Review: Sweep of the Blade by Ilona Andrews

Review: Sweep of the Blade by Ilona AndrewsSweep of the Blade (Innkeeper Chronicles, #4) by Ilona Andrews
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: science fiction, space opera, urban fantasy, vampires
Series: Innkeeper Chronicles #4
Pages: 314
Published by NYLA on July 16, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Maud Demille is a daughter of Innkeepers—a special group who provide ‘lodging’ to other-planetary visitors—so she knows that a simple life isn't in the cards. But even Maud could never have anticipated what Fate would throw at her.

Once a wife to a powerful vampire knight, Maud and her young daughter, Helen, were exiled with him for his treachery to the desolate, savage planet of Karhari. Karhari killed her husband, and Maud—completely abandoned by his family—has spent over a year avenging his debts. Rescued by her sister Dina, she's sworn off all things vampire.

Except... In helping Dina save the world, she met Arland, the Marshal of House Krahr, one of the most powerful vampire houses. One thing led to another and he asked for her hand in marriage. She declined. Arland is not used to hearing the word ‘no;’ and try as she might, Maud can't just walk away from Arland. It doesn't help that being human is a lot harder for Maud than being a vampire.

To sort it all out, she accepts his invitation to visit his home planet. House Krahr is extremely influential and Maud knows that a woman—a human, with a very questionable past—who's turned down a proposal from its most beloved son won't get a warm reception. Maybe she’s not sure about marrying Arland, but House Krahr isn’t going to decide for her. Maud Demille has never run from a fight, and House Krahr will soon discover that there's a lot more to Maud than they’re expecting.

My Review:

Vampires and politics. They go together like love and marriage. Complete with ALL the possibly messy endings. Along with the occasional happy ever after – as well as the rare but not unheard of “red wedding”.

This is also a book that manages to be both considerably different from the previous books in the Innkeeper Chronicles and follow directly from its immediate predecessor, the marvelous One Fell Sweep.

In this version of the universe, there is interstellar travel, and there are plenty of places and peoples in the very big galaxy, not all of whom are even humanoid. But Earth is not a participant in any of what’s “out there”. Because Earth sits on a very large and very rare nexus of space travel conduits, it has been declared a kind of intergalactic Switzerland – albeit one kept a bit in the space-faring dark ages.

Earth is off-limits to every species out there, and it’s an off-limit that’s enforced by everyone in return for safe passage through that nexus. Earth’s knowledge of the wider galaxy is confined to a group of people called innkeepers, who have complete control over the grounds of their inns. Inns that provide safe harbor, safe haven and safe rest-and-recuperation for any beings traveling through the nexus.

The story of the first three books has revolved around Dina Demille, daughter of two lost innkeepers, returning to Earth and taking control of the inn her parents left behind – and defending it from all comers, of which there have been entirely too many.

Dina’s adventures have been the heart of the first three books, and they are awesome. This is also a broad hint to start with the first book, Clean Sweep. This worldbuilding in this series is fascinating and grows with each new book in the series.

Sweep of the Blade is the story of Dina’s sister Maud. Formerly Lady Maud. Exiled and disowned ex-wife of one of the lesser ruling Vampiric Houses. There are vampire knights in this universe, but they are not much like our versions of vampires. On the other hand, the werewolves seem to be pretty much on the legendary nose.

I digress.

Maud survived a prison planet that spit her lying, deceitful, cheating husband out in little tiny pieces. And she, in her turn, avenged his death on every single one of his killers. Now she’s out, and safe, and home with her sister Dina.

But safe is not what Maud is built for. She could make a home with her sister, or become an innkeeper on her own. She could also, and more likely, become an enforcer for the innkeeper’s guild. Because Maud is a fighter – and she’s good at it.

However, Maud has a daughter, Helen, who is five years old and half-vampire by genetics, but all vampire in spirit. Earth, and the Innkeeper network, may be safe for Helen, but not what’s best for her. She’ll always be isolated and alone.

Maud’s other option is a tall, handsome hunk of vampire Marshall, who loves her, wants to marry her, and can provide Helen with a place where she can be who she is. Maud just has to accept.

But she can’t. She spent years as one vampire house’s trained human monkey, only to be discarded like trash for a crime her husband committed that she had no part of. She’s not willing to be anyone’s second class citizen ever again.

Arland offers her a place where she can fight to be first, for herself and for her daughter. She just has to survive every single thing, and every person, that his House can throw at her. Including a murderous attack by her potential mother-in-law and a pirate coup led by his House’s enemies.

And a very red wedding.

Escape Rating A+: This was a book that I gobbled up over dinner, and didn’t let go of until it was done. It starts with a bang, ends with a mic drop, and in the middle there’s the biggest and most delicious story of political skullduggery, underhanded betrayals, complex negotiations and epic romance.

This series is awesome from beginning to end, but this entry is a bit different. The previous stories have been set on Earth, with the ever expanding galaxy of characters making their way to Dina’s inn. While there have been some epic battles, the fighting has all been defensive, protecting Dina’s inn and her varied guests.

Maud goes away from Earth and she goes on the offensive – even if that is sometimes in the sense of the best defense being a good offense. She has a goal, and for the most part it’s the same goal she’s always had – to protect her daughter at all costs.

She wants what’s best for Helen, and that means making a place for them among Arland’s ancient, respected and feared House. He is, in effect, a prince among his people, and if Maud is to stand at his side as his equal, she’ll have to earn that place. That’s the story here, of her earning that place – not by pretending to be a trained monkey, as she did in her first marriage – but by being her fighting self. And by letting Helen fight an appropriate number of her own battles.

It’s that fight that makes the story so much fun. There are maneuvers, there are counter-measures. There are wheels within wheels within wheels. The vampires respect strength, so that’s what Maud must project at all times – no matter how much she hurts or how wounded she is.

At the same time, she is underestimated at every turn, and has to walk a fine line between lowering her enemies’ guards and not letting them walk all over her. The way that she eventually earns her place is by combining her strengths, both as a warrior and as a human. And it’s glorious. And so is she.

I enjoyed this book so much because I really liked Maud and wanted her to succeed. She is both kickass and clever, and both of those characteristics were needed in order for her to defeat her enemies – as well as to earn her place in Arland’s House by defeating theirs!

Sweep of the Blade ends, thank goodness not with a cliffhanger, but with a truly thunderous mic drop that promises more story in this universe. I can’t wait.

Review: Finder by Suzanne Palmer

Review: Finder by Suzanne PalmerFinder by Suzanne Palmer
Format: audiobook, eARC
Source: purchased from Amazon, purchased from Audible
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Finder Chronicles #1
Pages: 391
Published by DAW Books on April 2, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From Hugo Award-winning debut author Suzanne Palmer comes an action-packed sci-fi caper starring Fergus Ferguson, interstellar repo man and professional finder

Fergus Ferguson has been called a lot of names: thief, con artist, repo man. He prefers the term finder.

His latest job should be simple. Find the spacecraft Venetia's Sword and steal it back from Arum Gilger, ex-nobleman turned power-hungry trade boss. He'll slip in, decode the ship's compromised AI security, and get out of town, Sword in hand.

Fergus locates both Gilger and the ship in the farthest corner of human-inhabited space, a gas-giant-harvesting colony called Cernee. But Fergus' arrival at the colony is anything but simple. A cable car explosion launches Cernee into civil war, and Fergus must ally with Gilger's enemies to navigate a field of space mines and a small army of hostile mercenaries. What was supposed to be a routine job evolves into negotiating a power struggle between factions. Even worse, Fergus has become increasingly--and inconveniently--invested in the lives of the locals.

It doesn't help that a dangerous alien species thought mythical prove unsettlingly real, and their ominous triangle ships keep following Fergus around.

Foolhardy. Eccentric. Reckless. Whatever he's called, Fergus will need all the help he can get to take back the Sword and maybe save Cernee from destruction in the process.

My Review:

June is Audiobook Month, and Finder is one of those books that I picked up in audio and couldn’t wait to get into it. It’s one of those wild ride, thrill-a-minute stories that kept me sitting in my car in all sorts of places, just so I could hear just a bit more of whatever it was that Fergus managed to get himself into this time. Every time.

In the end I finished up with the book-book, or rather the ebook, because I just couldn’t start anything else until I discovered if/how Fergus finally managed to get himself out of both frying pan AND fire – and complete his self-imposed mission – without racking up too much more collateral damage along the way.

This is also a fantastic space opera, but not of the conquering star empires variety, which is cool and neat and different.

Fergus is the finder of the title. He’s kind of a repo man, but not exactly. He doesn’t repossess something because someone has missed a payment or ten. He finds things, big expensive things, that have been stolen and returns them to their rightful owners.

He’s at the ass-end of human-inhabited space, a collection of small-to-middling sized habitats strung out on power cables, named Cernee. The big thing he’s come to collect is a ship. Arum Gilger stole it from the shipbuilders, using an equally stolen ID, and the shipbuilders want it back. And it turns out that the locals are generally happy to help Fergus – up to a point – because they don’t like Gilger having that ship.

Fergus thinks the job is going to be easy. Get in, find the ship, steal the ship, fly it home to the Pluto shipyards, collect his pay. Get another job. Wash, rinse, repeat.

Instead, Fergus gets caught in the middle of a civil war. Arum Gilger wants to take over Cernee, and pretty much everyone and everything stands in his way. (Hence the reason that the locals are willing to help Fergus steal back the ship and get it the hell out of their space.) Especially the family Vahn, living on a remote habitat called “The Wheels”. It shouldn’t be Fergus’ business, but Gilger fires the opening salvo in his little war at the cable car that Fergus is sharing with “Mother” Vahn, and Fergus’ job has suddenly become personal.

Being nearly killed just for being in the same cable car as a seemingly inoffensive old lady is plenty of reason to get scared, to get angry, and to get to the bottom of everything that’s wrong in Cernee.

At least until everything that’s wrong in Cernee, including the mysterious alien ships that watch, and wait, and scare everyone three-quarters to death, decide that Fergus is their “true North” and all their ships start pointing towards him – wherever he goes, whatever he does – all the time.

Fergus may be the Finder, but something much bigger and much, much scarier has suddenly found him.

Escape Rating A-: First of all, this is one of those stories that naturally lends itself to audio. The story is told in Fergus’ first-person perspective, so hearing it in his voice from inside his head works well. The narrator does an excellent job of capturing Fergus’ world-weary (maybe that should be universe-weary), slightly deadpan voice. Fergus isn’t someone who gets really excited – because he’s been there and done that and is much too busy running away from the things that reach deeply into his emotions.

This doesn’t mean that the people around Fergus don’t get plenty excited, because the adventures that Fergus drags them into are generally frightening to the point of being downright life-threatening. Following Fergus is like being on one of those amusement park rides that barrels toward the edge of its track, to the point where you think the car is going to stop and you’re going to be thrown out of it, only to sharply turn – extremely sharply and very suddenly – and throw you against the sides as it madly careens towards the next near-disaster. (This ride in my childhood amusement park was the Wild Mouse, but yours undoubtedly had one too. They all did!)

Finder is very much one of those “out of the frying pan into the fire” stories. Fergus seems to be both a trouble and chaos magnet. They say that no plan survives contact with the enemy. It seems like no plan survives contact with Fergus, not even Fergus’ own plans. And yet, they generally manage to work in the end – for select definitons of “generally”, “work” and especially “end”. Either he has the devil’s own luck, as they say, or Cernee is connected to the Discworld, where “million-to-one” shots always come in.

There’s something about the way this story works, or perhaps in Fergus’ universe-weary voice, that reminds me of John Scalzi’s space operas. Especially The Android’s Dream, but generally the Old Man’s War universe. Fergus and John Perry would have plenty to talk about. That there’s a brief part of Finder that echoes Heinlein’s The Moon is a Harsh Mistress is totally fitting, considering the number of reviews that label Old Man’s War as Heinleinesque.

I digress just a bit, but not completely, as I think that Scalzi’s readers will also like Finder – very much. This one certainly did!

Review: Love Lies & Hocus Pocus: Beginnings by Lydia Sherrer

Review: Love Lies & Hocus Pocus: Beginnings by Lydia SherrerLove, Lies, and Hocus Pocus: Beginnings (The Lily Singer Adventures #1) by Lydia Sherrer
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: urban fantasy
Series: Lily Singer Adventures #1
Pages: 240
Published by Chenoweth Press on April 30, 2016
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Saving the world is such a bother when it makes you late for tea.

By day, book-loving wizard Lily Singer manages library archives. By night? She sleeps, of course. In between, she studies magic and tries to keep her witch friend Sebastian out of trouble. Much to her displeasure, he finds it anyway and drags her along with him.

From unmaking ancient curses to rescuing a town lost in time, Lily and Sebastian fight to avert magical mayhem. Meanwhile, Lily s mysterious past begins to unfold a past hidden from her by those she trusts most. Will she be able to discover the truth despite them?

My Review:

I’ve been doing a bit (actually quite a bit) of bouncing off this week. When that happens I tend to turn to Harry Potter fanfiction. There are some truly epic stories that sweep me away instantly. Unfortunately, it’s also a bit like falling into a black hole, and 200,000 words or so later I’m scrambling for a review.

Then I remembered spotting this series in one of those rare Amazon ads that actually showed me some books I might like, instead of the usual ones that make no sense at all. This series was described as being like Harry Potter – also like Gail Carriger’s work, which I also love. So I decided to give it a try as a way to boost me out of that fanfic black hole.

This is fun. I’m not sure it’s like Harry Potter, and I’m sure it’s not a bit like Carriger’s Parasol Protectorate, but it certainly is fun.

If anything, it reminds me a bit of Libriomancer by Jim C. Hines, particularly the early parts of the series before things get dark. Not that there isn’t plenty of scope for the Lily Singer series to get dark later on, as urban fantasy tends to do.

The other series that this reminds me of are Maisie Dobbs and Mary Russell. Thematically they are nothing alike, as both of those are historical mysteries, but both of those series begin with collections of the early adventures of their protagonists (Maisie Dobbs and The Beekeeper’s Apprentice respectively) rather than full novels. We’ll see how Lily Singer’s story proceeds.

But this first book, these Beginnings are a load of fun.

We begin with Lily Singer as a contemporary wizard, who also happens to be a librarian and archivist. Which explains the resemblance to Libriomancer right there. But in Lily’s universe, the magic is not IN the books. Instead, the books are a way of recording instructions for the magic.

Which is a bit Harry Potter-ish, but the terms wizard and witch are used differently in Lily Singer’s world. Lily is a wizard because she draws her magic from “the Source”. Her troublesome partner-in-crime, Sebastian, is a witch. Because he gets his magic from trading in favors with magical creatures.

Being a wizard requires power, dedication and study. Being a witch requires a lot of charm, occasionally smarm, and an excellent line in bullshit. It also seems, at least at first blush, that wizards are mostly introverts and witches are mostly extroverts.

And they get along like oil and water. Or kerosene and matches. With Sebastian usually lighting the match. Sometimes even on purpose.

The stories in Beginnings are just that, a beginning for this series. There are three stories in this volume, and they are not all linked to each other per se, but do chronicle the beginning of Lily’s and Sebastian’s working partnership, as well as introduce us to these characters and this version of our world.

All three stories begin in similar places, with Sebastian getting himself into trouble and Lily eventually getting them out. The points of view switch, with the first and third coming from Lily’s point of view, and the middle story from Sebastian’s.

We get just enough of his perspective to see that he’s not quite as devil-may-care as he makes himself out to be. Also not quite as big of a jerk as he often makes himself out to be.

The first story is a ghost story, and makes a terrific introduction to everything. The second leads directly to the third, and it’s a story of Sebastian doing a good deed and having it come back to bite him in the ass.

The third is that biting of the ass, when Sebastian inveigles Lily into a Groundhog Day/Window of Opportunity scenario, with the artifact that bit him at the center of the mess. While relying on Lily to get them both out – now that he’s got her stuck in there with him – we see their working partnership get a few steps further on its rocky road – and get to see more of the magic in this world.

Escape Rating B: It’s light, it’s fun, and I had a great time with Lily and Sebastian. It was the right book at the right time, and I’m glad I listened to the siren song of that Amazon ad. I’m looking forward to picking up their next adventure, Love, Lies and Hocus Pocus: Revelations, the next time I’m in a bit of a slump – or have fallen too far down the fanfic rabbit hole.

Guest Review: Autumn Bones by Jacqueline Carey

Guest Review: Autumn Bones by Jacqueline CareyAutumn Bones (Agent of Hel, #2) by Jacqueline Carey
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: paranormal, suspense, urban fantasy
Series: Agent of Hel #2
Pages: 436
Published by Roc on October 1, 2013
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

New York Times bestselling author Jacqueline Carey returns to the curious Midwest tourist community where normal and paranormal worlds co-exist—however tenuously—under the watchful eye of a female hellspawn…...

Fathered by an incubus, raised by a mortal mother, and liaison to the Pemkowet Police Department, Daisy Johanssen pulled the community together after a summer tragedy befell the resort town she calls home. Things are back to normal—as normal as it gets for a town famous for its supernatural tourism, and presided over by the reclusive Norse goddess Hel.

Not only has Daisy now gained respect as Hel’s enforcer, she’s dating Sinclair Palmer, a nice, seemingly normal human guy. Not too shabby for the daughter of a demon. Unfortunately, Sinclair has a secret. And it’s a big one.

He’s descended from Obeah sorcerers and they want him back. If he doesn’t return to Jamaica to take up his rightful role in the family, they’ll unleash spirit magic that could have dire consequences for the town. It’s Daisy’s job to stop it, and she’s going to need a lot of help. But time is running out, the dead are growing restless, and one mistake could cost Daisy everything…...

Ask in the editor’s note, and ye shall receive, oh mighty Editor-in-Chief Marlene Ma’am.

Guest Review by Amy: So, it looks like things are slowing down some for Daisy Johanssen, half-demon Agent of Hel, the Norse goddess of death who runs the eldritch community in Pemkowet, MI. Daisy has a new boyfriend, whom we met very briefly in the last installment (Dark Currents), and it’s Labor Day weekend, so most of the summer tourists are leaving.

But, of course, that would make a really short novel, so no slow-and-easy life for Daisy! When boyfriend Sinclair’s sister shows up with a threat, it’s back to the job for the Agent of Hel. Sinclair really is Jamaican, you see, and his powerful family wants him to come home. They’re not at all against threatening the whole town to get what they want, either.

Escape Rating A-: Remember how, in my review of Dark Currents, I expressed some dissatisfaction at Daisy’s choice of suitor? Yeah, from the get-go in this story, starting with the second paragraph, Sinclair is there, and I’m just…underwhelmed. She had two other much-more-interesting men chasing her in Dark Currents, but she ends up with this…person. She was, she says, somewhat fascinated with the idea of having a “normal” boyfriend.

Except, well, he isn’t, of course. I can’t say I was at all dissatisfied with how Daisy got a grip on herself over this lukewarm relationship, and managed to end it and still remain friends with him. She can do better than him. And despite the fact that it’s Sinclair’s mother and twin sister who are primary antagonists that drive the plot of this book, Sinclair’s role in the drama fades to a much lower level than I was expecting from reading the publisher’s blurb. Yes, yes, it’s good seeing him finally growing as a character, finding the allies he needs to stand up to his family, all that jazz – but as a character, Sinclair still feels rather flat and unimpressive to me, all the way through this tale, and it’s really the biggest downer in the book. He was somewhat one-dimensional to me in Dark Currents, and I’d hoped that Carey would, given the plot opportunity of lots of time with Daisy, make him jump off the page for me…but he never really did.

Of course I probably should give poor Sinclair a break; when your castmates are a whole bunch of supernaturals, well, it’s hard for any more-or-less normal human to look at all extraordinary. The gang of ghouls, led by the enthralling and handsome Stefan, a werewolf, assorted faerie folk, vampires, a thousand-year-old lamia, and even Hel herself continue to shine in this story. As I’ve said in my other reviews of paranormal stories, it’s because they’re “real people”, and here Carey’s genius shows; all of these supernaturals are just trying to get through their lives in peace, the same as you and I.

During the course of the story, as the deadline for Sinclair leaving town nears, our heroine and her friends must deal with an increasing number of restless dead folks haunting the town. This is good for late-season tourism, of course, but it keeps Daisy and her werewolf partner from the police (Cody.  Mmmmmm…) rather busy. When events reach their climax on Halloween night, we have a battle royal involving eldritch folk, some witches, and even a bunch of normal kids helping out with water balloons, all trying to put a zombie and the ghost that animates him (Sinclair’s grandfather) to rest. Things don’t go perfectly, of course, and dealing with the aftermath is how Carey brings this busy tale to a close. Most of the dangly loose ends in the book get wrapped up, sure, but I’m left feeling slightly…unfulfilled.

In the end, Daisy is left still wondering what to make of things with the two men remaining in her life as potential partners. With that juicy bit of bait out there, and with unanswered questions about a seemingly-unimportant side plot, Jacqueline Carey leaves me wanting to go find a copy of Poison Fruit, the third book in this series. So I will, and you’ll see a review here, when I do, I promise!

Review: Trail of Lightning by Rebecca Roanhorse

Review: Trail of Lightning by Rebecca RoanhorseTrail of Lightning (The Sixth World, #1) by Rebecca Roanhorse
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: post apocalyptic, urban fantasy
Series: Sixth World #1
Pages: 287
Published by Saga Press on June 26, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

While most of the world has drowned beneath the sudden rising waters of a climate apocalypse, Dinétah (formerly the Navajo reservation) has been reborn. The gods and heroes of legend walk the land, but so do monsters.

Maggie Hoskie is a Dinétah monster hunter, a supernaturally gifted killer. When a small town needs help finding a missing girl, Maggie is their last—and best—hope. But what Maggie uncovers about the monster is much larger and more terrifying than anything she could imagine.

Maggie reluctantly enlists the aid of Kai Arviso, an unconventional medicine man, and together they travel to the rez to unravel clues from ancient legends, trade favors with tricksters, and battle dark witchcraft in a patchwork world of deteriorating technology.

As Maggie discovers the truth behind the disappearances, she will have to confront her past—if she wants to survive.

Welcome to the Sixth World.

My Review:

I’ve had Trail of Lightning in my “virtually towering TBR pile” for quite a while, but hadn’t gotten the round tuit necessary to actually give it the time it deserved. After three romances in a row, I just wasn’t in the mood for any more romance – and Trail of Lightning is on the recently announced Hugo Ballot for Best Novel. It just felt like the right time to get it out and finally get all the way into it.

And it was a WOW! Also exactly what I was in the mood for.

The story manages to be both part of the post-apocalyptic/urban fantasy tradition and fresh and new all at the same time. It’s also an exemplar of the idea that making sure that #ownvoices stories don’t merely get told but also get promoted and receive award nominations does not in any way detract from the quality of the genre.

Because this story is simply awesome. That it is told from a perspective we have not traditionally seen in genre does not make it any less part of the genre. It makes it better because the author knows whereof she speaks.

Trail of Lightning takes place in a post-apocalyptic world. The apocalypse in question is referred to as the “Big Water” – but it’s an apocalypse that we can see from here. At least in its more mundane aspects.

There’s a saying that nature bats last, and the “Big Water” is an example of nature taking that “at bat”, with a little help from at least some of the gods – and bringing back some of the monsters, along with magic.

The population of the world has been decimated, as Nature decided to bring all the consequences of global warming down all at once. All the low-lying coastal regions of all the countries around the world are gone.

But the powers-that-were in the Four Corners region, an area currently under the jurisdiction of the Navajo Nation, were prescient enough to erect massive border walls around their country, Dinétah. With the help of their Gods.

When the Big Water came, the Dinétah was safe behind its walls, at least from anything coming in from the outside. Not that there aren’t plenty of both human and other monsters inside Dinétah with them.

That’s where Maggie Hoskie comes in. Maggie is A monsterslayer, trained by THE Monsterslayer of legend, Neizghání. But her teacher has left her on her own, and left her with the dark sense that she is much too close to becoming one of the monsters herself.

The story of Trail of Lightning is Maggie’s journey out of the pit of despair she has dug herself into and back out into, if not the light, then back into a world that definitely needs her even if it doesn’t always want her.

Along the way, she’ll have to fight monsters, monsterslayers, and the monster inside herself. And she’ll have to get the best of the god who’s been playing her all along.

Escape Rating A: I loved this one. Not only is it an epic heroine’s journey, but the world created by the story is absolutely fascinating.

I want to say that Maggie is a likeable heroine, because that what we always say. But she isn’t really likeable much of the time. She is flawed, scarred, scared and relatable, but she’s extremely prickly, to put it mildly.

She doesn’t trust easily, and often when she does, she finds out later that she shouldn’t. She’s tough and no-nonsense on the outside, and broken on the inside. That some of the things that have broken her are literally monsters doesn’t make her any less relatable in her broken-ness.

We all get broken by monsters – even if those monsters wear a human face.

Elements of this story had echoes for me from other SF and fantasy that I have read. The post-flood US of American War, the Dinétah setting of the Leaphorn, Chee and Manuelito series, the monster-hunting, coming-into-her-power heroine of The Walker Papers, the many faces and tricks of Coyote from the Iron Druid Chronicles, and last but not least, the discovery of the trickster behind the entire plot from American Gods.

Those are all awesome antecedents in their own extremely different ways, and Trail of Lightning stands tall in their company. Tall enough to draw plenty of lightning.

This is the first post-apocalyptic weird west urban fantasy I’ve ever read – but it certainly won’t be the last. The second book in the Sixth World series, Storm of Locusts came out this week!

Review: Midnight Riot by Ben Aaronovitch

Review: Midnight Riot by Ben AaronovitchMidnight Riot (Peter Grant, #1) by Ben Aaronovitch
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: urban fantasy
Series: Rivers of London #1
Pages: 298
Published by Del Rey on February 1, 2011
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Probationary Constable Peter Grant dreams of being a detective in London’s Metropolitan Police. Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he’ll face is a paper cut. But Peter’s prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter’s ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale, who investigates crimes involving magic and other manifestations of the uncanny. Now, as a wave of brutal and bizarre murders engulfs the city, Peter is plunged into a world where gods and goddesses mingle with mortals and a long-dead evil is making a comeback on a rising tide of magic.

My Review:

I’ve had this in my kindle app forever, to the point where I had to check to see exactly how I got it. Finding out that it was 6 years ago was kind of a shocker. I do get around to things eventually, but eventually can clearly be a very long time.

I picked it up now because I have to read the latest book in the Rivers of London series for one of my reviewing commitments and wanted to at least see where it all began.

I was not disappointed. Midnight Riot is a terrific introduction to the Rivers of London and definitely lives up to all the marvelous things that have been said about it.

This book reminds me of so very many things. First, it is absolutely urban fantasy. In some ways, kind of old school urban fantasy, hearkening back to urban fantasy’s roots in the mystery genre.

Because we sure do have a mystery. What we also have is a cop. An honest-to-goodness sworn police officer, Peter Grant, just out of his probationary period in the Metropolitan Police and really hoping to do something more interesting than push paper for his entire career.

Ghost-hunting, however, was not on his career radar. Not even remotely. When the ghost of Nicholas Wallpenny tells PC Grant that he witnessed the previous evening’s sensational murder, Grant isn’t quite sure he believes the evidence being presented right before his eyes. And ears. And slightly stunned brain.

But going back the next night to interview the witness again brings him to the attention of Detective Chief Inspector Thomas Nightingale, the one man in the Met who will believe him.

The next morning Constable Peter Grant’s career has possibilities that he never even dreamed of. And dangers that may be way, way more than the Academy ever trained him to handle.

Escape Rating A-: First and foremost, I had a whole lot of fun with this one. It’s a terrific book and a great intro to the series.

One of the things that struck me as I read was just how “British” the book felt. It seemed like there were no concessions made for any potential American readers. Either you’ve read enough/seen enough on PBS to get the points where the two nations are divided by the common language, or you don’t.

If you have, it adds to the immersion, as it did for me. If you haven’t, I suspect you spend either a lot of time Googling Britspeak or get bogged down and give up. I was fully immersed from the opening page. Your mileage may vary.

Howsomever, one thing I did wonder about was whether it is/was common practice for single constables to have their living quarters in their stations. Or to at least have that possibility. Because that didn’t feel contemporary to me, I found myself thinking of this as a bit near-future, or at least more alternate history than urban fantasy sometimes is.

After flailing around for what Rivers of London reminded me of most, I think in the end it’s a cross between a police-procedural and Neil Gaiman’s Neverwhere. Possibly with a bit of his American Gods added to put some actual deus into the occasional ex machina.

Whatever it is, it’s fascinating. As the first book in the series, Peter Grant finds himself introduced to the world of magic, including the standard opening lessons in his brave new world. As well as a drop into the deep end of the pool (river) when his Chief Inspector is temporarily knocked out of the action by a bullet.

Peter makes for an interesting insider/outsider investigator. He begins as a mixed race man in London, already somewhat of an outsider in spite of having been born there. The story is told from his first-person perspective, which exposes his interior thoughts on being a black man in a white city to the reader in all their world-weary cynicism – particularly when he’s riding the tube.

He’s also the newbie in the world of magic, and everyone seems to want to take advantage of his lack of knowledge – as people frequently tend to do – even if, or especially because they are either deities, genii locorum, or both.

In a fight between gods, ghosts and monsters, Peter feels like the one sane voice attempting to hold it all together. Even during a midnight riot.

Guest Review: Orb by Gary Tarulli

Guest Review: Orb by Gary TarulliOrb by Gary Tarulli
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: science fiction
Pages: 322
Published by Gary Tarulli on November 16, 2011
Purchasing Info: Author's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

Three months outbound from Earth and the starship Desio approaches its planetary destination, her crew eager to commence a mission of scientific discovery. Kyle Lorenzo, however, has a personal reason for being on board--an inner conflict that will ultimately propel him to explore not only of the furthest reaches of an enigmatic ocean world but the nebulous recesses of his inner psyche.

During the long and isolating interstellar journey a physical relationship develops between Kyle and the ship's physician, Kelly Takara. That part is easy. Understanding the reasons for avoiding the emotional commitment desired by Kelly is harder. So, too, is trying to penetrate the mind of Larry Melhaus, the mission's brilliant and reclusive physicist - a failure to communicate made exponentially more troublesome when the scientist's disturbing behavior begins to threaten the crew.

While Kyle struggles to comprehend himself and Melhaus, the ship's crew, led by their strong-willed commander, Bruce Thompson, attempt to fathom a planet where none of the precepts of science seem to apply. A world where every preconceived notion of what constitutes life must be re-examined and challenged.

Two journeys: One inward, one outward.Culminating at the same destination.

Guest Review by Amy:

Interstellar exploration is hard, even if you have a wormhole to make the trip shorter. They only pick the best of the best, but the first crew that went to the planet labeled “231-P5” … had problems. The stress of the trip, being alone with only each other for months on end, the situation they found themselves in, no one’s entirely sure. This crew is carefully hand-picked: five scientists, one…wait, what? A writer? And a poodle?

Months out there in space, and our intrepid wordsmith has fallen for the ship’s doctor, one Kelly Takara, but Kyle Lorenzo is sort of afraid of commitment. Things are tense, and only get more so as the expedition’s physicist, Dr. Larry Melhaus, starts acting even more strange than usual.

Escape Rating: B+. The first chapter or two of this book didn’t quite grab me the first time I picked it up about a year ago. I chalked it up to the mood I was in at the time, and threw it back on my TBR heap for later consideration. When I decided to give it another whirl last week, I discovered that the problem with the book wasn’t me. Well, not exactly.

I’m reminded of the first time I watched 2001: A Space Odyssey. While visually stunning, there is an awful lot of the early part of the film that, to me as a then-very-young person, just didn’t serve the plot in a meaningful way. That’s the problem I had with the first couple of chapters of Orb. Author Gary Tarulli gets us deeply into the head of a literary-minded person, and it reminded me rather a lot of the existential maunderings I had to read in freshman lit classes in the late 1980s: slightly less-exciting than cold oatmeal with no butter.

Let me say right now that that’s not necessarily a bad thing. Existentialist fiction, if I may paint it with that deliberately-broad term, isn’t by definition bad, despite what I just said about my poor freshman lit teacher’s choices. I just didn’t expect it to come at me in a book labeled “Science Fiction.” And far be it from me to dish on a self-published author–as self-published first works go, this one isn’t bad, really–it just took me a while to catch on to what Tarulli was trying to give us. I’m a slow learner, sometimes.

When our crew arrives, early-ish in the book, at the water world that they are there to explore, the sci-fi story starts to emerge, and it’s a good one. The intelligence that populates the planet is so wildly different from ours that our crew struggles with first-contact matters in unexpected ways, and watching Dr. Melhaus’ slow-motion implosion gives us a nice dose of tension, if not quite a villain. Kyle’s internal dialogue over his relationship with Kelly Takara is fairly-understandable, and watching him progress into that relationship is a sweet counterpoint to the precarious situation the crew is in.

“Not quite a villain,” I just said–there’s really no villain, as such, in this story. Our cast of characters spends the whole book discovering a place and flavor of life that is incomprehensibly different from ours, and spends even more time discovering … themselves. This is a book that, if you can digest it, will make you think about things rather a lot. It did me. This book is not escapist fiction, not like lots of other reviews I’ve brought you here at Reading Reality; it’s a thinker’s book. Read it with that in mind, and I’m sure you’ll get something out of it, as I have.

Review: How Long ‘Til Black Future Month by N.K. Jemisin

Review: How Long ‘Til Black Future Month by N.K. JemisinHow Long 'til Black Future Month? by N.K. Jemisin
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction
Pages: 416
Published by Orbit on November 27, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In these stories, Jemisin sharply examines modern society, infusing magic into the mundane, and drawing deft parallels in the fantasy realms of her imagination. Dragons and hateful spirits haunt the flooded city of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A black mother in the Jim Crow south must figure out how to save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story “The City Born Great,” a young street kid fights to give birth to an old metropolis’s soul.

My Review:

Have you ever taken a good, hard look at which groups get special “days” or “months” and which ones don’t? There’s no such thing as “WASP month” to celebrate White, Anglo-Saxon, Protestants, because they are considered the so-called “norm” even though they are increasingly not the majority even in the U.S. Especially when you take out the FEMALE WASPs, because Women’s History Month is its own thing, along with holidays and/or months that celebrate non-Anglo origins, non-Christian religions, and, particularly relevant to this book (and this month) non-White people.

It’s a damn good question, isn’t it? Just how long will it be until everyone is celebrated all the damn time, and we don’t need to call out non-male (also non-straight and non-cis) people? How long will it be until Black Future Month?

As the author points out, there has been very little science fiction that includes non-white characters or posits a future as seen from the perspective of people of color. Also relatively few from a female perspective, or a non-cis, non-het perspective, or, again, any perspective other than male WASPs.

I’m not going to include treatments of religion in the future because that’s all over the map in its own way. My favorite treatment of Earth religions in the future is the Babylon 5 episode The Parliament of Dreams. And I really am digressing this time.

I recognize that I’m talking around the book, rather than about the book. I’m trying not to just SQUEE and it’s hard.

On my one hand, the collection is absolutely awesome from beginning to end. I loved every story, and that’s extremely rare for me in a short story collection.

On my other hand, all of the stories in this collection have been previously published. So anyone who follows this author has probably read some if not all of them. But for those looking at this author for the first time after her record-setting accomplishment of winning the Hugo Award for best novel three years in a row (for three books in a trilogy at that), this is a great (and accessible) place to start.

Personally speaking, I loved her Hundred Thousand Kingdoms but bounced hard off The Fifth Season – twice. After reading this collection, I’ll try it again – probably in audio this time.

Escape Rating A+: This is a marvelous collection of this author’s short works, providing a set of wonderfully readable stories, introducing new readers to a terrific, award-winning author (these two things are unfortunately not always synonymous), providing a perspective on the development of said author, a bit of dialog with the history of the genre, and, last but definitely not least, making any reader of SF wonder why the historical perspective of the genre (ironic, I know) has been so narrow-visioned.

A great read from beginning to end!

Review: The Tea Master and the Detective by Aliette de Bodard

Review: The Tea Master and the Detective by Aliette de BodardThe Tea Master and the Detective (The Universe of Xuya) by Aliette de Bodard
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, ebook
Genres: mystery, science fiction
Series: Universe of Xuya
Pages: 96
Published by Subterranean Press on March 31, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Welcome to the Scattered Pearls Belt, a collection of ring habitats and orbitals ruled by exiled human scholars and powerful families, and held together by living mindships who carry people and freight between the stars. In this fluid society, human and mindship avatars mingle in corridors and in function rooms, and physical and virtual realities overlap, the appareance of environments easily modified and adapted to interlocutors or current mood.

A transport ship discharged from military service after a traumatic injury, The Shadow's Child now ekes out a precarious living as a brewer of mind-altering drugs for the comfort of space-travellers. Meanwhile, abrasive and eccentric scholar Long Chau wants to find a corpse for a scientific study. When Long Chau walks into her office, The Shadow's Child expects an unpleasant but easy assignment. When the corpse turns out to have been murdered, Long Chau feels compelled to investigate, dragging The Shadow's Child with her.

As they dig deep into the victim's past, The Shadow's Child realises that the investigation points to Long Chau's own murky past--and, ultimately, to the dark and unbearable void that lies between the stars...

My Review:

The Nebula Awards shortlist came out this week. I was reminded to take a look at it by someone on the Library Journal Committee that picked the best SF and Fantasy for 2018 for their annual wrap-up because four of our picks are on the Nebula shortlist, as well as a couple of titles that ALMOST made it.

Looking at the list, I noticed a book that I picked up a while ago, as it was recommended in the context of being an “out of this world” Sherlock Holmes pastiche. It has been said that every generation reinvents Sherlock Holmes for themselves, and The Tea Master and the Detective definitely qualifies as one of the more inventive futuristic reinventions, right up there with Sara Holmes and Janet Watson of A Study in Honor.

In The Tea Master and the Detective, we have a tale set in this author’s loosely connected Universe of Xuya series. It’s an alternate history universe where China discovered America before Christopher Columbus. That discovery altered the history of the world, as such a momentous change would. China turned outward instead of inward, and seems to have become the dominant power on Earth before humanity reached the stars.

An influence that is still felt at the time of this story, probably taking place somewhere in the alternate 22nd century – if not later. (The series is made up of short stories and novellas, and they have been scattered in publication throughout every magazine currently publishing SF and Fantasy. I wish they were all collected somewhere because I’d like to read them ALL!)

As I have not yet read the series, I came into this story with no previous knowledge – and I absolutely loved it. While the entire history of the universe isn’t explained – and it shouldn’t be – this little gem still feels complete. I just want to know more. (I always want to know more.)

The detective, in this case the mysterious Long Chau, claims to be writing a thesis on the decomposition of bodies in the deep places of space. Places that seem to be both theoretical and real, although a bit more of each of those elements than might be presupposed at first glance.

The thing about the deep places is that they are both real and unreal, and the unreality of those places affects the human mind – to its detriment. Humans usually travel those deep places safely within the bounds of a ship controlled by a “shipmind”. A ship that is self-aware.

What makes this story so interesting is that the “Watson” to Long Chau’s “Holmes” is a damaged shipmind named The Shadow’s Child who is psychologically unable to travel the deep places – so she makes her living brewing teas that help humans survive the unreality of the places she no longer feels able to go.

Long Chau goes to the fringes of the deep places to find a dead body. But what she’s really looking for is a lost soul. Her own. That she also finds the soul of the scarred shipmind forges a unlikely partnership.

One I hope to see again.

Escape Rating A: This is lovely. It combines two ideas that really shouldn’t have much to do with each other, but work together anyway – much as the two protagonists really shouldn’t have much to do with each other.

Shipminds are people. And this society has places for them and recognizes them as people. The Shadow’s Child has to deal with many of the things that anyone else does, including meddling family members and paying the rent. She will also remind readers of Anne McCaffrey’s classic stories of the brainship Helga, The Ship Who Sang.

The Shadow’s Child is the Watson to Long Chau’s Holmes. The pastiche part of this story is fairly subtle – if you’re not interested, it’s not there. If you are interested, the way that Long Chau refers to herself as a “consulting detective”, her endless deductions of what people, including shipminds, are thinking, feeling and doing as well as her constant use of drugs to stimulate her mind are there to remind readers of some of Sherlock Holmes’ habits, both the more and the less savory of them.

The case that they ultimately find themselves on is an investigation that no one wants solved – and it nearly gets them both killed. But along the way they learn to respect if not necessarily trust each other, and we get to explore a fascinating universe that has plenty of stories in it that are worth telling.

I look forward to ferreting out more of this series as soon as possible!

Review: Dragon Age Library Edition Volume 2 by Greg Rucka, Nunzio DeFilippis, Christina Weir, Carmen Carnero, Fernando Heinz Furukawa

Review: Dragon Age Library Edition Volume 2 by Greg Rucka, Nunzio DeFilippis, Christina Weir, Carmen Carnero, Fernando Heinz FurukawaDragon Age Library Edition Volume 2 by Greg Rucka, Nunzio DeFilippis, Christina Weir, Carmen Carnero, Fernando Heinz Furukawa
Format: eARC, hardcover
Source: purchased from Amazon, supplied by publisher via Edelweiss
Formats available: hardcover
Genres: fantasy, graphic novel
Pages: 232
Published by Dark Horse Books on December 4, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

Journey to the world of Thedas in these canonical comics from BioWare and Dark Horse!

Tessa and Marius are mercenary partners who eliminate those using magic to hurt others. When they betray a powerful patron intending to kill them, they're forced to flee and join the Inquisition. Later, they're taken captive during a mission and it's up to an unwitting agent to rescue them: elven squire Vaea, who's just arrived in Kirkwall for a lavish party thrown by Varric Tethras. A talented thief, Vaea takes on an easy side job . . . but when she chooses to change the terms of the deal mid-heist, she is entangled in this dangerous recovery mission that is surely above her pay grade.

Featuring work by Greg Rucka, Nunzio DeFilippis, Christina Weir, Carmen Carnero, and Fernando Heinz Furukawa, this oversized hardcover edition collects Dragon Age: Magekiller #1-#5 and Dragon Age: Knight Errant #1-#5 and features creator commentary and behind-the-scenes material!

My Review:

I just started a new play-through of the whole Dragon Age saga, which made this a perfect time to review this. The title is a rather unhelpful mouthful of not very informative. What this big little volume is is a hardcover compilation of two Dragon Age graphic stories, Magekiller and Knight Errant.

I knew I was going to get to this eventually – I even picked up an eARC from Edelweiss. But in the end, I bowed to the inevitable and purchased the hardcover. While graphic novels CAN be read on my iPad, that doesn’t mean they SHOULD be read on my iPad – unless I’m really desperate and away from home. The hardcover is large and awkward – but fun reading at the table.

The interesting thing about the two stories in this book is that they both take place in the interstices of the plot of Dragon Age Inquisition. This means three things:

  1. These stories only make sense if you are already a fan of the video game series
  2. They feel/read like short stories that just so happen to be illustrated. I’m not saying that the graphics aren’t terrific – because they are – but both of these stories would work equally well as short stories without the lovely, additional graphics.
  3. The stories are canonical – nothing in them conflicts with the game story canon. A fan can imagine them taking place around the edges of the game(s) actually played. These events happened while your Inquisitor was somewhere else being, as Varric Tethras might say, “all Inquisitorial”.

The first story begins a bit before the game starts, with a pair of mercenary magekillers (hence the title) who have been coerced into killing known cult members before the cult manages to murder the Divine and kick off the whole thing. They find themselves working for the Inquisition, alongside many of the other side characters in the story.

What’s fun about Magekiller is that the male/female mercenary partners are work partners without being romantic partners – nor is there a will they/won’t they vibe to the story. It was pretty neat that the romantic pairing in the story turns out to be between the female mercenary and one of the Inquisition’s better known spies. Who is also female.

That the hero of Magekiller has a very similar vibe to one of my (and many people’s) favorite characters in Dragon Age II is icing on a surprisingly tasty cake.

Knight Errant also feels like it has some callbacks to Dragon Age II, as well as to the game that started it all, Dragon Age Origins – which I’m playing again now.

But the story is all about the power of stories. There’s a quote from Varric Tethras, the author of Hard in Hightown and the premiere storyteller in the series: “There’s power in stories, though. That’s all history is: the best tales. The ones that last. Might as well be mine.”

Varric writes fiction, but he also fictionalizes the heroic deeds of his friends – including himself as a secondary character. It’s a practice that causes him no end of trouble, and makes him an interesting but extremely unreliable narrator.

In Knight Errant, Varric is a secondary character in someone else’s unreliable narration – and he’s more than willing to play along. But under this seemingly simple tale about a has-been knight who travels the world on the strength of the stories he tells about himself, there’s a lot to unpack about why we tell the stories we tell, and how much of ourselves we invest in those stories.

And if you don’t finish this story hearing the original cast of Hamilton singing “Who lives, who dies, who tells your story” you weren’t paying attention.

Escape Rating B: If you’re a fan, this collection is a lot of fun. Possibly even more fun than Hard in Hightown. There are a ton of in jokes scattered throughout both stories, and we get a chance to see a different bit of this world and different facets of characters we have come to know and love.

There are also some informative annotations from the creators on the process of both the story and the graphics.

While I can’t think that anyone else would be interested, for those of us who are working through our hundredth play-through of the series and trying to keep from chewing our nails waiting for Dragon Age 4 (which probably won’t be out until 2021 at the earliest!) it’s a fun way to pass some time in Thedas.