, she had a terrific dry sense of humor.

When the author brings us back to this world, I hope we see some epic battles with the big bad evil Druid. There are definitely possibilities here waiting to be explored.

How many best books?

In time for everyone’s holiday shopping, the best books of 2011 lists are popping up everywhere. This is in spite of the fact that 2011 still has two whole publishing months yet to go!

And maybe it’s me, but I kind of expect best books lists to be organized in lists of “top tens”. You know what I mean, the top ten books of the year, and then the top ten fiction, the top ten mysteries, top ten science fiction, top ten romance, etc., etc., etc.

Amazon’s Top 100 Editor’s Picks went up on the Amazon site on November 8, but they also picked the top 10 books in each genre, grouping, or what-have-you. Admittedly, Amazon’s purpose is to sell books, but somebody still had to sit down and think about which ten books to highlight, even in such esoteric categories as “Quirky & Strange”, which is where they slipped in Go the F**k to Sleep and Pat the Zombie.

As far as I’m concerned, as long as they’re talking about reading, and about giving people books, whether print books or ebooks, for holiday presents, it’s all good.

But, but, but, you’re wondering why I took a look at this? I’m not going to critique the selections. As long as people are reading, it’s all good. Amazon treated every genre and every reading taste equally. If I looked hard enough, I’m sure they forgot someone, but at least they tried.  And if someone wants to debate Amazon’s choices, that person is still talking about reading!

The Publishers Weekly 2011 best books list was released on November 4. The web app to view the list is very cool.  But this time, I am going to debate the contents of the list. It’s not so much what’s on it, but how many. There are only 9 mystery and thriller titles. Just 9.  This is not about whether those 9 are or are not awesome (I know one of them is definitely awesome) but shouldn’t this be a top ten list? Really?

PW lumps Science Fiction, Fantasy and Horror into one big basket. One big and relatively empty basket. There are only six books mentioned, and all are from small publishers. While highlighting small publishers is terrific, it does make me wonder that none of the big SF or Fantasy titles were good enough to be on their best books list? Not Magician King or Wise-Man’s Fear or Embassytown? Or Ready Player One, which everyone has raved about. Even more interesting, the science fiction blogger named her four honorable mention titles; The Heroes by Joe Abercrombie, Broken by Susan Jane Bigelow, The Dragon’s Path by Daniel Abraham, Dead Iron by Devon Monk. Why not just give SF/F/Horror a top ten list in the first place?

There are only 5 romance titles listed. This is something I find just plain impossible to believe. There weren’t 10 best romances? Why not? Where does paranormal fit into this mix, because there wasn’t a paranormal title among the five chosen. And Archangel’s Blade, Heart of Steel, and Dragon Bound show up on an awful lot of lists this year.

But it’s not about which particular titles I would personally choose or not choose. It’s about the fact that, even taken as a whole, none of the major fiction genres were considered worth 10 “best books” recommendations on a list with an seemingly elastic number of slots.

For the kids who read the recommended books like A Monster Calls and Legend and Daughter of Smoke and Bone, where are the similar numbers of fantastic genre recommendations for when they grow up?

Ebook Review Central for Samhain Publishing September 2011

This is the third issue of Ebook Review Central. And it is your guide to the Samhain Publishing titles for September 2011.

If you are interested in how this feature came about, or earlier issues, please check out the posts on Carina Press and Dreamspinner for the gory and not-so-gory details. But this week, the focus is on Samhain.

Samhain published 19 ebook titles in September. One of the surprising things about this list is how many Western titles there are. Three Westerns! Maybe there still is a wild, wild West out there someplace.

I always like to make a special note of which books got the most “buzz”, which ones were talked about the most on the list. The Samhain titles were really fascinating in this regard, because there were some huge review numbers racked up by a couple of titles.

Some of that is because there’s a time lapse, these are the September books, and it’s now early November, some of it is undoubtedly good marketing (more on that in a minute) and some is because there were some really great books in this bunch.

Samhain Publishing has done something that I find intriguing, both as a book reviewer and as a librarian. Samhain is participating in Library Journal’s ebook only review program, along with Carina Press. What is unusual about Samhain’s participation is that Samhain ebooks, unlike Carina’s, are not available to libraries on OverDrive. So why does Samhain participate? I confess to being terribly curious. (Full disclosure, I am one of the reviewers for Library Journal)

They certainly get some great reviews from librarians, published in Library Journal Xpress Reviews, and they get name recognition for both their ebooks and the print books. Why Samhain does not participate in OverDrive, I don’t know but I sure do wonder about. It must be a marketing thing.

But speaking of marketing, the first book with a lot of positive buzz this month is Cipher, by Moira Rogers. Not only did Cipher get 10 reviews, all very positive, but there was a lot more. In September, a Cipher giveaway, release party and chat session was held at Fiction Vixen. This was part of a big Southern Arcana Readalong conducted all summer long and cross promoted at Fiction Vixen, Smexy Books and The Book Pushers. It created a lot of anticipation and positive buzz for what looks like a terrific paranormal romance series.

Shiloh Walker’s Locked in Silence is book 5 in her Grimm’s Circle series. I chose it as my second featured book because Ms. Walker is an author who chooses to publish some of her work through traditional print publishers, and some, like her Grimm’s Circle series, through ebook publishers. The author, and the quality of the work, is the same. The popularity, and Ms. Walker’s work is very, very popular, is exactly the same. If hot paranormal romances with demons and angels are what you’re looking for, this series by Shiloh Walker might be a good place to start.

Last, but absolutely not least according to the review, is The Last Detail by Melissa Schroeder. 12 reviews, and all positive. If you like science fiction romance, that’s probably a buy recommendation right there. I’m also overjoyed to see this much interest in SFR! There was also a movie titled The Last Detail with Jack Nicholson from 1973. It’s also about getting someone back to prison, but I think the resemblances probably end there.

Next week’s Ebook Review Central will be the last one to cover September books. Up until now, I’ve been saying that “week 4” would feature a “player-to-be-named-later”. It’s time to name that featured publisher–except it’s going to be publishers, plural. Next week, Ebook Review Central will feature the September books from Astraea Publishing, Liquid Silver Books, and Amber Quill/Amber Heat/Amber Allure.

Tune in next week for another exciting episode.

The Iron Knight

More than Team Ash, more than Team Puck, I’m on Team Julie! The conclusion to Julie Kagawa’s Iron Fey series, The Iron Knight, is simply awesome. As in full of awe and wonder and all of the things that we read fantasy in order to find.

The Iron Knight is a blend of old fairy tales and modern myths, and it casts the time-worn tales into new guises. This story is a marvel. And the more I think about it, the more I find.

Julie Kagawa has stated that the story was intended to be a trilogy, and it was supposed to be Meghan’s story: her journey from the half-caste daughter of the Summer King to become the Iron Queen in her own right. But the ending was bittersweet. She comes into her own at the cost of her great love. Ash, the Winter Prince, literally cannot live in the Iron Realm. The defeat of the evil Ferrum comes at a very high price. With great power comes great responsibility–Spiderman’s Uncle Ben strikes again. If Meghan were not willing to pay that price, she wouldn’t be worthy of being the Iron Queen in the first place.

But Ash is not a King. He only wants to be her Knight. And an Unseelie fey capable of truly loving anyone no longer has the emotional defenses capable of surviving in the Winter Courts. But in order to survive in Meghan’s Iron Realm, Ash can no longer be a Winter fey. He must become human. And for that, he needs a soul.

The Iron Knight is the story of Ash’s quest to become human. Like any quest story, Ash takes companions along on his journey. Ash’s crew is more motley, and more legendary, than most. Robin Goodfellow accompanies Ash. Of course he does. Puck loves Meghan as much as Ash does. So much so that he is willing to help his dearest rival achieve his greatest happiness, because it is Meghan’s best chance at joy.

Grimalkin is the guide, well, some of the time. Grimalkin has all the tricksiness of the Cheshire Cat, and all the dignity of Bast. The Big Bad Wolf decides to join them, in the hopes of extending the life of his legend, and consequently, his own life. And, as with Grimalkin, the legend is the modern version, so think of the Wolf as influenced by Bill Willingham’s Fables. Except he’s always in wolf form.

Then there’s the surprise mystery guide. Spoilers after the rating.

Escape Rating A+: Read the book. Read the whole series, because the payoff comes if you’ve read everything. I received The Iron Knight from Netgalley, and I hadn’t read the series. I bought the rest from Amazon, and swallowed in one gulp. Yum.

Ash’s journey is kind of a reverse Orpheus and Eurydice. Everything about the Iron Fey is a very neat meld of traditional fairy tales and modern myth, and this was just beautifully done. Ariella, Ash’s first love, has been waiting for Ash and Puck to make the journey to the End of the World for Ash’s soul. It was necessary for Ash and Puck to be there to help Meghan, and the only way for that to happen was for Ariella to die, and stay dead. Ariella is a seer, and she saw that her death brought about the best of all possible options regarding the incursion of the Iron Fey.

But Ariella still loves Ash, and she wants him to be happy. Just like Puck wants Meghan to be happy.

The Orpheus and Eurydice myth is that Orpheus goes to Hades to bargain for his love’s soul with Hades, God of the Underworld. The deal is that if Orpheus takes the long, dark journey back to the surface, with Eurydice following behind him, and Orpheus trusts that she is behind him without him ever looking back to check, when they reach the surface she will be free.  Orpheus looks back very close to the exit.

But the concept, the idea of traveling down a river (there are 5 rivers in Hades in Greek myth) to the End of the World (Underworld) so that Ariella can give Ash her soul so that he can be reborn, it works.

It all works.

Beauty and the Werewolf

Beauty and the Werewolf is Mercedes Lackey’s latest visit to the Five Hundred Kingdoms. As always, the adventure is well worth the trip.

The Five Hundred Kingdoms is a land where “The Tradition” that invests, or perhaps infests, traditional storytelling has taken on a life of its own, to the point where the tropes actually have the power to force people to conform to those stories.

But sometimes it doesn’t work. Cinderella can only become Cinderella if there is a Prince of the right age to rescue her. Otherwise she’s a drudge forever. In the Five Hundred Kingdoms, those who can see “The Tradition” at work, and outwit it, become either mages or Fairy Godmothers. The first book in the Five Hundred Kingdoms series is The Fairy Godmother, and is well worth reading. Elena is definitely not a traditional fairy godmother!

Beauty and the Werewolf is a trope bender. It starts out as another Cinderella. Bella has two stepsisters, and her stepmother is a little vain and a little foolish. But Bella took her stepsisters under her wing, and Bella manages the household quite successfully. She is not a drudge. She is not abused. She avoided the Cinderella trap.

Bella visits Granny out in the woods, and stays late enough that she has to come home through the woods after dark. Bella’s already had two run ins with Eric, the Gamekeeper, and they’ve both been distasteful. Eric is a nasty piece of work. He victimizes any women he meets, knowing that most women are of a lower station that he is. Bella is a wealthy merchant’s daughter, and he can’t treat her the same. I thought the story was leaning toward Red Riding Hood, with Eric as the Big Bad Wolf. He was just right for it.

Then Bella got bitten by a werewolf on the way home from Granny’s. It turns out the werewolf is actually the local Duke. He’s been suffering under a curse for the past few years, becoming a werewolf every month since he turned 19. He wasn’t bitten. The Godmother can’t figure out who cursed him. But now that he’s bitten Bella, Bella has to stay in his castle with him, until they figure out whether Bella will also become a werewolf. And guess what? Eric is the Duke’s Gamekeeper. And his illegitimate brother. And his only contact with the outside world. And a jerk.

With the help of an enchanted mirror, Bella and the Godmother are able to see what “The Tradition” wants her to do. Most of those stories involved some pretty sad endings for Bella. “The Tradition” doesn’t care about the people, it only cares about fulfilling the story. But while Bella was busy protecting herself from Eric the jerk, she was also helping Duke Sebastian research his curse. Bella and Sebastian spent a lot of time together while Bella learned about magic and Sebastian just got to enjoy having someone else around besides Eric the jerk.

So Bella may have been thoroughly protected from the story of “The Rake’s Reward” but she was not in the least armored against “Beauty and the Beast”.

Escape Rating A: This story rides on whether or not you want to spend time with Bella. I did. Bella is very managing. She manages her family, she manages her time, she manages her life. Getting bitten is probably the best thing that happens to her, and possibly them. She gets a vacation!

I’m serious, in a way. Once she and her father are able to communicate, she is able to enjoy herself. She is also in a position to take a look at her life, and make some real discoveries. Learning about “The Tradition” is a real eye-opener. It’s been trying to manage her exactly the way she’s been managing her family. She doesn’t like it at all.

There is a lovely nod to the Disney movie, without being cloying. There are invisible servants. They don’t talk, but they can move objects, and some the loyal servants who were cursed with Sebastian. Very nicely done.

Ebook Review Central for Carina Press September 2011

This issue of Ebook Review Central is your guide to the Carina Press titles for September 2011.

Carina published 19 titles in September! For each title, I’ve listed the usual basic info, the title, author, if it’s in a series, suggested category listings from the publisher, the retail price and the ISBN so you can buy it from your favorite ebook pusher. Oops, I meant supplier. No, I meant seller. (If ebooks are your drug of choice, you know already what I mean).

There’s a cover picture, only going to show that we do judge books by their covers.

Following the basic info, there’s the all important grid of review links as of yesterday, 10/23/11. The grid includes the name of the reviewer (if the site provided a name), the name of the site, a link to the actual review, and the grade or rating if one was given.

Grades and ratings generally come in two flavors. Some reviewers grade on the letter scale, A through F. A is great, F is awful, just like in school. Some things never change.  Others rate on a numeric scale, usually but not always 1-5 with 5 being fantastic. Those ratings are represented as 3/5 or 4/5, meaning a rating of 3 on a scale of 5 or  4 on a scale of 5. Occasionally, a rating will defy reduction to either a letter or numeric rank. Those will be posted verbatim.

This first time, and in future issues,  I plan to feature two or three books, based on the reviews and ratings of my fellow book bloggers. These are the books most buzzed about from the publisher listed in the past month.

For the Carina September titles these are the books with the most buzz:

Altered Destiny by Shawna Thomas not only received 8 reviews, but those reviews were almost all positive to the max. Also, Romantic Times (otherwise known as RT Book Reviews) doesn’t review a lot of ebooks, so when they do review one, it’s worth sitting up and taking notice. The reviewers describe this as a tempting read for those Urban Fantasy fans out there.

 

 

My second pick is Redemption by Eleri Stone.

There are a lot of excellent reviews, one as recent as this weekend, so word is still going around. This looks like a good book for those who like shapeshifter romances, and that’s a pretty big audience!

 

Last, but certainly not least, a romantic suspense title. Deadly Descent by Kaylea Cross has been reviewed all over the blogosphere so far, everywhere from Dear Author to Smexy Books to the Maldivian Book Reviewer. This romantic suspense title will particularly appeal to those who like to see some military action.

 

 

That’s all for this week. Please come back next Monday for the Dreamspinner Press September review roundup.

Lord of the Wolfyn

Lord of the Wolfyn by Jessica Andersen is an interesting twist on the old Red Riding Hood story. It is also the third book in the Royal House of Shadows series. The fourth and final book, Lord of the Abyss by Nalini Singh, will be out in November.

Dayn was the second prince of Elden.  The Crown Prince Nicolai’s story was told in Lord of the Vampires (reviewed here). When the Blood Sorcerer attacked, Dayn was outside the castle with a hunting party. Not just because hunting dangerous beasts who roamed near the castle was part of his duties, but because he was angry with the King and Queen, his parents, for telling him he had to marry a princess instead of the continuing to dally with whomever he pleased. Their argument was the last time they ever spoke before their deaths at the hands of the Blood Sorcerer.

Their final spell saved his life, as it did the lives of his siblings. His father’s spell for revenge, and his mother’s spell for him to survive. Their spell created a vortex and bound his life with the wolfyn he was chasing at the time of their deaths. It transported him to the realm of the wolfyn and gave him the power to transform into one of the powerful werebeasts. But Dayn was also vampire, like his brother and father, and the wolfyn realms hated and feared with vampires. Dayn spent the next 20 years pretending to have “vortex sickness,” hiding all his gifts from the wolfyn he lived among by pretending to be only a human traveler with a small amount of magic.

Dreams and visions told him that he would be visited by a guide when the vortex began opening again. He waited 20 years for that guide, never expecting a woman from Earth with no belief in magic or vortex travel would be the one supposed to guide him back to his kingdom, or back to his true self.

Reda Weston has been haunted by the tale of Red Riding Hood since she was a little girl. Not the Disney version, but a very special version, from a “one-of-a-kind” illustrated edition of the story that her mother used to read to her. In Rutakoppchen, the wolf seduces Red first, then he enslaves her, then he plays with her until he gets bored, and then, and only then, does he finally eat her all up. Her mother told her this as a bedtime story?

But Reda’s father made her sell the book after her mother’s death, and now Reda is compelled to get it back. She’s been dreaming about the Woodsman, and those dreams are the only part of her life that feels real anymore. Reda used to be a cop. But one night she froze when her partner got caught up in a convenience store robbery that went bad, and Reba isn’t a cop anymore.

Finding Rutakoppchen again does more than bring back childhood memories. It opens a door for Reba. It opens a vortex–straight through to Dayn. And the wolfyn.

At first Reba thinks she’s having a really vivid dream. She’s dreamed of Dayn before, and those dreams have always been really good. And really hot. But never in her dreams has the Woodsman turned out to be a vampire. Nor have predatory trees tried to make the ground swallow her alive.

This is Reba’s journey as much, or more, than it is Dayn’s. She needs to find her cop’s courage again so that she can be the guide that he needs in order to help re-take his kingdom. And Dayn needs to find his true self and true purpose in order to be the mate that Reba deserves.

Escape Rating C+: I liked the twist on Red Riding Hood. Dayn turns out to be both the Woodsman and the Wolf. Literally and not just figuratively. Reba comes a long way in picking herself up and taking charge of her own fate. Coming through the vortex lets her grab the missing pieces of herself. It’s clear she’s been letting other people tell her who she’s supposed to be for way too long, and it’s great to see her realize that.

While I enjoyed the parts with Dayn and Reba, even though I wished that Dayn wouldn’t have kept so many secrets from so many people for so damn long, the issue with series like Royal House of Shadows is that chunks of the same story have to be told each time, just from different points of view. The first time it’s new, the second time it’s not so bad (sister Breena’s tale was Lord of Ragesee review here), but by the third time around, it’s too much. I’m more than ready for the conclusion. It’s time for that dark sorcerer to DIE!

 

A Thief in the Night

Sword and sorcery may be the lowest form of fantasy. When it’s a book like A Thief in the Night, by David Chandler, that’s a really, really great thing. Bad boys doing bad things for all the wrong reasons. Sounds like fun because it IS fun!

A Thief in the Night is the second book of The Ancient Blades. If you’re curious about book one, Den of Thieves, read this first. Book three, Honor Among Thieves, will be published in late November, 2011, and I’m very grateful to the publisher and Net Galley for letting me have a review copy. I’d hate to be waiting until after Thanksgiving to see how it all turns out. I dislike “middle-book syndrome” on general principles. Enough said.

When last we left our heroes (I’ve always wanted to write that), they had just removed an evil sorcerer and his corrupted knight from the Free City of Ness. Permanently and with extreme prejudice. Malden, the thief of the title, had also learned more than was good for him about the way the city really works. In Malden’s case, if a little knowledge is a dangerous thing, a lot of knowledge is downright life-threatening.

Sir Croy, the Ancient Blade, won the freedom of his lady-love, Cythera the witch’s daughter. At the beginning of Thief in the Night, Croy believes they will finally be married. There are a few problems with his plan. Their betrothal signing is interrupted by a bar-room brawl. Started by a Northern Barbarian. One who holds yet another Ancient Blade. Said Barbarian wants Croy to help him hunt down a demon. Croy loves demon hunting even more than he loves Cythera, so Croy leaves the betrothal unsigned to start outfitting the demon hunt. Cythera is just fine with the interruption, because that’s the other problem. Croy thinks she’ll be a good little knight’s wife once their married, and she’s not so sure about that. And anyway, she’s in love with Malden. Oops.

About that demon. The demon is holed up in the Vincularium. For those who read Tolkien, think of it as the Mines of Moria, only with a worse backstory. The dwarves  buried a secret in the Vincularium, one they’ll do anything to keep buried. The humans buried one there too. History is written by the victors, or so it is said. In Malden’s world, where we say, “dead as a doornail”, they say, “dead as an elf”. The Vincularium is where the elves died. All the elves. Betrayed by their dwarven allies and killed by the humans.

But the Ancient Blades are sworn to kill demons. So Croy is going. His new friend Morget the barbarian is going. Cythera says she’s going. No one has signed those betrothal papers yet, so she’s still a free woman. And Malden, our thief–he wasn’t going. No profit in it. But…about those secrets. Someone in Ness wants him dead. Painfully. Sacrificed to the Bloodgod.  Going to the Vincularium suddenly looks like the less painful option. Or at least a delay of the painful option. Delaying death is always good.

Escape Rating A: One of the things I love about sword and sorcery is the way that it turns high fantasy tropes upside down. The central character here is Malden, the thief. He is not a hero, and he doesn’t want to be. He’s a survivor. Croy is a typical hero, and he’s naive to a fault. Malden’s voice is much more fun to listen to, he’s sharper and smarter. Also more of a smart-ass.

Cythera is also a survivor. She was a virtual prisoner for many years. Croy represents safety and security, marrying him is the safe option. He will protect her. But he is incapable of understanding her.  And yes, Malden loves her too.

I enjoyed watching every one of the starting assumptions get knocked down. The demon isn’t exactly a demon. The dwarves aren’t just clever artificers and merchants–they are prevented from being warriors by treaty, and only as long as it suits them.  The elves weren’t the villains that humans have always been taught. “Dead as an elf” isn’t actually correct, either. Dealing with the fallout from that is going to be fun in the next book.

 

 

Jacob T Marley

I love Dickens’ A Christmas Carol. I particularly enjoy stories that re-interpret the classic tale just a bit, and Jacob T. Marley by R. William Bennett provides yet another delightful twist.

We all know Ebenezer Scrooge’s tale. His name has become a byword for miserliness due to the genius of Charles Dickens’ storytelling. But A Christmas Carol is the tale of Scrooge’s redemption. Ebenezer becomes a better man because Jacob Marley has spent his afterlife repenting of his sins. Jacob Marley has chosen to give his partner Ebenezer the opportunity to repent in life, while it might still do him, and the world, some good. Why did Jacob Marley send the Spirits to visit Ebenezer Scrooge that Christmas Eve? Just who was Jacob Marley?

Although Scrooge refers to Marley as “a good man of business”, Marley couldn’t have been born in his counting-house! He must have started out in the usual way, whether he had a family, or was an orphan, but he couldn’t have been hatched from an egg. A Christmas Carol isn’t quite that much of a fantasy.

Unlike Ebenezer Scrooge, who was mostly abandoned at boarding school, in this telling of Marley’s story, young Jacob comes from a loving but middle-class home with good parents and several siblings. Marley’s downfall is pride. His pride in his mathematical skill causes him to abandon anything that does not further his ambition and his need to be the best. He leaves his family behind: continuing his relationships with his parents and siblings wastes time he might spend on business.

One afternoon, angry at the delay caused by a funeral procession, he meets a young man who is just like himself. They have common cause in their irritation at the funeral, but different reasons behind that irritation. The deceased is Ebenezer’s sister, Fan. Ebenezer is angry that Fan died because she did not reveal her difficulties to him. He could have prevented her death if she had humbled  herself. It is her fault she is dead. Marley is angry at the delay. While they wait for the traffic to untangle itself, Marley offers Scrooge an interview at his counting-house.

Marley completes Scrooge’s transformation into the miserly man of business that we meet in Dickens’ masterwork. As we all know. Marley did not do Scrooge any favors. By the time Marley dies, there is no humanity left in Scrooge, he might as well be a walking account book. But as Marley lays on his deathbed and watches Scrooge, Marley recovers his humanity, at least enough to realize what he has done. He begins to atone. When he dies, he is given a chance to work towards his own redemption by trying to convince the spirits to give Scrooge a chance at his–before it’s too late.

Escape Rating: A+: I finished this in one sitting. I sat down for lunch and got lost in the book. The language evokes the classic without going over the top about it. And it retells just enough of the original to refresh the memory without seeming repetitious. We know the story. A little familiarity is good. Too much would be boring. This is just right.

I still have very fond memories of the first version of A Christmas Carol I ever saw — the Mr. Magoo cartoon version.  I can still remember him singing, “I’m all alone in the world” at the boarding school. The cartoon encapsulated the story; love, loss, redemption, and does it well.

It was time for Jacob Marley’s redemption. Well done.

A Midwinter Fantasy

A Midwinter Fantasy is a collection of three novellas that take place at, of course, Midwinter. In all three of the stories, it is the festival of giving, but because all of the stories are fantasy romances, the holiday celebrated is not always or not exactly Christmas.

The first story in the collection is A Christmas Carroll by Leanna Renee Hieber, and the story is set in the same storyline as her Strangely Beautiful series. In fact, the action of this Christmas tale takes place directly after the events of The Darkly Luminous Fight for Persephone Parker.

Not being familiar with the previous tale, I felt like I had been dropped into the middle of a story, only because I had been. Once I caught up, things got a lot more interesting.

The title of the story is a play on both Dickens’ classic and the name of one of the characters. The author’s world is a close parallel to our Victorian era, except that the Victorian fascination with spiritualism represents concern about a real, and sometimes dangerous threat. But the spirits of Hieber’s “Whisper-World”, can also help the living, just as Marley’s Ghost arranges in Dickens’ famous Christmas Carol.

The “Carroll” in Hieber’s story is Michael Carroll, and the spirits help both him and Rebecca Thompson to discover not the true meaning of Christmas, but the true meanings of both friendship and love in this wrap-up of her series.

Although enough of Michael and Rebecca’s story was told in flashbacks for me to empathize with them, I would have enjoyed this more if I had read the entire series. But I enjoyed it enough, and I was intrigued enough, that I plan on going back and reading everything!

The Worth of a Sylph by L.J. McDonald is the second piece in the book. Lily Blackwell is an elderly woman who raises orphans in a remote house in Sylph Valley. She is also the human Master of a Battle Sylph named Mace. Mastery can be an equitable, loving arrangement, and in this case it is, although it is not always so. Sylphs provide the different types of magic that keep the Valley heated, the crops irrigated, provide water for washing, and protection, among other things. Linking to a master provides a Sylph with nourishment, including emotional sustenance, and a way of remaining in the world.

When the last of Lily’s orphans runs away, out of the Valley, she tasks Mace with retrieving the boy, no matter where he has gone. She also charges him with finding himself a new master before she dies, one that she can approve of. On Mace’s quest, he finds, not just the boy he was sent for, but a woman he can truly love and spend a life with, and not just one son, but two.

The story takes place during the Winter Festival, which is supposed to be celebrated with family. There is a message in the story that the family you create with love can be much stronger that the one you are born to.

Although Worth of a Sylph is also a part of a continuing series that begins with The Battle Sylph, it was much less obvious about it. I was able to jump right into the story and be involved with the characters right away. The story was complete in and of itself.

Last, but not least, the final story in this anthology is The Crystal Crib, by Helen Scott Taylor. I said not least, because the story deals with some larger than life figures, the Norse gods. Odin is the bad guy, having kept a father from his daughter for over 2,000 years, and enslaving his sons for the same length of time, all for crimes that other people committed.  Odin is someone who really knows how to hold a grudge!

Sonja thinks she has come to Iceland to convince the owner of “Santa’s Magical Wonderland” to allow her Aunt’s travel company to arrange tours to his resort. Little does she know that the owner of the resort is Vidar, the son of Odin, and, is also the “Guardian Angel” who has been protecting her all of her life. And, that her life has been considerably longer than the scant decades she remembers.

Her unexpected presence in Odin’s backyard forces a confrontation among the gods, monsters and angels who have protected her for her entire existence, and brings surprising dangers and rewards to everyone in her path.  This was a story about love truly conquering all.

This story is set in the same universe as Taylor’s The Magic Knot, but it reads as a stand-alone. I read it as someone playing tricks on Odin, which, considering the story, and considering other stories about Odin, seemed perfectly fair to me. However, this was also the least satisfying of the three stories. I wanted a lot more explanation for a 2,000 year old grudge than I got. And the heroine took the fact that she had been in suspended animation for those same two millennia a bit too much in stride, especially factoring in that her lover had been watching over her the entire time! Oh, and she might not die, ever. There was a bit too much fantasy in this fantasy.

Out of three stories, I vote Sylph very satisfying and complete, Carroll good and intriguing enough to make me want more, and Crystal not satisfying enough to make me go back for a return visit to the author’s world. YMMV.

Escape Ratings:  Christmas Carroll B+, Worth of a Sylph, A and, The Crystal Crib, C.