Review: Coming Home for Christmas by RaeAnne Thayne + Giveaway

Review: Coming Home for Christmas by RaeAnne Thayne + GiveawayComing Home for Christmas (Haven Point, #10) by RaeAnne Thayne
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: contemporary romance, holiday romance
Series: Haven Point #10
Pages: 336
Published by Hqn on September 24, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Hearts are lighter and wishes burn a little brighter at Christmas…

Elizabeth Hamilton has been lost. Trapped in a tangle of postpartum depression and grief after the death of her beloved parents, she couldn’t quite see the way back to her husband and their two beautiful kids…until a car accident stole away her memories and changed her life. And when she finally remembered the sound of little Cassie’s laugh, the baby powder smell of Bridger and the feel of her husband’s hand in hers, Elizabeth worried that they’d moved on without her. That she’d missed too much. That perhaps she wasn’t the right mother for her kids or wife for Luke, no matter how much she loved them.

But now, seven years later, Luke finds her in a nearby town and brings Elizabeth back home to the family she loves, just in time for Christmas. And being reunited with Luke and her children is better than anything Elizabeth could have imagined. As they all trim the tree and bake cookies, making new holiday memories, Elizabeth and Luke are drawn ever closer. Can the hurt of the past seven years be healed over the course of one Christmas season and bring the Hamiltons the gift of a new beginning?

My Review:

The holiday season has begun. Oh, not the official Xmas season, but the holiday romance season, definitely. It seems as if the first of the holiday romances start hitting the shelves right around the first official week of fall, and here we are.

As the year starts winding down, and the weather starts drawing in – or at least cooling off – it just starts to feel like it’s time to curl up under a cozyblanket, with a cup of hot cocoa or tea, a sleepy cat or two, and a heartwarming holiday romance.

Today’s book, Coming Home for Christmas by RaeAnne Thayne, is a great way to open this year’s holiday reading splurge.

Haven Point is one of those little towns that seem like great places to love. It’s a tight-knit community, people generally get along, and the economy has been looking up throughout the course of the series.

But life, and especially people, are not perfect. And not everyone’s life is going along swimmingly.

That’s where our hero, Luke Hamilton, comes in. Because seven years ago, his wife Elizabeth walked out into a snowstorm, leaving Luke and their two small children behind.

Along with a giant cloud over his head. Elizabeth never came back. Neither was her body ever found. No proof has ever been discovered to implicate Luke in either her disappearance or her presumed death.

But the court of public opinion convicted him long ago. And now the new District Attorney wants to make a name for herself by making it official. She plans to charge him with murder.

So Luke drives out in yet another snowstorm, making the 8 hour drive from Haven Point to the Oregon Coast, because he knows one thing that the DA doesn’t want to hear. Or believe.

His missing wife, Elizabeth Sinclair Hamilton, is living in Oregon under the name of Sonia Davis. And has been for years. She left him, she left their kids, and she never came back to them.

But he refuses to leave his children with no parent at all because his wife is too selfish to come back to them. There’s no way that he’s going to jail, or even on trial, for a murder that he not only didn’t commit, but particularly for the killing of a woman who isn’t even dead – even if she’s dead to him after years of betrayal. Or that’s what he believes.

The truth, well, that’s another matter entirely.

Escape Rating B+: Coming Home for Christmas is a quick read, and makes for a lovely second-chance-at-love holiday romance. Surprisingly so, considering the themes of the story and the underlying heartbreak behind Elizabeth’s actions.

It also reads like perfect fodder for one of those Hallmark Xmas movies – with more than a bit of a soap opera plot – complete with amnesia and reconstructive surgery. And the happy ending wraps up a bit quick and seems a touch contrived.

I’m not saying that this couple couldn’t find their way back to each other, in spite of the past, but it should have taken a bit more time and effort. No one needed to grovel in this one, it’s not that kind of story. But they have a LOT to get over, and doing it over the course of a single week after seven years of separation and justifiably hurt feelings seems like more than a bit of a holiday miracle.

At the same time, there’s a lot of “meat” to this one – and not just the traditional Xmas turkey.

The reason that Elizabeth stayed away from Haven may sound like a soap opera plot, but the reason she left was deadly serious. Suffering from clinical depression compounded by postpartum depression, overwhelmed by her grief, lost in a dark pit of despair, she couldn’t climb out on her own. No one could. And Luke, coping with a baby and a toddler, a business start up that required too much attention but had to succeed to support them all, tired and out of options or support of his own, still dealing with his own emotional issues, couldn’t handle it all.

Elizabeth got sicker and Luke became less able to cope and neither had a support network. Elizabeth left because she was lost in a spiral and was sure her family would be better off without her. And that part of her story happens more frequently than anyone wants to think.

So there is a bit of a holiday miracle in this one. It’s a miracle that would have felt more earned if it had taken a bit more time – but it’s more than enough for a lovely holiday read!

~~~~~~ GIVEAWAY ~~~~~~

I am giving away a copy of Coming Home for Christmas to one very lucky US or Canadian commenter on this tour!

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Review: Chilling Effect by Valerie Valdes

Review: Chilling Effect by Valerie ValdesChilling Effect by Valerie Valdes
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Untitled Space Opera #1
Pages: 448
Published by Harper Voyager on September 17, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A hilarious, offbeat debut space opera that skewers everything from pop culture to video games and features an irresistible foul-mouthed captain and her motley crew, strange life forms, exciting twists, and a galaxy full of fun and adventure.

Captain Eva Innocente and the crew of La Sirena Negra cruise the galaxy delivering small cargo for even smaller profits. When her sister Mari is kidnapped by The Fridge, a shadowy syndicate that holds people hostage in cryostasis, Eva must undergo a series of unpleasant, dangerous missions to pay the ransom.

But Eva may lose her mind before she can raise the money. The ship’s hold is full of psychic cats, an amorous fish-faced emperor wants her dead after she rejects his advances, and her sweet engineer is giving her a pesky case of feelings. The worse things get, the more she lies, raising suspicions and testing her loyalty to her found family.

To free her sister, Eva will risk everything: her crew, her ship, and the life she’s built on the ashes of her past misdeeds. But when the dominoes start to fall and she finds the real threat is greater than she imagined, she must decide whether to play it cool or burn it all down.

My Review:

First of all, any story that begins with genius, psychic cats on a spaceship has me from jump. And that’s exactly the way that Chilling Effect starts, with Captain Eva Innocente running around La Sirena Negra trying to chase down her cargo; 20 genetically engineered, hyper-intelligent and hypnotic felines.

And just when she thinks she’s finally corralled the last one – everything goes pear-shaped. Which turns out to be a metaphor for this entire space-romp of a story, as Eva and her crew find themselves running a game both with and against the biggest criminal organization in the galaxy, trying to save Eva’s sister, their own hides, and one of the big secrets of their universe.

It’s an edge of your seat ride through every jumpgate in the known universe to see if Eva can get her ship, her crew, her family and her soul through this adventure relatively unscathed.

And that’s adventure in the sense of something terrible and/or frightening happening to someone else, either long ago, far away, or preferably both. Eva only wishes it were happening to someone else – frequently and often, while cursing in Spanish, English and possibly a few other languages along the way.

But it’s happening to her, whether she wants it or not. And while she certainly doesn’t want that adventure, she does want to save her sister and the rest of her family. No matter who, or what, gets in her way.

Escape Rating A+: There have been plenty of comparisons already between Firefly and Chilling Effect. I think the best one that I read said something about if Firefly and Mass Effect had a baby midwifed by Guillermo del Toro, that Chilling Effect would be the resulting book baby.

I think there were more parents and grandparents involved, but I’ll still grant the idea of del Toro as the midwife because it’s just plain cool.

The resemblance between La Sirena Negra and Serenity, the Firefly-class ship in the series, along with its motley, barely-on-the-edge-of-legality crew, is out and proud and adds to the long list of stories inspired by that series. Firefly casts a long shadow for such a short-lived show.

There are also plenty of points where Eva reads a lot like the female Commander Shepherd in Mass Effect – just with an even looser relationship with the law and the truth.

But it feels to me as if Chilling Effect also has at least two SFnal “fairy godmothers”, Kylara Vatta from the Vatta’s War series and Tess Bailey from Nightchaser. In both of those female-centric space operas, you get the same kind of leader who is on the run from deep, dark secrets that are buried, not at all deeply in the family tree, that the heroine must confront in order to be free.

In addition to the terrific characterizations of Eva and her crew, part of what makes this story so good are its exploration – and eventual complete skewering, of a trope that normally makes readers cringe.

I’m talking about the overused and now hated convention of putting female characters in literal or figurative refrigerators, in other words, freezing them out of the narrative, so that they become an object to motivate a hero into action to either rescue or avenge them.

In Chilling Effect, Eva’s sister is put into cryo-sleep by a criminal organization known as “The Fridge”, moving Eva and her crew to great lengths in order to free her and ultimately discovering the secrets behind The Fridge and the ancient race who seeded the galaxy with jumpgates (and linking back to Mass Effect yet again.)

But instead of motivating a man and leaving the female character offstage for the rest of the story, we have a woman moving the galaxy to rescue another woman, with a mixed-species and gender crew. The whole thing works as both impetus and send-up in one glorious smash!

It’s pretty clear that I loved Chilling Effect from that opening scene, and that I can’t wait for the next book in the author’s Untitled Space Opera series. (That’s literally what the series is called, but the next book does have a title, and that’s Prime Deception.)

But there’s one more thing I want to get into before I let you go off to read Chilling Effect.

It’s an important part of Eva Innocente’s story that she and her family, and even the colony they came from, are, like the author, of Cuban descent. This isn’t just window-dressing, that origin story both underpins Eva’s actions and peppers her language with phrases from that heritage.

I had to look up a lot of the idioms, and I highly recommend that you do. They are often hilarious, always informative, and add to the flavor and texture of the book and the characters in ways that just feel right.

As someone who grew up in a household where another language was frequently sprinkled into the conversation, there are concepts that just don’t translate from one language to the next, in spite of the English language’s often-quoted propensity to not merely “borrow words; on occasion, English has pursued other languages down alleyways to beat them unconscious and rifle their pockets for new vocabulary.”

The way that Eva mixes the Cuban phrases that she learned as a child add to the depth and verisimilitude of her character – and I feel that adds to the story whether I initially understand what she’s saying or not. (After all, that’s what Google Translate is for.) And I want that representation for her because I also want to see it in other stories – and am – for myself.

So I may have gotten into this story for those psychic cats, but I stayed for Captain Eva.

TLC
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Review: The Passengers by John Marrs

Review: The Passengers by John MarrsThe Passengers by John Marrs
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, thriller
Pages: 352
Published by Berkley Books on August 27, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

You're riding in your self-driving car when suddenly the doors lock, the route changes and you have lost all control. Then, a mysterious voice tells you, "You are going to die."

Just as self-driving cars become the trusted, safer norm, eight people find themselves in this terrifying situation, including a faded TV star, a pregnant young woman, an abused wife fleeing her husband, an illegal immigrant, a husband and wife, and a suicidal man.

From cameras hidden in their cars, their panic is broadcast to millions of people around the world. But the public will show their true colors when they are asked, "Which of these people should we save?...And who should we kill first?"

My Review:

One of the fascinating things about The Passengers is the way that it starts out by seeming to expose the so-called evils of artificial intelligence, only to turn the whole thing around and end up exposing the very definite evils of human beings.

While taking the reader, just like the titular passengers, on an edge-of-your-seat, can’t-stop-watching thrill ride every mile (and page) of the way.

Of course, the reader can at least take a bathroom break – admittedly while carrying the book with them – while those passengers are locked into their supposedly self-driving cars for the entire 2.5 hour journey – except for the ones who die along the way.

I say supposedly self-driving because in this particular scenario, they really aren’t. Not that there is someone sitting behind the wheel, but there is certainly someone, or a whole bunch of someones, hiding behind their computer screens and directing all of the action. An action with a very definite purpose even if it’s not the one that everyone watching – and EVERYONE is definitely watching – believes that there is.

At first, this seems like a story about technology run amok. Driver-less cars have been mandated by the government and they seem like a mostly unquestioned good with very little downside.

But just as every cloud has a silver lining, every silver lining also has a cloud.

Libby Dixon is part of that cloud. Both in that she has grave doubts about the degree to which “Big Brother” is watching everyone in general and specific doubts about the supposed wonderfulness of driver-less cars in specific.

She’s still traumatized by an accident she witnessed, where a driver-less car protected its passenger by mowing down a mother, grandmother and baby in the street rather than crash into empty parked cars by the side of the road. Libby is just certain there was another choice – a choice that a human driver would have made that a soulless machine did not. Or could not. Or was programmed not to.

In spite of her skepticism about the efficacy of driver-less cars, she’s been summoned to serve on the secret jury that determines whether, in the case of one of the supposedly rare accidents involving one of those supposedly safe driver-less cars, the AI driving the car was at fault – or whether the fault rests with the humans who seem to have gotten in its way.

The jury seems to always decide in favor of the AI. After one day on the jury, Libby is all too aware that the decisions are not based on any facts, but on the ability of the politician in charge of this farce to cow or bully any dissenting voices in the small group.

And then the Hacker Collective steps in, taking over what initially appears to be a random selection of 8 driver-less cars occupied by frantic passengers, hijacking them onto a one-way trip to an unknown destination – where they will crash – and burn.

As the entire world watches, the darkest secrets of those 8 passengers as well as the members of the formerly secret jury are laid bare, live and in real time, as the Hacker Collective plays with everyone’s emotions and the world watches from every news station and social media outlet on the planet.

In the end, a hero emerges – and a villain. Only the dead are silent.

But what was it all for?

Escape Rating A+: First of all, the thing about science fiction (and fantasy, for that matter) is that no matter what we say we’re talking about, whether elves or aliens or androids, we’re always really talking about people. Because that’s all we really know.

And that’s a big part of what happens in this book. Both in the sense that the viewing, listening and tweeting mass audience identifies with those human passengers and not the cars that seem to be driving them, but also in the sense that it’s not and never has been the AI that driving those cars – but rather the humans who created and programmed that AI.

And the humans who exploited that programming. We have met the enemy, and it’s not artificial intelligence or robots or androids, it’s always us.

There are, in fact, at least two sets of villains in this piece – or really three. The third is the mob mentality that drives so many of those people watching, listening and tweeting. They are all hiding behind the anonymity of their screens and keyboards, making just the kind of disgusting comments that have become part of 21st century life. And while I could say that it’s just that this time there are actual lives in the balance, there are always lives in the balance. Maybe not people who will die in an exploding car because of those inhumane comments, but certainly people whose lives and livelihoods and self-esteem and careers and relationships are exploded because the ones hiding behind the keyboards feel like they can divorce themselves from the results of their actions and their hateful commentary.

The second villain is the obvious one, the Hacker Collective that has set the immediate events of the story in motion. They have kidnapped 8 seemingly innocent people and sent them on a collision course with death. That those 8 people are not, in fact, innocent is all part of the story. And it’s the story that is playing out in the international media.

Underneath the obvious crime, is the one that the Hacker Collective wants to expose. And it’s not the crimes that those supposedly innocent people have actually committed – although that’s certainly considered a benefit by the faceless group.

It’s a crime that feels both climactic and anti-climactic at the same time. The way it is exposed is very definitely climactic, but the nature of it is anticlimactic and shocking in its anticlimax. We’re not surprised at the rot that is at the heart of it all. Only that the Collective had to go to that much deadly trouble to expose it.

But watching it all play out is guaranteed to keep you on the edge of your seat from the seemingly innocent beginning to the destructive conclusion, until you fall off that edge in shock – and relief that it wasn’t real. Or isn’t real – yet.

Review: Bursts of Fire by Susan Forest + Giveaway

Review: Bursts of Fire by Susan Forest + GiveawayBursts of Fire (Addicted to Heaven, #1) by Susan Forest
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook
Genres: coming of age, epic fantasy
Series: Addicted to Heaven #1
Pages: 394
Published by Laksa Media Groups Inc. on August 6, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

To survive. To fight. To restore balance.

The Falkyn sisters bear a burden and a legacy. Their mother, the imperial magiel of the kingdom of Orumon, protects her people from the horrors of the afterlife by calling upon the Gods with a precious Prayer Stone. But war among the kingdoms has brought fire and destruction to their sheltered world. When a mad king's desire to destroy the Prayer Stones shatters their family, the three girls are scattered to the wilderness, relying on their wits and powers they don't yet master.

Assassin. Battle tactician. Magic wielder. Driven by different ambitions, Meg, Janat, and Rennika are destined to become all these and more. To reclaim their birth right, they must overcome doubtful loyalties within a rising rebellion; more, they must challenge a dogma-driven chancellor's influence on the prince raised to inherit his father's war: a prince struggling to unravel the mystery of his brother's addiction to Heaven.

My Review:

I signed up for this tour because, well, epic fantasy has always been one of my loves, and this book looked interesting. I’ll admit that the series title, Addicted to Heaven, gave me more than a bit of pause, but as it turns out, the heaven that people are addicted to is nothing like contemporary Western versions of heaven.

Bursts of Fire is very much a part of the epic fantasy tradition. There were times, in fact, when it felt like specific epic fantasies. But it does such a good job of exploring both its new facets and riffing on the stories from which it sprang that it made for a darn good read.

And I was on an airplane and this book was next in my queue. Bursts of Fire turned out to be a terrific book to transition from Worldcon back to “real life” as I traveled from a place where everyone was talking about SF and Fantasy and back to the so-called real world where those discussions are not quite so commonplace.

The story of Bursts of Fire begins in the way that quite a few epic fantasies begin – where the kingdom is under siege and the heir to the throne gets smuggled out of town ahead of the rampaging horde.

And that’s where the differences begin.

The heir isn’t the heir to the throne. And the heir isn’t an heir. Instead, the heiresses to the king’s magical advisor, all three of them, sneak out of the capital with the help of their nanny. Who they still need, as the oldest girl is 17 and the youngest is 11. And none of them have the remotest clue about how to manage on their own – or how to manage period without people waiting on them hand and foot.

They’ll have to figure it out – and somehow manage to grow up, in the midst of a civil war where they are being hunted by both sides. The forces of the usurper believe that all magic is evil – and the rebels just want to use them for their powers.

Powers that they mostly aren’t trained to use. They’re alone, desperate, and on the run. But at least they have each other. Until they don’t.

Whether they can figure out the right course to save themselves, save each other, and save the people that they feel responsible for, is a race against desperation and despair.

And just when they think they might have a chance to right at least a few of the wrongs – they discover just how bad things really, really are.

Escape Rating B+: Bursts of Fire turned out to be a terrific airplane book. Anything that can keep me distracted for 3-4 hours of an 8 hour flight is very much appreciated. And this certainly did.

As has been a relatively recent but also extremely welcome trend in epic fantasy, Bursts of Fire is a heroine’s journey rather than a hero’s journey. Or in this particular case, three heroines’ journeys. At the same time, the story begins on a familiar note, as the chosen one – or in this case chosen ones – are thrown from their original setting to make lives for themselves, and oh-by-the-way save the world.

Part of what does make this a bit different is that there is no mentor character to provide guidance – or for them to rely upon. They lose Nanny almost immediately. She was the one their mother gave the plan to, so the girls are on their own, lost and desperate.

Also very, very young and completely out of their depth. Only the oldest, Meg, has a real clue about just how bad things are and just how much things have changed for them. Little Rennika is too young to understand, and middle-sister Janat is too self-absorbed.

Janat is a character that I never warmed up to, and her self-absorption and unwillingness to grasp their situation continues throughout the story, making this reader grateful that the relatively mature Meg is the primary point of view character.

Meg understands the stakes earliest. Rennika is young enough to adapt. Janat is a problem from beginning to end, a problem that it looks like is only going to get worse.

What’s gone wrong with the kingdom did not make much sense at first. The reader is dropped into the middle of the story, just as the girls escape – and no one seems to know why their ally has suddenly attacked. As the story progresses, it becomes clear – for select definitions of clear – that no one really does know why he went off the rails. They just see the effects – and those effects are gruesome.

War is hell, and civil war is particularly hellish. The rebels want peace and they want to go back to the way things were – as much as is possible after two years of war. The girls, who have become young women fired – or broken – in the crucible of that war want to save as many people as possible, want to reverse the sudden upwelling of prejudice against magic users fostered by the usurper and his advisors, and want to take up the purpose that their family has always undertaken – to visit heaven and intercede with the gods on their people’s behalf.

The magic system of this world is fascinating and different, and their gods are real and act upon their world in ways that can be seen and measured if not countered. The primary manifestation of that magic is the magic users’ uncontrolled shifting through time. Magic has a price, and becoming unmoored from the time you are living is part of that cost.

The glimpses that all three sisters receive of their past, present and future are sometimes heartbreaking, sometimes heartening, and always confusing. It is as much of a curse as a gift, but their ability to intercede with the gods is both powerful and necessary in this cosmos.

That the usurper is determined to break that connection powers his mad campaign against his former allies – and the reasons for that determination are shattering for the kingdom, the reader, and his heir.

That the heroines are all very young leaves this book, and presumably the series it begins, balanced on the knife edge between young adult and adult fantasy.  The protagonists may be young adults, but the situations in which they find themselves feel adult in their consequences.

In the end of Bursts of Fire, we, and the characters, know more about the reasons for the fractured state of their world, but are no closer to a resolution. This is a story about a world that is broken – and it is not made whole by the end. There must be future books in this series, and I’m looking forward to reading them.

~~~~~~ GIVEAWAY ~~~~~~

I am giving away a copy of Bursts of Fire to one very lucky US/CAN commenter!

a Rafflecopter giveaway

TLC
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Review: The Third Mrs. Durst by Ann Aguirre + Giveaway

Review: The Third Mrs. Durst by Ann Aguirre + GiveawayThe Third Mrs. Durst by Ann Aguirre
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: mystery, thriller
Pages: 312
Published by Midnight Ink on August 8, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Some people just need killing.

Marlena Altizer Durst lives in her husband's shadow. He controls her every move--what she wears, the food she eats, and the friends she's allowed to make. If she disobeys, there are...consequences. And he has all the power.

To outsiders, it seems that she leads a fairy-tale life. But nobody ever wonders if Cinderella was happy after she married the prince. Marlena has traded freedom and safety for luxurious imprisonment, and most days, that seems like a bad bargain. Death may be the only exit she's allowed. Just like his first wife. And his second. Unless she flips the script.

Some people just need killing.

Praise:

"The Third Mrs. Durst is a slow, dark burn that leads to a fantastic explosion of an ending."--Victoria Helen Stone, bestselling author of Jane Doe

My Review:

They say that revenge is a dish best served cold. The Third Mrs. Durst serves it as if it were Baked Alaska, carefully prepared, frozen, and set on fire.

I almost said there’s no mystery here, that The Third Mrs. Durst is purely a thriller – and purely a thrill from beginning to end. Then I thought about it a bit, and realized that yes, it is also a mystery. Just not the mystery that the reader expects until the very, very end.

It seems like a dark twist on the Cinderella story, as it’s intended to be. Marlena Altizer escapes from the cowboy heroin capital of the world. The backwoods of Kentucky where oxycodone has destroyed lives, families and entire towns.

Marlena runs away to escape a world that holds no future for her except early and too many pregnancies, too many easy but temporary escapes via drugs and alcohol, and an early death after a battered life. The life that her mother chose.

Marlena chooses another path.

At first it seems like she’s chosen to be Cinderella, escaping from her drudgery of an existence to a world of glitz and glamour – but with an even darker underbelly. She gets lucky – becomes a model and mostly doesn’t have to pay for her chances with her body.

Until she chooses to trade that body for the high-life as the trophy wife of a high-roller who just so happens to have a taste for beautiful young women with no pasts – so that he can mold them into exactly what he wants.

Marlena knows it’s a dark and dirty bargain – but it’s exactly what she bargained for. Until it looks like her “loving” husband has set his plans to make her follow the first Mrs. Durst, and the second Mrs. Durst, a little sooner than she was ready for.

Marlena Altizer Durst has no intention of joining her predecessors in the death that their Bluebeard of a husband has planned for her. Whether she can escape his deadly clutches is another thing entirely.

And get him into hers.

Escape Rating A+: This one had me from beginning to end. I got sucked in at breakfast and didn’t spill out until after dinner – gasping at the ending. An ending which reminds me a lot of the classic movie, The Sting, the kind of ending where you gasp and blink and realize that everything you thought you knew was what you were intended to know – and that you have been completely misdirected right along with most of the characters in the story.

And that’s as much as I’m going to say about that because I don’t want to spoil the effect. But it’s a wow!

What makes this so compelling is the character of Marlena, and the way that her story and her motivations are revealed slowly and carefully. In spite of being inside her head, we’ve been deceived right along with everyone else.

At first, this seems like a dark Pretty Woman. And it’s a story that we’ve seen and read about too many times. A young woman thinks she’s found a golden ticket only to discover that she’s been bought and sold by a man who holds all the cards. She’s his creation, and his puppet. He controls her with isolation, with violence, and with threats to anyone that she loves. She’s trapped and she knows it and he loves knowing that he has all the control.

But as the story progresses, we discover that it’s not exactly what we thought. Marlena went into this horror with her eyes wide open. She has an agenda of her own. She wants revenge for her sister, the first Mrs. Durst. She’s just not sure she can get it. Michael Durst is more ruthless – and less hinged, than she imagined.

She still plays her hand, fearing all the while that she may have dealt herself into a higher stakes game than she planned. As hard as it is to read about the abuse that she suffers, we are frightened for her. It seems as if its too much for her to take – and too much for us.

Then it all goes completely pear-shaped – not that it was any bed of roses before. It looks like her plans have unraveled. And then – boom! A boom that will explode everything. For her, for him, and especially for the reader, blinking and gasping at the end.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

To celebrate the release of THE THIRD MRS. DURST by Ann Aguirre we’re giving away a $25 Amazon gift card to one lucky winner!

LINK:  http://bit.ly/2xR3Suw 

GIVEAWAY TERMS & CONDITIONS:  Open to internationally. One winner will receive a $25 Amazon gift card. This giveaway is administered by Pure Textuality PR on behalf of Ann Aguirre. Giveaway ends 8/18/2019 @ 11:59pm EST.

Review: Forgotten Bones by Vivian Barz + Giveaway

Review: Forgotten Bones by Vivian Barz + GiveawayForgotten Bones by Vivian Barz
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, thriller
Series: Dead Remaining #1
Pages: 302
Published by Thomas & Mercer on August 1, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

An unlikely pair teams up to investigate a brutal murder in a haunting thriller that walks the line between reality and impossibility.

When small-town police officers discover the grave of a young boy, they’re quick to pin the crime on a convicted felon who lives nearby. But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she’s just getting started.

Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia—or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan’s instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI’s closing in.

Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric’s hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?

My Review:

Forgotten Bones is definitely not a book to be read with the lights off. Or alone in the middle of the night. Or anyplace where it can feel like the creepy-crawlies might be closing in.

This one sits at the intersection between mystery/thriller, horror and paranormal – and that’s not a comfortable place to be in the dark. It’s a fascinating place, in the thrills and chills kind of way, but not exactly comfy or cozy.

A place to get really, really to get sucked into – but absolutely not cozy. Unless you like to cozy up to claustrophobia.

There are two protagonists in this story. One seems fairly typical for the genre, but the other is definitely not. And that’s part of what makes the story so fascinating.

Perrick, California is a small town, and Susan Marlan is a member of its equally small police force. She’s relatively young, still pretty gung-ho about policing and crime solving, and kind of stuck.

Not that she can’t leave, but that the police chief is also her mentor – and he’s just weeks shy of retirement. There might be promotions in the inevitable shuffling in the wake of his departure. And Perrick is her home.

We’ve seen Susan’s type before in plenty of mysteries. She’s the young investigator who just can’t let go when a big crime – with its attendant opportunities for recognition and promotion – drops into her lap. So of course she goes out on her own, against orders and definitely off the books, to try to solve the case before the FBI. Or perhaps in spite of the FBI, as she’s sure the neat and tidy solution they finally come up with isn’t all there is.

And there needs to be plenty. Because the crime that has been uncovered under the soil of tiny Perrick becomes known as the “Death Farm”. Twenty-plus bodies have been hiding under a local farm, bodies going back decades. All – but one – children. Young children. Decades of dead little boys and girls.

Susan feels compelled to find the killers – because the FBI find one but not his partner.

Eric Evans is compelled too, but he’s compelled by the dead. He’s just arrived in Perrick to teach at the local community college after his life derails in Philly.

Eric is extremely lucky that he couldn’t possibly have been the perpetrator or any of the murders, because if he were he would have been the FBI’s best suspect. Eric was diagnosed with schizophrenia years ago. He manages his condition with medication, and he’s mostly successful. He’s high functioning, to the point of being a good teacher, a decent drummer and completely capable of forming friendships and relationships and making a good life for himself.

But something about Perrick is sending him off the rails, or so it seems at first. The dead invade his dreams – and his waking life. The dead children from that farm. When he can’t pretend that the visions are just dreams, he tries to believe that they are just a symptom of his illness.

In the end, he teams up with Susan. She’s compelled to find the truth. He’s compelled to bring that truth to light to get those children out of his head, his house and even his classroom before someone decides that he’s even crazier than he actually is.

Or someone decides that Susan and Eric need to be the final victims.

Escape Rating B+: The crime in this story, the multi-year, multi-victim murder spree, is not unprecedented. There have been real-life cases where “death farms” have been discovered, to the nightmares of investigators and local residents alike, after an event uncovers one or a few of the bodies.

(I’m particularly thinking of the case of Belle Gunness in LaPorte County Indiana, which is indelibly imprinted on my brain. I was attending a dinner meeting and the post-dinner speaker gave the assembled – and rather startled – diners a fascinating but stomach-churning talk about her murder spree and discovery – complete with pictures. And I’m finding myself wondering what the post-lecture bar tab turned out to be…)

Susan Marlan is not an atypical investigator in a case – or story – like this one. The young cop going a bit rogue because she (or he) knows that the powers-that-be – the FBI in this case – are willingly overlooking something because it interferes with their neat theory. And because they want to go back to their big city home office and get out of tiny wherever.

And because someone local misdirects the out-of-towners for usually underhanded reasons of their own – as happens in this case. That the reader has a handle on who the perpetrators are long before the FBI – and even somewhat before Susan – does not detract from the compelling readability of the story.

Because this is a case where Susan’s actions and reactions in the face of that discovery are more important than the discovery itself.

What makes this tale rise above its stock characters is Eric Evans. The story does not fall into the trap of making Eric an obvious suspect so that he has to find the killer to get himself out of the frame. That would have been an easy way to go, and the story is much better for not going there.

It also feels like it treats his mental illness sympathetically and realistically – as well as his reactions to it and people’s reactions to him. That Susan is able to accept both his help and him is what powers this book into the opener of what could be a fascinating series. Hidden Bones will come to light this time next year. I’ll be looking for it when I want some creepy chills to go along with my mystery thrills.

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of Forgotten Bones to one lucky US/CAN commenter on this tour!

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Review: Relative Fortunes by Marlowe Benn + Giveaway

Review: Relative Fortunes by Marlowe Benn + GiveawayRelative Fortunes by Marlowe Benn
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Julia Kydd #1
Pages: 320
Published by Lake Union Publishing on August 1, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

In 1920s New York, the price of a woman’s independence can be exorbitant—even fatal.

In 1924 Manhattan, women’s suffrage is old news. For sophisticated booklover Julia Kydd, life’s too short for politics. With her cropped hair and penchant for independent living, Julia wants only to launch her own new private press. But as a woman, Julia must fight for what’s hers—including the inheritance her estranged half brother, Philip, has challenged, putting her aspirations in jeopardy.

When her friend’s sister, Naomi Rankin, dies suddenly of an apparent suicide, Julia is shocked at the wealthy family’s indifference toward the ardent suffragist’s death. Naomi chose poverty and hardship over a submissive marriage and a husband’s control of her money. Now, her death suggests the struggle was more than she could bear.

Julia, however, is skeptical. Doubtful of her suspicions, Philip proposes a glib wager: if Julia can prove Naomi was in fact murdered, he’ll drop his claims to her wealth. Julia soon discovers Naomi’s life was as turbulent and enigmatic as her death. And as she gets closer to the truth, Julia sees there’s much more at stake than her inheritance…

My Review:

The title of this one is certainly a play on the words “relative” and “fortunes” and just how they relate to each other – with a heaping helping of the corruption of the old saying about where there’s a will, there’s a way – not that that doesn’t also apply.

But in the case of this story, the version of that cliche that I’m thinking of is the one that goes, “where there’s a will, there’s a relative” or even a bunch of relatives, all with their hands out for a piece of the estate – no matter how small.

The beginning of this story involves two different wills in two different families involving two very much alive female legatees. At least until things go completely pear-shaped.

And if you are reading this while female, the number of times that the males in this story control their female siblings’ money and their very lives, supposedly for their own good, will make you grit your teeth and want to scream.

Which doesn’t change the fact that there’s a dead body, an absolutely disgusting coverup, and a desperate need for Julia Kydd to solve the mystery – so she can protect her friend, so that she can wrest some of her own money from her half-brother’s oh-so-protective hands, and so that she can stake out her own claim on independence.

If she can just get past all the men trying to pat her on the head, tell her not to worry her pretty little self and just marry someone already so that she can become some other man’s burden. When all she really wants to do is determine her own life for her own self.

And who can blame her?

Escape Rating B-: This is a story with a lot to unpack in it. Some of which drove me absolutely bonkers.

I was expecting a historical mystery, with the emphasis on the mystery part of that equation. What I got instead was historical fiction, with the emphasis on the history, during which a murder happens to occur and get solved by the heroine.

This is also the first book in a series, and has to carry the weight of the set up of the series, the characters, and all of the worldbuilding to put it properly within its frame – the Roaring 20s in New York City – and mostly among the glitterati.

In the end, although the murder actually takes place before the story opens, the race to solve it doesn’t really kick into gear until ¾ of the way through the book. Discovering that solution is a race to the finish, but the setup is a very slow burn – and I certainly burned right along with Julia.

Julia’s reasons for being in New York, as well as the reason for Naomi Rankin’s death, are very much wrapped up in all of the ways that men can and often do subjugate women, and all the ways that the system of the patriarchy is set up to not merely allow them to do it, but actively encourages them to do so. For the women’s own good, of course.

And that particular theme is a drumbeat over that first ¾ of the book. That things really were that way isn’t up for debate. They were, it was awful, and things aren’t as much better now as we like to think they are. But I got tired of being beaten about the head with those facts over and over and over. As, no doubt, the women subject to them did.

There would have been plenty of other ways to make those same points while still getting on with the mystery, which was itself completely wrapped up in women’s rights and women’s issues. The situation was bad, and the death of Naomi Rankin and the reasons for it offered plenty of opportunities for highlighting just how bad it was without hitting the reader over the head with it at every turn in that long setup.

Particularly as there was so much setup and exposition that the identity of the murderer and at least some of their motives (although not all) became obviously fairly early on.

Your mileage may vary, particularly as the historical detail is excellent. As a reader, I would have been happier with a bit less setup and a bit more mystery. But what I did get was interesting enough that I’ll be back for the next book in the series, Passing Fancies.

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of Relative Fortunes to one US/CAN commenter on this tour. And I’ll be extremely interested to discover what that reader thinks of the story!

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Review: A Conspiracy of Wolves by Candace Robb

Review: A Conspiracy of Wolves by Candace RobbA Conspiracy of Wolves (Owen Archer #11) by Candace Robb
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical mystery
Series: Owen Archer #11
Pages: 256
Published by Severn House Publishers on August 1, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

1374. When a member of one of York’s most prominent families is found dead in the woods, his throat torn out, rumours spread like wildfire that wolves are running loose throughout the city. Persuaded to investigate by the victim’s father, Owen Archer is convinced that a human killer is responsible. But before he can gather sufficient evidence to prove his case, a second body is discovered, stabbed to death. Is there a connection? What secrets are contained within the victim’s household? And what does apprentice healer Alisoun know that she’s not telling? Teaming up with Geoffrey Chaucer, who is in York on a secret mission on behalf of Prince Edward, Owen’s enquiries will draw him headlong into a deadly conspiracy.

My Review:

When I reviewed the previous book in the Owen Archer series, A Vigil of Spies, nearly four years ago, it read as an ending to the series. I wasn’t certain that it was the ending, but it felt very much like it was. Owen’s patron, mentor and employer, John Thoresby, the Archbishop of York, lies dying throughout the story, only to pass, as he did in history, late in the year 1373.

The story felt like it was closing down. Owen Archer seemed to have finished his metamorphosis from the slightly lost and somewhat resentful ex-soldier that he was at the very beginning of the series in The Apothecary Rose, becoming a trusted agent for Thoresby and protector of the city of York, as well as an experienced investigator and a loving and fulfilled family man.

But Owen is just into middle age, made comfortably well-off by Thoresby’s final bequests and actions, but not nearly ready to settle into a life of leisure – or even a life of merely managing his estates.

As A Conspiracy of Wolves opens, Owen in on his way back to York after a visit to those estates, and pondering his options. Options that seem to be in conflict, a conflict that is pointed out rather insistently when Owen is asked to investigate a murder that seems to have been caused by rampaging wolves.

It’s up to Owen to determine whether those wolves have four legs or two, before hysteria grips the entire city.

The case is murky, and so is Owen’s future. He has to figure out the motive for what becomes a series of murders and attempts at it before he can determine who is behind it all. While at every turn he feels caught between his duty to the city and the request, to be read as an order, that he has received from Court.

He wants to stay in York, but he also wants the access to information and authority that comes with serving the crown. But if he doesn’t solve these grisly murders, neither will want his service – nor could he live with himself.

Escape Rating B: The Owen Archer series is an absolutely terrific historical mystery series. Owen, and his wife Lucie the apothecary, change and grow over the course of their adventures, and the author does an excellent job of exploring the world of 14th century York and the swirl of politics that surrounds the capital of the North. This is certainly a series that deepens as it goes, and will reward readers who start at the beginning. After all, Owen comes to York in The Apothecary Rose  to investigate Lucie as a possible murderer. It’s fun to see how they go from mutual suspicion to domestic partnership!

But, as much as I loved this series, I had a difficult time getting into this particular entry. I was very happy to be back in York with these characters, but the beginning of the story felt as murky as Owen’s personal decision making-process.

At the beginning, Owen doesn’t know where he’s going, he doubts what he is doing, and so do we. That the case he’s working on is a confused mess doesn’t help either him or us.

In the 14th century that Owen operates in, forensic science is pretty much non-existent as we know it. He’s forced to rely on observations, his own and other people’s. And while Owen may see clearer than most in spite of the loss of one of his eyes before the series opened, he still only knows what is seen and heard. The body he investigates was meant to appear as though the victim had died from being mauled by a wolf, but he is willing to look deeper – and it doesn’t take much observation – as long as it is detached – to see that under the horrific teeth and claw marks there’s a long, clean gash – the kind made by a sharp knife. Wolves don’t carry knives.

So someone wants it to look like a wolf attacked and wants to get everyone stirred up and suspicious. But of whom – and for what? Owen begins the case with no clue of what and why, only a body.

It takes him a long time – relatively – to learn what this is really all about. Plenty of time and effort for him to doubt himself – even if others do not. And equally plenty of time for pressure to be applied from all sides – to solve the case, and to decide his own fate.

I think that part of my struggle with the story was that I missed the political angles – as does Owen. He misses the authority he used to have, not because he wants power over people, but because it cut through a whole lot of corners. He often feels stymied in his investigation by needing to find allies or seek permission – something he has long lost his taste for.

Once the pieces of the case come together – basically once enough people have died or been attacked that they all stop lying and prevaricating, the conclusion arrives in a flurry of action – and pages.

At the end, Owen does find a way to convince both of his potential masters that they are better off working together through him rather than fighting over his possible service. And his service to the Crown will put him into the thick of the machinations that surrounded the deaths of the Black Prince and Edward III, deaths that set up the decades-long succession fight yet to come. A fight that history has come to call the Wars of the Roses.

This will be grand. Also bloody and messy. But definitely grand.

Review: The Wedding Party by Jasmine Guillory

Review: The Wedding Party by Jasmine GuilloryThe Wedding Party (The Wedding Date, #3) by Jasmine Guillory
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, large print, ebook, audiobook
Genres: Chick Lit, contemporary romance, romantic comedy
Series: Wedding Date #3
Pages: 320
Published by Berkley on July 16, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Maddie and Theo have two things in common:

1. Alexa is their best friend

2. They hate each other

After an “Oops, we made a mistake” kiss, neither one can stop thinking about the other. With Alexa’s wedding rapidly approaching, Maddie and Theo both share bridal party responsibilities that require more interaction with each other than they’re comfortable with. Underneath the sharp barbs they toss at each other is a simmering attraction that won’t fade. It builds until they find themselves sneaking off together to release some tension when Alexa isn’t looking.

But as with any engagement with a nemesis, there are unspoken rules that must be abided by. First and foremost, don’t fall in love.

My Review:

The Wedding Party is the third book in the Wedding Date series, after last year’s marvelous debut, that actual Wedding Date itself, and the followup, The Proposal.

The books in this series have interesting commonalities, as well as surprisingly different opening, but they are all a whole lot of fun.

So far, at least, all of our couples have begun their romances not thinking that they were romances at all. Rather, every single couple starts out as a fling with a time limit, only to discover at a much later date that they have drifted into a real relationship without intending to. Generally without being willing to reveal to their secret significant other that that’s what they have become. And misunderstandings, heartbreak and hilarity ensue in equal measure.

But this series also serves as a kind of lovely introduction to the various romantic tropes, not in a way that is ever cliche, but more as an exploration of the many different ways that people can meet, fall in love, and eventually find their happy.

The first book, The Wedding Date, worked with the “fake date” trope, along with a “trapped in a stuck elevator” start. The stories in the series since that introduction, at least so far, are wrapped around the preparations for the actually wedding of the couple who began as each other’s fake Wedding Date.

The Proposal featured his best friend as well as the woman he rescues from extreme public embarrassment by pretending to be her bestie. The opening of that one is a lesson in “how not to do it” – a lesson that the hero eventually manages to take to heart. The romance in this one is the “rebound turned real”.

And now we’re up to The Wedding Party, and the romance is between two of the people in that party, the bride’s two best friends – who hate each other. So this one is an enemies into lovers story, and a terrific example of the trope.

All three of these stories take place somewhat simultaneously. The Wedding Date kicks things off, but The Proposal and The Wedding Party take place during some of the “offscreen” moments in that first book. In other words, this probably isn’t the place to start. I think you could, but I’m not really sure why you’d want to – you’d miss a lot about the circle of friends that is wrapped up in this wedding.

Those two members of the wedding party are Maddie and Theo, who have both agreed to be the bride’s attendants at the wedding; Maddie as a bridesmaid and Theo as a bridesman. The bride, Alexa, had to make up a title for him, but she doesn’t care as long as he’s part of her party – and he’s happy to be there for her.

Except that he’ll have to spend an awful lot of time with Maddie – and vice versa.

Alexa may be their best friend, but they can’t stand each other. He’s all buttoned down and standoffish, and she’s all fashion and flair. They get along like oil and water. They don’t mix, they don’t want to mix, but they both mostly hold their peace for Alexa’s sake.

It’s going to be awful for both of them, until the wedding. When they can stop pretending to make nice and go back to sniping at each other every chance they get.

Unless all that animosity is a great big cover up for something a whole lot more explosive.

Escape Rating A-: The thing about the enemies to lovers trope that underpins The Wedding Party is that, of course, somewhere along the way the enemies have to turn into lovers. That does not mean they have to love each other, especially at first. But it does mean that at some point they have to fall into bed – or against the wall – or get drunk and horny – or all of the above.

Which leads Maddie and Theo to fall into another classic romance trope. They both figure that the chemistry between them will cool if they just explore it to death. Which never works. They both expect to get the other out of their systems in time for Alexa’s wedding – if not well before then.

Instead, the lack of expectations in their non-relationship relationship allows them to be their truest selves with each other – selves that are not much like the self-protective worst that they both fell into when they first met.

The tension in this story comes not from the “will they/won’t they” because they do. Frequently and often. Instead, it comes from Maddie’s desire to keep their whatever-it-is secret. She doesn’t want Alexa to know – not because their mutual best friend will hate it, but because she’ll love it a bit too much and then be unhappy when it fizzles out.

But it doesn’t fizzle. It keeps on sizzling. By the time they’re both all in, neither is willing to admit it to the other, and the secrecy becomes a monster of it’s very own. And it’s really then that the tension ratchets up to the boiling point – and explodes.

One of the terrific things about this author is that she makes her characters, and their romance, feel real and not contrived – whatever the situation turns out to be. We see Theo and Maddie get real with each other, and we understand why it happens. And then, they do what humans do. They get scared. They react. They overreact.

And it feels like stuff that would happen to real people who have fallen in love and are admittedly being real stupid about the whole thing. They’ve gotten to know the real person hiding behind the others mask, and they like that person and want to be with them.

And so do we.

Next up in the Wedding Date series is Royal Holiday, later this year. Maddie’s mother Vivian gets her chance to find her happy ever after – and I can’t wait.

Review: When We Believed in Mermaids by Barbara O’Neal + Giveaway

Review: When We Believed in Mermaids by Barbara O’Neal + GiveawayWhen We Believed in Mermaids by Barbara O'Neal
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: women's fiction
Pages: 352
Published by Lake Union Publishing on July 16, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

From the author of The Art of Inheriting Secrets comes an emotional new tale of two sisters, an ocean of lies, and a search for the truth.

Her sister has been dead for fifteen years when she sees her on the TV news…

Josie Bianci was killed years ago on a train during a terrorist attack. Gone forever. It’s what her sister, Kit, an ER doctor in Santa Cruz, has always believed. Yet all it takes is a few heart-wrenching seconds to upend Kit’s world. Live coverage of a club fire in Auckland has captured the image of a woman stumbling through the smoke and debris. Her resemblance to Josie is unbelievable. And unmistakable. With it comes a flood of emotions—grief, loss, and anger—that Kit finally has a chance to put to rest: by finding the sister who’s been living a lie.

After arriving in New Zealand, Kit begins her journey with the memories of the past: of days spent on the beach with Josie. Of a lost teenage boy who’d become part of their family. And of a trauma that has haunted Kit and Josie their entire lives.

Now, if two sisters are to reunite, it can only be by unearthing long-buried secrets and facing a devastating truth that has kept them apart far too long. To regain their relationship, they may have to lose everything.

My Review:

This is the story about the deconstruction of a life. Not in the sense that things fall apart, because the lives of both Kit and Josie Bianchi fell apart a long, long time ago. The echoes of what happened in their childhood have rippled like aftershocks through everything that has happened since.

Including, but definitely not limited to, Josie’s death – and the faking thereof.

When We Believed in Mermaids is rather about the examination, in memory, of those long ago events. What begins as a look back at a seemingly perfect childhood that was ripped apart by the Loma Prieta earthquake of 1989 reveals cracks in that perfection – just as the girls’ examination of their cliffside house revealed cracks that made the house’s fall inevitable.

There were plenty of warning signs that a disaster was coming – but the adults were too wrapped up in themselves, and much too damaged themselves, to see it. And the girls were children. It’s only as adults that they are able to look back and see that what went wrong was hardly their fault.

But now they are both adults. And both still scarred. Both, in their own ways, isolated because of it. Kit, whose life has come to be confined to her ER practice, her surfing, and her cat. While Josie, who seemingly has it all, is isolated by her secrets. No one knows her true self. Her past is another country, on another continent, and it happened to someone else.

One brief moment in the background in someone else’s camera frame brings Josie’s worlds into collision. And Kit’s walls come tumbling down.

Escape Rating B+: This is a story that can best be described as quietly charming. It feels like one of those stories where not a lot happens on the surface, but that surface is only 10% of what’s happening. Underneath, Kit and Josie are paddling like crazy.

While the comparison is to an iceberg, there’s nothing cold about the story – including its two settings, the California coast and Auckland, New Zealand. Where it’s a hot and steamy late summer when Kit arrives to investigate that three-second sighting of the sister who has been presumed dead for 15 years.

We begin the story from Kit’s point of view as she believes, disbelieves, questions and investigates a possibility that has haunted her for all of her adult life. What if Josie is still alive?

In alternating chapters we find ourselves looking through the eyes of a woman named Mari. Who seemingly has it all, a rich and handsome husband, two terrific kids, a storied house to investigate – and a gigantic secret.

As both Kit and Mari remember their childhoods, with each dive into the past revealing more cracks in that originally perfect surface, their memories converge. It’s obvious fairly quickly that Mari is Josie, and that she’s rightfully worried that her few seconds in that background shot are going to bring her world crashing down – and she’s right.

But until the crash, it’s Kit’s view that holds the attention. While Mari has found the life she dreamed of, and is afraid of losing it – Kit is very much still seeking, not just Josie, but a life that will not merely sustain her but support her and enrich her spirit. Her search, including her hesitant relationship with the handsome Spanish guitarist Jose Velez, opens her heart and shakes her certainties – even as she hunts down the sister she never expected to find.

Kit’s on a quest, and somewhat ironically, Josie is the macguffin she’s looking for. But all the while, both of them are internally exploring their memories of the life they once shared together. As those memories reach toward the present, Josie and Kit reach towards each other.

And the possibility of a shared – and much brighter – future.

I picked up When We Believed in Mermaids because I enjoyed The Art of Inheriting Secrets by this same author very much, with just a few quibbles. The same is true about When We Believed in Mermaids, including the quibbles. Both are stories where events in the present cause the narrator(s) to search through their own pasts as well as the past of a place that they become involved with in the course of the story, so if you like one you’ll definitely like the other.

In The Art of Inheriting Secrets, I had a couple of issues with the way that the hesitant romance in that book proceeded, but loved the look back into the past of the house she inherits and the mother she discovers that she never really knew. There’s also an old house in Mermaids, and I was hoping for as interesting a reveal of its history as there was in Secrets, but alas, it was not to be. The secrets about Sapphire House, when finally revealed, felt anticlimactic. That was the one part of the story where I really expected more.

Then again, I love stories about research done well and filled with fascinating reveals. And there were plenty of those fascinating reveals in Kit and Josie’s hesitant journeys down memory lane. As I said, this story is quietly charming, and I was certainly charmed. If you’re looking for a beach read this summer all you have to do is believe in these mermaids!

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of When We Believed in Mermaids to one lucky (US/CAN) commenter on this tour!

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