How to Dance With a Duke

How to Dance with a Duke by Manda Collins has all the elements to make a delightfully frothy Regency romance; the hero is a Duke as well as a wounded warrior and the heroine is a bluestocking who only needs a little wardrobe consultation to transform from ugly duckling to beautiful swan.

Then there are the added elements from the dawn of modern archaeology, the men of the mysterious Egyptian Explorer’s Club who refuse to let our heroine translate her father’s diaries from his most recent expedition. And there are mummies and curses and of course, grave robbers and black market collectors.  A little mystery and mayhem always spices up a romance.

This romance starts out a bit rocky. When our couple first meet outside that Egyptian Explorer’s Club, they have both been shown the door. Miss Cecily Hurston, because unmarried ladies are not permitted inside under any circumstances. His Grace the Duke of Winterson, because he is not a member. And he is never going to be a member, either. On the Club’s most recent expedition, his brother, Mr. William Dalton, disappeared under mysterious circumstances, and is presumed dead. Cecily’s father, Viscount Hurston, led that expedition, had some kind of falling out with his secretary, and now lies in a coma. His death is believed to be imminent.

Of course, Hurston’s secretary was the Duke’s brother William. Lucas wants to find out what Hurston knows, but Hurston isn’t talking. He isn’t conscious. Failing that, Lucas would like to talk to Cecily. But when they meet outside the Explorer’s Club, they have their first fight. Not their last.

In spite of the continuous arguments, they finally agree to join forces. Lucas needs to find out what happened to his younger brother, not just for his own sake, but also for his mother’s. Not knowing is eating them alive. Cecily needs her father’s journals to figure out what happened; the stories going around London of a mummy’s curse may be ludicrous, but her father is deathly ill. Without the journals, she has no answers. Her father wrote in cipher, and Cecily is the only one who can translate the cipher besides Lucas’ brother. If something tragic occurred that brought on a seizure, they all need to know what that event might have been.

The action in this story takes on the breakneck pace of a serial melodrama, between the romance, the mummy’s curse, and the society parties that form the backdrop of the investigation into the Egyptian Explorer’s Club and its possibly nefarious ways.

The Duke doesn’t actually dance. War wound.

Escape Rating B-: This is a romance defined by how much the hero and heroine fight their attraction to each other, fight with each other, and fight about everything that happens between and around them. If “obey” was in the marriage vows, Cecily probably didn’t repeat that bit.

I would have enjoyed this book more but I felt that Cecily held on to her grievances a little too long. I understood why she protected herself after her disastrous first engagement, but she stayed angry and withdrawn too long after the marriage, which takes place in the middle of the book. Cecily and Lucas’ arguing was part of their pattern, but her cold withdrawal went on too long for this reader.

 

The Canvas Thief

I kind of liked The Canvas Thief by P. Kirby…once I totally threw my disbelief out the window and treated the world of the book as if it were a cartoon world, which is just the way the main character, Maya Stephenson, created the hero and the villain. The underpinnings of the whole NeoVerse/EverVerse thing never gelled for me, but the breakneck pace of the story mostly carried me along, like Wile E. Coyote over the cliff, as long as I kept reading (running) and didn’t look down.

Maya Stephenson is an artist, with a gift. All artists have a gift, but Maya’s is special. She sees demons. That might be a little too special for most of us.

Maya knows that the world we live in has a few folks in it who are a bit odder than we think. However, Maya promised her mother that she would suppress her vision, and act normal. Because her Uncle Andrew could see the way Maya can, and Uncle Andrew wasn’t just “taken away”, but his family was made to forget him. The taking away part would have meant he was crazy, but the making people forget, that’s powerful stuff.

So Maya began channeling all her visions into her art. Except Maya didn’t draw what she saw. She was trying way, way too hard to be normal. Maya drew people. Since she was a teenage girl trying very hard to be normal, she drew boys. And she made up a story about them. A cops and robbers story. Adam Sayre was the cop, and Benjamin Black was the robber, the extra-talented thief.

Maya was so talented, and she concentrated so hard on making those drawings of Adam and Benjamin so perfect, that eventually Benjamin and Adam manifested from the NeoVerse to the Real. And because Maya’s magic created them in endless pursuit of one another, they remained tied to one another. For ten years, as Maya changed from girl to woman. And her fantasy men learned the ropes of the real world.

Benjamin Black lived and loved and lost. And decided he wanted to Fade from the Real to EverVerse, so that he might never lose anyone again. Adam Sayre learned to manipulate the system that, as a cop, he was supposed to be a protector of. Adam decided he wanted to stay in the Real forever.

Both Benjamin’s and Adam’s decisions required something from Maya to fulfill. Their ‘key drawings’. That first, perfect drawing that made them ‘real’. Benjamin tries to steal it, and Adam tries to manipulate Maya into it. Neither succeeds. Any woman strong enough to create life from the NeoVerse too strong for that.

But the collision course of their three lives changes everything. Maya discovers that the rules of ‘normalcy’ she has lived by are so, so unreal. Benjamin learns that being hurt once does not make him immune from being hurt again.

Escape Rating C: The story catches you up and keeps you in its grip, which is a really good thing, because the worldbuilding doesn’t quite hold up. I couldn’t make sense of the whole NeoVerse/EverVerse concept, and I decided to just go along for the ride.  Unlike Wile E. Coyote, I chose not to look down after I ran off the edge of the cliff.

There’s a famous quote from Margery Williams’ The Velveteen Rabbit, or How Toys Become Real where the Rabbit asks “What is REAL?” and that kept coming back to me when I read this book. Maya never intended to make her characters real; she had no idea she had that power. When love enters the picture, as it does in The Velveteen Rabbit, the question of whether love is enough to make the man she loves ‘real’ enough to remain in the so-called real world becomes one of the big questions of the story.

 

The Stubborn Dead

The Stubborn Dead by Natasha Hoar is every bit as good as the teaser in the January print RT Book Reviews claimed it to be. At just under 60 pages, the whole book is a teaser, and a damn fine one.

Rachel Miller is the resident member of the Order of Rescue Mediums in Vancouver. Her duty is to release trapped spirits from this earthly realm. Not all spirits want to be released, and sometimes Rachel has a supernatural fight on her hands. Occasionally, that fight manifests physically, and the spirit shoves Rachel into a wall. Lucky for Rachel, being a rescue medium means that she heals quickly.

Being summoned to a haunted house to exorcise a trapped spirit is all part and parcel of Rachel’s life. The local priests even know who Rachel is, because she handles the spirits who are beyond their powers.

So when Rachel gets a call from Sylvia Elkeles asking her to remove a spirit that’s already sent the local Catholic priest to the hospital, Rachel is concerned, but still comes to the house. Even after she calls the diocese and discovers that Father Simon is not only not in the hospital, but has never heard of Sylvia.

Rachel is not prepared enough for the lying, cheating, sociopathic Sylvia. Because Sylvia has studied up on rescued mediums, and uses the code that binds Rachel’s power into supernaturally forcing her to dealing with a special kind of stubborn undead. A rodach. A wraith who is still tied to his living body and still has a soul.

Rachel has 48 hours to either find the rodach’s body or eliminate his soul. And if she fails, her supernatural powers will be bound, forever.

While the clock is ticking, Rachel has her own personal issues to deal with. Her perpetual stalker, Janus Ostara. Janus is a mob boss. But not of the usual kind of mob. Janus’ mob only contains members of the supernatural, and he wants to add Rachel to his crew, personally.

Meanwhile, about that rodach…they’re supposed to be extinct. Which means that information on dealing with the problem appropriately is limited in the extreme. And that clock keeps ticking away…

Escape Rating B+: This is one of those cases where my biggest complaint is that the book was way too damn short! I want to know more about these rescue mediums and the world that requires their services. If you’re an urban fantasy fan, just about the time you get really sucked in, it’s over.

The story itself wraps up very, very well. It’s just that I want more of the worldbuilding. I want it bad. The second book, titled The Ravenous Dead, is out on submission according to the author’s site. I really want a publisher (Carina, hopefully) to pick this up. Like yesterday.

Banshee Charmer

Banshee Charmer by Tiffany Allee is labeled as being “from the files of the Otherworlder Enforcement Agency”. I took that to mean that this might be the first book of a series. This is an excellent thing! Banshees are not usually charmers, but in this case of this particular half-banshee, if you like urban fantasy, you’ll be charmed.

We meet our heroine at a crime scene. Which is only fitting, because Mac is a cop. Not your standard, run-of-the-mill cop, of course, but a member of the paranormal unit. There are generally two kinds of people who get assigned to the paranormal unit–paranormals, and regular-type human cops who have really, really pissed off someone in authority. For a human, being assigned to the “freak squad” is an even worse type of career purgatory than Internal Affairs.

But Keira “Mac” McLoughlin is definitely a freak. She’s half-banshee. Her scream can be a weapon. When she wants it to be.

When Mac’s partner Amanda becomes the victim of a serial killer, her Lieutenant takes her off the case. He thinks she’s too emotionally involved to see things clearly. He’s sure that Mac is out for payback instead of justice.

But Mac can’t stay away from the case, so when she comes back to her place to find an Otherworld Enforcement Agent sitting at her kitchen table claiming to have more evidence about the killer, she lets him into her confidence, and they join forces. And Mac keeps investigating a case she’s supposed to be miles away from.

The more Mac investigates, the stranger things get. Even for an Otherworld Enforcement Agent. This serial killer should never have targeted her partner, because he targets the weak, not bodybuilder cops. But then, this killer seems to be a member of an otherworld species that is supposed to be extinct.

And that OWEA agent, well Aiden Byrne is not exactly what he appears to be, either. And the biggest problem with that is Mac’s feelings for him are anything but professional.

Escape Rating A-/B+: This was one of those books that was just plain fun. Within the first few pages I was absolutely hooked. It hit all the high notes of an excellent urban fantasy, the heroine was not just kick-ass, but she was interesting and slightly different, the hero was conflicted but not too much, and the world-building was gritty and real.

We haven’t seen a banshee (even a half-banshee) as a heroine before. Mac’s conflicts about her background make her perspective new. Aiden also has just the right amount of torment (I like a little bad in my boys, but not to the point of wondering why the heroine gives them the time of day!). And a world built on everyone knowing and dealing with the otherworld is cool.

I want to read the next book. If this is “from the files of” that means there are more files, doesn’t it? Please.

If you want to read more of my thoughts on this story, check this post at Book Lovers Inc.

 

Naked Heat

Richard Castle books are a lot like potato chips–you can’t read just one. As soon as I finished Heat Wave (see review) I started craving another Castle book, and I caved in within a couple of days and started Naked Heat. It was pure indulgence, and I loved every sinful page of it.

This story starts with Lt. Nikki Heat and her two detectives Raley and Ochoa discovering Jameson Rook at the scene of a recent homicide, listening to his iPod, with the body of the victim in the next room. (Any resemblances between events in the book and episodes of seasons 2 and 3 of Castle are undoubtedly intentional).

Heat hasn’t seen her former shadow and occasional lover, journalist Rook, for a few months. Not since his article in First Press magazine about his “ride-along” with her and her detectives was published. That article made her the focus of the piece, and brought her a lot of unwanted attention. Nikki only wants to be a cop, not a media darling. And the article made her look like a one-woman crimefighter, totally shortchanging her team.

No one at the Precinct really wanted to see Rook again. He’d screwed all of them in that article, one way or another.

But the dead body in the next room was Cassidy Towne, mud-slinging gossip-raker extraordinaire…and Jameson Rook’s current subject. Without, as he explained to Nikki, the sex.

Even if none of the team wanted Rook back, they needed him this time. He was the insider, both in the publishing world, and on the subject of Cassidy Towne’s current projects and potential enemies.

So they were stuck with Rook after all, trying to charm his way into everyone’s good graces again, and back into Nikki’s bed. All the while, trying to help the police solve the case of Cassidy Towne’s death before the killer strikes again.

Escape Rating B: I was struck by how much Nikki Heat reminds me of Eve Dallas in the J.D. Robb In Death series. And through Dallas, Sigrid Harald from Margaret Maron’s series as well. The tough female detective with the damaged past who builds a family out of the members of her precinct house, and eventually finds love in a most unlikely place. Nikki, Eve and Sigrid are all sisters under the skin.

But if Nikki is an avatar for Eve Dallas, Jameson Rook is no Roarke. Not on Rook’s best day and Roarke’s worst. I like Jameson Rook as a character, but there’s no resemblance. The analogy just doesn’t stretch that far, in spite of the similar names.

Jameson Rook, unlike Richard Castle, is a magazine writer, and presumbly doesn’t make as comfortable a living. So Rook has to supplement his earnings by writing under a pseudonym. And what does Jameson Rook write, and as whom? Under the name Victoria St. Clair, Jameson Rook writes romance novels. And he’s not the first fictional hero to make his living this way, either. In Tanya Huff’s Blood series, Victoria Nelson’s vampire partner, Henry Fitzroy, also wrote historical romances. I keep imagining Henry and Rook meeting at a romance writers’ convention. It would have to be at night, of course.

I read this book just for fun. I’m posting this review in the middle of the ALA Midwinter Conference because there are a lot of librarians out there on the conference floor picking up Advance Reading Copies to read, just for fun. Even more importantly, a big part of our jobs is to select books that folks in our communities we hope will be dying to read, just for fun.

Naked Heat is one of those books.

Don’t Bite the Messenger

Don’t Bite the Messenger by Regan Summers was every bit as intriguing an idea as it sounded when I read the description. And every bit as much fun to read.

Vampires would love Alaska in the winter. The nights are close to endless. But the summers would have to suck. And not in a good way.

The idea that vampire powers would also fry electronic technology made for an interesting start to this story. There are already people who go to Alaska for a short-term, high-paying job. Just think of the oil fields. But this makes for a whole new twist.

Our heroine, Sydney Kildare, is a human courier for the vampires. Without technology, the vamps are forced to rely on good, old-fashioned methods of communication. Like messenger services. And Sydney Kildare is the best messenger in Anchorage. Why? Because not only has she lived long enough to learn all the tricks of avoiding hijackers and general bad-asshats, but she’s immune to the vampires’ allure. That makes her a trustworthy courier.

At the ripe old age of twenty-six, Sydney is within days of buying her way out. She’s put money down on a house in Hawaii. She’s practically counting the hours until her escape.

Then suddenly Sydney is the target in a vampire turf war, and she doesn’t even know why. All she knows is that every safe haven she thought she had isn’t safe anymore, and every friend or even friendly acquaintance is either compromised or a target.

There’s only one person who is willing to help her. Malcolm Kelly seems to be right there on the scene whenever Sydney is in trouble. But is Mal an ally, or just the only vampire Sydney isn’t immune to?

Escape Rating B: On the one hand, I love these really short teaser books for urban fantasy/paranormal series. I get a quick introduction to the world, and I get to figure out whether I’m going to like it or not. But, but, but, it’s the potato chip problem all over again. One is not enough. If I do like it, and I definitely did like this, there should be more than just a tiny taste!  The whole problem with a teaser is just that, I’m left feeling teased. It’s not a sensation I’m really fond of.

Don’t Bite the Messenger is billed as the introduction to a series. And it reads like one. So let’s have it already.

 

Stellarnet Rebel

Stellarnet Rebel by J.L. Hilton is really good science fiction romance. The heroine is a blogger, which made it particularly fun for me! Not many blogger/heroines in science fiction romance. Or anywhere.

Genny O’Riordan is the blogger. She “shifts” in from Earth to Asteria to find a story that will make her blog, that is kick it up into the Stellarnet Top 100. That’s her big dream. The story she wants to break is a universal story of corporate greed, just moved out to the deep-space colony of Asteria.

Asteria sounds like Babylon 5 without the aliens and without the interstellar wars. (Well, almost, but we’ll get to that in a minute) Babylon 5 had “Downbelow”, where all the people who were too broke to buy passage back “home” and not skilled enough to get decent paying jobs mostly lived in the corridors. “Downbelow” was a slum, except with even fewer options. Asteria is a lot like a civilian Babylon 5, and there are too many people on Asteria who have either been forcibly shipped to or conned into shifting to Asteria and living as “overload” — in other words, living in the corridors and overloading the ecological systems. On a space station, that’s even more serious than on a planet, any planet. Humans can’t breathe vacuum.

There are also a lot of obsessive online gamers on Asteria, playing an immersive Massively Multiplayer Online Role Playing Game (MMORPG) called Mysteria. There’s no lag time if you live on Asteria, the way there is on Earth. That’s a big deal to a truly obsessed gamer.

Asteria has a military commander, Colonel Blaze Villaneuva. Blaze is the one trying to keep the lid on the pot. His U.S. Air and Space Force mostly act as MPs. And they keep Asteria flying. Blaze is a realist more than he is a stickler for the rules. And part of Blaze’s reality is that there isn’t any water in space.

Blaze gets most of Asteria’s water from Duin’s clandestine raids on a nearby planet, his former home.

Duin is a Glin. He’s an alien. He’s the only alien on Asteria. His planet was conquered, and devastated, by another alien race, the Tikati. So Duin spends his days in the Asteria Colony market, making speeches about the oppression of his people to anyone who will listen. Because Duin has read all about the human drive for freedom, and he believes that somewhere, some human will want to help him free his people. He just has to keep believing. And speaking.

The first time Genny walks through the Asteria market, she hears Duin speak. He is passionate about the plight of his people. He is also incredibly articulate, even in a language manifestly not his own. And Genny is utterly captivated by him. At first, she believes it is because she has found a story, and a cause, that will rocket her blog not just into the Stellarnet 100, but maybe into the Stellarnet Top 20.

But the more time she spends with Duin, the more she involved she becomes with him and his cause, the more she realizes that it is the man, the Glin himself, who has captured her heart and soul.

Does love mean the same thing to a Glin that it does to a human? And will the blind prejudice and hatred of other humans conspire to keep them apart?

Escape Rating B: I absolutely adore the idea of the Stellarnet. It seemed like a merger of the blogosphere, Twitter and the constant stream of headline news all rolled into one. As a blogger, Genny is online to her fans almost constantly, to the point where Genny does debate whether or not to blog herself having sex, complete with video. But the concept of the all-invasive, all-intrusive Stellarnet, of fans living vicariously through a blogger/star does not seem far-fetched from here.

Duin was a little bit too good to be true for me. Especially when Belloc, the second Glin, came into the picture. I understand that the author used Belloc to show that the Glin attitude toward sex and relationships was not just different, but, in fact, alien, but that part of the plot didn’t quite work for me.

I liked Genny and Duin together. It felt more realistic in the relationship when he got so caught up in the cause that he lost sight of the person he was involved with. That happens. Belloc’s plot maybe should have been book 2.

Speaking of book 2, Stellarnet Rebel is the start of a series. I’m looking forward to it!

 

A Lady Awakened

A Lady Awakened by Cecilia Grant is a romance that flies in the face of convention, just like  its main characters do. In fact, this debut romance is so unconventional that reviewers have found it impossible to merely “like” the book.  It’s either been really loved, or practically a “wallbanger” (as in “throw against the wall in disgust”) book. I’m glad I followed my curiosity and read it, the differences made it well worth the time.

Martha Russell is a widow after a mere 10 months of marriage. Her late husband was a drunken fool, but his pride kept him from countermanding her orders for improvements on the estate and nearby village. He was unwilling to admit that he couldn’t remember whether he had given the orders for the school, and the new roofs for the tenants’ cottages, and the other things she thought were necessary. Drunken blackouts, you see.

But driving himself and his carriage into a crash had not been in her late husband’s plans. Nor had it been in Martha’s. Russell had expected Martha to provide him with an heir to his estate, it was why he married her. Russell hadn’t wanted his brother to inherit. Thomas Russell was still remembered around the neighborhood for his abuse of the female servants.

But Martha hadn’t had time to give her husband an heir, in spite of his assiduous efforts in that area, distasteful to Martha as they were. Martha had nevertheless done her duty by him, and dreamed of all the improvements she could make to the estate.

When the lawyer reads her late husband’s will, Martha knows she isn’t pregnant. She’s three days past certain. However, she feigns uncertainty in order to buy time. She’s desperate, and knows there must be a way to keep the demon brother at bay.

In Church on Sunday, the Lord does provide in the form of a handsome and feckless neighbor. Theophilus Mirkwood has been forced by his father to rusticate at their family’s country estate until he learns responsibility. Martha Russell offers to pay him 500 pounds for his stud services, for one month.

Yes, that’s right. She wants him to get her pregnant. He thinks she’s also paying for pleasure. She is absolute dead set against enjoying the act. Martha refuses to surrender any part of her essential self, and that includes her pleasure, to a man she sees as a wastrel.

And yet, this is a love story. It really is. It’s amazing how they get there.

Escape Rating B: This is the first romance I’ve ever read where the sex is not any good for either partner for the first half of the book. It’s an amazing place to start the story. Really, truly. There are a lot of stories where sex turns into love, and stories where the heroine’s first time isn’t so great, but this one is a first. The sex isn’t good for either of them, and it isn’t supposed to be.

This courtship is about a lot of other parts of their relationship. When all of the other issues (and are there ever a LOT of other issues) are resolved, then the issues in the bedroom work out. But this is a romance and not erotica. Love is more important than sex, in spite of where (and how) they start.

Soul Purpose

There must have been a generation of veterinarians who thought it would be just like James Herriot’s practice is All Creatures Great and Small. Herriot probably has a lot to answer for. Alan Reece, the vet in  Nick Marsh’s Soul Purpose (and its sequel, Past Tense) certainly didn’t expect that his practice would mostly be either mind-numbingly boring or involve being called in the wee hours in the morning because something horrible to a poor cow in a cold and mucky barn. And the middle-of-the night calls are always in barns. And always about cows.

But our story begins when Alan’s middle-of-the-night farmer call involves a perfectly normal birth–of a completely transparent calf. The calf is transparent, but its organs are quite visible through the skin. The farmer is also quite visibly certain that something is not right, but is too shocked to give his fears a name. Alan can’t believe his eyes, so he does something both stupid and brave, which turns out to be typical of him. He touches the transparent calf–and it becomes a normal calf.

By the next morning, after almost no sleep (not atypical of mornings after Alan has been on call) Alan wants to forget the whole thing. The farmer calls and says he doesn’t want to mention the visit again. Ever. And Alan is more than agreeable to that.

There are a couple of problems with this plan. One problem is that the transparent calf was not either Alan’s or the farmer’s imagination. It really happened. And the force that caused it, well, let’s just say it more than noticed Alan’s intervention. And now, it’s noticed Alan. In fact, there’s a voice talking to Alan, and Alan is trying to pretend that he’s not hearing it.

But Kate brings in her cat Roger, and Kate can see the person or force behind that voice. Kate has always been able to see souls, and now, she sees lots of them surrounding Alan. Kate has another problem. Kate’s a physicist, and she’s been running computer models on the new ion accelerator that’s scheduled to start running in Kent in a week or so. Her models show that the ion accelerator will bring about the end of the world. Really. Scientifically.

And that’s just what the voice in Alan’s head is predicting.

There’s one other person involved in this. George is Alan’s housemate. George works for a magazine, Mysterious World. Mysterious World covers paranormal phenomenon, and usually everything that George finds is a complete bust. Until he goes to see a strange fireplace at a pub, and guess what? The fire is transparent!

Escape Rating B: This is a hilariously snarky genre-bender. It has elements of horror, but also some urban fantasy and science fiction thrown in. Alan and his friends are terrific fun, so I’m really glad there’s another book. I want to see how they do now that they know each other. And how everyone puts their life back together, since they totally chucked everything in this one. But all in a very good cause.

I did figure out who the bad guy was way before the end.

Did Trevor (Kate’s ex) have to caricature every stereotype of the male librarian, and was it necessary to launch into a “why Alan fears libraries and librarians” in the middle of the book? Really? Can librarians possibly be as scary as demon worshipers and zombies? (And yes, this question is relevant in context)

There’s a nod to P.D. James’ Children of Men, or at least I saw one. YMMV. Some bits even reminded me of the classic horror videogame Eternal Darkness: Sanity’s Requiem not an exact correlation, but I wasn’t sure of that until the end.

If Ford Prefect had picked up a vet instead of Arthur Dent, this is the sort of horrific journey that might have resulted. And if this reference makes sense, you’ll have fun on this trip.

Heat Wave

I read Heat Wave by Richard Castle just for fun. We’re in the middle of a Castle marathon and I just couldn’t resist the impulse. And this was definitely a case where an irresistible impulse turned out to be a totally excellent thing!

“It’s raining men.” What a great way to open a case. This is just the kind of snark that comes with any potboiler, whether on television or in police procedural-type mysteries. Because what makes these shows watchable, or these books readable isn’t just about the case, it’s about listening to the characters smart-off with each other.

It always begins with a dead body. There’s a victim. Matthew Starr. He was the man who rained down, in this particular case. And as his death is investigated, any superficial resemblance to a low-budget Donald Trump is strictly intentional, but that is one reviewer’s humble opinion.

In all murder mysteries, it’s the victim’s life that gets taken apart. Matthew Starr is dissected piece by piece, and not just on the autopsy table. When the story ends, the detectives will know more about the victim than anyone in his life. They have to so they can figure out who murdered him and why.

And the readers learn a little more about the detectives and what makes them tick. And a little more about how they tick along together.

And how well one particular pair are going to tick together outside of “work”. Whether that’s going to be a one time thing or maybe more?

Escape Rating B+: The mystery had plenty of twists and turns. The case threw out the usual school of red herrings and I fell for a couple of them. I had most of it figured out, but one thing threw me. I had fun. But I’ll admit I’m not sure how well it will work for someone who isn’t a Castle fan.

This book is the introduction to a police procedural mystery series. Whether you swallow the whole Castle-thing or not, it still has to do what the introduction to any cop-based mystery series has to do, which is introduce you to the cop shop characters and their dynamic and get you to like them enough to get the next book. It worked for me. I’ve already got Naked Heat and Heat Rises on my iPad for the next time I need a fun book to read.

If you are a fan of Castle and you like reading mysteries, just give into the impulse now and buy the book. You know you want to. Stop resisting. You’ll be glad you did.