Review: Cold Clay by Juneau Black

Review: Cold Clay by Juneau BlackCold Clay by Juneau Black
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: Shady Hollow #2
Pages: 240
Published by Vintage Crime/Black Lizard on March 1, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


The second book in the Shady Hollow series, in which some long-buried secrets come to light, throwing suspicion on a beloved local denizen.

It's autumn in Shady Hollow, and residents are looking forward to harvest feasts. But then a rabbit discovers a grisly crop: the bones of a moose.
Soon, the owner of Joe's Mug is dragged out of the coffeeshop and questioned by the police about the night his wife walked out of his life--and Shady Hollow--forever. It seems like an open-and-shut case, but dogged reporter Vera Vixen doesn't believe gentle Joe is a killer. She'll do anything to prove his innocence. . .even if it means digging into secrets her neighbors would rather leave buried.
A VINTAGE CRIME/BLACK LIZARD ORIGINAL.

My Review:

OK, so the Shady Hollow series is ostensibly a story about extremely anthropomorphized animals acting like the standard characters in a small town cozy mystery. In this particular case, the small town is Shady Hollow and the coziness includes more than a bit of fur.

But also more than a bit of quite literal teeth and claws. Even when the victim and/or the perpetrator are not actually equipped with any or all of those accouterments. As it proved in the first book in this series, named for the town where the mystery takes place, Shady Hollow.

In the first story, two of the village’s less popular residents became what everyone believed were the town’s first murder victims in seemingly ever. The case was all about whittling down the list of who might have done it because motives, at least on the surface, were all too easy to imagine.

This time around, it’s more of a case of intrepid investigative reporter Vera Vixen doing her level best to prove that the obvious suspect isn’t the actual guilty party. Because everybody in town loves Joe Elkins and his coffee shop. Not just because he keeps everyone fed and caffeinated, but because he’s just such a nice person and a pillar of the community in more ways than one.

But Joe has ALL the motives for the murder of his long-missing wife. Everyone thought she left town years ago, unable or unwilling to settle down to small town life running the coffee shop with her spouse and raising their son, Joe, Jr.

The discovery of Julia Elkins skeletal remains in the roots of a fruit tree that wasn’t doing all that well puts Joe in the crosshairs of the police investigation into yet another murder. Joe IS the obvious suspect – not just because it’s ALWAYS the husband (except when it isn’t) – but because Julia was so obviously unhappy, she and Joe were constantly arguing, and someone robbed the coffeeshop just before she disappeared. That’s a LOT of motives.

It doesn’t help Joe’s case that relatively few of Shady Hollow’s residents would even be capable of taking down a full-grown moose!

Vera is certain that the police, in the persons of perpetually fishing Chief Theodore Meade and Vera’s possible beau, Deputy Orville Braun have the wrong person in their sights. And she has every intention of proving that her friend Joe is innocent.

But her boss, the owner of the Shady Hollow Herald, orders Vera to drop her murder investigation in favor of writing fluff pieces about a new business in Shady Hollow that has tempted the veteran newspaper owner with dreams of full-page ad revenues.

New mink-about-town Octavia Grey, with her striking silver coat and her hoity-toity new “School of Etiquette” has all the local gossips twittering. The newspaper wants a piece of that pie, but Vera is sure that there’s something not quite on the up-and-up about the so-called school and its mesmerizing owner. She thinks taking etiquette classes is a waste of time when she should be looking into the latest murder.

It’s only when she digs a bit deeper into both cases that she begins to suspect the two cases might be one and the same!

Escape Rating B: My reading of Cold Clay was a case of how I felt about the book being influenced by my circumstances as I was reading the book. I was stuck in a small airport for 12 hours and I was looking for stories that would take me away – hopefully far away – from where I was sitting at the time. Having read and enjoyed the first book in this series, Shady Hollow, I knew this was a world that I could step into for a couple of hours and just be gone for a bit. (I read a LOT of books that day!)

The world of Shady Hollow reminds me of the movie Zootopia. The characters are basically humans in fur-suits who populate this small town and this cozy mystery with the stock characters we expect in a cozy – just with a little bit extra.

It’s not nearly as twee as you might think it will be – or at least not any more twee than the usual small town with a much higher homicide rate than anyone would think a town that size would be able to support.

Like in many such mysteries, the reader is aware that the long arm of coincidence just isn’t that long. If a new person arrives in town, and an old crime is uncovered, the odds are that the two are somehow connected. And so it proves in Cold Clay.

In other words, I figured out that Octavia Grey had something to do with Julia Elkins’ long-ago murder long before Vera did – even if I didn’t yet have a clue as to how she done it. THAT she done it was pretty obvious.

And it didn’t matter. What makes this series so charming are its people, as is true of most small town cozies. I liked visiting Shady Hollow, and I like the people who live there, fur-suits and all. I went into this story expecting to be charmed and entertained and I was not disappointed in either of those respects. The story did exactly what I wanted it to do – it whisked me away for a couple of hours and that was just fine.

But speaking of expectations, one of the other frequent expectations of cozies is that the investigators, whether professional or amateur, will find some kind of romance along the way, even if that romance is of the on-again, off-again variety. Vera’s relationship with Deputy Orville Braun has been edging in that direction since the first book, to the amusement of MANY of Shady Hollow’s residents.

As difficult a time as I’m having trying NOT to imagine how that could possibly work in the physical aspects, the push-pull dance of wanting to protect vs. needing to prove oneself an equal has more heart than I expected.

I hope they figure it out. It’s one of the things I’ll be looking for in what seems to be the final book in the series, Mirror Lake, next month when it comes out.

Review: Engines of Empire by R.S. Ford

Review: Engines of Empire by R.S. FordEngines of Empire (The Age of Uprising, #1) by Richard S. Ford
Narrator: Alison Campbell, Ciaran Saward, Phoebe McIntosh, Ewan Goddard, Andrew Kingston, Martin Reeve, Stephen Perring
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy, steampunk
Series: Age of Uprising #1
Pages: 624
Length: 22 hours, 3 minutes
Published by Orbit on January 18, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This epic fantasy tells the tales of clashing Guilds, magic-fueled machines, intrigue and revolution—and the one family that stands between an empire's salvation or destruction.
The nation of Torwyn is run on the power of industry, and industry is run by the Guilds. Chief among them are the Hawkspurs, and their responsibility is to keep the gears of the empire turning. It’s exactly why matriarch Rosomon Hawkspur sends each of her heirs to the far reaches of the nation. 
Conall, the eldest son, is sent to the distant frontier to earn his stripes in the military. It is here that he faces a threat he could have never seen coming: the first rumblings of revolution.
Tyreta’s sorcerous connection to the magical resource of pyrstone that fuels the empire’s machines makes her a perfect heir–in theory. While Tyreta hopes that she might shirk her responsibilities during her journey one of Torwyn’s most important pyrestone mines, she instead finds the dark horrors of industry that the empire would prefer to keep hidden. 
The youngest, Fulren, is a talented artificer, and finds himself acting as consort to a foreign emissary. Soon after, he is framed for a crime he never committed. A crime that could start a war. 
As each of the Hawkspurs grapple with the many threats that face the nation within and without, they must finally prove themselves worthy–or their empire will fall apart. 

My Review:

This was a first for me. Engines of Empire turned out to be a total rage read that I enjoyed anyway – and does that ever need a bit of an explanation!

The story is fascinating – and compelling. It’s a political story about empires – well, duh – rising and falling. This first book, at least, is about the fall. Or at least the fall-ing. Since this is the first book in the series, I expect the rising to happen later. Whether that will turn out to be the rising of the empire from its own ashes, or merely the rising of the family through whose eyes we saw this chapter of the saga, remains to be determined.

So far, neither of them deserve it. Which is where the rage part of my rage reading came into play.

The story of the falling of the empire maintained by the Guilds of Torwyn is told through the first person perspectives of five characters; Rosomon Archwind Hawkspur, her three adult children, Conall, Tyreta and Fulren, and her secret lover, Lancelin Jagdor.

And I hated all of them except Lancelin. I particularly detested Rosomon, to the point where I’d have been more than thrilled to read a book about her getting EXACTLY what she deserved – if there hadn’t been quite so much collateral damage in giving it to her.

Of those five characters, Lancelin is the only one who has ever had to face ANY of the consequences of his actions. It’s not just that the rest of them have led very privileged lives, it’s that they never seemed to have grasped the concept that their privilege comes on the back of just so damn many other people.

They are all arrogant and they are all thoughtless about that arrogance. This is particularly true of Rosomon – in spite of a whole bunch of crap that should have given her some insights into the ways that the other half lives.

Instead, she’s a narcissist, to the point that she only sees her children as extensions of herself and not so much as people in their own right. So a big chunk of this story is about how they all escape her very clutching clutches and how those escapes help to make their world burn.

But those escapes manage to send them to the far corners of Torwyn’s empire, which gives the reader the opportunity to see just how the whole empire is hanging by a thread. A thread that is fraying anyway and that can be all too easily snipped if someone provides the right pair of scissors.

Which of course is exactly what happens. With catastrophic results – and an aftermath that we’ll see in the future books in the series. Which I will be unable to resist reading, pretty much in spite of myself.

Escape Rating B: I hate most of the characters in this book SO HARD. But I still feel compelled to see what happens next.

Part of the fascination with this story is that it becomes clear early on that something is very rotten in the heart of Torwyn. A rot that is hidden so completely in plain sight that no one even suspects it is there until it is much, MUCH too late for pretty much everyone.

At the same time, the source of that rot, once it is revealed, turns out to be just the kind of villain that we’ve seen before, and that is so often effective and not just in fiction. It’s someone who truly believes that everything they are doing, no matter how morally repugnant in the moment, is in the service of some “Greater Good” that only they can see. So when the manipulator of events is finally revealed, it makes for a lovely, thoroughly disgusted AHA!  It’s obvious in retrospect, but as you’re going along, it’s only the barest whisper of a possibility.

One of the good things about the way this story is told is that in spite of my hatred of pretty much everyone, the voices are very distinct, and not just because the audiobook narrators (one for each POV character) did a damn fine job. Still, even in print it is impossible to mistake Conall’s voice for Tyreta’s or Fulren’s.

Howsomever, one of things about those distinctive voices was that it seems that both Rosomon’s and Tyreta’s roles are restricted to a significant extent BECAUSE they are women. And yet, we don’t see that in the female secondary characters, who seem to be everywhere doing everything. Conall’s own second-in-command in the military is female, and it’s clear that she has lower rank not because she’s female but because she’s of a lower caste in the social hierarchy.

So the quasi-secondary status of noblewomen may be because they are noble, or it maybe because Rosomon’s a bitch and she’s treating her daughter the way she herself was treated. But it’s left for the reader to assume because of our history – not theirs. It doesn’t have to be that way in a fantasy world and isn’t always. I didn’t like the transfer of assumptions – especially once self-indulgent Tyreta turned into a total badass.

Which, I think is part of the story being told, and what I hope will redeem the later books. That Rosomon may go on being the overbearing, thoughtless narcissist that she has always been, thinking she knows the one true right answer only to discover that she was led astray by her own hubris feels likely – as well as likely to lead to several falls before any ultimate rise. Conall’s future, whether he sinks or swims after his experiences in this book, still feel up in the air. But Tyreta looks like she’s set on a fascinating, redemptive and possibly even heroic path. The question is whether she will let her mother push her off it yet again.

I can’t wait to find out.

Review: Crowbones by Anne Bishop

Review: Crowbones by Anne BishopCrowbones (The World of the Others #3; The Others #8) by Anne Bishop
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: paranormal, urban fantasy
Series: The World of the Others #3, The Others #8
Pages: 384
Published by Ace on March 8, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this engrossing and gripping fantasy set in the world of the New York Times bestselling Others series, an inn owner and her friends must find a killer-before it's too late....
Crowbones will gitcha if you don't watch out!
Deep in the territory controlled by the Others-shape-shifters, vampires, and even deadlier paranormal beings-Vicki DeVine has made a new life for herself running The Jumble, a rustic resort. When she decides to host a gathering of friends and guests for Trickster Night, at first everything is going well between the humans and the Others.
But then someone arrives dressed as Crowbones, the Crowgard bogeyman. When the impostor is killed along with a shape-shifting Crow, and the deaths are clearly connected, everyone fears that the real Crowbones may have come to The Jumble-and that could mean serious trouble.
To "encourage" humans to help them find some answers, the Elders and Elementals close all the roads, locking in suspects and victims alike. Now Vicki, human police chief Grimshaw, vampire lawyer Ilya Sanguinati, and the rest of their friends have to figure out who is manipulating events designed to pit humans against Others-and who may have put Vicki DeVine in the crosshairs of a powerful hunter--

My Review:

In this third book in the World of The Others series – after Lake Silence and Wild Country, the remote, mostly human town of Bennett seems to be putting down roots. The Sanguinati – the vampires of this particular not-quite-our-history-alternate-Earth have learned to work with the human somewhat-authority and the humans who are staying for good in Bennett have generally figured out the boundaries of what they can and can’t do in a town that is surrounded by the Elders.

That whole paragraph has so many caveats and so much explanation because this series has established a version of Earth that may physically resemble this one BUT has had a totally different evolution and history.

This is a version of our world where humans are not and have never been the apex predators. A fact that is well-established and periodically reinforced. But a fact that short-lived humans with even shorter memories keep forgetting – with catastrophic results.

For the humans, that is.

In this World of the Others, which began in the Courtyards of The Others in Written in Red, humans are very much as we are now – which is one of those things that honestly makes no sense in a world where we did not evolve as the apex predators. But it does make the shenanigans of the humans in this “Otherworld” a whole lot more relatable.

What makes this particular story even more relatable is that it is set around this world’s version of Halloween, which they call Trickster Night.

Because Bennett is an experiment for the Elders, part of that experiment is seeing if humans other than those who have self-selected for life in Bennett can manage to obey the unwritten rules, provide some much-needed income for the town and give the local “Other” residents more opportunities to interact with more, different humans.

After all, the Elders don’t need us at all, for anything, but some of the “lesser” Others – the vampires and the shapeshifters in particular – have discovered that some of the things we make are useful. Being able to trade peacefully and live side by side is desirable if WE can manage to follow the rules.

But Trickster Night, just like Halloween, is a time when rules get bent if not outright broken. Strangers in masks can get up to all kinds of mischief once the sun goes down. But the myths and legends are real in the World of the Others, so when someone pretends to be the legendary “Crowbones” with the intent to stir up trouble, that same Crowbones might just see fit to come out to get them.

Escape Rating A-: Somehow, in spite of the fact that I read ebooks and not print, there’s reading crack embedded in the pages of this series and it’s still working on me in spite of the technological impossibility. I can’t resist this series AT ALL, I always start the book as soon as I get it, and can’t put it down until I’m done.

No matter how much that whole issue about humans behaving just as badly and in the same ways in the series as we do in real life, when the possibility of that happening in these circumstances is unlikely as hell. My “willing suspension of disbelief” seems to be operated remotely the minute I pick the book up, I’m all in while I’m reading it, and then the thing shuts off as soon as I’m done and I’m all WTF about the evolution of humanity thing again.

That being said, the setup of this version of our world is fascinating and complex and this is not the place to start. Start either at the very beginning with Written in Red, or pick the series up when it moves to Bennett in Lake Silence. We’re way too deep in Crowbones to start here.

But speaking of being in too deep, the story about this particular Trickster Night focuses on a bit of human rot that has burrowed deep into the fabric of this remote village. That rot is a manipulative beast that has plans to see just what it takes to make the Others who share Bennett with humans act out in ways that will get the attention of the Elders. Someone who has been entirely too successful “breaking” humans and wants to move on to bigger and more dangerous prey.

The leadership of the town, which has not yet completely gelled and isn’t fully vested in trusting each other yet, has a limited amount of time – because the Elders have an extremely limited amount of patience where humans are concerned – to figure out what’s gone wrong and FIX IT – before the Elders decide that the Bennett experiment was a failure.

A decision that will be fatal for both the humans and the lesser “Others” who want to call Bennett home.

The Elders may not have much patience, but I’ll be patiently waiting to see if there are more stories in this series. It may drive me bonkers – but I can’t resist this place or it’s people one little bit.

Review: Lost Worlds and Mythological Kingdoms edited by John Joseph Adams

Review: Lost Worlds and Mythological Kingdoms edited by John Joseph AdamsLost Worlds and Mythological Kingdoms by John Joseph Adams, James L. Cambias, Becky Chambers, Kate Elliott, C.C. Finlay, Jeffrey Ford, Theodora Goss, Darcie Little Badger, Jonathan Maberry, Seanan McGuire, An Owomoyela, Dexter Palmer, Cadwell Turnbull, Genevieve Valentine, Carrie Vaughn, Charles Yu, E. Lily Yu, Tobias S. Buckell
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: action adventure, fantasy, horror, science fiction
Pages: 384
Published by Grim Oak Press on March 8, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From the legends of Atlantis, El Dorado, and Shangri-La to classic novels such as King Solomon’s Mine, The Land That Time Forgot, and The Lost World, readers have long been fascinated by the idea of lost worlds and mythical kingdoms.
Read short stories featuring the discovery of such worlds or kingdoms―stories where scientists explore unknown places, stories where the discovery of such turns the world on its head, stories where we’re struck with the sense of wonder at realizing that we don’t know our world quite as well as we’d thought.
Featuring new tales by today's masters of SF&F:
Tobias S. BuckellJames L. CambiasBecky ChambersKate ElliottC.C. FinlayJeffrey FordTheodora GossDarcie Little BadgerJonathan MaberrySeanan McGuireAn OwomoyelaDexter PalmerCadwell TurnbullGenevieve ValentineCarrie VaughnCharles YuE. Lily Yu

My Review:

Here there be dragons – or so say the old maps. Or so they say the old maps say – although not so much as people think they did.

Just the same, once upon a time the map of the ‘real’ world used to have more blank spaces in it. Long distance travel was difficult and time-consuming, long distance communication was an impossible dream, life was short and the road was too long to even be imagined. But speaking of imagining, I imagine that every place’s known and unknown stretches were different – but in the way back each city, country, people or location only had so much reach and stretch.

And then there was the era of European exploration and eventually industrialization. For good or ill, and quite frequently ill, those blank places on the map got smaller and were filled in. Which didn’t stop and probably downright inspired a whole library’s worth of stories about imaginary places that might exist whether on – or in – this planet or those nearby.

But as the terra become increasingly cognita, the well of those stories dried up. Which does not mean that the urge to explore what might be beyond the farthest horizon has in any way faded.

This is a collection intended to feed that human impulse to go where no one has gone before – and report back about it before we invade it with, well, ourselves. Some of the stories that explore that next frontier are fantasy, some are science fiction, and a few trip over that line from fantasy into horror.

And they’re all here, vividly described to make the reader want to be there. Or be extremely grateful that they are NOT.

Escape Rating B: Like nearly all such collections, Lost Worlds and Mythological Kingdoms has some hits, some misses and one or two WTF did I just read? in a convenient package for exploration.

Let’s get the WTF’ery out of the way so we can move on to the good stuff. The two stories that were set in strange hotels, Comfort Lodge, Enigma Valley and Hotel Motel Holiday Inn just did not land for me at all. The second made a bit more sense than the first but neither worked for me. Of course, YMMV on both or either of those particular trips.

Three stories were misses – at least from my perspective. They weren’t bad, they just didn’t quite live up to their premise. Or something like that. The Light Long Lost at Sea was a bit too in medias res. There’s a world there with lots of interesting backstory but what we got was more of a teaser than a story with a satisfying ending. The Expedition Stops for the Evening at the Foot of the Mountain Pass had some of that same feel, like there was huge setup for the story somewhere else and we weren’t getting it. But we needed it. The Return of Grace Malfrey is one that had a fascinating premise that kind of fizzled out.

One story in the collection hit my real-o-meter a bit too sharply. That was Those Who Have Gone. It does get itself into the “did I find a hidden civilization or was I dreaming?” thing very, very well, but the way it got there was through a young woman on a scary desert trip with her 30something boyfriend who she is rightfully extremely afraid of. That part was so real it overwhelmed the fantasy place she fell into.

There were a bunch of stories that I liked as I was reading them, but just didn’t hit the top of my scale. They are still good, still enjoyable, and hit the right note between teasing their premise and satisfying it. In no particular order, these were Down in the Dim Kingdoms, An Account, by Dr. Inge Kuhn, of the Summer Expedition and Its Discoveries, Endosymbiosis and There, She Didn’t Need Air to Fill Her Lungs.

Last, but very much not least, the stories I plan to put on my Hugo Ballot next year, because they were utterly awesome. The Cleft of Bones by Kate Elliott, a story about slavery, revolution and rebirth as seen through the eyes of an absolutely fascinating character. The Voyage of Brenya by Carrie Vaughn, which is a story about gods and heroes and the way that stories turn into myths and legends. Out of the Dark by James L. Cambias, one of two space opera stories, this time about a corporate hegemonies, a salvage crew consisting of lifelong rivals, and a pre/post spacefaring civilization in which Doctor Who’s Leela would have been right at home.

Three stories were utter gems from start to finish. Pellargonia: A Letter to the Journal of Imaginary Anthropology by Theodora Goss, which consists entirely of a letter written to the afore-mentioned journal by three high school students who took the founding principles of the journal – that imaginary anthropology could create real countries – and ran with it all the way into Wikipedia, the nightly news, and a civil war that has captured one of their fathers somewhere that never should have existed in the first place.

The Orpheus Gate by Jonathan Maberry reaches back to the Golden Age of lost kingdom stories by taking the utterly science driven great granddaughter of Professor George Edward Challenger (hero of Sir Arthur Conan Doyle’s The Lost World) and putting her on a collision course with a friend of her great grandmother’s – a woman who challenges the scientist’s belief in everything rational and provable in order to force the young woman to finally open her mind to a truth she does not even want to imagine, let alone believe.

And finally, The Tomb Ship by Becky Chambers, which is a story about a loophole, about the evil that humans do in the name of a so-called ‘Greater Good’, and just how easy it is to fall into the trap and how hard it is to even think of a better way. Or even just a way that lets the protagonist sleep at night with a somewhat clear conscience. That it also feels like a tiny bit of an Easter Egg for The Outer Wilds was just the right icing on this gold-plated cake of a story.

Review: A Matter of Death and Life by Simon R. Green

Review: A Matter of Death and Life by Simon R. GreenA Matter of Death and Life (Gideon Sable #2) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: paranormal, urban fantasy
Series: Gideon Sable #2
Pages: 192
Published by Severn House Publishers on March 1, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


Master thief, rogue and chancer Gideon Sable is back for another fast-paced supernatural heist - and this time he has the vault of a Las Vegas casino in his sights

Judi Rifkin is one of the world's most successful collectors of the weird and unnatural. In a London underworld filled with criminals with very special talents, Judi is a force to be reckoned with.
And Gideon Sable - thief, rogue and chancer - owes her a very large favour.
Judi makes him an offer he can't refuse: steal her the legendary Masque of Ra, tucked up safe in a Las Vegas casino, and she'll wipe the slate clean.
This isn't Gideon's first heist by a long shot. But with old grudges threatening to cloud his judgment, an unpredictable crew who don't entirely trust each other and a formidable supernatural security team guarding his target, this job might be a gamble too far . . .
A Matter of Death and Life is the sequel to The Best Thing You Can Steal, and is the second supernatural heist thriller featuring master conman Gideon Sable from British SFF veteran and New York Times bestselling author Simon R. Green.

My Review:

The snark is turned up past 11 and all the way to 13 in this second book in the author’s Gideon Sable series. But don’t let the indication that this is the second book in the series fool you into thinking that all you need to read to get completely up to speed is that first book, The Best Thing You Can Steal.

Not that it isn’t a whole lot of snarky fun.

But the thing about the author of this urban fantasy series – along with several others, a couple of paranormal series and some epic space opera – is that all of his stories are told in the first person singular voice of the main character – in this case Gideon Sable.

Whether that featured antihero – because honestly, none of them are exactly heroes in any classic mold whatsoever – is John Taylor (Nightside), Eddie Drood (Secret Histories) or a whole host of others, the truth is that the voice of the protagonist reads like its the voice of the author. Because they all more or less the same voice – with just a few minor variations.

Not that that’s a bad thing, because I like my snark dial turned all the way up. This is an author who always makes me laugh out loud because his snark – and his characters – are clever in their actions and especially in their way with words. And those characters are more often archetypes than actual individuals. For readers who are familiar with the author’s previous works, they are archetypes that seem very, very familiar. Like old friends that you can’t totally trust not to either break your heart or your bank account. Or both.

Most likely both.

All of the above means that he’s an acquired taste. He just happens to be a taste I acquired a long time ago. Just like my nostalgia for Cincinnati Chili. It’s not something I’d want all the time, or even too often too close together, but when I have a taste for it, nothing else will do.

And I definitely had a taste for it – the author, not the chili – this weekend.

The story in A Matter of Death and Life is a direct followup to the events in the first book, The Best Thing You Can Steal. Gideon and his girlfriend, Annie Anybody, are roped into committing a heist for the person they cheated in the earlier book.

This time, they have to steal a supernatural and extremely creepy mask from a Las Vegas casino. The mask is supposed to grant eternal life and youth. Gideon’s, well, let’s call her his patron, wants the mask in order to get one up on her ex-husband. Gideon wants to get his own back from the current owner of the mask. His patron also wants to get one up on him – and it sure seems like someone is manipulating them both.

It’s going to be the job from hell. And it might just send them all there – and possibly back again – before it’s over. One way or another.

Escape Rating B+: This is a story where I don’t have any mixed feelings. I had a cracking good time with Gideon Sable and his more-misfit-than-usual crew as they took on Las Vegas. Calling this book a fantastic, slightly supernatural version of Ocean’s Eleven – complete with ALL the wisecracks – would be more accurate, and more fun, than anyone might have expected.

Clearly, I had fun. In fact, I had laugh out loud fun. It helps that Las Vegas as the public sees it, the casinos, the glitz and the fake glamor hiding a rapacious money machine, is a setting that is just ripe for all of the snarkitude that Gideon Sable can muster.

It’s also a wheels within wheels within wheels kind of story. As much as the setting reminds me of Ocean’s Eleven, the caper itself just screams Leverage – but with a twist. With multiple twists, some with lime and some with cyanide – or something worse, creepier and deadlier.

Under the supernatural gloss, this is a story about power, greed, paranoia and revenge all tied up in a great big ball of wrong. It’s also a cat and mouse game where each character believes they are one of the cats – only to discover that they are one of the mice after all. And that the real cat has been preparing them for dinner the entire time.

But the characters, especially Gideon and his crew, are also more than a bit of an in-joke. A joke that the reader only gets if they are familiar with at least the author’s previous urban fantasy series. Because Gideon Sable used to be someone else, before the real Gideon Sable died and our protagonist assumed his identity. The author closed out all of his previous urban fantasy series with Night Fall back in 2018. But Gideon and his crew sound an awful lot like many of his previous bands of misfits. So it’s possible that Gideon in particular used to be part of one of those other stories – until he had to find another identity.

Which means that the whole setup of Gideon Sable’s twisted version of our world could be one we’ve already seen, and Gideon himself could be someone we’ve already met. A possibility that teases me no end. But probably would not resonate with someone who had not been previously exposed to this author’s brand of Gordian Knot worlds within worlds and shadows hidden behind shadows.

But when I’m in the mood for extreme snarkitude, there’s none better. Gideon Sable, and all of this author’s characters, have refined smart-assery into a fine art – and sometimes that’s just what a reader needs to get through. So I hope Gideon Sable will be back in the not too distant future.

Review: The Bachelor Betrayal by Maddison Michaels

Review: The Bachelor Betrayal by Maddison MichaelsThe Bachelor Betrayal by Maddison Michaels
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: ebook
Genres: historical romance, romantic suspense
Series: Secrets, Scandals, and Spies #2
Pages: 457
Published by Entangled: Amara on February 14, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

He wants justice
Underestimating Marcus Black is the last thing his enemies ever do. After all, the respected Earl of Westwood is a deadly threat… when her Majesty needs him to be. And his only goal is to avenge his brother’s murder. Which would be much easier if the viciously-skilled Lady Kaitlyn Montrose wouldn’t swoop in, knee him in the bollocks, and then run off with his only lead…
She wants revenge
Kat is determined to avenge her beloved uncle’s murder and nothing will stop her. Especially not the devastatingly handsome, and equally lethal Marcus Black. The fact that he’s after the same target is a complication she hadn’t planned on. And as much as she enjoys taunting him, she has a job to do—one that doesn’t include sparring with the infuriating man at every turn. Except Kat has a new plan… one that Marcus will just hate.
Now they’ll have to work together… if they don’t kill each other first
Individually, Marcus and Kat are deadly. If they worked together, they could be unstoppable. But when attraction gets in the way of vengeance, it’s more than hearts on the line. And only one person can win...

My Review:

There are three threads to this story. The part of that braid that we are introduced to first is the revenge story, as Kat Montrose watches her guardian and beloved uncle die on the street after an attack by a foreign agent known only as “The Chameleon”. The second strand of that braid is the instant attraction between Kat and Marcus Black – an attraction that is as inconvenient and inappropriate as it is irresistible.

Last but not least, the central thing that ties those two pieces together is the “Great Game” of power, politics and general one-upmanship that was conducted between the British Empire and the Russian Empire in places and with proxies all around the world, but most especially in Central and South Asia.

It’s the playing of this game of lives, fortunes and futures that eventually resulted in World War I. But at the point of this story in 1884-85, it’s mostly a spy game. A spy game in which Kat, Marcus, Kat’s late uncle AND the Chameleon have all played their parts.

Kat, formally Lady Kaitlyn Montrose, is a spy, a member of Her Majesty’s War Office. So is Marcus Black, the Earl of Westwood. Both were trained by her late uncle in the work. When he was killed, Kat began her search for the Chameleon, intending on taking “an eye for an eye”, the Chameleon’s life for her uncle’s.

But the Chameleon has been avoiding people like Kat for years, all too successfully. No one has ever been able to discover the identity of the elusive assassin. Kat needs a bit of assistance in tracking the Chameleon down. Assistance that she expects to garner in the form of the Earl of Westwood, who should want to avenge her uncle – his mentor – as much as she does.

Westwood has been hunting the Chameleon for far longer than Kat has been looking, and Victor’s death only adds to the reasons for his pursuit. He doesn’t want Kat getting in his way – or honestly working the case at all. Nor does he have any hope of stopping her.

Which doesn’t keep him from trying for entirely too long.

But the Chameleon is working through a hit list of the highest echelons of the War Office. Kat and Marcus will have to work together to stop the decimation of Britain’s intelligence services while war looms on the horizon.

Too bad they’re spending so much time fighting a war with each other to find the source of the threat before it’s nearly too late.

Escape Rating B: I loved the opening of this. The whole idea of a female spy in Victorian England had the potential to be so much fun! And the first scenes, with Kat burgling some papers then decimating the thugs who try to stop her  – was fantastic. That Kat has a burning line of snark for such circumstances was icing on the cake.

But the cake turned out to be more of a cupcake.

Kat is still an utterly fascinating character, and she does continue to kick ass and take names throughout this story. I especially loved her friendship with Livie (heroine of the first book in the series, The Bachelor Bargain) and Etta, and their joint publishing venture to take down the unrepentant asshole noblemen who abused women and didn’t think they’d have to pay for their perfidy. That was excellent. (I haven’t read the first book – yet – but didn’t feel like I’d missed anything essential. Just that I might have missed a good reading time!)

And I can’t say that I didn’t like her budding relationship with Westwood, because that certainly had oodles of passionate potential, which it mostly fulfilled. What fulfilled less, at least for me, was the degree to which he just plain refused to accept that Kat was NEVER going to submit to his protection and was not under any circumstances going to hold herself back from the investigation. Marcus wants Kat to be safe, and takes much too long to acknowledge that safety was about the last thing that Kat was built for.

If he hadn’t been aware of how she was raised and trained – and intimately aware at that because he was trained by the same person – it would have made more sense. His behavior would have been the expected thing for that time and place. But he went into this mess knowing that Kat was absolutely NOT the expected thing so treating her as if she was was going to get him nowhere but an argument. The repetition went on too long, and Kat in particular was a bit too angsty about her developing feelings. She was portrayed as a person of action at every turn and the moody angst just didn’t “feel right”.

On the other hand, the case was a cracking good one – and the solution was nothing like I expected at all. The Chameleon was both clever and totally unexpected, adding a frisson of danger and temptation to the scenario that made the whole thing that much more diabolical and entertaining.

In other words, mixed feelings. The way the romance worked didn’t quite fit the characters of Kat and Marcus as they were drawn, but I was certainly sold on them being meant for each other. I certainly liked this more than enough to consider picking up the previous book in the series, The Bachelor Bargain, the next time I’m in the mood for a romantic spy story.

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Review: Ten Rules for Marrying a Duke by Michelle McLean

Review: Ten Rules for Marrying a Duke by Michelle McLeanTen Rules for Marrying a Duke by Michelle McLean
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: ebook
Genres: historical romance, regency romance
Pages: 289
Published by Entangled: Scandalous on February 14, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Bookish Arabella Bromley never gave a fig for society’s rules—until her sister ran off with a man below her station. Now Arabella is desperate to restore her family’s ruined reputation to favor amongst the ton. She’ll have to marry quickly and well. But in order to carry off her plan, Arabella needs a duke… and she has just the rakish fellow in mind.
The Duke of Whittsley has an ungentlemanly tendency to disregard the rules. Unfortunately, a sense of mischief doesn’t excuse a high-ranking noble from family duty—especially where it concerns producing a son. And that’s where he can’t quite resist Arabella’s distinctly outrageous plan: if he saves her family, she’ll give him an heir.
Now the deal’s been struck. They have one year to achieve their goals and ten iron-clad rules to keep them on track. Like long, scorching kisses and ensuring they’re both exquisitely satisfied. And the only thing that could ruin their plan is the one thing they never planned on: love.

My Review:

If you are easily seduced by witty banter you will surely fall in love with Ten Rules for Marrying a Duke just as thoroughly as Arabella Bromley and Silas, Duke of Whittsley fall in love with each other.

Not that that’s what either of them expects when the story begins. In fact, they outright plan against such a thing. That’s what those rules are for, after all. Creating a partnership rather than a relationship so that they can help each other out of the pickles they have both landed in – and then go their separate ways.

Silas needs an heir, but he doesn’t really want a wife. A wife who will become a permanent part of his life and might very well make demands on him. He’s been turning both a deaf ear and a blind eye to his grandfather’s nearly constant harangues about taking his responsibilities seriously, ceasing his frivolous pursuits, doing his duty by his title, and especially marrying and siring an heir.

Silas does take his responsibilities to his estate seriously. Well, more like semi-seriously, which is how he treats pretty much everything. He recognizes that he will have to marry and have an heir someday but he’s only 30 and not ready to settle down in any form or fashion whatsoever.

Arabella Bromley, on the other hand, thought she was settled. Her father was content for her to settle into the happily bookish spinsterhood she intended to revel in. He’s an introvert just as she is, so he understands her as no one else in the family does. She can’t inherit his title, and neither can her sisters, he has plenty of money to ensure that she will be comfortable even if she never so her bluestocking nature is not a problem.

At least not until her older sister Alice marries their groom, bringing scandal down on all their heads. The invitations to events dry up in the hot wind of gossip blowing through the ton. It’s find for her father, it’s fine for Arabella, and Alice certainly doesn’t care. But their younger sister Anna cares very much. Her Season was cut short due to illness and she expected to have another Season to find a husband and get herself settled.

The entire family is now social poison and Anna won’t be able to make a good match. It’s up to Arabella to concoct a scheme that will allow their family to weather the storm of scandal. All she has to do is convince the Duke of Whittsley to marry her and sponsor her sister back into society.

And that’s where those pesky rules come in. The ten rules they write together in a bit of hilariously embarrassing but utterly necessary one-up-person-ship, in order to hammer out just how they will convince the ton that they are madly in love, rescue her sister AND detail how to handle their lives once they part company after all the deeds are done.

They should have put in a rule about what to do when they both broke the unstated rule of the whole affair – that neither of them was supposed to fall in love with the other.

Escape Rating B: The first half of this book is an absolute delight. The second half was a bit overshadowed by the giant misunderstandammit that takes over the story, but still had plenty of verve left from that first half to carry this reader through to the end.

Arabella’s scheme to marry Silas is a bit contrived. Both in the sense that she has contrived it on a wing and a prayer, and that the entire situation tries so hard to be a meet cute – although it mostly manages to get there.

What carries that day – and the entire first half of the book – is the way that they both approach the possibility of turning this half-baked scheme into a fully-baked reality. On the one hand, they are opposites. Arabella takes pretty much everything seriously, while Silas takes almost nothing seriously.

He enters into the entire scheme because he’s having fun tweaking Arabella into a reluctant smile at every opportunity. It’s the most “real” fun he’s had in a long time.

It all works because in spite of coming at the situation from opposite directions they are both witty and intelligent people and determined to give as good as they get in every encounter. Arabella wants to stick to the rules they create while Silas pushes the boundaries of all the rules all the time.

And both of them are having a great time doing it – just as the reader does watching them talk and tease each other into friendship and ultimately marriage. Which is where that misunderstandammit rears its ugly little head.

Because they do the one thing neither ever expected. They fall in love with each other. But all their rules were predicated on that NEVER happening. They want to stay together but each is quite reasonably afraid that if they change the rules and the other isn’t on the same page then they’ll lose the happiness they’ve found. It IS a conundrum.

One that they wallow in just a bit too long. It makes sense that the conversation they need to have is hard to have but…the wallowing turned both of them into just the kind of angst-ridden lovesick fools – emphasis on fool – that they so successfully and entertainingly avoided in the first half.

Howsomever, that second half also brings to light some things that I really liked but don’t see nearly often enough in Regencies in the treatment of that scandalous older sister. Because she hasn’t disappeared from her family’s lives and she isn’t treated like a dirty secret. She’s happy in her marriage, her husband is wonderful, and they’re living in a family house out in the country. Because they’re both happier there not because her family has disowned them.

And when Arabella is having the inevitable crisis, it’s her big sister she turns to for solace, for advice, and for safe harbor from her self-created storm. One gets the definite impression that if it hadn’t been for the youngest sister still wanting to find a husband the entire family would have told the ton to go fly a kite – or whatever the appropriate Regency phrase would have been. And wouldn’t that have made for a delicious story?

I very much liked that the family didn’t do any of the terrible things that happen so often to scandal-prone daughters in Regency romance.

So I adored the first half, had mixed but mostly positive feelings about the second half, and ended the book remembering their witty banter very fondly. If you like romances where the protagonists talk each other into love, watching Arabella and Silas make – and break – those ten rules is a lot of fun.

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Review: The Starless Crown by James Rollins

Review: The Starless Crown by James RollinsThe Starless Crown (Moon Fall, #1) by James Rollins
Narrator: Nicola Barber
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: dystopian, fantasy, post apocalyptic, science fiction
Series: Moon Fall #1
Pages: 560
Length: 22 hours and 5 minutes
Published by Macmillan Audio, Tor Books on January 4, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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An alliance embarks on a dangerous journey to uncover the secrets of the distant past and save their world in this captivating, deeply visionary adventure from number-one 'New York Times' best-selling thriller-master James Rollins.
A gifted student foretells an apocalypse. Her reward is a sentence of death.
Fleeing into the unknown, she is drawn into a team of outcasts:
A broken soldier, who once again takes up the weapons he's forbidden to wield and carves a trail back home.
A drunken prince, who steps out from his beloved brother's shadow and claims a purpose of his own.
An imprisoned thief, who escapes the crushing dark and discovers a gleaming artifact - one that will ignite a power struggle across the globe.
On the run, hunted by enemies old and new, they must learn to trust each other in order to survive in a world evolved in strange, beautiful, and deadly ways, and uncover ancient secrets that hold the key to their salvation.
But with each passing moment doom draws closer.
Who will claim the starless crown?
A Macmillan Audio Audio production from Tor Books
©2022 James Rollins (P)2022 Macmillan Audio

My Review:

“A fake fortune teller can be tolerated. But an authentic soothsayer should be shot on sight. Cassandra did not get half the kicking around she deserved.” At least according to Robert A. Heinlein in The Notebooks of Lazarus Long.

From that perspective, The Starless Crown is the story of Nyx, the authentic soothsayer – not that she would think of herself as such – receiving the full force of that kicking around. Deserved or not.

Definitely not – at least not in regards to anything that she personally has done. Not that she’s had a chance to do all that much when the story begins – as she seems to be just fifteen or thereabouts.

We meet her in school, in her astronomy class, as they study their “Urth’s” tidally locked rotation around the sun. A sun which they all refer to as the “Father Above,” the capital letters implied in the reverent way they speak of it. The Father Above is part of their pantheon of gods, along with the Mother Below (the Urth), the dark Daughter (the new moon) and the silvery Son (the full moon).

A catastrophe, shrouded in the mists of time, created the Urth that Nyx knows from the Earth that we now live on, locking our rotating world in a fixed position relative to the sun, so that only a relatively narrow circle is habitable for humans, in that relatively thin slice where the sun does not boil and its lack does not freeze. A circle that surrounds the Urth in just the same way that a crown surrounds the head of a monarch.

The story of The Starless Crown is Nyx’ story, as she breaks free of the shell she has been enclosed by her entire life. A story where she dreams of the destruction of her world – and the one thin chance where she might save something from the inevitable wreckage.

At a cost much higher than anyone is willing to pay.

Escape Rating A-: I listened to The Starless Crown from beginning to end. I enjoyed the listening – the narrator was very good and did an excellent job of differentiating the many, many voices of this story’s large cast.

At the same time, I didn’t feel compelled to finish it more quickly, so I didn’t pick up the ebook at all. The slower pace of listening worked better for me, because this is a slow burn kind of story. It takes a lot of chapters to get all the characters set up because they begin in far different locations under far different circumstances. We are seeing the plot come together from a great many disparate eyes.

And it takes a long time for all of those disparate – and sometimes desperate – parts to come together into the whole that is going to push this saga forward.

Part of my fascination with this story is that this is post-apocalyptic story that takes place in the far aftermath – an aftermath so far into the future that the people living it no longer recognize from whence they came – although we do.

Not that civilization as we know it wouldn’t break down and reform fairly quickly, messily and bloodily. In that sense it reminds me a bit of Aldiss’ Helliconia Trilogy, Stirling’s Emberverse starting with Dies the Fire, and the videogame Horizon Zero Dawn.

But the way the situation has evolved and devolved posits a corollary or an antonym to Clarke’s Law, the one that goes, “Any sufficiently advanced technology is indistinguishable from magic.” The Starless Crown is an example of something I’d want to call Harris’ Permutation if I were the person naming such things. Because this story is an example of a different principle, that “Any science sufficiently muddied by time or religious claptrap is indistinguishable from magic.”

They don’t know what they don’t know. Too much was lost in either the initial cataclysm or the long dark night that inevitably followed. What they’ve managed to find is now interpreted through a lens of religion, to which what we call science has become enslaved. And some of its methods are used to enslave others.

This is also a story of “Mother Nature bats last”. Whatever happened in the past that created the tidal lock, the coming moon fall feels like its inevitable result. The moon controls the tides. It can’t. So it keeps getting closer in order to try harder. Or something like that.

So we have a group that is not unlike the Fellowship of the Ring. A young seeress, a disgraced prince, a thief, an escaped slave, a living statue from the distant past on a quest to save their world – even if they don’t know it yet.

Arrayed against them are the forces of the powers that be. They’re not all evil, although some of them very much are. Some of them are willfully blind and some of them are just blind. There’s a lot of “power corrupts and absolute power corrupts absolutely”, but there’s a fair bit of “when the only tool you have is a hammer, everything looks like a nail.”

But the villains are fascinatingly – if occasionally stomach turning-ly – twisted, the heroes are plucky to the max and the escapes are nail-biting, hair-raising, edge of the seat last minute scrapes. The reveal of the past, the fear in the present and the desperate hope of even a fractured future are handled in lush descriptions and buckets of regrets, recriminations and tears.

I have no idea how this band of misfits is going to get themselves and their world out of the mess they are in, but I look forward to finding out.

Review: Four Thousand Days by M.J. Trow

Review: Four Thousand Days by M.J. TrowFour Thousand Days (Margaret Murray, #1) by M.J. Trow
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Margaret Murray #1
Pages: 224
Published by Severn House Publishers on November 25, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


Introducing turn-of-the-century archaeologist-sleuth Margaret Murray in the first of a brilliant new historical mystery series.

October, 1900. University College, London. When the spreadeagled body of one of her students is discovered in her rented room shortly after attending one of her lectures, Dr Margaret Murray is disinclined to accept the official verdict of suicide and determines to find out how and why the girl really died.
As an archaeologist, Dr Murray is used to examining ancient remains, but she's never before had to investigate the circumstances surrounding a newly-dead corpse. However, of one thing Margaret is certain: if you want to know how and why a person died, you need to understand how they lived. And it soon becomes clear that the dead girl had been keeping a number of secrets. As Margaret uncovers evidence that Helen Richardson had knowledge of a truly extraordinary archaeological find, the body of a second young woman is discovered on a windswept Kent beach - and the case takes a disturbing new twist ...

My Review:

This has been a week of mostly mysteries – or at least a week of conundrums of one sort or another. Margaret Murray’s first foray into amateur detection fits right in. But I was expecting it to considering how much I enjoyed one of the author’s previous mysteries, The Knight’s Tale.

The process of professional archaeologist and amateur detective Murray becoming involved in this case-that-is-almost-not-a-case is marvelously immersive and feels true to the character. It also does a lovely job of introducing the reader to this time and place, London in 1900 as the new century turns over and a new era is on the horizon.

It also places us squarely into the academic environment of University College – that Godless Institution – at a time when women academics were, shall we say, rather thin on the ground. Murray was (really) one of a kind. Her professional credentials are a bit haphazard, because women weren’t supposed to be what she was. But she’s doing her best – which is quite good – to encourage the women who follow in her wake.

And that’s where this story really kicks off, as one of Murray’s part-time students is a police constable called to the death of another. Constable Crawford is sure it’s murder, while the detective in charge calls it suicide – clearly because he doesn’t want to investigate the death of a prostitute.

That’s where Crawford calls in Murray, and Murray calls in retired Scotland Yard Detective Inspector Edmund Reid – who was the real life copper in charge of the Met’s investigation into the Ripper killings. As Murray and Reid poke their noses into places that someone seriously wishes they shouldn’t, the string of murders gets longer and the tempers of officialdom get shorter.

The trick, or the question, or both, is discovering what the deaths of a part-time student and part-time prostitute in London, a full-time student on an archeological dig in Kent, and the most boring professor in the entire University College have in common will require just the kind of digging that Margaret Murray can’t let go of – even if it kills her.

Margaret Murray (3rd from left) unwrapping a mummy in 1908

Escape Rating A-: Margaret Murray reads like a combination of Amelia Peabody (Crocodile on the Sandbank) and Harriet Vane (Strong Poison), all the better for Murray having been a real person, who really had the kind of background and went on the kind of adventures that make her a perfect fit for this sort of story.

Seriously, even though as a real person thrust into the role of amateur detective she’s a bit more like Nicola Upson’s version of mystery author Josephine Tey in An Expert in Murder – and their real life time periods do overlap – Murray combines Amelia Peabody’s expertise in Archaeology (and a mutual acquaintance with Flinders Petrie) with Vane’s experience walking the halls of academe at a time when women were just grudgingly accepted. At best.

While the case that Murray discovers herself in the middle of – and is nearly done in by – has just a bit of a hint of the puzzle that Mary Russell digs herself into in A Letter of Mary. (That’s a bit of a hint, BTW)

As much fun as it is to speculate about the relationships between the real historical figures that populate this story and seem to be part of Murray’s inner circle of helpers and investigators, it’s the character of Murray herself that makes this so much fun.

Often, in historical fiction of all stripes, in order to make a female character the active protagonist and give them real agency it is necessary to make them a bit anachronistic, outré, or both. They end up not feeling like creatures of their own time in order for us to identify with them in ours.

Murray’s actual biography lets the reader know that she was a person of her time – and yet that she really was doing it all uphill and against the wind, so to speak. Which allows her to speak both to her time and our own.

The real-life Margaret Murray lived to be 100. After reading Four Thousand Days, I would be thrilled to read 100 years of her adventures as an amateur detective – or pretty much anything else she – or her author – decided to turn their hand to!

Review: Light Years from Home by Mike Chen

Review: Light Years from Home by Mike ChenLight Years From Home by Mike Chen
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: relationship fiction, science fiction
Pages: 352
Published by Mira on January 25, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Every family has issues. Most can’t blame them on extraterrestrials.
Evie Shao and her sister, Kass, aren’t on speaking terms. Fifteen years ago on a family camping trip, their father and brother vanished. Their dad turned up days later, dehydrated and confused—and convinced he'd been abducted by aliens. Their brother, Jakob, remained missing. The women dealt with it very differently. Kass, suspecting her college-dropout twin simply ran off, became the rock of the family. Evie traded academics to pursue alien conspiracy theories, always looking for Jakob.
When Evie's UFO network uncovers a new event, she goes to investigate. And discovers Jakob is back. He's different—older, stranger, and talking of an intergalactic war—but the tensions between the siblings haven't changed at all. If the family is going to come together to help Jakob, then Kass and Evie are going to have to fix their issues, and fast. Because the FBI is after Jakob, and if their brother is telling the truth, possibly an entire space armada, too.
The perfect combination of action, imagination and heart, Light Years From Home is a touching drama about a challenge as difficult as saving the galaxy: making peace with your family…and yourself.

My Review:

Every unhappy family may be unhappy in its own way, but there are few families that are unhappy because one of the adult children has been abducted by aliens and recruited to fight in an intergalactic war.

Not that the Shao family was exactly happy BEFORE Jakob Shao joined the intergalactic fleet – but back then they were unhappy in ways that would be a bit more familiar. Now, not so much.

Light Years from Home isn’t quite the story we’re expecting from the blurb, because it’s not really about Jakob or his alien abduction at all. Not that he’s not part of it, but the story isn’t about him.

The story is about collateral damage, specifically the collateral damage of the Jakob-shaped hole in the Shao family. A hole that has only opened wider in the 15 years since Jakob left his family and his planet behind.

He comes back to Earth believing that nothing will have changed in his absence, and that it won’t matter if he leaves again. After all, he has a mission to complete and a universe to save. Healing the hole in his family’s heart is way above the level of feckless incompetence he left behind.

But Jakob Shao isn’t that man any longer. Not that his family will EVER let him forget it. Or them.

Escape Rating A: Light Years from Home is one of those stories that’s much greater than the sum of its parts. Parts that initially seem so far apart that they might as well be from different planets – if not galaxies.

This story is also very much what my book group has been calling “sad fluff”. Although this is sad fluff with spaceships.

By sad fluff I mean that this story is, in spite of the science fictional trappings, relationship fiction. It’s not about Jakob and the epic space battles. We believe they exist, but they’re not actually the point of the story. The point of the story is Jakob’s relationship with his family, and their relationships with each other.

This could be a story about any family dealing with the lack of closure wrapped about the disappearance of a family member. They all know Jakob left them behind. Their late father died believing Jakob had been abducted by aliens, but that’s a pretty far-fetched conclusion for the rest of the family. Except for Jakob’s younger sister Evie, who has made a career of investigating UFO sightings and the possibilities of extraterrestrial contact with Earth.

It’s much easier for Kass and their mother to believe that Jakob – charming, irresponsible, feckless Jakob – just wanted to get away from his parents’ endless expectations that he “live up to his potential” and “not waste his education,” etc., etc., etc. He has a history of that kind of behavior – he’s just been gone a whole lot longer this time.

And there are plenty of times in the story when Kass has nearly everyone convinced that Jakob has returned because he’s having a psychotic break. She nearly convinces both their younger sister Evie – who does believe in UFOs and alien abductions – AND THE READER! It’s only when Evie finds actual proof that Kass begins to believe that the thing that tore her family apart is real – and that she can’t blame Jakob for everything. That she has to start looking inside herself for answers.

As I was reading Light Years from Home, in spite of pretty much ALL the names of all the characters coming from the Assassin’s Creed videogame series, the things this story actually reminded me of came from other places.

While Jakob’s intergalactic experiences are mostly off stage, the setup reminded me more than a bit of The Last Starfighter – without that slam bang ending because Jakob’s story doesn’t get that kind of unabashed happy ending – nor should it.

Jakob’s personality and some of his story had echoes in Fergus Ferguson, the protagonist of The Finder Chronicles. If you’re wishing that Light Years from Home focused more on Jakob’s travels, try Finder.

But the thing this made me think of the most was Elton John’s song Rocket Man. Because this reads like it’s that song told from the point of view of the people that the Rocket Man has left behind back home.

If that’s not enough of a gut punch, the conclusion of Light Years from Home reached back into the ending of one of SF’s classic stories, Flowers for Algernon by Daniel Keyes. And it’s every bit as much of a heartbreaker in Light Years from Home as it was back then.