Review: The Ruin of Kings by Jenn Lyons

Review: The Ruin of Kings by Jenn LyonsThe Ruin of Kings (A Chorus of Dragons, #1) by Jenn Lyons
Format: audiobook, eARC, hardcover
Source: publisher, purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Chorus of Dragons #1
Pages: 560
Published by Tor Books on February 5, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

There are the old stories. And then there’s what actually happens.

Kihrin is a bastard orphan who grew up on storybook tales of long-lost princes and grand quests. When he is claimed against his will as the long-lost son of a treasonous prince, Kihrin finds that being a long-lost prince isn't what the storybooks promised.

Far from living the dream, Kihrin finds himself practically a prisoner, at the mercy of his new family's power plays and ambitions. He also discovers that the storybooks have lied about a lot of other things things, too: dragons, demons, gods, prophecies, true love, and how the hero always wins.

Then again, maybe he’s not the hero, for Kihrin isn’t destined to save the empire.

He’s destined to destroy it . . .

Uniting the worldbuilding of a Brandon Sanderson with the storytelling verve of a Patrick Rothfuss, debut author Jenn Lyons delivers an entirely new and captivating fantasy epic. Prepare to meet the genre’s next star.

My Review:

The “Ruin of Kings” is a sword. It’s also one hell of a story. Come to think of it, it’s also one hell of a sword.

That this is the author’s debut novel is amazing. Because this may very well be the epic fantasy of the year. It’s almost certainly the debut epic fantasy of the year. And I’m already positive that it will be on my Hugo ballot next year.

I’m going to try to stop squeeing now so that I can possibly talk about the actual book – and not just how much I loved it. Although I certainly did.

This story, like The Raven Tower earlier this year, is an experiment in voice. Unlike that previous book, however, this one works. It really, really works.

The three voices that tell the story of The Ruin of Kings are all fascinating, all compelling, and all utterly different. They are also telling the same story from not merely different perspectives but from different points in time. And yet, they all manage to meet in the end to set up the truly epic conclusion.

This is Kihrin’s story. And it’s Talon’s story. And it’s Thurvishar’s story. But mostly it’s Kihrin’s story, told partially from his perspective and partially from theirs. Well, sort of from theirs.

Talon is a mimic. A sadistic mimic. She’s a monster in the human sense of her sadism, but also in the sense that she really is a monster. She kills people for fun, eats their brains and receives the memories from the brains she eats. So when she tells the story, it’s partially her perspective and partially the perspective of the people whose brains she ate.

Thurvishar is the peanut gallery. Not really, in the end his perspective is more important than that. We begin the story thinking he’s the chronicler of events that have recently past – and he certainly is that. But he was also a part of those events, as well as being a scholar and researcher. He has opinions. He has quibbles. He gets disgusted with the naivete and the misinformation provided both by and to the other two people in the story.

It is a true story, but it’s told from a certain perspective. Eyewitness accounts are far from reliable, and people believe all sorts of things that are not provably true – or even that are provably false.

Especially when it comes to gods, and goddesses, and origin stories thereof.

This also, unusually for epic fantasy, is not a story about a hero saving the world. All the prophecies are pointing to Kihrin being the hero who will destroy the world. The question of whether (not to mention exactly how) he’s supposed to do this, as well as whether or not its a good idea for him to do this, are all still up in the super-heated air when this first book in the project trilogy closes.

Not even death is an ending in this one. It may only be the beginning. And what a marvelous beginning it is.

Escape Rating A+: Was that rating a surprise? Really? This is pure awesomesauce from beginning to end.

The story begins with Kihrin in jail, being coerced by Talon to tell her his story from his point of view while they wait for him to be sacrificed. He opens his own story at a slave auction, with himself as the slave being auctioned. And the pace never lets up from there.

But Talon is unsatisfied. As she so often is by so many things. She believes his story began earlier. When he broke into an empty house to steal whatever wasn’t nailed down and let his curiosity get the better of him. He witnessed a murder. And a demon summoning. And he got caught – by the demon. And eventually by both of the summoners.

It all leads back to that jail cell. And what comes after. But in the middle – it’s one hell of a story.

No one in this story is exactly what they seem – or even what they think they are. Particularly Kihrin, who begins the story as a thief and a minstrel’s son, and reaches the end as a swordsman, a sorcerer, and a prince. None of which turn out to be exactly what they’re cracked up to be.

In some ways, this story reminded me of Dune. I know that sounds odd, but it’s in the way the story is being told. Dune also begins with a chronicler claiming to be writing an unbiased historical account. An account that is not exactly unbiased – although I remember Princess Irulan trying a bit harder than Thurvishar does.

In other ways, it reminds me very much of The Name of the Wind. It has that same kind of depth, that epic scope and sweep, that same sense that nothing is as it seems. It’s also told somewhat the same way, with the character, or in this case the characters, telling the story to someone else. I just hope that the author of The Ruin of Kings manages to wrap up the trilogy a bit more expeditiously!

The voices of the three “narrators” of The Ruin of Kings are very distinct. Kihrin begins the story as young and naive, no matter how jaded he thinks he was. His naivete is under constant assault, and this is the story of his loss of many different types of innocence.

Talon has absorbed many, many people, and they are all distinct to her in her extremely crowded head. She speaks for them, but also for herself. Her perspective is that of someone who has literally seen everything and done everything – and then killed the people who did it.

Thurvishar begins the story speaking directly only within footnotes. It was Thurvishar’s part of the story that made me switch from the ebook to the audiobook. Footnotes do not work well in ebooks, but in audio his contributions were inserted as wry asides, or occasionally arguments, within the text and provided further information, sarcastic commentary, and light relief in turns.

(I actually have the audiobook and the eARC AND the hardcover. I loved this one real hard. I needed the hardcover for the maps.)

I was enjoying the audio so much than when I couldn’t stand not knowing how the story ended I played Solitaire for four hours so I’d have something to do with my hands while these three marvelous actors told me a terrific story.

The Ruin of Kings has everything a reader could possibly want in an epic fantasy. Unreliable narrators, meddling gods, troublesome demons, crazy dragons, evil necromancers and political shenanigans played to the death – all folded into the story of a lifetime.

Or two or three lifetimes. Death, after all, is not permanent. Except when it is.

The second book in the trilogy, The Name of All Things, is scheduled to be released in October. I want it NOW!

Reviewer’s Note: Goodreads claims that this is YA. It is so, so, so not YA. And it should come with all the trigger warnings, including some that probably don’t exist yet.

Review: Imager by L.E. Modesitt Jr.

Review: Imager by L.E. Modesitt Jr.Imager (Imager Portfolio, #1) by L.E. Modesitt Jr., William Dufris
Format: audiobook
Source: purchased from Audible
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Imager Portfolio #1
Pages: 432
Published by Tantor Media on April 13, 2009
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Although Rhennthyl is the son of a leading wool merchant in L'Excelsis, the capital of Solidar, the most powerful nation on Terahnar, he has spent years becoming a journeyman artist and is skilled and diligent enough to be considered for the status of master artisan—in another two years. Then, in a single moment, his entire life is transformed when his master patron is killed in a flash fire, and Rhenn discovers he is an imager—one of the few in the entire world of Terahnar who can visualize things and make them real.

Rhenn is forced to leave his family and join the Collegium of Imagisle. Because of their abilities (they can do accidental magic even while asleep) and because they are both feared and vulnerable, imagers must live separately from the rest of society. In this new life, Rhenn discovers that all too many of the "truths" he knew were nothing of the sort. Every day brings a new threat to his life. He makes a powerful enemy while righting a wrong, and he begins to learn to do magic in secret. Imager is the innovative and enchanting opening of an involving new fantasy story.

My Review:

This was a re-read for me. I first read Imager when it originally came out in 2009 because the cataloger in the next office was cataloging it and said it looked good. He was right. In fact, he was so right that I continued to read the series over the next decade. I finished the current final book in the series, Endgames, last month, and just couldn’t let this world go.

I hope I don’t have to, but the jury is still out on that.

The Imager Portfolio was written in a different order than the events take place in the created world of Terahnar. In the internal chronology, Scholar is first and Imager’s Intrigue is last. As the stories were written, Imager is first and Endgames is last. The internal chronology has the events of the, let’s call it the Quaeryt Quintet, first, the Alastar/Charyn Quartet second and the Rhenn Trilogy third – even though Rhenn’s story was the first one written.

I found myself really curious to see if the circle closed, if the events that occurred in Quaeryt’s, Alastar’s and Charyn’s stories actually led to the situation that Rhenn finds himself in at the beginning of Imager.

Also I remembered the original trilogy as a damn good story, and wondered if that would be true on a re-read. Actually a re-listen, as this time I got the unabridged audio.

There are themes that occur in all three of the subseries. I remembered Rhenn as a young man who had already planned his life, and was executing that plan, when fate intervened and he discovered that he had imaging talent.

I’ve invoked Rhenn’s memory often over the years, because his story is an interesting variation on the coming-of-age theme that so often permeates epic fantasy. Neither Rhenn, nor the author’s other heroes in this series, come of age during their stories. They are already adults, albeit generally in their 20s.

Instead, these are coming-into-power stories, where the protagonists have to adjust life plans that they have not only already made but have already begun working towards. They find themselves in unanticipated situations and things go sideways. They have to adjust and change to survive.

Or they won’t.

Within the opening chapters of Imager, I was both pleased to learn that the earlier history of Terahnar, and the country of Solidar, was anticipated from the beginning. Rhenn tours the Council Chateau with his father, and sees portraits of both Rex Regis, the man who becomes Rex in the Quaeryt Quintet, and Rex Defou, the Rex who is overthrown in Madness in Solidar. He also eyes a bust of Rex Charyn, the last Rex, whose exploits are completed in Endgames.

I’ll admit this worries me a lot about the possibility for further crises in the history of this place to be explored. Because the circle does seem to close and the loose ends do seem to get wrapped up.

I can still hope.

On re-listening to the story, I discovered that while I had lost most of the details of the story over the years, the outline was still clear. And still wonderful to read – or have read to me.

While at times Rhenn feels a bit too good to be true, he is also an intelligent and likeable hero. We do see more of his early years than I remembered, but the story really kicks into high gear when Rhenn is in his mid-20s, at the point where he is forced to give up his dreams of becoming a master portraturist and crosses the Bridge of Hopes to Imagisle.

From there, the story is off to the races, almost surprisingly so for a story that goes into a great deal of detail about Rhenn’s training as an imager. If you enjoy books that cover intensive training periods, this one is a treat.

Because Rhenn is not just learning to become an imager, he’s learning to become a spy and assassin and whatever else the College of Imagers needs him to become to keep the College, and the country of Solidar that defends it and that it defends, safe.

If he can manage to survive all the assassination attempts on his own life, that is.

Escape Rating A: This was as good as I remembered it. The story spends a bit more time than I recalled on Rhenn’s early years as a journeyman portraturist, which are necessary but not nearly as interesting (or potentially deadly) as his life rising through the imager ranks while trying not to end up dead.

One of the themes that has carried forward through the entire series is just how important the female characters are to the survival and success of the male protagonist. Seliora, like the life-partners of the heroes of the other stories, is Rhenn’s equal – and he recognizes that.

On the flip side, one of the things that grates more than I remembered is the negative attitude that Rhenn’s mother in particular displays towards everyone of Pharsi origin, like Seliora. Her constant stream of prejudice wears on the reader’s ears every bit as much as it does Rhenn’s.

Scholar by L. E. Modesitt Jr.As much as I wanted to slap his mother silly, it’s Rhenn’s story that I came to see. Or rather hear. It does feel like it fits in its proper place in this history, and follows very well after finishing Endgames.

Anyone who loves epic fantasy and has not indulged in the Imager Portfolio could happily start here, as I did in 2009. Scholar would make an equally fine start, at the beginning of the internal history.

Wherever you begin, there’s a LOT to love in this series, If you have not yet begun, I envy you the journey.

Review: The Consuming Fire by John Scalzi

Review: The Consuming Fire by John ScalziThe Consuming Fire (The Interdependency #2) by John Scalzi
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Interdependency #2
Pages: 320
Published by Tor Books on October 16, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads


The Consuming Fire
--the second thrilling novel in the bestselling Interdependency series, from the Hugo Award-winning and New York Times bestselling author John Scalzi

The Interdependency, humanity's interstellar empire, is on the verge of collapse. The Flow, the extra-dimensional conduit that makes travel between the stars possible, is disappearing, leaving entire star systems stranded. When it goes, human civilization may go with it--unless desperate measures can be taken.

Emperox Grayland II, the leader of the Interdependency, is ready to take those measures to help ensure the survival of billions. But nothing is ever that easy. Arrayed before her are those who believe the collapse of the Flow is a myth--or at the very least, an opportunity that can allow them to ascend to power.

While Grayland prepares for disaster, others are preparing for a civil war, a war that will take place in the halls of power, the markets of business and the altars of worship as much as it will take place between spaceships and battlefields. The Emperox and her allies are smart and resourceful, but then so are her enemies. Nothing about this power struggle will be simple or easy... and all of humanity will be caught in its widening gyre.

My Review:

There is a description that claims that science fiction is a fantasy of political agency. That is certainly true of The Consuming Fire, and the entire Interdependency series so far. It could also be said that in this series, a significant part of the story is just which characters have fantasies that they in particular have political agency. Actually fantasies that they have considerably more political agency than they really have. Part of the story is watching at least some of those characters get disabused of that notion – and occasionally with extreme prejudice.

Another way of looking at this story is that it is all about power. There’s that old saying about power corrupting and absolute power corrupting absolutely, but it doesn’t quite apply here. No one really has absolute power. The person who seems on the surface to have the most, Emperox Grayland II, mostly seems to have the kind of power that the Queen of England has. That is, the power to advise, the power to encourage, and the power to warn. Her power isn’t quite that restricted, but it feels close to that – especially from her perspective.

However, the desire for absolute power does seem to corrupt absolutely. Or at least that’s the model that the Nohamapeton family seems to be following. The Countess Nohamapeton wants absolute power. She wants her family to control the throne. So far, she’s sacrificed two sons to that ambition and possibly her daughter as well. Not to mention all the other people she has arranged to have eliminated along the way. And she’s still plotting.

There’s that saying about diplomacy being war waged by other means. In this book there’s a corollary that applies – politics is civil war waged by other means. There are a lot of cutthroat politics in this one, sometimes with throats literally being cut – or shot – or wrecked.

This is also a story about inevitable change, and the many, varied and frequently counterproductive ways that people react in the face of that change. Interstellar commerce is founded on and dependent upon a poorly understood means of faster-than-light interstellar travel, called “the Flow”. The Flow has been more or less dependable for a millennium, and people have gotten very, very used to the idea that it will always be dependable.

But it isn’t. The Flow is collapsing – hence the title of the first book in the series, The Collapsing Empire. Flow scientists barely understand the flow well enough to predict the collapse. They certainly don’t understand it well enough to prevent the collapse.

So all that anyone in the Interdependency can do is react to the eminent collapse.Often, but not always, badly.

Of course there are a few people, and at times it seems like very few, who are doing the best they can to save as much as possible, however they can. It’s a more difficult task than it might be, because the Interdependency doesn’t seem to have many planets that can support human life. Not many actually equals just one – and it’s a planet that has already been partially cut off from the Flow.

Everyone else lives on habitats that orbit planets that happen to have been conveniently located for the Flow streams. Which is going to literally turn to hell (not) on Earth as they each get cut off from the supplies and equipment they need to maintain those high-tech habitats.

The Emperox Grayland II is one of those people who are trying to save, if not the Interdependency itself, at least as many of the people in it as is possible. But she has very few allies, and plenty of people who want to skim the cream off the status quo for as long as possible.

At the end of the book – although certainly not the end of the story – Grayland’s enemies discover that SHE is the consuming fire – a fire that will turn their petty machinations to ash in pursuit of her goal to save everyone else – or at least as much of everyone else as is possible.

Escape Rating A-: The Interdependency, at least so far, is a very political space opera. This is a government that was deliberately created to have wheels within wheels. Keeping those wheels properly greased has been the millennia long job of the Wu family. After all, creating the Interdependency and getting themselves installed as the Imperial Family was all about their wheels getting greased. They made sure that the setup also greased all the wheels of anyone who could have stood in their way at the time.

The creation of the Interdependency was a very cynical act. Effective, but cynical. The current Emperox isn’t nearly as cynical as some of predecessors, but she has plenty of motivation to do her best. And plenty of even more cynical people to keep from killing her. If you like political SF, this series so far is a lot of fun. It’s not a situation that one would remotely want to be in, but the machinations are fascinating to watch.

All in all, I have to say that The Consuming Fire is typical Scalzi. If you like the author, as I certainly do, you will eat this one up with a spoon, and then moan and complain when you reach the bottom of the bowl.

(Admittedly, if you don’t already like Scalzi, this book will probably not change your mind. It’s very typical of all the things I read him FOR. Which, if they don’t work for you, this book won’t either.)

I started this on audio, and Wil Wheaton again did an awesome job reading the story. His normal just slightly snarky tone is perfect for this author, because there is always a lot of subtle and sometimes not so subtle, snark in his work. But I wanted to see how this installment ends – and I felt the need to finish the book before we see the author in person on Thursday, so I bought the ebook and finished in an hour.

It is also hilarious to hear someone reading all of Kiva Lagos’ dialog. Kiva may possibly be the most profane character I’ve ever run across. She clearly does not know how to construct a sentence without at least one f-bomb in it. Her lines are funny to read, but almost brutal – and appropriately so – when read.

The Consuming Fire is not the place to start this series. The setup of the Flow and the way that the Interdependency interdepends upon it is all set up in the first book, The Collapsing Empire. And that’s also where we get introduced to all of the characters that make this story so much fun.

This is also, thank goodness, not the place where this story ends. There will be at least one more book. Because things are always darkest just before they turn completely black – and they haven’t turned completely black yet.

I’ll be over here, waiting with the proverbial bated breath, until they do. Hopefully next year, in the very tentatively titled The Last Emperox.

Review: Trapped by Kevin Hearne

Review: Trapped by Kevin HearneTrapped (The Iron Druid Chronicles, #5) by Kevin Hearne, Luke Daniels
Format: audiobook, ebook
Source: borrowed from library, purchased from Audible
Formats available: paperback, ebook, audiobook
Genres: urban fantasy
Series: Iron Druid Chronicles #5
Pages: 290
Published by Del Rey Books, Random House Audio on November 27, 2012
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

After twelve years of secret training, Atticus O’Sullivan is finally ready to bind his apprentice, Granuaile, to the earth and double the number of Druids in the world. But on the eve of the ritual, the world that thought he was dead abruptly discovers that he’s still alive, and they would much rather he return to the grave.   Having no other choice, Atticus, his trusted Irish wolfhound, Oberon, and Granuaile travel to the base of Mount Olympus, where the Roman god Bacchus is anxious to take his sworn revenge—but he’ll have to get in line behind an ancient vampire, a band of dark elves, and an old god of mischief, who all seem to have KILL THE DRUID at the top of their to-do lists.

My Review:

I really have a concentration problem this week. I hope it gets better soon, or next week is going to be hell. Then again, the house closing is this afternoon, so afterwards I’ll either have more concentration to read, or a whole lot less. OMG.

I bounced off of three books before I got a clue and decided to finish Trapped. I was in the middle of listening to it during workouts – Atticus certainly makes the treadmill fly by – but was figuring I’d finish in a couple of weeks, one way or another.

It’s now. As I was already literally at the mid-point, I knew I liked the book more than well enough to finish it. And I’m glad I did.

Although it’s really weird that even when I’m reading the book, I still hear it in Luke Daniels’ voice. His voice has become the voice of Atticus O’Sullivan, and I can’t get it out of my head.

Just like the title says, Atticus spends most of this book in one trap or another, and often hounded from one trap to another, and sometimes even trapped within a trap within a trap.

This is also a story about karma being a serious bitch. So many of the people setting traps for Atticus are people that he seriously pissed off somewhere along the way.

Not that the traps aren’t ingenious and that Atticus’ escape from them isn’t interesting and occasionally epic, but everything that happens in Trapped is pretty much all stuff that he brought upon himself.

After all, back in Hammered, Jesus and Ganesha both told him not to go to Asgard. Or at least not to go with the band of revenge seeking deities, immortals and supernatural badasses he took with him. They told him that no good was ever going to come of that mess – and they were right.

In addition to bringing on Ragnarok AND killing off a whole bunch of the Norse gods who were supposed to get in its way, Atticus also managed to get Bacchus honked off at him back in Hexed. And he’s been redirecting the blame for many of his less than savory actions onto the Svartalfar for centuries. Word was bound to get back to them – eventually.

So all of Atticus’ sky-is-falling chickens come home to roost just when he needs a few months of peace in a nice cave in friendly woods so he can finally bind his apprentice Granuaille into her power. So she can finally stop being his apprentice so they can shag each other blind for a few days.

Oberon is right, human mating rituals are weird and occasionally stupid. But it’s up to the Irish wolfhound to help keep his humans safe from everything that’s after them – even if evil, mesmerizing steaks just happen to drop into his path.

Escape Rating B+: Like all of the Iron Druid Chronicles so far, Trapped is a lot of fun. It also feels like a story that closes off a chapter, so it’s not a good place to start the series. Go back to Hounded, which is not only the first book but also the one that is nearly all joy and snark. Atticus’ world gets continually darker from that point. Not that there aren’t still plenty of moments of joy and epic amounts of snark.

But Atticus kills a god in Hounded, and his life is never the same after that.

Trapped is a story where Atticus is forced to reap a whole lot of what he’s sowed. The Norse want him to pay a blood price for killing the Norns, Thor and Heimdall. Since they won’t be available to play their parts in Ragnarok, Atticus needs to take their place. All of their places, which is not going to be an easy job.

Bacchus is after him because Atticus killed a whole bunch of his baccantes back in Hexed. He had a good reason, but Bacchus is just not the understanding type.

Atticus own pantheon, the fae in Tír na nÓg, aren’t happy with him because they see him as being on the “wrong” side in their own little bit of internecine warfare. And they’re peeved because he successfully pretended to be dead for several years. Nobody likes being fooled – especially a deity.

The vampires are after him because as a druid he knows how to unbind them – meaning kill them. The vampires are the reason that Atticus has been the only druid in the world for past millennia – and they are not giving up on their purge now – especially because Atticus is about to bind a new druid to the earth.

And for the past millennia or so, every time Atticus has needed someone to blame for something he did, he’s blamed the Svartalfar, the dark elves. They’ve finally found out – and found Atticus.

Under the principle of the “enemy of my enemy is at least my ally”, all of these groups are working together to wipe Atticus off the face of the Earth, and any other plane he manages to escape to.

The scene where an entire clown parade turns into Svartalfar and chases after Atticus, Granuaille and Oberon is particularly creepy.

So the story in Trapped is a story of running hither, tither and yon, and then back again. It’s also a story that feels like it’s one gigantic interruption. Every time they settle down to take care of Granuaille’s bindings, another faction is led to them and disrupts the work. Which makes this very much an “out of the frying pan into the fire” kind of story.

And it’s a fun one.

Fair warning, it ends on a cliffhanger of truly epic proportions! But that’s OK, because I’ve already got Hunted queued up and ready to go!

Review: Tricked by Kevin Hearne

Review: Tricked by Kevin HearneTricked (The Iron Druid Chronicles, #4) by Kevin Hearne, Luke Daniels
Format: audiobook
Source: purchased from Audible
Formats available: paperback, ebook, audiobook
Genres: urban fantasy
Series: Iron Druid Chronicles #4
Pages: 368
Published by Random House Audio on April 24, 2012
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Druid Atticus O’Sullivan hasn’t stayed alive for more than two millennia without a fair bit of Celtic cunning. So when vengeful thunder gods come Norse by Southwest looking for payback, Atticus, with a little help from the Navajo trickster god Coyote, lets them think that they’ve chopped up his body in the Arizona desert.

But the mischievous Coyote is not above a little sleight of paw, and Atticus soon finds that he’s been duped into battling bloodthirsty desert shapeshifters called skinwalkers. Just when the Druid thinks he’s got a handle on all the duplicity, betrayal comes from an unlikely source. If Atticus survives this time, he vows he won’t be fooled again. Famous last words.

My Review:

I wasn’t looking for something to link between Tony and Anne Hillerman’s Leaphorn, Chee and Maneulito series about the Navajo Tribal Police and Thor: Ragnarok, but I found it anyway. It’s Tricked, the 4th book in the Iron Druid Chronicles.

Hel is the daughter of Loki, not Odin, but just as in the movie, she does preside over the realm of the dead who do not qualify for Valhalla. As far as Atticus is concerned, the big problem is that she has possessed the body of his late friend, the Widow MacDonogh, in order to chase him down all that much more effectively.

In Hammered, Atticus and his friends killed Thor and crippled Odin, along with a whole bunch of the Norse pantheon. Hel wants to thank him for making her victory at Ragnarok inevitable. When he spurns her thanks, she sets her dogs on him. Not just dogs, of course, but also beings native to the Four Corners Reservation where he is currently hiding out.

She sends skinwalkers. And gives them a compulsion to find and eat Atticus O’Sullivan.

Not that he wasn’t there to deal with them anyway, in a roundabout sort of way, but she’s just made it way too personal.

This story is just full of roundabout ways by roundabout people, because Atticus is on the rez to pay Coyote back for helping to stage his death. His recent raid on Asgard has left the denizens of several pantheons out for his blood. Not because he messed with the Norse, but because he has proven that he can successfully mess with any of the gods – and none of them want that to get around.

Atticus in in a big mess – as per usual. Coyote did him a big favor, and now he wants a big favor in return. Coyote died for him twice – not the he wasn’t absolutely certain he’d come back – both times. But in return, Coyote wants Atticus to create a gold mine in the middle of the rez, so that the gold can be used to fund a renewable energy empire.

Coyote is a trickster, so Atticus knows there has to be a catch, and a big one. But Coyote isn’t scamming the locals, who are, after all, his people. And he’s not exactly scamming Atticus. But he’s also not exactly not scamming Atticus. He’s just being Coyote.

As is usual with Atticus adventures, figuring out what is really going on is going to result in a lot of bloodshed – some if it even belonging to Atticus himself.

And there will be a butcher’s bill to pay. Whether the results will be worth it – only time will tell.

Escape Rating A-: This one had some absolutely hilarious moments. The sequence about the relative measurements of shitload, buttload and fuckton had me grinning for several miles on the treadmill – and laughing out loud. I know the other people at my gym think I’m crazy.

In spite of the trademark snark, in full abundance in Tricked, this story also had its darker elements. As I said in my review of Hammered, it feels as though the series has turned a corner, and that things are going to get darker from here. In Tricked, we saw several of the loose ends left over from Hammered try to wrap themselves like nooses around Atticus’ neck.

But the action in Tricked revolves around Atticus fulfilling his deal with Coyote. One of the problems of working with Coyote is that he just can’t stop himself from trying to get the better of every deal. He is, after all, one of the quintessential trickster avatars. So while Atticus is more than willing to pay his debts – he is unwilling to pay more than his fair share – particularly without being asked first. No one enjoys getting taken advantage of over and over again – which is always Coyote’s aim. He really can’t play it straight.

So Atticus finds himself saddled with one job that he can barely handle, and one that is way, way outside his skillset, while frequently wondering which is which. As usual, he’s making it up as he goes along.

Because Oberon is sidelined for much of Tricked, his outsider commentary and comic genius has to be picked up by someone else. In Tricked, those roles are taken by Frank Chischilly, the hatałii who is conducting the ceremonies to bless Coyote’s operation.

Frank is an old man, and a very powerful one. His Blessing Way ceremony is providing real magical protection. And while he doesn’t know exactly what either Atticus or Coyote are, he is aware that they are much more than they appear to be. He’s pretty sure about Coyote, and I believe that the only reason he can’t identity exactly what Atticus is that that what Atticus is is considerably outside his cultural magical framework.

Frank is not humorous in the same way that Oberon is. Frank mostly plays straight man to some of Atticus wilder moments. But his wry humor and outsider’s perspective often result in a chuckle rather than the guffaws that Oberon generates. But he does provide some of the story’s lighter moments – until he provides the darkest one of all.

As snarky as Atticus is, this story is still much darker in tone than the first two books in the series, Hounded and Hexed. Atticus’ actions continue to have mounting consequences. But as serious as things are, there are points where it might have been better to cut to the chase a bit. The repeated attacks of the skinwalkers, while always life-threatening and scary, began to have a sameness about them. The skinwalkers don’t have a lot in the way of imagination. Or strategy or tactics.

But Atticus’ snarky and irreverent point of view always carries the reader along. I’ll be continuing with Two Ravens One Crow, the novella that sits between Tricked and Trapped.

Review: Hammered by Kevin Hearne

Review: Hammered by Kevin HearneHammered (The Iron Druid Chronicles, #3) by Kevin Hearne, Luke Daniels
Format: audiobook
Source: purchased from Audible
Formats available: paperback, ebook, audiobook
Genres: urban fantasy
Series: Iron Druid Chronicles #3
Pages: 336
Published by Brilliance Audio on July 5, 2011
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Thor, the Norse god of thunder, is worse than a blowhard and a bully — he’s ruined countless lives and killed scores of innocents. After centuries, Viking vampire Leif Helgarson is ready to get his vengeance, and he’s asked his friend Atticus O’Sullivan, the last of the Druids, to help take down this Norse nightmare. One survival strategy has worked for Atticus for more than two thousand years: stay away from the guy with the lightning bolts. But things are heating up in Atticus’s home base of Tempe, Arizona. There’s a vampire turf war brewing, and Russian demon hunters who call themselves the Hammers of God are running rampant. Despite multiple warnings and portents of dire consequences, Atticus and Leif journey to the Norse plane of Asgard, where they team up with a werewolf, a sorcerer, and an army of frost giants for an epic showdown against vicious Valkyries, angry gods, and the hammer-wielding Thunder Thug himself.

“Kevin Hearne breathes new life into old myths, creating a world both eerily familiar and startlingly original.” —NICOLE PEELER, author of Tempest Rising__________Unabridged, 8 audio discs, 9 hours 43 minutes

My Review:

I mostly listened to this, and usually while working out. But I finished up reading the ebook, because my workout ended in the middle of the climactic battle, and I just couldn’t wait to see how issues resolved.

They mostly didn’t. And that’s probably as it should be. The book ends with a lot of loose ends still jangling.

Hammered feels like the “turning point” book in the Iron Druid Chronicles. Although Atticus faced a certain amount of trouble in the first two books, Hounded and Hexed, at the end of each book Atticus was able to settle down after a job well done and live what counts as his normal life while waiting for the next crisis to jump up and bite him in the ass.

Hammered has a much different tone, and there was a strong sense throughout the story that however things ended, life was never going back to what passed for “business as usual” for Atticus, his Irish wolfhound Oberon, and his apprentice Granuaile, no matter how things turned out.

The warnings from both the Morrigan and Jesus that Atticus was stepping into a pile of shit that was going to rain crap all over everyone were not the only hints that he was messing with something that should never have been messed with, but they were the biggest and certainly the freakiest.

And of course they don’t stop him. He gave his vampire friend his word that he would take him to Asgard to help him kill Thor – no matter what it takes, and no matter what it costs.

Even if that cost is higher than he ever wanted to pay.

Escape Rating A: I’ve made no secret of the fact that I am absolutely loving this series in audio. I’m not sure how consuming one right after another would work if I were reading them, but as something to listen to on the treadmill, Atticus’ snarky sense of humor read in Luke Daniels’ marvelous voice is just about perfect.

I smirk, I chuckle, I snigger and occasionally I even laugh out loud. A lot. The scene where Jesus shows up to have a beer with Atticus and deliver his warnings – along with a rather painful lesson – had some fantastic laughter inducing moments.

But the overall tone of Hammered is pretty darn serious. Atticus is making plans to take his vampire friend and lawyer Lief as well as his werewolf friend and lawyer Gunnar to Asgard so that they can finally get revenge on Thor for some pretty seriously awful stuff.

Atticus spends a lot of the book making contingency plans. If he comes back, he knows that the gods, not just the Norse gods but multiple pantheons of gods, are going to be after him, and he needs to leave Tempe and lie very, very low for a while, along with Oberon and Granuaile. He does a lot of serious leave-taking all around, and his farewell to the Widow MacDonagh had me sniffling.

But Atticus is also planning for the reality that he might not come back, something that Granuaile doesn’t want to hear or deal with, and who can blame her?

It’s obvious throughout the story that whatever happens in Asgard, it certainly won’t stay in Asgard. Some of their very assorted company will not make it back, and even if they do, Atticus life will be irrevocably changed. The creatures who will be coming after him will be bigger, badder and a lot more powerful.

The story is going to get darker from here – and it’s going to be one hell of a ride. Even if that’s where it goes.

I have a feeling that the events in Hammered are going to be crucial for the events in the next several books, And I can’t wait to find out. I’ve already got the audio of the next book, Tricked, cued up and ready to begin.

One final comment. As Atticus and Lief’s very motley crew get ready for the trip to Asgard, there are several chapters where all the participants tell their individual stories of just why they are willing to possibly throw their lives away for a shot at Thor. The individual stories are absolutely riveting, and all are ultimately tragic. But the storytelling sequence itself reminded me very much of the author’s epic fantasy, A Plague of Giants, which is told in its entirety as a bard telling stories to a crowd. I found myself wondering if the genesis of that book might be in this sequence. Whether it is or not, A Plague of Giants is marvelous!

Review: Hexed by Kevin Hearne

Review: Hexed by Kevin HearneHexed (The Iron Druid Chronicles, #2) by Kevin Hearne
Formats available: paperback, large print, ebook, audiobook
Series: Iron Druid Chronicles #2
Pages: 296
on June 7th 2011
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Atticus O’Sullivan, last of the Druids, doesn’t care much for witches. Still, he’s about to make nice with the local coven by signing a mutually beneficial nonaggression treaty—when suddenly the witch population in modern-day Tempe, Arizona, quadruples overnight. And the new girls are not just bad, they’re badasses with a dark history on the German side of World War II.

With a fallen angel feasting on local high school students, a horde of Bacchants blowing in from Vegas with their special brand of deadly decadence, and a dangerously sexy Celtic goddess of fire vying for his attention, Atticus is having trouble scheduling the witch hunt. But aided by his magical sword, his neighbor’s rocket-propelled grenade launcher, and his vampire attorney, Atticus is ready to sweep the town and show the witchy women they picked the wrong Druid to hex.

My Review:

The usual pattern with urban fantasy is that the hero or heroine finds themselves going into darker and darker places, fighting bigger and more powerful evils, as the series continues. But when you open the series by defeating a vengeful god, it’s a bit difficult to get anything bigger or more powerful.

That doesn’t stop things in Hexed from upping the darkness scale, finding Atticus and his allies fighting the witches that seem to have fanned the flames of World War II – with even more flames.

In this second entry in the series, the one and only remaining Druid, now calling himself Atticus O’Sullivan, is dealing with the fallout from events in the previous book, Hounded. And while I think that enough backstory is provided that a person could read Hexed without reading Hounded, I’m not sure why anyone who likes urban fantasy would ever want to.

Atticus’ epic battle with the Celtic god Angus Og at Tony Cabin in the Superstition Mountains created a whole lot of collateral damage, beginning with his Viking vampire lawyer (say that three times fast) and Leif’s hate-on for Thor. Not that there’s not a long line of people who hate Thor. He’s not a quarter as handsome or reasonable as the movie version.

But in this universe where not only all the pantheons but all the versions of all the pantheons seem to exist, Atticus is not exactly eager to step up to the plate and bat at all the various versions of Thor, one after another.

He has enough problems dealing with the version of Coyote who shows up at his doorstep, expecting Atticus to kill one of the leftover demons from his fight – the one that is messing with Coyote’s people in Tempe. Not that Atticus doesn’t get tricked in the process, because that’s what Coyote does.

In the end, the big bad that Atticus has to take care of in this story is one that he has wanted to beat on for years, decades in fact. There’s a coven of very evil witches that wants to move to Tempe to unseat the local coven. A local coven that is now vulnerable and at reduced strength, after having gotten caught in the middle of Atticus’ fight with Angus Og.

While Atticus doesn’t really trust witches, he is about to sign an alliance with the remainder of the local coven. He may not exactly trust Malina and her coven, but he is convinced that he, they and the werewolf pack are a big part of what’s keeping Tempe a nice place to live.

And he’s been hunting for their mutual enemies (and vice versa) since the dark days of the Holocaust. He wants payback – but so does everyone else. Even with the help of the local witches and that Viking vampire lawyer, the good guys may have bitten off more than they can chew.

They might get chewed, instead. And not in a good way. Not even like one of Oberon’s tennis balls.

Escape Rating A: If you are ever looking for an audiobook with while to while away untold numbers of hours while going from laughs to thrills to giggles to chills and back again, I can’t recommend the Iron Druid series as read by Luke Daniels enough. I listened to most of Hexed while on a treadmill, and it made the miles just fly by.

Admittedly, the people who were next to me probably wondered about the shit-eating grin on my face. The story is told by Atticus O’Sullivan in the first person, in Luke Daniels’ Audible Narrator Hall of Fame voice, and this is a case where the first person perspective really, really works.

Especially since the reader/listener gets to hear the thoughts in Atticus’ head, which are usually even snarkier than whatever comes out of his mouth.

As the second book in the series, Hexed offers readers an even deeper dive into both its main character and the world in which he lives, including much more information about his friends, associates and enemies. Including his nosy neighbor with the rocket launcher in his garage.

A big part of Hexed is Atticus being forced to look back at a past he usually buries – his actions as a maquisard in World War II, helping to smuggle Jews out of occupied France to reach the port in Lisbon where they could leave Europe’s charnel house. His recitation of this particular snippet of his history is absolutely riveting.

This story also marks a turning point for Atticus, as he comes to the realization that he is no longer on the run from Angus Og, as he has been for almost the entire Common Era. He finally figures out that he has put down roots in Tempe that are worth defending, and has made friends that he wants to keep and needs to protect from anyone else who might – make that almost certainly will – come after him in the future.

Hexed has absolutely everything that those of us who love urban fantasy read it to find, a terrific, kick ass, thoughtful and snarky hero, a great bunch of sidekicks and irregulars, and a world full of magic that just might be our own.

I can’t wait to get Hammered, and I probably won’t.

Review: Apollo 8 by Jeffrey Kluger

Review: Apollo 8 by Jeffrey KlugerApollo 8 by Jeffrey Kluger
Formats available: hardcover, paperback, large print, ebook, audiobook
Pages: 320
on May 16th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The untold story of the historic voyage to the moon that closed out one of our darkest years with a nearly unimaginable triumph

In August 1968, NASA made a bold decision: in just sixteen weeks, the United States would launch humankind’s first flight to the moon. Only the year before, three astronauts had burned to death in their spacecraft, and since then the Apollo program had suffered one setback after another. Meanwhile, the Russians were winning the space race, the Cold War was getting hotter by the month, and President Kennedy’s promise to put a man on the moon by the end of the decade seemed sure to be broken. But when Frank Borman, Jim Lovell and Bill Anders were summoned to a secret meeting and told of the dangerous mission, they instantly signed on.

Written with all the color and verve of the best narrative non-fiction, Apollo 8 takes us from Mission Control to the astronaut’s homes, from the test labs to the launch pad. The race to prepare an untested rocket for an unprecedented journey paves the way for the hair-raising trip to the moon. Then, on Christmas Eve, a nation that has suffered a horrendous year of assassinations and war is heartened by an inspiring message from the trio of astronauts in lunar orbit. And when the mission is over—after the first view of the far side of the moon, the first earth-rise, and the first re-entry through the earth’s atmosphere following a flight to deep space—the impossible dream of walking on the moon suddenly seems within reach.

My Review:

Anyone who has lived in Chicagoland knows that while expressways may be designated official numbers from the DOT, no one ever calls them by those numbers. Highways in Chicagoland have names; the Ryan, the Kennedy, the Ike. And if you travel through Northwest Indiana, the Borman.

The Borman is named for Frank Borman, the native Hoosier who was one of the first three people to see the far side of the moon with his own eyes, up close and personal. Frank Borman was the commander of Apollo 8, the first mission by any country to send humans around the far side of the moon.

They may not have landed there, that honor was bestowed on Apollo 11, but they were the first humans to leave not merely the Earth, but to entirely leave Earth’s gravitational field and become temporary residents of a different celestial body, in orbit around the Earth’s moon.

Apollo 8 is the story of not just that one mission, but of as much as possible of everything that came before it. Frank Borman was not one of the original Gemini astronauts. He just missed inclusion in that celebrated group with the “right stuff”. He was, however, part of the second class of astronauts, merely referred to as the “next eight”.

It’s always the ones who get there first who get all the good names.

So this is the story of not just the crew of Apollo 8, Frank Borman, Jim Lovell and Bill Anders, and of their lives and careers in NASA up to that point, but it is also the story of NASA itself. Now that’s a story of “big science”, where there are many, many people who give significant portions of their lives to work together for what they hope (and in this case they were right) is a cause greater than themselves.

There are heroes here, too. Names we’re familiar with like Gene Krantz and Deke Slayton. (Krantz was the Mission Controller who helped bring Apollo 13 back from the brink.) But there are plenty of both sung and unsung heroes among this early corps of NASA movers, shakers and believers, and the author does a skillful job of weaving the parts that they play into the narrative of this one, singular mission.

It is also the story of America in the 1960s. While this book does not attempt to portray the entirety of that tumultuous decade – nor should it – within its narrow scope it does set the missions of NASA in general and Apollo 8 in particular into their historic context. Not just the story of what was done, but why it was done and how it felt to be a part of or even watch as it was done.

And to show why the space program was so important. What it did, and what it celebrated. And just how much was accomplished and how many people around the world celebrated with it.

Reality Rating A: I have a very soft spot in my heart for anything to do with NASA and the space program. I was a child during the 1960s, and the space program, its successes and its tragic failures, formed part of the backdrop of my earliest years.

We accomplished so much. We went so far, and we showed such promise. And now it seems to be gone. Not just the adventure itself, but the promise of the future it provided and the surprising amount of unity it engendered.

(Readers interested in a bigger picture of exactly what it means that we don’t go into space much anymore should read Leaving Orbit by Margaret Lazarus Dean)

Apollo 8, the book, does a terrific job at showing the importance, the risks and the rewards of Apollo 8, the mission. By focusing on the smaller perspective of the three astronauts, and particularly Borman, it allows the author to paint the broader picture in a way that allows readers to empathize with the people and to grasp the size and scope of NASA’s operation and how it worked – and how it occasionally didn’t with disastrous results.

So while the focus is on Borman, Lovell and Anders, this is also very much a book about “big science”. And like The Interstellar Age by Jim Bell, it does a good job of making that “big science” comprehensible. And makes the reader wish they could have been there.

I found Apollo 8 to be compelling reading, to the point where I began by listening on audio and then switched to print to see what happened faster, even though I already knew what happened. I was absorbed in the details and the perspectives. As glad as I was to have the crew get back safely, theirs was a journey that I never wanted to see end.

But it did. As did our journey with them.

I leave you with this iconic photograph taken from Apollo 8. Earthrise.

Review: Magpie Murders by Anthony Horowitz

Review: Magpie Murders by Anthony HorowitzMagpie Murders by Anthony Horowitz
Formats available: hardcover, paperback, large print, ebook, audiobook
Series: Susan Ryeland #1
Pages: 496
Published by Harper on June 6th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

When editor Susan Ryeland is given the manuscript of Alan Conway’s latest novel, she has no reason to think it will be much different from any of his others. After working with the bestselling crime writer for years, she’s intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.

Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

My Review:

I really wish that the Atticus Pünd series existed, because the one we got in Magpie Murders was absolutely marvelous. I’d dearly love to read the rest of the series.

What we have, however, is the final book in the series, encased within a framing story about the death of the fictitious author of this fictitious book, and the many, many ways in which art seems to be imitating life – or vice versa.

The story begins with its frame. Susan Ryeland, editor at a small but prestigious publishing house, settles in for the weekend to read the latest manuscript by her least favorite and most favorite author. Susan loves Alan Conway’s work, but the man himself is far from lovable.

As Susan settles in to read, we do too. We read Magpie Murders by Alan Conway right along with her. And it is a marvelous take on the Golden Age of mystery, reading as though it should sit on the shelf beside Agatha Christie, Dorothy Sayers and Margery Allingham.

The detective, the perpetual outsider, comes to a small English village to investigate what turn out to be a series of murders. It’s an absorbing case, and the readers, along with Susan herself, are sucked right into the mid-1950s, the mind of the detective and the murderous goings on of this otherwise unremarkable little place.

Until the story ends abruptly, and we, as well as Susan, are left wondering “who done it?”. The last chapter of Magpie Murders is missing. And its author has just been found dead, an apparent suicide.

So Susan begins by hunting for that missing chapter, and finds herself hunting for the truth about Alan Conway’s life, and about his death. By the time those missing pages are found, Susan has uncovered much more than she, or anyone else, could have bargained for.

After all the times when she has blurbed that “reading such-and-such’s latest book changed her life”, just this once, it’s all too true.

Escape Rating B+: Magpie Murders is really two books in one. There’s a classic historical mystery sandwiched within the pages of a contemporary mystery thriller. And for this reader, the historical mystery wins out.

I absolutely adored Magpie Murders by Alan Conway. It was both a wonderful homage to the mysteries of the Golden Age, and a terrific case itself. Atticus Pünd would make a wonderful addition to the ranks of series detectives, right up there with Poirot, Marple, Wimsey and the rest. In its post-WWII time period, it takes the reader back to a simpler but no less deadly time, and its play on the locked room/locked house mystery keeps the reader guessing.

It gave me a tremendous yen to pick up a “real” historical mystery at the first opportunity. It reminded me how much I love the genre, and gave me a hankering to return. Or just to re-watch Poirot.

The abrupt ending to Conway’s novel jarred me almost as much as it did Susan Ryeland. I felt cheated. I wanted to know who the killer was every bit as much as she did. But I had a difficult time getting into the framing story.

In fact, I started the book once, couldn’t get into it, and then picked it up on audio. Listening to it got me over the hump, to the point where I was so captivated by Pünd’s story that I changed the audio back for the book, so that I could find out whodunnit that much more quickly – only to be disappointed when Susan discovers that the final chapter is missing.

Susan’s own quest turned out to be fascinating as well, but for some reason I didn’t find her as sympathetic or interesting a character to follow as the even more fictional Pünd.

The problem is that Pünd, while a bit distant in the traditional detectival mold, is a sympathetic character and seems to be a generally nice man. We want him to succeed. Alan Conway, on the other hand, will not be missed by anyone, except possibly his publishers.

Conway’s series is the marquee title for small but prestigious Cloverleaf Books. It’s their one big moneymaker, and it tides them over an awful lot of less successful ventures. Conway, or rather Atticus Pünd, pays the bills and keeps the lights on. But no one likes Conway. There are certainly people who benefit from his death in the direct, traditional way, but there are even more who are just happy at his absence from this earth, beginning with his ex-wife and ending with Susan’s lover. While there are plenty of people who will miss Atticus Pünd, no one will miss his author.

Susan finds herself with plenty of motives, too many suspects, and a police investigation that is all too happy to consider it suicide and close the case. There’s plenty of evidence to support that theory, and damn little to support anything else.

Until Susan starts digging, and nearly digs her own grave. In the end, no one is certain that good triumphed and evil got its just desserts. Not even Susan. And that’s what makes the contemporary thriller less satisfying than the historical mystery it contains. Mystery, as a great writer once said, is the romance of justice. Good is supposed to triumph, evil is supposed to get those just desserts. When that formula is subverted, as it is in the contemporary frame for Magpie Murders, it feels wrong, at least for this reader. While there may be a metaphor in there about the world being more complicated than it used to be, or that the real world isn’t half so neat and tidy as fiction, the framing story is also fiction. I want my neat and tidy ending, and I’m disappointed that it wasn’t there.

But we do finally get to read Atticus Pünd’s last chapter. And that was well worth waiting for.

Review: The Lost City of the Monkey God by Douglas Preston

Review: The Lost City of the Monkey God by Douglas PrestonThe Lost City of the Monkey God: A True Story by Douglas Preston, Bill Mumy
Formats available: hardcover, paperback, large print, ebook, audiobook
Pages: 304
Published by Grand Central Publishing on January 3rd 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A five-hundred-year-old legend. An ancient curse. A stunning medical mystery. And a pioneering journey into the unknown heart of the world's densest jungle.
Since the days of conquistador Hernán Cortés, rumors have circulated about a lost city of immense wealth hidden somewhere in the Honduran interior, called the White City or the Lost City of the Monkey God. Indigenous tribes speak of ancestors who fled there to escape the Spanish invaders, and they warn that anyone who enters this sacred city will fall ill and die. In 1940, swashbuckling journalist Theodore Morde returned from the rainforest with hundreds of artifacts and an electrifying story of having found the Lost City of the Monkey God-but then committed suicide without revealing its location.
Three quarters of a century later, bestselling author Doug Preston joined a team of scientists on a groundbreaking new quest. In 2012 he climbed aboard a rickety, single-engine plane carrying the machine that would change everything: lidar, a highly advanced, classified technology that could map the terrain under the densest rainforest canopy. In an unexplored valley ringed by steep mountains, that flight revealed the unmistakable image of a sprawling metropolis, tantalizing evidence of not just an undiscovered city but an enigmatic, lost civilization.
Venturing into this raw, treacherous, but breathtakingly beautiful wilderness to confirm the discovery, Preston and the team battled torrential rains, quickmud, disease-carrying insects, jaguars, and deadly snakes. But it wasn't until they returned that tragedy struck: Preston and others found they had contracted in the ruins a horrifying, sometimes lethal-and incurable-disease.
Suspenseful and shocking, filled with colorful history, hair-raising adventure, and dramatic twists of fortune, The Lost City of the Monkey God is the absolutely true, eyewitness account of one of the great discoveries of the twenty-first century.

My Review:

The road to The Lost City of the Monkey God begins with a high-tech Indiana Jones and ends with Guns, Germs and Steel, with a couple of detours for pestilential diseases and “academic politics are so vicious because the stakes are so small.” Except that in this case the stakes are not small at all, and the story is fascinating from beginning to end.

This is a true story. It’s a story of obsessions both great and small. And a story about con men, soldiers and scientists. And ultimately, it’s a story about the price that we pay for the knowledge that we gain.

There have been legends about this city, whether under the name Ciudad Blanco or as the title describes it, the Lost City of the Monkey God, since the time of Hernan Cortes and the conquistadores. The Spanish conquerors of Central and South America came across many, many stories of fabulous lost cities of gold and jewels. One of the most well-known of those legends is that of El Dorado, the city of gold.

But a film producer named Steve Elkins was particularly fascinated with the legends of Ciudad Blanco, the white city that was supposed to be hidden somewhere in the Mosquitia province of Honduras. Honduras as a country in modern times has been through some very hard and violent times, and the Mosquitia province is infamous for its dangers, not just from the hazards of its jungle terrain, but from the guns of the narco-traffickers who make Mosquitia their home.

While the narco-traffickers have not always been the problem that they are today, the jungle has always been there. During the great age of European exploration in the 1800s, and even afterwards, there were multiple attempts to locate the famous “White City” but to no avail. Very few of the documented expeditions seem to have even gotten close to this mythical place, and one of the best documented was recently discovered to be completely fraudulent.

It seemed like an obsession that was doomed to never be fulfilled, but technology caught up to dreams. On the ground, the jungle swallows everything, but from the air it’s a different story. Or at least it is to LiDAR imaging, a combination of lasers and radar that can see through the dense ground cover to the remains of any structures underneath.

Initially, the story was first to discover, well, if there was anything to discover. It took years and money and grants and cooperation from multiple organizations and at least two iterations of the Honduran government to finally get permission to survey possible sites, and then even more money and permissions to get the still top-secret LiDAR on site to survey the possibilities.

Which turned out to be enormous, both literally and figuratively. The story in The Lost City of the Monkey God is about the author’s participation in these expeditions, both the original LiDAR mapping and the “ground-truthing” with archaeologists a few years later, to make the jungle yield up her long buried secrets.

And exact her toll.

Reality Rating A: The Lost City of the Monkey God is one of the most absorbing pieces of nonfiction it has ever been my pleasure to listen to. June is Audiobook Month, and I’m thrilled to have such a marvelous story to recommend. For a science fiction geek, that Bill Mumy, Lennier from Babylon 5 (also Will Robinson from the classic Lost in Space) read me a story just added to my enjoyment. His voice conveyed just the right tone of understated enthusiasm that seemed perfect for this story.

And the story itself is fantastic. There’s something for adventure readers, history buffs and even science geeks. That’s a lot of groups to appeal to.

It’s not just that the author distills a lot of historical research into great reading, but that the research he has to distill is just so interesting. They say that all myths and legends have a grain of truth in them, and it’s that grain of truth that Elkins and his team are hunting for. But there’s a lot to wade through. Finding out that the best documented case was a complete load of bunk just added to the wild and crazy aspects of the story.

There’s a “you are there” aspect to the author’s story of the expeditions themselves, and it rings true because he actually was there, waiting out the rain and dodging snakes with the rest of the team. There’s a lot of emphasis on the dangers of the environment, the romance of its pristine nature and the changes and destruction that are made in the pursuit of this great archaeological treasure.

And it is a great treasure, not in the jewels and gold sense, but in what it adds to the knowledge of a lost people and their society.

This is also a story that reminds the reader that “nature bats last” on multiple vectors. Unlike so many discoveries of supposedly lost civilizations, the cities in Mosquitia really were lost. This is not a story where the locals know all about the place but it isn’t considered “discovered” until white men find it. In Mosquitia, the cities were abandoned in the early 16th century, the jungle closed in, and the remote nature of the valley along with the dangers of the few methods of getting to them meant that no humans went there. This was a place where you actually couldn’t get there from here, even when “here” was defined as the next province. Traveling through the dense jungle, as opposed to flying over it and dropping in on a helicopter, was too hazardous for anyone from any culture to attempt when there was no one to see and nothing that anyone knew of to gain.

But nature also bats last in the Guns, Germs and Steel sense. The devastating pandemics that obliterated the Central and South American civilizations in that same 15th and 16th century time periods were not the type of diseases that die without a human host. Oh no, these pathogens were quite happy to cook themselves into new and more virulent strains in animal and insect hosts, while patiently waiting for a new batch of humans to enter their lair. As the expedition members did, with life-changing and sometimes life-threatening results.

For the reader, this is a journey that will stick with you long after the final page. For the participants, its aftermath will shadow the rest of their lives.