ARCs, Stacks and Hauls

“When I get a little money I buy books; and if any is left I buy food and clothes.”

The quote is from Desiderius Erasmus. How totally appropriate, but also one I’ve lived by long before I knew it existed. My mom would tell you I spent my allowance on books when I was a kid. And generally owed her future allowances.

I’ve always collected books. More books than I could read at any given point in time. I love having the choice of what to read next. It’s not the object, it’s the content. Ebooks suit me just fine for most things, and they take up less space. This is a big deal when you move as often as we do, and when you own as many “dead tree” books as we do.

Still over 2,000. We haven’t even unpacked them all from the last move. In December.

About ARCs. I’ve worked in libraries that received ARCs in lots of different ways. One of my former places of work (FPOW) was in a major metropolitan area. The city newspaper still had a significant book section on Sundays, and received books for review. The newspaper donated their review copies to the library. About once a month we received an industrial pallet-load of books, mixed ARCs and “real” books. The “real” books often went into the collection. But the ARCs, never. Staff had the pick of the ARCs for collection development, reading copies, whatever we liked. But they were never put in the collection. If you are wondering what the newspaper got out of this arrangement, they got a tax write-off.

Other libraries I have worked at do sell ARCs at book sales, or they end up in the Friends of the Library book sales. I haven’t worked at a library that has put them in the collection, but I know it happens.

But what does any of this have to do with ARCs now? I can hear the question from here. The recent #ARCgate mess brought up a lot of questions and it made me think about the present and future of ARCs in general, and what any mailbox-type post looks like in particular.

I do get a lot of ARCs. More in one week than I can read in a week. I’ve always picked up more books in a week than I could read that week. The difference now is that I’m getting a lot of eARCs instead of deliveries from Amazon and B&N or borrowing books from the library.

But the ARC “stack” can look like a book haul, and that isn’t the purpose of it for me. I choose eARCs because eARCs are a win/win. My eARC does not automatically deny any other reviewer the same eARC. That’s the beauty of NetGalley and Edelweiss. No print, no postage, not necessarily a limited number of ARCs the way that a print run by its very nature limits the number of ARCs.

And no print ARCs left on my shelves at the end that I’m not quite sure what to do with. Because the last thing my house needs is more print books. One of the clear messages of the whole ARCgate mess is that what you should do with your ARCs after you’re finished is very, well, unclear.

What I’m curious about, dear readers, is how you feel when you see mailbox-type posts on book blogs. Do you see them as the blogger doing a bit to promote books that she or he might not have time to review? Do you see them as bragging? Do you find them useful for adding to your own TBR pile? Do you care?

Please share your thoughts! I’ve been having a serious re-think on this topic after ARCgate, and I’d love to hear from you.

 

ARC-Gate at ALA

Last week, and it is difficult to believe it was already more than a week ago, the American Library Association held its Annual Conference in the land of Mickey Mouse, Anaheim, California.

And there was a kerfuffle on YouTube about ARCs and who should be able to pick up how many on the exhibit hall floor.

Two bloggers at The Lost Lola posted a 22-minute video, since retracted, detailing their incredibly awesome book haul at ALA. They scored, and I think scored is a fair assessment, two copies of everything possible, including a lot of books they had no personal interest in.

A librarian who blogs at Stackedbooks questioned on Twitter how authors would feel “knowing a librarian couldn’t get an arc of their book at ALA, but a blogger picked up multiple copies.”

The Lost Lolas have printed an impressive and well-thought out response and clarification, but lots of questions still stand.

Let’s start at the beginning. I have described ALA as BEA for librarians, and I think it’s a fair description. ALA is a business conference for libraries, just as BEA is a business conference for the book industry. And just like the book industry, a good bit of the business of libraries happens to be books.

Not all of it, but a lot of it. That doesn’t make ALA a book convention. There was another half of the exhibits that was all about automated systems, materials-handling units, furniture, and supplies. This stuff isn’t sexy, but it was all on that floor. And those things are a significant part of the business of libraries.

Libraries do promote reading. And one of the ways we promote reading is through books. (I can hear you saying “well, duh” from here). Libraries are also part of the publishers’ ecosystem to promote books and authors. Libraries constitute about 10% of book sales in the U.S overall. For some genres and markets, like children’s books and audiobooks, we’re a lot more.

For midlist authors, libraries are a critical lifeline. Libraries provide the author, not just sales, but also word-of-mouth “advertising”. If the librarian likes the book, it gets “sold” across the desk. One enthusiastic reader puts the book directly into the hands of another. It’s a trust relationship.

We bloggers are trying to get into that “space” but we’re not there yet.

For anyone who has noticed that I’ve said we on both sides of this issue, I have. I am a librarian. I attend ALA because I am a member of the Association, and because I serve on a committee. I’m part of the business of the Association that gets done at the Conference.

And right now, most of my day-to-day work is as a book blogger.

But ALA is a business convention. It’s one of the largest conventions in the U.S. Not just for the number of people who attend (20,000!), but also for the number of simultaneous meeting rooms. On Saturday and Sunday, there are more than 100 meetings every hour.

And because it’s a business convention, if you’re there to be at a meeting, or three, or five, you can’t drop everything to stalk the exhibit halls for the author signings. People notice when you don’t show up at committee meetings, especially if you’re the chair of the committee. Or when you don’t make the presentation when you are one of the speakers.

ALA is a volunteer-run organization for the most part. The members do most of the work.

So when a librarian can’t be in the exhibit hall at a particular time for a particular signing, it’s because she or he has a commitment to keep. It’s a working conference.

But what ALA isn’t, is a book convention. It’s not RomCon or the RT Booklovers Convention or even WorldCon. There’s a picture (at right) from the RT Booklovers Book Fair, where the description touts the 100’s of authors who are there just to sign books. That’s not what ALA is.

The thing about this whole mess is that all the parties involved went in with different expectations. The bloggers saw it as a book conventions, with that set of expectations. They had a plan of attack to maximize their resources to get as much out of the book convention as possible. What they did is understandable from that perspective.

The librarians who come to the conference see it as professional development, or professional commitment. They get ARCs for a whole different set of reasons. Some are just for reading. But a lot more have to do with programming, especially YA programming. Teen librarians want ARCs to give to teen readers as prizes for book clubs, to plan programs, and just to figure out what their groups will be reading next.

Yes, the libraries that sent those librarians should find better ways to reach out to publishers, and should have better funding. And a lot of other things. But library budgets are shrinking right now. And a lot of librarians are self-funded to conferences. In other words, they pay their own way.

Just like bloggers.

The questions remain. Should ALA change their policies regarding exhibits-only passes to give preferential treatment to members and book-industry professionals? BEA has only just begun admitting the general public, and only on a very restricted basis.

However, book reviewers, including bloggers, are eligible for attendance at BEA, it’s just more expensive than an ALA exhibits-only pass. Considerably more expensive.

This isn’t just a question about ARCs. It isn’t even a question about ALA policy.

Why did the issue of ARCs touch so many hot buttons  among both librarians and bloggers?

What do ARCs mean to you? What does a massive ARC haul mean to you? Why do we covet ARCs? What do we do with them after the conference?

And what will we do when publishers stop printing them?

(This post was previously published at Book Lovers Inc.)

In My Mailbox #4

In My Mailbox is a weekly feature, started by The Story Siren, as a way to give a shout-out to the books we received the previous week.

From the author:
The Key by Pauline Baird Jones (ebook)
Geared for Pleasure by Rachel Grace (print) I won this in a drawing at The Smutketeers.

From the author or publicist for review for Book Lovers Inc.:
The Cinderella Blues by Obren Bokich (ebook)
Blind Traveler Down a Dark River and Blind Traveler’s Blues by Robert P. Bennett (ebook)
On One Condition by Diane Alberts (ebook)

From Samhain Publishing:
The Lawman’s Surrender by Debra Mullins (ebook)

From Angry Robot Books as a member of the Robot Army:
Suited by Jo Anderton (ebook)
vN by Madeline Ashby (ebook)

 

 

From NetGalley:
Amped by Daniel H. Wilson (ebook)
The Unholy by Heather Graham (ebook)

And I received the second box of books and ARCs I sent myself from PLA, so I opened the boxes. Here’s the picture of my PLA haul. Pictures, plural. There were too many for one picture to do them justice.

 

 

Notable Books and Advance Galleys: It’s so much fun to say “We knew you when”

I’m so very pleased (actually giddy) to say that this post will appear on April 6, 2012 as the first of their “Librarian Voices” columns at NetGalley.

It can be fun to look at someone famous and say “I knew you when…”, particularly when that “someone” is a book, and the “when” in question is waaaay back before that book came out, and no one knew the book was going to be as hot as it turned out to be.

Or when you’re looking at the ALA Notable List, and remembering when you picked up the ARC at a conference, or got the egalley from NetGalley, because you thought it might be good, and, lo and behold, there it is, an award-winner.

Sometimes, you read a book, and you know it’s special. Then you tell everyone you know until they’re sick of it, and you. Unless you’re very lucky, and it’s your job to help people find their next perfect read.

The ALA Notable Books List is always interesting and useful, because as soon as I see it, I look at it and go, “oh, that one was popular”, “oh, that’s an interesting choice”, or “mmm, I can see why that got picked.” In collection development, it always made for a list of titles to check, but they were usually ones the library already owned. We’d miss one sometimes, especially on the poetry portion of the list!

Maybe it’s because I’m  personally a genre fiction reader, but the ALA Notable Books List always seemed like the “big books” list, Not big in the sense that they’re long books, but big in the sense that they’re literary, at least on the fiction side. These are “important” books, even when they are also very, very popular. Tea Obreht’s  The Tiger’sWife was one book that we just couldn’t get copies of fast enough. I remember seeing it in NetGalley before the pub date, and I wish I had snagged it then! Then I would have known in advance it was going to be big!

There’s another ALA list, one that reflects what people read for pleasure, instead of the important books. It’s The Reading List that RUSA CODES publishes. This list has categories for genres like “Science Fiction” and “Mystery” and “Romance”, you know, the good stuff. (I’ve never been so sure about that “Adrenaline” category.)

Genre fiction sells, and genre fiction circulates. That’s what circulation statistics show, and publishing numbers and everything else. The books on this list are the ones that people will enjoy.

And they’re fun.

The trick for librarians is picking out which one, or ten, are going to stand out from the crowd. It’s hard because the genre field is crowded and very diverse. Each genre can feel like its own little planet, and the galaxies can seem light-years apart. Lists like this are great navigational tools.

Each title on the fantasy list this year is absolutely marvelous. One of my favorite books of the year, The Magician King by Lev Grossman, is on the short list. The short list! It’s not even the winner! I knew when opened the first page of that egalley from NetGalley that it was going to be one of the big books of the year. But as far the winning title is concerned, as soon as I saw the NetGalley description for this title, it was clear that Erin Morgenstern’s The Night Circus was something special.  The circus arrives and it brings magic.
On the 2012 list, one of the shortlisted titles in the romance category is Kristan Higgins’ My One and Only. I resisted the impulse to get an egalley last year, but Higgins new book, Somebody to Love, is available now. And I have an egalley from NetGalley.

Maybe Somebody to Love will be on the RUSA CODES Reading List in 2013. And I’ll be able to say that “I knew it when…”

 

Impossible Mission

I plan to carry out an impossible mission in this post. Not the kind where the “Secretary will disavow all knowledge of my actions,” although there will be some “Secretaries” involved. So this mission will not involve either Peter Graves or Tom Cruise. Nor will there be any spies.

By the time you read this, I will either be flying between Atlanta and Dallas, or already in “The Big D” and in the midst of the madness that comprises the American Library Association Midwinter Conference. A madness that is only exceeded by the insanity of the American Library Association Annual Conference, which will be in hot, dry Anaheim California, in June. Look out, Mickey Mouse!

ALA Midwinter originally came into being for the Association to conduct its business. And there are a LOT of committee meetings. But since everyone was there anyway, the vendors who sell to libraries also come to the conference to exhibit their latest and greatest. The publishers come to promote their new books. There are usually LOTS of Advance Reading Copies free for the taking. Stacks and stacks of them!

About that impossible mission? Attempting to make my ALA Midwinter Schedule sound interesting. Please don’t stop reading now!

I said that ALA conducts a lot of its business during the Midwinter conference. I am proud to say that I am part of that business. This year, I am the Chair of the Association for Library Collections and Technical Services Affiliate Relations Committee. Whew, that’s a mouthful. It’s abbreviated as ALCTS ARC. You can imagine why.

Being Chair of an ALCTS committee means that I go to the ALCTS Board meeting on Friday afternoon and Monday afternoon. This year, ALA is promoting the theme of “Transforming Libraries” and a big part of that theme is “Transforming Collections”. ALCTS, well, remember that word “Collections” in the name? We’re all over that “Collections” thing. So we’ll be talking about our role in ALA’s initiative.

The Affiliate Relations Committee is something different. We gather information about continuing education that happens all around the country, and distribute it to everyone. So that folks in California know what’s going on in Maryland and vice-versa. You might think that’s not all that relevant, but with webinars, location is not quite the factor it used to be. And if someone in Oregon knows of a good speaker on a hot topic, the speaker might very well be willing to travel to conduct a similar workshop. Networking is everything!

(I’ll be doing two webinars for the Maryland Library Association, one on genre selection on Jan. 31 and one on Ebook Collections on Feb. 9. The webinars are from Maryland, but I’ll be in Atlanta!)

What else will I be doing in Dallas? Seeing colleagues I only see at conference. Going to sessions on topics that interest me, like ebooks and collection development.

And oh yes, I’ll be walking the floor. Not like that. The exhibit hall floor. A chunk of the publishers I regularly cover in Ebook Review Central will be at the Conference. Kristina from NetGalley will be there. And I want to visit all the print publishers and get on their lists to get review copies, too.  There’s miles of walking in my future, but it will be so worth it.

I just have to restrain myself from bringing home too many ARCs. Those suckers are heavy.

Docking the ARCs

It turns out that ARCs are surprisingly difficult to give away.

What’s an ARC? An ARC is an Advance Reading Copy of a book. They are usually ugly, and their mother dressed them a little funny, to make them instantly distinguishable from their grown-up sibling, the published book. They are also known as review copies.

A FPOW was located in a major metropolitan area where the local newspaper still had a separate “Books” section on Sundays. The newspaper received TONS of review copies. ARCs are not supposed to be sold, it says so right there on the front or back cover. Also, they are usually uncorrected proofs, so they are may have typos, the illustrations are missing, the index isn’t done yet, etc., etc.

Said newspaper, instead of pulping all these lovely books, donated them to the local library. On the order of an industrial pallet load or two every month. Some of the review copies they received were “real” books. Those were added to the library’s collection. But most were ARCs. Because the ARCs are not quite the real book, the library didn’t add them to its collection. And the library couldn’t sell them either, see the disclaimer in the above paragraph. So, they were distributed to the staff. Particularly for fiction, they make excellent reading copies.

ARCs are also distributed at library conferences. I’ve generally stopped picking them up as not worth the weight, but I used to. In the continuum between free beer and free kittens, with the added charges for luggage these days, too many ARCs have tipped towards the free kittens end of the bar. I already have 4 of those, and I know how free they aren’t.

Publishers are now doing eARCs, and there is a site that specializes in eARCs called NetGalley which absolutely loves librarians.  Also, for anyone interested in Science Fiction and Fantasy, Baen Books Webscriptions sells eARCs ahead of publication for some of their authors.

But the weeding project has passed the end of the alphabet for the fiction, and has now journeyed into non-fiction. I used to bring a lot of non-fiction ARCs home for Galen from that FPOW, as well as keeping some for myself. It turns out that a lot of those were of the “read once” persuasion. We’ve turned up a couple of dozen so far, that need to be properly disposed of. And it’s more difficult than I thought.

I don’t feel right selling them. Legally, I’m pretty sure I can in spite of what it says on the cover. I own them. I just don’t feel right about selling them. I can give them to the Library Friends, but, there again, I don’t feel right about them selling them, either. And I’m not sure if they will. They might just throw them out. I already know that the library will not add them to the collection.

Book Mooch will not let me add any more inventory until I accept books from people. I am way too much of a net giver to be permitted to give any more books away. Period. End of discussion. I tried. The fact that I am moving in two weeks and just plain don’t want any more books right now, and really, truly want to get rid of books doesn’t seem to matter. That I honored all of my previous commitments doesn’t seem to matter. I’m violated some kind of un-posted community norm by having a massive credit balance, and therefore can’t add any inventory, no matter how much I want to give stuff away. My account was suspended until I agreed to this.

Paperback Swap will only deal with ARCs on an unofficial basis, through their forums. This looks like a really good service generally, but it’s going to be more difficult to get the ARCs placed through the forums than through the regular listings.

The process of organizing the library has been fascinating but bizarre. According to Library Thing, we’ve been through over 2,600 books. We kept 1,700, and have sold or given away over 800.  There are 5 boxes of that on the floor of my office to be run through Powell’s Books, to see what they will take. We have a massive credit with them, which will end up being spent on ebooks through Google. I love technology!

But, like kittens, my ARCs are free to a good home. And just like the kittens, I’m having a difficult time finding loving homes for them. I was looking for a place where I could give them to people to read them one more time. It shouldn’t be this hard.