Review: World Running Down by Al Hess

Review: World Running Down by Al HessWorld Running Down by Al Hess
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: dystopian, post apocalyptic, science fiction
Pages: 299
Published by Angry Robot on February 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A transgender salvager on the outskirts of a dystopian Utah gets the chance to earn the ultimate score and maybe even a dash of romance. But there's no such thing as a free lunch...
Valentine Weis is a salvager in the future wastelands of Utah. Wrestling with body dysphoria, he dreams of earning enough money to afford citizenship in Salt Lake City - a utopia where the testosterone and surgery he needs to transition is free, the food is plentiful, and folk are much less likely to be shot full of arrows by salt pirates. But earning that kind of money is a pipe dream, until he meets the exceptionally handsome Osric.
Once a powerful AI in Salt Lake City, Osric has been forced into an android body against his will and sent into the wasteland to offer Valentine a job on behalf of his new employer - an escort service seeking to retrieve their stolen androids. The reward is a visa into the city, and a chance at the life Valentine's always dreamed of. But as they attempt to recover the "merchandise", they encounter a problem: the android ladies are becoming self-aware, and have no interest in returning to their old lives.
The prize is tempting, but carrying out the job would go against everything Valentine stands for, and would threaten the fragile found family that's kept him alive so far. He'll need to decide whether to risk his own dream in order to give the AI a chance to live theirs.

My Review:

World Running Down turned out to be my third climate-apocalypse dystopia in a row, after Junkyard War and Perilous Times. The world is going to hell in a handcart and it’s all humanity’s fault no matter how you look at it. But these three looks at the view from that handcart are quite different. And all, surprisingly, hopeful.

At first, Valentine Weis doesn’t seem to have much hope. Or, perhaps, hope’s all he’s got without any real way of making any of his hopes come close to realization. At least not until Osric drops into his life – just about literally – with an offer that Valentine probably should refuse.

Because anything that looks too good to be true generally is – especially with people who actually still have a conscience and at least an ounce of compassion for their fellow beings. However those beings present themselves and whatever they happen to be made of.

In his very post-climate apocalypse world, Valentine lives his life on the outside looking in. Someone is offering him the opportunity to finally be on the inside. The question is whether the price is one that he’s willing to pay.

Salt Lake City is one of the few remaining, functional cities in the U.S. It’s a place where healthcare and transportation are free, where it seems as if everyone has enough to eat and a place to live. It’s a place where the rich get richer and the poor peek through the glass at all the things they can’t have without citizenship. Or sponsorship. Or both.

Valentine has none of the above. Instead his only possession is a barely functioning van, his only friend is more of a frenemy, he’s just barely breaking even on the delivery and salvage jobs he takes to keep body and soul together. And he’s trapped in a body he knows is wrong, deals with regular and depressing bouts of body dysmorphia and keeps falling further behind in his quest to save up enough money to get admitted to the place where he can get the medicines and the surgery he needs to make his external appearance reflect his inner self.

Osric, on the other hand, isn’t even human. He’s a Steward, an elite artificial intelligence who has been placed in a mere android body by nefarious person or persons unknown and sent out by even more nefarious persons to rope Valentine and his friend Ace into a job that must have one hell of a catch – because the fee for doing it is beyond Valentine’s biggest hopes and best dreams.

Which he just might manage to make come true. Not by giving in to what either those nefarious persons or his best frenemy/business partner Ace might say is the best thing – but by doing the actual, honest-to-goodness right thing. No matter how much it breaks his heart.

Escape Rating A: Before I even attempt to get into any more detail, first things first. And the first thing is that I loved World Running Down. A lot. Which kind of surprised me, not for itself, but because it was the third climate apocalypse dystopia book I read in a row, and as a subject that’s kind of a downer.

But the book itself isn’t a downer at all, which is really all down to Valentine. He just so earnestly wants to be a genuinely good person in spite of the world running down. Given a choice between the right thing and the easy thing Valentine chooses the right thing every single time – quite often to his own detriment.

He’s not unrealistic – at all – about just how FUBAR’d his world has become. He just doesn’t let that affect his own decision making process. He knows that things overall are heading towards an even hotter place than the climate, and he’s cognizant that he can’t fix much of that. But he’s committed to making things a little better as he can to those whose lives he actually touches.

Which is what gives the story both its hopefulness and its poignancy.

Valentine himself is caught in a “catch-22”. He’s trans, he needs both meds and surgery to complete his transition – which he very much desires to do. To be able to do that he needs to get residence in Salt Lake City, and for that he needs to pass a citizenship test. Which is just as big a hurdle because Valentine has ADHD or some variant of it which hasn’t even been diagnosed, making it difficult for him to study and retain certain kinds of information. Math gives a lot of people trouble. It gives Valentine a double dose of trouble, and he needs to get it to pass the test. Doing the original job would be a shortcut to his dreams – but absolutely does come at much too high a price.

But this isn’t just Valentine’s story, although we see much of it from his perspective. It’s also Osric’s story, and it’s the story of the job they are contracted for and the huge cloud wrapped around the silver lining of the payoff for doing it. Both parts of which result in discussion of artificial intelligences and the definition of what makes a being of artificial intelligence intelligent enough to be self-aware and eligible for citizenship.

And then the whole story works its way around to just how much heartache and heartbreak can be caused by trying to do what you think is best for someone you care for and how demeaning it is to make those decisions without their input.

There’s more. There’s just so much more. More than I should get into here, no matter how tempted I am. Which is very.

Between the climate apocalypse, the dystopian elements, the so, so sharp divide between the haves and the have nots, and both the political and the romantic issues that are raised by the questions of sentience and artificial intelligence, World Running Down touched on themes that brought to mind (my mind at least) a whole shelf of books that a reader might find equally appealing and/or interesting and very much vice versa.

So if you’ve ever read any of the following, you will probably also find World Running Down to be running right up your reading alley. And if you like World Running Down, these may also appeal; A Psalm for the Wild-Built by Becky Chambers, In the Lives of Puppets by TJ Klune, Automatic Reload by Ferrett Steinmetz and The Space Between Worlds by Micaiah Johnson.

I wish you hours of joyful reading in some fascinating worlds gone very wrong that still have hope of things coming round right. Definitely starting with World Running Down. But don’t just take my word for it. World Running Down is in the midst of running on tour at the following sites. Check ’em out!

FEBRUARY
Tues 14 Curiosity Killed the Bookworm
Tues 14 Civilian Reader excerpt
Wed 15 @cklockwork 
Thurs 16 @brittni.in.ink 
Fri 17 @bookish_black_hole 
Fri 17 Reading Reality
Sat 18 It Starts At Midnight
Sun 19 @dexterous_totalus 
Mon 20  @TinasAlwaysReading 
Tues 21 Scrapping and playing 
Wed 22 FanFi Addict
Thurs 23  @intothevolcano 
Fri 24 E. J. Dawson
Sat 25  @kevinscorner 
Sun 26  @thespineofmotherhood 
Mon 27  @Booksforscee 

MARCH
Wed 1  @from__my__bookshelf 
Thurs 2  @moyashi_girl 
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Mon 6  @sophi3saur 
Tues 7  @bookstagramrepresent 
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Thurs 9  @emilysarahart 
Fri 10 FanFi Addict
Sat 11  @luchiahoughtonblog 
Sun 12  @josephina_rae 
Mon 13 superstardrifter
Tues 14  @bookwormescapes 
Wed 15 @kevinscorner 

Review: The Scarlet Circus by Jane Yolen

Review: The Scarlet Circus by Jane YolenThe Scarlet Circus by Jane Yolen, Brandon Sanderson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fairy tales, fantasy, fantasy romance, Romance, short stories
Pages: 256
Published by Tachyon Publications on February 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The Scarlet Circus, the fourth volume in Yolen’s award-winning short fiction series brings you passionate treasures and unexpected transformations. This bewitching assemblage, with an original introduction from Brandon Sanderson, is an ideal read for anyone who appreciates witty, compelling, and classic romantic fantasy.

A rakish fairy meets the real Juliet behind Shakespeare's famous tragedy. A jewelry artist travels to the past to meet a successful silver-smith. The addled crew of a ship at sea discovers a mysterious merman. More than one ignored princess finds her match in the most unlikely men.

From ecstasy to tragedy, with love blossoming shyly, love at first sight, and even love borne of practical necessity―beloved fantasist Jane Yolen’s newest collection celebrates romance in all its glory.

My Review:

This ended up being my Valentine’s Day review because, to paraphrase the author’s forward just a bit, while the stories contained within are not “Romances” with a capital R, each story does contain a romantic element – even if that element is not the center of the story and seldom results in anything like a happy ever after.

Then again, one does have to kiss a fair number of frogs – and a few outright toads – in order to find the person they’ve been looking for all along.

Many of the stories in this collection are twists on familiar themes – or at least they sound familiar upon reading. “San Soleil” is one of those. It sounds just like the kind of fairy tale we all used to read – with the same kind of sting in its tail about listening to warnings provided by witches and sorceresses. It starts as a love story but is also a bit of a ‘just desserts’ kind of story. Not that anyone is evil. A bit TSTL but not evil.

As the opening story in the collection, it certainly sets the tone for the many and varied ways that love can go off the rails.

I had a sneaking bit of admiration for “Dusty Loves” in the way it takes off on Romeo & Juliet. This is one where the ‘heroine’ really is Too Stupid To Live, and consequently doesn’t. Which is pretty much what happens in Romeo & Juliet which is, after all, a TRAGEDY and not a romance. That the teller of this particular version of the tale has their tongue very firmly in cheek as they relate it makes the whole thing work a bit better than it would on its own.

On that favorite other hand, in “Unicorn Tapestry” the heroine is really a heroine, and most definitely not TSTL. If you like stories where the underdog wins the day, then this one will be right up your reading alley. It certainly left me with a smile at the end.

My least favorite stories in the collection were “A Ghost of an Affair”, “The Sea Man” and “The Erotic Faerie”. “Ghost” because it had so much promise but ended a bit ‘meh’. I felt like I was set up for a better and happier ending than I got. “Sea Man” felt like it didn’t belong here, it gave me vibes of other, more horrific tales than fit in this collection. And “Erotic Faerie” was an interesting concept rather than an actual story, a concept I’ve seen done better in Kenneth Schneyer’s “Selected Program Notes from the Retrospective Exhibition of Theresa Rosenberg Latimer” in his Anthems Outside Time collection.

Those initial stories were interesting and fun but didn’t quite touch my heart – although “Dusty Loves” certainly tickled my funny bone a bit. These next ones, however, got a bit closer to the heart of the matter – or at least my heart.

“Dark Seed, Dark Stone” takes the idea of a warrior’s child picking up their weapons to defend their king and country and changes that child from the usual son to a daughter who uses more smarts than skills to defend her homeland. This one isn’t so much a romance as it is a story about duty and purpose – and I liked it better for that. It’s more a romance in the older meaning of the word than the current commercial definition, and I liked it all the better for it.

“Memoirs of a Bottle Djinn” takes the usual Aladdin-type story and gives it a twist that’s been seen before – but does it well. In this case, the savvy but desperate discoverer of the bottle is wary about spending his wish foolishly and without thought. At the same time, as a slave he’s all too able to empathize with the djinn’s plight. So he makes a wish they can both live with, happily ever after.

“Peter in Wonderland” was a delightful surprise. It’s clearly a takeoff on Alice in Wonderland, but shows that the real Alice Liddell still travels to Wonderland even in adulthood, and gives her a fellow-adventurer on her trip that leads to a happy ever after a bit different from the one she experienced in real life.

As much as I enjoyed the above stories, my two favorite entries in this Scarlet Circus were wonderfully entertaining indeed.

“Dragonfield” was wonderful because all of its characters are so very flawed in such human ways, and yet they manage to pull each other up and together to defeat the all too real dragon that is terrorizing the town and achieve a happy ever after that neither of them expected or thought they could ever deserve. It’s a romance and an adventure wrapped into one shiny, magical ball of a story and it’s just lovely.

Last, but not least, because the Matter of Britain can never be least of anything, is “The Sword and the Stone”, a much different story than The Sword in the Stone that you may remember from either the novel by T.H. White (part of The Once and Future King), or the Disney movie or even the episode of the British TV series Merlin. For an inanimate object, Excalibur sure does manage to get around.

This version of the tale is told from Merlin’s point of view, and he’s getting pretty jaded at this point in his long life of meddling with Britain. Arthur himself is also a bit older in this version than the more traditional versions of the tale. While he’s trying his best, he’s clearly better, and happier, at some things than others. To the point where he’d much rather fight the wars than wrangle the peace that he needs to secure and maintain. Merlin cooks up the idea of the sword in the stone to give Arthur’s rule the final stamp of popularity and legitimacy it needs. Arthur thinks it’s all mummery, magic and cheating, which it most definitely is. Until it isn’t.

Which makes the ending just that bit more magical.

Escape Rating A-: Like most collections, the stories are a bit all over the map. I adored a couple, liked quite a few more, and a small number just missed the mark for me in one way or another – as the above descriptions show. But overall I’m very glad I picked this up, and enjoyed the ways that it played with romances of many types and stripes and definitions. That “love is all there is is all we know of love” doesn’t have to mean that all loves are exactly the same type.

The author has published three previous collections in a similar vein to this one, not necessarily romances but rather whole entire circuses of fractured and reinterpreted fairy tales like How to Fracture a Fairy Tale, The Midnight Circus and The Emerald Circus. I’m sure I’ll be visiting those circuses the next time I’m looking for familiar tales with just a bit of a twist in their tails.

Review: Never Too Old to Save the World edited by Addie J. King and Alana Joli Abbott

Review: Never Too Old to Save the World edited by Addie J. King and Alana Joli AbbottNever Too Old to Save the World: A Midlife Calling Anthology by Alana Joli Abbott, Addie J. King
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, science fiction, short stories, urban fantasy
Pages: 318
Published by Outland Entertainment on February 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Once every generation there is a Chosen One, who will stand between humanity and darkness.
But why is the Chosen One so often a teenager? Why do only children get swept through portals to save the fantastic world on the other side? Whose idea was it to put the fate of the world in the hands of someone without a fully developed prefrontal cortex?
In Never Too Old to Save the World, nineteen authors explore what would happen if the Chosen One were called midlife. What would happen if the Chosen One were:
a soccer moma cat ladya nosy grandmothera social workera retireean aging swordmaster?
The Chosen One could be anyone— because when the universe calls, the real question is whether the hero will take up the mantle and answer their midlife calling. Sometimes the world needs a hero who's already been in the thick of chaos and survived. In those cases, age does matter.

My Review:

What if you didn’t find a wardrobe to Narnia – or anywhere else – back when you were 8? And you didn’t get your Hogwarts letter at 11? And Gandalf didn’t even manage to come to take you on an adventure at 50?

Or perhaps, by the time Gandalf found you at 50, you thought you were too old to go on adventures – or – and much more likely –  had too many commitments in the so-called ‘real world’ to run off and leave your responsibilities behind? After all, Bilbo very nearly did.

That’s what this collection is about. It’s all about people who pick up the mantle of the ‘Chosen One’ in some fantasy or science fictional world who are explicitly not children or teens. Who are a bit too tied down – or a bit too wised up – to be the fool that rushes in where angels rightly fear to tread. Or so they think.

This collection is for everyone who missed that wardrobe or that letter and still wonders whether or not they’d have what it takes – or have the willingness to feel the fear and do it anyway – if a white wizard or a mad man with a blue box came calling for them.

There are 19 fabulous stories in this collection – and I think I loved every single one. To the point where I can’t just pick one favorite. I have to pick two.

My favorite fantasy story is “Jackalope Wives” by Ursula Vernon – who also writes marvelously fantastic fantasy and horror as T. Kingfisher. “Jackalope Wives” is the only story in the book that has been previously published, originally in Apex Magazine and later in her short story collection Jackalope Wives and Other Stories.

This is the story that won the 2014 Nebula Award for Best Short Story and should have won the 2015 Hugo Award in the same category. But, well, puppies. I digress and I need to stop to keep from going there again. Because ARRGGGHHH. Still.

“Jackalope Wives” is one of those stories that surprises the reader with a twist at the end that is even more heartbreaking, in its way, than the story you thought you were reading – which was already heartbreaking enough. Grandma Harken is absolutely correct that “You get over what you can’t have faster than you get over what you could.” But the truth of that statement doesn’t make the getting over any faster or any easier.

As a counterweight to the bitter, bitter sweetness of “Jackalope Wives”, my science fictional favorite story is “Launch Day Milkshakes” by Jim C. Hines, which is literally laugh out loud funny. To the point where I started laughing and couldn’t get a breath OR stop as my spouse looked over at me like I’d lost my mind because I could not catch enough breath to explain the joke.

At first, “Launch Day Milkshakes” is a story about absolutely deliciously getting one over on a misogynistic asshat boss in the biggest and best way possible. It’s also a brainship story in the vein of Anne McCaffrey’s classic, The Ship Who Sang. But that’s not all it is, and neither of those things were the parts that made me laugh so hard – no matter how much I enjoyed the asshat’s comeuppance. Which I very much did. I’m not going to spoil this one because it’s just so much fun when you get the joke – and see it get batted around like the universe’s biggest ball of yarn.

I know I said two favorites, but my third is kind of a riff on Buffy, meaning that there’s some urban fantasy in here as well. “Lean In: The Lord of Hell is Coming” by Ericka Kahler starts out with the local representative for the equivalent of the Watchers coming to a CEO to tell her that demons are coming to her city and that she’s the ‘Chosen One’ who is supposed to vanquish them. It’s not news to Mary Ann because she already has, just not in the way that heaven expected or that hell can ever manage to fight. I think this one is funnier the longer you think about it.

Of the rest of the collection, there are considerably more fantasy stories than SF as fantasy does tend to lend itself more to ‘chosen one’ narratives. Not that there haven’t been more than a few famous SF stories in this vein (I’m looking at you, Luke Skywalker – ahem). But magical appointments, by their very nature, do find themselves a bit more comfy – while their protagonists are generally quite uncomfy – in fantasy.

Because I loved this collection so hard, I can’t resist a brief shout out to every single one of the stories in it. The SF stories are listed first because there were fewer of them and because I’m contrary that way.

  • “The M.A.M.I. Incident” by Guadalupe Garcia McCall reminded me a whole lot of Day Zero by Robert C. Cargill which makes for a great but uncomfortable story.
  • “Utopia” by Vaseem Khan about making a friend out of a very great enemy.
  • “All the World’s Treasures” by Kimberly Pauley about a family legacy that is just so much bigger on the inside than it first appears.
  • “Big Momma Saves the World” by Maurice Broaddus about the great power in bad macaroni and cheese.
  • “A Legacy of Ghosts” by Sarah Hans about exorcizing one’s very own demon family with the power of positive thinking.
  • “Adya and the Messengers” by Jaymie Wagner about the proper treatment of heavenly messengers and their steeds.
  • “Soccer Mom Saves the World” by Addie J. King, a story whose title does pretty much say it all.
  • “My Roots Run Deep” by John F. Allen about a social worker saving the multiverse and getting her groove back at the same time.
  • “It’s My Nature – A ‘Monster Hunter Mom’ Adventure” by JD Blackrose, another one whose title gives more than a bit of a clue about the story.
  • “Truthteller” by Linda Robertson, a historical fantasy about an object of power that isn’t quite what any of the parties seeking it imagined.
  • “Granny” by R.J. Sullivan about a neighborhood snoop who is way more than she seems.
  • “The Sunspear” by Alexandra Pitchford, about a young woman who believes she has a destiny and a middle aged woman who is running from hers.
  • “Once a Queen” by Alana Joli Abbott, a Narnia-like story with a much better ending.
  • “By the Works of Her Hands” by LaShawn M. Wanak, another Narnia-type story where the portal opens as a lure to pull the right person in chasing after the young fool who rushes in believing that they are ‘the one’ when they’re just bait for their mother.
  • “Strange Wings” by Kathryn Ivey about a warning that comes nearly too late.
  • And last in both the collection and this list: “The Mountain Witch” by Lucy A. Snyder about the uses to which both heroes and villains are put when they are both female.

Escape Rating A+: I don’t normally list every single story in a collection like this, but this collection frequently got me in the feels and gave me something to identify with in just about every story. Sometimes we all need that reminder that age is just a number and that everyone has it in them to save, if not the world, at least their corner of it.

I’m also still hoping against hope that Gandalf will finally get the hint!

 

Review: The Unbalancing by R.B. Lemberg

Review: The Unbalancing by R.B. LembergThe Unbalancing by R.B. Lemberg
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy
Series: Birdverse
Pages: 241
Published by Tachyon Publications on September 20, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this first full-length novel from the acclaimed Birdverse, new love blossoms between an impatient starkeeper and a reclusive poet as they try together to save their island home. Nebula, Locus, and Ignyte finalist R. B. Lemberg (The Four Profound Weaves) has crafted a gorgeous tale of the inevitable transformations of communities and their worlds. The Unbalancing is rooted in the mystical cosmology, neurodiversity, and queerness that infuses Lemberg’s lyrical prose, which has invited glowing comparisons to N. K. Jemisin, Patricia A. McKillip, and Ursula K. LeGuin.
Beneath the waters by the islands of Gelle-Geu, a star sleeps restlessly. The celebrated new starkeeper Ranra Kekeri, who is preoccupied by the increasing tremors, confronts the problems left behind by her predecessor.
Meanwhile, the poet Erígra Lilún, who merely wants to be left alone, is repeatedly asked by their ancestor Semberi to take over the starkeeping helm. Semberi insists upon telling Lilun mysterious tales of the deliverance of the stars by the goddess Bird.
When Ranra and Lilun meet, sparks begin to fly. An unforeseen configuration of their magical deepnames illuminates the trouble under the tides. For Ranra and Lilun, their story is just beginning; for the people of Gelle-Geu, it may well be too late to save their home

My Review:

My first introduction to the Birdverse was in The Four Profound Weaves. At the time I said it had the feel and sense of a myth in the making. The Unbalancing while telling a much different story, has the sense of a myth or legend being broken and remade, as the poet Erigra Lilun and the new starkeeper Ranra Kekeri are the ones left holding the very large and torn bag, so to speak, when the most heartbreaking chapter of this world’s origin story comes home, not to roost but to destroy, on their beloved home islands of Gelle-Geu.

The island confederation of Gelle-Gau has experienced regular earthquakes during its nearly 1,000 year history. Because one of the 12 stars that are part of this world’s creation myth – which is no myth in the Birdverse – rests uneasily in the ocean between the islands. Whenever the star gets restless there’s a tremor. In recent years those tremblers have been getting bigger, longer and more frequent.

There’s clearly something wrong, and it’s getting wrong-er all the time. The last starkeeper, the person whose duty it is to monitor the health of the submerged star, didn’t want to know. Or knew too much and wallowed in despair rather than searching for a solution.

Whatever is upsetting their star is going to result in an extinction level event for the islands. And it’s already too late for their beloved Gelle-Gau. The question before the new starkeeper and the shy, withdrawn poet who perhaps should have been starkeeper years ago is whether or not it is too late for their people.

And whether they will have time for a new beginning for themselves.

Escape Rating A: I enjoyed my introduction to the Birdverse in The Four Profound Weaves and The Unbalancing was even better. Weaves was lovely but it was a bit of a quieter story in its way, while The Unbalancing is considerably more dramatic and dynamic by the very nature of the crisis it must contend with.

The world, at least as far as the islands of Gelle-Gau are concerned, is ending. Attempting to hold back that literal tide pretty much guarantees a fast-paced story filled with high stakes, epic conflicts and nearly crushing lows and blows.

At the same time, it contains a beautiful story of opposites not only attracting but discovering that they belong together and need each other – not just to overcome the disaster that has crashed into their budding romance – but because they are both unbalanced, just as their star is, and they need each other to bring balance to their lives, their hearts, and ultimately their people.

This is also very much a coming of age or coming into maturity or simply a coming into self knowledge story. Ranra, the starkeeper has always known who and what she is in all her prickly, sometimes overbearing, always pushing forward self.

Lilún, very much on the other hand, is cripplingly shy, and so uncertain of their own nature or their place in the world to the point where they almost completely isolate themself. Lilún’s part of The Unbalancing is to finally figure out who they are in relation to their wider world. Because initially the only thing about themselves that they are certain of is that they are a gardener and tender of trees.

(Even their name evokes that identity. The name Lilún is reminiscent of “lulav”, one of the four plants that epitomize the Jewish harvest holiday Sukkot. Among the other plants is the etrog citron, which is abundant on Gelle-Gau to the point that it is used as the basis for a cool citrus drink similar to lemonade.)

What gives this story its oomph – and lots of it – is the race to heal the star and save the islands. That the effort fails seems like it would be one hell of a downer – but it’s not. What makes the story rise in the end is the acknowledgement that the land, though beautiful, is not important. It’s the people that made the islands, and they’ll find a new place that they will make just as beautiful and fruitful, because they are bringing both the heart of Gelle-Gau and the heart of their beleaguered star along with them.

The more I read of the Birdverse, the more fascinated I become with this fantastic and fantastical place. The story in The Unbalancing is complete in and of itself, but it hints at depths that I found myself wishing I knew better. In other words, I loved it AND I wanted more. And I found it in Geometries of Belonging: Stories & Poems from the Birdverse, a collection of many of the foundational stories of this marvelous place. I’m looking forward to diving in and learning that MORE – and soon!

Review: The Skeleton Key by Erin Kelly

Review: The Skeleton Key by Erin KellyThe Skeleton Key by Erin Kelly
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook
Genres: Gothic, mystery, suspense, thriller
Pages: 512
Published by Mobius on January 24, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A reunion leads to tragedy, and the unravelling of dark family secrets . . .
It is the summer of 2021 and Nell has come home at her family's insistence to celebrate an anniversary. Her father, Sir Frank Churcher, is regarded as a cult figure by many. Fifty years ago he wrote The Golden Bones. Part picture book, part treasure hunt, it was a fairy story about Elinore, a murdered woman whose skeleton was scattered all over England. Clues and puzzles in the pages of TheGolden Bones led readers to seven sites were jewels were buried - gold and precious stones, each a different part of a skeleton. One by one, the tiny golden bones were dug up until only Elinore's pelvis remained hidden. The book was a sensation. A community of treasure hunters called the Bonehunters formed, in frenzied competition, obsessed to a dangerous degree. People sold their homes to travel to England and search for Elinore. Marriages broke down as the quest consumed people. A man died. The book made Frank a rich man. And it ruined Nell's life.
But Sir Frank has reunited the Churchers for a very particular reason. The book is being reissued, along with a new treasure hunt and a documentary crew are charting the anniversary. Nell is appalled, and fearful. During the filming, Frank finally reveals the whereabouts of the missing golden bone. And then all hell breaks loose.
From the bestselling author of He Said/She Said and Watch Her Fall, this is a taut, mesmerising novel about a daughter haunted by her father's legacy . . .

My Review:

“Oh what a tangled web we weave, when first we practice to deceive,’ is already deceptive – as it turns out are ALL the members of the combined, misaligned, co-dependent Churcher and Lally families.

The saying is deceptive because it sounds so much like Shakespeare – but it isn’t. It’s a quote from Sir Walter Scott’s Marmion that is OFTEN attributed to the Bard. The many, many interwoven deceptions of the Churcher and Lally families are a whole lot more intertwined – and that much more difficult to untangle.

The Skeleton Key begins in the summer of 2021, just barely post-pandemic – or at least post the pandemic lockdowns, which adds a whole ‘other layer to pretty much everything. Frank Churcher, now in his 70s and starting to feel his age, has decided to have one last hurrah over the thing that made him famous 50 years ago and is still wrecking the lives of his entire family – even as it made their privileged lifestyle possible.

Frank, now Sir Frank, created an armchair treasure hunt puzzle phenomenon combining creepy, Celtic myths and a touch of the Greek myth of Orpheus and Eurydice with gorgeous imagery into a book titled The Golden Bones. It wasn’t just a best-seller, it became a worldwide obsession. An obsession that some people still haven’t gotten over.

One of those people is his daughter Nell. Not that she was obsessed with The Golden Bones, but that more than a few of the fanatics who called themselves Bonehunters conflated the woman in the story, Elinor, with Frank’s daughter Eleanor and stalked her. With knives.

The prize of The Golden Bones was a literal set of golden bones which were worth lots of money to motivated – or crazed – Bonehunters. By the time Eleanor was 15, all the bones had been found except one – the pelvic girdle. As obsessions and conspiracy theories went, the idea that Eleanor’s pelvic bone was actually Elinor’s pelvic bone wasn’t that far a stretch. At least not for someone who had lost touch with reality.

Eleanor, who is now reaching middle age, left her family behind with all its messiness – including Frank Churcher’s massive ego. She still sees them, but she’s steadfastly refused any money or help no matter how much she might need it. She owns a narrowboat and lives on England’s waterways with a surrogate daughter she’d adopt if she could. Her living situation can sometimes be a bit dicey but it’s safer away from her family’s mess and the media spotlight that seldom leaves them alone for long.

But the 50th Anniversary celebration of The Golden Bones brings Nell back home – if only for the celebration itself. Frank was supposed to retrieve that last piece of the original skeleton from a tree behind the house. He does uncover a pelvic girdle, but not the tiny jeweled piece that was part of the original prize skeleton. What comes out of that tree hollow is a real human pelvis from a long-dead woman who is about to unravel all the secrets that everyone has been keeping for more than 50 years.

Those revelations and the events that precede them will melt the thin ice of Nell’s precarious safety. She’s never really been safe. She just didn’t know how unstable the web of lies that kept her family afloat truly was.

Escape Rating A: It’s all too easy to comprehend the obsessions of the ‘Bonehunters’ while reading The Skeleton Key, because the complex, twisted nature of the puzzle – and the people at its heart – sinks its teeth into the reader and does not let go until the end.

Two things to start. First, the concept of The Golden Bones may sound vaguely familiar – and that’s intentional on the part of the author and acknowledged at the beginning. There was a real, worldwide craze for armchair treasure hunt books in the 1980s, kicked off by the publication of the massively illustrated puzzle/story book Masquerade by Kit Williams in 1979. Plenty of people got obsessed with Masquerade and the imitations that followed in its wake, and there was a scandal around the solution to the puzzle. Not a murderous scandal, but a scandal nevertheless.

Second thing is that even from the beginning of the story, it’s pretty obvious that there are multiples of things wrong in this semi-combined, utterly co-dependent, joined at the hip double household. It’s tempting to say that the family is a hot mess, but even from the initial glimpses we get into the family dynamic it’s all too clear that a hot mess would actually be a step up. The Churchers and the Lallys are not putting the fun in dysfunctional, but there’s plenty of dysfunction to go around.

We see this family through Nell’s adult eyes as she observes these people she knows, loves and even sometimes hates through a perspective that is not exactly that of an outsider but still has more than a bit of distance. They may not recognize that the family is not healthy, but she knows that living in their midst is not healthy for her and never has been. That her parents named her after the dead woman in their famous story and never even thought that it might inspire the crazies is just the tip of a very ugly iceberg of parents behaving very badly indeed.

Because, as we see the incidents in the past that brought them all to this mixed-up present, the center point of the family is Frank Churcher and his ego – and he’s never cared or taken care of anyone but himself. Everyone else just enables him and lives off the proceeds – whether they see it or not.

And what Frank is, at the center of that massive ego, is rotten to the core. And that his rot has seeped into all of them. The best thing Nell ever did was to walk away. And it’s the best thing she can do now, too. Even if she has to let herself be smeared with just a little bit of that rot to escape from the rest.

While it is easy – and cathartic and filled with oodles of schadenfreude – to get caught up in The Skeleton Key for its story of rich people behaving very badly indeed, what made it fascinating for this reader was the way that the story wove backwards and forwards in time to reveal that everything that existed between all of them was founded on a web of lies that burned away once the truths started coming out – leaving them all blinking in the light of an unforgiving new day.

Just as I sat blinking when I turned the last page, because WOW! what a ride!

Review: The Cat Who Saved Books by Sosuke Natsukawa

Review: The Cat Who Saved Books by Sosuke NatsukawaThe Cat Who Saved Books by Sōsuke Natsukawa, Louise Heal Kawai
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: books and reading, coming of age, fantasy, magical realism
Pages: 198
Published by HarperVia on December 7, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A celebration of books, cats, and the people who love them, infused with the heartwarming spirit of The Guest Cat and The Travelling Cat Chronicles.
Bookish high school student Rintaro Natsuki is about to close the secondhand bookstore he inherited from his beloved bookworm grandfather. Then, a talking cat named Tiger appears with an unusual request. The feline asks for—or rather, demands—the teenager’s help in saving books with him. The world is full of lonely books left unread and unloved, and Tiger and Rintaro must liberate them from their neglectful owners. 
Their mission sends this odd couple on an amazing journey, where they enter different mazes to set books free. Through their travels, Tiger and Rintaro meet a man who leaves his books to perish on a bookshelf, an unwitting book torturer who cuts the pages of books into snippets to help people speed read, and a publishing drone who only wants to create bestsellers. Their adventures culminate in one final, unforgettable challenge—the last maze that awaits leads Rintaro down a realm only the bravest dare enter...

My Review:

When we first meet Rintaro Natsuki, he has come to a fork in his road, at the point where he’s going to have to take it whether he wants to or not. He’s just been orphaned for the second time. When his parents died, he was still a child, and packed off to his grandfather without any choice or protest on his part.

At his grandfather’s death, Rintaro is in high school, even if he skips class a lot. He’s old enough to have a voice in his future – if he can come to terms with the reality of his loss. And if he can manage to reach out of his own social isolation to take it.

His legacy from his grandfather is a beautiful, marvelous and just barely profitable second-hand bookstore. A place that Rintaro has no desire to leave, but he seems to have no option to stay. At least not until the talking cat Tiger the Tabby swaggers out of the back of the bookstore and demands that Rintaro come with him on a journey to save books.

Rintaro loves books and reading. He also has nothing better to do and no motivation to do it. So he follows the cat through the suddenly endless book stacks and emerges into a labyrinth of wonder and danger. He’ll need not just courage and a bit of cunning, but every single drop of his love of reading to save the endangered books – and himself along the way.

Escape Rating A-: I picked this one up for the cat and the books, in that order. Which reminds me that the cat pictured on the US cover does not do Tiger the Tabby justice. The UK cover (pictured at left) does a much better job of giving Tiger his due.

But the story, of course, isn’t really about the cat. It is, however, at least in part about the way that cats – or any companion animals – can save us even from ourselves if we just let them. And the way that books and reading can give us time and space and tools to save ourselves if we let them into our minds just as the cats do when we let them into our hearts.

It’s also a bit of magical realism that leads into a very modern type of fairy tale. Tiger leads Rintaro into a series of labyrinths where books and reading are under assault in the guise of the love of books combined with bowing and scraping to market pressures and other distractions of modern life to save books by means that will, in the end, destroy them.

I think the story does conflate the love of the container – the physical book – with the love of what it contains and the experience of reading. I’m a bit concerned about that as I’m mostly an ebook reader because the genres I read are not widely represented in large print. If I were confined to the physical artifact I’d miss out on the thing I really want out of reading – the immersion in the story that the physical AND the electronic article contain and present for my enjoyment.

I digress just a bit.

What makes The Cat Who Saved Books such a lovely little read, however, is the totality of Rintaro’s journey. Not just the thoughtfully scary labyrinths where books go to die in the name of loving them, but Rintaro’s first steps on that path to adulthood. Because the story is about Rintaro’s chance to choose his life. To stay a socially withdrawn hikikomori, always dependent on someone else to deal with the world he has retreated from, or to take up the reins of the bookstore and his own life and learn to stand on his own. And that’s the part of the story that grabs the heart in its sharp, feline claws.

Because this is a book about books and reading, I can’t resist leaving this review without including a couple of readalikes. Any reader of Terry Pratchett’s Discworld will recognize that the way the back of the bookstore opens into endless shelves means that the store connects to ‘L’ space, the liminal place where all great libraries connect. The Discworld is not at all like The Cat Who Saved Books but that love of reading certainly exists in both places. The Girl Who Reads on the Métro by Christine Féret-Fleury is another lovely story about someone looking for a purpose who finds it in books and reading and loving them and the people she associates with them. And last but not least, more in tone than in specific, “All the World’s Treasures” by Kimberly Pauley, included in Never Too Old to Save the World, a story about a young woman inheriting a shop from her grandmother and discovering that there are connections to more places and infinitely more treasures than she ever imagined.

Review: Breaking the Circle by M. J. Trow

Review: Breaking the Circle by M. J. TrowBreaking the Circle (Margaret Murray, #2) by M.J. Trow
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery, mystery
Series: Margaret Murray #2
Pages: 224
Published by Severn House on January 3, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Turn-of-the-century archaeologist-sleuth Margaret Murray returns for the second in her captivating historical mystery series.

'Famous Sensitive Found Dead. Police Baffled.'

May, 1905. When one medium turns up dead, the police assume it is a robbery gone wrong, but when another is found obviously murdered, it's clear there's a killer on the loose!

Dr Margaret Murray, accomplished archaeologist and occasional sleuth, calls upon her police connections to investigate; who wants to see the mediums of London dead? Known for her sharp mind and quick wit, Margaret decides to infiltrate one of the spiritualist circles to narrow down the list of suspects.

Her tactics seem to be working as she accidentally puts herself in the sights of the murderer. Unperturbed, Margaret sets an elaborate trap to uncover the culprit - but can she untangle the trail of clues before she too, passes beyond the veil?

My Review:

While the victims of this particular murder spree may be a bit more “out there” in terms of their belief in spiritualism, Margaret Murray’s participation in the investigation isn’t quite as far-fetched here as it was in her first outing, Four Thousand Days.

In that first book it seemed like Murray and her colleagues came together to solve the mystery by a combination of friendship, happenstance and curiosity. This time, while it’s the same band of amateur and professional detectives, the investigation begins deliberately – if still a bit haphazardly. (How the band first got together may be a bit haphazard but their investigation is NOT.)

A woman is dead, having drowned in her mulligatawny soup. It could have been natural causes, but that doesn’t explain what an entire blackbird’s feather was doing in her mouth when she was found. Chicken may be a source of protein for the dish, but blackbird most definitely is not. Nor would it place a whole feather in the mouth AFTER the victim’s death.

But that victim was no one important, and the police seem to have wanted an easy solution. That she was a practicing – if quite possibly fraudulent – spirit medium made the whole thing just that much more distasteful. The inquest ruled the death as natural causes and closed the door on it.

At least until a second spirit medium turned up dead, this time poisoned with cyanide, with the Tarot card of The Hanged Man crushed in the victim’s hand.

That reopens the official case, and brings Detective Sergeant Andrew Crawford and retired Inspector Edmund Reid back to Professor Margaret Murray’s door – which has moved to the Flinders Petrie Museum at University College (now the Petrie Museum of Egyptian Archaeology) in the five years since their previous case. (That gap in time means that you don’t REALLY need to read the first book first, but if this one sounds like your jam it’s every bit as good!)

It’s looking like a serial killer is stalking psychics in London. And yes, someone does make the obvious joke that they should have seen it coming. Setting that witticism aside, Crawford has a bit of a problem. He needs an insider to learn if there were tensions among the various sensitive circles that might have led to murder. But that community skews overwhelmingly female, especially among the active participants. He needs a woman to infiltrate that community, but there were, as yet, no women in the police. (WPCs didn’t begin serving until after WW1)

And that’s where Margaret comes directly into his case, literally, posing as a psychic and getting an inside look at the circle where the first victim was a member. The police are still searching for a motive for the killings when the killer turns from poison to blunt force trauma, killing one woman by beating her to death with her own crystal ball.

Now Margaret is in the thick of it. All she’ll need to do is hatch an out-of-the-box scheme to catch the killer without putting herself into a box – or a coffin.

Escape Rating A-: What makes this series work, at least for this reader, is the voice of its protagonist Dr. Margaret Murray. Not just because she was a real person – as were both Flinders Petrie and Edmund Reid, but because she led the kind of life, had the type of career, and left behind the writing to make the adventures that her fictional avatar gets herself into seem not just plausible but even possible.

On the page she may seem like a voice from the 21st century, but there is more than enough evidence that she was a woman of her own time with the kind of history and personality that makes her easy to identify with now. She was a feminist before it was ‘cool’, and then not so cool, and then cool again, and not again and left behind the body of work to prove it.

Which makes her dry wit and trenchant observations on being a professional woman in a man’s world all that much more fascinating as well as both rueful and even funny although they all too frequently still ring true.

The mystery that Murray is in the middle of is more than a bit ‘out there’ and not just because the victims are into looking ‘behind the veil’ and other euphemisms for attempting to speak to the dead. Even if the professionals among them are mostly fleecing people by attempting to speak to the dead. Some of the practitioners and their adherents really do believe – whether we do or not.

The whole case is a fascinating puzzle, all the more so because it takes place at the dawn of modern forensics. Fingerprints are just being accepted as valid evidence, and photography of crime scenes is just beginning to come into its own.

Most of the investigation of this crime involves human factors rather than early 20th century technology, but we also see a bit of the human factors from the police perspective as well. The initial reluctance to take up the case because of the victim’s profession being a case in point.

Howsomever, it’s Margaret Murray that we follow, and she’s just fascinating in an understated and dry-witted way. She’s looking into the people, both the spiritualists and the victims, to see where there might be means, motive and opportunity for murder. That she discovers she’s been barking up the wrong tree but still manages to right herself in the end gives the mystery the twist that it needs to ramp the tension up and to bring it back down to its justified conclusion.

She’s also creating a rather eclectic group of colleagues around herself. Not just Crawford and Reid, both policemen by trade and training, but also Thomas the proprietor of the local cafe – and reformed thief, and Dr. William Flinders Petrie himself, who was her real-life mentor but is also her lover. (Whether that last bit is also history or just fictional we may never know).

But I’m reading this series for Dr. Margaret Murray. I had a fantastic time with her in Breaking the Circle – every bit as much as I did in the first book in her series, and hope that she has as long a career as an amateur detective as she did in real life!

Review: Courting Dragons by Jeri Westerson

Review: Courting Dragons by Jeri WestersonCourting Dragons (A King's Fool mystery, 1) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery
Series: King's Fool #1
Pages: 224
Published by Severn House on Publication date January 3, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Introducing Will Somers, the king's jester but nobody's fool in this exuberant, intriguing and thoroughly entertaining mystery set in Tudor England – the first in a new series from the author of the critically acclaimed Crispin Guest Medieval Noir series.

1529, London. Jester Will Somers enjoys an enviable position at the court of Henry VIII. As the king's entertainer, chief gossip-monger, spy and loyal adviser, he knows all of the king's secrets – and almost everyone else's within the walls of Greenwich Palace.

But when Will discovers the body of Spanish count Don Gonzalo while walking his trusted sidekick Nosewise in the courtyard gardens, and a blackmail note arrives soon after demanding information about the king, is one of his own closely guarded secrets about to be exposed? Trouble is afoot at the palace. Are the king's enemies plotting a move against him? Will must draw on all his wit and ingenuity to get to the bottom of the treacherous and deadly goings-on at the court before further tragedy strikes . . .

My Review:

Henry VIII was always a towering, larger-than-life figure, even before he became the obese caricature of himself that has become the popular image of him. Just as he loomed large over the life of his court and everyone in it, so too he dominates this historical mystery told from, not Henry’s point of view, but through the eyes of his fool, or court jester, William Somers.

Who was every bit as real a person – whether or not he resembles the character in this story – as the king he served.

If you remember the old doggerel, “Divorced, beheaded, died. Divorced, beheaded, survived” as a way of tracking Henry VIII’s six wives, this story takes place in 1529, in the midst of the long and ultimately futile negotiations between Henry and Pope Clement VII in regards to that first divorce, sometimes referred to as the King’s Great Matter.

Which it most certainly was.

So the court is in ferment, divided between the rapidly waning star of the old queen, Catherine of Aragon, and the woman who will be the next queen, Anne Boleyn. Tension is everywhere among the usual cutthroat jockeying for favor and position that was always an integral part of serving in the King’s court.

Will Somers, the king’s fool, has been among Henry’s closest companions since he had arrived in court several years before. Somers was the one person who could, by the very nature of his position, go anywhere, talk to anyone, walk in and out of the King’s apartments, and generally do as he pleased as long as he was always available when the King called for him.

Somers is perfectly placed to find himself in the role of amateur detective when that metaphorically cutthroat jockeying results in the actual cut throat of one of the Spanish ambassador’s attendants.

That the bisexual Somers had spent the previous night with the dead man only adds to his distress. Someone he genuinely cared for is dead, and a thorough investigation could discover Will’s own clandestine behavior. He wants justice – and he needs to protect himself.

In the midst of the King’s Great Matter, with the Spanish on one side and his King on the other, the crime could also have political implications. Somers will have to tread carefully, but still poke his, or his dog’s, nose into every nook and cranny to find the killer – even while that killer is stalking him and those he holds dear.

The Family of Henry VIII (c. 1545), unknown artist. Left to right: ‘Mother Jak’, Lady Mary, Prince Edward, Henry VIII, Jane Seymour (posthumous), Lady Elizabeth and Will Somers. Oil on canvas, 141 x 355 cm. Hampton Court Palace, East Molesey, Surrey

Escape Rating A-: Hybrid genres like historical mystery have to achieve a balance between the two genres being blended. In the case of historical mystery that means that the historical setting has to feel authentic and the mystery has to be puzzling and fit the conventions for solving the crime that has taken place.

Courting Dragons is one of those historical mysteries where the reader is dropped right into the historical period from the first page, and where the history that wraps around it is integral to the plot – even though it can’t change any of the known historical facts. (For anyone who remembers the movie or the play, Anne of the Thousand Days, Courting Dragons read a LOT like returning to that setting and characters.)

So one of the reasons that I loved Courting Dragons was because I saw that movie in 1969 – I was twelve – and fell in love with the entire Tudor Period, warts and all. Going back was a delight. Howsomever, I read a lot in the period after I saw the movie and was familiar with the historical background.

Courting Dragons read like that balance between the history and the mystery was weighted towards the history, to the point where unless you are either familiar with the period, or enjoy learning a surprising amount of detail about a period with which you are not well acquainted, you need to be aware that the historical setting and tensions of Courting Dragons dominate the mystery. As I said, I loved it but your reading mileage may vary.

It does take a while for the mystery to get itself going, because there is just so much to learn and explore about life at court and Will’s circumstances within it. Which are fascinating but may not be what you read mysteries for.

There was one bit of the story that niggled more than a bit. It doesn’t feel inaccurate, but it was jarring to a 21st century reader all the same. And that involves Will’s relationship with the king. On the one hand, Will is utterly financially dependent on his work. He has a relatively high place for someone of low birth, but it can be snatched away at any time – and so can his life. He is the one person who can tell the king “No” and not get killed for it. He can needle the king about matters, such as his divorce, that the king doesn’t want to hear contradicted in any way. But he has to be careful of how much and how far he goes all the time. Very much on the other hand, in the book it is clear that Will is the king’s man through and through, and actually loves him in a way that seems a lot like the way that Sam Gamgee looked up to Frodo in The Lord of the Rings. Or the way that slavery proponents claimed that slaves felt about their slavemasters. It may be the way things actually were, but it still disconcerts.

So, if you like your historical mystery to dive deeply into the historical milieu in which it is set – or if you are just plain fascinated with the Tudors, Courting Dragons is a terrific mix of royal history and rotten murder. Will Somers, and his master Henry VIII, will be back in The Lioness Stumbles, hopefully this time next year!

Review: Shenanigans by Mercedes Lackey

Review: Shenanigans by Mercedes LackeyShenanigans (Tales of Valdemar, #16) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, epic fantasy, fantasy
Series: Tales of Valdemar #16, Valdemar (Publication order) #55
Pages: 336
Published by DAW Books on December 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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This sixteenth anthology of short stories set in the beloved Valdemar universe features tales by debut and established authors and a brand-new story from Lackey herself.
The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages--and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents--combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more--make them indispensable to their monarch and realm. Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.

My Review:

Last week’s Into the West – and Beyond before it – focused on the very serious adventure of the Founding of Valdemar. Kordas Valdemar and Company’s epic journey gave series fans a much better idea of just how much blood, sweat and tears went into the creation of the place that we all love. But that’s certainly not all there is to Valdemar.

Shenanigans, the sixteenth book in the Tales of Valdemar subseries (after last year’s Boundaries), presents series readers with a treat of a present for this holiday season, as the stories within are exactly what the title names them – shenanigans.

While there’s a bit of derring-do, Shenanigans is a collection of marvelous, funny and often marvelously funny stories set in all the periods of Valdemar history among all of the many peoples and creatures that make the place so much fun to read about for so many glorious years.

In spite of the blurb, most of the stories in Shenanigans do not revolve around the Companions and their Chosen. Some do, of course, or it wouldn’t be a Valdemar collection, but quite a few of the shenanigans in the collection thereof are more slice of life stories, and there are a fair number that feature people with telepathic “gifts” that are not Chosen and may not even wish to be.

Of course, there are also several stories set among the students of the Collegium, because, well, students and pranking make for a fun story no matter what world they’re set in.

Which leads to my two favorite stories in the collection, “Pranks for the Memories” by Dee Shull and “Fool’s Week” by Anthea Sharp. The stories are similar, but they are still both excellent. It’s spring. The students are restless. (Probably every teacher everywhere is nodding their head at THAT idea). In “Pranks” one student mentions a family tradition of a week of pranking. In “Fool’s Week”, someone remembers that there used to be a traditional “fool’s week” at the Collegium until the practice, not unsurprisingly, got out of hand.

It’s suddenly in hand again, to the point where even the teachers are participating. And it’s hilarious!

The other standouts – at least for this reader – come in pairs. “All Around the Bell Tower” by Stephanie Shaver and “A Bouquet of Gifts, or The Culinary Adventures of Rork” by Michele Lang. Both are stories about young girls who have gifts that the people around them can’t quite identify – and that give them each more than a few problems. What each child needs is someone to both listen and understand. The story in “Bell Tower” is a bit more traditional Valdemar in that it’s her Companion that finally brings help in the persons of both themself and their accompanying Heralds. In “A Bouquet of Gifts” we get a much fuller than usual portrait of the helpful hertasi as Rork the chef, as he sets up a feast for a returning friend, also makes a new one – along with a menagerie of mischievously ‘helpful’ creatures and animals.

We saw a lot of the hertasi in Into the West and it’s lovely to see them again here.

And then there are the two stories that include both romance and adventure in equal measure – if on nearly opposite ends of the socioeconomic strata. “A Cry of Hounds” by Elisabeth Waters and “One Trick Pony” by Diana Paxson. “Hounds” is set in the King’s Court of Valdemar. Lord Repulsive’s father is dead, and Lord Repulsive himself is trying to marry off his 12-year-old stepdaughter. In reality, he’s selling his 12-year-old stepdaughter and trying to keep the King from finding out that the child is only 12. Because he will not approve the marriage once he learns, and he will not be amused when he discovers the deception. And he is not. Lord Repulsive gets what’s coming to him with the help of his castoff brother, his sister-in-law and every dog she talks to with her AnimalSpeech. And he deserves every bit of it. (Lord Repulsive really is repulsive. It’s not his real name but “if the shoe fits” or in this case, more like “if the Foo shits”…)

Last but not least there’s, Diana Paxson’s “One Trick Pony”, which mixes a bit of the bittersweet memory of heartbreak and the horrors of war into its story about a man who has found peace after grief and war by gardening, and the way that peace is invaded by a woman who reopens his heart and a newly born Companion who is learning the limits of their own power one prank at a time.

Escape Rating B: After the necessary seriousness of Into the West, the mostly lighthearted tales of Shenanigans were an absolute delight. As with most collections, not every single story hits its mark, but more than enough of them to make Shenanigans a treat for Valdemar fans. Certainly something to tide us all over as we wait for Gryphon in Light, coming in June.

Review: Secrets Typed in Blood by Stephen Spotswood

Review: Secrets Typed in Blood by Stephen SpotswoodSecrets Typed in Blood: A Pentecost and Parker Mystery by Stephen Spotswood
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Pentecost and Parker #3
Pages: 384
Published by Doubleday Books on December 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


In the newest entry into the Nero Award-winning Parker & Pentecost Mystery series (my new favorite sleuthing duo-- Sarah Weinman, The New York Times Book Review), Lillian and Will are hot on the trail of a serial killer whose murders are stranger than fiction.

New York City, 1947: For years, Holly Quick has made a good living off of murder, filling up the pages of pulp detective magazines with gruesome tales of revenge. Now someone is bringing her stories to life and leaving a trail of blood-soaked bodies behind. With the threat of another murder looming, and reluctant to go to the police, Holly turns to the best crime-solving duo in or out of the pulps, Willowjean "Will" Parker and her boss, famed detective Lillian Pentecost.
The pair are handed the seemingly-impossible task of investigating three murders at once without tipping off the cops or the press that the crimes are connected. A tall order made even more difficult by the fact that Will is already signed up to spend her daylight hours undercover as a guileless secretary in the hopes of digging up a lead on an old adversary, Dr. Olivia Waterhouse.
But even if Will is stuck in pencil skirts and sensible shoes, she's not about to let her boss have all the fun. Soon she's diving into an underground world of people obsessed with murder and the men and women who commit them. Can the killer be found in the Black Museum Club, run by a philanthropist whose collection of grim murder memorabilia may not be enough to satisfy his lust for the homicidal? Or is it Holly Quick's pair of editors, who read about murder all day, but clearly aren't telling the full story?
With victims seemingly chosen at random and a murderer who thrives on spectacle, the case has the great Lillian Pentecost questioning her methods. But whatever she does, she'd better do it fast. Holly Quick has a secret, too and it's about to bring death right to Pentecost and Parker's doorstep.

My Review:

The first book in the Pentecost and Parker series, the utterly marvelous Fortune Favors the Dead, won the 2021 Nero Award for “the best American Mystery written in the tradition of Rex Stout’s Nero Wolfe stories.” And it’s probably the most on-the-nose recipient of the award since it was won by Murder in E Minor by Robert Goldsborough, which was an actual Wolfe story.

Why? Because Pentecost and Parker are very much in the style of Nero Wolfe and his right hand – and frequently leg-man Archie Goodwin, along right along with their shared East Coast brownstone setting.

One of the many eccentric things about Wolfe was that he endeavored to never leave the brownstone. Goodwin went everywhere for him, gathered all the clues and evidence at his boss’ behest, and then genius Wolfe put it all together.

Wolfe could leave the brownstone, he just very strongly preferred not to and was more than enough of a genius that he generally got his way.

Lillian Pentecost, on the other hand, probably shouldn’t leave her brownstone nearly as much as she does. She has multiple sclerosis, MS, and the progressive disease is progressing in fits and starts. She’s not going to get better and she knows it. The best she can do is hold it at bay, and one of the best ways to accomplish that is to reduce the stress in her life.

Something which she is utterly incapable of. What she attempts to do instead is send Willowjean Parker out and about as her right hand and leg woman, to bring those same clues and evidence back to her brownstone to help her put it all together.

And there’s more to put together in this case than Will Parker first has a handle on, starting with the client. On a case that Parker can’t even figure out why Ms. Pentecost took. Along with the reason her boss is willing to not just put up with but actually honor all the very strange and downright hamstringing conditions that said client wrapped around it.

Holly Quick writes crime stories. As those are just the kind of thing that Will Parker likes to read, it’s not a surprise that Parker has read quite a few of Quick’s stories, even if she didn’t know Quick was writing them.

In the 1940s, writing crime stories was not exactly a field open to women. (Rather like writing science fiction stories.) The pulp magazines of the time knew better than to present a whole bunch of blood and guts under a female byline. So they didn’t. In fact, Holly Quick wrote under a veritable plethora of pen names, both to disguise how much of a single issue was actually the product of a single pen, and to let readers believe that all those stories about evil lurking in the hearts of men were written by one.

But Holly Quick had a third reason for hiding her identity – one that Lillian Pentecost sees immediately but that Will Parker has not yet sussed out. And it’s that hidden reason that convinces Pentecost to take the case, and keeps her from keeping her partner as informed as she should be about what they are really investigating.

What they have is fascinating enough. Someone is taking Holly’s stories and re-enacting them as real murders. To paraphrase Ian Fleming, “Once is happenstance, twice is coincidence, three times is enemy action,” or in this case the pattern of a serial killer.

The question is whether Pentecost and Parker can figure out who is doing it without letting Holly Quick’s real secret out of its old and rather fraying bag. Or whether it’s already too late – whether for one, the other or both.

Escape Rating A-: Both of Pentecost and Parker’s previous cases, Fortune Favors the Dead and Murder Under Her Skin, have dealt rather explicitly with Parker’s past as an abused child who literally ran away and joined the circus. It’s the knife-throwing skills she learned there that saved Pentecost’s life and led to their partnership.

But by this point in Parker’s life, she is fully invested in her career with Pentecost as a licensed private detective. Which doesn’t mean that she doesn’t still suffer from impostor syndrome when Pentecost starts keeping secrets about the case from her. Because we view the story from inside Parker’s head, her discomfort and self-doubts become ours, and make the middle of the case a bit hard to read.

(I desperately wanted to be reassured that all would be well but didn’t want to spoil the ending. Fortunately, the worst of that bit didn’t last long and then it was off to the races – against death – again.)

What made this case interesting wasn’t the obvious case. The whole ‘life imitates art imitates life’ thing, where a serial killer recreates an author’s or an artist’s work through murder is not exactly a new face on the barroom floor. It’s been done before, and countless times at that. This was an interesting take on that trope, but not a unique one.

What was interesting was the case underneath the case, the reason why Lillian Pentecost took it in the first place. And that kept me guessing not just because Holly Quick’s secret was fascinating, but because of the way she dealt with her own life in keeping that secret. And the way that Lillian Pentecost was willing to help her keep it and what that hinted at in Pentecost’s own past.

So come for the mystery. Stay for the stresses and strains on this fascinating partnership. And try not to think too hard about their cook, Mrs. Campbell, and her preparation methods for haggis – which make the backyard look rather like a crime scene. All part of a day’s – or more likely several night’s – work for Pentecost and Parker.

It’s clear from the ending of Secrets Typed in Blood that there are plenty more cases on the horizon for this duo. And I can’t wait to read them.