Review: Murder at the Flamingo by Rachel McMillan

Review: Murder at the Flamingo by Rachel McMillanMurder at the Flamingo (A Van Buren and DeLuca Mystery #1) by Rachel McMillan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, large print, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Van Buren and DeLuca #1
Pages: 352
Published by Thomas Nelson on July 10, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

“Maybe it was time to land straight in the middle of the adventure…”

Hamish DeLuca has spent most of his life trying to hide the anxiety that appears at the most inopportune times -- including during his first real court case as a new lawyer. Determined to rise above his father’s expectations, Hamish runs away to Boston where his cousin, Luca Valari, is opening a fashionable nightclub in Scollay Square. When he meets his cousin's “right hand man” Reggie, Hamish wonders if his dreams for a more normal life might be at hand.

Regina “Reggie” Van Buren, heir to a New Haven fortune, has fled fine china, small talk, and the man her parents expect her to marry. Determined to make a life as the self-sufficient city girl she’s seen in her favorite Jean Arthur and Katharine Hepburn pictures, Reggie runs away to Boston, where she finds an easy secretarial job with the suave Luca Valari. But as she and Hamish work together in Luca’s glittering world, they discover a darker side to the smashing Flamingo night club.

When a corpse is discovered at the Flamingo, Reggie and Hamish quickly learn there is a vast chasm between the haves and the have-nots in 1937 Boston—and that there’s an underworld that feeds on them both. As Hamish is forced to choose between his conscience and loyalty to his beloved cousin, the unlikely sleuthing duo work to expose a murder before the darkness destroys everything they’ve worked to build.

My Review:

This historical mystery begins when two 20-somethings run away from home. Separate homes.

Hamish DeLuca runs away from his home in Toronto, Regina Van Buren runs away from her home in New Haven Connecticut. They both end up in Boston in the midst of the Depression, and they both end up working for, or with, Luca Valari as he performs all the wheeling and dealing necessary to open his high-class nightclub, The Flamingo.

Hamish intended to end up with Luca. Luca is his cousin, his favorite cousin. And the only person who ever seems to have treated Hamish as normal and not as “poor Hamish” afflicted with a nervous disorder. Hamish has severe panic and anxiety attacks. His most recent, or most embarrassing, occured in the middle of a courtroom as he attempted to defend his first client. In the aftermath, he discovered that even the job he thought he’d earned had been given to him as a favor to his father.

Hamish ran off to Luca.

Reggie ran away from her upper crust family and her upper crust boyfriend when said boyfriend decided to announce, in the middle of a huge family party, that he and Reggie were engaged. They weren’t. He hadn’t even asked. The force of the slap she administered could be heard echoing all the way to Boston. Or so it seemed.

She packed a bag and ran away, intending to make a life for herself away from her family’s privilege, money and restrictions. Luca hired her to answer his phone and stave off his creditors, not necessarily in that order, and to provide a touch of class to his new establishment.

Reggie and Hamish find themselves, and each other, working with Luca. But the trail of slimy double-dealings has followed Luca from Chicago to Boston – and it catches up with them all.

Escape Rating B: This is the first book in an intended series. Book 2, Murder in the City of Liberty, scheduled for publication next spring. As such, it has to carry the weight of all the worldbuilding for the series, and it’s a lot of weight.

The characters of both Hamish and Reggie are interesting, and Reggie in her exploration of Boston’s working class precincts is a lot of fun, but they cut themselves off from their backgrounds, leaving a lot about where they respectively began more than a bit murky.

But not nearly as murky as the character of Luca Valari, around whom so much of the story resolves. Luca seems to be absolutely dripping in charisma, and Hamish certainly hero-worships him. Reggie is grateful for a job opportunity that does not involve being groped and ogled, and is caught up in his spell to some extent, but not in a romantic sense. Still, she’s aware that Luca has something that makes people want to please him.

However, while it is obvious fairly early on that Luca is up to his eyeballs in something at least slightly dirty, neither Hamish nor Reggie are savvy enough to figure out exactly what, or how much, until it is far too late. Unfortunately for the reader, Luca is so good at keeping his secrets that even after all is supposedly revealed, it still feels like some things remain lost in that murk.

This is also a very slow building story. The titular murder does not occur until the mid-point of the story, and it is only then that things begin to move into a higher gear. While the introduction to the characters and their situation is interesting, it takes rather long to get to the meat of the story.

Murder at the Flamingo, as hinted at by its art deco inspired covers, takes place in the late 1930s, post-Prohibition, pre-World War II and in the depths of the Great Depression. This isn’t a period that has been seen a lot previously in historical mystery, so readers may not be as familiar with this setting as, for example, the “Roaring 20s” or the WWII time frame. More grounding in the setting might have been helpful.

If this time period interests you, another historical mystery series set in the 1930s, the Jake and Laura series by Michael Murphy, is worth taking a look at. The first book is The Yankee Club, and it comes at the period from a different perspective as both Jake and Laura, while doing well by the time the story begins, both had a much more hardscrabble upbringing than either Hamish or Reggie.

I liked Hamish and Reggie more than well enough to stick around for their next adventure. I want to see if Quasimodo manages to figure out that he really is Superman, and gets the girl after all.

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Review: Lowcountry Bookshop by Susan M. Boyer

Review: Lowcountry Bookshop by Susan M. BoyerLowcountry Bookshop (Liz Talbot Mystery #7) by Susan M. Boyer
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: Liz Talbot #7
Pages: 270
Published by Henery Press on May 29, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Lowcountry PI Liz Talbot returns to the streets of Charleston in the seventh installment of Susan M. Boyer’s USA TODAY bestselling mystery series.

Between an epic downpour and a King Tide, those historic streets are flooded—and dangerous. A late night tragic accident along the Lower Battery leads Liz Talbot straight to her next case.

Who’s the client? Well, now, therein lies the first puzzle. When the police arrive at the scene of the accident, Poppy Oliver claims she’s only trying to help.

But the dent on the front of her Subaru and the victim’s injuries provoke a certain Charleston police detective’s suspicious nature. A wealthy, anonymous benefactor hires Liz and her partner Nate Andrews to prove Poppy Oliver’s innocence.

What exactly was Poppy Oliver up to? Is she a random good Samaritan who happens upon the accident scene? Or perhaps this tragedy wasn’t an accident. She just might be his abused wife’s accomplice.

Why does everyone involved in this case have a sudden burning urge for reading material, leading them to the same charming bookshop along the waterfront?

From a risqué, exclusive club in an old plantation to an upscale resale shop in the historic King Street shopping district to a downtown graveyard crawling with ghosts, Liz tracks a group of women who band together to help victims of domestic violence.

In her most challenging case yet, Liz fears she may find a killer, but justice may prove elusive.

- - - - - - - - - - - - -

LOWCOUNTRY BOOKSHOP by Susan M. Boyer | A Henery Press Mystery. If you like one, you’ll probably like them all.

My Review:

This a story about the road to hell being paved with good intentions. A whole bunch of roads and a whole lot of hells. And plenty of good intentions that go into so many wrong directions.

Phillip Drayton is dead, to begin with. Someone ran him over during a pounding rainstorm just around a blind curve near his house.

It looks like a hit and run, at least at first. But a woman was found standing over the body, her car with a dented fender just in the right place to have been the cause of death. Poor Poppy Oliver says she was just being a good Samaritan, but Detective Sonny Ravenal is absolutely certain that she did it and just doesn’t want to admit it.

But there are at least two people on Poppy’s side. A mysterious benefactor who is paying for the best lawyer in town, who has in turn just hired Liz and Nate to investigate, and Liz Talbot’s guardian spirit Colleen. The lawyer is doing his job, as much as he enjoys riling up Liz in the process.

Colleen, on the other hand, can read Poppy’s mind – and Colleen knows she’s innocent. Which doesn’t tell her a damn thing about who might be guilty.

Then the evidence starts piling up, and the case goes from relatively straightforward to absolutely insane, right along with the shenanigans at Liz’ parents’ house – not that anything is all that far out of what passes for normal on that front.

It looks like Drayton’s wife was being abused, and that makes the victim seem a whole lot less sympathetic. On the other hand, not all of his injuries are consistent with a hit and run, or even a hit and not run. Cars don’t generally taser their victims before they run them over.

But the group of women who assist abused women in getting away from their abusers sometimes do. And seem to all be frequenting not just the same local bookstore but browsing the same display and actually buying multiple copies of the same book.

They might not be connected to the case. But they might.

The more Liz investigates, the weirder things get. Which isn’t actually atypical for any of her cases. The evidence is contradictory, and nothing quite seems to add up.

Until it suddenly does, and the real villain tries to subtract Liz, once and for all.

Escape Rating B: I picked this book for this week because I wanted some light, absorbing fiction to read during some recovery time, and I knew this series would take care of that admirably. And it certainly did.

There are lots of red herrings in this case, sending Liz on lots of wild goose chases. One of the terrific things about the way this particular case works is that pretty much everyone, with the exception of the villain and for once Liz’ cop friend Sonny, seem to be bent on doing the right thing. And while they all are to some extent, they also aren’t.

One of the things that was slightly off was Sonny’s attitude to Poppy. He was much too dogged in pursuing the expedient possibility instead of looking for the real one. He’s usually a better detective than that and it didn’t quite ring true.

A significant part of the story, both in the sense of a group obfuscating the issue to further their own agenda and in the sense that they were determinedly doing the right thing even if some of their methods were underhanded, was the group of women rescuing abused women. Not only did they mean well but they generally did well. And their inclusion in this story did a good job of shining a bit more light on a terrible problem that happens everywhere, even in tiny towns like Stella Maris.

The problem they introduce in the story is that their need for secrecy comes into direct conflict with Liz and Nate’s need to investigate the case. They are also part of what makes the resolution so convoluted. No one really wants to expose the details of their operation, but at the same time no one wants an innocent woman to be tried for a crime she did not commit.

As fascinating as the case itself turned out to be, the villain came a bit out of left field. I can’t say that at least some of the clues weren’t there, but either he did a really, really good job of misdirection or he didn’t appear enough until the very end.

And as much as I love this series, a very little of Liz’ family (other than her husband and partner Nate) goes a very, very long way. Your mileage may vary.

Review: Kill the Farm Boy by Kevin Hearne and Delilah S Dawson

Review: Kill the Farm Boy by Kevin Hearne and Delilah S DawsonKill the Farm Boy (The Tales of Pell, #1) by Delilah S. Dawson, Kevin Hearne
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: fairy tales, fantasy
Series: Tales of Pell #1
Pages: 384
Published by Del Rey Books on July 17, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In an irreverent new series in the tradition of Terry Pratchett novels and The Princess Bride, the New York Times bestselling authors of the Iron Druid Chronicles and Star Wars: Phasma reinvent fantasy, fairy tales, and floridly written feast scenes.

Once upon a time, in a faraway kingdom, a hero, the Chosen One, was born . . . and so begins every fairy tale ever told.

This is not that fairy tale.

There is a Chosen One, but he is unlike any One who has ever been Chosened.

And there is a faraway kingdom, but you have never been to a magical world quite like the land of Pell.

There, a plucky farm boy will find more than he's bargained for on his quest to awaken the sleeping princess in her cursed tower. First there's the Dark Lord who wishes for the boy's untimely death . . . and also very fine cheese. Then there's a bard without a song in her heart but with a very adorable and fuzzy tail, an assassin who fears not the night but is terrified of chickens, and a mighty fighter more frightened of her sword than of her chain-mail bikini. This journey will lead to sinister umlauts, a trash-talking goat, the Dread Necromancer Steve, and a strange and wondrous journey to the most peculiar "happily ever after" that ever once-upon-a-timed.

My Review:

If Robert Asprin’s Myth-Adventures series had a love child with Piers Anthony’s Xanth series, and then if that love child had a child with Monty Python – or possibly a love child with each individual member of Monty Python, all midwifed by The Princess Bride, you might get something like Kill the Farm Boy.

Or you’d get a cheese sandwich. Or possibly both.

On the one hand, the description of this book can easily be read as a fairly typical epic fantasy. A group of adventurers, including a ”chosen one” set out from obscurity to undertake a quest.

But this particular fantasy is fractured from beginning to end. Like so many fantasies, the adventuring party consists of a wizard or two, a rogue, a warrior, a bard and a trusty steed. The opening salvo in the quest is to rescue a fairy tale princess from a sleeping castle. In a twisted cross between Sleeping Beauty and Beauty and the Beast.

That beast is a rabbit. Or at least sort of a rabbit. And sort of a girl. The rogue is a klutz, and a not very bright klutz at that. Of the two wizards, neither is exactly the leader of the Light. One fancies himself a budding Dark Lord, and the other is as grey as grey can get – except for her hair, because the natural color of that has been hiding behind magic for decades at the very least.

The dangers they face are life threatening and never ending. But there’s no farm boy in sight. Oh, there was a farm boy all right, but he gets chosen for death relatively early in the story. The real “Chosen One” is the trusty steed, but he’s neither trusty nor exactly a steed. And he likes to eat boots.

If the tongue was any further in the cheek, it would poke out the other side.

Escape Rating C+:Some of the reviewers make the comparison between Kill the Farm Boy and the Discworld. If that comparison holds at all, it’s only between Kill the Farm Boy and the first two Discworld titles, The Color of Magic and The Light Fantastic, where Sir Terry was merely skewering the genre and not exactly plotting a story. And where he clearly had no clue yet that he was at the beginning of something that needed a real plot, sympathetic characters and at least a bit of internal consistency to wrap around that skewer.

While I love the work of both of this book’s authors, Delilah Dawson for the Blud series and Kevin Hearne for the Iron Druid Chronicles, this collaboration does not live up to either of their previous work, nor to any of the many antecedents I mentioned at the beginning of this review.

And that’s a real pity, because Kill the Farm Boy had so much promise. And it does have its funny moments. But in the end it doesn’t deliver – even though it’s obvious that the co-authors had tons of fun in the process of writing this.

The snark is too thick and the plot is too thin. It reminds me of the lesson that Mike the computer learns in Robert A. Heinlein’s marvelous The Moon is a Harsh Mistress. Mike is trying to teach himself humor, and his human friend introduces him to the difference between “funny once” and “funny always”. Kill the Farm Boy attempts to be “funny always” by keeping up a nonstop torrent of snark and in-jokes.

And those are almost always “funny once”.

But we’ll be back in Pell for No Country for Old Gnomes. It took Sir Terry until at least Mort (Discworld #4) for that series to really get its legs under it. Maybe The Tales of Pell will manage to get there a little sooner. We’ll see.

Review: When We Found Home by Susan Mallery + Giveaway

Review: When We Found Home by Susan Mallery + GiveawayWhen We Found Home by Susan Mallery
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, ebook, audiobook
Genres: contemporary romance, women's fiction
Pages: 432
Published by Hqn on July 10, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Life is meant to be savored, but that's not easy with no family, limited prospects and a past you'd rather not talk about. Still, Callie Smith doesn't know how to feel when she discovers she has a brother and a sister--Malcolm, who grew up with affection, wealth and privilege, and Keira, a streetwise twelve-year-old.

Callie doesn't love being alone, but at least it's safe. Despite her trepidation, she moves into the grand family home with her siblings and grandfather on the shores of Lake Washington, hoping just maybe this will be the start of a whole new life.

But starting over can be messy. Callie and Keira fit in with each other, but not with their posh new lifestyle, leaving Malcolm feeling like the odd man out in his own home. He was clever enough to turn a sleepy Seattle mail-order food catalog into an online gourmet powerhouse, yet he can't figure out how to help his new sisters feel secure. Becoming a family will take patience, humor, a little bit of wine and a whole lot of love.

But love isn't Malcolm's strong suit... until a beautiful barista teaches him that an open heart, like the family table, can always make room for more.

In this emotional, funny and heartfelt story, Susan Mallery masterfully explores the definition of a modern family--blended by surprise, not by choice--and how those complicated relationships can add unexpected richness to life.

My Review:

When We Found Home is an absolutely lovely story. In the same way that this author’s Daughters of the Bride was also a very lovely story. The two are not connected, but if you liked the one you’ll like the other and vice-versa.

When We Found Home is a story about family. The family in this book is a bit unusual, as they discover that they are family rather late into each of their lives.

To put it bluntly, the late Jerry Carlesso was a man-whore. He clearly could not keep it in his pants under any circumstances whatsoever. The only saving grace to the man was that he never married, so at least he wasn’t cheating on a wife while he traveled the country and left children behind in his wake.

Three of them, to be precise. And Jerry’s father, Alberto is determined to find them all and make them family.

Malcolm’s mother found them Alberto first, back when Malcolm was 12. Now he’s 34 and the heir to Alberto’s successful high-end mail-order Italian food empire, Alberto’s Alfresco. Alberto’s private detective found little Kiera a couple of months before the story opens. She’s 12 and her own mother is dead. Kiera was discovered in foster care.

Kiera’s adjustment from being lost in the foster system to being very nearly a fairy tale princess is not going well. She’s the only child in a houseful of adults, her world has shifted completely off its axis, and her big brother is keeping her at arm’s length because he doesn’t know what to do with this sudden influx of 12-year-old sister. And he doesn’t believe he’s any good at relationships.

The story begins with the introduction of the last sibling, 26-year-old Callie. Callie made a terrible mistake as a teenager, and took the fall for a very skanky boyfriend who committed armed robbery. Callie spent 5 years incarcerated, but in the three years since her release she has done her best to start a new life. A life that is sorta/kinda working when Alberto’s lawyer finally tracks her down in Houston.

It’s a very rough journey for this family-lost-at-birth to become a family-of-choice. While Keira and Callie bond fairly quickly, it takes a bit of work for Malcolm to work out his issues with their shared parent, get the stick out of his ass, and upgrade his original status from “asshole brother” to “jerky brother” to just “big brother”.

And they all need a little help along the way. Help that they manage to get, and eventually accept, from the second best thing that ever happens to any of them.

Becoming a real family is the first best thing.

Escape Rating A-: Just like when I read Daughters of the Bride a couple of years ago, When We Found Home was absolutely the right book at the right time. While yesterday’s book was just about perfect, it did turn out to be a bit angstier (and meatier) than I was expecting. When We Found Home had just the right amount of fun and froth while having a bit of meat on its bonesand plenty of heart.

There are two romances in this story, but the romances are not the point of the story. Rather it’s the other way around. The healing that becoming a family brings to the lives of both Malcolm and Callie allows them to accept and cherish the romantic love that enters both of their lives.

All of the adults in this story have plenty of baggage that they need to work through before any of them are ready to become a family or reach anything close to an HEA.

Callie’s past seems the most difficult. She made a huge mistake – and she paid for it. But even though she has theoretically paid her debt to society, that same society makes her keep paying for that mistake over and over and over. As much as she needs the helping hand of her family and her grandfather, she’s afraid to trust it will last – because she doesn’t feel like she deserves it.

Kiera and Callie bond because they have some of the same fears. Not that 12-year-old Kiera is a convicted felon, but that she’s been abandoned before and is afraid that all this good fortune can’t possibly last.

Malcolm seems like he has it all, but he is still recovering from a heartbreaking betrayal by those he trusted. It’s difficult for him to reach out to anyone, and he nearly loses his sisters because of it.

It’s not so much that they all grow up, as that their hearts all grow three sizes in the course of the story. They do a lot of self-examination, they lift each other up, and they figure out that they are a family after all.

And that’s how they earn their happily ever after.

For a taste of When We Found Home, please check out this excerpt!

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Susan is still giving away a Taste of Seattle Gift Bag. The bag includes:
An “I [Heart] Happy Books” tote bag, Starbucks Pike’s Place ground coffee, Seattle Chocolates gift set (3 truffle jars), Cucina Fresca marinara sauce, Sahale Snacks (6 packs), Maury Island Farms jam (2 jars)
a Rafflecopter giveaway

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Review: Night Fall by Simon R Green

Review: Night Fall by Simon R GreenNight Fall by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: urban fantasy
Series: Secret Histories #12
Pages: 464
Published by Ace Books on June 12, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From the New York Times bestselling author of Moonbreaker comes the epic final Secret Histories adventure, where the Droods will take on the most unexpected of enemies: the inhabitants of the Nightside.

The Droods are all about control, making people do what they're told for the greater good. The Nightside is all about choice: good and bad and everything in between. The Droods want to make the world behave. The Nightside wants to party. They were never going to get along.

For centuries, ancient Pacts have kept the Droods out of the Nightside, but now the Droods see the Nightside as a threat to the whole world. They march into the long night, in their armour, to put it under their control. All too soon, the two sides are at war. It's Eddie Drood and Molly Metcalf against John Taylor and Shotgun Suzie. The Drood Sarjeant-at-Arms and their Armourer against Dead Boy and Razor Eddie. More groups join in: the London Knights, the Ghost Finders, the Spawn of Frankenstein, Shadows Fall, and the Soulhunters. Science and magic are running wild, there's blood running in the gutters, and the bodies are piling up.

Is anyone going to get out of this alive?

My Review:

It’s the end of the world as they know it, in a hail of bullets and a shower of blood, with a chaser of hellfire. This is where the implacable force meets the immovable object – and both decide that they’ve had enough.

Night Fall is the official 12th volume of the Secret Histories. Unofficially, it’s also the 13th book of the Nightside and the 7th story about the Ghost Finders. And also the unofficial last and final volume of all of this author’s current long-running series, at least according to the note at the back. Night Fall, as its name implies, is an ending and not a beginning. An ending with a bang – and plenty of whimpering. But that’s the Nightside for you.

Consider that a warning – this isn’t the place to start with any of these series.

For those who have at least a nodding acquaintance with the Nightside and the Secret Histories, this is a conflict that feels inevitable. The Droods, the keeper of those ultra-secret histories, have felt duty-bound throughout the centuries to protect humanity at all costs – even from itself.

The Nightside feels like the Droods moral opposite. Where the Droods believe in law and order above all, as long as its their law and their order, the Nightside is a place of absolute freedom of choice. Even if those choices lead a person straight to heaven, or hell, or somewhere above or below either of them. Or out of this world, and possibly their minds, altogether.

The Droods have always wanted to bring the Nightside under their domain. The Nightside just wants to be left the hell alone. The Droods never leave anyone or anything alone – not once they have it or them in their sights.

The story begins as a cascade of events that start wrong and just go downhill from there. The dominos are falling, and the war that both sides say they don’t want moves from inevitably to being splashed bloodily and viscerally all over the Nightside.

But if dominos are falling, then who, or what, flicked that first tile?

And can John Taylor, the Walker of the Nightside, and Eddie Drood, the family’s rebel agent, figure out who set them against each other before the long night falls – and takes the Droods with it.

Escape Rating A: For readers familiar with at least some of this author’s worlds, Night Fall is an absolutely smashing, bang-up, explosive ending. Complete with smashing, banging and explosions, as well as at least a tip of the hat to possibly every major, interesting, colorful and/or profane character that has been created along the way.

It’s a blast. Sometimes with actual blasting powder – or substances even more explosive.

At the same time, Simon R. Green is an acquired taste, like oysters, or escargot, or chocolate-covered ants. Possibly complete with the “Ewww, I’m not really sure about this” reaction. And it’s the only one of the four that I’ve ever bothered to acquire.

The level of constant, utter, bloody-minded, so arch that it needs a keystone, snarkitude is bitter, wry and incredibly addictive – while at the same hard to swallow in a sustained gulp bigger than one book at a time. It’s marvelous and crazy and sometimes absolutely exhausting.

I love his work, but I can only read them one at a time. Part of that is because the uber-clever descriptions, introductions and backstories for each and every character tend to repeat if one attempts to binge-read. It’s been long enough for me that re-reading the character portraits of John Taylor, Eddie Drood, Suzie Shooter, Molly Metcalf and the rest gave me a sense of nostalgia. It was good to catch up with all my old friends, one last time.

Underneath the constant snark there are several interesting stories being told.

The biggest one is the one about just how thickly the road to hell is paved with good intentions. The Droods do want what’s best – admittedly for their definition of best, but their hearts at least begin in the right place. But the veneer of respectability proves to be much thinner than any of them expect. While there is an outside force that pushed the first domino, once it falls the Droods are more than happy to keep knocking more dominos, even extra dominos, all on the own.

The people of the Nightside are stuck playing defense. The Droods invade, and begin conquering their home block by block and street by street, leaving everything behind them paved with blood and guts. Some of it even their own. Surrendering doesn’t even feel like an option – because it isn’t.

While the Droods would frame this fight as a fight of good vs. evil, that’s only their interpretation. A closer interpretation, at least for their initial motivations, is a battle between order and chaos. But the Nightside isn’t truly chaotic, and the Droods have taken order to its tyrannical extreme. At which point they’ve lost the moral high ground they came in with.

It’s also interesting to see just how many older and darker powers both sides end up calling on, and how all of those occupying the thrones and dominations tell them to get stuffed and clean up their own messes.

Diving into Night Fall reminded me just how much I’ve enjoyed all of this author’s work, and why science fiction and fantasy, particularly urban fantasy, are always my go-to genres. Night Fall is the wildest of wild rides from its slam bang opening to its quiet close – and I savored every page of it.

Review: Whiskey Sharp: Torn by Lauren Dane

Review: Whiskey Sharp: Torn by Lauren DaneTorn (Whiskey Sharp, #3) by Lauren Dane
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: pqperback, ebook, audiobook
Genres: contemporary romance
Series: Whiskey Sharp #3
Pages: 352
Published by Harlequin Books on June 26, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Sometimes what you find isn’t what you were searching for...

Beau Petty has been searching his whole life. Searching for a place that fills all the empty spaces in him. Searching for a way to tame the restlessness. Searching for answers to the secret he’s never stopped trying to solve. What he wasn’t searching for was a woman to claim all of him, but when Cora Silvera walks back into his life, he’s ready to search out all the ways he can make her his.

Cora has spent her life as the family nurturer, taking care of others. But now she’s ready to pass that job on to someone else. It’s time to make some changes and live for herself. It’s in that moment that her former teenage crush reappears and the draw and the heat of their instant connection is like nothing either of them has experienced. He craves being around her. She accepts him, dark corners and all.

Beau thinks Cora’s had enough drama in her life. He wants to protect her from the secrets of his past, even if it means holding back the last pieces of himself. But Cora is no pushover and she means to claim all those pieces.

My Review:

On the one hand, this was a terrific airplane book. I mean that literally, as I read most of it while on an airplane between New Orleans and Atlanta. (And it’s GREAT to be home!)

On that other hand, I feel a bit like I got into this story in the middle. Torn is the third book in the Whiskey Sharp series, after Unraveled and Jagged. And while I have both of those books, I haven’t found the round tuit to actually read them – at least not yet.

As the first two books feature the Dolan sisters, and the heroine of Torn is their bestie but not another sister (at least not by birth), I’m not completely sure how much I missed by not having read the first books first. I liked what I got, I liked it a lot, but I wonder how much of Cora’s weird family dynamic was explored in the earlier books since they both feature people other than Cora’s weird family.

As Torn opens, Cora finds herself torn, hence the title, between her continue her role as the family nurturer and quite honestly peacekeeper, and her desire to make a life for herself. Until now, Cora has been handling two high-stress jobs. The one she loves, being the manager of the family art gallery, and the one that needs her, being their uber-demanding mother’s professional keeper.

Cora’s mother Walda is a celebrated artiste who still travels the world creating her art. She’s also a high-maintenance manipulator who wants Cora to be at her beck and call every minute of every day, and basically throws a temper tantrum when she isn’t. The entire family, all of Cora’s siblings and her dad, have left Cora to pick up all of their slack in this department – and its a lot of slack.

It’s time for everybody to grow up and step up, including Cora. Her own peacemaking tendencies make it difficult for her to say no, but this time she must if she’s to ever have a life of her own, not to mention keep her own sanity.

Into Cora’s bid for independence walks Beau Petty. Strictly speaking, Beau walks back in. Beau met Cora and Walda several years ago, when he lived in the same apartment building. At that time, Cora was 15 and had a massive crush on Beau. Beau was 21, barely an adult, but already well on his way in his twin careers of being a model and celebrity chef.

(Personally I’m still having a hard time fitting those two careers together.)

While Cora has a demanding family, Beau has a tormenting and sometimes literally demanding past. But when then meet after all those years, their chemistry is instantaneous. So in spite of all the reasons why neither of them has ever been in a serious relationship before, they suddenly find themselves all in, with no desire to step back.

Only a desperate need to keep their respective demons from bringing an end to the best thing that has ever happened to either of them.

Escape Rating B+: I loved the romance between Cora and Beau. They were terrific together, and I really bought their quick attraction and almost instant falling together. That they had known each other before kept the romance from falling completely into insta-love territory. They were great characters and they really clicked together.

I also enjoyed the family of choice that they had gathered around themselves separately, and how easily their worlds blended together. It was even better when the bouncy and beautiful Jezzy-dog entered their lives.

Cora’s family brought a lot of drama llamas – technically her mother is a whole herd of drama-llamas all by herself. At the same time, Walda is a great portrait of the artist as a complex and complicated pain in the ass. Walda needs to be the center of attention, she’s incredibly and often obnoxiously manipulative, but at the same time she manages not to be the villain.

It’s not just that Cora understands why Walda is the way she is and does what she does. Cora does an excellent job of not giving in while still being both supportive and loving to her mother. And as the story continues, we see that Walda does actually love her family and can be very supportive. It’s not a one-dimensional portrait.

Beau’s situation is the part that I found a bit frustrating. Beau was raised as the heir-apparent of a quasi-religious cult. When he got old enough to start questioning things, he was ex-communicated and abandoned, but his father and the ringleaders managed to escape a couple of steps ahead of the FBI. There are LOTS of charges against the group, including kidnapping, child endangerment, child abuse and rape. But the entire group has been successfully hiding for years now. Beau is determined to find them because they hold his children, even though those children are now adults. Beau wants contact – the cult wants money, and every so often those two wants coincide, as they do in this story. I found the results of the encounter unsatisfying, and there was no definitive conclusion.

While I realize that might be true-to-life, this is fiction and I want to see things worked out – and for the best. I hope that there is a firmer resolution at some point later in the series.

Even with the very indefinite ending to Beau’s long search, I still found the romance between Beau and Cora to be lots of fun and a great distraction on a rather bumpy ride. I’ll be back to read the rest of the series.

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Spotlight + Excerpt: When We Found Home by Susan Mallery + Giveaway

Spotlight + Excerpt: When We Found Home by Susan Mallery + GiveawayWhen We Found Home by Susan Mallery
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: contemporary romance, women's fiction
Pages: 432
Published by HQN Books on July 10, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Life is meant to be savored, but that's not easy with no family, limited prospects and a past you'd rather not talk about. Still, Callie Smith doesn't know how to feel when she discovers she has a brother and a sister--Malcolm, who grew up with affection, wealth and privilege, and Keira, a streetwise twelve-year-old.

Callie doesn't love being alone, but at least it's safe. Despite her trepidation, she moves into the grand family home with her siblings and grandfather on the shores of Lake Washington, hoping just maybe this will be the start of a whole new life.

But starting over can be messy. Callie and Keira fit in with each other, but not with their posh new lifestyle, leaving Malcolm feeling like the odd man out in his own home. He was clever enough to turn a sleepy Seattle mail-order food catalog into an online gourmet powerhouse, yet he can't figure out how to help his new sisters feel secure. Becoming a family will take patience, humor, a little bit of wine and a whole lot of love.

But love isn't Malcolm's strong suit... until a beautiful barista teaches him that an open heart, like the family table, can always make room for more.

In this emotional, funny and heartfelt story, Susan Mallery masterfully explores the definition of a modern family--blended by surprise, not by choice--and how those complicated relationships can add unexpected richness to life.

As I’ve said before, I don’t normally do posts without a review, whether they are spotlight or excerpt posts or whatever. But I’m always happy to make an exception for one of Susan Mallery’s books because I always love them. And because I’m always going to review the book sooner or later – in this case, sooner, as I’m part of the review tour, scheduled for mid-July. So while we all wait to sink our reading teeth into this story when it comes out on July 10, here’s a bit of a teaser to whet our appetites…

Excerpt from When We Found Home by Susan Mallery

Blowing ten grand on a five-year-old’s birthday party was beyond the definition of insane, Callie Smith thought as she positioned the car-shaped cookie cutter over the sandwich and pressed down as evenly as she could. When she carefully peeled away the excess bread, she was left with a perfect car-shaped PB&J sandwich—sans crust, of course.

The menu for the event was fairly simple, and all based on the Disney movie Cars. Small cups contained carrot, celery and cucumber sticks—aka dipsticks. Two kinds of organic punch along with organic apple juice were at the refueling station. The catering firm’s famous mac and cheese had been remade with pasta in the shape of wheels, and there were car-inspired mini hot dogs ready to go. Callie had already put half a cherry tomato and slice of cucumber to simulate wheels onto one hundred toothpicks, ready to be shoved into place when the mini hot dogs were heated and put in the buns.

The cake was an incredible work of art—a stylized twelve-inch-high modified layer cake shaped to look like a mountain with a road circling up to the top where a small car sat, along with a banner reading Happy Birthday Jonathan.

The previous afternoon Callie had filled the loot bags with Cars-related toys, and had carefully rolled all twenty-five Pit Crew T-shirts with the names facing up. Yes, each boy would get a personalized T-shirt to wear for the party and then take home with him.

Janice, her boss and the owner of the catering company, hurried into the kitchen. “I already have a knot in my stomach. The rest of the staff has a pool going on how long it takes the first kid to throw up, but I’m hoping we can get through this one without any disasters. How are you doing?”

Callie pointed to the tray with the PB&J sandwiches. “All ready. I’ll cover them with plastic wrap to keep them fresh. The hot dog wheels are done. Just have someone stick them on before putting in the hot dogs. Veggies are finished, the cake is in place and I’ve put out the loot bags. Oh, and the T-shirts are by the front door to be handed out as the guests arrive. Just so you know, there are three Brandons.”

Janice groaned. “Of course there are.” She looked around their client’s massive kitchen. “You’ve done it again, Callie. You took this idea and ran with it. I would still be trying to figure out how to pull it all together.”

Callie did her best to offer a sincere smile—one without a hint of bitterness. What was going to happen next wasn’t Janice’s fault. Instead, the blame lay squarely on Callie’s shoulders. She could whine and stomp her feet all she wanted. She could point to her ex-boyfriend, but in the end, the decision had been hers and so were the consequences.

Rather than make Janice say it, Callie untied her apron. “I need to get going. The first guests will be arriving and I shouldn’t be here.”

Janice’s mouth twisted as guilt flashed in her eyes. “I’m sorry. I just can’t risk it.”

Callie nodded. “Do you want me back at the shop to help with cleanup later?”

“Why don’t you take the rest of the day off? We have to prep for the Gilman wedding Tuesday morning. I’ll see you then.”

Callie nodded, doing her best not to calculate how much she would have made if she’d been able to stay and work the party. Being an hourly employee meant every penny mattered, but there was no way. She got that…sort of.

“Have fun today.”

Janice gave a strangled laugh. “With twenty-five little boys? I don’t think so.”

Callie got her backpack from the utility room closet, then walked out the back door. She dug out her phone, opened her Uber app and requested a car.

Normally she would just take the bus back home but this part of River Oaks didn’t have a whole lot of public transportation—especially not on a Sunday morning. So she would splurge.

Ten minutes later she was in the silver Ford Focus and heading for her more modest neighborhood. It wasn’t close to work, but it was inexpensive and safe—two priorities for her.

She had the Uber driver drop her off at the H-E-B grocery store so she could get a few things. Only what she could carry home and consume in the next couple of days. The room she rented came with kitchen privileges, but Callie preferred to use the small refrigerator and microwave she kept in her room. She’d learned that storing anything in the main kitchen was a risky proposition. House rules were clear—don’t take food belonging to someone else. Unfortunately enforcement was haphazard and Callie didn’t want to chance someone taking her food.

She heated soup—the dented can had been 50 percent off!—then got out a four-month-old copy of Vogue that she’d fished out of a recycling bin to read while she ate. Janice only took day jobs on Sundays and the caterer was closed on Monday, giving Callie almost thirty-four hours off. At ten on Monday night she would start her other job, cleaning offices in the financial district.

She finished her lunch, then loaded her biggest tote with clothes, sheets and towels before heading to the local Laundromat. The afternoon had warmed up and gotten more humid—fairly typical for Houston in early spring, or any time of year.

The temperature inside the Laundromat had to be in the upper nineties. The crowded, noisy space was filled with families completing chores before the grind of the new week began again.

Callie found two free washers together, loaded her belongings and inserted a ridiculous number of quarters. She was lucky—she had to take care of only herself. Her bed was a twin, so the sheets were small. She could get away with two loads every two weeks, but how did people with kids make ends meet when it was three dollars to wash a load of clothes?

 

Author Info:

Susan Mallery is the #1 New York Times bestselling author of books about the relationships that define women’s lives—romance, friendship, family. With compassion and humor, Susan keenly observes how people think and feel, in stories that take readers on an emotional journey. Sometimes heartbreaking, often funny, and always uplifting, Susan’s books have spent more than 200 weeks on the USA Today bestsellers list, thanks to her ever growing legions of fans.

Critics, too, have heaped praise on “the new queen of romantic fiction.” (Walmart) Booklist says, “Romance novels don’t get much better than Mallery’s expert blend of emotional nuance, humor, and superb storytelling,” and RT Book Reviews puts her “in a class by herself!”

Although Susan majored in Accounting, she never worked as an accountant because she was published straight out of college with two books the same month, January of 1992. Sixteen prolific years and seventy-four books later, she hit the New York Times bestsellers list for the first time with Accidentally Yours in 2008. She made many appearances in the Top 10 before (finally) hitting #1 in 2015 with Thrill Me, the twentieth book in her most popular series, the Fool’s Gold romances, and the fourth of five books released that year.

Susan lives in Seattle with her husband, two ragdoll cats, and a tattletale toy poodle. Her heart for animals has led Susan to become an active supporter of the Seattle Humane Society. Animals play a big role in her books, as well, as she believes they’re an integral component to a happy life.

Website | Facebook | Twitter

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Susan is giving away a Taste of Seattle Gift Bag. The bag includes:
An “I [Heart] Happy Books” tote bag, Starbucks Pike’s Place ground coffee, Seattle Chocolates gift set (3 truffle jars), Cucina Fresca marinara sauce, Sahale Snacks (6 packs), Maury Island Farms jam (2 jars)
a Rafflecopter giveaway

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Review: Prisoner of the Crown by Jeffe Kennedy

Review: Prisoner of the Crown by Jeffe KennedyPrisoner of the Crown by Jeffe Kennedy
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, Dark Fantasy
Series: Chronicles of Dasnaria #1
Pages: 160
Published by Rebel Base Books on June 12, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

She was raised to be beautiful, nothing more. And then the rules changed . . .   In icy Dasnaria, rival realm to the Twelve Kingdoms, a woman’s role is to give pleasure, produce heirs, and question nothing. But a plot to overthrow the emperor depends on the fate of his eldest daughter. And the treachery at its heart will change more than one carefully limited life . . .   THE GILDED CAGE Princess Jenna has been raised in supreme luxury—and ignorance. Within the sweet-scented, golden confines of the palace seraglio, she’s never seen the sun, or a man, or even learned her numbers. But she’s been schooled enough in the paths to a woman’s power. When her betrothal is announced, she’s ready to begin the machinations that her mother promises will take Jenna from ornament to queen.   But the man named as Jenna’s husband is no innocent to be cozened or prince to charm. He’s a monster in human form, and the horrors of life under his thumb are clear within moments of her wedding vows. If Jenna is to live, she must somehow break free—and for one born to a soft prison, the way to cold, hard freedom will be a dangerous path indeed…   Praise for The Mark of the Tala   “Magnificent…a richly detailed fantasy world.” RT Book Reviews, 4½ stars, Top Pick   “Well written and swooningly romantic.” Library Journal, starred review

My Review:

This book comes with ALL the trigger warnings. Jenna’s story is not for the faint of heart, should not be read with the lights off, and probably should not be read just before bedtime. She has to survive a nightmare before she begins to step into the light, and reading her travails just before one’s own bedtime is likely to result in some epic nightmares.

I didn’t even risk it.

What keeps the first two thirds of this story from merely being page after page of increasing, unrelieved terror is that the story is narrated in the first-person, from the perspective of an older, wiser and cannier Jenna. A Jenna who clearly survived all of the terrible abuse she suffered in the first two thirds of the book.

It’s not just that the women of the imperial seraglio in Dasnaria are kept in a prison. Albeit a gilded, perfumed prison with regular, excellent meals as well plenty of companionship and entertainment. They are pampered pets who are raised not to even be aware that they are pets and playthings and not even considered exactly people.

It’s that Jenna is first abused by her own mother, who whips her, poisons her and punishes her to train her to survive what the outside world will do to her. And who is using Jenna to further her own ends and extend her own power.

Then Jenna is married off in a strategic alliance to a man who has murdered his four previous wives – because they couldn’t survive his constant abuse. Jenna’s parents, her father the emperor and her mother the empress, know that King Rodolf is a man who is only sexually aroused by beating women into terrified submission. All the emperor asks is that Jenna’s new husband refrain from damaging her face when he can see it.

The only “help” she gets from her mother is a servant who will provide her with enough drugs to keep the pain and terror at bay.

Jenna’s life is hard to bear, and difficult to read about. Just as she has reached the point where a quick death seems like her best option, her brother opens the bars of her cage, and sets her on the journey to freedom.

We’ve met her brother Harlan before in the Twelve Kingdoms series, of which The Chronicles of Dasnaria is an offshoot. A grown-up Harlan, exiled from his father’s kingdom of Dasnaria, becomes the consort of Princess Ursula in the absolutely marvelous The Talon of the Hawk.

Jenna’s rescue is clearly the first step in Harlan’s journey to become the man worthy of the Crown Princess of the Twelve Kingdoms. But the hero of Prisoner of the Crown is clearly the young, deluded, beaten, abused but ultimately unbroken Jenna.

Escape Rating B+: This is a hard book to rate, because Jenna’s journey from pampered child to determined woman take her through one dark place after another. We feel for her, we want better for her, but we spend most of the book terrified that she isn’t going to get anything approaching that better.

Although Harlan certainly provides a big assist, in the end, Jenna rescues herself, and that’s important for her story and her journey. She begins the book as a child who does not look beyond her cage, and ends by taking her life into her own hands and breaking free.

What makes the story so difficult to bear is that we see the cage tighten around her for so much of the book. Her hard-won freedom barely has time to register before the book ends – while clearly the story does not. She has taken just the first few steps on a journey that is far from over, but readers will have to wait until September to see how Jenna handles and protects her dearly-bought freedom. It’s going to be an exasperating wait.

But for those who have not read the previous series, The Twelve Kingdoms and its followup The Uncharted Realms, this is not a bad place to start as all of the action in this story takes place before The Mark of the Tala, the first book in the Twelve Kingdoms opens. We do meet both Harlan, the hero of The Talon of the Hawk, and Kral, the hero of The Edge of the Blade, as young men. In Harlan’s case, very, very young as he’s only 14 in Prisoner of the Crown. Prisoner, at least, presupposes little previous knowledge of this world. However, I suspect that the future books in the Dasnaria series are going to edge closer to the time period of The Twelve Kingdoms. If you get caught up in Jenna’s journey, there’s plenty of time to catch up with the rest of this world before the next book.

Jenna’s journey continues in Exile of the Seas. And I can’t wait to continue it with her.

Review: Island of the Mad by Laurie R. King

Review: Island of the Mad by Laurie R. KingIsland of the Mad by Laurie R. King
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical mystery
Series: Mary Russell and Sherlock Holmes #15
Pages: 306
Published by Bantam on June 12, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Mary Russell and Sherlock Holmes are back in the New York Times bestselling series that Lee Child called "the most sustained feat of imagination in mystery fiction today."

A June summer's evening, on the Sussex Downs, in 1925. Mary Russell and Sherlock Holmes are strolling across their orchard when the telephone rings: an old friend's beloved aunt has failed to return following a supervised outing from Bedlam. After the previous few weeks--with a bloody murder, a terrible loss, and startling revelations about Holmes--Russell is feeling a bit unbalanced herself. The last thing she wants is to deal with the mad, and yet, she can't say no.

The Lady Vivian Beaconsfield has spent most of her adult life in one asylum after another, yet he seemed to be improving--or at least, finding a point of balance in her madness. So why did she disappear? Did she take the family's jewels with her, or did someone else? The Bedlam nurse, perhaps?

The trail leads Russell and Holmes through Bedlam's stony halls to the warm Venice lagoon, where ethereal beauty is jarred by Mussolini's Blackshirts, where the gilded Lido set may be tempting a madwoman, and where Cole Porter sits at a piano, playing with ideas...

My Review:

I have followed Mary Russell’s adventures from her very first outing in The Beekeeper’s Apprentice, almost 25 years ago. And how that time has flown!

The story we have in Island of the Mad reminds me of the best of the Russell/Holmes kanon (yes, that spelling is deliberate) combining the farcical aspects of the case in Pirate King with the more serious undertones, as well as a few of the characters, from the second book in the series, A Monstrous Regiment of Women. And the result is glorious – as well as a bit star-studded.

And if you’ve ever wondered about the origin of the name “Lido”, which seems to be a deck on every cruise ship as well as appearing in multiple songs and all sorts of other places, our journey also takes us to what feels like the original of the name, the Lido di Venezia in the beautiful La Serenissima – Venice.

The case before our intrepid heroine is to determine whether her best friend’s aunt disappeared of her own free will, was the victim of some foul deeds, or succumbed to the madness that has plagued her for the past dozen years or so.

Or perhaps all of the above.

When Mary’s search for Vivian Beaconsfield leads her from Bedlam to Venice, a separate case miraculously (or perhaps nefariously) appears before her husband Sherlock Holmes. Mycroft desperately wants his brother to poke his inquisitive nose into the rise of the Fascisti in Italy. While too many people in England think that a strong man like Il Duce Mussolini is just what Italy needs, Mycroft is certain that there is something sinister about the rise of the fascists in Italy, Germany and possibly even Britain.

History proved he was right, but in 1925 all that Mycroft had was his finely honed intuition. He can’t send an agent because even he can’t describe what an agent should be looking for. But if there is something to find, Mycroft is certain that Sherlock will find it. Or that it will find him, whether he wants it to or not.

While their separate missions lead them to the same city, the things that need investigation pull them in entirely different directions. While Mary hunts for evidence of Vivian’s presence among the more outre denizens of Venice’s celebrating ex-pat nightlife, Sherlock inveigles himself into the household of American composer Cole Porter, where anyone who is anyone in the city is entertained in lavish style while the rich Americans drop millions of lira into the local economy.

When their respective cases dovetail into one another, the conclusion of both trails ends in a bang, a whimper, and an explosion of sound and light. Lots and lots of bright, white, revealing light. Flashbulbs!

Escape Rating A: As much as I love this entire series, naturally some of the stories work better than others. Island of the Mad worked really, really well, because it went back to the elements that make this series so special.

The premise of this series, established all the way back in The Beekeeper’s Apprentice, was that after Sherlock Holmes retired to the Sussex Downs at the end of his adventures, he literally stumbled over a 15-year-old girl – or rather she stumbled over him while her nose was buried in a book. After that fortuitous meeting, he took her on as an apprentice, and in the course of her apprenticeship, they eventually, after the events in A Monstrous Regiment of Women, married.

If you can swallow that premise, and admittedly some people can’t, the entire series is marvelous from beginning to the present. I don’t say beginning to end, because I sincerely hope the end never comes. If you can swallow the premise and have not read the rest of the series, well, you could start with this one. It does stand a fair bit on its own. But it would lose some of its resonance. If you are interested, but just not up to plowing through all 14 previous books in one go, read at least the first two so that you know how these two fit together into their singular relationship.

The series began in 1915, and this story takes place in 1925. Holmes and Russell have been married for several years, and are quite happily married. Also, it is a real marriage and not in any way a marriage of convenience – as many of their acquaintances occasionally assume. Their marriage is a true partnership, and much of the fun of the series is watching them work together, even if, as happens here, they are sometimes apart in their togetherness.

The stories are always told from Russell’s perspective, with her parts being in the first person, and Holmes’ separate investigations in the third person. We operate from inside her head, but with extremely rare exceptions, never inside his. Holmes is as inscrutable as ever, including at times to his wife.

There’s a difficult balance to strike between having Russell operate on her own and making sure that Holmes participates enough to keep things interesting for both them and the reader. The books do not always strike that balance well, but this particular outing does. They have separate tasks to perform and separate ways to go about them, but they check in with each other on enough of a regular basis for the reader to feel invested in both cases, and for the dovetailing at the end to work well.

One of the things that makes this series different from other Holmes pastiches and continuations is not just Russell’s voice but the way that she takes Holmes’ training and moves it into a new century with the different sensibilities of both her generation and her gender.

There are two dark themes underlying the froth in this particular outing. One is, of course, the rise of fascism in between-the-wars Europe and just how quickly and easily the fascists have taken over Italy. That is a darkness and a threat that Holmes would both recognize and fight against whether Russell was present or not. And any resonance between the situation they investigate and current xenophobic and tyrannical regimes rising today is probably intentional.

But just as the way that the fascists have come to power leads the reader to compare that situation to the present, so does the initial case that takes Russell to Venice in the first place. Her best friend’s aunt has been committed to Bedlam, the psychiatric asylum in London, for years. She has escaped. As Russell investigates, it turns out that the question isn’t why she escaped, but why she was committed in the first place. And if you don’t see the #MeToo movement peeking out from behind the historical curtain, you’re not looking.

There’s a lot of substance under the froth of the “Young Things” partying between the wars and the glitter of the ex-pat night life – if you want to look for it. But even if you don’t, it’s a fascinating story from the very first page.

I look forward, as always, to Mary Russell’s next investigation.

Review: The Privilege of Peace by Tanya Huff

Review: The Privilege of Peace by Tanya HuffThe Privilege of Peace (Peacekeepers, #3) by Tanya Huff
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook
Genres: military science fiction, science fiction, space opera
Series: Peacekeeper #3, Confederation #8
Pages: 336
Published by DAW Books on June 19, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Former space marine Torin Kerr returns for one final adventure to save the Confederation in the last book in the military science fiction Peacekeeper trilogy.

Warden Torin Kerr has put her past behind her and built a life away from the war and everything that meant. From the good, from the bad. From the heroics, from the betrayal. She's created a place and purpose for others like her, a way to use their training for the good of the Confederation. She has friends, family, purpose.

Unfortunately, her past refuses to grant her the same absolution. Big Yellow, the ship form of the plastic aliens responsible for the war, returns. The Silsviss test the strength of the Confederation. Torin has to be Gunnery Sergeant Kerr once again and find a way to keep the peace.

My Review:

If this is truly the end of ex-Gunnery Sergeant now Warden Torin Kerr’s story, I’m going to be very, very sad to see it end. Torin’s story, from its beginning all the way back in Valor’s Choice (nearly 20 years ago, OMG) has been absolutely marvelous.

I began the Valor/Confederation series and the Vatta’s War series at about the same time, so they are both inextricably linked in my memory. They also both finished at the same time, and then revived at about the same time. Wonderful synchronicity.

And they both feature kick-ass, strong, idiosyncratic heroines in vast interstellar space operas. The biggest difference is that Vatta’s War and its sequel series Vatta’s Peace are mercantile space opera, while Confederation/Peacekeeper is strictly military SF.

Torin Kerr begins the series as a Sergeant in the Confederation Marines, and even though at the end of the Confederation series she does manage to retire the sergeant from the Marine Corps, as we, she and her crew discover in An Ancient Peace, the first book in the Peacekeeper sequel series, it is impossible to take the Marine out of the sergeant.

Even in what passes for peacetime, she’s still the Gunny. Mostly. When it counts.

The Privilege of Peace picks up almost immediately after A Peace Divided leaves off. Which means that this is not the place to start. And as much as I loved An Ancient Peace, the first book in the Peacekeeper series, I don’t think that’s the place to start, either. Because this peace, and the characters’ reactions to it, all depend on who and what they were during the late war, and what their relationships to Torin Kerr were during that war. If you enjoy military SF with great characters, terrific world-building and absolutely fantastic heroines, start at the beginning with Valor’s Choice.

And I envy anyone who does a binge-read to “earn” The Privilege of Peace. I’ve read the entire series, but as it was published. Which means that the details of Torin’s history happened even longer ago for me than they do for her. It took awhile for me to get back up to speed on all the names, faces, races, and reasons behind each character’s inclusion in this conclusion.

Because of that “ramp-up” time, the story seemed a bit choppy at points. Lots of characters have similar names, the reader is expected to remember all of their backstory, and the action jumps around a bit. It takes a while to set up the big showdown with “Big Yellow” and the Humans First pukes.

And that’s a hint that there are effectively two different enemies in this book, at least for certain definitions of enemy. Possibly also for certain definitions of factions.

“Big Yellow” turned out to be the enemy of the entire Confederation series. And while the threat of them returning has hung over all of the Peacekeeper series, in Privilege they really are back, and no one is happy about it. But at least now everyone knows that Big Yellow is the big enemy, even if they can’t always recognize its “minions” when they appear. Or disappear. Or hide in plain sight.

That second enemy is the home-grown variety. Humans First will sound familiar in entirely too many contemporary 21st Century ways. They believe that Humans are better than every other race in the galaxy and that the Confederation is holding them back from their greatness. They also believe that violence – along with infiltration and blackmail and other nastinesses – are the way to take their rightful place in the galaxy.

The idea that humans will carry their xenophobia into the stars is more than a bit depressing, but feels all too possible.

Torin and her friends are, as usual, stuck in the middle, caught between the manipulations of Big Yellow, the violence of Humans First, the mind-numbing insanity of Confederation bureaucracy and the secret dreams of the Confederation military.

Peace is a privilege that has to be earned. And as usual, Torin Kerr and her companions are paying for that privilege with their own blood, sweat and hopefully not too many tears.

Escape Rating B: I loved traveling with Torin and Company one more time. Not having just finished a binge of the entire series, it did take a while for me to catch back up, and the longer it has been since the beginning and the more that has happened since that beginning, the longer it seems to take with each book.

The multiple perspectives in The Privilege of Peace made the story seem a bit disjointed at times, but I still liked the journey and felt that the ending was earned. Which means I can only recommend this book to fans of the series. And I still think it is well worth reading the entire series.

The blurbs claim that this is the conclusion of Torin’s journey. If so, I’m sorry to see her go and I’ll miss traveling with her, but she has certainly earned her happy ending. And it is a happy ending – or at least as happy as Torin can manage.

At the same time, there are enough loose, or at least loose-ish, ends that it would be possible for the adventures to continue. And if that occurs, I’ll be glad to watch the Gunny kick more ass and take more names. Anytime. Anyplace. Any galaxy.