Review: An Impossible Promise by Jude Deveraux and Tara Sheets

Review: An Impossible Promise by Jude Deveraux and Tara SheetsAn Impossible Promise: A Novel by Jude Deveraux
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical romance, time travel romance
Series: Providence Falls #2
Pages: 288
Published by Mira on September 21, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

They can’t be together, but they can’t stay apart…
Liam O’Connor has one purpose in this life—to push the woman he loves into the arms of another man. The Irish rogue unknowingly changed the course of destiny when he fell in love with Cora McLeod over a century ago. Their passion was intense, brief and tragic. And the angels have been trying to restore the balance of fate ever since.
Now police officers in Providence Falls, North Carolina, Liam and Cora are partners on a murder investigation. The intensity of the case has drawn them closer together—exactly what Liam is supposed to avoid. The angels have made it clear Cora must be with Finley Walsh. But headstrong Cora makes her own decisions and she’s starting to have feelings for Liam—the only thing he’s ever really wanted.
Liam knows this is the last chance to save his soul. But does he love Cora enough to let her go?
Providence Falls
Book 1: Chance of a Lifetime

My Review:

Okay, I’m hooked. Also confused, frustrated and annoyed – but hooked. I have to find out how this whole soap opera turns out.

Which constitutes fair warning on two counts. Count number one, that the insane story begun in Chance of a Lifetime does NOT conclude in An Impossible Promise. Count number two, this series is one story broken up into chapters, not two separate stories with some kind of link between them. In other words, you have to start at the beginning and it’s not done yet.

The third book isn’t even announced yet. Hence both the frustration AND the annoyance. I want to know how this is all going to get resolved – if only to find out if ANY of my guesses are right. And I need to know that the answers will be forthcoming at hopefully the not too distant future, but at least at some fixed date in the future.

Let me explain, which isn’t going to be easy because this story, at least so far, completely broke my willing suspension of disbelief meter and then set it on fire. This story needs resolution in the hopes that at the end it will all make sense.

The concept for the whole thing, as I discussed in my review of the first book in the series last week, has a lot of potential. It’s a time travel romance with a bit of angelic interference taking the place of any SFnal handwavium that often powers the jaunt through time.

What makes this different from the usual run of such things is that Liam O’Connor doesn’t go backward in time – he goes forward. From 1844 to an undefined present day probably just pre-pandemic.

Way back when, Liam O’Connor messed with Cora McLeod’s destiny when he convinced her to run away with him rather than marrying the man her father picked out for her. Whatever that destiny was, it was so huge and important that the angels, two of them specifically, have given Liam a second chance to get it right by giving up the woman he really does most sincerely love.

The angels fast forward Liam to now, where Cora McLeod, still with the same name, has another chance to marry her destined mate, Finley Walsh. It’s up to Liam to put aside his own desires – and honestly Cora’s as well – to make sure that this time things turn out the way they were supposed to.

All the while pretending to be a 21st police detective in a tiny town in North Carolina, learning how to live in a world he never imagined, while helping Cora solve a series of murders that have everyone in town on edge.

While a couple of meddling angels blow celestial trumpets in his ears to remind him that he only has three months to fix what he broke long ago before he goes straight to hell.

Escape Rating C+: As I said at the top, I am hooked on this story, and eaten up with speculation about how the whole thing is finally going to be worked out. But, but, but there are a whole lot of things about this story that drive me crazy because they don’t make sense – or at least they don’t make sense without a whole lot more explication than we have so far.

Liam, at one point in this book, asks the angels who have stuck him in this situation whether they are really angels or whether they’re working for the other side. I do not blame him AT ALL for wondering. They say they’re working for the “greater good” and all that, but anyone who works for the so-called “greater good” without explaining a whole lot about whose good and why it’s greater makes me twitchy and gives me mad Albus Dumbledore vibes and not in a good way.

Liam was kind of “voluntold” to participate in this mess, but it seems like everyone else is being manipulated rather a lot in order to accept Liam’s place in the world and in all of their lives. It also feels like a vast coincidence, beyond any angelic arrangement, that all the people in Providence Falls are reincarnations of the people Liam and Cora knew in their first go around, that they ALL have the same names and they are all in the same relationships to Liam, to Cora, and to each other.

The long arm of coincidence does not stretch that far – even in fiction.

Aside from the setup, the big issue in this romance is the romance. Liam really does love Cora, past and present. Cora is falling for Liam, again, even though she doesn’t remember their first time around.

Because we experience the story from Liam’s perspective, he’s the one we have empathy for. We want him to get his HEA and there’s no way that happens if he fulfills his promise to the angels. The entire story goes against the grain of the way it’s being told, especially when Cora’s growing feelings for Liam are taken into consideration. That she is not getting to make her own choices just bites. Seriously.

That’s not to say that this incarnation of Finley Walsh isn’t a good guy or in any way unworthy – but he’s not Cora’s choice. Although at least the story gives us a little more depth about him in this second installment. I would be happy to see Finn get his own HEA, but so far at least I’m not on board with that HEA being with Cora.

That’s where all of my thoughts about how this is going to play out go pear-shaped. At the end of this book, Liam finally gets a full explanation of why Cora has to marry Finn – but we don’t see it. All we get is Liam’s epiphany that his wants don’t matter, that Cora’s destiny is too important for him to mess up.

The problem I’m having is that I just don’t believe it. I’m not convinced. At all. The angels could be manipulating him, they could have shown him something that leads to this conclusion without it being the truth, and they could still be demons. On an entirely other hand they could be demons like Crowley (in Good Omens) was a demon, meaning that they might be doing the right thing in the wrong way and for the wrong reasons. That’s actually an explanation I could seriously get behind.

But I want to know so, so badly. So I’m hooked. Along with being confused, frustrated and annoyed. The next book can’t come out soon enough. The horns of this particular dilemma are downright painful!

Review: Witch, Please by Ann Aguirre

Review: Witch, Please by Ann AguirreWitch Please (Fix-It Witches, #1) by Ann Aguirre
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, paranormal romance
Series: Fix-It Witches #1
Pages: 363
Published by Sourcebooks Casablanca on September 7, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Practical Magic meets Gilmore Girls in this adorable witchy rom-com with:
• A bisexual virgin baker with a curse• A witch looking to avoid romantic entanglements• And a chemistry between them that causes literal sparks

Danica Waterhouse is a fully modern witch—daughter, granddaughter, cousin, and co-owner of the Fix-It Witches, a magical tech repair shop. After a messy breakup that included way too much family “feedback,” Danica made a pact with her cousin: they’ll keep their hearts protected and have fun, without involving any of the overly opinionated Waterhouse matriarchs. Danica is more than a little exhausted navigating a long-standing family feud where Gram thinks the only good mundane is a dead one and Danica’s mother weaves floral crowns for anyone who crosses her path.
Three blocks down from the Fix-It Witches, Titus Winnaker, owner of Sugar Daddy’s bakery, has family trouble of his own. After a tragic loss, all he’s got left is his sister, the bakery, and a lifetime of terrible luck in love. Sure, business is sweet, but he can’t seem to shake the romantic curse that’s left him past thirty and still a virgin. He’s decided he’s doomed to be forever alone.
Until he meets Danica Waterhouse. The sparks are instant, their attraction irresistible. For him, she’s the one. To her, he’s a firebomb thrown in the middle of a family war. Can a modern witch find love with an old-fashioned mundane who refuses to settle for anything less than forever?

My Review:

Happy families may be all alike, and every unhappy family may be unhappy in its own way, but there should be an exception for intrusive families, which are more alike in their unhappiness than the paraphrase from Tolstoy would lead one to expect.

Certainly Danica Waterhouse’s family of witches has plenty of intrusiveness to go around, between her cousin Clementine who is determined that both Danica and Clementine will remain single and unattached forever, her mother Minerva who married a mundane and lost her powers, and her beloved Gram who is determined that Danica will marry someone with an impeccable witch lineage and pass on the Waterhouse legacy.

Minerva wants her daughter to follow her heart. Gram doesn’t care about Danica’s heart as long as her ovaries are dedicated to making pure witch babies, while Danica just wants a chance to live her own life on her own terms. Something that seems impossible as long as she’s the chew toy in the family squabble between her laid back mother and her bulldozer grandmother.

A grandmother who is an expert at wielding guilt like a knife and isn’t either ashamed or afraid to use that knife and any other weapon that comes to hand in order to keep her granddaughter on what she perceives as the straight and narrow.

Danica lets herself be stuck in permanent peacemaker mode, caught between those opposing viewpoints, until she’s broken out of her paralysis by the smell of sinful cinnamon rolls wafting through her life.

Danica and her cousin Clem are the owners of Fix-It Witches repair shop, because that’s literally what they are and what they do. Their witch talent lies in coaxing machinery that is broken into a state of repair. And one of the ovens at Sugar Daddy’s bakery is in desperate need of repair.

Which leads the Sugar Daddy himself, Titus Wannaker, the baker-in-chief, to stop at Fix-It Witches to ask if they can come over and repair his recalcitrant oven before he starts losing business.

But when Titus opens the door at Fix-It Witches, Danica loses control of her magic, her blender sprays a pineapple smoothie everywhere, and Titus loses his heart to the sweet, snarky, sexy witch who looks like she bathed in pineapple chunks.

And the feeling is very, very mutual.

There’s only one hitch in Titus’ instantaneous plan to get as close to Danica as possible for as long as possible – at least once she gets the pineapple chunks out of the way.

Danica is a witch, Titus is a mundane, there’s a Statute of Secrecy that makes the one in the Potterverse look like a mildly worded suggestion – and there’s Danica’s Gram lurking around town, determined to keep Danica on the only path that Gram will EVER approve of.

A future that does not include delectable interludes with a mundane – not even the Cinnaman of Danica’s dreams.

Escape Rating B-: I am of two minds on this book in so many ways!

First, foremost, and most important, the romance between Danica and Titus is lovely, sweet, sexy, delicious and every kind of wonderful. I loved them together so much and wanted Danica to find a solution to her family and witchy dilemmas so badly so that they could have a chance. The author did a great job of conveying that this was a once-in-a-lifetime kind of love and that they belonged together in spite of everything.

I stuck with the book because I wanted to see them get their HEA so much.

At the same time, at the literal halfway point I switched from the audio to the ebook in spite of how much I was enjoying the narrator because Danica’s intrusive family, her almost pathological need to keep everyone happy – except herself – combined with the need to keep witches and witchcraft secret on pain of death or at least an extreme memory wipe were downright painful and I wanted to get through them as quickly as possible. By judicious skimming if necessary.

Not that Titus’ family doesn’t have problems of its own, but the crap he was dealing with all made sense.

Danica, on the one hand, was being a doormat in the face of her family’s conflicting expectations and demands. On the other hand, her relationship with Titus, their ever-increasing chemistry and every time they managed to find a tiny slice of time together were utterly adorable. And on the third hand – hey, witchcraft, why not three hands (or more) in a pinch? – there was too much about this world’s version of witchcraft that wasn’t explained as well as it could have been.

Because there’s a terrific story of sisterhood and found family hidden within the dynamics of Danica’s coven. While a bit too much of the coven’s business in this opening entry in the series was focused on the way that Danica’s powers were spiking out of control because of her relationship with Titus that she didn’t feel free to actually have, there was still a lot there to unpack and revel in about the way that this group of multiple generations of women got together, supported each other both personally and professionally, gave each other space to vent and room to grow, and occasionally discussed books in between major magical workings.

I was also fairly convinced early on that Gram was pretty much the Wicked Witch of the (Mid)West, so I wasn’t exactly surprised to discover that my conviction was close to the actual mark and not just my own feelings about just how toxic her manipulations really were. And I’ll admit that I really needed to see an epic takedown of Gram over this and did not get the catharsis I was looking for.

So there’s a thread in this story about Danica being forced to learn that her hero has feet of clay up to the knees and it felt like that reveal and its effects were minimized. It’s entirely possible that we’ll get to see the fallout of that situation in the next book in the series, Boss Witch, in April 2022. I need to make sure that Danica and her Cinnaman are still living their sweetly happy ever after.

Review: The Scholars of Night by John M. Ford

Review: The Scholars of Night by John M. FordThe Scholars of Night by John M. Ford
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Pages: 256
Published by Tor Books on September 21, 2021 (first published February 1988)
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

John M. Ford's The Scholars of Night is an extraordinary novel of technological espionage and human betrayal, weaving past and present into a web of unbearable suspense.
Nicholas Hansard is a brilliant historian at a small New England college. He specializes in Christopher Marlowe. But Hansard has a second, secret, career with The White Group, a “consulting agency” with shadowy government connections. There, he is a genius at teasing secrets out of documents old and new—to call him a code-breaker is an understatement.
When Hansard’s work exposes one of his closest friends as a Russian agent, and the friend then dies mysteriously, the connections seem all too clear. Shaken, Hansard turns away from his secret work to lose himself in an ancient Marlowe manuscript. Surely, a lost 400 year old play is different enough from modern murder.
He is very, very wrong.

My Review:

The Scholars of Night is a book that lives at multiple crossroads. Or perhaps that should be multiple turning points. The world was changing under pretty much all of the axes at which this book is written, and it was obvious to those in the story – as well as those with eyes to see in the real world – that the verities which they lived under were about to change dramatically even if no one knew at the time what the results would be.

When The Scholars of Night was written, and when it was originally published, the Cold War between the U.S. and the Soviet Union, which had been at various temperatures between below 0 Fahrenheit and barely above 0 centigrade since the end of World War II, was about to end. Not that it was actually thawing, more that one of the sides was about to undergo a seismic shift that would change the nature of the game entirely.

And it was a game, as the players involved in this story make very clear. It’s just that it was a game with very real and deadly stakes.

The other factor, that other crossroads, and one as it turned out with equally deadly consequences, was the continuing miniaturization and coming ubiquity of omnipresent and seemingly omniscient information technology. Personal computers had started their shift from hobbyist tinker toys to working business devices with the production of the IBM PC in 1981, while the shift of the U.S. Department of Defense’ ARPANET into the internet we know today was already well on its way.

The intellectual games of espionage and their deadly consequences were shifting from the domain of people who were good at solving puzzles to people who programmed computers to make decisions at the speed of light.

That gamesmaster, academic and occasional intelligence asset Allan Berenson is slated for death by one of those speed of light decisions, and that his protege Nicholas Hansard and Berenson’s lover, the agent known only as WAGNER, do their best and worst to carry out Berenson’s last plan through a combination of intelligent puzzle-solving, ruthless determination and willful blindness to its consequences is a perfect metaphor for the death and the life of one old Cold warrior and the world he knew entirely too well.

Escape Rating A: The story in The Scholars of Night is complex and convoluted and wonderful. No one trusts anyone else, no one is really on anyone else’s side, everyone is waiting for everyone else to betray them – with good reasons – and everyone is unreliable because no one is telling the truth about anything even when they think they know the truth.

Which they usually don’t. This is a story about lies and the lying liars who tell those lies to the point where no one really knows what the truth is anymore or whether the truth even exists. So the truth becomes a fungible commodity, and the lines between collateral damage and just damage are so blurred they don’t even exist any longer.

The way that the story echoes back and around to Christopher Marlowe, his work for Elizabeth I’s spymasters, and the dirty deeds that he participated in and covered up just makes the point with even more emphasis that espionage is always a dirty business. No one involved is on the side of the angels.

(In a peculiar way, The Scholars of Night is a bit of a readalike for A Tip for the Hangman, which covers Marlowe’s forays into spycraft more directly. At any rate, if you like this you’ll probably like that, and there’s enough of Marlowe in the background here to make it very much vice versa.)

The story of The Scholars of Night is not a straightforward one by any means. WAGNER compartmentalizes her plan to enact Berenson’s last play so very well that the right hand and the left hand never even seem to be in the same country or on the same playing field and the reader spends as much of the story trying to piece the clues together as the agent does. Certainly the agencies following her are always at least one step behind, and we often feel that we are, too.

On the one hand, this story feels historical. 1986 or thereabouts are a lifetime ago. So in some ways, the story feels prescient as Berenson’s last big play foreshadows both the end of the Cold War and the rise of intelligent machines controlling the world instead of intelligent people. And yet, the story was contemporaneous at the time it was written.

And excellently well done at that. Especially if you like puzzles as much as Berenson and WAGNER did.

Reviewer’s Note: The story about how this book and the rest of John M. Ford’s work went so thoroughly out of print – with the exception of his Star Trek novelizations – and how they finally got back into print (and ebook for the first time!) is a bit of a puzzle story in and of itself.

A story I got into in a lot more detail in my review of Ford’s best known and most beloved work, The Dragon Waiting, which won the World Fantasy Award in 1984. And is still one of the awesomest pieces of alt-history ever.

Review: No Gods, No Monsters by Cadwell Turnbull

Review: No Gods, No Monsters by Cadwell TurnbullNo Gods, No Monsters (The Convergence Saga, #1) by Cadwell Turnbull
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: fantasy, horror, science fiction, urban fantasy
Series: Convergence Saga #1
Pages: 387
Published by Blackstone Publishing on September 7, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

One October morning, Laina gets the news that her brother was shot and killed by Boston cops. But what looks like a case of police brutality soon reveals something much stranger. Monsters are real. And they want everyone to know it.
As creatures from myth and legend come out of the shadows, seeking safety through visibility, their emergence sets off a chain of seemingly unrelated events. Members of a local werewolf pack are threatened into silence. A professor follows a missing friend’s trail of bread crumbs to a mysterious secret society. And a young boy with unique abilities seeks refuge in a pro-monster organization with secrets of its own. Meanwhile, more people start disappearing, suicides and hate crimes increase, and protests erupt globally, both for and against the monsters.
At the center is a mystery no one thinks to ask: Why now? What has frightened the monsters out of the dark?
The world will soon find out.

My Review:

The title of this book is a play on the old anarchist slogan, “No Gods, No Masters.” It’s a reference to the belief that no one should be above anyone else and no one should be below anyone else. That all humans should be equal.

The “monsters” that have suddenly come out of wherever they’ve been hiding themselves have adopted the old slogan to put forward the idea that monsters aren’t separate from the rest of the population, that neither humans nor monsters should be above or below each other, that all should be equal.

It’s a question that has come to the forefront in the wake of an event that the amorphous, unreliable narrator of this story refers to as the “Fracture”, when a group of shifters – werewolves and their kith and kin – staged a peaceful demonstration of their ability to shift from wolf to human. A demonstration that took place in front of a bunch of cops and other bystanders, and was filmed in its entirety.

The video of the demonstration appeared very briefly on the internet, showing the full change from a line of wolves to a line of humans. The video went viral. Everybody saw it. People were debating the existence of monsters and what it meant.

At least until all the copies of the video were edited to eliminate the parts that showed the change. And the debate shifted, from people discussing what they saw to people arguing about whether or not they’d really seen it. About whether or not monsters really exist at all.

But even with and beside and under the debate, the world is changing. The “Fracture” has had an effect on everyone, whether believer or skeptic, monster or human. Even for those who have chosen not to rock their familiar world by admitting that there might be more things on heaven and earth than were dreamt of in anyone’s philosophy, nothing and no one will ever be the same.

Escape Rating B: There are multiple ways of looking at this story, because it feels like it says different things depending on how the reader approaches it, beginning with the debate about whether this is science fiction or fantasy. To which the answer is probably “Yes”.

The point of view characters, whether monster or human, focus the story on the perspective of the “other”, where being a monster is just one additional axis upon which a person can be considered “other”.

The story opens with the death of Laina’s brother Lincoln, where Laina is looking for the truth about why the cops shot him. Laina expects to find yet another police cover up of cops killing a black man for no particular reason. What she finds is a video of really, truly, seriously frightened cops shooting an out-of-control werewolf who only turns into her brother after he’s dead. That the video is left for her by an invisible woman adds to Laina’s desire for answers to questions she hadn’t even known were possible.

The story spins out from there. Laina releases the video. Mysterious forces edit the video. More monsters reveal themselves to their friends and family. More people have questions and search for answers – only to find that those answers are more dangerous than they ever imagined.

The story doesn’t so much proceed as it spirals outward in ever increasing circles and greater and greater number of perspectives, from the members of a co-op who learn that one of the members is a techno-mage and that factions of monsters are hunting all of them to a young politician and secret weredog and who is still desperate to learn what happened to the parents who disappeared when she was a child – only to discover that the forces that broke them want to take and break her as well.

Conspiracy theorists learn the lesson about being careful what you wish for because you might get it. Or it might get you. That it takes a monster to catch a monster – as one of last week’s books explored much less seriously  and considerably less well – and that the only ones capable of really damaging creatures who are seriously at the top of the food chain are others who are just the same.

The switches in perspective and narration made it a bit difficult to follow the story. They give a strong sense of the story being much bigger than what we see, but also make it harder to put everything in any kind of order. At the same time, because this is also a story of the multiverse, those hints that the situation is bigger than we imagine make a certain kind of sense.

Even if I occasionally wished we stuck with one perspective so we could figure out a bit more of what’s really going on.

One of the things that I kept coming back to in my own head was that we all know that there ARE gods and there ARE monsters, even if the gods are the kind that man creates in his own image and the monsters all walk on two legs all of the time. The certainty of both of those things does not prohibit the possibility that there are also gods or pantheons of gods of the omniscient and omnipotent variety, nor that some of the monsters that go bump in the night in fiction don’t also do it for real.

It becomes clear over the course of this story that the humans are capable of being way more monstrous than the actual monsters, and that the ones who believe they are godlike are the worst of all.

The end of the blurb leads readers to questions that the story itself doesn’t raise – at least not yet in the series. Why is this happening now? (At least for certain perspectives on exactly what “now” means.)

Speaking of perspectives, at least in the audiobook that I listened to they blurred into each other just a bit. The reader was good, and if his voice was intended to represent the unreliable narrator we begin and end the story with, he does a good job of representing that particular voice. But this story has a LOT of voices, all of whom are unreliable to one degree or another – some because they don’t know what they don’t know, and some because they don’t want to know what they don’t know – and the audio might have worked a bit better if there had been a few more narrators to help the listener keep track.

In the end, which is not an end but really just a pause, I’m intrigued. It feels like this book opens a tiny window into a much wider and deeper catalog of worlds and stories and possibilities and what ifs. This first book felt like a whole bunch of teasers and I want to see where they ALL lead.

Review: Deadly Summer Nights by Vicki Delany + Giveaway

Review: Deadly Summer Nights by Vicki Delany + GiveawayDeadly Summer Nights (Catskill Summer Resort Mystery #1) by Vicki Delany
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, historical mystery
Series: Catskill Summer Resort Mystery #1
Pages: 304
Published by Berkley Books on September 14, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

An immersive setting with details of running a Catskillsresort in the 1950s (think Kellerman's in Dirty Dancing) beautifully frame a story with plot twists and a cast of well-delineated characters.--Booklist
A summer of fun at a Catskills resort comes to an abrupt end when a guest is found murdered, in this new 1950s set mystery series.
It's the summer of 1953, and Elizabeth Grady is settling into Haggerman's Catskills Resort. As a vacation getaway, Haggerman's is ideal, and although Elizabeth's ostentatious but well-meaning mother is new to running the resort, Elizabeth is eager to help her organize the guests and the entertainment acts. But Elizabeth will have to resort to untested abilities if she wants to save her mother's business.
When a reclusive guest is found dead in a lake on the grounds, and a copy of The Communist Manifesto is found in his cabin, the local police chief is convinced that the man was a Russian spy. But Elizabeth isn't so sure, and with the fate of the resort hanging in the balance, she'll need to dodge red herrings, withstand the Red Scare, and catch a killer red-handed.

My Review:

Remember the movie Dirty Dancing? That romantic drama was set in the same location as this cozy mystery series, just ten years later. Things don’t seem to have changed much in the Catskills summer resorts during that intervening decade, but that was kind of the point.

One of the real Catskill resorts during its glory days

Back in the 1950s, the time period of this series, the Catskills resorts were in their storied heyday, not just a place but an entire experience, a setting where middle and upper class New Yorkers could retreat from the city’s heat to a beautiful mountain location upstate, close enough that the husbands could come up on the weekends to visit their families but still work in the city on weekdays.

And the resorts were self-contained enough to keep the wives and children entertained and cosseted for as long as the family could afford. An entire summer if they could manage it. Kind of like a cruise ship, just without the shore excursions.

Elizabeth Grady, manager of Haggerman’s Catskills Resort, and her mother, retired Broadway star Olivia Grady, are new to the Catskills. The summer of 1953 is only their second season, and Elizabeth is determined to make a go of the only asset she and her mother have. No matter who, or what, gets in her way.

They seem to be on track to profitability this year – or at least they are until the dead body of one of their guests is pulled from the lake one night.

That a guest might die while at the resort is not unheard of. Many of their guests are neither young nor in perfect health. Families have come to the Catskills resorts for at least two generations at this point, and sometimes those generations pass while at the resort.

But a murder is entirely other matter. Guests come to the Catskills to GET away from it all, not to be done away with as this one certainly was. This pot of scandal is further stirred when the local police chief searches the guest’s cabin, discovers a couple of maps and a copy of the Communist Manifesto, and calls the FBI in on suspicion that the “Reds” that Senator Eugene McCarthy is screaming about in Washington have made their way to the Catskills.

Elizabeth needs to find the murderer before the scandal takes her fledgling business right under the water along with the corpse. While her competition from the other resorts cheer on her business’ demise.

Some of them, at least, are absolutely salivating at the very though. After all, it will just prove what they’ve been saying all along, that running a business like Haggerman’s is simply not a suitable job for a woman.

Escape Rating A-: There is a lot to like in Deadly Summer Nights, and one thing that niggled at me a lot. I’ll get to that in a bit.

What I really liked about this story was the way that it dug a bit deeper into what the real world was like during the 1950s, as opposed to keeping reality at bay as the Catskills resorts were famous for doing in their heyday. Which were, after all, the 1950s.

Elizabeth is a woman running a business at a time when women were expected to stay home with the children and not “worry their pretty little heads” about such things as payrolls and suppliers and invoices and contracts. She’s every bit as competent and capable as any man around her and knows they’re being stupid and ridiculous but she plays as much of the game as she must in order to get by.

And she’s very good at asserting her authority when she has to – as she all too frequently does. That she can’t assert any authority over her mother is an entirely different matter. Most of us can’t manage that particular trick no matter how necessary we feel it might be.

I loved the way this story dealt with McCarthyism and the “Red Scare” of the 1950s. The police chief’s witch hunt is bogus and everyone knows it’s bogus. At the same time everyone has to take it seriously out of fear of very real consequences.

I also enjoyed the way that this series opener creates Elizabeth’s world, the resort and it’s annual three months of frenzy, the relationships between Elizabeth and her mother and her aunt, the way she treats her employees, how she deals with the guests, including the demanding divas, and the symbiotic relationship between the resorts and the towns that they are not quite a part of.

I have to say that the focus of the story is on the worldbuilding rather than the mystery, and that works for a series opener. The red herrings are certainly tasty, but Elizabeth has so many fish to fry on an average day that her investigation gets a bit lost in the chaos. I liked her more than enough to enjoy watching her work, whether on the murder or just keeping the resort afloat.

About that thing that niggled at me.

Although this review is being posted around the publication date of the book, I actually read it back in July. On the weekend I read this one of the last of the “Borscht Belt” comedians, Jackie Mason, passed away at the age of 93. I know this seems like a non sequitur, but it’s not. Because the “Borscht Belt” where Mason and so many others honed their stand up routines was just another name for the Catskills summer resorts where this story takes place. The Catskills resorts catered to a Jewish clientele, served Kosher food and gave a lot of Jewish comedians their start or bolstered their careers.

As is mentioned in the story, Milton Berle really did perform in the Catskills. The comedian who gets caught up in the murder investigation was probably based on Lenny Bruce, who also performed there during his all-too-brief but controversial career.

At first, I couldn’t figure out what was missing at Haggerman’s, until I realized that the context of who the clients were and who many of the owners were was entirely missing. If it was subtext it was so sub that I missed it. And I feel like a lot of the flavor of the area was lost.

Your reading mileage, of course, may vary.

But I really liked Elizabeth, her family and her resort, more than enough that I’ll be back for her next Catskills season in Deadly Director’s Cut, coming next March. Just at the point where winter’s doldrums will make reading about the summer sun seem like a real getaway!

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

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Review: The Inheritance by JoAnn Ross

Review: The Inheritance by JoAnn RossThe Inheritance by JoAnn Ross
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, historical fiction, relationship fiction, women's fiction, World War II
Pages: 384
Published by HQN Books on September 7, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

With a dramatic WWII love story woven throughout, JoAnn Ross's women’s fiction debut is a generational saga full of sisterly affection and rivalry, perfect for fans of Susan Wiggs, Mary Alice Monroe and Lisa Wingate.
When conflict photographer Jackson Swann dies, he leaves behind a conflict of his own making when his three daughters, each born to a different mother, discover that they’re now responsible for the family’s Oregon vineyard—and for a family they didn’t ask for.
After a successful career as a child TV star, Tess is, for the first time in her life, suffering from a serious identity crisis, and renewed resentment around losing her father all over again.
Charlotte, brought up to be a proper Southern wife, gave up her own career to support her husband's political ambitions. On the worst day of her life, she discovers her beloved father has died, she has two sisters she never knew about, and her husband has fallen in love with another woman.
Natalie, daughter of Jack’s longtime mistress, has always known about her half sisters. And she can’t help feeling that when Tess and Charlotte find out, they’ll resent her for being the daughter their father kept.
As the sisters reluctantly gather at the Maison de Madeleine to deal with their father's final wishes, they become enchanted by the legacy they've inherited, and by their grandmother’s rich stories of life in WWII France and the wounded American soldier who would ultimately influence all their lives.

My Review:

When Pulitzer Prize winning conflict photographer Jackson Swann died, the most important thing that he left to his three daughters was not the award-winning Oregon winery that had been handed down in his family for generations, but each other.

The problem, the one that he left to his lawyer and his winery manager, was to get them to accept. Not just the winery – although certainly that, too – but mostly each other.

Tess Swann, Charlotte Aldredge and Natalie Seurat are all adults, all have – or have at least the shreds of – artistic careers of their own. But they’ve never met. They haven’t necessarily known that the others even existed.

These three women have been gathered together, not so much to celebrate the life of the man who links them, but rather to pick up the pieces of their own.

Tess, after a successful career as a child actress, a spectacular failure as a pop singer, and another successful career as a best-selling novelist, is looking for a third act in a life that has already seen plenty. She comes to the winery to recharge and search for a story idea that will get her past her writer’s block.

Her career sacrificed to her controlling husband’s political ambitions, her supposedly perfect marriage in tatters, Charlotte comes to the winery in search of respite and a place to call home – because her soon-to-be-ex-husband’s over-gilded and over-decorated faux antebellum McMansion certainly wasn’t it.

While Natalie returns to the winery to mourn the father that she knew best of all the sisters, and to make sure that her beloved, 96-year-old grandmother is doing as well as she can in the wake of her only son’s death.

Whether they will find what they are each looking for, or something more, or merely closure, they have one growing season at the winery to figure it all out together – or to tear themselves apart.

Escape Rating B: Like yesterday’s book (and a fair number of books in the chick lit/women’s fiction/relationship fiction genre), this is a story about three women, all of whom, coincidentally or otherwise, are at a crossroads in their lives or that face a crossroads because of the events of the story that bring them together.

In this case, the death of their larger-than-life father, no matter how much (Natalie) or how little (Tess) he participated in their lives. Jack Swann, who never seemed to quite know what to do with any of them when he could, manipulates them all after his death in a way that could have been horrible, but isn’t.

He provided an opportunity for all of them that he couldn’t have managed in life, for them to meet, be obligated to spend time together, get to know the grandmother that only Natalie was allowed to know about, and discover the legacy of the family they share.

The story of The Inheritance is, in a word, charming. Just as Jack Swann himself was, even if he couldn’t ever manage to stick around. The sisters are different enough from each other to stand as individuals, while at the same time sharing just enough characteristics to seem like they might make their initially tenuous connection work.

Their father turns out not to be the glue that ultimately binds them. That position is reserved for their grandmother Madeleine, who tells them the story of how she met and married their grandfather in France fighting for the Resistance in WW2. A story which inspires Tess’s writing, Charlotte’s realization that the life she has is not the one she wants or needs, and Natalie throwing caution to the winds in order to pursue the man she’s loved all her life.

I was charmed by this story, and thought that the way that the lives of the sisters finally mingled was lovely even if it was a bit contrived in the service of the story. There were a couple of bits that niggled at me.

Tess never met her father. That he didn’t raise her was one thing, but they never seem to have met at all in her conscious memory, and we never do find out why. As many family secrets as get revealed – and there are PLENTY – that omission felt like it just…dangled. Even after his marriage to Charlotte’s mother fell apart he was still a real if occasional presence in her life. But not Tess.

Second, there’s the show/tell repetition of Madeleine’s fascinating story about meeting, falling for and marrying her American pilot, Robert Swann. It’s a lovely and romantic story, and it serves as inspiration to all three sisters even though Tess is the one who plans to turn it into a novel. But we read Madeleine’s account as she remembers it and then it is repeated as she tells it to her granddaughters. While it’s normally better to show instead of tell, by the way the story works the telling feels like the better option. But one or the other would have been sufficient.

So I enjoyed reading The Inheritance, but it didn’t quite hit the spot as well as yesterday’s book. That’s possibly because this one reminded me a bit of Rhys Bowen’s World War II books, particularly In Farleigh Field, one of the subplots in Pardonable Lies, part of  the Maisie Dobbs series and a third book I can’t put my finger on and it’s driving me bananas. It could be just because it’s a bit too similar to yesterday’s book and would have been a better read not quite so close.

But if you’re looking for a charming read that touches on a few dark places but doesn’t go too deeply, includes not one but four happy endings, and tells a lovely story of a surprising sisterhood, The Inheritance is a great way to while away some cozy reading hours.

Review: Write My Name Across the Sky by Barbara O’Neal + Giveaway

Review: Write My Name Across the Sky by Barbara O’Neal + GiveawayWrite My Name Across the Sky by Barbara O'Neal
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: Chick Lit, relationship fiction, women's fiction
Pages: 366
Published by Lake Union Publishing on August 10, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

The USA Today bestselling author of When We Believed in Mermaids returns with a tale of two generations of women reconciling family secrets and past regrets.
Life’s beautiful for seventysomething influencer Gloria Rose, in her Upper West Side loft with rooftop garden and scores of Instagram followers—until she gets word that her old flame has been arrested for art theft and forgery. Knowing her own involvement in his misdeeds decades earlier, Gloria realizes she could be the next arrest and must flee. But first, she needs to make sure her nieces are protected from any fallout.
The sisters, though in their thirties, are still constantly at odds with each other. Willow, struggling to live up to their mother’s fame as a singer-songwriter, is recovering from a failed album and yet another heartbreak, while Sam is desperate to revive her floundering video game company.
When circumstances out of their control bring the three women back together, they will each have to reckon with and reconcile their interwoven traumas, past loves, and the looming consequences that could either destroy their futures or bring them closer than ever.

My Review:

This is the story of two pairs of sisters all of whom were, in their own ways, trailblazers. Sam and Willow are in their late 30s when this story opens. Sam was one of the first women to head her own gaming company, and one of the first to design action/adventure games specifically intended to appeal to girls. While her company was an “overnight” success 20 years ago, in internet time, 20 years is a century, and her company is floundering.

Her sister Willow is a musician, a violinist who’s most recent solo album tanked. Sank without a trace, taking her boyfriend, her current home and pretty much everything she owned down with it. Willow is a folk/electronica violinist with a unique sound who just hasn’t found the right audience. But at 35, her time couch-surfing and hoping for a big break is running out.

Gloria and her sister Billie came of age in the so-called “Swinging 60s”. Gloria was a stewardess for TWA, back in the days of Coffee, Tea or Me, when stewardesses were expected to tolerate getting groped on every flight in return for the opportunity to visit exotic places for multi-day layovers back when international travel was an expensive novelty and not an every-hour-on-the-hour occurrence.

Bille was a rock musician in the 1960s and 70s, said to be a combination of Joan Jett and Janis Joplin. Unfortunately Billie followed Janis’ trajectory all the way down to an early death, leaving her sister Gloria to raise the daughters she left behind – not that she was all that present when she was alive.

And Billie’s ghost still haunts them all when this story begins. And not just because Gloria is still living in the luxury New York apartment that Billie bought with the royalties from her first album, the place where Gloria raised her girls to adulthood and left them with a yearning to blaze their own trails.

But they’re both failing when this story begins, while Gloria is faced with the sudden failure of the facade she has been maintaining for over 50 years. The man she has loved for all of those years has finally been caught. By Interpol. Suddenly, the biggest of her youthful sins looks like it’s either going to send her on the run or land her in jail for the rest of her life.

Escape Rating A-: Let me get this out of the way first, because it drove me crazy. If the title of the book is giving you an earworm you can’t quite place, it’s because it IS a line in a song, just not the title and not exactly word for word. In the 1971 song by the Stylistics, it went “Write YOUR name across the sky…” but Billie Thorne turned it around because she’d learned from both her mother and her sister not to let anyone else define or restrict her life. Which didn’t stop the world from doing it anyway.

Like the two previous books by this author that I have read, The Art of Inheriting Secrets and When We Believed in Mermaids, this is a story about the past crashing headlong into the present, pushing all of the characters to remember people and events that they have forced into the background of their minds and hearts, until their memories crash into the same heartbreaking epiphany and they’re all finally able to move forward.

I liked this one just a tiny bit better than the previous books, although I certainly liked both of them quite a lot. But the difference in this one was the character of Gloria, who represents a different generation and an entirely different perspective on the people and events that shaped all of their lives. Because through Gloria’s memories we’re allowed to see the late Billie Thorne as she was, through the eyes of someone who was an adult at the time, and not just through the memories of the childhoods that she scarred.

This is also explicitly not a romance, although there are romances in it, and that includes 74-year-old Gloria. For both Gloria and Sam, it’s a second chance at romance, while Willow puts herself and her music first, and finds love as the reward.

As much as the story’s focus is on Sam and Willow, it was Gloria’s story that held my attention. As much as all three women are at crisis points in their lives, it was Gloria’s that brought me the most “feels”, probably because I’m closer to her age than to either of her nieces. I loved that Gloria is happy with the career she had, and has found a second act through her plants and her friends and her instagram feed and followers, because I know how that goes. At the same time, while she doesn’t handle the crisis she is faced with terribly well for most of the story, it was all too easy to slip inside her feelings of desperation, her desire to protect the ones she loves, and her acknowledgement that the long ago events that brought her to this pass were of her own making.

I certainly liked the way that all three of these women’s stories resolved themselves. Gloria faced the demons of her past. Sam found a way to silence the demons inside her head, or at least learned to stop letting them spill out of her mouth. And Willow, in learning from the stories of her mother AND her sister, played her way to the top of the world. A feel good ending all around that I hope will bring as big a smile to other readers’ faces as it did mine.

~~~~~~ GIVEAWAY ~~~~~~

I’m very happy to say that I’m giving away a copy of Write My Name Across the Sky to one lucky US commenter on this tour. But some of you will hate me because the question in the rafflecopter is about songs that give you earworms and how you get rid of them, which will probably implant the song you least want stuck in your head in your brain. “It’s a Small World After All” anyone?

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Review: The Heart Principle by Helen Hoang

Review: The Heart Principle by Helen HoangThe Heart Principle (The Kiss Quotient, #3) by Helen Hoang
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance
Series: Kiss Quotient #3
Pages: 352
Published by Berkley Books on August 31, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A woman struggling with burnout learns to embrace the unexpected—and the man she enlists to help her—in this heartfelt new romance by USA Today bestselling author Helen Hoang.
When violinist Anna Sun accidentally achieves career success with a viral YouTube video, she finds herself incapacitated and burned out from her attempts to replicate that moment. And when her longtime boyfriend announces he wants an open relationship before making a final commitment, a hurt and angry Anna decides that if he wants an open relationship, then she does, too. Translation: She's going to embark on a string of one-night stands. The more unacceptable the men, the better.
That’s where tattooed, motorcycle-riding Quan Diep comes in. Their first attempt at a one-night stand fails, as does their second, and their third, because being with Quan is more than sex—he accepts Anna on an unconditional level that she has just started to understand herself. However, when tragedy strikes Anna’s family she takes on a role that she is ill-suited for, until the burden of expectations threatens to destroy her. Anna and Quan have to fight for their chance at love, but to do that, they also have to fight for themselves.

My Review:

This is an author who has been recommended to me multiple times, so I’ve tried her first book, The Kiss Quotient, and it didn’t grab me. If it’s even a bit like this book, and it probably is, after all, it was probably the intrusive family thing that wasn’t working for me. But this time, I started in the audiobook, and whether it was the format or the way that the female protagonist’s perspective worked its way into my head, this time it stuck.

Also, I was looking for a fluffy read after the earlier books this week, and at the beginning of The Heart Principle, in the section titled “Before”, I was kind of getting that vibe, and really getting into the story.

So I switched to the ebook because I was into it and wanted to experience more of the fluff I thought I was getting a whole lot faster. By the time I hit the “During” section, where the story switches from being a bit sharp but still a bit fluffy, to the hard, painful, heartbreaking part in the middle, I was completely hooked.

This is Anna Sun’s story. And it’s Quan Diep’s story. It begins as a bit of a 21st century meet cute, but with some very hard edges to it, edges that at first make it interesting, then make it tragic, and end up making it real.

Anna and Quan meet because they used a dating app to arrange a one-night stand. Which doesn’t sound terribly romantic – or even cute. Anna’s looking for a way to break herself out of her rut and get back at her douchecanoe boyfriend who has just declared that he needs to “explore his options” before they settle down and get married.

Anna doesn’t do what many readers will want her to do, which is tell the asshat to go take a long walk on a short pier – they’re in San Francisco so there should be one readily available – or otherwise go straight to hell and don’t look back. But Anna is the ultimate people pleaser, and she can’t make herself say no to his face. Nor can she face disappointing either her parents or his by breaking up with him. She’s so used to masking what she thinks and feels in order to make the people around her happy that she freezes and acquiesces, just as she always does. To everyone.

Even her therapist, who honestly can’t help Anna unless Anna can manage to be honest instead of saying what she thinks her therapist wants to hear.

Anna is trapped in a prison of her own making, she can’t get out and she’s drowning in the words that she never lets herself say. The dating app and the one-night stand are Anna’s attempt to be her real self in a situation where the stakes are relatively low, because she won’t feel the crushing obligation to please a person she plans to never see again.

Meanwhile, Quan needs to get back into his usual routine, which seems to have included a lot of casual sex, after being out of circulation for two years being successfully treated for testicular cancer. He’s well, he’s recovered, and he’s minus one ball. Which makes him more than a bit hesitant about baring himself to someone. For him, a one-night-stand is supposed to be a low stakes way of getting back in the game.

Instead of one and done, Anna and Quan text, talk, meet but never quite make it all the way. Not all the way to sex anyway. Instead, they make it all the way into each other’s hearts and lives.

Just in time for Anna’s world to come crashing down.

Escape Rating A-: This may be what some of my reading friends call “sad fluff”. Anna and Quan’s slowly developing relationship, as it wraps its tentacles around the two of them, is pretty fluffy. But so much of what happens outside that cocoon is hard, sad, heartbreaking or all of the above.

I also have to say that this hit me hard on multiple levels. The ultra-intrusive family is a trigger for me, as is dealing with the death of one’s dad, and this story has both of those elements. I think I was able to read far enough to get into this because the oppressive intrusiveness of Anna’s family is kept at one remove for the first section of the story. Anna knows that spending too much time with her parents or her sister, where they expect her to be quiet and subservient every second, is so wearing that she avoids them as much as possible so she doesn’t have to confront either their behavior toward her or her regression practically into childhood while with them.

Quan’s issues are upfront, not just with other people but within his own head. He doesn’t need to lie to himself or pretend to be someone or something he’s not. He has reasonable fears and worries, about his health, about whether a new lover will accept him or reject him, and about how the long-term results of his illness and treatment will affect his life and options.

Anna has spent her whole life hiding her real self from other people, because she learned early on that her real self wasn’t a safe person for her to be. But she’s been doing it so long and so well that she’s also hiding herself from herself. To the point that now she’s losing control of her masks and losing her joy in the things that once made her heart sing.

Her father’s sudden illness, her family’s assumptions that her father would want to be kept alive under conditions where he has no hope of recovery and no control of his life or bodily autonomy, and that Anna, her sister and her mother must handle 100% of his 24 hours per day medical care all by themselves pretty much breaks her, both because she knows it’s not what her father wants and because he’s dying and they’re not letting go and because her sister simply refuses to see the toll it’s taking on all of them.

The “After” section of the story, was, on the one hand, marvelously cathartic. Anna needed to take control of her own life, and she finally begins that process, but the story does an excellent job of showing exactly why it’s so difficult for her and just how many steps back she HAS to take before she can move forward. Quan read as just a bit too good to be true at this point, not that Anna didn’t deserve a real prince of a partner after dealing with her asshat ex for entirely too long. And the bitterness of the “During” middle part of the book needed some sugar to sweeten up the ending.

Obviously I liked this book more than well enough to try this author again, possibly in audio to get me past the “intrusive family is intrusive” hump. I didn’t realize until after I finished that The Heart Principle is the third book in a series that begins with The Kiss Quotient and middles with The Bride Test. The stories are linked, not through the female protagonist, but through the male protagonists. Quan’s cousin, best friend and business partner Michael is the hero of the first book, and his older brother Khai is the center of the second. So the connection is fairly loose and clearly you don’t have to have read the first two to get into this one. But now that I know that I’m pretty sure I’ll be back!

Review: For the Love of April French by Penny Aimes + Excerpt

Review: For the Love of April French by Penny Aimes + ExcerptFor the Love of April French by Penny Aimes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: contemporary romance, LGBT
Pages: 352
Published by Carina Adores on August 31, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

An Entertainment Weekly Best Romance of Summer 2021!
“This book gave me every last one of the Intense Romance Feelings I crave.” —New York Times bestselling author Talia Hibbert

April French doesn't do relationships and she never asks for more.
A long-standing regular at kink club Frankie's, she's kind of seen it all. As a trans woman, she’s used to being the scenic rest stop for others on their way to a happily-ever-after. She knows how desire works, and she keeps hers carefully boxed up to take out on weekends only.
After all, you can't be let down if you never ask.
Then Dennis Martin walks into Frankie's, fresh from Seattle and looking a little lost. April just meant to be friendly, but one flirtatious drink turns into one hot night.
When Dennis asks for her number, she gives it to him.
When he asks for her trust, well…that's a little harder.
And when the desire she thought she had such a firm grip on comes alive with Dennis, April finds herself wanting passion, purpose and commitment.
But when their relationship moves from complicated to impossible, April will have to decide how much she's willing to want.
Carina Adores is home to highly romantic contemporary love stories where LGBTQ+ characters find their happily-ever-afters. Discover a new Carina Adores book every month!

My Review:

At the beating heart of this story is the romance between two people who might just be perfect for each other. The potential heartbreak in this romance is that just as much as their likes and dislikes, quirks and propensities align to make them a perfect match, their insecurities and emotional baggage are just as well (or poorly, depending on how you look at it) aligned to drive them apart.

Both April French and Dennis Martin are kind of new in Austin. Both have fled there, from opposite coasts, after each of them left places and lives that were just too full up of memories of everything that went wrong in their previous relationships.

April’s been in Austin just a few years, but long enough to have settled in, as much as she can, into Austin being her city and her home, with the kink club Frankie’s being the center of the life that she has carved out for herself, one painstaking piece at a time.

Dennis’ best friend Jason – rumored to be a silent partner in Frankie’s – steers him towards the club because he knows that Dennis has a place there, and that the kink community in Austin is at least one place Dennis will be able to call home.

April is a submissive whose previous long term relationship was with a Domme who abused both her love and her trust. In his last long term relationship, Dennis unknowingly abused his power as a newbie Dom over his sub because he didn’t learn how to separate the power dynamic of the play from the rest of their lives. She was drowning, he thought everything was copacetic until it all blew up in both their faces.

Both are feeling guilty and insecure. Both are starting over. When they meet for the first time, they connect instantly on multiple levels. Their kinks align perfectly. But the guilt and insecurity they carry from their previous relationships creates an emotional minefield. He’s learned enough to know that he needs clear consent at every stage. He’s afraid to push too hard out of fear that he’ll recreate the mess he caused before. He’s learned more but not nearly enough.

And April has learned to her cost that partners like her, and are interested in playing with her for a while, but that no one ever stays. She’s internalized the feeling that she is not enough, so she’s learned not to let herself get too involved, because that only ends in heartbreak.

But from the moment they meet, they each want more than just a fling, or even a friends with benefits kind of thing. In their heart of hearts, they want a happy-ever-after with each other.

And they’re both, out of their own equal and opposite baggage, afraid to reach for it.

Escape Rating A: On the one hand, For the Love of April French is some of the fluffiest fluff that ever fluffed. And that’s both in spite of AND because of the way that the story deals with a whole bunch of really serious stuff along with, under, besides and on top of its fluffy fluff. I want to say it’s like cotton candy with a Sweet-Tart center, which captures the flavor but perhaps trivializes issues that shouldn’t be trivialized and that the story does not.

This is a nerd romance. And it’s a BDSM romance that emphasizes the romance while not shortchanging either the BDSM or the sexual aspects of their relationship. It’s an interracial romance, as Dennis is black and April is white. It’s also a romance between a transwoman and a cis man. As the icing on the surprisingly sweet cake of all of the above, it is also, briefly – very briefly – a secret workplace romance, which turns out to be the straw that very nearly breaks the proverbial camel’s back.

There’s also an explicit message about not just acknowledging your own baggage but actually dealing with your own crap, because no one else can do it for you. They can support you through the hard parts, but they can’t pick up your emotional baggage and process it on your behalf. If you don’t do it for yourself, if you don’t learn to love and care for yourself, whoever and whatever and however you might be, you won’t truly be a fit partner for anyone else.

And that’s a message of universal applicability that doesn’t get the attention it deserves in romance. A happy ever after won’t heal your emotional wounds. Working on your own emotional scars gets you ready for an HEA.

Not that, in this story, both April and Dennis don’t have a few extra pieces of emotional baggage to deal with because of the ways that societal expectations and limitations impact them because of their identities. Something which gives them each an insight into the shape of what the other faces without having much knowledge of details of it.

An exploration that feels like it’s handled both well and not so well at the same time. For example, each knows that the other faces a metric buttload of microaggressions – and all too often macroaggressions – without knowing the details until they get slapped in the face with exactly what the other faces.

The way that this got dealt with was the one thing in the story that got handled both well and not so well. It feels fair to say that the author probably assumed that readers wouldn’t know every detail about what it’s like to live as a black man or as a white transwoman and/or a member of the kink community and every other detail of those lives that makes them different. We may have some knowledge and hopefully a lot of empathy but not full knowledge of absolutely everything.

The method for dealing with those different perspectives and levels of knowledge was to tell the story in the first person, first from April’s perspective and then from Dennis’. As Dennis has more to learn because he didn’t learn what he should have about being a Dom in addition to what he needs to know to be the right partner for April, his point of view is more informative for those of us who are less aware. But the story is more April’s journey than Dennis’ so we start with her point of view and stay with it for the first half or so of the story. Then we switch and see the exact same events from his perspective.

It’s a bit jarring, because we go back in time several months on that start over. I think it would have worked better as a storytelling device if they’d alternated perspectives chapter by chapter or event by event.

Both perspectives are necessary, because we see more from her perspective but we learn more from his. Still the switches between them are just awkward. And very much on my other hand, as rough as those changeovers were they give the reader way more than a glimpse into the minds of a transwoman in a cis world, and a Black man in a largely-white world, both in the kink community and in general. That the author covers this territory at all, and covers it well, is noteworthy and absolutely adds to the reader’s empathy for these characters.

So the roughness of the changes between perspectives, which is a writing thing and not a story thing, is enough to drop the rating from an A+ to an A because at that level I start getting a bit picky about the writing things.

But the story, oh this fluffy, romantic, wonderful story is so very worth reading. It’s the kind you finish with a smile on your face and possibly even a bit of a happy song in your heart.

Considering that this is the author’s debut novel, the whole thing is beautifully awesome and I can’t wait to read more of her work! But first, you get to experience a bit of this wonderfully fluffy romance with this excerpt from the first chapter. Enjoy!

Excerpt from For the Love of April French

April French was having what she considered to be a good night. She was lonely and she was horny, but the lovely thing about Frankie’s, even on a Wednesday, was that she was probably not the only one. And the welcome wagon gambit was working. New doms always responded well to a little attention. She wondered how many of the hookups in her limited sexual history it accounted for—post-transition, of course. Her sexual history pre-transition was not only limited but singular.

On second thought, that was a depressing thing to contemplate. She decided to steer her mind back to the present, because her present was damn good-looking. He was Black, looked to be about her age, dark-skinned and tall, with narrow hips and shoulders that were probably narrower than hers, too.

There were clear hints of lean muscle under his suit, and the suit looked expensive. She didn’t really care about the name brand, but she had to admit the cost was reflected in how well it draped his body. He had short-cropped, wiry hair and that sexy kind of two-day stubble thing happening. A reassuring bass voice and an unreadable calm that made his face a handsome mask. The tightly wound dominants were almost always the most fun to see come unraveled with desire.

“So. You can flirt,” she said, trying to keep her voice even despite the smile tugging the corners of her mouth. It wouldn’t do to tip her hand just yet about how attractive he was. “And you wear nice suits. What else should I know about you?”

“Well, I just moved here,” he said. “Which you also knew. My name is Dennis. I came here from Seattle.”

She nodded, as Aerith set down a new Painkiller in front of her. “I’m April. Grow up out there?”

“No,” he said, shaking his head. “Illinois, actually. Little tiny town.”

“Oh hey,” she said, her smile shifting to be a little less flirtatious and a lot more genuine. It was always a treat to meet someone from the same basic context; someone she could count on to get it. Not that she expected to spend much time talking about growing up in the Midwest, but it was still a nice bonus. “Ohio. I went to school out East, though, and worked there for a while.”

He laughed. “So a lot like me, but in the opposite direction. UC Santa Barbara.”

She bobbed her head. “Wesleyan.”

They exchanged graduation years; she guessed he was probably thirty-five or thirty-four to her thirty-two. “What took you out there?” he asked.

“It was as far away as I could get without driving into the

ocean,” she said with a laugh. “And they had good financial aid. You?”

“About the same, about the same. Lots of loans, in the end.” She nodded as he went on. “While I was getting my masters, a couple of my friends got a start-up going and brought me in, and we headed up the coast to Seattle.”

“Ooh,” she said. “A techie. I should’ve known.”

“Oh? Why’s that?”

“Well, most of the folks who come here from the West Coast are,” she said. Especially the ones who could afford that suit.

“You’re right, anyway. I was the support team, not the talent, though. My degree’s in technology management.” He sipped. “Start-up life isn’t for the long haul, so I came here to take a job as CTO for a small firm. What about you?” he asked.

She fidgeted with the little straw in her drink, then drew it out. Chomped a cherry deliberately. “Poli-sci major. I don’t use it, though.”

“Hm.” His eyes watched her mouth. Good. “So weird, isn’t Austin where they have that political particle accelerator?”

He was smirking at his pun, and she snorted. “Queeons and Kingons?” At his blank expression, she added, “You don’t read Terry Pratchett, do you?”

He shook his head. “No, I was just teasing.”

Her smile snatched at the corners of her mouth again. “Teasing’s okay.” She was fighting herself not to relax fully into the moment, to keep up her boundaries until they crossed the preliminary hurdles. This might not be anything, yet. But he was cute, and he was funny, and he was—so far—gentle. She thought she could really like this guy. She knew she liked the way his eyes settled on her, the weight his gaze seemed to have.

Review: Murder in the Dark by Simon R. Green

Review: Murder in the Dark by Simon R. GreenMurder in the Dark (Ishmael Jones, #6) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: horror, paranormal, suspense, urban fantasy
Series: Ishmael Jones #6
Pages: 192
Published by Severn House Publishers on December 1, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads


The sudden appearance of a sinister black hole in the English countryside leads to a baffling murder investigation for Ishmael Jones.

"The past is England's dreaming, and not all of it sleeps soundly..."
Ishmael Jones and his partner Penny have been despatched to assist a group of scientists who are investigating a mysterious black hole which has appeared on a Somerset hillside. Could it really be a doorway to another dimension, an opening into another world?
When one of the scientists disappears into the hole — with fatal consequences — Ishmael must prove whether it was an accident — or murder. But with no clues, no witnesses and no apparent motive, he has little to go on. Is there an alien predator at large, or is an all-too-human killer responsible? Only one thing is certain: if Ishmael does not uncover the truth in time, more deaths will follow...

My Review:

There’s an uncanny, unnatural hole in the fabric of the universe, and it’s up to an almost-but-not-quite-completely human to close this extremely dangerous door in the space-time continuum.

In a nutshell, that’s the premise of Murder in the Dark, this sixth book in the Ishmael Jones urban fantasy/paranormal/SF series.

What’s even weirder is that, at least so far, it’s also the plot of The Scavenger Door, the book I’m currently listening to. Considering that I started Murder in the Dark because I wanted to keep on reading Scavenger Door but couldn’t for a variety of reasons, I was really surprised to discover that I sorta/kinda was anyway.

The Ishmael Jones series exists at an uncanny crossroads between urban fantasy, paranormal and science fiction. The SFnal element is Ishmael himself. He’s an alien who crash landed his spaceship on Earth in the early 1960s. His ship did its level best to transform him into a human, but it glitched a few of the details. He hasn’t aged a day since he crashed. And he doesn’t remember a thing about his life before the crash. Both of these “glitches” come into play a bit in this story.

The stories in this series, for the most part, have been a play on the old country house murders. Ishmael met his romantic and investigative partner Penny Belcourt in the first book in the series, The Dark Side of the Road, when Ishmael was sent by his mysterious and secretive employers, The Organization, to look into the eerie and uncanny goings on at the country house where Penny lived with her parents. Penny was the sole survivor of that investigation.

In fact, most of Ishmael and Penny’s investigations turn out that way, the way that Agatha Christie’s And Then There Were None turned out. Ishmael and Penny manage to walk away, but seldom do many – or sometimes any – of the people they are sent in to save. Even though they always manage to solve the original mystery.

Ishmael is starting to get a bit of survivor’s guilt over that fact.

But this story is a bit off of Ishmael and Penny’s beaten path, as they are sent in to secure a hole in the side of a hill in a seriously remote bit of countryside. No country houses in sight. Just a hole that swallows up everything that gets a bit too close – including one of the archaeologists that found it in the first place.

The Organization has sent a team of crackerjack scientists to investigate the unnatural hole, and sent Ishmael and Penny to keep the scientists safe while they investigate. When they arrive, both Ishmael and Penny believe that they are there to keep the scientists safe from the hole, and the hole safe from the scientists – along with anyone else who might happen to wander by.

It doesn’t take long for both of them to figure out that their real job is keeping the scientists safe from themselves – and each other.

Escape Rating B+: This was the right book at the right time, and not just for its surprising resemblance to The Scavenger Door. After yesterday’s terrific book, I was looking for something that also had a high snark quotient, and this author has always been good for that, no matter which of his many, many sandboxes he happens to be playing in at the time. And I was looking forward to swiftly sinking into a world that I already knew, and the Ishmael Jones series certainly has that box ticked off as well.

Last but not least, because I love this series and this author, I was hoping that this entry in the series would redeem the previous book, Into the Thinnest of Air, because that one didn’t quite live up to my expectations. But Murder in the Dark, even though it went to a different locale than the series usually does, was just a much better book.

All of the above being said, this is the sixth book in an ongoing series. I’m not certain that you need to have read them ALL to get stuck into this one, but reading at least the series opener, The Dark Side of the Road, would probably help a lot. Also it’s very good if you like creepy country house mysteries with even creepier monsters hiding in the shadows.

There are three mysteries in the dark in this story. One is the mystery that brings Ishmael and Penny into the picture, the mystery of the mystery of the unnatural hole. Who or what created it? What is it? Where does it go? What is its purpose?

The second mystery seems like it’s part of the first, at least at first. Who or what is killing the scientists?

And then there’s that third mystery, the one that lies behind the entire series. Who was Ishmael Jones before he became Ishmael Jones? Where did he come from? Why was he near Earth? How did he crash?

Ishmael has learned very few answers to those questions about himself. But he has learned that he really doesn’t want to know. Whoever he was and wherever he came from, right here and right now he’s exactly where he belongs, with Penny.

What’s surprising about those three mysteries is that they are not neatly tied up with a single bow. Rather, they are individually tied with separate bows, no matter how much someone tries to make it seem like the hole is responsible for the murders, possibly via the agency of someone who is a blast from Ishmael’s unremembered past.

The thing that makes this series work is that in spite of any supernatural or extraterrestrial red herrings that may appear while Ishmael and Penny are desperately trying to figure out who’s bumping off the people they’re supposed to save, the reality turns out to be that the biggest, baddest and deadliest monsters in any setting are human. The evil that people are capable of doing to each other is much, much scarier than any mythical beast or raygun toting alien. That in the end the most horrible monsters are just people doing bad things because they’re selfish and greedy. And it’s that grounding in human monsters and human evil that keep the whole thing from flying over the top, jumping the shark, and landing in a cesspit full of slime monsters.

This is a series that when I’m in the mood for it, I’m really in the mood for it and nothing else will do. So I’ll be back with Ishamel Jones and Penny Belcourt in Till Sudden Death Do Us Part the next time I need a story with the creep factor on high and the snark turned up to eleven.