Review: Pets in Space Sampler by S.E. Smith, Anna Hackett, Tiffany Roberts, Veronica Scott, Pauline Baird Jones, Donna McDonald, Cassandra Chandler and Alexis Glynn Latner

Review: Pets in Space Sampler by S.E. Smith, Anna Hackett, Tiffany Roberts, Veronica Scott, Pauline Baird Jones, Donna McDonald, Cassandra Chandler and Alexis Glynn LatnerPets in Space 4 Sampler by Alexis Glynn Latner, Anna Hackett, Cassandra Chandler, Donna McDonald, Pauline Baird Jones, S.E. Smith, Tiffany Roberts, Veronica Scott
Format: ebook
Source: publisher
Formats available: ebook
Genres: science fiction romance
Series: Pets in Space
Published by Cats, Dogs & Other Worldly Creatures Books on May 4th 2019
Publisher's Website
Goodreads

Pets in Space® 4 Sampler: Stories & Art
from some of today’s best known and award winning Science Fiction Romance authors!

NEW & EXCLUSIVE short stories from
* S.E. Smith, Lords of Kassis series
* Anna Hackett, Galactic Gladiators: House of Rone
* Tiffany Roberts, The Kraken series
* Veronica Scott, Star Cruise series
* Pauline Baird Jones, Project Enterprise series
* Donna McDonald, My Crazy Alien Romance series
* Cassandra Chandler, The Department of Homeworld Security series, and
* Alexis Glynn Latner

Not enough? Check out the preview chapters of their upcoming Pets in Space 4 stories from:
Laurie A. Green, Regine Abel, JC Hay, E. D. Walker, and Kyndra Hatch! Finish off this fabulous Sampler with gorgeous alien artwork from Tiffany Roberts.

My Review:

When I received multiple invitations to grab this FREE sampler this weekend, I just couldn’t resist. I’ve loved every single one of the Pets in Space series, so I was certainly up for a teaser for the next one.

Don’t let the words “sampler” or “teaser” fool you. There are plenty of complete stories in this collection. But those complete stories are also teasers or prequels for stories that will be in the next Pets in Space collection (Pets in Space 4) and are also introductions to worlds that these authors have already created and have appeared in previous Pets in Space collections.

And there are some outright teaser chapters. I’m certainly officially teased all the way around!

This was a collection where I enjoyed all the stories, although often, as was intended, I found myself wanting more. Of course that more is going to be provided in Pets in Space 4.

My favorite prequel in this anthology was Anna Hackett’s House of Rone: Beginnings. While the House of Rone series is a new series for the author, it is a spinoff from her terrific Galactic Gladiators series. Readers of the series have met Magnus and Jax before, but not like this. Magnus has dropped a few sparse hints of what his life was like before Kor Magna, and Beginnings is that story in full. It’s a great place to get into the world of the Galactic Gladiators without having to have read any of the previously published books.

I also enjoyed Pauline Baird Jones’ Code Blue. It takes place in her Project Enterprise series, and while I’ve read the first book or two in the series, I’m not as familiar with it as I’d like to be. But the love I have for this story without having much background means that it can be joyously read by anyone else who hasn’t read the series.

What makes this so much fun is that it is one of those classic stories of family lore, as the protagonists, Doc and Hel, are telling their children, yet again, the story of how the family pet Piggy Love, first came into their lives – and sort of saved them. By grunting like the little piggy that he is. The story is light and fun and Piggy Love is absolutely adorable – which is way more than can be said about the vulture-people he helps them overcome.

But the story I absolutely loved in this bunch was The Magic Mountains by Alexis Glynn Latner. It’s the longest story in the book, at novelette (very short novel) length. And while it is set in the same future history as stories in the previous anthologies, I don’t remember those and this story stands on its own.

The Magic Mountains is, on the one hand, a story about a visit to an interstellar amusement park that goes very, very wrong. It also kind of a “wolf with red roses” story, in that the heroine finds herself attracted to her extremely dangerous partner in this wild adventure. That she’s an academic who is able to give in to the wild side in herself is part of what makes this one so delicious. And unlike the usual symbolism of the wolf with red roses, this one feels like it has the chance of a happy ending – because the wolf treats her as an equal and not as either a victim or as potential prey.

Escape Rating B+: For any reader who loves SFR, or anyone who is looking for an introduction to the genre, and especially anyone who loves the Pets in Space collections and feels like October (and Pets in Space 4) is a long, long time from now, this sampler is a real treat. And it’s FREE! Right HERE!

I’m certainly teased, and I’ll be back for the complete collection, in all of its reading glory in October!

Review: The Ruin of Kings by Jenn Lyons

Review: The Ruin of Kings by Jenn LyonsThe Ruin of Kings (A Chorus of Dragons, #1) by Jenn Lyons
Format: audiobook, eARC, hardcover
Source: publisher, purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Chorus of Dragons #1
Pages: 560
Published by Tor Books on February 5, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

There are the old stories. And then there’s what actually happens.

Kihrin is a bastard orphan who grew up on storybook tales of long-lost princes and grand quests. When he is claimed against his will as the long-lost son of a treasonous prince, Kihrin finds that being a long-lost prince isn't what the storybooks promised.

Far from living the dream, Kihrin finds himself practically a prisoner, at the mercy of his new family's power plays and ambitions. He also discovers that the storybooks have lied about a lot of other things things, too: dragons, demons, gods, prophecies, true love, and how the hero always wins.

Then again, maybe he’s not the hero, for Kihrin isn’t destined to save the empire.

He’s destined to destroy it . . .

Uniting the worldbuilding of a Brandon Sanderson with the storytelling verve of a Patrick Rothfuss, debut author Jenn Lyons delivers an entirely new and captivating fantasy epic. Prepare to meet the genre’s next star.

My Review:

The “Ruin of Kings” is a sword. It’s also one hell of a story. Come to think of it, it’s also one hell of a sword.

That this is the author’s debut novel is amazing. Because this may very well be the epic fantasy of the year. It’s almost certainly the debut epic fantasy of the year. And I’m already positive that it will be on my Hugo ballot next year.

I’m going to try to stop squeeing now so that I can possibly talk about the actual book – and not just how much I loved it. Although I certainly did.

This story, like The Raven Tower earlier this year, is an experiment in voice. Unlike that previous book, however, this one works. It really, really works.

The three voices that tell the story of The Ruin of Kings are all fascinating, all compelling, and all utterly different. They are also telling the same story from not merely different perspectives but from different points in time. And yet, they all manage to meet in the end to set up the truly epic conclusion.

This is Kihrin’s story. And it’s Talon’s story. And it’s Thurvishar’s story. But mostly it’s Kihrin’s story, told partially from his perspective and partially from theirs. Well, sort of from theirs.

Talon is a mimic. A sadistic mimic. She’s a monster in the human sense of her sadism, but also in the sense that she really is a monster. She kills people for fun, eats their brains and receives the memories from the brains she eats. So when she tells the story, it’s partially her perspective and partially the perspective of the people whose brains she ate.

Thurvishar is the peanut gallery. Not really, in the end his perspective is more important than that. We begin the story thinking he’s the chronicler of events that have recently past – and he certainly is that. But he was also a part of those events, as well as being a scholar and researcher. He has opinions. He has quibbles. He gets disgusted with the naivete and the misinformation provided both by and to the other two people in the story.

It is a true story, but it’s told from a certain perspective. Eyewitness accounts are far from reliable, and people believe all sorts of things that are not provably true – or even that are provably false.

Especially when it comes to gods, and goddesses, and origin stories thereof.

This also, unusually for epic fantasy, is not a story about a hero saving the world. All the prophecies are pointing to Kihrin being the hero who will destroy the world. The question of whether (not to mention exactly how) he’s supposed to do this, as well as whether or not its a good idea for him to do this, are all still up in the super-heated air when this first book in the project trilogy closes.

Not even death is an ending in this one. It may only be the beginning. And what a marvelous beginning it is.

Escape Rating A+: Was that rating a surprise? Really? This is pure awesomesauce from beginning to end.

The story begins with Kihrin in jail, being coerced by Talon to tell her his story from his point of view while they wait for him to be sacrificed. He opens his own story at a slave auction, with himself as the slave being auctioned. And the pace never lets up from there.

But Talon is unsatisfied. As she so often is by so many things. She believes his story began earlier. When he broke into an empty house to steal whatever wasn’t nailed down and let his curiosity get the better of him. He witnessed a murder. And a demon summoning. And he got caught – by the demon. And eventually by both of the summoners.

It all leads back to that jail cell. And what comes after. But in the middle – it’s one hell of a story.

No one in this story is exactly what they seem – or even what they think they are. Particularly Kihrin, who begins the story as a thief and a minstrel’s son, and reaches the end as a swordsman, a sorcerer, and a prince. None of which turn out to be exactly what they’re cracked up to be.

In some ways, this story reminded me of Dune. I know that sounds odd, but it’s in the way the story is being told. Dune also begins with a chronicler claiming to be writing an unbiased historical account. An account that is not exactly unbiased – although I remember Princess Irulan trying a bit harder than Thurvishar does.

In other ways, it reminds me very much of The Name of the Wind. It has that same kind of depth, that epic scope and sweep, that same sense that nothing is as it seems. It’s also told somewhat the same way, with the character, or in this case the characters, telling the story to someone else. I just hope that the author of The Ruin of Kings manages to wrap up the trilogy a bit more expeditiously!

The voices of the three “narrators” of The Ruin of Kings are very distinct. Kihrin begins the story as young and naive, no matter how jaded he thinks he was. His naivete is under constant assault, and this is the story of his loss of many different types of innocence.

Talon has absorbed many, many people, and they are all distinct to her in her extremely crowded head. She speaks for them, but also for herself. Her perspective is that of someone who has literally seen everything and done everything – and then killed the people who did it.

Thurvishar begins the story speaking directly only within footnotes. It was Thurvishar’s part of the story that made me switch from the ebook to the audiobook. Footnotes do not work well in ebooks, but in audio his contributions were inserted as wry asides, or occasionally arguments, within the text and provided further information, sarcastic commentary, and light relief in turns.

(I actually have the audiobook and the eARC AND the hardcover. I loved this one real hard. I needed the hardcover for the maps.)

I was enjoying the audio so much than when I couldn’t stand not knowing how the story ended I played Solitaire for four hours so I’d have something to do with my hands while these three marvelous actors told me a terrific story.

The Ruin of Kings has everything a reader could possibly want in an epic fantasy. Unreliable narrators, meddling gods, troublesome demons, crazy dragons, evil necromancers and political shenanigans played to the death – all folded into the story of a lifetime.

Or two or three lifetimes. Death, after all, is not permanent. Except when it is.

The second book in the trilogy, The Name of All Things, is scheduled to be released in October. I want it NOW!

Reviewer’s Note: Goodreads claims that this is YA. It is so, so, so not YA. And it should come with all the trigger warnings, including some that probably don’t exist yet.

Review: Zachary’s Christmas by M.L. Buchman

Review: Zachary’s Christmas by M.L. BuchmanZachary's Christmas (Night Stalkers White House #4) by M L Buchman
Format: ebook
Source: publisher
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, holiday romance
Series: Night Stalkers White House #4
Pages: 184
Published by Buchman Bookworks on December 23, 2015
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

-a Night Stalkers White House Christmas romance- NAME: Zachary Thomas JOB: Vice President of the United States FAMILY: A distant two-star general and a self-involved Olympic swimming coach NAME: Melanie Anne Darlington JOB: She hasn't a clue FAMILY: White House Chief of Staff and a powerful Southern legacy Zack's political career thrives-his star shines brightly. The only thing missing? Someone to share it with. Anne's brother embraces the White House career he was born to do. Unfortunately, Anne's own future shines as clearly as a snow globe blizzard on a dark winter's night. This holiday season, each day opens a new window to the vista of their future in Zachary's Christmas.

My Review:

There may not be an actual half-life for reading holiday stories after the season, but for me it feels like anytime after Twelfth Night (January 5) is pushing something. Or just gives me a sense of trying to get one last lick of a candy cane that has dwindled down to nothing – at least until the next fall.

So when I received Zachary’s Christmas from the publisher over the New Year’s weekend in exchange for my usual honest review, it seemed like the time to review this was NOW, especially since this is an older holiday title (albeit one I had not read) from one of my favorite authors.

And it’s short – and this was a day when I needed a short book to review. I fell way too far down the Harry Potter fanfic rabbit hole this holiday. My bad – but it was fun.

About Zachary’s Christmas…

In the fictional universe created in the author’s absolutely awesome Night Stalkers military romance series, Peter Matthews is the current liberal president of the U.S. And yes, I wish this aspect of the series were real. I wish it very, very much.

Moving right along…

Zachary Thomas is Matthews’ Vice-President, and looks to be the next nominee for President from their party. It’s Matthews’ second term, so that talk is timely. But one of the interesting things about Zach Thomas is that he is single, never married, and has still managed to have a successful and scandal-free political career.

Into this walks Anne Darlington, whose brother happens to be the current White House Chief of Staff. Anne comes to DC in chilly December to visit her brother, because she’s at a kind of personal crossroads. She’s been the very successful manager of their family’s ranching and restaurant business back in Tennessee, but she’s discovered that it isn’t for her. She’s good at it, but she doesn’t love it. The job, that it. She loves the ranch just fine but doesn’t want to live there.

Her brother Daniel, on the other hand, lives for the ranch and can’t wait for his White House career to be over so that he can go back and run the place. But that’s his dream for later, because right now he’s doing good and important work and doesn’t want to leave it until the job is done.

(Whether helping to clean things up in Washington DC is a job that is EVER done is an entirely separate question not within the scope of either this book, this series or this review.)

Zach meets Anne in her brother’s office and the chemistry between them is instant. Not just the sexual sparks, of which there are plenty, but the intellectual challenge. They meet on multiple levels, and it’s special for both of them.

So special that Zach asks Anne out that evening to hear the holiday concert at the National Botanical Gardens. And these two people start to open up to each other, reaching out towards each other out of their separate loneliness. That type of painful loneliness that happens when you’re busy and surrounded by people all the time, but where you can’t let anyone in and no one really sees the real you.

Their whirlwind affair gives Zach all the time he needs, and it isn’t much, to figure out that Anne is the one woman for him. But between his work and his increasing happiness, he doesn’t see – and Anne doesn’t show or tell him – the problems that brought her to DC in the first place.

So while he thinks they’re on a path to happy ever after, Anne fears that she’s on a path where she becomes an adjunct of someone powerful but not a person with her own purpose – and that’s just the fate she came to DC to escape.

Whether they can find a way for both their needs to get met is anyone’s guess. But there are plenty of people pushing both idiots in the right direction.

Escape Rating B: There were lots of things that I really liked about this story, and one that felt just a bit incomplete or unfinished – hence the B rating.

The setup was a whole lot of fun. President Peter Matthews has been a tertiary character in several books in the previous series, Night Stalkers and its followup series – plural. He is the childhood friend of Emily Beale, the heroine of the first Night Stalkers book, but it is not necessary to have read any of the previous books in any of the previous series (Night Stalkers, Henderson’s Ranch, Night Stalkers White House, White House Protection Force, etc.) I’ve read most of the Night Stalkers but little of the others so far and still got right into Zachary’s Christmas. Not that this one doesn’t make me WANT to go back and read some of the others that I’ve missed!

I liked the romance between Zach and Anne. It was definitely a fast whirlwind, but it worked for this story. I also felt for Anne and just how bowled over she was by the constant presence of both the Secret Service and the Press. Her family is wealthy and powerful, so she’s used to being in public and giving speeches and having people watch her. But the DC goldfish bowl still feels intimidating to her – understandably so.

While I understood her hesitation about throwing herself to the wolves of the Press, the part of the story that felt incomplete was the depth of her self-doubt. She initially turns down Zach’s proposal because she fears being lost in his shadow. But she doesn’t ever talk to him about the issue, nor does she ever explain what brought her to DC in the first place. While I felt for her dilemma, my feeling for her had way more to do with me projecting my feelings onto her than her actually articulating them.

Also, she doubts herself constantly and continually minimizes her own capabilities and her own accomplishments. While we all have self doubt (as women we generally have buckets of it) hers don’t seem founded. They’re not rooted in anything and they are of a depth that just begs for there to have been a root cause – which just isn’t there.

But those minor reservations aside, I still had a terrific time on my visit to the Matthews’ White House, peeking in on this lovely romance. I look forward to going back for more.

Review: The Silver Shoes by Jill G. Hall

Review: The Silver Shoes by Jill G. HallThe Silver Shoes: A Novel by Jill G. Hall
Format: ebook
Source: publisher
Formats available: paperback, ebook
Genres: historical fiction, women's fiction
Pages: 336
Published by She Writes Press on June 19th 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In her second novel, Jill G. Hall, author of The Black Velvet Coat, brings readers another dual tale of two dynamic women from two very different eras searching for fulfillment.

San Francisco artist Anne McFarland has been distracted by a cross-country romance with sexy Sergio and has veered from her creative path. While visiting him in New York, she buys a pair of rhinestone shoes in an antique shop that spark her imagination and lead her on a quest to learn more about the shoes’ original owner.

Almost ninety years earlier, Clair Deveraux, a sheltered 1929 New York debutante, tries to reside within the bounds of polite society and please her father. But when she meets Winnie, a carefree Macy’s shop girl, Clair is lured into the steamy side of Manhattan—a place filled with speakeasies, flappers, and the beat of “that devil music”—and her true desires explode wide open. Secrets and lies heap up until her father loses everything in the stock market crash and Clair becomes entangled in the burlesque world in an effort to save her family and herself.

Ultimately, both Anne and Clair—two very different women living in very different eras—attain true fulfillment . . . with some help from their silver shoes.

My Review:

I want to call this one a timeslip book, but it really isn’t. The only thing that exists in both 1929 and today are those titular silver shoes. But the action does alternate between those two eras, with Clair back in the age of Prohibition, flappers, speakeasies and the Great Depression, and Anne today.

Their lives should seem far apart. And they kind of are – but they mostly aren’t.

Besides the shoes, they are linked by two things. They are both constrained by the familial and societal expectations placed on them because they are women. And in the end, they both break free in order to pursue their own needs for self-fulfillment – and live their own dreams.

Neither story ends up being a romance. This is not a book about finding your happy ever after in the traditional romantic sense. As much of both of these women eventually manage to break tradition, it shouldn’t be. In the end, it’s about reaching deep and finding the courage to make your own happiness your own way, whether romantic love comes with it or not.

Escape Rating B-: It is really difficult to talk about this book without giving some of the game away, so the rating comes a bit early in this one.

I loved the way that the theme finally comes out, that both of these women find self-fulfillment through their art rather than love and marriage. Not that I don’t love a good romance, but I also don’t believe that every story with female central characters needs to be a romance. This one is better for not reaching that traditional ending.

On that other hand, a big part of both women’s stories is just how much they knuckle under to the pressures and expectations that constrain women’s lives.

Clair in 1929 is a poor little rich girl. Her businessman father tries to arrange her life so that she will be “taken care of” instead of asking her what she wants. She wants to go to Juilliard to study music, she’s been accepted, but he wants to marry her off. That he chooses badly is icing on a pretty ugly cake in that he never takes her own wants and needs into consideration and doesn’t see why he should until it is almost too late.

Clair takes her freedom at first in teeny, tiny and very secret doses, because she knows he won’t approve and can make her life miserable – as very nearly happens. In the end, it is only when his own pretty awful secrets are exposed AND when the true depth of wrongness of his choices for her is revealed that she is finally able to completely break free.

Reading about how completely circumscribed Clair’s life is may be accurate, but it doesn’t make for easy reading – particularly when it is held up to Anne’s life in comparison. Because Anne’s life doesn’t feel all that much better.

I know that objectively it is, but it didn’t feel that way. I just didn’t buy into her romance with Sergio. That’s possibly because by the time the story begins the romance is in the middle, but they didn’t work for me.

Instead it felt like she was caught up in the romance of a romance with a well-off sexy Italian who lived in New York. They didn’t seem to have enough in common, and she spent way too much time placating him or pretending to be different than she was in order to make things easier for him.

It also felt like she was giving in to pressure much more subtle than the pressure on Clair, but still present, to be involved with a man and get married (and give up her art) because she was 30 and it was time to stop being “foolish” or “childish” or “self-indulgent” or whatever. That she seemed to have no ability to manage her own finances just added to that picture as well as making it seem like she needed Sergio more than she loved him.

Both relationships fall into crises. In Clair’s case part of the crisis was very real and beyond everyone’s control – the Great Depression was called “Great” for a reason. Her father, though misguided, was attempting to do right by her by the lights of their time – admittedly badly.

I liked that she finally rescued herself, even if it took a bit too long and a bit too much melodrama. And Anne, in the end, finally figured out her best course – but in her case only after ignoring a whole bunch of signs that she was heading down the wrong path. And in Anne’s case, the only thing making her ignore that still small voice was herself.

Although I was glad she finally listened to it.

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Review: The City of Lost Fortunes by Bryan Camp

Review: The City of Lost Fortunes by Bryan CampThe City of Lost Fortunes (Crescent City #1) by Bryan Camp
Format: ebook
Source: publisher
Formats available: hardcover, paperback, ebook, audiobook
Genres: urban fantasy
Series: Crescent City #1
Pages: 367
Published by John Joseph Adams/Houghton Mifflin Harcourt on April 17, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The fate of New Orleans rests in the hands of a wayward grifter in this novel of gods, games, and monsters.

The post–Katrina New Orleans of The City of Lost Fortunes is a place haunted by its history and by the hurricane’s destruction, a place that is hoping to survive the rebuilding of its present long enough to ensure that it has a future. Street magician Jude Dubuisson is likewise burdened by his past and by the consequences of the storm, because he has a secret: the magical ability to find lost things, a gift passed down to him by the father he has never known—a father who just happens to be more than human.

Jude has been lying low since the storm, which caused so many things to be lost that it played havoc with his magic, and he is hiding from his own power, his divine former employer, and a debt owed to the Fortune god of New Orleans. But his six-year retirement ends abruptly when the Fortune god is murdered and Jude is drawn back into the world he tried so desperately to leave behind. A world full of magic, monsters, and miracles. A world where he must find out who is responsible for the Fortune god’s death, uncover the plot that threatens the city’s soul, and discover what his talent for lost things has always been trying to show him: what it means to be his father’s son.

My Review:

This is one of those “throw a bunch of books in a blender” things. In this particular case I’d be throwing American Gods, The Map of Moments, possibly some Nightside or Iron Druid or Eric Carter and any halfway decent guide to the Tarot, and I think I’d end up with something like The City of Lost Fortunes. As long as I included a tip of the hat to The Empire Strikes Back.

Not that it’s a bad blend by any means. Except for the necessity of the Tarot guidebook, I love all those stories. But that doesn’t mean that this one isn’t a bit derivative. But still eminently readable..

And I have a long running “thing” for books set in New Orleans. So there you go. Or here I am. Or there we are. All of the above.

This is a story about post-Katrina New Orleans, like The Map of Moments or Royal Street. And even though in this particular story Katrina is several years in the past, the breaking of the levees and the diaspora of its people is still a very present force in the city. Something was lost in the storm – something that still hasn’t come back. In spite of, or perhaps because of, all of the rebuilding.

Jude Dubuisson is the protagonist of this story. A hero he isn’t. Anti-hero is probably a lot closer to the mark – or at least that’s the role he grows into over the course of the story. At the beginning, Jude is mostly just a loser, scared of his own magic and trying to keep as low a profile as possible.

And it’s ironic that Jude begins as such a loser, because his gift, his magic, is his ability to find lost things. He can find the earrings you lost last week, the child who was kidnapped last month, or the soul that you signed away decades ago.

There’s someone on the supernatural side of New Orleans who needs Jude to find what the city has lost – before someone with less benign intentions finds that something and twists it to their own purposes.

Jude is supposed to play the game, and lose. He doesn’t even know what the rules are. By the time he figures out that the stakes are his soul, he’s already all the way in – and halfway back to the person he was meant to be.

The question is whether or not he has enough tricks up his sleeve to solve all the puzzles before the puzzles solve him. And just how much of a son of a Trickster he truly is.

Escape Rating B+: In the end, this story really got to me. Once Jude finally figures out what he really is and what he is meant to be, the final chapters are a wild ride that leads to a marvelously satisfying conclusion.

But the book still reminded me a bit too much of the stories that make up its gumbo flavor to stand up to an A grade – but it was close.

Although the feel of this book is that of a gritty urban fantasy, complete with snarky noir-ish detective, the ambience felt so much like American Gods, just writ on a slightly smaller scale – New Orleans instead of the entire American continent  But The City of Lost Fortunes is still a story of gods and monsters and hidden agendas and powerful beings that hide in plain sight and manipulate events to suit themselves.

There’s even a hidden Trickster pulling the strings behind the scenes, but unlike Low-Key Liesmith in American Gods, I recognized just who S. Mourning was from his first appearance.

Because this is New Orleans, in addition to the more usual pantheon of gods and monsters, the loa of Louisiana Voodoo play a big part of the story, both as guides to the perpetually perplexed (our “hero”) and as movers and shakers of events – even if some of their moving and shaking serves merely to upset other beings’ apple carts.

Jude Dubuisson is an interesting choice for a hero, or even an anti-hero. On the one hand, he certainly has a LOT of growing to do. He hasn’t been able to accept who and what he is, and has been kind of in hiding from himself since Katrina. I want to say he’s lost his mojo, but that really doesn’t cover it. It’s more like he deliberately threw his mojo away, and isn’t sure he ever wants it back. Once his choices are finally reduced to take it back and maybe get out of this mess in one piece or die AND lose his soul (these are not necessarily the same thing) he finally looks for what he himself has deliberately lost.

He also spends a significant part of the story lost in other meanings of the word lost. It is certainly a metaphor for his gift, but it is also the kind of lost that gives readers headaches. It’s not merely that he doesn’t know what he’s doing or why he’s doing it, but the reasons why it needs to be done or even what “it” is are obscured from both the protagonist and the reader.

In other words, Jude is confused for the longest time, and so are we. Following him as he grasps and gropes at what the problem is and whether or not he can find or trick his way into a solution is the story.

And in the end, it works. It really, really works. Sometimes a bowl of gumbo is exactly what you have a taste for – reading-wise or otherwise.

Review: The Seas of Distant Stars by Francesca G. Varela

Review: The Seas of Distant Stars by Francesca G. VarelaThe Seas of Distant Stars by Francesca G. Varela
Format: ebook
Source: publisher
Formats available: paperback, ebook
Genres: coming of age, science fiction, young adult
Pages: 240
Published by Owl House Books on August 7, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Agapanthus was kidnapped when she was only two years old, but she doesn’t remember it. In fact, she doesn’t remember her home planet at all. All she knows is Deeyae, the land of two suns; the land of great, red waters. Her foster-family cares for her, and at first that’s enough. But, as she grows older, Agapanthus is bothered by the differences between them. As an Exchanger, she’s frail and tall, not short and strong. And, even though she was raised Deeyan, she certainly isn’t treated like one. One day, an Exchanger boy completes the Deeyan rite-of-passage, and Agapanthus is inspired to try the same. But, when she teams up with him, her quest to become Deeyan transforms into her quest to find the truth―of who she is, and of which star she belongs to.

My Review:

What if all, or at least some, of the alien abduction stories that regularly show up in some of the more, lurid tabloids were really true?

That’s just a small part of the premise of The Seas of Distant Stars, which combines that alien abduction scenario with a coming of age narrative and a search for identity in some interesting ways.

Agapanthus (born Aria on Earth) doesn’t really remember her home. After all, she was only two years old when she was taken.

But this isn’t the usual kind of alien experimentation story either. Agapanthus is being raised on Deeyae, among an offshoot of the human race who seem to have been seeded on a heavy gravity world with two suns.

She’s the foster child of a typical Deeyae family, loves her foster parents, and wants to follow in their footsteps – but she knows she can’t. She’s an Exchanger. It is believed that the parents of Exchangers willingly give them up for an unpredictable number of years in order to reap the benefits that will accrue to their less well-developed world.

Of course it’s all a lie, but we see this story from Agapanthus’ perspective, and at age four, six, eight, even twelve she’s not aware of the contradictions inherent in the story. Even her foster parents seem to believe a good bit of it.

And Agapanthus does get experimented upon, but it seems to be fairly benign. Exchangers are used to test new drugs, new treatments and new procedures, but Agapanthus is never harmed by the process.

Of course, she’s also very lucky. She is far from the only Exchanger on Deeyae, and not all Exchangers are fortunate to be placed with foster-families that care for them.

But as Agapanthus nears adulthood, the contradictions that restrict her life chafe and scrape. She can never become fully adult on Deeyae, but she can’t leave unless the “Gods” allow her to. She is looked down upon by most people, considered weak and ugly and childish. She cannot have a career – she will always be dependent on someone else.

She can’t make her own choices, and she is all too aware that she will always be a second-class citizen. And yet, becoming an adult on Deeyae, in spite of her limitations and restrictions, is what she strives for.

When she succeeds against all the odds, it is all taken away from her. Or is it?

Escape Rating B: While The Seas of Distant Stars is unquestionably science fiction, with its point of view character so very young for much of the narrative, it also feels like more of a young adult book than an adult book.

The story revolves around Agapanthus’ and later Aria’s search for identity. On Deeyae she is an Exchanger, and can never be more than she is. But when she is returned to Earth, she is equally out of place. She remembers her childhood and adolescence on Deeyae, even though she is not supposed to. She has to learn all over again how to function in this society that she does not feel part of.

Her Earth family, with their lost member now returned to them, is just as broken as it was when she was gone, but in completely different ways. The road back is difficult for all of them, and when the story ends they are still on that road.

This is a slow-building, slow-burning kind of story, as we see both worlds entirely through Aria’s eyes. On Deeyae, we learn and understand as she does, following her through the years of her childhood. On Earth, her reintegration into her birth world is equally slow, and in some ways more painful, as she is now aware of what she left behind.

But in the end, she is finally able to choose where and how she belongs.

Review: Deborah Calling by Avraham Azrieli

Review: Deborah Calling by Avraham AzrieliDeborah Calling: A Novel Inspired by the Bible by Avraham Azrieli
Formats available: paperback, ebook
Pages: 432
Published by HarperLegend on January 2nd 2018
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The author of the bestselling Deborah Rising continues the fascinating story of the biblical prophetess Deborah in this entrancing work of visionary fiction—a tale of danger, mysticism, intrigue, and daring.

Deborah’s father dreamed that, one day, she would become a prophet—a seemingly impossible dream for a woman in a patriarchal society. To see this wish come true, Deborah made the cunning decision to become a man by seeking out a mysterious elixirist who could turn women into men.

Under the elixirist Kassite’s tutelage and training, Deborah learns the essential traits of masculinity and steadily grows stronger, building muscle and willpower. But Kassite requests something in return: he needs Deborah’s help to escape enslavement and return to his homeland. It is the beginning of another thrilling adventure through the desert—a cat-and-mouse chase between Deborah and her violent fiancé who still hunts her, a chance meeting with an ancient healer who has a prophetic message, and a revelatory spiritual experience in an abandoned cave.

As she continues on the path God has laid before her, Deborah witnesses the darkness that can take hold in the hearts and souls of men—evil that causes her to reflect on the wisdom, insight, and inspiration she has gained from the women in her life. Will becoming a man truly help her become a prophetess, or might there be another path? Visionary dreams, a mysterious eagle, and an extraordinary band of ex-slaves will help Deborah find the answer . . . and ultimately her calling.

A riveting adventure tale derived from traditional biblical fiction, Deborah Calling imagines the life of one of the most famous figures from the Old Testament as she continues on her path to becoming a prophetess.

My Review:

Deborah Calling picks up right where Deborah Rising left off. But for readers who haven’t read the stories back to back, or who don’t feel like reading Deborah Rising but want to jump into a book where the protagonist gets to be proactive instead of always reactive, Deborah Calling does an excellent job of bringing readers up to speed.

Deborah in the Bible was a Judge and a prophet. In this story, although she is still very young she is already having prophetic dreams. The clever way that the author brings readers up to date is for Deborah to have a remembering dream where she dreams the events of her life to the point where this story begins.

As this story begins, Deborah is well on her way to fulfilling her quest to become a man. She is one third of the way through the transformation process dictated by the Elixirist, a great potion maker from the neighboring kingdom of Moab. He is famous for turning 3,000 Moabite women into men in order to stave off an Egyptian invasion of his homeland. Or so the story goes.

Deborah wants to become a man because being a woman has brought her nothing but pain and injustice. As a woman, she cannot inherit her father’s land. She can’t testify in court against the man who killed her sister. She can’t even testify in court against the man who attempted to kill her. And as he is also her husband, as the man responsible for her only he can testify on her behalf. We can all guess how well that goes.

Murdering her isn’t even a crime, because she is female. Being a man may not be easy, but it has to be better than the treatment she’s received as a woman. And as only men can inherit, it is only by returning to her homeland as a man that she can take back the land that was stolen from her family.

As portrayed in this story, the land of Israel was hardly a “land of milk and honey”. Judges could be capricious and cruel, and for women especially, life could be very gruesome, as Deborah’s story reveals.

But the road to becoming a man is difficult. It has led her from being a chattel in the Judge’s household to being a slave in a tannery far away. But a slave who is disguised as a boy, the first part of her transformation.

She has two quests. One is to become a man, return to her homeland, and become the Judge and prophet that her father dreamed she would be. But to get there she has to fulfill a different quest first. To find and free two Moabite slaves from two different masters so that they can return to their own homeland before they die. One of those old slaves is the famous Elixirist who will provide the means for her transformation.

And they are both lying to her through whatever teeth they have left. Which does not stop Deborah from becoming, if not a man, at least from becoming the proactive, even-tempered, adventurous and logical person she was meant to be – male or female

Escape Rating B: The Deborah in Deborah Calling has considerably more agency than she did in Deborah Rising. In the first book, she was a person that things mostly happened TO, and then she reacted to what happened to her. Until something even worse happened, and then she reacted to that – if any reactions were open to her other than to take the whipping or whatever other terrible thing was about to be visited upon her. Not that she didn’t have an admittedly cockeyed plan, but most of the time, she was passive or defensive or on the run or all of the above.

The difference in Deborah Calling is that she becomes the lead actor in her own life. While bad things still continue to happen to her, she definitely spends more of the story acting before she is acted upon, and planning for future events (even bad ones) than she did in the previous book. She goes from being a follower, and sometimes a seemingly hapless one, to being a leader.

It may be obvious to the reader (it certainly was to this reader) that Sallan and Kassite are using Deborah for their own ends, not that fulfilling their purpose does not also help her. And it was equally obvious to this reader which of the two of them was actually the Elixirist. But it does make sense that Deborah herself could not figure it out – as Deborah Calling ends she is just barely 15, not nearly experienced enough to have the cynicism required to figure their particular charade out.

There is still a villain in this piece, throughout the story, Deborah is pursued by the thoroughly evil Seesya, who is also her husband. Again, this is one of the many reasons why Deborah wants to become male. As a woman, she had no right to refuse to marry Seesya – even though he had just had her sister stoned to death for a crime she did not commit.

But over the course of the two books, Seesya continues to read more like a bogeyman, like a caricature of evil or even an embodiment of an evil being than he does like a villainous but human man. His personality is so completely warped that there is nothing there but malice, and it makes him seem almost supernatural, certainly to Deborah but sometimes even to the reader. He has also survived so many near-death experiences that one does start to wonder.

Speaking of wondering, Deborah’s story is not over. As Deborah Calling ends she has decided to return to her homeland as she is, but the story of how she gets back and what happens to change her into the Judge and prophet that we know she becomes from the Bible, is in a book yet to be written.

As a reader who was expecting the story to conclude at the end of Deborah Calling, this was a disappointment. I hope that the next book, and the conclusion of Deborah’s story, comes soon! I still want to see Seesya get what’s coming to him.

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Review: Deborah Rising by Avraham Azrieli

Review: Deborah Rising by Avraham AzrieliDeborah Rising by Avraham Azrieli
Formats available: paperback, ebook
Pages: 224
Published by HarperLegend on November 29th 2016
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In the tradition of The Red Tent, The Fifth Mountain, and The Mists of Avalon comes this absorbing historical novel that reimagines the life of one of the Bible's most revered women, the prophetess Deborah, and her epic journey to fulfill her destiny.

Deborah's father dreamed that his daughter would one day become a prophet of the God of the Israelites. But the social and religious mores of her time dictated that a woman must marry—even against her will—and obey her husband. When Deborah is forced into an engagement with the violent son of her local judge, the young Hebrew woman rebels, determined to forge a new path.

Captivated by the notion of transforming herself into a man to escape the arranged marriage and fulfill her father's dream, Deborah embarks upon an epic journey across the desert to find a mysterious elixirist rumored to be blessed with the gift of turning women into men. It is a journey that proves increasingly perilous—filled with wild beasts, lustful men, unscrupulous priests, and warring tribesmen. Yet Deborah discovers that she is not alone; an unlikely coterie of lepers, slaves, Moabite traders, and even a dead tiger come to her aid and defense along the way.

Part traditional biblical fiction, part adventure, Deborah Rising is a captivating tale about the early life of one of the most famous figures from the Old Testament—a woman of courage and spirit whose battle to overcome discrimination, sexism, and paternalism speaks to women's lives today.

My Review:

The story in Deborah Rising is the very (possibly very, very) fictionalized account of the early life of the Biblical Prophet Deborah. Deborah was the only female judge mentioned in the Bible, and one of very few female prophets.

Based on this story, one also gets the feeling that Deborah lives up to a saying from The Notebooks of Lazarus Long, the one that goes, “A fake fortune teller can be tolerated. But an authentic soothsayer should be shot on sight. Cassandra did not get half the kicking around she deserved.” In this story of her early life, Deborah certainly suffers from all the kicking around that Long would have wished – and she hasn’t even started to prophesy yet.

Then again, when the story ends she’s only 14. She has time yet. And another whole book (Deborah Calling) in which to start speaking truth to power. And speaking with the power of truth.

But for the course of this book, she is also an unfortunate example of “when bad things happen to good people” and just how those good people react. Not that Deborah’s life wasn’t good for most of her childhood, because it was. But a year before the opening of the story, disaster struck.

Her parents were murdered, supposedly by raiders from another tribe. She and her sister were taken in by the local Judge (read ruler) of their town. Not out of the goodness of his heart, because I don’t think he has any. Rather, because the land their parents owned included a cistern – not merely a well but an underground protected water source. Water is worth more than gold in the dry land of Canaan.

Deborah and Tamar have no brothers. They each inherit a half share in the land, but can’t really inherit it. Their half-shares pass to their husbands when they marry. The Judge has a 20 year old son, and the Judge expects that he will obtain the land by marrying first one sister, then the other – whether they want to marry him or not.

The Judge’s son, Seesya, will let absolutely nothing stand in his way. Not poor Tamar, not Deborah, not the law and not the commandments. He takes what he wants, when he wants and how he wants, with as much cruelty as he desires. And he seems to desire endless amounts of it.

All Deborah wants is to escape. She will do anything to escape. Even, if she can, become a man.

Escape Rating B: In the end, this turned out to be a wow! I felt compelled to keep reading, and could not stop until the end.

But as much as I was riveted to the pages, there were some things that bothered me, often quite a lot.

The comparison is being made between Deborah Rising and The Red Tent. I read The Red Tent many years ago, and enjoyed it, but I do not remember it being quite this grim. Every circumstance is against Deborah all the time. The circumstance that she is female means that she has no power of any kind, and is only supposed to endure every terrible thing that happens to her. While that may have been true, we see nothing but terrible things happen to her. At times it makes for hard reading.

The story of Deborah the Judge may end in triumph, but we do not see any of that here, only one catastrophe after another. For every step forward she makes, she seems to take three steps back, and all of those steps over a bed of nails.

Part of what motivates Deborah in her quest is the Judge’s son Seesya. He makes perversely good motivation, because he seems to be evil for evil’s sake. To survive, Deborah must evade him at every turn, because if he catches up to her she will die.

That Seesya and his father want the land makes sense. That cistern represents untold wealth in the right hands – hands like the Judge’s, that will exploit the precious resource in every possible way.

But Seesya’s pursuit of Deborah isn’t just about the land. It’s personal. He hated her sister, he hates her, and he wants to kill every single person with whom she has contact. As a character, he is so sick and twisted that we can only see the twistedness – we don’t understand why. He’d be scarier if we knew what was motivating him.

One of the interesting twists in the story is Deborah’s quest to become a man. It is not about gender identity as we understand it today. Instead, it is a response to her circumstances. If she had been born male, she could have inherited the land from her parents and protected her sister from marriage to Seesya. She could learn to read and write. She could become the prophet that her parents hoped that she would become. Life as a man, in her time and place, would give her at least power over her own body and her own life. She could testify in court, and she has plenty to say. She could fight back.

Her desire to become male makes sense under her circumstances. However, it feels as if every single person involved in her quest is lying to her in some way, quite possibly for what they believe is her own good, but lying nonetheless. And she is too naive to realize it, or at least to realize it yet.

The story in Deborah Rising does not feel complete – only because it isn’t. As this book ends, Deborah’s quest has just barely begun, and there is no certainty within the story that she will succeed. Also, it doesn’t really feel like it ended at a natural point in the story, which continues in Deborah Calling.

I’m looking forward to seeing the rest of how the author fleshed out this Biblical story. And I want to see Seesya get his just desserts. Or even just see him dead in the desert.

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Review: Amid the Winter Snow by Grace Draven, Thea Harrison, Elizabeth Hunter, Jeffe Kennedy

Review: Amid the Winter Snow by Grace Draven, Thea Harrison, Elizabeth Hunter, Jeffe KennedyAmid the Winter Snow by Grace Draven, Thea Harrison, Jeffe Kennedy, Elizabeth Hunter
Formats available: ebook
Series: Twelve Kingdoms, Elder Races
Pages: 454
Published by Brightlynx Publishing on December 12th 2017
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As the snows fall and hearths burn, four stories of Midwinter beginnings prove that love can fight its way through the chillest night...

THE DARKEST MIDNIGHT, by Grace DravenThe mark Jahna Ulfrida was born with has made her a target of the cruel and idle all her life. During the long, crowded festivities of Deyalda, there’s nowhere to escape. Until a handsome stranger promises to teach her to save herself…

THE CHOSEN, by Thea HarrisonIn her visions, Lily sees two men fighting for her tiny country’s allegiance: the wolf and the tiger, each deadly, each cunning. One will bring Ys chaos and death, one a gentler path—but she’s destined to love whichever she chooses. The midwinter Masque is upon them, and the wolf is at her door…

THE STORM, by Elizabeth HunterWhen her soul mate died in a massacre of the half-angelic Irin people, Renata thought she’d never feel happiness again. She’s retreated to the snowy Dolomites to remember her hurts—until determined, irrepressible Maxim arrives to insist on joy, too. And before she can throw him out, they discover a secret the Irin have to know…

THE SNOWS OF WINDROVEN, by Jeffe KennedyAs a blizzard threatens their mountain keep, the new Queen Amelia of the Twelve Kingdoms and her unofficial consort Ash face their own storm. Ash knows a scarred, jumpy ex-convict isn’t the companion his queen needs. But when a surprise attack confines them together in their isolated sanctuary, the feast of midwinter might tempt even Ash into childlike hope…

My Review:

Be sure to wrap up warmly before you start this one. And have a cozy blanket and a hot cup of tea or cocoa – along with a cat or dog to keep your feet warm. All of these stories do an excellent of job of making the reader really feel Jack Frost nipping at their nose – and everywhere else!

I came to visit the Twelve Kingdoms, and ended up making the whirlwind fantasy romance tour. And I’m glad that I did – even if my toes are still frostbitten.

The Snows of Windroven by Jeffe Kennedy

I read The Snows of Windroven first. While I have enjoyed all of the Twelve Kingdoms books, I’ll admit that Amelia, the heroine of The Tears of the Rose, was my least favorite heroine of the entire series. She begins that story as a spoiled brat. It’s only when everything and everyone who has spoiled her is taken away that finally grows into the woman she was meant to be.

And that woman is the heroine of The Snows of Windroven, not that we don’t occasionally see flashes of the spoiled princess that Ami used to be. But this time, she’s mostly right.

None of the daughters of High King Uorsin have ended up in traditional-seeming relationships. Andi is now the Queen of the Tala, but her husband had to kidnap her in order to get her on her throne. He’s not king, only Prince Consort. Even then, their relationship is more traditional than that of the new High Queen Ursula, who cannot marry her consort due to political tensions in his home country. But she will not marry another.

Ami’s fairy tale husband died in The Tears of the Rose. Her paramour is Ash, a Tala half-breed ex-convict with just a touch of healing magic. While Ash is the person who helped Ami grow into who she was meant to be, using a whole lot of very necessary tough love, he’s also certain that she will outgrow him. That he’s not good enough for her, and that she will eventually bow down to the pressure that surrounds her to marry someone of the nobility, someone who can be king to her queen.

So a lot of The Snows of Windroven is about Ash sticking his head in his ass and refusing to take it out. He loves Ami, she loves him, her children love him, but he is determined to set her free. And she is equally determined to keep him. But Ami has a goddess on her side, and poor Ash doesn’t stand a chance. Not that he really wants one.

Escape Rating B+: I have to admit that I still don’t like Ami all THAT much. She has definitely grown up, but there’s still an element of “I’m queen so I can change the rules to get what I want” in her. I’ll also confess that the “I’m too good for her so I have to give her up” trope is not one of my favorites, because it always comes with a heaping helping of misunderstandammit.

That being said, the strength of this story is that it is written entirely from the perspective of the normally taciturn Ash. Being inside his head, seeing his reactions to Ami from his perspective, was marvelous. I liked his “voice” and would be interested in seeing more of their adventures from his point of view – especially now that he’s managed to mostly extract his head from his fundament.

The Darkest Midnight by Grace Draven

Every time I pick up one of Grace Draven’s novellas (For Crown and Kingdom and Teeth Long and Sharp) I’m reminded again that I really need to grab a round tuit and read Master of Crows. Based on her short work, that one must be awesome.

I will say that I very much enjoyed her entry in this volume, titled The Darkest Midnight. But as I read it, I found the story a bit too familiar, to the point where it was driving me a bit batty. The central theme of The Darkest Midnight is quite similar to the central point in the recent (and terrific) historical romance Someone to Wed by Mary Balogh, to the point where they blend together a bit.

As I loved them both, that’s not really such a terrible problem to have!

Escape Rating B+

The Storm by Elizabeth Hunter

If I’ve read other work by Elizabeth Hunter, I don’t remember doing so. And after reading The Storm, I’m not sure that I’ll seek her out. This was the weakest story in the collection for me. I think it has to do with the whole “fallen angels” thing. I’ve read several different stories that use the whole “Grigori are half-breed fallen angels” premise, and it just doesn’t work for me. I actually liked the romance between Maxim and Renata, but the background just didn’t do it for me.

Escape Rating C+

The Chosen by Thea Harrison

And finally, last but definitely not least, The Chosen by Thea Harrison. I have not read Harrison’s Elder Races series, but now that I’ve dipped my toe into this series, I can’t wait to go back and start from the very beginning. This novella is a kind of historical fantasy romance. By that I mean that the setting feels a bit historical, but that it is definitely fantasy. It’s a kind of story I’ve read before, but in this case it’s done particularly well. The seeress Lily knows that she will be forced to chose between two alliances for her country, represented by two men who visit her in her prophetic (and sexy!) dreams. Her tiny country, no matter how much magic it contains, is no match for either of the two predators who are bearing down on her. She knows that one alliance leads to not merely survival but actually increased prosperity, and the other leads to ruin and death. But she has little to judge between them, until one of the predators arrives at her doorstep.

It is only then that she has enough information with which to make a choice. She can pick the distant kingdom, and the man who goes with it, who sends polite and thoughtful missives but she has never met, or the wolf at her door, a man who brings his army, his gifts, and most of all, his overwhelming self. Lily is caught between terrible choices, and is not certain whether the wishes of her own heart represent the best decision for her people, or the worst.

Escape Rating A-: This one is just too short. I wanted more of the this world, more of the conflict that sets this story in motion, more of Lily’s life as the Chosen of Camael, and more of the developing relationship between Lily and Wulf. I loved that they are both the reluctant leaders of their people, and that Wulf is willing to help LIly understand how hard that kind of position is without ever attempting to take it from her. They have a terrific “court and spark” romance that just sizzles on the page. This is a series that i can’t wait to go back to.

One of the reviewers on Goodreads said that she came for the Elder Races and got sucked into the rest. I came for the Twelve Kingdoms and got sucked into the Elder Races. This a series to be added to the towering TBR pile and binged on as soon as manageable. One of the marvelous features of collections like this one is that readers get introduced to writers and series that they have not heard of, or in my case with the Elder Races, skipped because by the time I heard about it the series was already several books in. I’m happy for this introduction, even if I can hear the towering TBR pile groaning in the background.

Review: Big Sky, Loyal Heart by M. L. Buchman

Review: Big Sky, Loyal Heart by M. L. BuchmanBig Sky, Loyal Heart (Henderson's Ranch, #5) Format: eARC
Formats available: paperback, ebook
Series: Henderson's Ranch #5
Pages: 256
Published by Buchman Bookworks on November 30th 2017
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

-a Henderson Ranch Big Sky romance-

Major Emily Beale struggles to excel in her new role as both mother and wife.

Colonel Michael Gibson’s career reaches a crisis, not that he’s talking about it.

Trainee military war dog Rip naps—he was named for Rip van Winkle, after all—while awaiting inspiration.

Film student turned cowboy Patrick Gallagher just keeps riding through life...until the woman of his dreams threatens to ride off into the sunset without him.

Recently retired war dog handler for Delta Force, Lauren Foster sets herself a simple mission: forget about the Army, get back to New York City, and try to be a civilian.

But first, Lauren must escape Montana before she gets caught by the Big Sky and a loyal heart.

My Review:

Big Sky, Loyal Heart may be the fifth book in the author’s Henderson’s Ranch series, but it calls all the way back to the first book of this author’s that I ever read, The Night is Mine, all the way back in 2012.

Not that one has to have read the entire oeuvre, or even all of the Henderson’s Ranch series to really fall in love with this one, but a little background might help.

As the long, overarching story stands in 2017, Mark Henderson and Emily Beale, the hero and heroine of the military suspense romance The Night is Mine, have moved on, not merely to the second chapter in their lives, but actually the third. In their second chapter, they flew firefighting hotshot crews to wherever the fires were hottest (and conducted a few secret quasi-military operations on the side) in the Firehawks series.

After that chapter, they have moved back to Mark’s family ranch in Montana, where they provide cabins, horses, and guides for guests, as well as jobs for some of their fellow special operations veterans.

Big Sky, Loyal Heart is all about one of those veterans, and the cowboy she falls for. Right after he falls into a mud puddle.

Lauren Foster has mustered out of Delta after 15 years. She left with a dog-sized hole in her heart that she doesn’t know if she can ever fill, a humvee-sized load of guilt and whole lot of confusion.

Jupiter was killed by enemy action. But it was action that he should never have been in. The order was wrong. Lauren knew it. Even the dog knew it. But Lauren followed orders, and Jupiter followed orders and now he’s dead. And Lauren has had enough.

But as she stands on the tarmac at Ft. Bragg with no clear direction for her return to civilian status, Colonel Michael Gibson swoops her up and tells her to follow him. He was her commanding officer in Delta, so she follows in his wake, all the way to Montana and Henderson’s Ranch.

She has no idea why she’s there. She has no idea why Gibson is there. And less than no idea why he brought her with him.

Lauren Foster expects to go home to New York City and surf her brother’s couch until she figures out what her civilian life is supposed to be.

It turns out that she’s already found it. She just doesn’t know it yet.

Escape Rating A-: This is just a terrific romance. I loved every minute of it, as I have pretty much everything I’ve ever read by this author, starting with The Night is Mine all those years ago.

This story rides on the backs of its two leads, Lauren Foster and her film student turned cowboy, Patrick Gallagher. While they both hail from New York City, they have found their respective ways to Montana by completely different roads.

Lauren is fascinating because she is one of this author’s trademark military women. She’s tough and strong and has spent years not showing weakness, trying to make everyone around her lose as much sight as possible of the fact that she’s female. She’s had to be “one of the boys” to earn the respect she’s needed to do her job, and it’s never been easy.

And yet she’s never a caricature or the stock character of the”strong heroine” that so often appears these days. She has her weaknesses and her flaws, she’s just used to hiding them. And she’s properly confused about why she’s at the Ranch and what she’s supposed to do with her suddenly open future.

Patrick is, in many ways, her opposite. He’s certainly her perfect foil. Where Lauren has been forced to tamp down all of her emotions, Patrick is charming and wears his heart on his sleeve for all to see. He also has a strong whimsical side. His background in film makes him see life, even his own life, as a movie, and he’s usually been cast as the comic sidekick in his own life. When Lauren drops into Montana, the ranch, and his heart, he has the chance to play the romantic hero, if he can just find a way to make the role fit for him.

Part of what makes this story, and so many of this author’s romances, work so well is that while Patrick is not anything like a ‘beta-hero’ he recognizes that Lauren is going to be the ‘alpha’ in their relationship – and he’s fine with that. There aren’t nearly enough heroines like Lauren, nor are there nearly enough heroes like Patrick. A romance where a strong woman finds a man who loves and respects her exactly as she is always appeals to this reader.

Although I have not read any of the previous books in the Henderson’s Ranch series, I have read most of the Night Stalkers and Firehawks books that came before it. It is marvelous to continue following Mark and Emily through their lives as they transition (more or less) from being elite soldiers to a still very active, but different, civilian life. And it was interesting to see Colonel Gibson, a background character throughout the Night Stalkers series and the hero of Bring on the Dusk, start changing directions in his life.

It’s always good to visit old friends.

Even if you haven’t dipped into the previous series (but do, they are all awesome) Big Sky, Loyal Heart is a lovely contemporary romance all on its own, and is complete in itself. But it will give you a yen to read the backgrounds of the marvelous crew that you will meet within its pages.

For those of us who have followed Mark and Emily through multiple series, there’s a hint at the end of Big Sky, Loyal Heart that their saga not only continues but moves into a new phase. I can hardly wait!