Grade A #BookReview: Holmes, Marple & Poe by James Patterson and Brian Sitts

Grade A #BookReview: Holmes, Marple & Poe by James Patterson and Brian SittsHolmes, Marple & Poe: The Greatest Crime-Solving Team of the Twenty-First Century by James Patterson, Brian Sitts
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Holmes, Margaret & Poe #1
Pages: 352
on January 8, 2024
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Crime! Murder! Who are you going to call?
In New York City, three intriguing, smart, and stylish private investigators open Holmes, Marple & Poe Investigations. Who are these detectives with famous names and mysterious, untraceable pasts?
Brendan Holmes—The Brain: Identifies suspects via deduction and logic.
Margaret Marple—The Eyes: Possesses powers of observation too often underestimated.
Auguste Poe—The Muscle: Chases down every lead no matter how dangerous or dark.
The agency’s daring methodology and headline-making solves attract the attention of NYPD Detective Helene Grey. Her solo investigation into her three unknowable competitors rivals the best mysteries of Sir Arthur Conan-Doyle, Agatha Christie, and Edgar Allan Poe.

My Review:

Names to conjure with, aren’t they? Which is very much the point, when Brendan Holmes, Margaret Marple and Auguste Poe open their private investigation business in a formerly rundown bakery that no one else was willing to buy.

The bakery was, once upon a time in 1954, the scene of a grisly murder. A cold case that is right up Margaret Marple’s alley – whoever she might REALLY be.

It’s also the first link in a nearly endless chain of cases that doesn’t look like it’s even started yet – and doesn’t seem to have any end in sight.

As much as THIS Holmes, Marple and Poe resemble their originators – in both Holmes’ and Poe’s cases to their detriment – we know it’s mostly an act. Or a reconstruction. Or possibly three experienced operators taking on identities so blatantly false but so meticulously created that no one can find the seams where they were stitched together.

The NYPD certainly tries, and they seem to be far from alone in their attempts.

But whoever, and whatever, these fascinating detectives were once upon a time, in the here and now they’re the best chance that the city has of closing the toughest of cases, from a fake kidnapping to an impossible art theft to a real – and really old – body dump site under the subway. And everything in between and all the way up to the mayor’s office.

Along with the murder of a young, forgotten girl on the floor of a bakery.

Escape Rating A: To say I had misgivings going into this one would be an understatement. James Patterson is a publishing juggernaut, so at one point I felt sort of obligated to try one of his books just to see what all the fuss was about – because there certainly is lots of fuss. The book was 1st to Die, the first book in his Women’s Murder Club series, and I could not get into it and had not been tempted back.

Until now. Because I can’t resist a Sherlock Holmes pastiche, no matter how tangential, and got grabbed by the title of this book and couldn’t talk myself out of it.

I’m very glad that I didn’t, because Holmes, Marple & Poe is a terrifically fun read, whether you are there for the hints of the mystery giants they named themselves for, or are just there to help figure out whodunnit.

What made this so much fun was that it exists on two tracks. On the one hand, there’s the mystery wrapped around the identities of the people hiding behind those famous names. We don’t even get hints, merely a few unsubstantiated rumors, but we do get the fun of watching several investigations chase their own tails trying to figure it out.

(Also the fun of figuring out how those names are meant to reinforce the resemblance. C. Auguste Dupin was the detective in what is arguably the first detective story, “The Murders in the Rue Morgue”, written by Edgar Allan Poe. Margaret Rutherford was one of the earliest and most famous actresses to play the oft-portrayed Miss Jane Marple on the silver screen. I’m still puzzling about who Brendan was in relation to either Sherlock Holmes or Sir Arthur Conan Doyle but I just know I’m going to facepalm when I figure it out.)

On the other, and much more prominent hand in this story, we get to watch three investigators who are all mostly and more or less at the top of their respective games follow the trails of several bizarre crimes to a grand conclusion that ties all the cases up, not each in their own neat bow, but in one gigantic neat bow – with a couple of smaller bows hanging off the side.

The way that one clue led to another – even in cases that did not seem like they had anything to contribute to the whole of the thing – gave me vibes of one of my favorite mystery series, J.D. Robb’s In Death series. I even see the nucleus of the ‘Scooby Gang’ forming, including a demon cat and a gigantic hound named (of course) Baskerville.

In other words, the particular string of cases they follow is riveting, and I enjoyed the vibe of the ‘gang’ coming together so much that I would love to see more of it all. If Holmes, Marple & Poe turned out to be the first book in a series I’d be utterly thrilled and absolutely there for it.

Review: The Night Island by Jayne Ann Krentz

Review: The Night Island by Jayne Ann KrentzThe Night Island (The Lost Night Files, #2) by Jayne Ann Krentz
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: paranormal, romantic suspense
Series: Lost Night Files #2
Pages: 336
Published by Berkley on January 9, 2024
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The disappearance of a mysterious informant leads two people desperate for answers to an island of deadly deception in this new novel in the Lost Night Files trilogy by New York Times bestselling author Jayne Ann Krentz.   Talia March, Pallas Llewellyn, and Amelia Rivers, bonded by a night they all have no memory of, are dedicated to uncovering the mystery of what really happened to them months ago—an experience that brought out innate psychic abilities in each of them. The women suspect they were test subjects years earlier, and that there are more people like them—all they have to do is find the list. When Talia follows up on a lead from Phoebe, a fan of the trio’s podcast, she discovers that the informant has vanished.   Talia isn’t the only one looking for Phoebe, however. Luke Rand, a hunted and haunted man who is chasing the same list that Talia is after, also shows up at the meeting place. It’s clear he has his own agenda, and they are instantly suspicious of each other. But when a killer begins to stalk them, they realize they have to join forces to find Phoebe and the list.   The rocky investigation leads Talia and Luke to a rustic, remote retreat on Night Island in the Pacific Northwest. The retreat promises to rejuvenate guests with the Unplugged Experience. Upon their arrival, Talia and Luke discover guests are quite literally cut off from the outside world because none of their high-tech devices work on the island. It soon becomes clear that Phoebe is not the first person to disappear into the strange gardens that surround the Unplugged Experience retreat. And then the first mysterious death occurs…

My Review:

All of The Lost Night Files begin before the first book in this ongoing series opens to its very first page in Sleep No More. In fact, it’s starting to look like The Lost Night Files begins at the same time and with the same perpetrators – yes, let’s go with perpetrators – as the Fogg Lake series that began with The Vanishing.

All of which began with a top secret government project codenamed Bluestone. A project that absolutely went where the X-Files did but left considerably more damage – both direct and collateral – in its wake. A project that the government CLEARLY didn’t bother to clean up after. They just mothballed the whole thing in various situs and hoped that no one would dig into their dirty little paranormal secrets.

Like things EVER work that way.

In this second book, or rather this second case for the Lost Night Files podcast, the founders of the podcast; Pallas Llewellyn, whose story was featured in Sleep No More, Amelia Rivers, who will probably be the central character of a third book that had better be happening, and Talia March, the protagonist of THIS story, have a lead on why and how they were targeted for the experiment that ramped up their various strong intuitions into full-blown psychic talents.

They all took a test that measured psychic ability back in college, and they all scored high on that test. That test WAS the only link between them before their ‘lost night’ at the dilapidated Lucent Springs Hotel.

Now Talia is running down a lead on someone who is selling copies of the results of that old, supposedly long-forgotten test. Talia has high hopes that the list will lead to others who lost a night just as they did, giving them a trail they can hopefully follow back to the source of this mess.

What Talia finds first is another ‘victim’ of the experiments. Prickly and justifiably paranoid Luke Rand also took that test, also lost a night in eerily similar conditions to the Lost Night Files crew, and also woke up with newly enhanced paranormal talents and no memory of what was done to him.

Although Luke has one memory that Talia and her friends are fortunate not to have. The first thing he remembers after his lost night is standing over two dead bodies with a scalpel in his hands. He thinks he did it.

Talia’s not so sure about that. What she is sure about, because her talent is finding things, is that the person who was supposed to be selling them that list isn’t at the rendezvous – and neither is the list. What Talia does find is a talisman that links her to the would-be seller, and clues to where the woman was taken.

For experimentation, just as they were.

Reluctant and temporary allies, Luke and Talia band together to follow the trail of the seller, the list itself, and whatever operation is experimenting on would-be psychics. What they find is a huge con, a nightmare garden, and a series of murders that make Agatha Christie’s And Then There Were None look like a walk in the park on a beautiful sunny day.

What Talia and Luke also find, in spite of themselves and their mutual antipathy and distrust – is a partnership that will save them, both from the monsters that haunt the Night Island, and from the demons conjured up by the experiment within them both.

Escape Rating A-: The thing about the ‘Jayneverse’ is that everything connects up – EVENTUALLY. Howsomever, that doesn’t stop a reader from jumping in pretty much anywhere and getting sucked right in. The Lost Night Files is an excellent case in point.

It might be better to start The Lost Night Files with ITS OWN first book, Sleep No More, but this series doesn’t depend on any knowledge of the greater whole, or even the smaller whole of Fogg Lake, to be easy to get into and a whole lot of fun to read.

It’s more that if you ARE familiar with some of the background there are bits that you read with a bit of a smile at the old memories – even as you make new ones.

The Night Island is clearly a middle book in its own series. In Sleep No More, we first met the crew of the podcast and were with them as they continued their investigation into WTF happened to them at the old Lucent Springs Hotel. AND discovered that they weren’t the only ones to have been experimented on, resulting in Pallas’ finding her HEA with fellow experiment subject Ambrose Drake.

In and on the Night Island, the investigation gets a few steps closer to the truth – or at least A TRUTH – about the nature of the experiments and their purpose. The reader gets a glimpse of the perpetrators, while Talia and Luke get merely a hint in that direction. Which moves the series as a whole along quite teasingly, but doesn’t detract or distract from the events of this book.

Events that are centered around Talia and Luke’s investigation of the Night Island itself, the way the bodies keep dropping like flies and the bizarre nature of the experimental flora on Night Island and how they seem to be evolving their way to fauna at a dizzying rate.

So there are oodles of puzzles to solve in this compelling story of paranormal romantic suspense and plenty of tasty red herrings to swallow on the way to solving them – as well as the descriptions of the chef’s yummy-sounding vegetarian cuisine. Talia and Luke turn out to be the perfect investigators for this case of con artists, psychic assassins and lost things, plans and people.

I can’t wait to see how The Lost Night Files wraps up all the mysteries that face them, hopefully in the next book in this series. And hopefully this time next year if not a bit sooner!

Review: Mislaid in Parts Half Known by Seanan McGuire

Review: Mislaid in Parts Half Known by Seanan McGuireMislaid in Parts Half-Known (Wayward Children, #9) by Seanan McGuire
Narrator: Jesse Vilinsky
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, urban fantasy, young adult
Series: Wayward Children #9
Pages: 160
Length: 4 hours and 40 minutes
Published by Macmillan Audio, Tordotcom on January 9, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Dinosaurs and portals, and a girl who can find both in the latest book in the Hugo and Nebula Award-Winning series.
Antsy is the latest student to pass through the doors at Eleanor West's School for Wayward Children.
When her fellow students realize that Antsy's talent for finding absolutely anything may extend to doors, she's forced to flee in the company of a small group of friends, looking for a way back to the Shop Where the Lost Things Go to be sure that Vineta and Hudson are keeping their promise.
Along the way, temptations are dangled, decisions are reinforced, and a departure to a world populated by dinosaurs brings untold dangers and one or two other surprises!
A story that reminds us that finding what you want doesn't always mean finding what you need.

My Review:

This book and certainly the Wayward Children series as a whole, feels like the perfect story to start off the new year.

Why?

Because new years are all about doors closing, doors opening, and taking the opportunity to start with a fresh slate and reinvent yourself and how you see the world, and that’s a big part of what the Wayward Children series is all about.

Beginning with Every Heart a Doorway, the series is a metaphor for finding the place where you belong, the place that your heart calls home, and then getting tossed out of that personal Eden and being forced to make a whole new start on a whole new you – whether you want to or not.

Especially when you don’t. And when you no longer belong in the place you originally came from. You really can’t go home again because it’s not the place you remember and the people who once loved you no longer see you as theirs.

The story in this particular entry in the series picks up where the previous book, Lost in the Moment and Found, left off. Antsy has returned to Earth from the Shop Where the Lost Things Go, nine-years-old in a sixteen-year-old body, still angry at the shopkeeper Vineta and terrified that someone will figure out her secret.

Which they do. Both of her secrets. Her friends figure out that she isn’t nearly as mature as her body appears to be. Her enemies figure out that Antsy left the shop with a talent for finding anything – including other people’s doors – and have absolutely no care in the world about what the doors cost and zero intention to pay for it themselves because that’s what other people are for.

But Antsy can find anything when she needs it badly enough. Including a way out when she and her friends are cornered by the magically mesmerizing head mean girl and her clique of magically reinforced sycophants.

Leading Antsy and company to break one of the School’s most sacred rules. They think they’re hunting for an escape route, but what they’re really searching for is the place that at least one of their hearts calls home. In other words, they’re going on a quest.

A quest to find the one place that Antsy literally can’t afford to return to. Unless she takes it over – for herself.

Escape Rating A: Before I get started on the book, I want to mention that I listened to this one in audio – and that feels like a bit of an afterthought, which is rare. The book was excellent, as you can tell from the rating. But this is a case where the fact I was listening to it instead of reading it didn’t impinge on my consciousness at all. The experience felt seamless, as though the narrator was downloading the story directly into my brain. Which was VERY much unlike Under the Smokestrewn Sky, where the narration detracted from the story.

I said at the top that this book was perfectly themed for the start of the year, because of its fundamental metaphor about doors opening and reinvention that just dovetails perfectly with the thoughts and feelings we all have about the old year ending and the new year beginning.

Ironically, however, this entry in the series is much more about closing doors than it is about opening them, although it definitely carries the theme of self-reflection and reinvention and finally being sure of who one needs to be in the world and their life in it.

At first, the story feels very much a part of the YA genre which the series is often pigeonholed into, as out-of-place, out-of-time Antsy is being persecuted by a powerful clique of ‘mean girls’. It’s only when she starts revealing herself for who she really is and what she really can do that we start to see her as considerably more capable and mature than either her nine-year-old head or her sixteen-year-old body would be capable of.

Because her moral compass is firmly pointed towards doing the right thing, and she’s very sure indeed what that right thing is – at least in the context of the Shop, its doors, its costs, and its purpose. It wants her back, and she wants to go, but it’s more than that. It’s that she’s ready to do the necessary for the shop and for herself. She’s grown up in the ways that matter, she just has to recognize that fact.

She has to ‘Be Sure’, and by the story’s end, she finally is.

But along Antsy’s journey we see other doors that open and close for other ‘wayward children’. Discovering that her best friend is happy and somewhat safe in the world her own heart calls home, even if it’s a world that none of the rest of the travelers would be remotely interested in staying, gives her strength and much-needed closure.

However, the series as a whole feels like it’s winding down, as it should. The young children in the first part of the series are now teenagers and their life paths are reaching out for them. One way or another, their doors are opening, giving them one last chance to be sure enough to go home.

What got me about this entry in the series was the way that the doors and the futures they represent felt like metaphors for life, for making or finding a life filled with magic and purpose. It doesn’t HAVE to be the magic of the doors – because happiness is a magic all its own. All one has to do is find it. And BE SURE.

I’m sure I’ll be back for the next book in this series, currently untitled but scheduled to be published this time next year.

Review: Death in the Dark Woods by Annelise Ryan

Review: Death in the Dark Woods by Annelise RyanDeath in the Dark Woods (Monster Hunter Mystery #2) by Annelise Ryan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: cozy mystery, mystery
Series: Monster Hunter Mystery #2
Pages: 336
Published by Berkley on December 12, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A potential Bigfoot sighting is linked to a vicious murder, but skeptical cryptozoologist Morgan Carter is on the case in this new Monster Hunter Mystery by USA Today bestselling author Annelise Ryan.
Business has been booming since Morgan Carter solved the case of the monster living in Lake Superior. The Odds and Ends bookstore is thriving, of course, but Morgan is most excited by the doors that were opened for her as a cryptid hunter. 
Recently, there have been numerous sightings of a Bigfoot-type creature in the Chequamengon-Nicolet National Forest area of Bayfield County, Wisconsin. After a man is found dead from a vicious throat injury in the forest, the local sheriff asks Morgan to investigate. 
When Morgan and her dog, Newt, go there to investigate, they uncover a trail of lies, deception, and murder. It seems a mysterious creature is, indeed, living in the forest, and Morgan might be its next target.

My Review:

“Sightings of the monster are directly related to consumption of the Highland beverage,” or so proclaimed a tour guide on the way to Loch Ness a few years ago. Not that cryptozoologist Morgan Carter is looking for Nessie, or even any kin she might have in the Great Lakes, but that quote does rather sum up Morgan’s attitude towards the cryptids that fascinate her – even though she doesn’t expect to find one.

Morgan is a scientist first, a bookstore owner second, and a professionally trained cryptozoologist third. Her scientific training tells her that finding a real cryptid, either in the present day or in a formerly hidden bit of the historical record, is unlikely at best.

Then again, coelacanths weren’t discovered until 1938. So an aquatic ‘sea monster’ whose remains have all fallen into the deep is still possible if not likely. Bigfoot, a land-based primate cryptid – not so much.

So when her friend, local police chief Jon Flanders, brings a conservation officer from Bayfield, Wisconsin to her door with a tale of two mutilated dead bodies, one scared witness and the possibility that Bigfoot is on the loose, Morgan is intrigued – but far from convinced. It’s far more likely, as that tour guide claimed, that either the weather conditions in the Chequamegon-Nicolet National Forest were foggy with a chance of cryptid sightings, or that the witness was either blind drunk or just plain blind.

After all, whether or not Bigfoot is responsible, there are two dead bodies. Someone, or something, or someone posing as something, killed them. And Morgan is determined to find out who, or which, or both.

And she’s all too aware that there are more than enough two-legged monsters to go around – and get around – without needing to hunt for Bigfoot.

Escape Rating A-: So far, at least, the Monster Hunter Mystery series is cozy with a side of gruesome. Considering the series title, the gruesome part is kind of expected. It’s the cozy setting that throws things a bit for a loop, but in a very interesting way.

I liked this second book in the series better than the first, A Death in Door County, for reasons that I’m, of course, about to get into.

This second book does a great job of giving the reader enough logic and especially science to understand exactly why Morgan finds Bigfoot to be considerably further down the “plausible existability” without getting nearly so far into the weeds, or seaweeds as the case may be, as she did in that first book.

Also, the villains of this piece were all more or less in plain sight from the beginning, it was much more a question of what, precisely who was guilty of, and why. The red herrings were all mind-catchingly presented and really tasty. There were also plenty of them to serve as appetizers until the main course was revealed. And no, I didn’t guess which of the many possibilities was the actual killer until the end – because there was just so much guilt to go around. Just not the same guilt.

The resolution of the Bigfoot sightings was handled in a way that was entirely within the bounds of possibility and dove deeply into a bit of Wisconsin history that has lost a great deal of its luster over the decades, but once upon a time was something quite special.

And briefly is again, albeit in an entirely different way.

We’re also getting to know the ‘Scooby Gang’ that Morgan has gathered around herself, including her frenemy turned friend – if not more – Police Chief Jon Flanders. There’s a will they/won’t they relationship going on there that is moving at a glacial pace – for good and solid emotional reasons that it’s going to be fun to see thaw over the books ahead.

Plus there’s an EvilEx™ lurking in the background, the cause of the glacial pace of Morgan’s side of the relationship, just waiting to jump out of the shadows. I think I’m even more invested in seeing him get his just desserts than I am in Morgan and Jon’s relationship. And that’s definitely saying something!

There’s also a big plus to this series in the person of Morgan’s amazing dog, Newt. Rescuing Newt in the beginning of A Death in Door County marked the beginning of Morgan’s healing process AND Newt and his amazing nose are the perfect partners for Morgan’s monster hunting adventures.

I’m looking forward to more in this monstrously cozy, quirky mystery series. Because they just keep getting better and better!

Review: The Christmas Appeal by Janice Hallett

Review: The Christmas Appeal by Janice HallettThe Christmas Appeal (The Appeal, #1.5) by Janice Hallett
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: holiday fiction, holiday mystery
Series: The Appeal #1.5
Pages: 208
Published by Atria Books on October 24, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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This immersive holiday caper from the “modern Agatha Christie” (The Sunday Times, London) follows the hilarious Fairway Players theater group as they put on a Christmas play—and solve a murder that threatens their production.
The Christmas season has arrived in Lower Lockwood, and the Fairway Players are busy rehearsing their festive holiday production of Jack and the Beanstalk to raise money for a new church roof. But despite the season, goodwill is distinctly lacking among the amateur theater enthusiasts with petty rivalries, a possibly asbestos-filled beanstalk, and some perennially absent players behind the scenes.
Of course, there’s also the matter of the dead body onstage. Who could possibly have had the victim on their naughty list? Join lawyers Femi and Charlotte as they investigate Christmas letters, examine emails, and pore over police transcripts to identify both the victim and killer before the curtain closes on their holiday production—for good.

My Review:

When we open the pages of texts and emails between newly fledged lawyers Femi Hassan and Charlotte Holroyd and their retired mentor Roderick Tanner and read, along with Femi and Charlotte, that he has another epistolary mystery for them to solve in regards to the Fairway Players it all seems just a bit familiar. And a bit cringeworthy. After the correspondence among the Fairway Players that Tanner asked Hassan and Holroyd to wade through in their earlier mystery, The Appeal, that cringe is entirely justified.

Because the Fairway Players were a LOT. And still, apparently, are. Not even a different lot, for the most part, as those events rather cost them a lot of membership – along with prestige and more than a bit of cash.

It also, in the end, took out the Church Hall Roof where they perform – or at least the gargantuan patty of bat guano that was discovered during that epic production did. Let’s just say that not only were there bats in that belfry – along with the belfries of some of the Players themselves – but that the escape of those bats left quite the calling card.

Ahem.

The thing about the pile of correspondence that Hassan and Holroyd had to wade through began with no certainty that a crime had been committed. There seemed to be plenty of dirty dealing, underhanded bargaining and outright shenanigans among the group, but being an arsehole, or even an entire company of arseholes, is not covered under the penal code.

Fraud, however, is another matter, as Hassan and Holroyd eventually proved. To the point where anyone would be surprised to learn that the Fairway Players had survived that debacle.

But the show must go on, even if its former directors are serving time, and the Fairway Players have indeed continued their amateur thespian productions, with occasionally catastrophic results. Again.

The pile of assorted texts and emails is considerably smaller this time around, as the play at the heart of the matter is merely a one-night panto to raise money for that Church Hall Roof that the bats had such a disastrous effect on.

The question for the new lawyers, just as it was in The Appeal when they were still in training, is whether or not ANY of the events that surround their disastrous production of Jack and the Beanstalk constitute a criminal offense under any statute.

The mummified corpse that tobogganed out of the massive old prop beanstalk notwithstanding. Or perhaps, with all the standing for a charge of murder.

Escape Rating A-: I have to admit that my first question when I saw this book was whether it was a good idea to go back to the scene and the style of The Appeal. It was absolutely fantastic and I loved every page of it, but I wondered whether it would work to revisit that scene and most of those people and particularly whether it would work if done exactly the same way.

Epistolary novels, meaning stories told through correspondence, are difficult to pull off at the best of times. The Appeal did it so damn well that there was a lot of potential for a second bite at that apple to turn out to have gone ‘off’ a bit and would sour the original along with it.

That’s not the case, not at all. Because these people are STILL a collection of hot messes and time has not made any of their situations any better. The Christmas Appeal does not sell the reader on the joys of community theater, because there’s more drama offstage than on and a lot of the internal relationships are downright toxic, but for the reader it does create that same compulsive need to turn page after page from the beginning to several potential bitter ends.

At first, the correspondence covers petty rivalries, equally petty jealousies, the usual number of folks not keeping their commitments, and the general pandemonium of putting on a production utilizing the skills and talents of folks who are all volunteers and can – and do – flake off whenever life happens. Which of course it does, pretty much all the time.

At least until the mummified skeleton slides out of the old theater prop in the middle of the show and the questions all shift from “are we going to pull this off” to “who was that mummified man in the Santa hat and how did he get stuffed in there?” Along with the when and why questions about that same stand in, so to speak, for Jack Skellington.

Just because there’s a dead body, it doesn’t mean that there’s been a murder. Which is what Hassan and Holroyd have to decide, now that they have all the facts. While we, the readers, have all of the speculation.

Leading to just the kind of holiday mystery to keep any reader on the edge of their seat, flipping pages, as the spirit of the holidays ensures that the show is a success, the Church Hall Roof is saved, and justice gets served along with the plum pudding.

If you like your holiday stories to be every bit as twisted as the stripes on a candy cane, The Christmas Appeal might prove just as tasty as the refreshing mint of those striped canes.

Review: Shards of Glass by Michelle Sagara

Review: Shards of Glass by Michelle SagaraShards of Glass by Michelle Sagara
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: dark academia, epic fantasy, fantasy, urban fantasy
Series: Chronicles of Elantra
Pages: 512
Published by Mira on November 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The Academia, once an elite proving ground for the rulers of the world, has been frozen for centuries. Now its strange slumber has ended, and a new Chancellor, an orange-eyed dragon, has reopened its lecture halls and readied its dorms. In order to thrive once more, however, the Academia needs fresh blood—new students with a passion and talent for learning.
One such student, Robin, has the perfect recruit in his friend Raven, an orphan who lives in the dangerous Warrens. Robin grew up in the Warrens, and he wouldn't have made it if not for Raven. He knows she’ll be safe at the Academia, where her unusual gifts can be appreciated.
But when students start turning up dead, the campus threatens to collapse completely. Raven and Robin will not let that happen to their new home…if they can survive long enough to figure out who—or what—is trying to kill them.

My Review:

Shards of Glass is a bit of a side story in the marvelously interwoven, intricately-plotted, and long-running Chronicles of Elantra series. It takes us deep into the heart and soul (and yes, it most certainly has one, literally as well as figuratively) of the formerly lost and presumed destroyed Academia, the institution that was found hidden in a misty pocket of Elantra’s fiefs in Cast in Wisdom.

The Academia, both in its function as a school and repository of knowledge, and in the person of its sentient building, majordomo, administrator and caretaker, Killianas, is slowly recovering from its long, well, let’s call it a coma.

But it seems, at least at first, that someone or something or some force or all of the above is trying to prevent or at least delay that recovery. By way of murdering the students. That is not a situation that either the Chancellor, the Dragon Lord Lannagaros, or Killianas himself can allow to continue – not if they’re doing their jobs and/or following the purposes their hearts have called them to.

Which is where Robin, his friend Raven, and the woman they call the ‘grey crow’ wing their way into this considerably disturbed nest of learning and scholarship. Initially, they seem to be a bit at cross-purposes. Giselle, the information broker and ‘grey crow’ of the downtrodden slum known as the Warrens, just wants to get paid for bringing a new student to the Academia. Robin, once a denizen of those Warrens, wants to bring his friend Raven to the Academia, where she’ll be safe and warm and fed and be able to learn more things – just as he is.

But Robin is not safe at all, and neither is the Academia. Since it is Raven’s duty to keep Robin safe, she comes to the Academia to save him. And it. And all of the students who have come to call the place home.

Someone is murdering the students. Or something. Or magic. Or all of the above. No one is sure how they are being killed – or if the students are the intended victims. Or why its happening. Or who might benefit – or think they benefit – from the blood and the chaos.

Raven only cares that Robin is safe. So that he can fulfill a duty he hasn’t been allowed to remember. Which will bring an end to hers – whether her duty ends in success or failure, it will end in blood and tears either way.

Or will it?

Escape Rating A+: I began reading the Chronicles of Elantra in 2011, at which point the series was already seven books in. I have a distinct memory of where we were living and exactly what the room looked like as I read them – the series made that much of an impression and I was so completely hooked. My first official review of the series here at Reading Reality was for book 7, Cast in Ruin.

But, and it is an unfortunately large but in this case, as much as I love the series – and I very much still do – at this point in the main series, last year’s book 17, Cast in Eternity, it’s gotten harder and harder to get into each successive entry as the backstory has gotten bigger, more convoluted and considerably both denser AND more sprawling as it’s gone along. (I have audio for both book 16, Cast in Conflict and Cast in Eternity and have hopes the whole thing will work better for me that way.

But I love the series. I really, really love it. Which is what made both the Wolves of Elantra prequel series (The Emperor’s Wolves and Sword and Shadow), as well as this latest book, Shards of Glass, so good, so much fun, and so much easier to get stuck into.

The Wolves of Elantra is a prequel series, so it can serve as an intro to the Chronicles, but it’s also an excellent way to slip back into Elantra without having to hold all the details of everything in one’s head.

Shards of Glass, on the other hand, is a side story within the Chronicles. It sets a story almost entirely within the formerly lost Academia that was rediscovered in Cast in Wisdom and expands upon that setting and that setting pretty much alone. And it’s a fantasy mystery, which makes it all just that much better, as I love the fantasy mystery blending AND the story is contained enough within the now-mostly-functional Academia that one again does not need to remember all the ins and outs of all of Kaylin Nera’s many, many unexpected ‘adventures’ to happily get ensconced in this one.

Kaylin, the protagonist of the main Chronicles series, isn’t even a side character in Shards of Glass. She’s mentioned – as she should be all things considered – but this is most definitely NOT her story.

Instead, Shards of Glass takes the reader into the heart of that formerly lost Academia, where school is finally back in session after over a millennia of abeyance. The school, both as an institution and in the person of its sentient building and grounds, Killianas, is recovering.

At first, it seems like it’s flailing around its mystery – or at least all the characters within it are flailing, including the Dragon Chancellor and the Giant Spider Librarian. (The varieties of species, histories and perspectives are a huge part of what make the Chronicles of Elantra so much fun. The Dragons are particularly acerbic and wry, but then they can afford to be.)

A big part of the flailing is that there are so many possible motives for the murders and so little ability to settle on which one is correct. The flailing keeps falling apart on, not the classic mystery question of ‘Why benefits?’ but more a matter of who is believed to benefit or who believes they benefit and none of those possible avenues of investigation resolve to the same set of possible motives or suspects.

And of course they all turn out to be wrong – and wrong in a way that is buried in the legends of the deep past and will cause catastrophic destruction if they’re not sussed out in time and by the right people.

So Shards of Glass, both in the way the story works itself and the way it dives deeply into one of Elantra’s fundamental institutions, both fits perfectly into the way the series as a whole works and yet still introduces – or reintroduces – the reader to a small enough corner of the vastness that it’s possible to get completely stuck into the whole thing without remembering all the details of what came before.

On top of all of that, it’s a beautiful story about the power and saving grace of friendship, and that was just wonderful. Shards of Glass is worth the read for that factor alone and I’m so very glad I read it. Hopefully, by the time the next book in the main Chronicles of Elantra series, Cast in Atonement, comes out next August I will have caught back up to that last couple of books in the series that I missed.

Review: Hercule Poirot’s Silent Night by Sophie Hannah

Review: Hercule Poirot’s Silent Night by Sophie HannahHercule Poirot's Silent Night (New Hercule Poirot Mysteries, #5) by Sophie Hannah
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical mystery, mystery
Series: New Hercule Poirot #5
Pages: 384
Published by William Morrow on October 24, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The world’s greatest detective, Hercule Poirot – legendary star of Agatha Christie’s Murder on the Orient Express, Death on the Nile and A Haunting in Venice – puts his little grey cells to work solving a baffling Christmas mystery.
CAN HERCULE POIROT SOLVE A BAFFLING MURDER MYSTERY IN TIME FOR CHRISTMAS?

It’s 19 December 1931. Hercule Poirot and Inspector Edward Catchpool are called to investigate the murder of a man in the apparent safe haven of a Norfolk hospital ward. Catchpool’s mother, the irrepressible Cynthia, insists that Poirot stays in a crumbling mansion by the coast, so that they can all be together for the festive period while Poirot solves the case. Cynthia’s friend Arnold is soon to be admitted to that same hospital and his wife is convinced he will be the killer’s next victim, though she refuses to explain why.
Poirot has less than a week to solve the crime and prevent more murders, if he is to escape from this nightmare scenario and get home in time for Christmas. Meanwhile, someone else – someone utterly ruthless – also has ideas about what ought to happen to Hercule Poirot . . .

My Review:

Scotland Yard Inspector Edward Catchpool and his friend and mentor Hercule Poirot are just settling in to a two-week staycation (even if that term had not been invented yet) in London, staying in Poirot’s rather palatial apartment at Whitehaven Mansions, attended by Poirot’s inestimable butler, George, for the duration of the holidays.

Catchpool, in particular, was determined to spend his Christmas hols with his friend Poirot and absolutely NOT with his mother, the overbearing Cynthia Catchpool. The moment Cynthia lies her way into Poirot’s office, we understand EXACTLY why Catchpool intended to spend his holidays as far away from his mother as he could manage.

Because Cynthia Catchpool is the perfect example of another term that hadn’t been invented yet. She was a ‘helicopter parent’ long before that term was even on the horizon, someone who swoops into her son’s life – or frankly anyone’s life – and absolutely does not listen to a single thing she has to say.

She is determined that Catchpool and Poirot will return with her to the  blustery Norfolk coast in late December to solve a murder and spend Christmas with her and the friends she’s visiting,and will not take ‘NO’ for an answer, no matter how many times it’s shouted at her.

But when she describes the circumstances of the murder to Poirot, Catchpool knows instantly that he is at least somewhat doomed. Christmas itself may be saved, but Poirot gets a look in his eye that Catchpool knows all too well – that something about this case has caught the attention of Poirot’s ‘little grey cells’.

What fascinates Poirot so much that he is willing to disrupt his holiday plans? The man who has been murdered is someone who could not possibly have been intended to be murdered. So why is he dead?

Poirot must know. He must solve the case. Before the truly execrable cuisine served at Frellingsloe House causes him to die from starvation. Or poison.

Escape Rating B-: Looking back at my reviews of the previous books in this New Hercule Poirot series by Sophie Hannah (The Monogram Murders, Closed Casket, The Mystery of Three Quarters, and The Killings at Kingfisher Hill) I’ve had mixed feelings about pretty much all the books in the series, and this latest entry is absolutely no exception.

I’m beginning to think that the problem is that I like the concept more than the execution (ahem, pun not exactly intended but…) and that’s true in this entry in the series as well. Although I did find this one more readable than The Killings at Kingfisher Hill, I ended this book feeling every bit as sorry for Catchpool this time, if not a bit more, than I did then.

Because this time he’s very much put upon by Poirot AND his mother. Who I fully confess I hated as a character from her very first appearance to the point where I mentally cringed every time she appeared on the page. Her overbearing helicopter parenting, no matter how anachronistic that term, was a trial from beginning to end. The story did need her gossiping nature, I’m just not sure it needed her utter assholishness about it. Or at least I didn’t need it considering that she did not get nearly the bashing she deserved.

The case itself went to some interesting psychological places, as it turned out to be wrapped around the idea of reinventing oneself and how deeply one can get consumed by burying that past so completely that anything that touches on it causes a psychological break. I liked that Poirot and Catchpool had differing interpretations of those causes, particularly as Poirot’s reasoning felt more germane to the times while Catchpool’s was perhaps a bit anachronistic but more humane.

A lot of the ‘action’ of the story, particularly the ‘fair play’ aspects of the mystery and its resolution, were handled as more ‘telling’ than showing, as the two detectives were often working separately, and only caught up at irregular intervals through meticulous reports – which is how the reader gets caught up as well.

I’m left with a bag of mixed feelings about this one. I liked it better than The Killings at Kingfisher Hill, not as much as The Mystery of Three Quarters and Closed Casket, but still enjoying the concept as a whole. We’ll see how I’m feeling about the whole thing if Poirot and Catchpool catch another case a year or two from now.

Review: Uncanny Vows by Laura Anne Gilman

Review: Uncanny Vows by Laura Anne GilmanUncanny Vows (Huntsmen, #2) by Laura Anne Gilman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: fantasy, historical fantasy, urban fantasy
Series: Huntsmen #2
Pages: 384
Published by Gallery / Saga Press on November 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Following the events of the high-stakes and propulsive Uncanny Times, Rosemary and Aaron Harker, along with their supernatural hound Botheration, have been given a new assignment to investigate…but the Harkers believe it’s a set-up, and there’s something far more ancient and deadly instead.

Rosemary and Aaron Harker have been effectively, unofficially sidelined. There is no way to be certain, but they suspect their superiors know that their report on Brunson was less than complete, that they omitted certain truths. Are they being punished or tested? Neither Aaron nor Rosemary know for certain. It may be simply that they are being given a breather or that no significant hunts have been called in their region. But neither of them believes that.

So, when they are sent to a town just outside of Boston with orders to investigate suspicious activity carefully, the Harkers suspect that it is a test. Particularly since the hunt involves a member of the benefactors, wealthy individuals who donate money to the Huntsmen in exchange for certain special privileges and protections.

If they screw this up…at best, they’ll be out of favor, reduced to a life of minor hunts and “clean up” for other Huntsmen. At worst, they will be removed from the ranks, their stipend gone—and Botheration, their Hound, taken from them.

They can’t afford to screw this up.

But what seems like a simple enough hunt—find the uncanny that attacked a man in his office and sent him into a sleep-like state—soon becomes far more complicated as more seemingly unrelated attacks occur. The Harkers must race to find what is shadowing them, before the uncanny strikes again, and sleep turns into murder—and the Huntsmen decide that they have been compromised beyond repair.

But their quarry may not be the only uncanny in town. Botheration and Aaron both sense something else, something shadowing them. Something old, dangerous…and fey.

My Review:

If the idea that the Harker family is somehow involved with the things that go bump in the night feels familiar but you can’t quite remember why, it’s because it IS familiar. Jonathan Harker got himself mixed up with a famous vampire in a little place called Transylvania a mere couple of decades before we first met Aaron and Rosemary Harker in the first book in the Huntsmen series, Uncanny Times.

Because the times they live in are very ‘uncanny’ indeed, the Huntsmen their family has always been a part of have a very long tradition and there are vampires in Europe. Not in America, not so far, at least not yet. But still, the idea that an uncle or a cousin got themselves mixed up in that other uncanny business is not all that far-fetched once the reader gets themselves fully immersed in the Harkers’ not-quite-urban-fantasy, not-exactly-alternate-history version of 1913 New England where the ‘automotive’ has just started sharing the streets with horse-drawn carriages, the Great War seems to have already begun in Europe, and the ‘uncanny’ things that populated Washington Irving’s Sleepy Hollow have put down long, deep roots in the local landscape.

And occasionally slip into nearby houses and offices to practice their mischief. Or commit murder.

That’s what sends the Harkers, brother and sister, on a covert mission to Boston to investigate what might be an attack by an uncanny. The organization that monitors and dispatches the Huntsmen have asked/ordered/voluntold the Harkers that one of the organization’s financial backers has called in some favors, that the man wants a discreet investigation of his brother-in-law’s mysterious illness/fainting fit/possible attack, in order to placate his wife and get back to his business.

It’s a far from ideal situation, and both the Harkers know it. The Harkers feel like the organization no longer trusts them after the events in Uncanny Times, and that they’re being sent on this mission without information and with their hands tied behind their backs because its a test that someone wants them to fail.

And they could be right on all counts. But that doesn’t change the mission, only make it a whole lot more difficult to resolve – with that desired discretion or without.

Not that discretion is even possible while there’s something uncanny watching and waiting for them to make a mistake – the kind that either gets the all killed, or the kind that exposes all their secrets to a world that is absolutely not ready. Or both. The way that the Harkers’ luck tends to run – bet on both.

Escape Rating B+: So far, at least, the Huntsmen series still feels like it’s part of the ‘Weird West’ tradition. It obviously isn’t, not with the ‘automotives’ [sic] on the streets and the Great War looming on the horizon, but it still feels that way, like it would fit right into The Good, the Bad, and the Uncanny collection coming out in a couple of weeks.

(Although, come to think of it, the author DOES have a series that is explicitly set in the Weird West, titled The Devil’s West and beginning with Silver on the Road. I think I just saw it shooting up the virtually towering TBR pile, chased by one of the Harkers’ specially-prepared bullets.)

With the first book in the series, Uncanny Times, I liked the idea of the story and the series more than the story I actually got. Although I loved the Harker’s hellhound Botheration and still do. He stole every scene he was in and does in this book as well. (Don’t worry, Botheration is a Very Good Boy and is just as fine at the end of this adventure as he was at the beginning – which is very.)

His humans, however, are a bit closer to the end of their tether than either of them realizes when this case gets wrapped up. Although it does, in spite of the roadblocks put in their way by both the organization and the favor-calling client and benefactor.

One of the things that makes this series work is that Rosemary and Aaron Harker are both of their time and place AND a bit outside it at the same time, making them excellent investigators of both the human and the uncanny aspects of the case. Even as they push at the boundaries more than a bit. Which is both the cause of their ‘outsiderness’ and its result.

That’s part of why I enjoyed this story more than the first, because we get a much fuller picture of the Harkers, their skills and their capabilities, we know more about what makes them who they are, and we see more of why the organization doesn’t exactly trust them but can’t afford to assign them to the equivalent of working in Siberia without proof of something. Not that some folks aren’t looking for that something, and haven’t been for most of Aaron’s life.

At the same time, the heavy lifting of setting up the world and the series has already been done in that first book, so this one is able to sink its teeth into the case from the very first page – and that they drive off in Aaron’s rented ‘automotive” gets things going that much faster, while Rosemary’s dislike of the speed, the dust, and Aaron’s relative inexperience driving the thing adds a bit of lightness to what is otherwise a rather dark story of obsession and possession.

I came back to this series for Botheration, but I stayed because the setting is getting more and more interesting as it goes, and the case was filled with plenty of twists and turns and still-fresh-from-the-water red herrings. All the while, Rosemary and Aaron’s different but equally jaundiced perceptions of their world grounded the story in characters that I could not merely empathize with but actually share the frustrations of along the way.

So if you like tales of the Weird West – even though this isn’t quite – or historical urban fantasy – which this most definitely is – or just like exploring a world that isn’t quite ours but is just enough like ours to really, seriously get into, take an ‘automotive’ trip to early 20th century Boston with the Harkers and their very good, and very large, boy, Botheration. It’s a wild ride from beginning to end – and not just because of Aaron’s driving!

Review: Chaos Terminal by Mur Lafferty

Review: Chaos Terminal by Mur LaffertyChaos Terminal (The Midsolar Murders, #2) by Mur Lafferty
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: mystery, science fiction, science fiction mystery
Series: Midsolar Murders #2
Pages: 369
Published by Ace on November 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Mallory Viridian would rather not be an amateur detective, and fled to outer space to avoid it…but when one of the new human arrivals on a space shuttle is murdered, she’s back in the game.
Mallory Viridian would rather not be an amateur detective, thank you very much. But no matter what she does, people persist in dying around her—and only she seems to be able to solve the crime. After fleeing to an alien space station in hopes that the lack of humans would stop the murders, a serial killer had the nerve to follow her to Station Eternity. (Mallory deduced who the true culprit was that time, too.)
Now the law enforcement agent who hounded Mallory on Earth has come to Station Eternity, along with her teenage crush and his sister, Mallory’s best friend from high school. Mallory doesn’t believe in coincidences, and so she’s not at all surprised when someone in the latest shuttle from Earth is murdered. It’s the story of her life, after all.
Only this time she has more than a killer to deal with. Between her fugitive friends, a new threat arising from the Sundry hivemind, and the alarmingly peculiar behavior of the sentient space station they all call home, even Mallory’s deductive abilities are strained. If she can’t find out what’s going on (and fast), a disaster of intergalactic proportions may occur.…

My Review:

The title for this one works both ways. There’s plenty of chaos at this terminal, and much of it is terminal. But that’s not exactly a surprise with Mallory Viridian on the case. Even if part of the chaos at Station Eternity happens BECAUSE Mallory Viridian is on the case.

And entirely too much of the rest of it happens because not ALL of Mallory Viridian is on the case. To the point where Mallory isn’t even aware that there’s a case at all until someone literally drags her to the scene of the crime, and Mallory finally figures out that whatever has gone wrong on Station Eternity has gone wrong with her as well.

It’s not actually a surprise that something has gone wrong AROUND Mallory, or even that something has gone wrong WITH Mallory. Mallory is a chaos magnet of the first order, and both of those things are always happening whenever Mallory is around.

Because people always end up dead in Mallory’s vicinity. Not because she’s some kind of serial killer, but because the kind of chaos that Mallory attracts – and is then both blamed for and stuck with solving, not necessarily in that order – is the chaos that surrounds murder. She doesn’t perpetrate it, she doesn’t cause it, but wherever Mallory is, murder happens.

What Mallory is still adjusting to, and the reason that Mallory isn’t initially aware of the problems that the station is having, are directly related to Mallory’s discovery about herself and all those murders in the first book in the Midsolar Murders series, Station Eternity.

Mallory was bitten by a wasp as a child. But it wasn’t a wasp. Mallory was bitten by an advance scout for the Sundry, an alien insect species that either infiltrated Earth or arose there long before First Contact. The Sundry, as a hivemind and as a species, like gathering data and are attracted to chaos because there’s plenty of data to parse in chaotic conditions.

It’s unfortunate for Mallory that the scout that bit her was from a hivemind that was particularly attracted to the chaos around murder investigations, leading to pretty much everything that happens in Mallory’s life afterwards.

Leading Mallory to the isolation of Station Eternity – as a mere four humans aren’t enough to generate the coincidences that lead to Mallory’s brand of murder chaos.

There are, however, plenty of other species living and working aboard the station, including the chameleon-like Phantasmagore and the rocky Gneiss. And the Sundry, who in their love of chaos and data make a specialty of handling the semi-autonomous functions of spaceships and space stations.

But something is wrong with the Sundry aboard Station Eternity – and it’s wrong with Mallory as well. It’s so wrong that when a whole shipload of humans arrives on the Station, Mallory isn’t panicking about the near-certainty of murder in her vicinity. Not even as the coincidences start piling up. Suddenly there are entirely too many humans aboard Eternity, and too many of them know Mallory entirely too well.

It’s only when the bodies start dropping that Mallory finally figures out that the murders aren’t the only thing going wrong on the station, and that she’ll have to solve those murders without her murder-solving mojo – or get it back.

If she can.

Escape Rating B: One of the things that made the first book in this series, Station Eternity, so damn much fun was its relentless pace. From the moment we meet Mallory, the chaos starts swirling, Mallory starts panicking, and the whole thing is off to the races.

But when we get back to Mallory in Chaos Terminal, Mallory is not feeling herself. At all. She thinks it’s some kind of space flu. Whatever it is, she’s so far from firing on all thrusters she isn’t even aware that a huge chunk of what makes Mallory BE Mallory is totally offline.

The story isn’t told from Mallory’s first person perspective, but she is very much the reader’s perspective on events, which means that Mallory being in a complete fog for the first third of the book means that we are as well.

So it’s a third of the way into the story before Mallory’s fog lifts and the real action kicks into gear. At that point, it’s suddenly, thankfully and blissfully gangbusters, but it’s a LONG slog to get there and I very nearly didn’t.

The story, and the mystery, in Chaos Terminal is wrapped around cleaning up the many, many fascinating loose ends that were left laying on the deck of Eternity after the chaotic, nearly cataclysmic events of that first book – especially Mallory’s own, personal loose ends.

Which means that Chaos Terminal is probably not the best place to start the Midsolar Murders because a LOT of this story was set up in that first book. Howsomever, if you got caught up in Mallory’s bloody, madcap situation then, there’s a lot of fun in seeing most of those loose ends get tied up, quite possibly in a series of Gordian Knots, here in this second outing.

In spite of the science fictional setting – which is utterly fascinating – this SF mystery is pretty much character driven. Meaning that if you like Mallory as a character and enjoy her multi-species Scooby Gang, it will probably work for you. I did like Mallory a LOT in Station Eternity, so I came into Chaos Terminal expecting to love it as well. I think it works a bit less well than that first book because Mallory REALLY isn’t herself for that long beginning, and the less polished and/or less likable characters’ rough edges are very much on display while Mallory is getting her act together.

But I do like Mallory Viridian as a character, and as a human perspective on humanity’s first toehold in this near-future, post-First Contact, wider galactic universe. A universe that is not only not centered on humans, but doesn’t even seem to be centered on humanoids, making it every bit as fascinating a character as Mallory herself.

Which means that I absolutely will be back to see who, or what, ends up dead when Mallory’s next investigation/adventure/crisis appears!

Review: The Wishing Bridge by Viola Shipman

Review: The Wishing Bridge by Viola ShipmanThe Wishing Bridge by Viola Shipman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: holiday fiction, relationship fiction, women's fiction
Pages: 368
Published by Graydon House on November 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

With unabashed winter charm, The Wishing Bridge sparkles with the humor and heart fans of Kristy Woodson Harvey, Nancy Thayer and Jenny Colgan love most.
Once the hottest mergers and acquisitions executive in the company, Henrietta Wegner can see the ambitious and impossibly young up-and-comers gunning for her job. When Henri’s boss makes it clear she’ll be starting the New Year unemployed unless she can close a big deal before the holidays, Henri impulsively tells him that she can convince her aging parents to sell Wegner’s—their iconic Frankenmuth, Michigan, Christmas store—to a massive, soulless corporation. It’s the kind of deal cool, corporate Henri has built her career on.
Home for the holidays has typically meant a perfunctory twenty-four-hour visit for Henri, then back to Detroit as fast as her car will drive her. So turning up at the Wegner’s offices in early December raises some eyebrows: from her delighted, if puzzled, parents to her suspicious brother and curious childhood friends. But as Henri fields impatient texts from her boss while reconnecting with the magic of the store and warmth of her hometown, what sounded great in the boardroom begins to lose its luster in real life. She’s running out of time to pull the trigger on what could be the greatest success of her career…or the most awkward family holiday of her life.
Includes the bonus novella Christmas Angels

My Review:

“Home is the place where, when you have to go there, they have to take you in,” at least according to Robert Frost. But just because they have to take you in, or even if they WANT to take you in, that does not give you permission to steal it out from under them.

Which is EXACTLY what Henrietta Wegner plans to do when she returns home to Frankenmuth, MI and to the ‘all Christmas all the time all year round’ store named after her family. A store that anchors not just the Christmas season in Frankenmuth but the whole, entire town.

50something Henri is on the ropes at the cutthroat mergers and acquisitions firm she cut a wide swath through back in the day – when she first left home to make her own mark. Now she’s back home, attempting to defend that mark by ‘acquiring’ the store her parents have put their heart and soul into.

Henri sees herself as the Grinch, descending upon Whoville with a heart that’s three sizes too small – if not a bit more.

But just as no plan survives contact with the enemy – a description that Henri is sure will be left in her wake – Henri’s plan to put the Grinch into her family’s Christmas doesn’t look like it can survive contact with the Spirit of Christmas.

Henri’s story has all the makings of one of those Hallmark holiday movies that she and her mother are not-so-secretly fond of – if she’ll just let it. Happy Holidays, indeed!

Escape Rating B+: The Wishing Bridge, in addition to being a heartwarming story for the holiday season, combines two romance/women’s fiction tropes in a way that the one reinforces the other and back around again, and both lean in to the holiday season in a way that just wraps the whole story up with a bright red holiday bow with an ornament hanging from it.

At first, The Wishing Bridge is that tried-and-true story about the stone-hearted corporate bigwig coming to a tiny town to take it over and make it over – or tear it down – who discovers that he or she has a heart after all that gets captured by the town, the people who live there, and some special someone.

AND The Wishing Bridge is also a story about second chances. Not just a second chance at romance, although that too, but a second chance at pretty much everything. It’s a story about that ‘road not taken’ winding back around and intersecting with the road that Henri took all those years ago, giving her the opportunity – not so much to do things over, because life has happened and this isn’t a time travel story – but rather to make a different choice for the next phase of her life.

Both of those tropes require that the main character take a good, hard look at the life they have and decide whether it’s REALLY the life they want or need, and those are never easy decisions – and they’re certainly not for Henri.

(That her boss is an utter douchecanoe seems like it should make the decision easier, but it’s right that it doesn’t and even right-er that he’s not her ex. Because that would be gross under the circumstances. This is about Henri and what she wants, his asshattery is not REALLY what her decision needs to be about and that’s handled well.)

One thing that turned out to be difficult for this reader, and leads to a bit of a trigger warning. A lot of what makes the idea of selling Wegman’s out from under her parents instead of signing on and continuing their legacy is that the all-Christmas all the time dream was one that she shared with her father. He still has that dream, but she’s let it fall behind her – or buried it under her own ambitions. There’s a lot about fathers and daughters in this one, and it gave me a bit of the weepies even though the ending is a happy one. (In other words, if you have unfinished business with your dad, it may hit you the same way.)

To make a long story at least a bit shorter, even though the eARC did not include the bonus novella Christmas Angels, The Wishing Bridge all by itself is a charming story and a lovely start to the holiday reading season!

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