Source: supplied by publisher via NetGalley

#BookReview: Grimm Curiosities by Sharon Lynn Fisher

Posted on by Marlene Harris | Author : | B- Reviews> book reviews
#BookReview: Grimm Curiosities by Sharon Lynn FisherGrimm Curiosities by Sharon Lynn Fisher
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: Gothic, historical fantasy, historical fiction, historical romance, holiday fiction, holiday romance, paranormal
Pages: 299
Published by 47North on November 5, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Bookshop.org, Better World Books
Goodreads

In Victorian England, a young woman inherits her father’s curiosity shop and all its ghostly secrets in a bewitching novel by the author of Salt & Broom.

It’s 1851 in old York. Lizzy Grimm struggles to save her late father’s charmingly creepy yet floundering antique shop, Grimm Curiosities. Then, during a particularly snowy December in this most haunted city in England, things turn…curiouser.

Lizzy meets Antony Carlisle, whose sister suffers from the same perplexing affliction as Lizzy’s mother—both stricken silent and unresponsive after speaking with ghosts. Working closely together to fathom what power has transformed their loved ones and why, Lizzy and Antony discover an important her father’s treasured set of rare books on ancient folktales, enchantments, and yuletide myths. Books that a persistent collector is awfully keen to purchase. Books Lizzy can’t bear to sell.

Every bewitching passage and illustration opens a doorway to something ancient and dangerously inviting. Keys to a mystery Lizzy and Antony are compelled to solve—even if doing so means unleashing one of this bright holiday’s darkest myths.

My Review:

To paraphrase a much more famous Victorian Christmas ghost story, Herbert Grimm was dead, to begin with.

And, while he has a chance to rectify his mistakes and failures from the afterlife, it’s a job that’s much too big for any number of spirits to handle in just one night.

It’s 1851 in cold, snowy, OLD York, and Lizzy Grimm has been doing her best to maintain the curiosity shop she inherited from her father – as well as somehow keep body and soul together for both herself and her mother.

The problem for Lizzy, the many, many problems for Lizzy, is that entirely too many of her father’s former customers and suppliers, both, are unwilling to deal with a woman, and her mother is ill and can’t help with the shop. Mrs. Grimm has disconnected completely from the world and can’t even help herself without supervision.

The rent is 10 weeks behind and getting more behind by the day, Lizzy can barely keep herself and her mother fed and prevent them from freezing to death in the winter cold. Christmas is less than two weeks away and, while business always improves BEFORE the holiday, it hasn’t improved enough to see them through the dearth of the bitter months after.

Which is the day when two men of considerably better means than Lizzy enter the shop and each present her with potential solutions to her woes. Collector Ambrose Stokes wants to purchase some mysterious books of myth and legend that her father set aside with a note not to sell. Antony Carlisle comes in seeking a present for his younger sister. A sister who is in the exact same walking somnambulance state as Lizzy’s mother.

It’s clear from the beginning that Stokes only wants to use her to get at something he covets badly and probably shouldn’t have. Meanwhile Carlisle is obviously searching for both help and friendship – even if he doesn’t recognize that the latter is only a small portion of what he seeks in Lizzy’s company.

Stokes can solve her immediate financial difficulties, while Carlisle is likely to only cause her heartbreak – even if that is far, far, from his intention.

Between them, they open up her world to the true legacy that her father intended to leave her. A legacy that holds the key to every question she’s ever asked, and every answer she never thought she’d need.

Escape Rating B-: I picked this up because it looked like it was just the kind of horror-adjacent story that I generally enjoy. And because it was set in York, the setting of one of my favorite historical mystery series. (If you’re curious about the York of four centuries before this story, check out the Owen Archer series of historical mysteries, beginning with The Apothecary Rose. Because if there is one thing that Lizzy Grimm is right about, it’s that York is absolutely rife with stories just waiting to be told!)

So I was expecting a bit more Halloween and got a whole lot of the Victorian Christmas season instead – mixed with a trip to Narnia and more than a soupçon of historical romance. Even though even a soupçon of actual soup is something that Lizzy has been forced to worry about a LOT.

Also, and I know this is a ‘me’ thing and may not be a ‘you’ thing, Lizzy’s straddle of the line between having agency as the protagonist while being a woman of her time was even more uncomfortable for me than it was for her – and it was plenty uncomfortable for her. It just wasn’t what I was in the mood for and your reading mileage may definitely vary.

What was absolutely fascinating was the way that the supernatural and paranormal crept into the story on ghostly feet, that the gift she thought had passed her by was doing its damndest to warn her that she was heading for her own damnation if she didn’t figure out what was going on on both sides of the actual, honest-to-supernatural, wardrobe before it was too late.

From the standpoint of this reader, it felt like this story had too many irons in its fire. Each of the individual parts had the potential to be a whole, fascinating story, from the ghostly visitations to the world inside the cabinet, to the myths and legends coming to life to the mystery of just who the collector was and what he was up to and last but not least to the class-barrier hopping romance between Carlisle and Lizzy with Carlisle’s overbearing father serving as second-villain.

There were a LOT of fascinating story parts trying to weave themselves into a whole cloth – but they didn’t quite manage it and/or there wasn’t enough book for them to manage in. It had the bones of a good story – but either not quite enough bones or not enough flesh for the story-creature it was meant to be.

A- #BookReview: Feuds edited by Mercedes Lackey

Posted on by Marlene Harris | Author : | book reviews
A- #BookReview: Feuds edited by Mercedes LackeyFeuds (Tales of Valdemar#18) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, epic fantasy, fantasy
Series: Tales of Valdemar #18, Valdemar (Publication order) #59
Pages: 368
Published by DAW on November 26, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

This 18th anthology of short stories set in the beloved Valdemar high fantasy universe features tales by debut and established authors and a brand-new story from Mercedes Lackey.

The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages—and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents—combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more—make them indispensable to their monarch and realm.

Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.

Join a variety of authors as they ride with Mercedes Lackey to the beloved land of Valdemar and experience the many facets of this storied high fantasy realm.

My (very long) Review:

The individual volumes in the long-running Tales of Valdemar series (this is the EIGHTEENTH collection!) each center around a theme. The theme of this one is clear – as it says so right there on the label. Each of the stories herein centers on a feud. Not a battle, not a war, but a feud.

Think of the infamous Hatfields and the McCoys, names that we only still recognize because they had, you guessed it, a feud that lasted so long it made it into history and legend.

Feuds are usually not fun – and a lot of these stories are not. The collection is very good, but it isn’t nearly as lighthearted as the Shenanigans collection. Howsomever, there is still plenty to savor for repeat visitors to this fascinating world, while newcomers are sure to find something that will leave them thirsting for more – even if it’s not another story about food and drink as there are several of those in this year’s mix!

I picked this up because Valdemar is a world I knew I could slip into and be comforted as well as entertained – even though the theme of the collection isn’t necessarily comforting at all. And that’s exactly what happened.

Because I had such a good time – and ripped right through the whole thing without even bothering to come back to the ‘real world’ until I was finished, this is one of those times when each story is going to get a rating of its own and then I’ll attempt some very fudgy math to rate the whole.

“The Price of Anger” by Brigid Collins
This was a great story to kick off the collection of feuds because it’s a story about the costs of feuding. It’s also a story on two levels, as a young Farseer keeps seeing the ghosts of earlier students feuding while she dodges current students who can’t stop trying to exploit her gift. It’s only when she sees the results of the old feud that she understands that she’s falling into the same trap. Escape Rating A-

“Consequences” by Dylan Birtolo
It’s a stupid feud and an even stupider fight. Not that the story is remotely stupid, but the reader gets the same urge as the Herald – to knock some heads together in the hopes that some sense will break loose. It’s only when we see how things got this way, that a good idea once upon a time is having terrible consequences in the present that we see exactly how this particular road to hell got paved. Escape Rating B because it takes a bit to figure out that we’re seeing the story peel back in history for the point to come through.

“A Bad Business” by Jeanne Adams
A direct follow-up to the book Take a Thief (which I admit I have not read yet), this is a story about what happens in the aftermath of a horrific case. Just because the central villain has been removed from the equation it doesn’t mean that there aren’t still a whole lot of dirty loose ends to clean up. Even though I hadn’t read the case being wrapped up, this story is complete in itself and an appropriately messy clean up to a horrific case. Escape Rating B+

“A Tale of Two Cooks” by Charlotte E. English
This was one of the few relatively light-hearted stories in this collection and it made a refreshing change from the darker stories. Not that this couldn’t have turned dark as well, as it’s a case of too many cooks deliberately spoiling the soup – and the rest of the meal – in ways that could have been deadly. But the poisonous plans of the feuding foodies are thwarted by the quick decisions of one smart and able assistant and her cousin – a savvy Herald. Escape Rating A- because of the excellent way it relies on wits and banter to see its way clear to the solution.

“A Bite and a Pint” by Louisa Swann
Home may be the place that when you have to go there, they have to take you in. But that doesn’t mean they have to listen to you, not even when you come home after a year’s absence as a Herald Trainee on your way to the Collegium in Haven. A feud has broken out between the new Brewmistress of Petril’s tiny village and, unfortunately for him, his own mother. Each believes the other woman has poisoned her best goods, and it’s up to a boy that no one is quite yet willing to acknowledge is a man to find his way to the truth. This was another light story, the solution wasn’t really a surprise but it was a lot of fun getting there. Escape Rating B+

“Dueling Minstrels” by Jennifer Brozek and Marie Bilodeau
This is one of several stories about minstrels and minstrel rivalry in the collection. Minstrels Ozan and Aimar bring out both the best and the worst in each other. The worst behavior, and the best of their Bardic Gifts. But those gifts, combined with their ever-present feud, threaten to set their town literally on fire if they can’t find a way to make their rivalry work for them instead of against each other. Escape Rating B

“A Scold of Jays” by Elisabeth Waters
This is a story about karma being a right bitch – and deservedly so. A nobleman basically throws away his older son after an injury that will leave him with a limp – and not a single bit of other damage. That the nobleman disowns this boy as useless while continuing to indulge his self-indulgent, utterly villainous and downright murderous younger son results in exactly the situation one would hope for. Everyone involved gets EXACTLY what they deserve – many times over. This story is a direct follow-up to one that appeared in the earlier collection, Shenanigans, “A Cry of Hounds” and is even more fun as the karma continues to flow exactly where it should. Escape Rating A.

“Future-Proof” by J.L. Gribble
The feud in this particular story is a tragedy based on a fraud – with two young men paying the price for their elders’ evil deeds. Duri Phran and Cam Aylmer are both persona non grata among the unaffiliated noble students in the Collegium, forced to pretend to hate each other to keep their respective families from punishing them further. It’s only when they’re forced to work together that they realize that there is more wrong in both of their terrible situations that either imagined – and that salvation is waiting for them both if they can just manage to reach beyond what they’ve been taught. I had mixed feelings about this one because the ending felt a bit more deus ex companion than I wanted so Escape Rating B

“A Single Row of Vines” by Brenda Cooper
The setup for this story is similar to the one in Future-Proof, but this time it’s two young women on opposite sides of a village feud who are afraid to put that feud aside as Herald Trainees in Haven. This one worked better for me because the Companions refuse to solve their humans’ problem, instead the girls have to work it out in spite of the tremendous amount of indoctrination they’ve heard for their entire lives. Two girls alone can’t end 40 years of feuding – but they can make a start – and they do. Escape Rating A-

“Most True” by Kristin Schwengel
This one combines the minstrel rivalry of “Dueling Minstrels” with the “consequences” of the story of the same name. In this story, however, it’s those consequences that bring about the ending of the feud, as two gifted bards learn that they are only gifted enough to reach mastery if they reach for it together, and only AFTER the consequences of their feud have nearly ended one if not both of their careers before they’ve truly begun. Escape Rating B.

“Detours and Double Crosses” by Angela Penrose
A story about the cleverness of Bards, the foolishness of people who try to use those Bards in their own nefarious schemes and the stubbornness of one Bard Trainee who proves to herself that she’s more than good enough to become a full bard by saving a young heir from a deadly plot by chasing a villain down no matter how fast he runs. This story was typical of these collections in all the best ways and I fell right into it. Escape Rating A-

“Trade is Trade” by Fiona Patton
As an earlier story was all about food – it’s fitting that this one is all about drinks. Or at least the bragging rights thereto. The feud is entirely predictable – as are the results. The Crown is planning to give a plaque to the oldest pub in Haven. The Guards really, really, really want the Crown to get on with it, because the rash of trouble-making and sign-stealing is driving them to more drink than they can collectively afford. As this story reminds me a great deal of the Discworld  City Watch  subseries AND it’s a loose follow-up to one of my favorite stories in the Anything with Nothing collection, “Look to Your Houses”, Escape Rating A.

“By the Ticking of My Thumbs” by Rosemary Edghill
A really interesting take on feuding as the feud is, literally, all in their heads. There’s no precipitating event, no history, and the participants have never even met. But they really, really should have. The whole feud is based entirely on their assumptions about each other, and those assumptions have thoroughly made asses out of both of them. It’s sad but fascinating to watch them assign motives to each other that have no basis in anything – and such a beautiful catharsis when they finally figure out where they both went so terribly wrong. Escape Rating A.

“Harmony” by Anthea Sharp
Another story about feuding, dueling bards, there isn’t much harmony in this story – which is the point. Because this is very much a story about pride going before a really, really big fall, and how beautiful music can only be made out of, well, harmony. Not just the harmony of the notes and the melody, but the harmony among the people – ALL THE PEOPLE – who take part in the performance. That age and experience manage to outwit youth, skill and hubris added just the right bit of tartness to an excellent story. Escape Rating A

“Playing Peacemaker Once More” by Dee Shull
Considering the title, it’s a bit of a surprise that this is actually a story about boundaries. Specifically about defending one’s own even as one does their best to get others to examine the placement of theirs. Like the final story in this collection, Uncivil Blood, there’s a bit of a Romeo and Juliet aspect – or perhaps that should be Romeo and Tybalt – to this one that gets worked out much better than Shakespeare’s famous tragedy. Escape Rating B

“Pairmates” by Ron Collins
This one didn’t quite work for me, which I was really sad about as it’s the one story in this collection that features nonhuman protagonists. I think it just passed me by a bit because I couldn’t place it in Valdemar history and wasn’t quite sure how it fit to the overall world or when. I wanted to like it more than I did but I had too many nagging questions at the end. Escape Rating C.

“Battle of the Bands” by Dayle A. Dermatic
This battle of the bands is a family feud, as brothers Eldriss and Davon haven’t spoken to each other in years because Davon claimed that Eldriss stole his sweetheart and married her. Beyond the fact that Shalna isn’t an object to be stolen, that claim is more of an excuse than a reason. Eldriss just wants his brother back, and a mixup at a musical contest – where the brothers enter as the leaders of competing bands – gives them the opportunity they’ve been waiting for for over a decade. A good story with a happy but not surprising ending. Escape Rating B.

“Tangles” by Diana L. Paxson
The feud in this particular instance is a feud between rival shopkeepers who are determined to keep far away from each other in spite of being located in the save Haven district. However, this is also a story about two determined – and somewhat magical – pieces of furniture that make a matched set that are equally determined to be put back together. To the point where they throw a bit of magic in the way of the best person to untangle a web that goes back decades. There are several Romeo and Juliet-type stories in this collection and this one is another, but it’s marvelously twisted because the feud happened because they didn’t marry – although it’s still not too late to fix things the way they should have been! Escape Rating A

“Payment in Kind” by Stephanie Shaver
The title is in reference to what happens when a cheating landholder stiffs a bard for her fee. But underneath that is the saddest story in this collection on multiple fronts as the problem set before that bard and her Herald twin-brother is about a whole village being oppressed by that rapacious landholder – who is also a liar and a cheat – a healer caught between her oaths and her duty, child labor and child murder, and one woman with cancer who wants one last day in the sun – even as she keeps her condition a secret from those she loves the most. Escape Rating A+.

“A Determined Will” by Paige L. Christie
This is a story about going home and discovering that the things you remember aren’t quite what you thought they were – unless they are and someone is trying to swindle you. This one was surprisingly fun in spite of itself, as Guard Trainee Teig has come home to bury the closest thing she had to a father. That he left her everything he had isn’t really the point – it’s more of the last note of a memory. But when someone arrives out of nowhere and attempts to cheat her out of it, she puts all of that Guard training to excellent use! Escape Rating A.

“The Ballad of Northfrost” by Phaedra Weldon
This is a hard, bitter story with an excellent satisfying ending. Reyes fate reads like many of the videogames I love. He’s wounded, near death, in the dark, between a rock and a very hard place, determined to get justice for people long dead who once saved him and set him on his path. That his own ghosts rise to help him take the final steps to safety, freedom and resolution was a bright candle in a very dark story with just the right and necessary ending. Escape Rating A+

“Uncivil Blood” by Mercedes Lackey
A much better version of Romeo and Juliet, with more political shenanigans, considerably fewer deaths, a more sensible ending, and the reappearance of one of Valdemar’s favorite characters who has not graced the stage for entirely too many years. This was my favorite story in the collection, Escape Rating A+.

Escape Rating Overall A-: This was as grand a trip to Valdemar as I hoped it would be. My favorite story in the collection was “Uncivil Blood” by Mercedes Lackey herself, followed by “The Ballad of Northfrost” by Phaedra Weldon and “Payment in Kind” by Stephanie Shaver. If you’ve EVER visited Valdemar this is a great time and a great way to go back for a return trip!

#BookReview: Buried Memories by Simon R. Green

Posted on by Marlene Harris | Author : | B Reviews> book reviews
#BookReview: Buried Memories by Simon R. GreenBuried Memories (Ishmael Jones, #10) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: horror, mystery, paranormal, urban fantasy
Series: Ishmael Jones #10
Pages: 219
Published by Severn House on October 25, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads


Returning to the small town where he crash-landed in 1963, Ishmael Jones is in search of answers. But his investigation is de-railed by a brutal murder.

"I think something very bad and very dangerous has come to your little town, Inspector . . ."
As long-buried memories from his hidden past begin to resurface, Ishmael Jones and his partner Penny feel compelled to return to the small country town where Ishmael crash-landed in 1963; the place where his memories began.
Norton Hedley is no ordinary town. Apparitions, sudden disappearances, sightings of unusual beasts: for centuries, the place has been plagued by a series of inexplicable events. Ishmael's first task is to track down local author Vincent Smith, the one man he believes may have some answers.
Ishmael and Penny aren't the only ones seeking the mysterious Mr Smith. When their search unearths a newly-dead body in the local mortuary - a body that's definitely not supposed to be there - Ishmael becomes the prime suspect in the ensuing murder investigation. His only hope of discovering the truth about his origins lies in exposing a ruthless killer.

My Review:

Ishmael Jones is as he has always been. The problem is that he’s been the same, absolutely unaging, for 60 years now. And he doesn’t remember who – or more likely what – he was before that. Before 1963, when his alien space ship was blown out of the sky over Earth and crashed in a field near the tiny village of Norton Hedley.

Which doesn’t seem to have changed much either in the intervening 60 years.

A situation that is quite a bit more worrying than Ishmael’s own unchanging face, because he at least knows why THAT’s happening. Or not, as the case may be.

But Norton Hedley, a place where people come and go and live in hope for a good tourist season every year, seems to be a haven for the uncanny. After all, that’s what has brought Ishmael and his partner Penny to the village.

Because Ishmael and his unchanging appearance began – at least as far as his memory goes – with the crash landing of his alien spacecraft in the woods surrounding Norton Hedley in 1963. He’s returned because his previous two cases, Night Train to Murder and The House on Widows Hill, have provided him with some scattered but ominous clues about who and what he used to be.

And he needs to know. Because he needs to know if he’s a danger to Penny. Or anyone else on Earth who doesn’t deserve it.

In his research about Norton Hedley, or the research the coyly named black ops group, the Organisation, has done on his behalf, he – and they – have learned that Norton Hedley has been weird central for years. Not just the years since his ship crashed in 1963, but for centuries. Millenia even.

Something in, on, or more likely under – like the thing that was under The House on Widows Hill – has been creeping its creepy way along into the lifeblood of the town for eons uncounting. It might have the answers he’s been searching for for decades.

And it might not want to let him know.

Escape Rating B: This series has been one of my Halloween reads since I first discovered it, so it seemed appropriate to finish it up this Halloween. As I’ve already read the final book in the series (so far), I’ll have to pick something else horror-adjacent next year.

The author is an acquired taste – one that I acquired decades ago. It’s the snark. It’s always been the snark no matter what the ostensible genre or subject of ANY of his many series might be. If you like his voice, then when you’re in that mood nothing else will do. But if you’re not, you bounce off, and bounce hard. Your reading mileage may vary.

The concept of this particular series throws a whole bunch of speculative fiction tropes into one hell of a blender. The series began, back in The Dark Side of the Road, as English country house mysteries where the supernatural agencies turn out to be merely human – but with a touch of the paranormal or extraterrestrial for spice and added bodies.

Over the course of the series it has turned into Ishmael’s quest to learn enough about who or what he used to be to figure out just how he can continue to stay one step ahead of all the various secret agencies that would like to use him up in one way or another. Even more important, he’s thoroughly invested in keeping Penny safe – if necessary from himself.

At first, what made this series work as well as it does – at least for this reader – was the revelation in each case that no matter how weird things got – often very – that the enemies were always human after all.

What has kept me going this far have been the questions about Ishmael’s past and Penny’s future. While Ishmael has been unchanging for 60 years, the series has been set in a sort of ‘perpetual now’. Days and weeks pass but seemingly not years. This entry in the series is one of the first that confronts head on the problem of Ishmael and Penny’s relationship.

Not that they have problems, but that together they have a problem. Penny is an ordinary human, she will age, and Ishmael will not. Short of a deus ex machina – and not that there haven’t been plenty of powerful machina around over the course of the series – this can’t end happily. Howsomever, I already know that it does not end in the next book, Haunted by the Past. And in spite of the ominousness of that title, it doesn’t dive nearly as deeply into Ishmael’s past as Night Train to Murder, The House on Widows Hill and Buried Memories have done.

So, I have begun to wonder if the author is planning to end this series at all. I wonder even more whether or not he should. I’d rather just think of Ishmael and Penny in that perpetual now, continuing on their quest to find evil humans at the heart of supernatural hoaxes, raging together against the dying of their light.

#BookReview: The Mountain Crown by Karin Lowachee

Posted on by Marlene Harris | Author : | B Reviews> book reviews
#BookReview: The Mountain Crown by Karin LowacheeThe Mountain Crown (The Crowns of Ishia, #1) by Karin Lowachee
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: dragons, epic fantasy, fantasy
Series: Crowns of Ishia #1
Pages: 150
Published by Solaris on October 8, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Méka must capture a king dragon, or die trying.
War between the island states of Kattaka and Mazemoor has left no one unscathed. Méka’s nomadic people, the Ba’Suon, were driven from their homeland by the Kattakans. Those who remained were forced to live under the Kattakan yoke, to serve their greed for gold alongside the dragons with whom the Ba’Suon share an empathic connection.
A decade later and under a fragile truce, Méka returns home from her exile for an ancient, necessary rite: gathering a king dragon of the Crown Mountains to maintain balance in the wild country. But Méka’s act of compassion toward an imprisoned dragon and Lilley, a Kattakan veteran of the war, soon draws the ire of the imperialistic authorities. They order the unwelcome addition of an enigmatic Ba’Suon traitor named Raka to accompany Méka and Lilley to the mountains.
The journey is filled with dangers both within and without. As conflict threatens to reignite, the survival of the Ba’Suon people, their dragons, and the land itself will depend on the decisions – defiant or compliant – that Méka and her companions choose to make. But not even Méka, kin to the great dragons of the North, can anticipate the depth of the consequences to her world.

My Review:

This story feels like it began LONG before the book does. This story reads like it has been years in the making, and that the slice of it that we are getting is a bit in the middle in a world that has been going to hell in a handcart for quite some time, and has now reached a level of FUBAR that STILL isn’t anywhere near as bad as things are likely to get before the end.

And that’s a fascinating way to write a story, because worlds generally DO exist before a particular story in them gets told, and go on existing after the last page of a particular story in them gets turned.

Méka has returned to the land where she was born. A land that once belonged to her people, but no longer does. Even worse, a land that has been conquered by a rapacious empire that has chosen to act as if her people aren’t people at all – merely slaves for their use.

Including the dragons that her people, and only her people, have the capacity, not to control, but to bond with. A bond that the greedy, rapacious Kattakans exploit in order to use both Méka’s people, the Ba’Suon, and the dragons, the Suon, to strip mine the land for gold.

The Kattakans have turned a beautiful place into a steaming, belching wasteland on a par with Mordor. (Auditions for the part of this world’s Sauron are possibly ongoing – I jest but not nearly enough.)

Méka has come to this once-home for a right of both passage and preservation. It is her time to bond with one of the Suons that still live free in the mountain crowns far to the north. Both to refresh the dragons in her adopted homeland and to prevent a single king dragon from taking over too many herds and reducing the genetic diversity in the crowns.

Of course, the powers that be to rape and pillage interfere with her quest – even though it has been sanctioned by her adopted country and the court of the, shall we say, greedy bloodsuckers.

She is duty bound on a quest to bond a dragon. She is being coerced to retrieve a dragon for a criminal’s nefarious purposes. But control of any dragon is illusory at best – and a dangerous illusion at that. As the greedy bloodsuckers are about to discover in fire and blood.

Escape Rating B: The Mountain Crown is an ‘in media res’ story. In other words, it feels like it starts in the middle of things. It’s a method of storytelling that CAN get the reader caught up in the action from the very first page. Howsomever, it can also give the reader the feeling that they’re missing something, or a whole lot of somethings, and not feel like they have what they need to get stuck into the story.

The Mountain Crown read like it straddled that fence, where the problem with straddling a fence is that one gets splinters in the ass. I had a difficulty time, at first, getting into the story because I didn’t feel like I had enough to figure out how the situation reached this pass in the first place. It does not help at all that the primary characters of this story, Méka and her companions Lilley and Raka, are all parsimonious with their words – even when they are speaking to one another.

There’s a LOT that doesn’t get said – even when something is being said at all.

All of which led to my brain attempting to spackle over the bits that were missing with analogies to other stories and other places. The ramshackle mining monstrosity where Méka first arrives sounds a lot like the gold rush encampments of the Klondike, including the weather conditions. The nomadic nature of Méka’s people read like an amalgam of many nomadic cultures around this globe – even if this story isn’t set on any version of our world.

In the end, what brought the story together was the way that it reflected on colonialism and empire, shone a light on cultures whose fundamental principles are greed and acquisition and then explored the possibilities of another way – a way of stewardship and community.

And took the problem of might making right to a whole different level by adding dragons into the mix in a way that both put a temporary check on the ‘evil empire’ AND sowed the seeds for further contention between peoples who were once one.

I have to say that by the end, I really did enjoy The Mountain Crown and that I’m looking forward to the next book in the series, The Desert Talon, coming in February, as well as the third book, A Covenant of Ice, arriving in June. (There’s an irony that the desert book is coming in the depths of winter and the ice book is coming as summer heats up.)

I’m hoping that the rest of this novella trilogy will not just continue this fantastic story but also fill in the blanks and answer my many, many questions about this particular world came to this particular pass – because it has to be a doozy. I can’t wait to find out ALL the answers

 

A- #BookReview: Murder of a Suffragette by Marty Wingate

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: Murder of a Suffragette by Marty WingateMurder of a Suffragette (London Ladies' Murder Club #4) by Marty Wingate
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, historical mystery
Series: London Ladies' Murder Club #4
Pages: 331
Published by Bookouture on October 28, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble
Goodreads

Women from all around the country have joined together to fight for the vote. But when one of them is killed, only amateur sleuth Mabel Canning can halt a murderer’s campaign…Fellbridge Hall, England: Mabel Canning is thrilled to be organising a suffragette conference. But when all the women are settled in the sprawling country mansion, she barely has time for a sip of gin before chaos ensues. Leading suffragette Annie Harkin has been found murdered in her bed, clutching a white feather in her outstretched hand…As the guests clamour for justice for Annie, young police officers Ned and Ted arrive in time to trip over the banners and be roundly ignored. And with a killer on the loose, the suffragettes swiftly vote for Mabel and her pals to take control. When it comes to solving mysteries, there’s nobody equal to the London Ladies’ Murder Club!But soon it’s clear many a suffragette is hiding a secret under her sash. Eccentric veteran of the cause Dorothea Goose is acting rather flighty; why is she so afraid of the police? Would Annie’s rival go this far to replace her as leader? Or has someone taken a life to stop the cause of women’s lib?Then Mabel uncovers what happened to Annie’s closest comrade in the years before the war, and she is sure the answers lie in the past. But will Mabel be elected as the killer’s next victim? Or can she crack the case and save the fight for Votes for Women?A totally addictive whodunnit bursting with suspense and sparkling with wit, from USA Today bestseller Marty Wingate. Perfect for fans of Agatha Christie, Richard Osman, Verity Bright and T.E. Kinsey.

My Review:

As much as it makes Mabel Canning’s father worry about her when she’s on her own in London, it’s clear from this fourth entry in the utterly charming London Ladies’ Murder Club that her home, the tiny village of Peasmarsh and its surrounds, are better off if Mabel is in London.

Not because of Mabel herself, but rather because she seems to have a fortunately unfortunate knack for finding herself in the midst of murder investigations. Peasmarsh’s population is much too small to survive the number of deaths that Mabel and her ‘club’ become involved with on the regular!

As this case is a, well, case in point. Mabel has returned to the Peasmarsh area to serve as the personal secretary to Lady Emma Fellbridge at nearby Fellbridge Hall. Lady Emma has known Mabel all of Mabel’s life, and Mabel was a frequent guest at the hall as her dearest childhood friend was Lady Emma’s daughter-in-law until the Spanish Flu took her much too soon.

Lady Emma was one of the heroines of the suffragette movement, and has convened a meeting of her fellow campaigners at Fellbridge Hall to consider the next phase of their work. At the time this story takes place, 1922, women 30 years of age and over who were property owners or householders, or married to men who were either of the above, or occupiers of rental property over a certain rate, or university graduates had the right to vote, while men could vote from age 21 with considerably fewer restrictions. These women, who once chained themselves to gates and went on hunger strikes in prison, are determined to continue the fight for equality into a new generation.

Mabel and her ‘Murder Club’ have arrived at Fellbridge Hall under the auspices of Miss Kerr’s Useful Women’s Agency for which Mabel works and of which her ‘Murder Club’ is an active part. She’s not expecting for the club to be active at the suffragette meeting – but that’s exactly what happens when one of the suffragettes, in fact, one of the women in contention to become the next leader of the movement, is murdered.

Mabel has more experience with murder investigations than the local police do – and Detective Inspector Tollerton of the Met is just far enough away in London and snowed under with urgent cases in the metropolis to leave Mabel temporarily in charge. Somewhat to his own surprise – and even occasional chagrin – Tolly is forced to leave Mabel leading the investigation, seconded by WPC Hildy Wardle, several members of her Murder Club, and two local constables who desperately need someone to give them orders.

When a second suffragette is murdered, and Mabel herself is attacked twice, she’s certain that she’s on the trail of a murderer – but the clues are misleading at best and confoundingly conflicting at worst. She’ll need the wits, and the skills, of every single member of the London Ladies’ Murder Club to catch the killer – before he strikes again.

Escape Rating A-: I’ve been looking forward to reading this latest entry in the London Ladies’ Murder Club since the minute I finished the previous book, A Body at the Dance Hall. And it absolutely was worth the wait! My one regret about having finished this book is that I don’t know for certain that there will be a next book in the series – or when that MUCH hoped for book will be published. (I have my fingers crossed!)

I’ve fallen for this series because I’ve taken to Mabel Canning as the protagonist. The charm of the series rides very much on her shoulders – and it’s just terrific to follow the investigation from inside her thoughtful, intelligent head.

What makes this series work for me is that Mabel does an excellent job of straddling the line between being a woman of her own time and not ours, while still having a realistic amount of agency to go about her business – which in Mabel’s case is investigating murders.

She does have to reckon with the attitudes towards women’s roles and women’s place, but because of her particular era, just post-World War I, she’s part of a time when things were still in flux because of the war – and because the war killed a generation of young men leaving many women without the prospects of marriage even if they wanted it.

The series does not shy away from the fact that some didn’t, including Mabel’s friends Skeff and Cora, as well as, it turns out, both Lady Emma and the first victim, Annie, even though the earlier generation did follow tradition – at least to all outward appearances. And it’s the degree to which lip service was given to those outward appearances that creates one of the sets of misunderstood clues and red herrings that makes this particular case so juicy.

Another part of the series that works particularly well is the way that it dives into women’s experiences and women’s history. In this particular case, the suffragette movement, its sister movement, the suffragists, and the contention between the two. Suffragettes were the considerably more militant arm of the movement – while suffragists preferred to conduct their campaign via entirely legal means. There existed tension between the two as well as an acknowledgement that some women switched from one to the other (and back and again) over time.

Voting rights for women on the same terms as men was finally granted in 1928, but at the time of this story the fight was not yet won. The question before the gathered women centered on just who would be the best person to lead that fight. The strong personalities of many of the women involved made leadership of the movement a possible motive that Mabel was forced to consider – no matter how much she wished it was not.

Part of what makes Mabel such a fascinating protagonist is the way that she navigates her world, and the push and pull of loving her father and wanting to remain in his good graces – he’s a good man and has been an excellent father – but still NEEDS to live her own life on her own terms gave this entry in the series a very personal touch as well.

Her father wants her to be safe – but he recognizes that safe on his terms is not what his daughter was built for. It was wonderful to see a supportive father-daughter relationship in a female-led historical mystery – as opposed to the more usual situation, where dear-old-dad has often been the impetus for his daughter’s flight from conventionality in one way or another. If not several.

In other words, there are a LOT of reasons why I enjoy the London Ladies’ Murder Club series and this entry is certainly an excellent example of why. I did figure out WHOdunnit a bit early, although the WHYdunnit took a bit longer. I’m here for Mabel Canning, and I hope you will be too. If you haven’t discovered her yet, start with A Body on the Doorstep to see just how the London Ladies’ Murder Club got its start!

A- #BookReview: In the Shadow of the Ship by Aliette de Bodard

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: In the Shadow of the Ship by Aliette de BodardIn the Shadow of the Ship by Aliette de Bodard
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: alternate history, science fiction
Series: Universe of Xuya
Pages: 96
Published by Subterranean Press on September 30, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Nightjar, sentient ship and family matriarch, looms large in Khuyên’s past. Disappearances drove teenage Khuyên from it, but death will steer her back.
Now an adult and a magistrate, Khuyên came for her maternal grandmother’s funeral but finds herself unwittingly reliving her past on the decaying Nightjar. Children are still disappearing as her childhood friends once did; and worse, her beloved Cousin Anh vanishes after pleading for her help.
Khuyên sets out to save Anh alongside Thảo, a beautiful and mysterious woman who seems to know more than she should about Khuyên and the ship. But saving Anh requires doing what Khuyên couldn’t do before: face her family, face the ship, face her own hopes and fears for the future—a future that might well include Thảo, but only if Khuyên can stop listening to the critical voice in her head.
A voice that sounds an awful lot like Nightjar’s...

My Review:

The Universe of Xuya isn’t so much a series as it is a sprawl of alternate history that extends from the early 15th century – the point where the butterfly flapped its wings differently from the history we know – all the way out to an undetermined point VERY far in the future.

It’s a vast, sprawling canvas of a universe that hinges on a single year in history (1411) where two events turned left instead of right. An internal political struggle at the Imperial court of Ming-dynasty China sent the Empire looking outward instead of in (as it did in our history) and a fleet of Imperial ships that planned to head east along the coast was struck by typhoons and found itself drifting north, across the Bering Strait to Alaska, resulting in an earlier “discovery” of North America, from Asia instead of from Europe.

And with those two almighty flaps of the butterfly’s wings, history goes down the other leg of the trousers of time (to thoroughly mix my metaphors) and results in the universe of this series, where China and eventually an independent Việt empire become the dominant influences in the world instead of the West – not that, by the time of this particular entry in the sprawl, the West hasn’t established its own hegemonies in the greater galaxy.

The past is another country, they do things differently there. And if they did things differently than what we know, the future would be an even more different country that it will be on history’s current trajectory.

But the thing about the Xuya Universe is that even though the author has a broad outline of what brought it about and some stories set in the historical past that illustrate some of the points, most of it is set in the future. The galaxy is big, the history and future history is potentially very long indeed, and there’s plenty of scope for pretty much anything to happen pretty much anywhere.

Which leads back to the Universe of Xuya being more of a sprawl than the way we usually think of ‘series’. Each story set in the Xuya Universe is intended to be standalone, and while it might link thematically with other stories, that doesn’t mean it will feature any of the same characters as previous or future entries. There’s obviously a publication order for the series, but the internal chronology is ever changing, and considerably more fluid than is usually the case.

I fell into this series, somewhere in the middle, with The Tea Master and the Detective, because it’s a Sherlock Holmes pastiche and that was an entry point that worked for me – as it usually does. (Also, Tea Master is one of the longer works in the series so it has time and space to get a new reader stuck into the world that’s already been built.) I’ve read around Xuya, but not thoroughly – at least not yet – ever since. Although I’ve just had the light dawn that several of the short stories that were in various SFF magazines are also available as podcasts and that’s an avenue to be explored.

I know I haven’t talked about this particular entry in the series yet, and that’s a bit by design as I have mixed feelings about whether this story is a good place to start. I found it fascinating but I don’t think it’s a good entry point. The author has an excellent precis of the history of Xuya, with a list of stories that give both a loose chronology and some suggestions of stories that might make good places to start on her website – so if you’re looking for an entry point or have visited Xuya and are wondering how it all fits together, take a look.

The story of In the Shadow of the Ship is deceptively small and at first seems simple. It’s the story of a young woman who left a conservative and restrictive home because she didn’t fit in. The life that was mapped out for her, even before her birth, was one she had no interest in or desire to follow. That it seemed like she never had a chance to earn her mother’s love or acceptance made it that much easier to leave the world of her birth behind.

She’s been successful, if lonely, in the intervening years. But when she learns of the death of her grandmother, duty and respect call her home. But home is not a planet, or even a station. Home is a decaying mindship, a refugee from the galactic war that destroyed so much and left so many refugees, ship-bound and planet-dwellers alike. A war that her home, her ship, her family, was on the losing side of.

A home that wants her back – even if her mother still does not.

As an adult, Khuyên has knowingly kept the secret of her family’s status from the empire she serves, even though she knows they are war criminals and that she is guilty by association – and silence. She can’t make herself turn them in, and she can’t bear losing her job and her purpose in the universe she’s made her own.

At the same time, as an adult, when she returns for the funeral, she is able to see that the ship is manipulating her and everyone around her, and that the terrible things she was told to ignore when she was a child are no longer ignorable – or honorable. And that they are wrong.

And that there is no second escape. This time, the only way out is through – no matter the cost.

Escape Rating A-: I enjoyed In the Shadow of the Ship, although it is a very shadowed story indeed and probably needs to be read with the lights on. There’s an underlying creepiness that is totally justified but isn’t revealed until past the halfway point.

Although there’s also a lovely sapphic romance that redeems that darkness – it just takes a while to get there.

That two of the characters of this story were mindships felt like the one, solid link to the Xuya Universe, at least so far as I’ve read into it. A reader who has come at this series from different angles might find more linkages, but it was fine as it was.

The story that it did remind me of, however, was the author’s “The Mausoleum’s Children”, one of this year’s Hugo nominees for Best Short Story. (BTW the award was won by “Better Living Through Algorithms” by Naomi Kritzer, which I read and loved.)

In my review of “The Mausoleum’s Children”, I said that the themes were a bit too big for the package, that it would have worked better in a longer format. Those themes; survivor’s guilt, living with trauma, returning to the place that broke you in the hopes of saving others, and more, received that longer treatment here In the Shadow of the Ship, which made me like both stories just that much better.

#BookReview: Shoestring Theory by Mariana Costa

Posted on by Marlene Harris | Author : | B Reviews> book reviews
#BookReview: Shoestring Theory by Mariana CostaShoestring Theory by Mariana Costa
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: cozy fantasy, fantasy, fantasy romance, romantasy, time travel romance
Pages: 400
Published by Angry Robot on October 8, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A queer, madcap, friends-to-lovers-to-enemies-to-lovers time travel romance with the future of the world at stake, this charming fantasy tale is sure to satisfy fans of Legends and Lattes by Travis Baldree.
The kingdom of Farsala is broken and black clouds hang heavy over the arid lands. Former Grand-Mage of the High Court, Cyril Laverre, has spent the last decade hiding himself away in a ramshackle hut by the sea, trying to catch any remaining fish for his cat familiar, Shoestring, and suppressing his guilt over the kingdom’s ruin. For he played his part – for as the King, Eufrates Margrave, descended further and further into paranoia, violence and madness, his Grand-Mage – and husband – Cyril didn’t do a thing to stop him.
When Shoestring wanders away and dies one morning, Cyril knows his days are finally numbered. But are there enough left to have a last go at putting things right? With his remaining lifeblood, he casts a powerful spell that catapults him back in time to a happier period of Farsalan history – a time when it was Eufrates’s older sister Tig destined to ascend to the throne, before she died of a wasting disease, and a time when Cyril and Eufrates’s tentative romance had not yet bloomed. If he can just make sure Eufie never becomes King, then maybe he can prevent the kingdom’s tragic fate. But the magical oath he made to his husband at the altar, transcending both time and space, may prove to be his most enduring – and most dangerous – feat of magic to date…
Featuring a formidable Great Aunt, a friends-to-lovers-to-enemies-to-lovers romance, an awkward love quadrangle and a crow familiar called Ganache, this charming story is imminently easy to read and sure to satisfy fans of fanfiction who like their fantasy lite.

My Review:

I picked this one up for the cat. Which is fair, because from a certain perspective, this whole story is, in fact and for real, all about Shoestring the cat. Even though, like Jacob Marley in A Christmas Carol, Shoestring is dead, to begin with.

If you’re also here for the cat, I will give you one spoiler, a spoiler that I seriously wished I had at the beginning. Because at the end, Shoestring will be just fine. Really, truly. (Not knowing that gave me some terrible approach/avoidance problems when I began reading the story. I was having as hard a time dealing with Shoestring’s apparent death as Cyril was.)

In a terrible future that should never have been, Cyril has been barely surviving as what used to be the Kingdom of Farsala literally rots all around him. It’s been years with bad air, almost no sun, and a starvation diet for both himself and poor Shoestring.

Cyril’s only reason for continuing this meager, guilt-ridden existence is to catch fish for his familiar, Shoestring. Everyone else he ever cared about is dead. From a certain perspective – namely Cyril’s – it’s all his fault.

But Shoestring’s passing is the cosmic kick in the pants that Cyril needed. Without Shoestring, he’s faced with two choices. He can either wither away into death, as all mages do when their familiars die, or he can get off his magical ass and go back and fix things.

Or at least try, making this whole marvelous story a fix-it fic, set in a magical world that needs a hell of a lot of fixing. The only problem is that Cyril isn’t really the right person to get the job. But he is the right person to keep his loved ones alive – and they absolutely are.

Escape Rating B: I had some mixed feelings about this book, in spite of how much I generally adore fix-it fics. Part of that can be laid at the feets of poor Shoestring, as I was nearly as heartbroken at his early, first-chapter death as Cyril was.

And, I’ll admit, I’m used to the protagonists of fix-it fics – which I usually love – being somewhat more competent hot messes than it seems Cyril could ever possibly be. He does not look before he leaps. It often seems as if he doesn’t even look after he leaps. Or at all. He doesn’t act – he reacts – and generally cluelessly at that.

Which is how his country got in the mess it did in the first place. Because Cyril is the heir to the Grand Mage of the whole entire kingdom and he’s supposed to be a whole lot more capable than he has ever demonstrated being. His great-aunt, Heléne, the current high-court witch, is that great and it seems from Cyril’s barely-adult perspective that she always has been.

But Heléne is slowing down, and Cyril hasn’t been stepping up. Which is why everything went pear-shaped. Because he didn’t see the rot in the kingdom at a point where it could be stopped. This time around, he has to do better, to be better, and at the beginning, he isn’t.

He does, eventually, and with frequent application of several boots to his ass, get better enough to figure out what went wrong the first time around – but he’s a bit slow on the uptake. Frequently. Often.

Which is why the comparisons between Shoestring Theory and Legends & Lattes fall spectacularly apart. They are both cozy fantasies – but they take vastly different approaches to both the coziness and the fantasy.

For one thing, Viv in Legends & Lattes is very competent and gets shit done. It’s just that what she wants to get done is very cozy in that her goal is to open a coffee shop. She has doubts, she has fears, she backslides in her ambition to eschew her old, violent ways as a mercenary – but she gets the job done because of herself.

Cyril gets the job done in spite of himself. In the end he does get there, but he faffs around a LOT. If it wasn’t for his friends he wouldn’t manage to get his head on straight. He IS, actually, quite capable – but he’s never been pushed to apply himself until now and it takes him a LONG time to get out of that mindset.

A lot longer than it took this reader to figure out who the true villain of the piece really was, and that Shoestring’s restoration would be part of Cyril’s reward for finally getting his act together.

In the end, I liked Shoestring Theory, but not nearly as much as I expected to. There just wasn’t enough of Shoestring himself in the story, and Cyril turned out to be a surprisingly incompetent protagonist for a fix-it story.

But I did enjoy the way the story turned itself inside out, that all of Cyril’s intentions and memories of that first, terrible, time around turned out to be not what he thought they were, and that he did manage to get to the truth and the whole truth of what went wrong the first time – and that it wasn’t ALL his fault.

So, in spite of Cyril’s frequent faffing around, the one thing he always was that shone through was that he loved deeply if not always wisely, that he had a huge capacity for trust even if it was sometimes misplaced, and that the story, the kingdom and even Cyril himself are finally saved by the depth of his loyalty to those he loves – and the reciprocation of that love and loyalty in full measure in return.

A+ #AudioBookReview: Rough Pages by Lev A.C. Rosen

Posted on by Marlene Harris | Author : | A+ Reviews> audio reviews> audiobooks> book reviews
A+ #AudioBookReview: Rough Pages by Lev A.C. RosenRough Pages (Evander Mills, #3) by Lev A.C. Rosen
Narrator: Vikas Adam
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical mystery, mystery, noir
Series: Evander Mills #3
Pages: 272
Length: 9 hours and 15 minutes
Published by Forge Books, Macmillan Audio on October 1, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Private Detective Evander "Andy" Mills has been drawn back to the Lavender House estate for a missing person case. Pat, the family butler, has been volunteering for a book service, one that specializes in mailing queer books to a carefully guarded list of subscribers. With bookseller Howard Salzberger gone suspiciously missing along with his address book, everyone on that list, including some of Andy's closest friends, is now in danger.
A search of Howard's bookstore reveals that someone wanted to stop him and his co-owner, Dorothea Lamb, from sending out their next book. The evidence points not just to the Feds, but to the Mafia, who would be happy to use the subscriber list for blackmail.
Andy has to maneuver through both the government and the criminal world, all while dealing with a nosy reporter who remembers him from his days as a police detective and wants to know why he's no longer a cop. With his own secrets closing in on him, can Andy find the list before all the lives on it are at risk?
Set in atmospheric 1950s San Francisco, Rough Pages asks who is allowed to tell their own stories, and how far would you go to seek out the truth.

My Review:

The case that Andy has to solve in Rough Pages begins by circling back to the events of the first book in the series, Lavender House. In that first book, Andy Mills found a purpose, became part of a found family, and solved a murder, all while keeping the police – of which he used to be a part – from learning the truth about the residents of Lavender House.

That every single member of the family, and the staff, were queer. He managed to keep their secrets in spite of his own already being common knowledge – at least among his former ‘brothers in blue’ in the San Francisco Police Department.

So Rough Pages begins by taking Andy back to Lavender House, because they need his detective skills again – even if they don’t know it yet.

The Lamontaine family at Lavender House has adopted a baby. Or nearly so. The paperwork and the inspections and the questions have not quite run their course. It would still be much too easy for social services to take the baby back. If the family’s secret comes out – they certainly will.

At first, the case doesn’t seem like much. A friend of the family, the owner of a queer bookstore, is missing. Nearly all of the family have bought books from the shop. The butler/majordomo, Pat, volunteers there on his days off.

But it’s not just the owner that’s missing. Because he kept a list of all the subscribers to his book service, a kind of book club for queer books, mailed to subscribers all over the state of California – and even beyond. It’s not just that he’s missing – his list is missing too. A list that includes every single member of the Lamontaine family old enough to read.

Mailing ‘dirty’ books through the mail was illegal and ALL books with a hint of queer contents were considered ‘dirty’ automatically. If that list is in the wrong hands, they’re all in trouble and they’ll lose the baby.

So there’s the obvious possibility that Howard and his business partner DeeDee, who is also missing, might have been arrested by the feds, and that the feds have the list.

But it could be worse, because Howard may have gotten himself in trouble with the mob, either because his boyfriend is a mobster’s nephew or because he planned to publish the memoirs of a gay mobster – anonymously, of course. Either of those circumstances is more than enough to land him in big trouble with some very shady characters.

The feds will just ruin everyone’s lives and send as many as possible to jail. But the mob? Blackmail is the most likely outcome. Or, they might send somebody to ‘feed the fishes’. Unless they already have.

Escape Rating A+: I am absolutely hooked on this series, and Rough Pages was a totally worthy successor to the first two books, Lavender House and The Bell in the Fog. And it’s even better and more utterly absorbing in Vikas Adam’s narration, which I’ve had the pleasure of listening to for all three books so far. And OMG but I hope there are more.

I fell into this book so deeply that I had to let it process for a couple of days before I could write anything coherent. With a book this good it takes a while for the ‘SQUEE!” to settle down. I’m not exactly certain that it has even now, but I’ll certainly try.

This is a book that can be read – or listened to – from multiple perspectives with multiple hooks, all of which ‘hook’ the reader rather firmly.

Mystery readers, particularly readers who love noir detective fiction will feel right at home in the foggy streets of Andy’s San Francisco. Andy Mills is exactly the type of hardboiled detective featured in the work of Raymond Chandler, Dashiell Hammett and James M. Cain – or he would be if Andy wasn’t queer.

At the same time, this series is historical fiction, set in the early 1950s, among San Francisco’s gay community. Also, it’s set at the point in U.S. postwar history where everyone was trying to repair and/or return to a ‘normalcy’ fractured by war. The tolerance of the war period was over and McCarthyism was on the rise, searching for liberals, queers and communists in every closet, under every bed, and any place where anyone who stood up or stood out might ask questions, persecuting and prosecuting them unmercifully in both the courts and the press, driving them out of jobs, homes and even the whole country.

The fear that Andy, his friends, his found family, and the community he serves, live under every day is as palpable as Andy’s personal fear that his former ‘buddies’ in the SFPD will find him and beat him again and again – and that they might not stop when he’s merely ‘near‘ death the next time.

And in this particular case, Andy’s job and his life intersect with an issue that, while it never goes away, has reared its ugly head as high in our present day as it did during the 1950s setting of the story. And that’s censorship and the repression of thought and speech that is always its ultimate goal.

The combination of themes gives this story a resonance from past to present while also telling a terrific story, putting the reader squarely at Andy’s side during a compelling investigation, and feeling right along with him as he does his best to protect the people he has come to hold dear – in a life that he never expected to have.

Some readers will be here for the mystery, some for the history, some for the portrait of gay life in a time and place where everything had to be hidden – and the cost of that attempt at hiding one’s truest self on every action and reaction. And anyone who believes in the power of words and thoughts and books and reading to change lives and form communities – and just how much some parts of society will attempt to suppress those same words and thoughts and even lives, will find Rough Pages to be a story that sticks long after the final page is turned.

A- #BookReview: The Village Library Demon Hunting Society by C.M. Waggoner

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: The Village Library Demon Hunting Society by C.M. WaggonerThe Village Library Demon-Hunting Society by C.M. Waggoner
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, cozy mystery, paranormal
Pages: 339
Published by Ace on September 24, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A librarian with a knack for solving murders realizes there is something decidedly supernatural afoot in her little town in this cozy fantasy mystery.
Librarian Sherry Pinkwhistle keeps finding bodies—and solving murders. But she's concerned by just how many killers she's had to track down in her quaint village. None of her neighbors seem surprised by the rising body count...but Sherry is becoming convinced that whatever has been causing these deaths is unnatural. But when someone close to Sherry ends up dead, and her cat, Lord Thomas Crowell, becomes possessed by what seems to be an ancient demon, Sherry begins to think she’s going to need to become an exorcist as well as an amateur sleuth. With the help of her town's new priest, and an assortment of friends who dub themselves the "Demon-Hunting Society," Sherry will have to solve the murder and get rid of a demon. This riotous mix of Buffy the Vampire Slayer and Murder, She Wrote is a lesson for demons and murderers.
Never mess with a librarian.

My Review:

Teeny, tiny Winesap, New York might just be the murder capital of the whole, entire world, and from a certain perspective it’s all Librarian Sherry Pinkwhistle’s fault. And she wouldn’t have it any other way.

That sounds terrible, doesn’t it?

Which is exactly what Sherry realizes when the latest victim of the town’s absolutely-not-a-serial-killer crime spree is the gentleman she’s been seeing for several months now. (Sherry, as a woman of a certain age, has a difficult time thinking of him as her ‘boyfriend’ because that just sounds ridiculous – but it is the truth all the same.)

But Alan Thompson’s murder is the first death that has touched her personally, and it shakes her out of her waking daydream of being Winesap’s equivalent of Jessica Fletcher, assisting the police with their investigations no matter how much it embarrasses them.

After all, just like Jessica, Sherry is good at it, and the local police clearly need her help. Just as much as Sherry needs to feel useful and needed and smart and at the center of everything – something that she’s otherwise never been in her whole, entire life.

Alan’s death shakes Sherry and rattles her self-absorbed, contented little bubble. She doesn’t feel any compulsion to investigate Alan’s death – she just wants to grieve for the man who might have been the love of her life. If she’d let him.

Which is the point where the story switches from Murder, She Wrote to Buffy the Vampire Slayer. Not that there are any actual vampires around Winesap in need of slaying. But the town might be sitting on a Hellmouth all the same.

Because suddenly there are demons – or at least A demon – possessing random townspeople who all berate Sherry, at increasing volume and at all hours of the day and night, to stop crying over Alan and put on her big girl panties and investigate his murder – whether she wants to or not.

As far as all of those possessed townspeople are concerned – or at least as far as the demon possessing them is concerned – investigating murders is Sherry’s purpose in Winesap and she needs to get right to it.

So she asks herself, “What Would Buffy Do?” (not exactly but close enough) and puts together her very own Scooby Gang to figure out what’s really going on in Winesap and what she needs to do to set it right.

Even if it involves closing a Hellmouth. Or her own.

Escape Rating A-: Were you teased by that blurb description of Buffy the Vampire Slayer meets Murder, She Wrote?

I absolutely was, because that’s not exactly a combo that anyone would expect to see, pretty much ever. They absolutely are two great tastes – but whether they’d be great together is definitely an open question.

It turns out that it is, but not in the manner that you might expect. Just like it certainly is a cozy fantasy mystery, but likewise, not in the way that blurb might lead a reader to expect. And I definitely have quibbles about the description of it being “riotous” because that’s not true at all.

More like darkly snarky and filled with a lot of wry ruefulness – along with a bit of righteous fear and a whole heaping helping of pulling back the corners of a surprising amount of self-deception.

I think that the blurb description should be reversed, because at the opening it’s very much Murder, She Wrote, to the point where Sherry acknowledges that she often feels like she’s playing the part of Jessica Fletcher in a story for someone else’s entertainment, just as Angela Lansbury played Fletcher in the TV series.

What makes the story work AND descend into the creeping darkness of Buffy is that Sherry discovers that feeling is the literal truth. Winesap is a stage set where murder plays are acted out in order to entertain and amuse an epically bored demon.

Because immortality is both lonely AND boring, and this particular demon, like so many humans, has discovered the joys of the Golden Age of Detective Fiction, particularly the stories of Agatha Christie, and is having a grand time watching Sherry and her fellow villagers play out ALL the parts for her.

Particularly as the demon doesn’t actually know how it will end. She claims she’s not forcing anyone to do anything – the increasing frequency and volume of her importuning of Sherry notwithstanding. The demon claims she’s only making suggestions and providing opportunities, that all of the murderers Sherry has ‘caught’ have acted of their own free will.

As has Sherry in her zeal for investigation.

All of which, if true – and it might not be, after all demons lie every bit as much as humans if not a bit more – makes the story a whole lot darker than it first seemed. And opens up the possibility of a sequel – which has the possibility of being even more fascinating as Sherry would have to enter into the thing with full self-awareness.

Along with the awareness that her cat, Lord Thomas Cromwell (the blurb infuriatingly misspells his name – and it MATTERS) really does contain the spirit of the actual historical figure, Lord Thomas Cromwell, the architect of Henry VIII’s infamous divorce, and that her cat is not only watching and judging her – as they all do – but has the ability to tell her all about herself whenever he damn well pleases. Or whenever the demon lets him. Pretty much the same thing.

I hope we’ll get to see them both again.

#BookReview: One Big Happy Family by Susan Mallery

Posted on by Marlene Harris | Author : | B+ Reviews> blog tours> book reviews
#BookReview: One Big Happy Family by Susan MalleryOne Big Happy Family by Susan Mallery
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: contemporary romance, holiday romance, relationship fiction, women's fiction
Pages: 320
Published by Canary Street Press on October 1, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Please don’t come home for Christmas…
Julie Parker’s kids are her greatest gift. Still, she’s not exactly heartbroken when they ask to skip a big Christmas. Her son, Nick, is taking a belated honeymoon with his bride, Blair, while her daughter, Dana, will purge every reminder of the guy who dumped her. Again. Julie feels practically giddy for one-on-one holiday time with Heath, the (much) younger man she’s secretly dating.
But her plans go from cozy to chaotic when Nick and Dana plead for Christmas at the family cabin in memory of their late father, Julie’s ex. She can’t refuse, even though she dreads their reactions to her new man when they realize she’s been hiding him for months.
As the guest list grows in surprising ways, from Blair’s estranged mom to Heath’s precocious children, Julie’s secret is one of many to be unwrapped. Over this delightfully complicated and very funny Christmas, she’ll discover that more really is merrier, and that a big, happy family can become bigger and happier, if they let go of old hurts and open their hearts to love.

My Review:

That phrase is often said ironically, with a bit of a smirk instead of a smile, even an eye roll – as if somehow it’s a contradiction in terms like ‘jumbo shrimp’. When someone says “One big happy family” there’s usually a bit of a caveat to the ‘happy’ part. That something – or perhaps a whole lot of somethings or even someones – aren’t nearly as happy as things appear on the surface.

If they’re even bothering to pretend, that is.

But the Parker family is, at least, generally happy with each other – even if that’s leavened with just a bit of sadness this particular holiday as it’s their first without one of the family’s integral members. Julie Parker may have gotten over her marriage and her divorce from Eldon years ago, but he remained her friend and co-parent if not her spouse, and their adult children, Nick and Dana, miss him a LOT this first Christmas without him. The family holiday traditions just aren’t the same without him, because Eldon was really big on Christmas and he was at the center of a lot of those traditions.

Even if Julie was the person who put in the work to make them all happen. Which is the story of both her marriage AND her life. Julie gets things done, and isn’t good at relying on anyone else in the doing. The family Christmas traditions were a LOT of work – work that ALL fell on Julie’s strong but slightly tired shoulders.

She’s REALLY looking forward to this Christmas, a holiday where her big, generally happy, family is scattering to the four winds. She’s planning on two weeks of bliss and peace – not necessarily in that order – in the coziness of her own house WITH the boyfriend that she hasn’t told her kids about yet.

The only reason Julie has been keeping Heath a secret is that she’s much too worried about her family’s judgment of their relationship. Her kids know she’s dated in the decade plus since her divorce, and they’re fine with that. But she hasn’t let those relationships become serious enough to warrant the boyfriend meeting the family.

Heath is different. On paper, they match up well. Both divorced, both with two children, both owners of successful businesses, both strong and independent and capable. Heath’s a catch, and there’s no catch to the relationship, except for one thing that Julie can’t get out of her head. Heath is 42, and Julie is 54. There’s a lot of living between those twelve years, they are at different places in their lives, and people will judge them – because that’s what people do.

It may be a bigger problem in Julie’s mind than it is in the world at large or certainly among her family – but it is a real problem or at least it certainly can be.

Julie’s not sure their relationship is ready – or more to the point, that she is ready – to make Heath a part of her one big happy family. She’s happy to be able to put that off until after the holidays – possibly indefinitely.

Which is the point where all those plans refuse to survive first contact with the rest of that family, as Christmas turns into one last almighty grab at all their holiday traditions, all at once, with extra added family and a whole entire herd of drama llamas in tow.

Heath turns out to be more than willing to roll with all the punches. The question is whether Julie is, too.

Escape Rating B+: Julie’s issues over this family holiday are far, far, far from the only ones that rear their heads this holiday – but they are the ones that tugged at my heartstrings the most because they are oh so familiar and Julie is right, society will judge her relationship with a younger man. Some will judge harshly and some will say, “You go, girl!” but there will be judgment either way. And they are at different places in their lives and always will be – but that’s true of any couple with an age gap no matter which direction it goes – even if society usually glosses over those differences when the age gap is in the ‘expected’ direction.

But Julie and Heath’s issues together, along with Julie’s need to be in control and in charge at all times and not need anyone else, are not the only snow-covered hill to climb this holiday season. Every single member of this extended family has brought their very own, personal, drama llama to this Christmas feast.

The family isn’t entirely happy – as no family ever is all of the time – but there are a lot of them and the result is a lot of family dramas in a house with such wonderfully wonky acoustics that everyone can hear everything that happens everywhere outside of a closed door, even in a house big enough for SIX bedrooms and all the communal spaces that six bedrooms full of people might possibly need.

So it’s Julie and Heath, her son Nick, Nick’s wife Blair, the uncle who actually raised Blair AND her sourpuss of an estranged mother who didn’t – as well as Nick’s secret plans to NOT take over the family business after all. Julie’s daughter Dana and the man who keeps breaking her heart, over and over again – who is also Julie’s employee. Heath’s children, Madeline and Wyatt,who are ten and eight and no problem at all, but their mother, Heath’s ex Tiffany, got dumped for Christmas so Julie invites her, too. That’s not even everyone but it’s a bit past enough even before Julie ends up in the hospital after an accident.

All that’s missing is the partridge in the pear tree!

I love a good age gap romance – particularly when the woman is the older half of that relationship – when it’s done right. Which it very much is in One Big Happy Family. Howsomever, as an only child myself, the sheer number of family members and the craziness each of them brought to the holiday table – simultaneously – was the stuff of which nightmares are made. I found plenty to empathize with in most of their relationships – but I also found myself wishing there was one less of them – although I recognize that’s a ‘me’ thing and may not be a ‘you’ thing and your reading mileage may definitely vary.

All in all, if you’re looking for a happy ever after portrait of a chaotic family holiday with a family that loves each other completely and is going to stick together no matter what and get through this mess, One Big Happy Family does turn out to be a charming holiday portrait of, in the end, really, truly, one big happy family.