Wrath

Wrath is the second book in Denise Tompkins’ Niteclif Evolutions. The story takes up immediately, and I do mean immediately, where Legacy leaves off. (This review contains spoilers for Legacy, book 1 of The Niteclif Evolutions. If you haven’t read Legacy, check out my review, then go forth and read Legacy. It’s a terrific and necessary introduction to the Niteclif supernatural world of Wrath.)

As Wrath opens, Maddy Niteclif’s new life as the supernatural investigator for the High Council has fallen apart before it had fairly begun. The prophecy that she and her newfound love, Bahlin Drago spent all of Legacy trying to avoid seems to be coming true in the worst possible way.  Their dreams are in tatters, and Maddy’s trust in everyone in her new world is shattered.

The death-curse of Bahlin’s rival has left Maddy sick, weak and dependent: she’s now an invalid who needs a full-time attendant just to make it to the bathroom!

She’s not even capable of doing her job as the Niteclif, and someone in the supernatural community has turned serial killer. The murderer clearly has some kind of grudge against Maddy, since all of the victims look enough like her to be her twin.

And into the middle of this mess steps yet another prophecy. The first prophecy said that whichever male member of the High Council managed to get Maddy into a sexual relationship would become Head of the High Council. That man was also fated to love Maddy and lose her. Bahlin and Maddy spent all of Legacy hoping to thwart the prophecy, but prophecies do not readily accept being thwarted.

That High Council had three men sitting on it when Legacy began. Tarrek, the fae prince, met his fate by the end of Legacy. Bahlin was the other contender for Maddy’s hand. But what of the third?

During Legacy, the last man, Hellion the wizard, was not “in play”. He had a mate. By the time that Wrath begins, Hellion is available, but still angry at Maddy for her part in in his mate’s death.

However, there’s another prophecy…

Can Maddy manage to get over her betrayal by one man (even if he is a dragon), long enough to figure out if she’s ready to trust another (even if he is a wizard)? Can she stop railing at her fate long enough to listen to her heart? Can Maddy stay one step ahead of the killer long enough to figure out who it is before he kills her and makes all her other problems go away–permanently?

Escape Rating B: There are parts of Wrath that I absolutely love, and parts that made me want to shake Maddy until her teeth rattled.

The whole concept of this supernatural world, and that someone like the Niteclif has to straddle the two, is a terrific concept. The idea that Maddy’s great-grandfather was Sherlock Holmes still gets to me. Maddy has to maintain her balance between the worlds, otherwise she’ll just fade away into fiction like great-grandad. That’s cool…and eerie at the same time. Maddy knows there’s a fiction writer already prepped and waiting in case she fails.

On the other hand, Maddy’s love life definitely has its ups and downs, and not all of them between the sheets. While I understand that Bahlin’s betrayal would make her rather gunshy when the prophecy about Hellion comes along, I found the constant angst a bit much. Especially the repeated refrain of how seldom Maddy had sex until after she become the Niteclif but now she’s supposedly a bed-hopper.  Then she’d have some internal debate and “give in” to Hellion again, as though he or the circumstances were responsible instead of Maddy being responsible for her own actions.

Not that the romance and the sex weren’t sizzling hot, but I wished that Maddy would take more responsibility for her personal actions sooner in the story. As the Niteclif, she can be judge, jury and sometimes executioner in criminal cases. I wanted to shake her when she kept pretending that circumstances were in control in her sex life for so long.

But I’m really enjoying Maddy’s evolution and I can’t wait to see what happens next! I have some guesses but the next book, Vengeance, doesn’t have a pub date yet. Now I wish I could find a prophecy!

Legacy

What if you found out your great-grandfather really was Sherlock Holmes? And that you’re supposed to take up his legacy of sleuthing? For most people, it might sound like a dream come true. For Madeleine “Maddy” Niteclif, it’s only one of a series of surprising revelations that the world she thought she knew will never be the same. Her journey into paranormal investigations makes for one compelling story.

Legacy, by Denise Tompkins, is the first book in The Niteclif Evolutions, and it is definitely the story of Maddy Niteclif’s metamorphosis into a special kind of criminal investigator. Maddy’s story begins at the end of her old life, when she’s ripe for a change.

Maddy doesn’t even know why she is driving around England in the dark, compelled to find Stonehenge. She’s not sure why she felt compelled to splurge her vacation money on a trip to England in the first place. What she does know is that she is weighed down by grief at the loss of both her parents in a car accident just a few short months previously.

This trip is her attempt to shake off her crushing depression. But driving around southern England in the dark, on the “wrong” side of the road, directly after getting off a trans-Atlantic flight, trying to find Stonehenge mostly without a map, is not the way to find anything except exhaustion.

Maddy finds a stone circle. She believes its Stonehenge. Except she is able to walk right up to the standing stones. She’s certain Stonehenge is fenced off, but this just feels right. Inside the circle, under the stars, Maddy asks, wishes, prays for a changed reality. She wishes to be her old self again; strong, quick-witted, adventurous. And for love to find her. As soon as the wish leaves her heart, she feels the stars spin, and a voice comes out of the darkness, whispering in Gaelic, “Let it begin”.

It begins indeed. Maddy makes her way back to London, only to be confronted by two men as soon as she falls asleep. Bahlin and Tarrek invade her dreams. Either or both are more than charming and sexy enough to be her dream man, but two of them?

When Maddy wakes, she discovers that her dream introductions were real! Bahlin Drago invades her room, and her life. Drago for dragon. Bahlin is a shapeshifter, and a member of High Council that governs supernatural creatures.

Confused? So was Maddy. She was having a hard time believing everything that Bahlin had to tell her, both before and after he magically opened the door of her hotel room. However, it was necessary that Maddy believe. Why? Because her family wasn’t just Niteclif, she was THE Niteclif, the office responsible for investigating crimes among supernaturals, and between supernaturals and humans.

That was how great-grandad got to be Holmes. He was the previous Niteclif investigator. Now it’s Maddy’s turn. As soon as she figures out what she’s supposed to do. And how she’s supposed to do it.

Bahlin is more than willing to help her. After all, he played Watson to her great-grandfather’s Holmes.

But there’s this one tiny problem. Maddy is the first female Niteclif to take up the office. And there’s a prophecy about whichever male member of the Council manages to get her into his bed, he’ll become the Head of the High Council.

There’s that old saying, you know the one, “Power corrupts”. So is Bahlin courting Maddy and being so wonderful because he genuinely wants to help her, or because he wants to be Head of the High Council?

And then there was that other dream man. Tarrek is a fae prince and also on the High Council. What game is he playing?

It’s not just Maddy’s life on the line, it’s her heart.

Escape Rating B+: Maddy’s late evening drive through the English countryside made for a slightly strange start, but once she hit that hotel bed and started dreaming, the story had a breakneck pace with lots of compelling twists and turns. Reading how an author starts with a prophecy and then has the characters subvert it instead of going meekly to their fate is angsty but makes for great reading.

I did figure out who one of the bad guys was long before the end, but not the other one, nor did I get quite how far around the bend things were. I always give “points” for fooling me. I got caught up in the romance and missed some of the clues about the evildoers. Excellently done!

 

Review Tour: Brightarrow Burning + Giveaway!

When your people are struggling for survival, love is the last thing on your mind, especially if your job is to kill the brother of the only man you’ve ever loved.

That simple plot description becomes a multi-layered fantasy romance in the hands of Isabo Kelly. Her Brightarrow Burning gives readers not just a steamy romance, but also a compelling portrait of a heroine caught between duty, desire, and the gut-instinct to trust someone she’s known all her life, even when recent events say she shouldn’t. The story boils with added fire of the human desire to live fast in the face of imminent death, and a truly addictive partner.

More on that in a minute.

Brightarrow Burning shows a world in shambles. A powerful race of Sorcerers invaded Layla’s human city just a few short years ago. The Sorcerers draw their power for their spells from human pain, so they capture and torture Layla’s people for their fuel.

The humans thought the nearby Elven Kingdoms were their allies, but the Sorcerers were clever. Divide and conquer is an old trick. The Sorcerers bargained with the elves first, promising power and riches, and the elves stayed neutral in the Human/Sorcerer conflict.

Without elven weapons, the humans had no chance.

Then some of the elves started trading weapons to the Sorcerers. With the neutrality broken, the more enlightened elves were able to start trading with the Layla’s people again. That enlightenment meant they had never been beguiled by the Sorcerers’ claims; they knew that as soon as the humans were conquered, the Elven Kingdoms were next.

Layla is an archer, one of the best shots the humans have. With elven weapons, she can disrupt a caravan of captives, and sometimes assassinate its guards. But she has a special assignment.

One elven lord has been betraying the secrets of the human city to the Sorcerers since the day they arrived. The elves used to be their friends, and had free entry into the city. Layla’s assignment is to kill that elf.

Although Althir may have betrayed the humans, his brother Ulric has been a friend of her family’s all her life. Now that Layla is a grown woman, the feelings she has for Ulric are anything but familial.

It won’t stop her from killing his brother. But Ulric might.

He’s suddenly there, every time she turns around. He says he wants to protect her. Even more, he says he wants to love her. But Layla fears that the real reason Ulric is there is to protect his brother.

After all, where was he before she started to target his brother? He disappeared for years, and suddenly he’s back. It can’t be a coincidence.

And then Ulric adds the addictive compulsion of elf-fire into this already combustible mix, and all hell really does break loose!

Escape Rating B: For a short novella, this story packs a surprising amount of emotional wallop into it. Equally surprising, it manages to tie up its major loose ends, as least as far as the hero and heroine are concerned.

The worldbuilding is pretty neat, too. This is a dark and gritty war-torn fantasy world. We see just enough to know why Layla’s and Ulric’s relationship has such a damn hard time getting started, and where Layla’s trust issues come from.

I would love to see more of this world, it’s got the kind of possibilities for future storytelling built into it that remind me a little of Shiloh Walker’s Veil series.

If you prefer your elves dark and tortured, your women warriors, and your road to romance rocky, you’ll enjoy this book.

Isabo will be giving away a $25 Amazon or Barnes and Noble GC to one randomly drawn commenter during the tour.

  • To be entered, just leave a comment along with your email address.
  • One commenter will be chosen randomly from all the comments made at each tour stop, so the more tour stops you make comments at, the greater your chances of winning! A list of all participating blogs can be found here.
  • Giveaway ends at 11:59 PM CDT on 3/30

 

Engaged in Wickedness

From the description of Engaged in Wickedness, it looked like Jade Lee’s introductory novella for her new Bridal Favors series would merely be a purely engaging frothy romance. But the desperate purpose behind Lady Gwen’s wickedness gives this historical romance a surprising depth.

The story does have what seems like a typical start. It could have been whipped out of the Regency, and with a few updates, taken place anywhere and anywhen.

A young woman tests, in fact over-reaches the rules of her station, seemingly out of a spirit of adventure. She seems adventurous to her tamer and more conventional peers, who listen avidly to the tales of her adventures, safely after the fact.

But Lady Gwen is the daughter of an Earl, and the rules she is flouting are the staid and unbreakable conventions of the haut ton. What rules are those? She likes to sneak off into darkened corners and shadowy gardens with men, and let them kiss her.

This is dangerous behavior. If she is caught, she will be ruined in the eyes of the ton. Her father’s station will not save her. And Lady Gwen simply does not care anymore. Flirting, and being caught, just a little, is the only thing that fills the emptiness of her life.

But one man is watching her. Sir Edward Murray has come to London to find a wife. And Lady Gwen is just the wife he wants. This slightly reformed bad boy has found his responsible side since the death of his father six years ago. Before he assumed his baronetcy, all of his plots and schemes were focused on getting into trouble. Since then, he’s been too busy successfully managing his estate.

Now, now he’s spent all his time in London crafting one plan after another to ensnare Lady Gwen. Little knowing that she is all too ready to be caught.

All he has to do is quit plotting and really, really see her. But by the time Edward finds Gwen’s true depths, she discovers all of his plots and schemes.

Can recklessness and deception lead to lasting love?

Escape Rating B: At the beginning of the story, Gwen seems to be a very shallow person, and the reader wonders why one would sympathize with her. She’s not just a flirt, she’s actively self-destructive, and for no particularly good reason. Gwen seems to be running around a ton ball looking for someone to compromise her reputation, and her family is nowhere in sight.

Lucky for Gwen, this part doesn’t last long. As we meet her family, it starts to be clear. Gwen’s family is clinically dysfunctional, and things are being concealed from the world. Gwen is acting out of stress, because she can’t cope anymore.

She needs to be rescued, but that risks exposure. So instead, she’s looking for ruin, because adventure makes her feel alive for a few minutes. She’s searching for danger. And it makes sense. Finding Edward is the best thing that could happen to her. Gwen needs a bad boy with a respectable facade. It just takes her a while to realize it.

Figuring out just how bad he can be is what makes the story fun.

 

Isolation

If someone offered me a one-way ticket to the next solar system, I would be so there. I probably, wait, I know I wouldn’t read the fine print on the contract.

Which is why I understand what motivates a character like Dana Sinclair to sign up to be part of mankind’s first journey outside Earth’s solar system in the first volume of A. B. Gayle’s Saa’ar Chronicles, Isolation.

In real life, one would expect exploring uncharted space to be a rough trip. One might not expect the kind of pre-flight corporate machinations to spillover into in-flight betrayal that helps make Dana’s story so compelling. On the other hand, the nastier bits of Dana’s adventure do turn out to have their…compensations.

Although this story takes place aboard a space ship, there’s a reason for that title. Most of the story takes place in isolation. Different kinds of isolation.

The ship sets out from Earth for the planet Sa’ar, with a mostly human crew and a few Saa’arians. Nearly everyone spends three months in suspended animation for a high-speed trip to Neptune.

When Dana wakes up, the situation has gone to crap in the recycling unit. Instead of being the second-in-command of the medical team, she’s in charge. Her chief is dead. It seems to have been a heart attack. But he wasn’t ill, and she’s not permitted to do an autopsy. All the Saa’arians are dead, and again, no autopsy is permitted.

The woman in charge of the expedition is a corporate bigwig, with no experience running an exploration mission or for that matter a diplomatic mission. Or much experience motivating people. The crew call her “the ice queen” for a reason.

But the second-in-commend, now there’s a man Dana wants to get to know better, if he could stand to spend two minutes in a doctor’s company ever again. But that’s a problem for Ethan Reilly. He was a bona fide war hero, until he deliberately stepped on a landmine to save his men. Now he has prosthetics from below the knee on both legs, and scars on half his face that he refuses to have healed. The prosthetic joints work so well, people forget he has them, but Ethan never does. And he’s had his fill of doctors in white coats. After months of rehab, he’d be happy to never see another one again.

Until he meets Dana Sinclair. And discovers there’s a smart, funny and sexy woman under that coat. One who doesn’t care about any of his scars, because as a doctor, she’s seen it all before. She only cares about the man inside. Not the hero on the Army recruiting posters that he used to be.

The ship is stranded near the planet Nebula, waiting for help to come from the planet Saa’ar to pick them up. The expedition leader wants Dana to declare that all the Saa’ ar on board the ship died of natural causes, by exposure to an Earth disease, and that the problem is solved. Dana’s not so sure. There’s too much pressure to rush to judgment, and too little data.

And there’s a whole lot of the antidote for Sarin gas on board.

Only one person is willing to help her investigate. Ethan Reilly. Or so it seems. Until he turns on her, and gets her locked up. In isolation.

But not until after he’s gotten her to fall in love with him. Has Ethan betrayed her, or is he keeping her safe? Can he find the answers to all the problems without her?

Escape Rating A-: I couldn’t put this down once I picked it up. It was easy for me to get sucked into Dana’s point of view.

The story here is really about how the crew bands together to solve the mystery much more than it is about the space travel or anything else. There is kind of a locked-room aspect to the story, since the ship is out by Neptune and they can’t go anywhere.

I want the next book now. I have to know what happens when they reach the Saa’ar planet.

 

Motor City Mage

I’ve enjoyed every trip to magical Detroit so far, and Motor City Mage turned out to be another delightful journey to Cindy Spencer Pape’s paranormal version of Motown.

The mage in Motor City Mage is Desmond Sutton. He’s the representative of the Wyndewin League in Detroit, and a powerful wizard. But the incredibly insular Wyndewin League has a few problems with the way that Sutton represents them in Motown.

Desmond has been mixing with beings from the other magical races, the fae and the werewolves. His sister is married to a fae lord, his niece is half-fae; they’re family! Cutting off his sister just isn’t happening. And his brother-in-law has family of his own, and they’ve married into the local werewolves. More family.

And his new relatives are very effective at helping him manage the demon threat. Some demons have crossed to the earthly dimension and are distributing very potent, and very lethal, drugs to the human population. College kids just see it as a new way of getting high.

But his boss only sees Desmond’s family as dangerous elements. Wyndewin are not supposed to mix with the other magical races or with non-magical humans. They’re supposed to be superior. Desmond is beginning to wonder whether or not its all a load of unicorn pucky, but he also wants to keep his job.

However, there’s a woman that he shouldn’t be interested in. Because Lana is not only not Wyndewin, she’s a werewolf. But she’s the only woman who can stand up to everything he can dish out. And dish it right back. Lana is so wrong for Des, and so very, very right.

That drug problem he’s investigating, Lana not only wants to help, she’s the ideal person to help. She’s a part-time student, and, as a werewolf, she’s got her own built-in set of weaponry if the investigation turns nasty.

But their investigation takes on a dimension that neither of them expects. Literally. Their sting operation on the demon drug distributors sends Des and Lana out of Detroit and into one of the nearby demon dimensions, where they have no one to rely on except each other.

And a demon.

Escape Rating A: Cindy Spencer Pape’s entire Urban Arcana series deserves an A rating. If you enjoy paranormal/urban fantasy romance, just start at the beginning with Motor City Fae and plan on rolling right on through to Motor City Witch, and Motor City Wolf before reaching Motor City Mage. (I loved them all. My review of Motor City Wolf is here)

I just wish it looked like there were more, but Motor City Mage matches up all of the original “cast”. Is it too much to hope for Motor City: the Next Generation?

Hunter’s Prey

Hunter’s Prey (Bloodhounds, Book 2) by Moira Rogers has all the ingredients to cook up a terrific wild-west romp. Take one former hooker with the requisite heart of gold. Add one former spoiled party-boy who got caught in the wrong place at the wrong time, and feels like he’s been turned into “Beast” from Beauty and the Beast.

Then again, sometimes Hunter literally does turn into a Beast. A Bloodhound, that is.

The Bloodhounds, and the steampunk-flavored post-Civil War alternate Wild West they prowl, were introduced in Wilder’s Mate, book 1 of this series. Not only do a lot of the characters from Wilder’s Mate reappear in Hunter’s Prey, but the first story provides a chunk of useful information about Bloodhounds and their world.

Not to mention, it’s a darn good book!  (See reviews at Fiction Vixen, Book Lovers Inc, Smexy Books, and of course, Reading Reality)

Hunter’s Prey takes up where Wilder’s Mate left off. Hunter was rescued by Wilder, found in a cage in a vampire’s lair. Hunter was changed against his will, and not made by the mysterious Guild.

The story is all about Hunter’s first month of freedom as a bloodhound. Whether he can accept himself as he is now, and not as the man he used to be.

Bloodhounds are ruled by the moon. During the full moon they crave violence. Hunter had no problems dealing with that urge. A camp of 50 or so vampires near the Deadlands border made for easy pickings.

But it’s the insatiable sexual hungers of his Bloodhound nature that Hunter isn’t certain how to handle. Bloodhounds fall prey to three days of mindless lust during the dark of the new moon. Hunter is afraid to inflict the violence of his new nature on any woman, even the prostitutes who make very good money from the Bloodhound Guild every month. They volunteer for this service. The Bloodhounds need to satisfy their lovers, and they are damn good at it.

Even in the short time Hunter has been free, he’s already become attached to a woman, and he didn’t intend to.

Hunter’s Prey isn’t just Hunter’s story, it’s also Ophelia’s story. Ophelia runs the Guildhouse in Iron Creek. She keeps all the Bloodhounds fed, sees to any guests, hires and fires the help. She keeps the pantry stocked. And she listens to everyone’s troubles. Ophelia used to run a bordello. Except for the nature of the business, running a Guildhouse isn’t much different. She’s tired of managing other people’s houses and other people’s lives. Ophelia wants a place of her own.

But Hunter is just the kind of trouble that draws her in. Ophelia knows she shouldn’t get involved with him. Not because he’s a Bloodhound, but because he isn’t ready to accept that his dreams of a respectable life are over. Bloodhounds aren’t respectable, they are violence incarnate.

However rationally Ophelia decides that she shouldn’t be involved with Hunter, fate has other plans. So do a whole bunch of ghouls and a vampire drug lord.

With the deck stacked so high against them, will Hunter and Ophelia survive long enough to find out that they belong together?

Escape Rating B: Even though Hunter is the title character, Ophelia is the person who really made the story work for me. I could understand completely why she felt the way she did, both about running the house, and why she was thinking of leaving.

And I could definitely see her misgivings about a relationship with Hunter. Until he accepts who he is now, there’s no future. He has to stop looking backward at who he was, and accept himself for who he is now, however that came about. I do love watching a relationship build; the chase should be every bit as much fun to watch as the catch. This was scorching.

I did find myself going back to see where the villain went. The ending was fast and furious, but we didn’t see a whole lot of the bad guy before the take down. On the other hand, I did like the hints that the Guild is going to feature more in later books. They are infernally and internally mysterious. I want to know more about them, so I’m looking forward to that!

 

Heart of Perdition

Heart of Perdition by Selah March is a short, chilling gothic story. And I do mean chilling. The ending was very eerie, and I got the shivers. Not from cold, but from the creepy-crawlies. In a good way.

Heart of Perdition takes place in a steampunk-style world, but the story isn’t steampunk, and that doesn’t matter. Steampunk can be a setting, just as an alien planet or near-future apocalypse can be a setting, while the story is another genre entirely. That’s how we sometimes get genre-benders like futuristic romance or historical mysteries.

So the steampunk setting of Perdition allows the use of airships and clockwork servants, but doesn’t drive the story. What drives the story is an ancient evil creature named Xaphan, and a terrible curse embodied by one lonely young woman.

Elspeth Shaw lives alone on the Greek island of St. Kilda. It’s a very bleak island, and it’s better that way. Elspeth suffers from a terrible curse. Every living creature who becomes emotionally attached to her, dies. Every creature, not just humans. Elspeth can’t even have a pet without watching it die horribly of her curse.

Elspeth only allows herself one human servant, a housekeeper whom she pays well and treats just barely tolerably, guaranteeing that the woman never forms any attachment to her. It’s her only way of keeping the woman alive. All of her other servants are automata.

Poor Elspeth’s own feelings don’t enter into the curse, she can love anyone she likes. Or not. What matters what they feel about her.

The curse is the result of an evil bargain her father made the night she was born. Her father tried to cheat death. To do so, he stole a powerful artifact that had been safeguarded by a church. That artifact controlled an evil spirit named Xaphan. The bargain her father made was that the curse would be visited on his first-born child. Elspeth’s father assumed his first-born would be a son. He was an egotistical scientist in the Victorian era, he was like that. Instead, his firstborn was Elspeth.

Her father was not killed by the curse because he never loved her. He lived a normal life-span.

But as he died, an old bitter man, he decided upon one last act of horror. Dr. Shaw died in the house of James Weston, Earl of Falmouth. Weston was a young man dying of congenital heart disease. Contemporary physicians could recognize it, but not cure it.

With his dying breath, Dr. Shaw directed Weston to go to Elspeth, and to release Xaphan. Knowing the evil would grant the dying young man his wish of restored life, at the cost of releasing that terrible evil back into the world.

The inevitable result is tragic and horrible and incredibly chilling.

Escape Rating B+: I recommend Heart of Perdition if you like your romances with a side of eerie. You will gobble this story right up–but don’t gobble this one up alone in the dark with your ereader. The ending haunts.

Donovan’s Bed

Donovan’s Bed by Debra Mullins turned out to be the best kind of surprise. All I expected was to get my curiosity sated about Samhain’s Retro Romances. What I discovered was a guilty pleasure of a book.

Sarah Calhoun made one mistake, and the small-minded small-town gossips are never going to let her forget. Admittedly, it was a pretty big mistake. And the entire town knows that Sarah isn’t going to go to her marriage bed (if any man is ever willing to overlook her past, that is) a blushing virgin.

So Sarah has spent the last two years living down her terrible sin, and throwing herself into running her father’s newspaper. The newspaper is all she has left of him. Being a good businesswoman, instead of just a woman, barely keeps the busybodies out of her life.

But of course there is a man. His name is Jack Donovan. She’s been pursuing him as part of her work. He’s new in town, and he’s bought the biggest ranch for miles around. But…no one knows who he is or where he came from. Donovan just showed up in Burr one day with a fistful of cash and bought himself a lot of respectability. Sarah knows he must have a dark secret buried someplace deep.

Jack Donovan does have a secret, and he doesn’t want Sarah to find it. So whenever she tries to interview him, he tries to get her temper riled up. Not true anger, just to deflect her a little. And because the sexual tension between them makes the sparks fly.

But when Donovan has an ornate four-poster bed shipped to Burr from “Back East”, all the mock-flirtation comes to a boil. Sarah wants to know why a single rancher, however wealthy, lavished so much money on such an ostentatious piece of furniture.

Donovan tell her that he’s decided to settle down and find a wife. Then has the gall to tell Sarah that she isn’t on the list. Even worse, he tells that she’d be just fine for a passionate affair, but that she’s not a woman to marry.

Not having lost his entire mind, he doesn’t tell her that the reason he won’t consider marrying her is that he wants a full-time rancher’s wife, and he knows she won’t give up her newspaper. And that it is unfair of him to expect it of her. And there’s that other little problem–he won’t tell her his secrets, and she won’t rest until she finds out.

But Sarah is incensed. Telling a newspaperwoman that she isn’t good enough to marry you is not the way for a man to lead a quiet and respectable life in a small town. Sarah prints Donovan’s wife hunt as front page news the very next day, complete with his stated list of qualifications.

The poor man finds himself besieged, even in his own home!

But the more women who throw themselves at him, the more he realizes that Sarah, the one he believed was totally unsuitable, is the only woman he could possibly spend the rest of his life with.

But first they have to deal with a few pesky little problems. Like his past. And her past. And whether or not they are both willing to make serious compromises in their expectations.

Sarah was right all along. Jack Donovan  really did have a deep, dark secret buried in his past. Jack wanted it to stay buried forever. Until his worst self turns out to be the only one who can save Sarah’s life.

Escape Rating B+: If you have a fondness for Western romances in small frontier towns, this is a good one. I’d forgotten how much fun these stories are. It probably helps a lot that this particular “Retro Romance” isn’t all that retro–Donovan’s Bed was originally published in 2000.

I’m even considering reading the rest of the Calhoun Sisters series, just for fun.

Do not judge this book by its cover. Donovan is probably even more alpha than the picture, but Sarah is making her way as a businesswoman in a man’s world, she’s no sweet, submissive little miss. The original paperback cover may be more lurid, but more accurate.

 

Under Her Brass Corset

Under Her Brass Corset by Brenda Williamson looked like steampunk when I picked it up from NetGalley. I mean, really, “brass corset”? What would you think?

Instead, think of it as the counterweight to Leslie Dicken’s The Iron Heart, which is steampunk but doesn’t explicitly say it’s steampunk. Under Her Brass Corset has a title that practically screams steampunk, but is more of a historic romance with fantasy and steampunk elements. Any time immortality and Avalon get mentioned, I call fantasy.

The hero has installed steam power on his ship, it does fly, and this is Victorian England, but he hides the steam power from anyone who is not in on his big secret, his immortality. (I’m not calling this a spoiler because it’s revealed to the reader very, very early in the story)

Abigail Thatch begins the story pretty much at the end of her rope. Her father was murdered only two months previously foiling a break-in of their home, and since then, her finances have been going steadily downhill. Her museum job isn’t enough to pay the bills, and the bank is threatening foreclosure.

In walks Jasper Blackthorne. Abigail doesn’t remember Captain Blackthorne, but he remembers her all too well. In between sea voyages, Blackthorne has watched over her all her life, just as he guarded her parents before her. Blackthorne is immortal, having drunk from the waters of Avalon over 400 years previously. He feels responsible for Abigail’s family, because he gave her grandfather a sip from the waters himself. Unfortunately not a big enough sip…her grandfather is immortal but rather absent-minded. He forgets all the children he has created over his very long life.

History records Abigail’s grandfather as Edward Teach, otherwise known as Blackbeard the notorious pirate.

Jasper hid something in Abigail’s house before his last voyage: a clockworks compass that points to sources of the healing waters of Avalon, the waters that are sometimes called the “fountain of youth”. Jasper needs to get the compass back. He fears that Abigail’s father was murdered in an attempt to find it. Murdered by Abigail’s cousin, Eric Teach.

But Jasper has another reason for coming to see Abigail. He’s been watching over her from a distance all these years, and he’s seen her grow from child to girl to woman. As a child she was a delightful little sprite, but as a woman, she’s captured his heart and soul. And it tears him apart. Jasper loved a mortal woman once, 150 years before. She refused the gift of immortality, and he has never loved again.

But Abigail challenges him, body and spirit. She wants him, and the adventure he represents. She also knows that there is a treasure to be found with that clockworks compass; she simply doesn’t believe in his tales of immortality. Abigail needs a rich prize to rescue her home from the bank.

Abigail finds herself falling for Jasper, even though she thinks that everything he says might be a con. She doesn’t remember him from her childhood, but she instinctively trusts him, though her mind says she shouldn’t.

The journey they embark upon is filled with wonders. But also with great perils and dangerous sea monsters. But none more dangerous than Abigail’s long-lost family.

Escape Rating C+: I was expecting much more steampunk than this turned out to be. I like fantasy romance, but I wasn’t expecting one. There are definitely steampunk elements, but they arise because Jasper’s been inventing stuff for himself to keep people away. I tend to think of steampunk being more pervasive to the society-at-large.

The romance itself worked pretty well. I liked Jasper and Abigail, and could understand why they fell for each other. I also definitely got why she didn’t believe his story. From a rational standpoint, it was pretty far-fetched. On the other hand, since she didn’t believe him, she should have needed a LOT more convincing in order to go with him on that trans-Atlantic voyage.

For my willing suspension of disbelief, or the throwing out the window of it, there were one or more too many borrowed elements from other stories. Morgan le Fay and the Lady of the Lake and Avalon and Blackbeard the Pirate and Ponce de León! For this reader, it was a little over the top. Your mileage may vary.