Source: supplied by publisher via NetGalley

Review: Who Speaks for the Damned by C.S. Harris + Giveaway

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews> Giveaways
Review: Who Speaks for the Damned by C.S. Harris + GiveawayWho Speaks for the Damned (Sebastian St. Cyr, #15) by C.S. Harris
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Sebastian St. Cyr #15
Pages: 336
Published by Berkley on April 7, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Sebastian St. Cyr investigates the mysterious life and death of a nobleman accused of murder in this enthralling new historical mystery from the USA Today bestselling author of Why Kill the Innocent....

It's June 1814, and the royal families of Austria, Russia, and the German states have gathered in London at the Prince Regent's invitation to celebrate the defeat of Napoléon and the restoration of monarchical control throughout Europe. But the festive atmosphere is marred one warm summer evening by the brutal murder of a disgraced British nobleman long thought dead.

Eighteen years before, Nicholas Hayes, the third son of the late Earl of Seaford, was accused of killing a beautiful young French émigré and transported to Botany Bay for life. Even before his conviction, Hayes had been disowned by his father. Few in London were surprised when they heard the ne'er-do-well had died in New South Wales in 1799. But those reports were obviously wrong. Recently Hayes returned to London with a mysterious young boy in tow--a child who vanishes shortly after Nicholas's body is discovered.

Sebastian St. Cyr, Viscount Devlin, is drawn into the investigation by his valet, Jules Calhoun. With Calhoun's help, Sebastian begins to piece together the shattered life of the late Earl's ill-fated youngest son. Why did Nicholas risk his life and freedom by returning to England? And why did he bring the now-missing young boy with him? Several nervous Londoners had reason to fear that Nicholas Hayes had returned to kill them. One of them might have decided to kill him first.

My Review:

Once upon a time, the author of the Sebastian St. Cyr series described how she came to write St. Cyr and his series. She said that she wanted to create a character who seemed, on the surface, to be the epitome of the Regency hero; tall, dark, handsome and brooding. (I think with emphasis on the brooding.) But then to explicitly NOT make him the hero of a Regency romance. Thus was Sebastian St. Cyr, Viscount Devlin, born.

A much later description of Devlin referred to him as Darcy with more than a touch of James Bond, but that doesn’t really feel right. St. Cyr seems to have always been carrying too much emotional baggage to have ever been Darcy, while his adventures and investigations take him into much darker places than Bond usually goes and afford him considerably fewer technological toys – even ones that would have existed in the Regency.

St. Cyr relies on his instincts, his brains and his considerable ability to fight as dirty as necessary, whether that fight involves fisticuffs, social exposure or politics – as much as he hates the latter options when needed.

When his story began in 2005 – or in 1811 in St. Cyr’s world, England was on the brink of the Regency and St. Cyr was a battle-scarred veteran of the Napoleonic Wars, unable to settle or sleep, wracked with PTSD after his life-altering experiences in a war that had not yet ended. (Even by the time period of this 15th book in the series, 1814, the war is still not over. It is merely in abeyance during Napoleon’s exile on the island of Elba.)

St. Cyr, as the heir to an earldom, should be one of the Regency dandies that appear in the pages of so many romances set in the period. Instead, he has become an unofficial and unpaid murder investigator with the help of the head of the newly formed police agency at Bow Street. His membership at the highest levels of the aristocracy allows him to poke his nose into many, many places where a simple copper would be thrown out the back door.

Even his father-in-law, the Prince Regent’s cousin and spymaster Jarvis, is forced to deal with St. Cyr whether he likes it or not. And he definitely does not.

This latest entry in the series is an enthralling mystery that does an especially good job of exposing the glitter of the Regency Era as the bio-luminescence of something rotting in the dark, as St. Cyr finds himself investigating the death of a man who is all too much like the one that he sees in his own mirror. There but for the grace of god, and just a few scraps of luck that turned good instead of bad, would have gone St. Cyr.

It’s a case he can’t let go of, no matter how many times he’s warned off. And no matter how high the halls of power that he needs to bring low.

Escape Rating A+: It should be fairly clear that this is one of my favorite series. In fact, if it isn’t clear already, as part of my Blogo-Birthday Celebration I ONLY review stuff I really, really love. After all, this is my birthday and the blog’s birthday and why shouldn’t I treat myself to some books and authors that I know I’ll love?

Especially since this whole week is a hobbit’s birthday, meaning that I give presents instead of getting them. It just wouldn’t do to give away books I don’t utterly adore.

What I love about this series in general, and it’s certainly exemplified by this entry, boils down to two things. One is certainly the development of the characters. St. Cyr and his wife Hero have created a partnership of equals in a way that doesn’t often happen in historical romance. They have both come through dark places and dark things, and found each other in spite of people and circumstances that stood in their way.

They both carry a lot of baggage, and it is not a weight that either can carry FOR the other. Rather, carrying it together lightens the load. I also have to say that more than either Darcy or Bond, the character that St. Cyr most often reminds me of is Roarke from the In Death series. They share the same kind of darkness in their pasts, and they both work on expiating their demons in the same ways. They have also both formed strong partnerships with women who were initially on opposing sides from themselves.

The other thing that makes this series so strong is its setting. It is so much the opposite of what we think of the Regency as being. There was so much glitter at the top, and so much rot underneath. The murder in this story is a case in point. The powers-that-be have already decided who MUST be guilty, regardless of who is actually guilty. The attitudes reflected by our protagonists resonate with 21st century readers and yet feel part and parcel of their time and place.

Wrong is always wrong. Murder is always murder. No matter who the victim was, or what they, themselves might have done. That St. Cyr sees so much of himself in this particular victim adds to the poignancy of the whole story.

In the end, good triumphed, at least temporarily. Evil got its just desserts. And the powers that be blame St. Cyr for righting a wrong that many would have preferred to bury. A combination of things as they should be with the acknowledgement that many in power do not desire that outcome.

While I am eagerly awaiting St. Cyr’s next case, probably this time next year, I’m offering one lucky reader the chance to either begin this marvelous series or pick up wherever they might have left off. This is a series where you do need to at least start at the beginning. I read the first few, lost track of the series in the middle and have returned for the last several and have enjoyed every single one since I returned.

I hope that the winner of this giveaway will too.

a Rafflecopter giveaway

Review: The Other Bennet Sister by Janice Hadlow

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Other Bennet Sister by Janice HadlowThe Other Bennet Sister by Janice Hadlow
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, retellings
Pages: 480
Published by Henry Holt and Co. on March 31, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Mary, the bookish ugly duckling of Pride and Prejudice’s five Bennet sisters, emerges from the shadows and transforms into a desired woman with choices of her own.

What if Mary Bennet’s life took a different path from that laid out for her in Pride and Prejudice? What if the frustrated intellectual of the Bennet family, the marginalized middle daughter, the plain girl who takes refuge in her books, eventually found the fulfillment enjoyed by her prettier, more confident sisters? This is the plot of The Other Bennet Sister, a debut novel with exactly the affection and authority to satisfy Austen fans.

Ultimately, Mary’s journey is like that taken by every Austen heroine. She learns that she can only expect joy when she has accepted who she really is. She must throw off the false expectations and wrong ideas that have combined to obscure her true nature and prevented her from what makes her happy. Only when she undergoes this evolution does she have a chance at finding fulfillment; only then does she have the clarity to recognize her partner when he presents himself—and only at that moment is she genuinely worthy of love.

Mary’s destiny diverges from that of her sisters. It does not involve broad acres or landed gentry. But it does include a man; and, as in all Austen novels, Mary must decide whether he is the truly the one for her. In The Other Bennet Sister, Mary is a fully rounded character—complex, conflicted, and often uncertain; but also vulnerable, supremely sympathetic, and ultimately the protagonist of an uncommonly satisfying debut novel.

My Review:

The Other Bennet Sister (UK Cover)

The Other Bennet Sister is definitely NOT a book to be judged by its cover. I really hated that cover – and this is one of the rare occasions where the UK cover is just as bad. Both covers seem to picture Mary Bennet exactly as she was in Pride and Prejudice. She seems washed out in the US cover and judgmental in the UK cover.

But I loved the book.

The real Mary, or at least the version I want to be the real Mary, does begin her story as sermonizing and judgmental. But, and it’s a HUGE but, because this is Mary’s own story and not the story of her much more brightly shining sisters, we see that Mary’s behavior is the result of being shy and withdrawn. She’s retreated into herself because she’s the frequently overlooked and often denigrated middle sister, trapped between the gorgeously beautiful Jane and Lizzy and the shallow but pretty Kitty and Lydia.

She’s not really an ugly duckling in the midst of a flock of swans, but her mother sure as hell makes her feel like it at every turn. I didn’t like Mrs. Bennet in the original story – AT ALL – and I like her even less here. Actually, I loathe her even more than I dislike this book’s cover.

Mary isn’t a diamond of the first water, as her older sisters are. She doesn’t sparkle the way her younger sisters do. But she is as pretty as any other young woman of her time, and would have been fine in any family slightly more functional than the Bennets.

But this is not a parallel story to Pride and Prejudice. Instead, it’s more like an alternate sequel, as most of the events take place after the end of P&P. Not merely after those events, but also after the long-feared death of Mr. Bennet, leaving Mrs. Bennet and her remaining unmarried daughters, Mary and Kitty.

And that is where Mary’s story really begins, as she starts the process of taking control of her own life for her own self – in spite of her mother’s frequent interference and constant disparaging – and often melodramatic – pronouncements.

Once Mary is on her own the story takes flight, as she explores the limited varieties of life possible for a spinster and begins to craft her own beliefs about who she is and how she should live – whether she manages to marry or not.

That the end of her journey of self-discovery leads her to love and happiness is the icing on a delightful and thoroughly tasty little cake of a story.

Escape Rating A-: In the end, I enjoyed The Other Bennet Sister considerably more than I expected to at the beginning. I’ve read Pride and Prejudice, but I’m not a fan or an aficionado. I found Mrs. Bennet in particular to be utterly appalling as a character, and Caroline Bingley and Catherine de Bourgh are not people I’d ever want to spend much time with. Certainly not enough time to ever attempt a reread of the book.

So one of the things I really liked about The Other Bennet Sister is that none of these petty villains are ever described as anything more than exactly what they are.

It does make for some fairly hard reading at the beginning of the story, as we pretty much suffer right along with Mary as she is first constantly berated by Mrs. Bennet, and then is forced to take on the role of charity case in the homes of both Elizabeth and then Jane as they subtly or not-so-subtly make her aware that she’s unwanted and unwelcome.

She has no place and she has no choice and that’s a difficult situation to be in.

But that’s when she takes things into her own hands and looks for other options, first with Lizzy’s friend Charlotte and her husband Mr. Collins – who was a figure of fun in the original, much like Mary herself.

It’s only when Mary takes herself off to her aunt, Mrs. Gardiner, that she finally finds a place where she is welcome and can work out her own future, whatever it might be. But all along Mary is brave and forthright, even in situations where those around her do their level best to keep her as far down as possible.

It’s fun watching her grow and expand her horizons. It’s also heartening to see her look hard at the easy way out but reject it as unworthy, over and over. She does a great job of exploring her limited possibilities and making her best choices.

In the end, Mary is a fascinating character, a woman with agency but one whose thoughts, beliefs and choices reflect her time and not ours. The Other Bennet Sister is a lovely story that uses its original as a springboard to something better!

Review: Hearts of Oak by Eddie Robson

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: Hearts of Oak by Eddie RobsonHearts of Oak by Eddie Robson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, science fiction
Pages: 266
Published by Tordotcom on March 17, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

The buildings grow.

And the city expands.

And the people of the land are starting to behave abnormally.

Or perhaps they’ve always behaved that way, and it’s normality that’s at fault.

And the king of the land confers with his best friend, who happens to be his closest advisor, who also happens to be a talking cat. But that’s all perfectly natural and not at all weird.

And when chief architect Iona wakes from a long period of blindly accepting the status quo, she realizes there’s a mystery to be solved. A strange, somewhat bizarre mystery, to be sure, but no less dangerous for its improbability.

And the cat is almost certainly involved!

My Review:

Talking cats are generally an indicator that you are either reading a cozy mystery or an animal odyssey like Watership Down or Redwall.

Or, that something is really, really wrong. Because cats aren’t supposed to speak in complete English sentences – or whatever language you might speak. Any story where the king’s wisest counselor and closest adviser is a talking cat is either a fantasy of some sort or a story where things have gone really, really off-kilter at the very least.

With that talking cat at the center of it all. Having played more than one game where a villain took the form of a talking cat, I was expecting the very, very wrong.

The situation in Hearts of Oak was wronger than that. Also weirder. Much, much weirder.

At first it merely seems as if the cat is manipulative – as they are – the king is a chucklehead and the elderly architect who is our point of view character is a bit too far past it to figure just what it is about the city that feels so -odd

She’s certainly aware that something feels “off” but can’t quite get her mind to wrap around exactly what – at least not until the cremation ceremony when a member of the audience leaps onto the casket just as its about to be engulfed by the flames.

At that point, it’s pretty obvious that something is amiss, but just not what.

At that point we are all, like the architect Iona, pretty much invested in the fantasy-like scenario of the ever-growing city, the slightly oblivious king and the dreamlike, slightly soporific quality of the place.

And that’s the point where it all goes pear-shaped, and  all of the perspectives, especially Iona’s and our own, get turned on their heads.

When we – and Iona – discover that nothing about this world has ever been as it seemed.

That’s the point where the oh-so-subtle wrong becomes very, very interesting. And Iona’s situation goes far more pear-shaped than she – and the reader – ever imagined.

Escape Rating B: The story at its beginning has kind of a dreamlike quality. It feels obvious to the reader – at least to this reader – that things are not as they seem and that the cat is at the heart of it all. That particular reveal didn’t feel like all that big of a discovery.

But the point where Iona’s perspective goes through its sudden and dramatic shift takes the story in a direction that absolutely was not expected – nor should it have been. I expected that Iona’s world was stranger than she imagined, but had no clue that it was stranger in the particular way that it is.

There’s more than a bit of charm to this story and the way that its told, as well as a bit of pathos in Iona’s ultimate fate. At the same time, looking back on the story now that it’s over, it feels like there were a whole bunch of themes and plot points that were plucked from different branches of speculative fiction and melded into the whole of Hearts of Oak.

In other words, there were plenty of moments where I felt like I’d read that part of the story before – or seen it on one or more SFF TV show. At the same time, the whole was, not so much greater than the sum of its parts as completely different from the sum of its parts. A feeling that makes no sense but still feels true.

Hearts of Oak is a fun, quirky read that takes itself places that the reader never expects. It’s not really character driven, and when I think about it it doesn’t feel plot-driven either. If I had to describe it – and I kind of do – I’d have to say that it’s really twist-and-turn driven. Just about the time when you think you know where it’s going – or at least begin to recognize where it’s been – it takes a completely different twist and you have to re-evaluate the parts you’ve already read.

If you like stories as puzzles, this one is fascinating. With a twist in the end that cuts like a knife.

Review: The Empress of Salt and Fortune by Nghi Vo

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Empress of Salt and Fortune by Nghi VoThe Empress of Salt and Fortune (Singing Hills Cycle #1) by Nghi Vo
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, historical fantasy
Series: Singing Hills Cycle #1
Pages: 122
Published by Tordotcom on March 24, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

With the heart of an Atwood tale and the visuals of a classic Asian period drama The Empress of Salt and Fortune is a tightly and lushly written narrative about empire, storytelling, and the anger of women.

A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.

Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.

At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.

My Review:

This was lovely. And fascinating. I have the feeling I’ll need to read it again to have even a shot at picking up everything there is to pick up from this tiny and perfect little story.

It feels like the creation of a myth – or the exploration of one. It reads like it’s a bit of hidden history – a history that has been suppressed and that, of necessity, will continue to be suppressed.

From one perspective, it’s the story of all the women who have been lost to history – all of the lost and the murdered and the exiled and especially the silenced. It’s a tale as old as time, but not one of the pretty ones.

It’s the story of a princess bartered away for peace between two kingdoms, a princess who is cast into exile and imprisonment when her days of usefulness are over. And it is all the tragedy that the scenario implies.

At the same time, it’s a story about not just fighting back, but actually about triumphing over one’s oppressors. About taking what are supposed to be the ruins of a life and turning them into something sharp and pointed and ultimately victorious.

It’s a story about being forced into the shadows and becoming the knife that strikes from the dark.

An empress is forced into exile. Instead of taking her exile in any of the ways that exiled empresses usually do, she finds a way to turn the tables on her oppressor – by gathering up the talents of all the forgotten ones in the land she will come to rule.

But this isn’t her story. Not exactly.

It’s the story of her faithful servant, handmaiden and secret lover. The story of the woman who befriended and enabled her, and who sacrificed her own happiness to make her rise possible.

So it feels a bit like a historical fable, in the setting of an Asian period drama. It also has something to say about history, how it’s written, how it’s discovered, how it’s preserved.

Whether the teller of that history is a ghost, a spirit or just one of those forgotten voices is left to the reader to decide.

But whoever is telling this story, or discovering it, or recording it, it’s beautiful and haunting every step of its way.

Escape Rating A-: It took me a bit to get into this, quite likely because it wasn’t what I was expecting. The story is not told in a straightforward fashion. Instead it’s dribbled out in little sips and small bites, as the former handmaiden – or her ghost or spirit – reveals it bit by bit to the historian who has come looking for artifacts to document the hidden facets of an all-too-recent history.

It reads like a legend, like a myth or story being told, with hints and oblique views and a lesson that’s meant to be inferred rather than explained.

There’s certainly a feminist bent to it if you look, as all of the major characters are female and this is definitely a story where the woman who was supposed to fade into obscurity instead takes control – and is extremely subversive but effective at it.

In the end, the empress creates her own myth, and we’re reading that myth as it’s told by the person who helped to create and shape it. There’s a lyrical quality to the telling that doesn’t so much grab the reader as insinuate itself into the reader’s consciousness.

Although this is labelled as fantasy, it’s fantasy of the mythic variety. It’s fantasy because it’s not SF and it’s not anything else – not because there is any practicing magic. But magic there definitely is.

Review: Knight of the Silver Circle by Duncan M. Hamilton

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Knight of the Silver Circle by Duncan M. HamiltonKnight of the Silver Circle by Duncan M. Hamilton
Format: eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: sword and sorcery, urban fantasy
Series: Dragonslayer #2
Pages: 320
Published by Tor Books on November 19, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

*AUTHOR OF ONE OF BUZZFEED'S GREATEST FANTASY BOOKS OF 2013*From the author of the beloved Society of Sword and Wolf of the North trilogies, Duncan M. Hamilton's Knight
of the Silver Circle
--the sequel adventure-packed fantasy to Dragonslayer in The Dragonslayer trilogy--is perfect for fans of magical beasts and unexpected heroes

Three dragons wreak havoc throughout Mirabay--eating livestock, killing humans, and burning entire villages to ash. It was nearly impossible to kill one, using a legendary sword and the magic of the mysterious Cup; to tackle three, Guillot dal Villerauvais will need help.

The mage Solène fears having to kill again; she leaves Gill to gain greater control over her magic.

The Prince Bishop still wants Gill dead, but more than that, he wants the Cup, and he'll do whatever he has to to get it, even sending his own daughter--a talented thief and assassin--into the dragons' path.

As secrets mount on secrets and betrayals on betrayals, both Guillot and Solène face critical decisions that will settle not only their own fate but that of all Mirabaya.

The Dragonslayer Trilogy: 1. Dragonslayer2. Knight of the Silver Circle3. Servant of the Crown

My Review:

I want to call Guillot dal Villerauvais an antihero, because if there’s one thing the man does not want to be, it’s a hero. He’s been there and done that and knows, for sure, for certain and for true, that the so-called glory is empty. As tempting as the adulation still is, he’s all too aware that it’s a cup of poison.

And so much of his personal behavior since he left the capital in disgrace five years ago has been, well, let’s call it less than heroic that it feels wrong for him to accept any of it. He knows he has plenty to atone for – and that killing the dragon that destroyed his village is just a drop in a very large bucket.

But now that he’s needed, truly needed – and feels guilty as hell about why he’s needed even though it isn’t his fault – he’s there. On the front line. In front of the damn dragon. Or in this book, dragons, plural.

Once Gill learns that the dragon he killed wasn’t the only one left in the world after all, he sets out to kill the not one but three that seem to have followed in its wake. After all, he’s the only “experienced” dragonslayer in Mirabaya – or anywhere else – in more than a thousand years.

He’ll just have to put that experience to work – again, and again, and again.

But without the help of his unsung assistant, the sorceress Solène. Solène unlocked the secrets that gave the original Knights of the Silver Circle their power. Solène can’t control her magic – to the point where that lack of control will kill her.

So she leaves Gill with the magical cup, the words to say, and a hope and a prayer that it will be enough to see him through.

While the Prince Bishop plots back in the capital to steal the glory that Gill has no use for, the cup that makes it all possible, and the kingdom if he can manage it.

He almost certainly can. He’ll just need a little bit of magic – along with a ruthless desire to let nothing stand in his way. Not even the king he’s supposed to serve.

Escape Rating A+: So far, this series has turned out to be a joy and a delight. I loved Dragonslayer, to the point where I couldn’t stand to wait for the utterly marvelous audiobook to play out and switched to the ebook just to see what happened that much faster. As I did this time around, switching from audio to text at about the 40% mark.

It’s obvious that I have no more patience waiting to see how a good book tells its story than the Prince Bishop does waiting for all of his many, many plans to ripen to fruition.

Like the first book in the series, this second book tells its rather epic story in a relatively short number of pages while keeping its large scope. At the same time, it hews to its sword and sorcery roots by switching perspectives from the swordsman Gill to the burgeoning sorceress Solène to the power-hungry politician Amaury with all the aplomb of the ablest swashbuckler.

But the washed-up, wasted, struggling Gill is the true hero and the true focus. Solène has her own story, but a big part of our interest in her revolves around her aid to Gill. And Amaury, well, Amaury is the villain and nemesis that every good hero needs. Smart, politically savvy, utterly ruthless and completely without remorse.

A big part of this entry in the series, which is a middle book that manages totally NOT to feel like one, is on the dragon hunt. Several of them, appropriately, as there are not one but three dragons this time around. There’s plenty of glory to be had, and plenty of men looking to grab it. That they are underprepared and less than successful is no surprise but adds plenty of drama and action to the story.

At the same time, there’s an underlying truth to this part of the saga that reminds me in a very peculiar way of Star Trek IV: The Voyage Home. If you’re not familiar, that’s the one with the whales. And Mirabaya or at least its Prince Bishop, like the Earth of that movie, is about to discover that the thing that can save them is the thing that they’ve been so successful at destroying.

The ways in which that destruction will bite someone, or several someones, in the ass will be revealed in the final book in the trilogy, Servant of the Crown. Which I can’t wait to start in the morning.

Review: The Sea Glass Cottage by RaeAnne Thayne

Posted on by Marlene Harris | Author : | B+ Reviews> blog tours> book reviews
Review: The Sea Glass Cottage by RaeAnne ThayneThe Sea Glass Cottage by RaeAnne Thayne
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, large print, ebook, audiobook
Genres: contemporary romance, women's fiction
Series: Cape Sanctuary #1
Pages: 384
Published by Hqn on March 17, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

The life Olivia Harper always dreamed of isn’t so dreamy these days. The 16-hour work days are unfulfilling and so are things with her on-again, off-again boyfriend. But when she hears that her estranged mother, Juliet, has been seriously injured in a car accident, Liv has no choice but to pack up her life and head home to beautiful Cape Sanctuary on the Northern California coast.

It’s just for a few months—that’s what Liv keeps telling herself. But the closer she gets to Cape Sanctuary, the painful memories start flooding back: Natalie, her vibrant, passionate older sister who downward-spiraled into addiction. The fights with her mother who enabled her sister at every turn. The overdose that took Natalie, leaving her now-teenaged daughter, Caitlin, an orphan.

As Liv tries to balance her own needs with those of her injured mother and an obstinate, resentful fifteen-year-old, it becomes clear that all three Harper women have been keeping heartbreaking secrets from one another. And as those secrets are revealed, Liv, Juliet, and Caitlin will see that it’s never too late—or too early—to heal family wounds and find forgiveness.

My Review:

One of the great things about being part of, let’s call it pre-Millennial Generation is that all of our youthful embarrassments and peccadilloes were thankfully NOT recorded and posted on the interwebs for all to see – and for all to resurrect from the dusty vaults of the Internet Archive or the Wayback Machine if we become even semi-famous, whether accidentally or on purpose.

However, some of us wrote in diaries made out of dead-tree stuff. In other words, paper. And paper is a fantastic way of preserving the thoughts and feelings of the past – whether those thoughts and feelings deserve preservation or not.

The things that Olivia Harper and her late sister Natalie wrote in their high school diaries creep out of the dusty past to bedevil and haunt not just the still-surviving – and still wounded – Olivia after all these years, but also Natalie’s daughter Caitlin, now 15 and searching for the baby daddy that her mother never revealed to a soul. Not her daughter, not her mother, not her sister, not her best friend – not even the baby daddy himself.

There’s also a feeling that this story is about self-protection and self-preservation, especially of the variety where we lie to someone in a way that is supposed to protect them, but is really all about covering our own broken places and protecting ourselves.

At the heart of this story, of the Sea Glass Cottage itself, is a circle of those kinds of social – and emotionally distancing – lies.

Olivia’s ability to continue telling herself she is absolutely fine is shaken when she witnesses a senseless attack in her favorite coffee shop. Her emotional and physical distance from her mother is shattered when her mother’s fall from a ladder puts Juliet into the hospital and rehab, forcing Juliet to acknowledge that she needs her daughter’s help – and that she’s in love with her friend and neighbor, Henry.

Olivia’s return to Cape Sanctuary makes her re-examine her life, her relationships, and the job that keeps her well-paid but prevents her from fulfilling her dreams.

And Caitlin’s compulsive reading of both her mother’s and her aunt’s teenage diaries brings all of the secrets that have been hidden out into the open, surprising everyone with just how much they’ve all been hiding in the vain attempt to keep each other “safe”.

The kind of safety they are all trying to maintain is an illusion, but love, on the other hand, is very, very real. If you let it in.

Escape Rating B+: The Sea Glass Cottage isn’t really a romance, in spite of the number of romances that take place within its pages. And not that two of its heroines don’t find their HEA by the time the story ends.

But the heart of this story is the relationship between three generations of Harper women, grandmother Juliet, daughter Olivia, and granddaughter Caitlin. And even 15-year-old Caitlin’s HEA is hinted at being somewhere in her future, just not yet.

But it’s the way that the relationships among the three women are changed by Juliet’s accident and Olivia’s return to Sanctuary Cove that create the beating heart of this story. And at the center of their story – and their estrangements – are a series of lies and half-truths that have kept them apart and in some ways kept them broken for most of Caitlin’s life.

What reshapes their story and their lives is the unraveling of the truth about the events that took Steve Harper’s life all those years ago. Juliet’s husband Steve was the chief of the volunteer fire department, and he died in a fire that he should never have entered, alone and unequipped, because he believed his daughter’s best friend was inside the burning house.

And that’s a burden that Cooper Vance, the best friend in question, has been shouldering alone for all these years. He feels like he’s the reason his friend and mentor died, and indirectly the reason that the Harper family fell to shreds – as well as the reason that Natalie fell into addiction until it killed her.

Caitlin’s discovery of her mother’s and her aunt’s diaries has opened all of the old wounds, but Caitlin, like Cooper, like Juliet and like Olivia, tries to bear the weight of those secrets alone. Until they all come spilling out, all the ugly truths are finally revealed, and healing can finally begin.

At the beginning of the story, Caitlin is, quite honestly, a bitch all the way around. She’s 15 and trying to hold a terrible secret. She lashes out at pretty much everyone around her, and her parts are difficult to read for quite a while into the story. She does get less abrasive as the story goes on and the reveals start coming, but it takes a while.

She’s holding her aunt Olivia responsible for crap she said when she was hurting, oddly enough around the age that Caitlin is now. But Caitlin isn’t able to make the leap from her own hurt feelings to the idea that an adult in her life, one that she loved and respected, was once a whiny teenage girl – just like her.

The romances are of the extremely slow burn variety. A burn that catches its fire off-screen, but the slow progression of the romances feels right for the way that the story works. I found it particularly poignant that one of those romances featured 50something Olivia, and was with her younger friend and neighbor at that! Her hesitance and the reasons for it felt very real.

Although the first half of the book was a bit slow-going, it has a lot of heavy lifting to do, setting up the relationships, the crises, the family background and all the secrets. Once this one gets going, it reads really fast as the hits come thick and fast and all of the burning issues get resolved. So when you start this one, have a little patience and hang on for a lovely read!

Review: Dragonslayer by Duncan M. Hamilton

Posted on by Marlene Harris | Author : | A+ Reviews> audio reviews> audiobooks> book reviews
Review: Dragonslayer by Duncan M. HamiltonDragonslayer by Duncan M. Hamilton
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy, sword and sorcery
Series: Dragonslayer #1
Pages: 304
Published by Tor Books on July 2, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Author of one of BuzzFeed 's Greatest Fantasy Books of 2013

In his magnificent, heroic, adventure fantasy, Dragonslayer, Duncan M. Hamilton debuts the first book in a fast-moving trilogy: a dangerous tale of lost magics, unlikely heroes, and reawakened dragons.

Once a member of the King's personal guard, Guillot dal Villevauvais spends most days drinking and mourning his wife and child. He’s astonished—and wary—when the Prince Bishop orders him to find and destroy a dragon. He and the Prince Bishop have never exactly been friends and Gill left the capital in disgrace five years ago. So why him? And, more importantly, how is there a dragon to fight when the beasts were hunted to extinction centuries ago by the ancient Chevaliers of the Silver Circle?

On the way to the capitol city, Gill rescues Solène, a young barmaid, who is about to be burned as a witch. He believes her innocent…but she soon proves that she has plenty of raw, untrained power, a problem in this land, where magic is forbidden. Yet the Prince Bishop believes magic will be the key to both destroying the dragon and replacingthe young, untried King he pretends to serve with a more pliable figurehead. Between Gill’s rusty swordsmanship and Solene’s unstable magic, what could go wrong?

My Review:

Dragonslayer turned out to be surprisingly – and epically – marvelous. I’m saying this because I picked up the ARC last year and it got buried under the weight of the towering TBR pile. I always meant to get to it, but just didn’t quite. Then I got the audiobook last month. Audible was having a sale and I got the first two books in the series for cheap. Or cheaper anyway. I’ve discovered that epic fantasy and SF work really well in audio – it’s easy to get caught up in the action and forget I’m walking a treadmill or stuck in traffic.

So when I bailed on an audio I just couldn’t tolerate, I remembered I had Dragonslayer. And that, surprising for an epic fantasy, it was only about 10ish hours long. That’s amazeballs. For an epic fantasy that truly is epic in scope, the series as a whole is blissfully NOT epic in length. The entire trilogy clocks in at just a shade over 900 pages, or just a hair over 30 hours in audio. Most epic fantasy in audio hovers around the 24 hour mark.

Dragonslayer is proof positive, very positive, that an epic fantasy can be told without turning into a tall pile of many thousand page doorstops. So if you know someone who is interested in epic fantasy but daunted by the length, Dragonslayer is terrific.

Part of what made it so good, at least from my perspective, is that it didn’t turn out to be any of the things I thought it was going to be at the beginning. Except that it claims to be epic fantasy, and it certainly is that, albeit of the sword and sorcery variety – something that we don’t see nearly enough of these days.

It all begins with Gill, technically Guillot dal Villerauvais. Gill is the drunken has-been who used to be the best swordsman in the kingdom. Now he’s the town drunk in the town where he’s supposed to be seigneur, the local squire.

We get the impression that he’s old and washed-up. That he’s pissed away his skill and his glory. But we think he’s Falstaff, a fat buffoon, when he’s really more like Cazaril in The Curse of Chalion. He used to be a hero. It’s both a pain and a purpose when he discovers that he’s STILL the hero, even if he doesn’t want to be, or feels that he’s no longer remotely capable of being.

He’s also not half so old as his world-weary voice (expertly acted by Simon Vance in the audio) makes him appear to be. Discovering late in the story that Gill is, at most, 40 years old is a bit of a shock. Gill is a heartbroken, heartbreaking lesson in what happens to a person when they realize that all their dreams are behind them.

The classic story about dragonslaying usually features the dragon as a rampaging beast out to slay all it encounters, whether for eating or just for the joy of slaughter. Here we have a thinking creature, woken from a long slumber by a troupe of pillaging humans intent on ransacking his cave in search of magical treasure. The dragon in this story may be the force that starts the action, but he’s not, even in the worst of his depredations, the villain of the piece.

That place is reserved for the Prince-Bishop Amaury, the power behind the Mirabayan throne and at the head of the newly formed – and illegally magical – Order of the Golden Spur, whose purpose is to hunt out magic and turn it to their own use. Or rather, to Amaury’s own use.

It’s been said that people whose titles are longer than their names are always complete arseholes. That’s certainly true in Amaury’s case. He also seems to be an object lesson about power corrupting and absolute power corrupting absolutely.

Not that he has ABSOLUTE power – at least not yet. But he’s working on it.

Amaury believes that Gill stands in his way. Because Gill has always stood in his way – at least according to Amaury. This time, he’s going to get what he wants out of Gill and then Gill is going to get what’s coming to him.

Unless, of course, Gill manages to stand in his way – again. If Gill can manage to stand at all.

Escape Rating A+: There is so much going on in this book, and all of it is fascinating. Or at least it was to me. This was one where I got so into it I started switching back and forth between the audio and the ebook. Because I just wasn’t listening fast enough – but the reading was so very good.

There are reasons why narrator Simon Vance is in the Narrator Hall of Fame, and plenty of hours of those reasons are in Dragonslayer.

There were so many elements to this story, and the more I think about it the more I believe I’ve found – or at least seen glimpses of.

While the biggest part of the story wraps around Gill’s quest to pull himself back together, slay the dragon and avenge the people it’s killed, his is not the only story and he’s not the only hero in this tale.

Solène, the young mage, has her own story to tell, and her own journey to reach her destiny. It just so happens that her journey and Gill’s keep intersecting – from the beginning when he saves her from burning at the stake, to the end of this installment where she saves him from an assassin. In between, while he takes the direct path to the dragon, Solene takes herself to learn magic, only to be forced to choose between a place she can be safe – and the right thing to do.

One refreshing element of the story is that while Gill and Solène come to rely on each other and care about each other, it’s a relationship that does not fall into any neat pigeonholes. Gill doesn’t have himself together enough to feel capable of the kind of mentorship that even an ersatz parental relationship would require, and there is blissfully NO HINT WHATSOEVER that this will ever turn romantic. It’s lovely to show that not all close relationships, particularly close opposite sex relationships, HAVE to end in romance.

Last but not least, while this book was published in mid-2019 and probably finished sometime the previous year, finishing it today showed some striking parallels between the way that towns and villages were emptying out in hopes of getting away from the dragon and the response to the current COVID-19 pandemic in real life. In both cases, public spaces are empty and people are fearful. A virus is even harder to outrun than a flying, fire-breathing dragon.

The hints about the past of this world, the long ago time of great magic, great mages and even greater dragons give tantalizing clues to the journey that Gill and Solene will have to undertake in the remaining books of the trilogy, Knight of the Silver Circle and Servant of the Crown.

I’ll be listening to Knight of the Silver Circle in the morning, possibly as you are reading this review. I can’t wait!

Review: Love Hard by Nalini Singh

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Love Hard by Nalini SinghLove Hard by Nalini Singh
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, sports romance
Series: Hard Play #3
Pages: 340
Published by TKA Distribution on March 10, 2020
Purchasing Info: Author's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Jacob Esera, star rugby player and young single father, has worked hard to create a joyous life for his six-year-old daughter. After the death of his childhood sweetheart soon after their daughter’s birth, all Jake wants is safety and stability. No risks. No wild chances. And especially no Juliet Nelisi, former classmate, scandal magnet, and a woman who is a thorn in his side.

As a lonely teenager, Juliet embraced her bad-girl reputation as a shield against loneliness and rejection. Years later, having kicked a cheating sports-star ex to the curb, she has a prestigious job and loyal friends—and wants nothing to do with sportsmen. The last thing she expects is the fire that ignites between her and the stuffed-shirt golden boy who once loved her best friend.

Straitlaced Jacob Esera versus wild-at-heart Juliet Nelisi? Place your bets.

My Review:

Until now the Hard Play series has been kind of a prequel to the author’s Rock Kiss series, but this entry is loosely a sequel to my personal favorite book in that series, Rock Hard. And while it was great to see the Mouse and T-Rex put the icing on the cake of their HEA with a wedding, Love Hard is not their story.

So you don’t have to read that, or any of the rest of the series, to like Love Hard. Not that it isn’t great to catch up with the friends from the rest of the series(es), but this one does stand alone.

In fact, it’s kind of about standing alone – and discovering that maybe it’s time not to have to.

Juliet Nelisi is the Mouse Charlotte’s best friend, and we saw plenty of her as a secondary character in Rock Hard. But that wasn’t her story just like this isn’t Charlotte’s. In spite of Jules’ status as Charlotte’s long-time bestie, we learn in Love Hard that if there’s one thing Jules isn’t used to, it’s having someone to stand in her corner. She’s done plenty of that standing for other people, but very few have ever stood for her. Starting with her family.

The one person besides Charlotte who always stood in Jules’ corner was her high school bestie, Calypso. But Calypso died of meningitis not long after giving birth to her beautiful daughter Esme, and Jules still misses her every day.

Jules isn’t the only one still missing Calypso. Jacob Esera, little Esme’s father, is raising his daughter not exactly alone, but the help he has comes from his parents, his brothers, and his extended family. Between his top-flight professional rugby career and raising his daughter, he’s kept himself away from the groupies and the scandals that can come with being a young man at the top of pro sports.

Jake, at 24, feels like he buried the young man he used to be in the grave with Calypso, but he’s mourned and moved on. He has to keep going for Esme, for his family, and for his career.

The one thing he doesn’t factor on is Jules resurfacing in his life. Not like that. Jules and Calypso were besties, Calypso was Jake’s high school sweetheart, and the friend of his girlfriend, was, at best, a frenemy. They got along for Callie’s sake. Just barely.

At the time, Jules was trouble with a capital T. And everything that has happened in her life, at least the parts that Jake knows about from the gossip rags, say that she is still trouble. Big trouble. Huge trouble.

But their contentious encounter as part of the wedding party for T-Rex and the Mouse show Jake that Jules has grown into a beautiful woman who pushes all his buttons. Both the buttons that make him want to rile her up and piss her off, and the buttons that make him want to rile her up and take her to bed.

She drives him crazy in every possible way. And shakes him out of the staid, grey, safe zone he’s tried to live in since Callie’s death. But starting a relationship with Jules isn’t just ill-advised. It’s downright stupid. The gossip rags are still following her around after the juicy breakup of her marriage to a cricket star. Those same gossip rags are the last thing he wants in his life, especially sniffing around his 6-year-old daughter.

Jules has tried her best to live a quiet life, out of sight of the gossip rags, if not ever completely out of mind. Getting involved with another sports star will drag ALL of the old crap out of the woodwork, and set her up for yet another round of having her life invaded. She doesn’t want any part of that, and she especially doesn’t want any part of that invading Jake’s life with Esme, or his family.

But she wants Jake in spite of every instinct saying this is a really bad idea. The question is whether it is a good enough bad idea to take the risk?

Escape Rating A-: There are parts of this story that make me feel guilty for even looking at the headlines on the grocery store gossip magazine shelf, let alone ever clicking on a clickbait gossip headline on social media.

Speaking of which, have you ever noticed that, when it comes to the media, men are always talked about for who THEY are and what THEY do, but women are still almost always talked about in terms of who they married, regardless of their own accomplishments?

Both of those thoughts play into Jules’ side of this equation in a big way. While she may have been a troublemaker in high school, well, there were reasons. And it was high school, a big part of the point of which is to make mistakes and learn from them so you don’t make them later.

But her marriage, well, that mess was so not her fault as to be ridiculous. But he was the star and she was the girl from nowhere, so when the relationship ended, he controlled the narrative and got all the sympathy, while her reputation got trashed and trashed and trashed. It made for great clickbait and left her shell-shocked and gun shy. Especially since it seemed that everyone who even glanced at a tabloid made up their minds about her in an instant. Those rags got lots of mileage out of painting her as a gold-digging, lying, cheating predator, never mind that she signed an iron-clad prenup, so she didn’t get a dime, and that he was the liar, the cheater AND the predator.

It’s that past that both comes back to haunt Jules, and in the end teaches her that you can survive just about any storm if you have good people down in that storm shelter with you.

Her ex tries to resurrect their past scandal to put his name back in the headlines. His career is fading fast from too much “Life in the Fast Lane’, and he’s hoping to trade his remaining celebrity status for a cable TV show.

Jules wants to hide until the storm blows over, but Jake won’t let her. Instead, he stands with her, his entire family stands with her, and they all help her not just weather the storm, but turn it back against her ex. And in that process, she learns that she has someone who will stand with her through thick and thin, help her celebrate her wins, and help her recoup from her losses. It’s something she’s never had before.

But their relationship isn’t all one-sided. He needs her to be the wind beneath his wings, to get him out of that safe, staid, grey rut he’s been in. They do a whole lot better than just get by with a little, or a lot, of help from their friends.

So, on the one hand, this is a hot and steamy frenemies to lovers romance. On the other, it’s a story about not just finding but also accepting the right people to stand with, and to stand with you. About finding the person who helps you be strong in your broken places. And that’s a story that always makes for a very satisfying romance!

Review: One Little Lie by Colleen Coble

Posted on by Marlene Harris | Author : | B+ Reviews> blog tours> book reviews
Review: One Little Lie by Colleen CobleOne Little Lie (The Pelican Harbor #1) by Colleen Coble
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: mystery, suspense
Series: Pelican Harbor #1
Pages: 352
Published by Thomas Nelson on March 3, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

It started with one little lie. But Jane Hardy will do everything in her power to uncover the truth. 

Book one in a gripping new series from USA TODAY bestselling romantic suspense author Colleen Coble.

When Jane Hardy is appointed interim sheriff in Pelican Harbor, Alabama, after her father retires, there's no time for an adjustment period. He is arrested for theft and then implicated in a recent murder, and Jane quickly realizes she's facing someone out to destroy her father.

They escaped from a cult fifteen years ago, and Jane has searched relentlessly for her mother—who refused to leave—ever since. Could someone from that horrible past have found them?

Reid Bechtol is a well-known journalist who makes documentaries, and his sights are currently set on covering Jane's career. Jane has little interest in the attention, but the committee who appointed her loves the idea of the publicity.

Jane finds herself depending on Reid's calm manner as he follows her around taping his documentary, and they begin working together to clear her father. But Reid has his own secrets from the past, and the gulf between them may be impossible to cross.

It started with one little lie. But Jane Hardy will do everything in her power to uncover the truth. 

My Review:

There’s more than one lie at the heart of this mystery – and none of those lies are exactly little ones.

This is also a story about revenge being a dish best served cold – but it never gets all that cold in the Gulf Shores. And the revenge story, while fascinating, turns out to be a smokescreen for the bigger reveal. But no less deadly for all that.

When this story begins, it’s not where we think it’s going to be. It’s also not when we think it’s going to be. But that beginning sets up the wider story in a way that doesn’t become clear until much later in the book, after we’ve gotten to know these characters and have learned why at least some of them relate back to Button, 15 years old and 15 years ago, fleeing a religious cult with her father as bullets fly around them.

Fast-forward those 15 years and the focus turns to Jane Hardy, the newly minted police chief of tiny Pelican Harbor, following in her father’s law enforcement footsteps, occupying the office that was his not long ago.

There’s a crime spree in town. Someone claiming to be a vigilante has been punishing, let’s call it moral turpitude, all over town. The exposure of the wrongdoers has generally been embarrassing, but not deadly. At least not until now.

Jane suddenly has not one but two murders to investigate. One looks like the vigilante just went too far, or simply didn’t know that his victim was allergic to feathers. The intention was to leave the adulterer tarred, feathered and locked in the stocks, but instead her allergy killed her.

As strange as that may have been, it makes more sense than the body that one of the local shrimpboats hauls up in its nets. Or rather, the headless, armless and legless corpse that the old shrimper finds in a cooler that he hauls up in his nets.

So Jane has two murders to solve and a documentary filmmaker in tow. The Mayor wants to reap the good publicity of having a female Police Chief in an era where they are fairly thin on the ground.

But that publicity may not be all that the city fathers and mothers hoped it would be. One of Jane’s officers is a suspect in the tar-and-feather murder. He’s certainly the married man the victim was having an affair with. Jane’s father, the former chief himself, is arrested by the FBI for a whole laundry list of crimes.

And the documentary filmmaker has an agenda that Jane will hate and love in equal measure. If they live long enough to learn the truth about that one, long ago, little lie.

Escape Rating B+: I have to start off by saying that I am absolutely one with Jane Hardy’s taste in reading. The two books she is mentioned as reading are Colleen McCullough’s Masters of Rome series and C.S. Lewis’ The Screwtape Letters. Both are old favorites. And there’s an audiobook of John Cleese reading Screwtape that is marvelous if you can find it – and still have a cassette player around.

But seriously, that peek into Jane’s reading habits made it easy to get inside her head and really feel for her as a character. Readers identify with other readers.

Climbing down off my librarian soapbox, I should probably talk about the two mysteries in this story, because there are definitely two – and surprisingly for a police procedural type mystery they are not related to each other.

Come to think of it, there are really three mysteries.

The most sensational is the vigilante turned killer, not that vigilantes don’t usually turn out to be killers. Pelican Harbor is a small town, which means that everybody knows everybody else’s business whether they want to or not. That someone would take their frustrations with other people’s immorality out in some kind of public shaming doesn’t seem all that far-fetched. But when it turns into murder it feels like a strange kind of escalation – only because it is.

The arrest of Jane’s father doesn’t seem to fit in anywhere with what’s happening, until it does. When that plot thread wriggled up out of the blue I’ll admit that I thought they had to be connected even if neither the how nor the why was obvious. And they were, just not in anything like any of the ways I was expecting.

But the heart of both of those mysteries leads to the third. While they aren’t all part of the same thing, they all have one big thing in common. Both of these mysteries involve the betrayal of someone close to Jane. Someone that she has misjudged all along. Which leads back to that first lie.

While she worries that her father has lied to her about who and what he really is, that he might be guilty of the crimes he’s been accused of, that’s not the real betrayal. His real betrayal occurred 15 years ago on that night they fled the cult compound, the scene that opens the book.

Jane had a child. Had literally just had the child. Her father told her that her perfect little boy was dead. He lied. And that’s the lie that comes back to haunt them all.

What made this story so fascinating was that it was so easy to empathize with so many of the characters. There were two who were just a bit out there, notably the vigilante killer who had a much bigger plan than anyone realized and was just a bit cray cray. And the documentary filmmaker’s ex who just felt tacked onto the story without really being integral to a plot that already had plenty of meat to it.

But at the heart the story revolved around Jane, her father, that documentary filmmaker, and his son. All of them felt like real people and what they did and the reasons that they did it all made sense. Even, in the end, the lie at the start of it all.

TLC
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Review: A Blight of Blackwings by Kevin Hearne

Posted on by Marlene Harris | Author : | A++ Reviews> book reviews
Review: A Blight of Blackwings by Kevin HearneA Blight of Blackwings (Seven Kennings, #2) by Kevin Hearne
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Seven Kennings #2
Pages: 512
Published by Orbit on February 6, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

From the New York Times bestselling creator of The Iron Druid Chronicles comes the highly anticipated sequel to A Plague of Giants: A world-breaking war--an invasion of giant warriors--that inspires a movement to fight back.

SOLDIER AND AVENGER Daryck is from a city that was devastated by the war with the Bone Giants, and now he and a band of warriors seek revenge against the giants for the loved ones they lost. But will vengeance be enough to salve their grief?

DREAMER AND LEADER Hanima is part of a new generation with extraordinary magical talents: She can speak to fantastical animals. But when this gift becomes a threat to the powers-that-be, Hanima becomes the leader of a movement to use this magic to bring power to the people.

SISTER AND SEEKER Koesha is the captain of an all-female crew on a perilous voyage to explore unknown waters. Though Koesha's crew is seeking a path around the globe, Koesha is also looking for her sister, lost at sea two years ago. But what lies beyond the edges of the map is far more dangerous than storms and sea monsters. . . .

In this sequel to A Plague of Giants, these characters and more will become the voices of a new generation bringing hope and revolution to a war-torn world.

My Review:

Like the character Dervan in this story, I became so caught up in the tale as it unfolded that I wanted spoilers! Or at least I wanted Fintan the Bard to get on with it a whole lot faster. Which meant that as much as I love the audio version of this story, I switched to the book at about the ⅓ point just so I could find out what happened next. And next after that. And after that. And so on right until barreling through to the end, even knowing that this story as a whole is not done yet.

Dammit.

Just as in the first book in the series, the extremely awesome and utterly marvelous A Plague of Giants, the story that we are reading is mostly the story itself being told by Fintan the Bard to the crowd camped on Survivors’ Field in Pelemyn. The people who survived the events of the first part of the story and fetched up in Pelemyn as refugees from the multiple crises that have afflicted Teldwyn.

Not just one but two plagues of giants.

The title of this entry in the series is a tad more subtle. The book A Plague of Giants contained actual plagues of giants, after all. But the blight of blackwings referred to this time is not a literal plague of the same sort.

Instead, a blight of blackwings feels like it’s the equivalent of “a murder of crows,” or “an unkindness of ravens.” Or possibly both, as the blackwings of Teldwyn occupy the same niche as crows and ravens do. They are carrion birds. They eat the dead, and they feast after a battle.

They also hover over trouble in the hopes that said trouble will result in some dead for them to eat. Hopefully soon, from their perspective. Which means that if you are a human blessed by the sixth kenning, and your gift is communication with blackwings, you can spot trouble coming before your blackwings get a meal.

And that’s the story of A Blight of Blackwings, the spotting of trouble on the horizon. However, just like in A Plague of Giants, there are lots of blackwings hovering over trouble in lots of places. A concept which the UK cover for the book makes much more clear!

With even more on the horizon by the end of this portion of the Bard’s tale. And it’s awesome every step of the way. For multiple definitions of the word “awe”.

UK cover

Escape Rating A++: To paraphrase Hanima the Hivemistress, this book is the BEST!

This is a huge story, covering an entire world. You do have to have read A Plague of Giants to get into A Blight of Blackwings. If you love epic fantasy you’ll be glad you did. This world-spanning story is a real treat.

That being said, it’s necessary to talk about what makes it such a treat.

A big part of that for me was that the author’s experiment in voice really worked. The author said that he was trying to recreate the feeling of the old bardic tales as Homer used to tell them. While we don’t know what that was really like, what he has created here turns out to be a fascinating way of telling a big story with a huge cast of characters while making sure all of those threads are easy to follow.

The framing story is that Fintan the Bard is telling the tales using the voices and faces of the people who experienced each part, strung together with a bit of what is going on in the city through the eyes of Dervan, the chronicler and confidant of the city’s ruler. So we see what has happened in the past through Fintan’s tale, and what is happening in the present through Dervan’s first-person asides.

I will also say here that the two voice actors do a terrific job of making all of the voices distinct. Even when I switched to reading the ebook I was still hearing their voices in my head and it definitely helped form my picture of who each of the different characters was.

The invention of the “kennings” the magic of this world, is a new take on the whole magic in fantasy idea, and the way that it works underpins the politics and people’s perspective on their world. On the one hand, there’s the sense that the kennings kind of function like the old saying about when the only tool you have is a hammer, every problem looks like a nail, just writ very, very large.

At the same time those kennings underpin both politics and religion, so the discovery of a sixth and possibly even a seventh upsets a whole fleet of apple carts.

One other thing that makes this magic system different is the price that is paid to wield it. One of the terrible things that frequently happens in other magic systems is that magic is either the ultimate power or so easy to use that everyone gets lazy. The cost of magic in this world is extremely dear, both to acquire it and to use it. Magic users always have to think about whether the ends they have to achieve justify the loss of years of their lives. Perhaps even all the years they have left.

This is also a story where the use of language can shock you with it’s terrible beauty. After discovering that his entire town has been slaughtered in his absence, the leader of a band of hunters reflects that, “Most of us were still in the shock stages of grief, the foyer to a mansion of pain in which I knew we’d dwell for many years. Just beyond, however, a red room beckoned, a spacious expanse for rage, and I had little doubt the entire band would step in there with me for an extended period.” I was struck by that phrase, and chilled by an intense feeling of recognition. It feels right and true and haunting in the vividness of the image. A haunting that returned every time that character refers back to it. Because he’s right, they are all heading for that red room of rage – and possibly taking the rest of the country with them.

We’ll find out in book 3 of the series, tentatively titled A Curse of Krakens. I want it so bad, and I want it now! But I expect I’ll have to wait a couple of years, based on the time between A Plague of Giants and A Blight of Blackwings. And it will be SO worth it!