Review: Deception by Nina Croft + Giveaway

Review: Deception by Nina Croft + GiveawayDeception by Nina Croft
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: paranormal romance, science fiction romance
Pages: 400
Published by Entangled: Amara on November 23, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Brave new world or the same old crap?
Warlock Milo Velazquez has always dreamed of a day when “monsters” like him don’t have to hide in the shadows. Now, on a planet far from Earth, he’s hoping the old prejudices have been left behind. Though from what he’s seen so far—not a chance.
Their new leader could make life a living hell for Milo and the other immortals illegally transported across the galaxy. Under cover, he scopes out the threat, but he never expected to find a beautiful woman locked in a cell underground. He should ignore her and focus on his mission, but instead he sets her free.
Milo has met all kinds, paranormal creatures and humans, in his centuries of life, but Destiny is like nothing he’s ever encountered before. She’s flawless, and strangely naïve, though she can spout off facts like a walking encyclopedia. He isn’t sure who—or what—she is, or why someone so innocent would be a prisoner.
All he knows is Destiny is different...and finding out why could be their only hope for survival.
Each book in the Dark Desires Origins series is STANDALONE:* Malfunction* Deception

My Review:

It is just so damn good to see Rico Sanchez again. He was my introduction to the original series, all the way back in the original and entirely too short version of Break Out in 2011. I liked that book the first time I read it, absolutely loved it in the expanded edition in 2013, and have followed the series ever since just to follow the misadventures of this vampire in space.

Along with marveling at the whole concept of vampires in space, and wondering why I hadn’t seen this before – but definitely wanted to again!

At the time of Break Out and the entire Dark Desires series, this part of the galaxy had been settled by refugees from Earth for several centuries. The empire they founded on the cornerstones of a universal church and an authoritarian regime has become settled if not stable. The Terran origins of the humans in the Trakis system has receded back into history, to the point of myth and legend.

Except for Rico Sanchez, who lived through ALL of it from the Spanish Inquisition to the time period of the original story in 3058. We’ve seen hints of what happened in between, but didn’t have the full story.

At least not until the Dark Desires Origins series began earlier this year with Malfunction.

While in the first book in this new series it’s the ship that seems to be malfunctioning, the premise of the series as a whole is that the entire Earth was malfunctioning, in a way that we can kind of see from here. The consequence of that malfunction was an expedition to a galaxy far, far away where humans could re-establish themselves as a species – and probably mess up an entire new galaxy as well.

Certainly the “migration” was a clusterfuck in all sorts of very human ways. The best and the brightest were supposed to be “Chosen Ones’, but instead all the places on the 24 ships were taken up but the “rich and powerful” who purchased their places through bribery and kickbacks.

And one ship, just one ship, where Rico Sanchez replaced half of the originally intended passengers with people more-or-less like himself. Vampires, werewolves and other shifters. And at least one warlock.

Not a wizard like Harry Potter – although comparisons could be, and frequently are made. Rather, Milo Velazquez is the immortal “child” (he was over 500 years old before the migration) of a power-hungry witch and a demon. Not just any demon, either, but one of the lords of the seven Hells.

He’s also Rico’s nephew – sorta/kinda – so Rico doesn’t take no for an answer when Milo says he’d rather take his chances on Earth. Milo wakes up aboard Rico’s ship after 500 years of cryo-sleep in a place he swore he’d never go doing the one thing he swore he’d never do again.

Falling in love.

Escape Rating B: I’m enjoying this series so far because its an origin series for something I already loved. Based on reviews, readers new to the series are finding Malfunction and now Deception a great way to get into something marvelous, so don’t feel like you have to go all the way to Break Out to get into this one.

The setup to this series reminds me, in a peculiar way, of the way that Amanda Quick’s Arcane Society series took to the stars to become Jayne Castle’s Harmony series. People with psi powers on Earth first banded together to protect themselves, and then took themselves to the stars where they could fully develop their powers.

(Quick and Castle are the same person, Jayne Ann Krentz, and all of her books are wonderful.)

Robin D. Owen’s Celta series has a similar origin to Harmony. But both are based on the premise that there are people with psi powers here on Earth now who are forced to hide their powers and that they leave Earth not necessarily because the planet as a whole is FUBAR’d but because their particular situation is.

In the Dark Desires world, it’s the paranormal beings who are forced to lead a hidden existence, and who take advantage of a situation to get off Earth along with everyone else.

While most of the people on Rico’s ship are the traditional population of paranormal romance, Milo is a bit different. While it’s impossible not to see the influence of Harry Potter on his presence in this series, Milo explicitly isn’t quite like Harry even if he can do many of the same things.

One of the things that he and Rico have in common is that the “Church”, whatever its current incarnation, has always seen both of them as infernal creatures, eternally damned, who can be persecuted, crucified or burned at the stake – occasionally all of the above – anytime they need a scapegoat to keep the downtrodden masses occupied.

Neither of them is human and they only pretend to be when it suits them. Their views on humanity in general and the Church in specific are often quite scathing while being at the same time completely understandable.

All of which makes Milo’s attraction to the strangely innocent Destiny that much more fascinating. Destiny is naïve in a way that Milo hasn’t been for centuries. She’s not stupid, she’s just sheltered. And the more she breaks out of that shelter the deeper Milo falls – as much as he doesn’t want to.

The reasons behind Destiny’s sheltering turn out to be the heart of everything wrong with the new colony on Trakis Two. Discovering who and what she really is drives her journey and the dramatic tension of the entire story that keeps the reader on the edge of their seat from the minute she awakens to the second she breaks out of her mental cell for good, forever, and especially for Milo.

I am definitely looking forward to more of this prequel series. Hopefully in the not too distant future!

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

To celebrate the release of DECEPTION by Nina Croft, we’re giving away a paperback copy of Malfunction, the first standalone novel in the Dark Desires Origins series!

a Rafflecopter giveaway

GIVEAWAY TERMS & CONDITIONS: Open to US shipping addresses only. One winner will receive a paperback copy of Malfunction by Nina Croft. This giveaway is administered by BookMojo on behalf of Entangled Publishing. Giveaway ends 12/31/2020 @ 11:59pm EST.

Review: The Formidable Earl by Sophie Barnes + Giveaway

Review: The Formidable Earl by Sophie Barnes + GiveawayThe Formidable Earl (Diamonds in the Rough, #6) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical fiction, historical romance, regency romance
Series: Diamonds in the Rough #6
Pages: 416
Published by Sophie Barnes on November 17, 2020
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

He's breaking the rules for one woman, and coming dangerously close to falling in love…
Simon Nugent, Earl of Fielding, knows he's flawed. He's arrogant, possessive, and haunted by a terrible choice he made long ago. So when a former friend's daughter gives him the chance to do a good deed, he grabs it. Except he'd like to grab her as well and teach her a thing or two about kissing. If only she weren't so damn stubborn.
Ida Strong wants one thing – justice on behalf of her father. She has no room for anything else, in spite of her growing and (at times) inexplicable attraction toward a certain earl. But for a woman who knows what betrayal tastes like, placing her trust in others is hard. Risking her heart, would be downright foolish. Until it's the only thing that seems to make sense.

My Review:

The Formidable Earl harkens back to the first book in this series, A Most Unlikely Duke. In that first story, Raphe Matthews, the very unlikely duke, steals the Earl of Fielding’s fiancee. Not that it was actual theft, not that Gabriela didn’t go extremely willingly, and not that Simon was even remotely heartbroken.

The only parts of Simon that took any kind of hit were his pride and his reputation. Possibly along with the stick up his ass – although that may have become more firmly embedded as the years went by. After all, Simon only proposed to Gabriela because she’d make a perfect countess – not because he cared about her or even really knew her.

It was, after all, what the Earl of Fielding was expected to do. So he did. But fortunately for everyone both in that story and this one, SHE didn’t.

Considering that Simon has a terrible habit of doing what is expected instead of what he wants, well past the point of his own detriment, he’s actually better off without Gabriela, who wasn’t nearly as perfect for the role he imagined for her as he thought she was.

But she’s perfect as the Duchess of Huntley, and Raphe and Gabriela are perfect for each other.

Leaving Simon, in his mid-30s, alone and in need of a wife, or so he – and polite society – believe.

What Simon is really in need of is a LIFE. It’s only when he steps just a bit outside his comfort zone to get one that he finds everything he really needs. All he has to do is consign his starched and pristine reputation to the scrapheap where it belongs.

By marrying a woman who everyone insists is a traitor, a prostitute, and very nearly a murderess into the bargain.

Escape Rating B: There’s a theme to this series, and it’s pretty obvious from the series title. One protagonist or the other is just not “suitable” for marriage into the ton, whether it’s because they were raised outside it, because they were forced out of it, or because they were never part of it in the first place. The usual progress of each story is for the person who does belong to realize that what polite society thinks and believes is a whole lot of horseshit.

The books in the series are only kind of loosely linked, so it really isn’t necessary to read the previous books, or to read all of them, before diving into The Formidable Earl. (I just discovered I missed one along the way and now I WANT to go back to it, but I don’t HAVE to go back.)

The reason for, in this case, the heroine’s unsuitability was fascinating, but the hero’s reaction to it was at times just a bit squicky. Let me explain.

Ida Strong’s dilemma is a reminder that this series takes place at a time when the Napoleonic Wars were not far in the past at all, and that there were still a lot of hard feelings, wounded veterans and general all-around recriminations going on at the time. (The Napoleonic Wars, in a fictional sense, are a gift that just keeps on giving. So many dramatic possibilities both during the war and in the following years.)

Four years before this story begins, Ida Strong’s father, a celebrated British Army General, was convicted of treason in Napoleon’s escape from Elba. Matthew Strong was executed for a heinous crime that he did not commit, and his daughter vowed to find the men responsible and clear her father’s name.

In those intervening years, Ida lived in a brothel owned and operated by her mother’s sister. And that’s where Simon Nugent, the Earl of Fielding, discovers her the one time he decides to break away from his extremely priggish persona.

Simon’s exposure of Ida puts her life in danger from the men who connived at framing her father. The story here is Simon attempting to protect her while falling in love with this woman who is oh-so-wrong according to everyone who is anyone, but oh-so-right for Simon.

But, the exposure of Simon’s thoughts and feelings about the possibility that Ida is a prostitute is extremely uncomfortable to read. It’s not that it isn’t true to what we think of the Regency, it’s that, quite honestly, it just feels awful. It makes all kinds of sense for the era, but it still makes the reader, or at least this reader, squirm when reading it.

Which gives me mixed feelings that Ida has to reject the idea so forcefully in order to be considered “worthy” of becoming his heroine equally squirmy. Again, not that this isn’t true to what we believe of the era. But it still made me uncomfortable.

All of that being said, I really, really liked Ida. She’s a terrific heroine, forthright and proactive with plenty of agency. She was more middle-class to begin with, but society has completely rejected her so she’s pretty much said “to hell with it and the horse it rode in on.”

That Simon is both slavishly devoted to worrying about what people will think and falling desperately in love with Ida puts him on the horns of a delicious dilemma. That Ida has decided what she wants and what she doesn’t, and has no plans to settle, in contrast with Simon’s need to keep her with his initial unwillingness to buck society provides the romantic tension.

That someone really is out to get her, and that they nearly succeed, provides plenty of dramatic tension to keep the reader turning pages until the very last.

I’m certainly looking forward to the continuation of this series with Her Scottish Scoundrel in May of 2021. Not nearly soon enough!

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

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Review: The Factory Witches of Lowell by C.S. Malerich

Review: The Factory Witches of Lowell by C.S. MalerichThe Factory Witches of Lowell by C.S. Malerich
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: F/F romance, historical fantasy, historical fiction
Pages: 128
Published by Tordotcom on November 10, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

C. S. Malerich's The Factory Witches of Lowell is a riveting historical fantasy about witches going on strike in the historical mill-town of Lowell, Massachusetts.
Faced with abominable working conditions, unsympathetic owners, and hard-hearted managers, the mill girls of Lowell have had enough. They're going on strike, and they have a secret weapon on their side: a little witchcraft to ensure that no one leaves the picket line.
For the young women of Lowell, Massachusetts, freedom means fair wages for fair work, decent room and board, and a chance to escape the cotton mills before lint stops up their lungs. When the Boston owners decide to raise the workers’ rent, the girls go on strike. Their ringleader is Judith Whittier, a newcomer to Lowell but not to class warfare. Judith has already seen one strike fold and she doesn’t intend to see it again. Fortunately Hannah, her best friend in the boardinghouse—and maybe first love?—has a gift for the dying art of witchcraft.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

My Review:

This is a story about a group of women who grab their own agency, take back their own power and harness their own magic.

And it’s definitely magical.

The “mill girls” of Lowell, their lives and working conditions, make an interesting story to begin with, even before adding in witchcraft.

Not that the real women who worked in the mills weren’t called unnatural, as well as witches and bitches every single time they went on strike, or as it was called then, a “turn out”. Because these women, mostly young, were able to live away from their families, earn their own wages and save their own money by working in the mills.

It was revolutionary.

At the same time, as is detailed in this story, the conditions really were brutal. The work days started early, ended late, the windows were closed winter and summer, the noise was “infernal” and their leisure time was both limited in duration and ringed round with conditions about where they could go, what they could do, how long they could be away.

It was still freedom – of a sort. More freedom than they would have in the homes they came from for many of them.

It was also, as the residents of many a “company town” discovered, a chain that was difficult to break, as the company they worked for controlled the wages they were paid AND the cost of their food and lodging. As this story begins, and as occurred in real history in 1836, the company could squeeze its workers between the rock of their wages and the hard place of their living expenses at any time and seemingly without recourse.

The recourse that the female mill workers in the story take is the same one that the real mill workers took in the fall of 1836. They went on strike.

The striking workers in this story had a weapon that their real-life historical sisters did not. They had witchcraft. They had the power to make their strike into a magically binding pact. And they had the leadership to make that binding so strong that even the mills bent to their will.

Not just figuratively by giving in, but literally. By magic. And by the power of love.

Escape Rating A-:This was lovely and surprisingly charming, even though the conditions under which the “mill girls” worked were anything but.

What made this story “sing” was the way that the magic of witchcraft, which is always considered to be “women’s magic” and therefore “less than”, wraps itself around the bones of the history like the weft of the women’s work wrapped around the warp of the looms.

And then there’s the character of Judith, and her love for Hannah. In a way, everything Judith does is about her love for Hannah. And they weave together as well. Because Judith is the leader and the organizer. She is the driving force behind the strike and the union and the witchcraft. And yet, it’s not her power. Judith has no “craft” of her own. The craft is Hannah’s. It’s only together that they can achieve the impossible, holding the strike – and saving Hannah’s life.

Their love, and their desire to save each other is the grace note that makes this story just rise.

One of the marvelous things about this story is that it is complete in and of itself, in spite of its relatively short length. Not that I wouldn’t love to know about what happened to all of them, particularly Judith and Hannah. But I don’t have to know to feel satisfied. They lived, they loved, and even if they spent the rest of their lives together fighting the long defeat against the powerful mill owners, it’s clear from the end of the story that there will be plenty of joy for them in that fight.

This is a story that doesn’t have a happy ending. Rather, it ends in a kind of “happy for now”. The Factory Girls Union of Lowell really can’t win the long war against the rich and rapacious “gentlemen” who own the mills. But as the story ends, they have won a big victory, and are firmly resolved to continue the fight. As they did.

As unions continue to do to this day. Unfortunately without the witchcraft – as far as we know.

Review: Hope Rides Again by Andrew Shaffer

Review: Hope Rides Again by Andrew ShafferHope Rides Again (Obama Biden Mysteries #2) by Andrew Shaffer
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: paperback, large print, ebook, audiobook
Genres: humor, mystery, thriller
Series: Obama Biden Mystery #2
Pages: 288
Published by Quirk Books on July 9, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Obama and Biden return in this thrilling sequel to the New York Times best-selling bromance-mystery HOPE RIDES AGAIN, this time in Chicago.
Following a successful but exhausting book tour, Joe Biden is looking forward to returning home. However, before he does, he's got one last stop to make: Chicago, where the Obama Foundation is holding its first annual global economics forum. Barack Obama has invited Joe to meet a wealthy left-leaning philanthropist, whose deep pockets Joe will need if he decides to run for president. Joe isn't even sure if wants to run...but he's not going to pass up a rare chance to reconnect with his one-time governing mate.
Joe and Obama barely have time to catch up before another mystery lands in their laps: Obama's prized Blackberry is stolen. When the suspect turns up comatose from a gunshot wound, local police are content with writing it off as just another gangland shooting. But Joe and Obama smell a rat.
In a race to find the shooter, Joe and Obama butt heads with their former compadre, Mayor Rahm Emanuel; follow a trail of clues through Chicago's South Side; go undercover inside a Prohibition-era speakeasy; and scale the Tribune Tower in a Die Hard-worthy final set-piece.
Robert Frost said "the woods are dreary, dark, and deep." So are the waters of Lake Michigan...and if Joe and Obama aren't careful, that's where they could wind up spending their retirement.

My Review:

This was the only thing I could face reading this weekend. Really, truly. Because…reasons. Obvious reasons.

When I read the first book in this series, Hope Never Dies, I read it for the nostalgia factor. Honestly, who didn’t? But at the time it was a bit like the joke about the bear dancing, in that you’re not surprised it’s done well, you’re pretty astonished that it’s done AT ALL.

And it was done better than expected. Not so much the mystery as recapturing the bromance between Biden and Obama.

This second outing is a bit more something. I’m not quite sure whether that something is serious or thoughtful or both. On the one hand, it’s hard to take either of these books seriously, and on the other hand, there’s quite a bit more of an attempt at capturing the actual moment in this one, where the last one was just pure escapist nostalgia.

The story here takes place on St. Patrick’s Day weekend of 2019, in a city that celebrates the day by painting the town red and turning the river green. Sweet home, Chicago, at least as the Blues Brothers used to sing it.

As this story goes, Biden is passing through Chicago at the behest of his friend and former boss, President Barack Obama, at the end of a long, grueling book tour. (A tour that in real life would have been for his 2017 book, Promise Me, Dad that reflects on the loss of his son Beau to brain cancer.)

But in this fictional version, the book is unnamed but Joe is at a real-life crossroads. He’s considering one more run at the Presidency – and we all know which way that decision went. How it all turns out is something we’ll discover tomorrow night, or Wednesday morning, or sometime later this month. (Also the reason I dug this book out of the virtually towering TBR pile in the first place.)

In the whirlwind 24 hours in which this mystery takes place, Joe and Barack keep taking turns, both with and occasionally without each other, to search for the President’s missing Blackberry, only to find themselves scraping the mean streets of Chicago, searching for the places where one kid went wrong, along with which of the adults in his life led him that way.

On the surface, it’s a story about saving the life of one young man. Underneath, it might be a story about saving the soul of America. Wouldn’t that make a great campaign slogan?

Escape Rating B: One of the things I was not expecting from this story was just how steeped in nostalgia for Chicago it turned out to be. Even if that nostalgia was a mixture of love for Chicago as it is now, in all of its sprawling, brawling and seedy glory, and the Chicago of popular imagination of its storied past, the Chicago of the broad shoulders and the even bigger guns.

Because in this story there’s certainly an element of the Chicago way from the movie The Untouchables, with its iconic line, “Here’s how you get him. He pulls a knife, you pull a gun. He sends one of yours to the hospital, you send one of his to the morgue! That’s the Chicago way,”

In Hope Rides Again, that’s still the Chicago way. The city is still politically corrupt, everyone is still on the take, and influence and justice are for sale to the highest bidder or the biggest gun. It’s the Chicago that the victim was in up to his neck, in spite of being tapped for the former President’s “Rising Stars” program.

It’s this Chicago that our surprisingly still dynamic duo have to investigate in order to find out who is really behind – not that theft of the President’s Blackberry – but rather a heist that has the potential to put a whole lot more unregistered guns on the streets of Chicago. There’s already more than enough violence in that powder keg, no one needs to throw more fuel on that fire.

In this middle of this rather crazed mystery thriller, complete with car chases, boat chases, the threat of swimming with the fishes in Lake Michigan (in OMG March when the lake is truly freezing) and the helicopter rescue featured on the book’s cover, there’s a story about the enduring friendship between two men who originally had nothing in common, with the surprising twist that the older man is thinking about continuing the younger man’s legacy – and not the other way around.

A lot of this story is just purely for fun. And nostalgia of all kinds. When this was published in July of 2019 Biden had launched his campaign, but even the Iowa caucuses were still months in the future. As was the COVID19 pandemic.

At the time this was published, it was more in the nature of fun speculation than anything else. And in that light the amount of time that the author spends inside Joe’s head feels a bit odd. I wanted more mystery and more banter. It’s possible the internal speculation just feels weird because this is a real person whose thought processes can only be speculated about, set at a time period when we have to wonder what was being pondered and decided. YMMV

Let’s face it, this is not a book that’s going to have lasting literary value – and it shouldn’t. It is still a whole lot of fun, although not quite as much fun as the first book. But it was definitely a good reading time and a great way to get my mind off of Tuesday, November 3, 2020.

More than anything, I can’t help but think of the title as both a description and a prayer. Hope is riding again. I want it to win the race.

Review: The Light at Wyndcliff by Sarah E. Ladd + Giveaway

Review: The Light at Wyndcliff by Sarah E. Ladd + GiveawayThe Light at Wyndcliff (Cornwall, #3) by Sarah E. Ladd
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical romance, romantic suspense
Series: Cornwall #3
Pages: 320
Published by Thomas Nelson on October 13, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In the third book of this sweet Regency Cornwall series, one young man must search for truth among the debris of multiple shipwrecks on his newly inherited property.
When Liam Twethewey inherits the ancient Wyndcliff Hall in Pevlyn, Cornwall, he sets a goal of fulfilling his late great-uncle’s dream of opening a china clay pit on the estate’s moorland. When he arrives, however, a mysterious shipwreck on his property—along with even more mysterious survivors—puts his plans on hold.
Evelyn Bray has lived in Pevlyn her entire life. After her grandfather’s fall from fortune, he humbled himself and accepted the position of steward at Wyndcliff Hall. Evelyn’s mother, embarrassed by the reduction of wealth and status, left Pevlyn in search of a better life for them both, but in spite of her promise, never returns. Evelyn is left to navigate an uncertain path with an even more uncertain future.
When the mysteries surrounding the shipwreck survivors intensify, Liam and Evelyn are thrown together as they attempt to untangle a web of deceit and secrets. But as they separate the truths from the lies, they quickly learn that their surroundings—and the people in it—are not as they seem. Liam and Evelyn are each tested, and as a romance buds between them, they must decide if their love is strong enough to overcome their growing differences.

My Review:

The Light at Wyndcliff is lovely and slightly bittersweet, best categorized as historical fiction with romantic elements. A romance does happen, but it’s not the central point of the story.

The plot wraps around the sometimes exciting, sometimes dangerous and always criminal smuggling operations that the rougher bits of the Cornish coast are notorious for But this is not a story that romanticizes smuggling. Rather, it paints an all-too-clear portrait of the rot that burrows into the whole town when smuggling – and the protection of it – become the whole town’s economic mainstay.

But at its heart, it feels like this is a story about figuring out not just who you are, but who you want to be, and taking the steps to achieve that goal – no matter how difficult the road or how many people and institutions stand in your way.

For Liam Twethewey it seems as if that goal should be easy to achieve. He’s 22, he’s male, and he’s just come into his inheritance, Wyndcliff Hall on the Cornish Coast. His dream is to make the property profitable, and to make the area that surrounds it self-sustaining for the benefit of the people who live there.

He wants to provide good jobs at good pay. He wants to be someone who administers his land for the good of everyone, and not just his own profit. He wants to be a good man and a good steward of his property, just as his uncle and mentor has taught him to be.

Ironically, the person standing squarely in Liam’s way is his own steward. Once upon a time Rupert Bray was the owner of his own wealthy property, but either unwise investments or an addiction to gambling or some combination of both cost him his estate. Now he’s the steward of Wyndcliff, and has become the unofficial leader of the nearby town in the long interregnum between the death of the previous owner and Liam’s ascension.

It’s a power Bray doesn’t want to give up. Not over the estate, not over the town, and especially not over his grown-up granddaughter, Evelyn. Partially, that’s because Bray is, quite frankly, a petty tyrant. Much of it is because Bray has secrets that he fears that an active master at Wyndcliff will uncover.

And a whole lot of it is because Evelyn is female, and women didn’t have nearly as much as agency as men, a situation that was even more true in the 1820s setting of this story.

So an important but sometimes frustrating part of this story is Evelyn’s hesitant search for who she wants to be now that she is grown up. A quest that is under siege, caught between her grandfather’s desire to keep her safe, his secret plans for her, her absent mother’s ambitious plans for her future marriage to a man of her mother’s choosing – and the written and unwritten expectations of behavior that society holds over her head.

The more time that Liam and Evelyn spend together, no matter how publicly or how innocently, the more the townspeople judge her for her behavior. In their eyes, she is reaching above herself and consorting with an enemy – even though neither Liam nor Evelyn are aware that the villagers consider him such.

When the crisis finally comes to a head, everyone has fixed their places in the drama – except Evelyn. Everyone makes demands of her. Her grandfather – and the townspeople – expect her to lie for them. Liam, and the agents of the Crown, expect her to tell the truth. And her mother expects her to abandon all of them for the glittering future that she has always promised her daughter.

No matter what she decides, Evelyn is going to make someone she cares about absolutely furious with her. She has to find her own way in a life where she has been discouraged from doing just that at every turn.

Escape Rating A-: A romance between Liam and Evelyn does happen in this story, but it doesn’t feel like the romance is the point of the story. More like it’s the reward for doing the right thing. Figuring out what that right thing is, that feels like it’s the central point of the story. And that’s the story that swept me away.

The suspense and tension in this story come from Liam’s efforts to become the true master of Wyndcliff, in spite of Bray’s opposition. The more Liam digs into what’s really going on, the more obvious it is that Bray and the villagers are hiding a whole lot of skullduggery that no one – except Liam – wants to see brought to light.

This story’s treatment of smuggling, showing it as a criminal enterprise that leads to even more – and darker – criminal behavior reminded me of last year’s The Woman in the Lake by Nicola Cornick. So if the exposure of the smuggling ring and its corruption of the town is something that intrigued you, you might want to check that story out as well.

But Bray’s corruption and the town’s participation in it felt fairly obvious from the very beginning. The reader may not know at the outset exactly what he’s hiding but it’s exceedingly clear that he’s two-faced at best.

Liam’s perspective was interesting but not particularly new. I liked him as a character, and it was clear that he was trying to do his best – and that his best was going to turn out to be fairly good. But the story of a young man taking up his inheritance, feeling some uncertainty while facing some challenges is a story that’s been told many times and will be again.

The fascinating and frustrating part was Evelyn’s story. She was caught betwixt and between in so many ways, and was aware of it and often confused and flummoxed about it all. She knew what she was supposed to feel – and she knew that she didn’t feel it – while also being aware that she was hemmed in by so many conflicting expectations. It felt very much as if The Light at Wyndcliff is more Evelyn’s story than anyone else’s. She’s the character who is stuck in a role that everyone expects to be passive – and yet isn’t.

But speaking of expectations, this series is focused on Liam’s family, the Twetheweys. And his story is central to the book, even if it doesn’t feel as much his journey as it does Evelyn’s. He becomes the person he’s always been expected to be, while Evelyn’s journey has all the twists and turns.

That being said, Liam has moved away from his family, the protagonists of the first two books of this series, The Governess of Penwyth Hall and The Thief of Landwyn Manor, to take up the inheritance that kicks off this book. This distance from his family means that it isn’t necessary to have read the first two books to get immediately drawn into this one. He’s moved away and the story has moved away too.

So if you’re looking for a story that brings a small town to life, contains a bit of true-to-life historical suspense and features characters who manage to do the right thing, catch the bad guys, pay the emotional price AND get rewarded by a happy ever after, The Light at Wyndcliff is guaranteed to sweep you away to the Cornish Coast!

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of The Light at Wyndcliff to one very lucky US commenter on this tour!

a Rafflecopter giveaway

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: Return to Virgin River by Robyn Carr + Giveaway

Review: Return to Virgin River by Robyn Carr + GiveawayReturn to Virgin River (Virgin River, #19) by Robyn Carr
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, ebook, audiobook
Genres: contemporary romance, small town romance, women's fiction
Series: Virgin River #21
Pages: 320
Published by Mira on October 13, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

#1
New York Times
bestselling author Robyn Carr returns to the beloved town of Virgin River with a brand-new story about fresh starts, new friends and the magic of Christmas.
Kaylee Sloan’s home in Southern California is full of wonderful memories of the woman who raised her. But the memories are prolonging her grief over her mother’s recent death. A successful author, Kaylee hoped she could pour herself into her work. Instead she has terrible writer’s block and a looming deadline.
Determined to escape distractions and avoid the holiday season, Kaylee borrows a cabin in Virgin River. She knows the isolation will help her writing, and as she drives north through the mountains and the majestic redwoods, she immediately feels inspired. Until she arrives at a building that has just gone up in flames. Devastated, she heads to Jack’s Bar to plan her next steps. The local watering hole is the heart of the town, and once she crosses the threshold, she’s surprised to be embraced by people who are more than willing to help a friend—or a stranger—in need.
Kaylee’s world is expanding in ways she never dreamed possible. And when she rescues a kitten followed by a dog with a litter of puppies, she finds her heart opening up to the animals who need her. And then there’s the dog trainer who knows exactly how to help her. As the holidays approach, Kaylee’s dread turns to wonder. Because there’s no better place to spend Christmas than Virgin River.

My Review:

The story in Return to Virgin River is all about Kaylee Sloan’s, well, return to Virgin River. But Kaylee was never a resident of that much-loved little town. Rather, Kaylee was an occasional visitor during her childhood, and her most recent visit was ten years in the past, during a previous crisis in her life. Because Kaylee has never really been a part of this community when she returns to Virgin River less than a year into her mourning for her beloved mother, she makes an excellent point of view character to introduce new readers (like me) to this well-loved place and series.

As Kaylee is introduced to everyone who has come to, or come back to, live in this lovely little place, we get to meet them for the first time along with her. For readers who have been here before, It’s undoubtedly lovely to catch up with old friends from previous books in the series.

But Kaylee’s advent makes this a great place for new readers to jump in without feeling like they missed the plot. I knew these people had history, as one does whenever one is introduced to new people in real life, but I didn’t feel like I had missed something important to this story by not knowing everyone’s past.

This turned out to be a great way of getting involved in Virgin River, right along with Kaylee.

And for any long-term readers who may have lost track of everyone in the 8 year hiatus since the previous book in the series, My Kind of Christmas, Kaylee’s arrival in town should serve as a great way to get caught back up!

Kaylee returns to Virgin River because she needs a long, quiet, productive getaway. She inherited her mother’s house, and has been living there since her mother’s death. She and her mom were very close, best friends, and Kaylee feels surrounded by her grief in that house – no matter how much she loves it.

Kaylee makes her living as a mid-list author of suspense thrillers, and she has a book on contract that is not merely due but overdue. She hasn’t been able to write since her mother’s diagnosis, but she has to get her own life on track in order to support herself. She has a cushion, but it isn’t infinite.

They seldom are.

So Kaylee returns to Virgin River, the place her mother took her to several times during her childhood, and the place her mother brought her to heal after her divorce. Kaylee comes to Virgin River to be close to her memories of her mother but not so close that she continues to drown in them.

She arrives to find her planned six-month rental house on fire. Literally on fire. She can’t go home because she’s rented out her own house until after New Year’s – and it’s currently AUGUST. She feels both overwhelmed and stuck.

And that’s where her life takes its unexpected turn. As one door closes – or catches fire – another door opens. The door to Landry Moore’s guest house.

As Kaylee’s life opens up and fills up, between her rescue of the orphaned kitten Tux, the abandoned dog Lady and her puppies, and everyone in the welcoming town of Virgin River – especially her handsome landlord – Kaylee discovers that her grief for her mom, while it hasn’t exactly gotten less has become a less all-consuming part of her much-expanded life.

And that those we love never leave us, not even when they’re gone.

Escape Rating A-: There’s definitely a life imitates art imitates life thing going on here. Kaylee is supposed to be writing a suspense novel – which she eventually manages to do. But she also begins a kind of fictionalized journal or a contemporary romance/women’s fiction novel, which is also the category that Return to Virgin River fits into.

Kaylee’s novel-of-her-heart is a story about a woman who comes to a small town for a fresh start after a death in HER family. Her fictional character falls for her equally fictional landlord – except that neither of them actually is. Fictional, that is. Kaylee pours her growing feelings for Landry into her character’s growing feelings for “Landon”. The disguise is adorably cute and rather “paper” thin. But fun and a great way for Kaylee to process both her hope and her grief.

But the course of true love never does run completely smooth, and in this story the waves are provided by Landry’s long-absent wife. Yes wife. He and Laura have lived apart for 10 years of their 11-year marriage, but neither of them ever bothered to file for divorce.

So naturally, just as Landry realizes that he wants a divorce so that he can become more involved with Kaylee, Laura decides that her acting career, the reason for their separation, isn’t going anywhere and that she wants Landry – or at least the security he can provide – back.

I have mixed feelings about this plot thread. Something had to derail what would have otherwise been Landry and Kaylee’s straightforward amble towards domestic bliss. But the Laura angle felt particularly tacked-on. It was so obvious that she only wanted the security, to the point where not even Landry took her “act” all that seriously.

On the surprising but definitely plus side of the reading equation, Return to Virgin River turned out to be an unexpectedly poignant counterpart to yesterday’s book, Millicent Glenn’s Last Wish. Both stories are about mothers and daughters, but Kaylee and her late mother had the kind of mother-daughter relationship that Millicent and Jane had stopped dreaming of long ago. These two stories make a great back-to-back read if you are well-prepared with plenty of tissues.

Closing on a much happier note, I enjoyed my first trip to Virgin River and now that I’ve met everyone, I’ll be back. Whether by starting at the very beginning with the first book in the series, Virgin River, continuing on with the next whenever it comes around, or maybe BOTH!

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of Return to Virgin River to one very lucky US commenter on this tour!

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Review: Millicent Glenn’s Last Wish by Tori Whitaker + Giveaway

Review: Millicent Glenn’s Last Wish by Tori Whitaker + GiveawayMillicent Glenn's Last Wish by Tori Whitaker
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, historical fiction, women's fiction
Pages: 352
Published by Lake Union Publishing on October 1, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

Three generations of women—and the love, loss, sacrifice, and secrets that can bind them forever or tear them apart.
Millicent Glenn is self-sufficient and contentedly alone in the Cincinnati suburbs. As she nears her ninety-first birthday, her daughter Jane, with whom she’s weathered a shaky relationship, suddenly moves back home. Then Millie’s granddaughter shares the thrilling surprise that she’s pregnant. But for Millie, the news stirs heartbreaking memories of a past she’s kept hidden for too long. Maybe it’s time she shared something, too. Millie’s last wish? For Jane to forgive her.
Sixty years ago Millie was living a dream. She had a husband she adored, a job of her own, a precious baby girl, and another child on the way. They were the perfect family. All it took was one irreversible moment to shatter everything, reshaping Millie’s life and the lives of generations to come.
As Millie’s old wounds are exposed, so are the secrets she’s kept for so long. Finally revealing them to her daughter might be the greatest risk a mother could take in the name of love.

My Review:

“Mirror, mirror on the wall: I am my mother after all.” There are whole Etsy shops devoted to pillows and wall hangings and samplers with this quote. It’s the title of a 2011 memoir by Susan Kane Ronning that revolves around a daughter’s resistance to repeating her mother’s mistakes.

It’s also the theme of Millicent Glenn’s Last Wish, a story of the three – soon to be four – generations of Glenn women; the titular Millicent, the tense relationship she has with her adult daughter Jane and the terrific relationship she has with her granddaughter Kelsey – a relationship in which she sometimes feels that Jane, Kelsey’s mother, is intruding.

And Kelsey’s soon-to-be child, gender still unknown, who will make her, at 91, a great-grandmother. A child that all three women are over the moon about, regardless of the stresses in the relationship between them.

Stresses that lie in the past, in the secrets that are hidden in that past. Secrets that Millicent has held close to her heart and grieved over for decades, but that finally need to come into the light. She is, after all, 91, and feels every single one of those years. She’s afraid that if she doesn’t talk soon, her chance will be gone.

And she’s right, but not in the way that she expected. Because secrets come to light on their own time – no matter how much their keepers wish otherwise.

Escape Rating A-: First, this is a timeslip story, or perhaps it might be better described as a memory story. It operates in two timelines; its 2015 present and Millicent’s past in the late 1940s and 1950s, as she replays in her head the history that she has not shared with her daughter and granddaughter – and that she needs to rather desperately.

Initially, Millicent is desperate because of her own circumstances. At 91, even though she is healthy and active for her age, she can’t help but be aware that her time is running out. When Jane admits that she has discovered a lump in her breast, Millicent is suddenly faced with a more immediate threat. Her daughter, like Millicent’s husband, could have cancer. That fear overlays this story like a sword of Damocles.

In the present, Jane wants no muss and no fuss, she wants to take care of herself, as she always has. She certainly doesn’t want her mother to fuss over her as she feels like she has always had to take care of herself.

Through Millie’s memories, we get glimpses of why that is, although not the full story. The full story we do get is the story of women’s lives in the 1950s, the stresses and strains that led to Betty Friedan’s watershed book, The Feminine Mystique, the book that showed that so many women’s lives, lives that seemed perfect on the surface, were restricted in a straitjacket of competitive domesticity, and filled with frustration, boredom, tragedy and all too often, pills and/or booze.

Millie holds the tragic secrets of her own experience close, perhaps a little too close, just as she did Jane when she was growing up. At least some of the time. The rest of the time, Millie left her daughter to her own devices as she worked her way through her grief, her despair, and the pills she took to cope with both.

When the secrets finally come out, the catharsis is both extended and delayed, as they still have to navigate through Jane’s health scare and Kelsey’s advancing pregnancy. In the end, there is healing – but it’s hard won and painful. The band aid over the past that Millie wanted to ease off gently gets pulled off with a hard jerk – and Jane thinks her mother was one.

And perhaps she was.

I ended up with a whole truckload of mixed feelings about this story for all sorts of personal reasons.

I think that people who don’t live somewhere storied or famous or both, like New York City, don’t expect to see their hometown portrayed in fiction. Millicent’s story takes place in Cincinnati, where I grew up. Millicent would have been part of my mother’s generation, and the Cincinnati she remembers from the 40s and 50s match stories my mother told me, or echo things that I remember being told were in the recent past when I was growing up in the 1960s.

If you are ever in Cincy, Union Terminal is every bit as magnificent as it is portrayed in the story, and well worth a visit for its museums and its gorgeous restoration. It was a building that needed to be preserved, but for most of my growing up years it was a white elephant that the city couldn’t find a purpose for. It was a relief when the museum complex moved in and turned out to be a fantastic use for the space.

Cincinnati Union Terminal Museum Center

But the Cincinnati described in the story is the place I remember. As much as I say that Cincinnati is a nice place to be FROM, I was happy to see the author do it proud. Although I still prefer Skyline Chili to Empress (or Gold Star),  Cincinnati chili really is ordered as described and they are all a taste of home, along with Graeter’s Ice Cream, which is still the best ice cream I’ve ever had.

Part of the poignancy of this story, at least for me, was how much the relationship between Jane and her mother Millie reminded me of the stresses and strains in my own relationship with my mother, although the causes were different. But that emotional distance, that chill that happens between two people who love each other but can’t quite reach each other was extremely real, and even cathartic that they managed to find a peace together that my mother and I never quite did.

This is a beautiful, heartbreaking and ultimately heartwarming story about four generations of women, the secrets that kept them apart and the truths that finally brought them together.

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of Millicent Glenn’s Last Wish to one very lucky US commenter on this tour!

a Rafflecopter giveaway

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: Murder on Cold Street by Sherry Thomas

Review: Murder on Cold Street by Sherry ThomasMurder on Cold Street (Lady Sherlock, #5) by Sherry Thomas
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Lady Sherlock #5
Pages: 352
Published by Berkley Books on October 6, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Charlotte Holmes, Lady Sherlock, is back solving new cases in the USA Today bestselling series set in Victorian England.
Inspector Treadles, Charlotte Holmes’s friend and collaborator, has been found locked in a room with two dead men, both of whom worked with his wife at the great manufacturing enterprise she has recently inherited.
Rumors fly. Had Inspector Treadles killed the men because they had opposed his wife’s initiatives at every turn? Had he killed in a fit of jealous rage, because he suspected Mrs. Treadles of harboring deeper feelings for one of the men? To make matters worse, he refuses to speak on his own behalf, despite the overwhelming evidence against him.
Charlotte finds herself in a case strewn with lies and secrets. But which lies are to cover up small sins, and which secrets would flay open a past better left forgotten? Not to mention, how can she concentrate on these murders, when Lord Ingram, her oldest friend and sometime lover, at last dangles before her the one thing she has always wanted?

My Review:

Welcome to another captivating AND frustrating entry in the Lady Sherlock series. And I really do mean both parts of that.

The series as a whole, and this particular entry in it, provides a fascinating look at an alternative version of Sherlock Holmes, and I’m always a sucker for a good Holmes pastiche, which this series definitely is.

The alternate Sherlock explored by this series is one where Sherlock Holmes is the entirely fictitious invalid brother of the “real” detective, Charlotte Holmes.

And that’s where both the genius and the frustration of this series comes in. It’s not that Charlotte is female, it’s that Charlotte has to deal with all of the frustrations and restrictions that come with living while female – and in the Victorian Era to boot, when those restrictions were even more ridiculously restrictive than they sometimes are today.

Making Charlotte’s life an endless series of situations that she has to work her way around. Her workarounds – like the fictitious invalid brother – are an absolute necessity. And that’s what makes reading this series so endlessly frustrating. The reader wants her to be able to just “get on with it” and she literally can’t if she is to remain a true – albeit atypical – creature of her time.

The social obligations and restrictions don’t really bother her, but they definitely bother other people when she doesn’t at least nod in their direction. So it’s both right and annoying at the same time. (Obviously I’d have done very poorly as a middle-class Victorian woman!)

What makes this particular case so fascinating is that the case, in its entirety, seems to be hedged about with all of the issues that, well, hedged women about, even though both the victims and the accused perpetrator are men.

Inspector Treadles, who serves as Charlotte’s Inspector Lestrade, meaning that Treadles is the Scotland Yard detective who both assists and is assisted by Charlotte, and who therefore gets to take the official credit for the cases she solves, has been accused of murder. Considering that he was found standing over two dead bodies inside a locked room with his service revolver in his hand, it is not surprising that he was assumed to be the killer.

Particularly as he didn’t seem to have anything to say that would explain the circumstances. Mrs. Treadles comes to Sherlock Holmes in desperation, hoping against hope that the great detective will not just come to the aid of his colleague, but will be able to extricate his head from the seemingly inevitable hangman’s noose.

But Treadles has held himself distant from Holmes, after discovering that Charlotte, a mere woman, was the real detective. And he’s held himself distant from his poor wife ever since she inherited her family’s manufacturing business from her late brother.

It seems as if Treadles’ unwillingness to accept either his wife’s or his “colleague’s” ability to be both female and intelligent is at the heart of this case. One of the murder victims was his wife’s mentor, and the other is rumored to have been her lover.

He has too many motives and seemingly no defense whatsoever. It will be up to Charlotte, with the able assistance of her own band of irregulars, Mrs. Watson, Miss Redmayne and especially Lord Ashburton, to figure out the truth.

Escape Rating B: As should be clear by now, I feel a bit of a push-pull about Charlotte. She fits her time – more or less – and her time is frustrating. One of the interesting things about this particular entry in the series is the way that Lord Ashburton is beginning to understand just how privileged he is, not in the sense that he is a privileged member of the upper class, although he certainly is, but that his movements through the world are eased immeasurably simply because he is a man.

His consciousness of that fact feels a bit ahead of his time, but not unduly so. But it does serve to highlight just how many restrictions Charlotte – and by extension for this particular case, Mrs. Treadles – has to deal with.

The heart of this case is both simple and complex. On the one hand, there’s the financial malfeasance that is finally uncovered. And on the other, there’s that huge undercurrent that swirls around just how fragile a woman’s place in the world can be, and how easy it is for an unscrupulous man – or simply an unthinking or uncaring one – to make a woman’s life a misery of recriminations and blame even if she hasn’t put a single step wrong.

This made the mystery fascinating. It was fairly obvious that Inspector Treadles’ silence was intended to protect someone from something, but protect who from what was the darkest part of the mystery until near the end. That ALL of the goings-on in the place where he was found turned out to be a nearly impenetrable farce just added to the stew of red herrings in the case.

But five books in, I’m seeing a pattern that, well, tasks me. It feels like the circle is much too close, too centered on Charlotte. There should be more cases that aren’t so personal if Charlotte is operating as a consulting detective. But so far, all of the cases have centered around people close to her; her parents (A Study in Scarlet Women), her half brother (A Conspiracy in Belgravia), Lord Ashburton himself (The Hollow of Fear), Mrs. Watson (The Art of Theft) and now Inspector Treadles. There should be some cases that don’t have such high emotional stakes.

Each of the individual cases has been interesting, but the entire world shouldn’t revolve around Charlotte. Or it feels that way. Definitely on another hand, having that world revolve around Moriarty, as it also does, feels right. At the same time, it also feels like the solution that Charlotte Holmes comes up with for her final Moriarty problem is likely to end the series.

And as much as Charlotte and her world drive me a bit crazy, I don’t want that to be anytime soon.

Review: The Dragon Waiting by John M. Ford

Review: The Dragon Waiting by John M. FordThe Dragon Waiting by John M. Ford
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook
Genres: alternate history, epic fantasy, fantasy
Pages: 400
Published by Tor Books on September 29, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

“The best mingling of history with historical magic that I have ever seen.”—Gene Wolfe In a snowbound inn high in the Alps, four people meet who will alter fate.
A noble Byzantine mercenary . . .
A female Florentine physician . . .
An ageless Welsh wizard . . .
And an uncanny academic.
Together they will wage an intrigue-filled campaign against the might of Byzantium to secure the English throne for Richard, Duke of Gloucester—and make him Richard III. Available for the first time in nearly two decades, with a new introduction by New York Times-bestselling author Scott Lynch, The Dragon Waiting is a masterpiece of blood and magic.“Had [John M. Ford] taken The Dragon Waiting and written a sequence of five books based in that world, with that power, he would’ve been George R.R. Martin.” —Neil Gaiman

My Review:

The Dragon Waiting is the best book that you’ve probably never heard of – but should have. And it’s what Tor Essentials is all about.

That last is possibly literal, as it feels as if this is the one book above all others that the publisher really, truly, sincerely wanted to try and bring back into print. If this is the inspiration for the imprint, or even just a part of it, it was all worth it.

There’s a story in that, and I’ll get to it. But first, there’s a story.

A wizard, a mercenary, a vampire and a spy walk into a tavern. And come out of it trying to change the world.

That’s been done, or something similar. In a way, it sounds like the opening to Tigana by Guy Gavriel Kay, where a disparate group of desperate people band together to overthrow an empire.

But the story of The Dragon Waiting is both a lot closer to actual history – and a lot farther – than Tigana. Because this is alternate history that builds off of real history, real events and real people – although none of them ever quite committed any of these acts. That we know of.

This is a story about a Byzantine Empire that not only never fell, but grew and changed and continued to swallow up countries that became independent of either Rome or Byzantium in the history that we know. But this Byzantium remained on top of the world because it didn’t embrace Christianity. Instead, it continued the old Roman policy of allowing conquered people to retain their old beliefs and old gods.

And there’s magic. There’s certainly magic in the writing – honestly. But there’s magic in the world. Not a lot. There are not a lot of real practitioners of what we would consider real magic. But there are a few, and they can move mountains. Or dragons.

Or topple empires.

Escape Rating A+: This is going to be one of those reviews where how I feel about the book is inextricably tied into what I think of the book. Because of the circumstances of this particular book and my reading – and re-reading – of it.

The Dragon Waiting was originally published in 1983. I still have my old mass market paperback copy, which I’ve moved more times than I care to count. It’s a book that loomed large in my memory, although I only read it the once – and that nearly 40 years ago.

I hung onto my paperback because the damn thing went out of print, and I KNEW I’d want to re-read it someday. But the book didn’t just go out of print, it went into intellectual property hell as the author died (much too soon, having left not nearly enough behind) and no one seemed to know who owned the rights to this book. That saga is detailed here and here, and it’s a terrific mystery/quest story all by itself!

But the book, oh the book! I remembered The Dragon Waiting as being completely awesome, but hadn’t gotten back to it in a VERY long time. So, on the one hand I couldn’t wait to get a copy and re-read it, and on the other, when the time came I had a terrible approach/avoidance conflict. I wanted to read it again, but I needed it to be as awesome as I remembered, and I had no way of knowing if it would be.

1983 is a long time ago. I was a different person then, and the book spoke to me then for reasons that are now long in my past. The question of whether it would still speak to me, and whether it held up as the excellent read I remember it being, loomed large in my mind – to the point of being a reading block.

I’m happy to say that it IS every bit as good now as my memory says it was then. That’s not nostalgia talking – well, maybe a bit – but because it’s still a cracking good story.

What’s different is that the things it reminds me of, like Kay’s Tigana, and also his Sarantine Mosaic, were written after The Dragon Waiting. So while it feels like Dragon was influenced by those books, it’s actually the other way around. The two things that feel like influences on Dragon that actually might have been are T.H. White’s The Once and Future King (published in 1958) and Mary Stewart’s Merlin series, which began with The Crystal Cave in 1970.

The King
2016 Based on x-ray of King Richard III

But the thing that I kept coming back to as I read The Dragon Waiting was Josephine Tey’s marvelous The Daughter of Time. So much of the framing story of that book is dated, but the central mystery, the intellectual investigation into the question of Richard III and what happened to the “Princes in the Tower” still resonates. And it fits into The Dragon Waiting like a key into a lock in spite of differences in genre.

Because the conclusion in The Daughter of Time was that Richard’s behavior as postulated in Shakespeare and common perception makes no sense whatsoever. The story of The Dragon Waiting gives it that sense.

And a whole rollicking story of magic and empires to go along with it. A story that was every single bit as readable and complex as it was when it was first published.

I’m left with a few thoughts that don’t quite fit into a review of the book. Ford died in 2006, six years before Richard III’s remains were discovered under that carpark in Leicester. But when The Dragon Waiting was first published in 1983, Ford was 26. I remember who and what I was at 26 and am astonished and amazed at his achievement. As I was reading the book that he wrote, we were the same age. Literally, as he was born five days after me. I’m still a bit speechless at that thought, as I did not nearly have my shit together at 26 and am gobsmacked at the way that he did. I wish he left behind more work, but I’m grateful that what there is will be re-published – there just wasn’t nearly enough.

Review: Remember Me by Mario Escobar

Review: Remember Me by Mario EscobarRemember Me: A Spanish Civil War Novel by Mario Escobar
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, World War II
Pages: 384
Published by Thomas Nelson on September 15, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From international bestseller Mario Escobar comes a 20th-century historical novel of tragedy and resilience inspired by Spain’s famed Children of Morelia and the true events that shaped their lives.
Historians refer to the Spanish Civil War as one of the bloodiest wars of the twentieth century. In 1937, at Mexico’s request and offer, nearly 500 children from Spain—remembered as Los Niños de Morelia—were relocated via ship to Mexico to escape the war’s violence. These children traveled across the sea without their families and were expected to return at the war’s end. No one could have foreseen another world war was on the way—or that that Franco’s regime would prevent the children from coming home. These enduring conflicts trapped the children in a country far from their homeland, and many never made it back.
Remember Me is Mario Escobar’s novelization of these events, as told by a fictional survivor—one of the children of Morelia—who looks back upon his life after making the long and devastating journey across the Atlantic. This story explores the endurance of the human spirit as well as the quandary of a parent’s impossible decision, asking: At what cost do you protect your child in the face of uncertainty?

My Review:

I picked this book up because I was moved by Children of the Stars and was hoping for something similar. And it is that, a fictionalized account of real history, and real history of roughly the same period.

In other words, I was expecting a story where fiction is the lie that tells the truth – in this case the truth about the very real children of Morelia, the nearly 500 children who were sent out of the Spanish Civil War to Mexico in the hopes that they would be safe.

There are all kinds of versions of safe, however. They were safe from the direct effects of the war – and its immediate aftermath. Many of the children were the sons and daughters of the left-leaning Popular Front government. Which was defeated by Franco and his right-leaning Nazi supported Nationalists. Who brutally suppressed the left after their victory. Which meant that their parents weren’t safe either during or after the war. The children weren’t exactly safe either – but neither were they being shelled.

The Spanish Civil War is often referred to as a dress rehearsal for World War II, as the countries who became the Allies supported the Republican government of the Popular Front, while the Axis supported the Nationalists.

And just as happened elsewhere before and even during that war, parents tried their best to keep their children safe – or at least as safe as possible. That meant that parents faced a terrible choice – to keep their children with them, to do their own best to keep them safe in a country that was the front for war, or to send them away in the hopes that they would be safer far from the battlefield.

The story in Remember Me is the story of those children sent to Mexico under the sponsorship of the Mexican government. And while the experiences of the children of Morelia were not as brutal as the Stein brothers endured in Children of the Stars as young Jewish orphans trekking across a Nazi-dominated Europe that hunted them in order to exterminate them, it was far indeed from the safety and security that their parents had hoped for.

Escape Rating B+: This is a hard book. It’s hard because what happens to the children of Morelia is both all too horrible and all too familiar. On the one hand, this was a history that I wasn’t familiar with in its particulars, although the outline of it is part of many stories that happened during the war, from the children of London shipped to the countryside to escape the Blitz to the Kindertransport that rescued 10,000 predominantly Jewish children from Nazi Germany and other countries in the months prior to World War II to the Danish resistance movement’s evacuation of over 90% of the country’s Jewish population to Sweden.

But the rescue itself is only part of this particular story, which is wrapped in the particular circumstances in Spain during and after the Civil War, and of the conditions that the children faced in Mexico.

And quite probably elsewhere, because the story of what the children went through reads like a combination of Lord of the Flies with all the old sayings about power corrupting. Much of what happened read like it could be attributed to people who had power over the children while they were in Mexico either being venal or neglectful or having their own axe to grind. Or multiple axes, as Spanish colonial oppression was not that far in Mexico’s past that there weren’t people who wanted to punish the children for the sins of their figurative grandparents. There was also conflict with the Catholic Church that just added to the issues. Many of the children were secular, having been raised in left-leaning revolutionary families. The Catholic Church in Mexico was very powerful, and there was a fair amount of pious skullduggery involved, with children who still had parents being assigned as orphans to the Church.

The money that was intended to support the children was siphoned into multiple pockets, the people put in charge of the children had no idea how to take care of them, and the facility ended up being run by the bullies. Parts of that story, awful as they are – and they are awful – felt both sad and predictable.

Human beings often suck. While wartime may make some rise to the occasion, it also makes the sucky even suckier.

This is reading like a downer, and that feels appropriate. While it ends on a hopeful note, that didn’t feel like the tone for much of the story. And I’ll admit that I am not in a hopeful mood this week, and this was probably not the right book at the right time, as compellingly readable as it is. And it certainly is.

In the end, the book this reminded me of more than any other was not the author’s Children of the Stars but rather The Brothers of Auschwitz. While a bit of that is the period setting, it is mostly due to the way that both stories are unflinching in their look at a terrible history, and in their emphasis on the ongoing cost of that history to its surviving victims.

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