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Review: The Good, the Bad and the Uncanny edited by Jonathan Maberry

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: The Good, the Bad and the Uncanny edited by Jonathan MaberryThe Good, The Bad, & The Uncanny: Tales of a Very Weird West by Jonathan Maberry, C. Edward Sellner, Keith R.A. DeCandido, James A. Moore, Greg Cox, Josh Malerman, Carrie Harris, John G. Hartness, Jennifer Brody, Scott Sigler, Laura Anne Gilman, Aaron Rosenberg, Jeffrey J. Mariotte, R. S. Belcher, Marguerite Reed, Maurice Broaddus, Cullen Bunn
Format: eARC
Source: publisher
Formats available: paperback, ebook
Genres: fantasy, horror, short stories, steampunk, Weird West
Pages: 350
Published by Outland Entertainment on December 19, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Gunslingers. Lawmen. Snake-oil Salesmen. Cowboys. Mad Scientists. And a few monsters. The Old West has never been wilder! THE GOOD, THE BAD, AND THE UNCANNY presents sixteen original and never-before-published adventures by some of today’ s most visionary writers who have spun wildly offbeat tales of gunmen, lawmen, magic, and weird science. Saddle up with Josh Malerman, Scott Sigler, Keith DeCandido, Cullen Bunn, R.S. Belcher, Greg Cox, Jeffrey Mariotte, Laura Anne Gilman, Aaron Rosenberg, Maurice Broaddus, John G. Hartness, Carrie Harris, James A. Moore, Marguerite Reed, C. Edward Sellner, Carrie Harris, and Jennifer Brody! These tales twist the American West into a place of darkness, shadows, sudden death, terror in the night, bold heroism, devious magic, and shocking violence. Each story blazes a new trail through very strange territory – discovering weird science, ancient evil, mythic creatures, and lightning-fast action. Edited by Jonathan Maberry, NY Times bestselling author of A DEADLANDS NOVEL, the Joe Ledger Thrillers, V-WARS, and KAGEN THE DAMNED.

My Review:

I don’t normally start reviews by talking about the author’s – or in this case the editor’s – Foreword. In fact, I very seldom read the Foreword because I’m too interested in getting to the actual story – or in this case stories – to take the time. And they’re generally not all that fascinating. But I read this one and got hit with a sense of nostalgia so strong that I can’t resist mentioning it here. Because the editor and I grew up with those same Westerns on TV pretty much all the time in our childhood, and because we both emerged with the same favorite, The Wild, Wild West.

Not that awful 1999 movie. I mean – and the author meant – the one, the only, the original TV series with Robert Conrad and Ross Martin. I still remember, and can hear Ross Martin’s voice in my head, talking mostly to himself, as he often did, as he was whipping up “the spécialité de la maison of the Hotel Desperation!” to get them out of whatever fix they’d gotten themselves into in that act of the four acts that made up each weekly episode. It’s a VERY fond memory.

So, if you have that same fondness for Westerns – especially those that touched on, or were touched by, or dipped their whole entire six-shooters into the very, very weird, or if you’re a fan of more recently published ‘Weird West’ inspired stories such as Charlaine Harris’ Gunnie Rose series and Laura Anne Gilman’s Huntsmen, or if you just plain love it when the things that go bump in the night are armed with fangs, claws AND six-shooters, this collection might just be your jam.

It certainly was mine. It was mine so much, in fact, that this is one of the rare occasions when I’ve rated each story in the collection individually, so that you can get the full-bodied flavor – complete with actual bodies, for each and every one.

“The Disobedient Devil Dust-up at Copper Junction” by Cullen Bunn
Mad scientist meets even madder gremlins as Professor Dimitri Daedalus and his Navajo partner Yiske arrive in remote Copper Junction Utah, summoned by the Professor’s old mentor to be his next sacrifices to the gremlins tearing up every single human tool in town with applied chaos and malice, only to end in fiery glory sailing off a cliff. Good fun. B

“Devil’s Snare” (Golgotha #1.5) by R.S. Belcher
In spite of being part of a series, this story stands quite well alone. Love-lorn scientist/engineer Clay Turlough, who combines bits of both Dr. Frankenstein AND his monster, gets dragged out of his latest attempt to ‘save’ his ladylove by a more strictly medical case of a poisoned boy, his widowed mother, and the man who is a bit too invested in both. A-

“Bad” by Josh Malerman
Borderline horror about two idiots who think they can rob the most secure bank on ‘The Trail’ by pretending to be one of the bank’s regular depositors. A pretense they intend to enact by literally stealing the man’s face. A hard read because the murdering bank robber wannabes are really, really TSTL to the point where the story is just blood, guts and idiocy. D

“Bigfoot George” by Greg Cox
Gold fever grips a gang of humans claiming a strike in Bigfoot country. The ringleaders think they can treat sasquatch the way they treat their fellow humans – only one of those fellow humans isn’t to both the humans and the sasquatch’ detriment. The humans are nasty in ways that are all too familiar, but the heel-turn of their not-so-human companion is epic enough to nearly redeem their mess – if not them. C+

“Story of the Century” by C. Edward Sellner
A tale of angels and demons, vampires and newspaper reporters. A reporter with a nose for news follows a bounty hunter on the trail of a demon who can wipe out whole towns in a single breath, only to find herself the last witness to an epic confrontation between celestial and demonic forces that wakes a legacy she had no idea she possessed. B

“The Stacked Deck” by Aaron Rosenberg
A card sharp with a magic touch wins his way onto a gambler’s paradise of a riverboat cruise only to learn that the stake he’s playing for is his soul and the deck has been stacked by a demon who believes he holds all the cards. The weird side of the weird West with a fascinating magical system of drawing cards from the ether. Maverick would have fit right in. And won. B+

“Desert Justice” by Maurice Broaddus
A black man with a righteous cause, the will to back it up and the grief not to care if he goes down in the fight takes up a magical badge to battle the evil spirit of the dead Confederacy that white men are using to vilify, subjugate and lynch blacks who stand up for themselves in the west after they fled the ‘legal slavery’ of the sharecropping system. If you enjoyed the author’s novella Buffalo Soldier you’ll love this one too. I certainly did. A

“In the End, the Beginning” by Laura Anne Gilman
A still heartbreaking but slightly more hopeful alternate magical version of the white man’s invasion of the west. It can’t be stopped, but powerful spirits CAN, if they are willing to sacrifice themselves and their magic in the cause, alter the means by which it happens, in the hopes that the ones who can’t be stopped are the best of their kind and not the worst.  A

“Nightfall on the Iron Dragon Line” by James A. Moore
The inevitable train story because no western or weird version thereof would be complete without one train story. The concept is interesting, and a story about a lawman bringing in a dangerous criminal always works in westerns but this one needed to be longer for all the disparate elements – especially the worm and the Chinese engineers – to come together. C

“Simple Silas” by Scott Sigler
This is straight up horror and the story relies on the protagonist having an undefined intellectual disability (because they were back then) in a way that just makes the whole thing more uncomfortable than compelling. D

“Hell and Destruction are Never Full” by Marguerite Reed
A bounty hunter captures a man for more money than she’s ever seen in her life and doesn’t want to hear about the real reason the bounty was set – until she comes face to face with a vampire and his renfield who plan to shut up a witness and get a meal out of it at the same time. That this has a happy ending is a big surprise. It’s not the standout in the collection but it was pretty good all the same. B

“The Legend of Long-Ears” by Keith R.A. DeCandido
A meeting that never happened between two legends, Calamity Jane and Deputy U.S. Marshal Bass Reeves. Calamity is a seer who drinks to keep her visions of the future at bay, while she does her best to keep the chaos agent known as Long-Ears from taking more lives than he’s due. She saves Reeves but can’t save them all. However, she saves so many that Long-Ears himself travels the west telling any who will listen the tale of his greatest and most respected enemy. This one seems like the quintessential weird west story, or at least one branch of it, with legends meeting, native spirits interfering, respect between enemies and tragedies all around. A+

“The Night Caravan” by Jennifer Brody
A post-apocalyptic tale where the desert has returned, while technology and fallout have bred monsters and settlements are far apart while travel puts you in danger of being ridden by one of the monsters. The mix of high tech and low villainy with a mythical utopia that is probably a boondoggle makes the story interesting. B

“Dreadful” by John Hartness
A middle-aged widow and a tired vampire-hunting cowboy team up to wipe out a nest of vampires that is eating their way across the west like locusts. Separately, they’re victims, together they might just be enough to get the job done. And if there’s an after, they might have a chance at being happy in it, together. B+

“Thicker Than Water” by Carrie Harris
Families are terrible. His brothers are human monsters. Her sisters are sea monsters. But family is family and blood is thicker than water, even when the deck of the ship is awash in it. This one just wasn’t my cuppa, and I’m trying really hard not to think about what the tea in that cuppa would be made of. C

“Barnfeather’s Magical Medicine Show and Tent Extravaganza” by Jeffrey J. Mariotte
Another one a bit too high on the creep-o-meter for me, about a magical circus tent that steals children and eats them to keep itself and its avatar powered – or perhaps the other way around, pursued by a lawman hoping to rescue children who are already gone. C

Escape Rating B: I had to do math to get to an overall rating, just as I did for the review of a previous collection by this publisher, Never Too Old to Save the World, which is going to end up on my Best Books list for this year because I’ve referred to it so often.

I enjoyed this collection, well, not quite as much as Never Too Old, but still quite a bit. Even the stories that went too far into horror for my personal tastes, or the couple that just didn’t work for me, still added to the overall feeling of ‘those thrilling days of yesteryear’ even if it was a weirder and more uncanny yesteryear than The Lone Ranger ever imagined.

Or perhaps especially because it was a whole lot weirder and considerably more uncanny. Just as marvelously as The Wild, Wild West so often was.

Review: Best American Science Fiction and Fantasy 2023 edited by R.F. Kuang

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Best American Science Fiction and Fantasy 2023 edited by R.F. KuangThe Best American Science Fiction and Fantasy 2023 by R.F. Kuang, John Joseph Adams
Format: eARC
Source: publisher
Formats available: paperback, ebook, audiobook
Genres: anthologies, fantasy, science fiction, short stories
Series: The Best American Science Fiction and Fantasy
Pages: 320
Published by Mariner Books on October 17, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

“Short stories have to accomplish a nearly impossible magic trick: to introduce a world often much stranger than our own and make you care about it in a matter of pages,” writes R. F. Kuang in her introduction. “The most important part of this magic trick is just a willingness to get weird.” The stories in The Best American Science Fiction and Fantasy 2023 are brimming with bizarre and otherworldly premises. Women can’t lie or fall in love. Fathers feed their children ghost preserves. Souls chase one another through animal incarnations. Yet these stories are grounded deeply in our reality. Out of these stories’ weirdness emerges the cruelty of border enforcement, the horror of legislation restricting reproductive freedom, the frightening pace of AI. The result is a stunning, immersive, intensely felt experience, showing us less of what the world is, and more of what it could be.

The Best American Science Fiction and Fantasy 2023 includes Nathan Ballingrud • KT Bryski • Isabel Cañas • Maria Dong • Kim Fu • Theodora Goss • Alix E. Harrow • S. L. Huang • Stephen Graham Jones • Shingai Njeri Kagunda • Isabel J. Kim • Samantha Mills • MKRNYILGLD • Malka Older • Susan Palwick • Linda Raquel Nieves Pérez • Sofia Samatar • Kristina Ten • Catherynne M. Valente • Chris Willrich

My Review:

This collection begins with a kind of a story getting into a bit of the nitty-gritty of just how this collection of stories was assembled. After all, it’s a fairly big ask and an equally large task to distill one year’s ENTIRE SF/F short fiction output into a book that has to be, if not all things to all (SF/F) people, at least serve as a representative sampling of the best works of an entire year in a genre that ranges from the dark heart of a monstrous villain’s soul – if they have one – to the furthest reaches of the stars – and covers everywhere and everywhen in between.

Not all stories will work for all readers, something that is especially true in such an encompassing genre, one filled with niches that may or may not even all occupy the same literary planet.

All of that being said, this collection is guaranteed to have its delightful moments for any reader of science fiction, fantasy, or any of the times, places and spaces in between.

For sheer reading pleasure, my favorites in this year’s collection were fantasy or at least fantasy-ish. Notice I said for reading pleasure, as other stories in the collection in other niches hit different places in my reading brain.

The story I loved most and hardest is, far and away, Alix E. Harrow’s “The Six Deaths of the Saint”. A story that reads like fantasy even though in the end it has SFnal elements. I loved this one because it’s a story about myths and mythmaking, but it’s told through the perspective of the person being made into a myth who finally breaks free of the legend that has accreted around them. That it happens with the aid of a love so great it makes Westley in The Princess Bride seem like he’s not even trying just adds to both the glory and the heartbreak of the story.

While Alix Harrow’s story blew me away, there were two other stories, just a bit lighter in tone, that I also adored.

“Pellargonia: A Letter to the Journal of Imaginary Anthropology” by Theodora Goss sits on the border between fantasy and SF, and I’m still not sure where it falls. This is fun because it begins as an exercise in imagination that becomes real, at least for situations where The Velveteen Rabbit is an imaginary country instead of a child’s toy. A group of high school students create an imaginary country, send scholarly papers to scholarly journals about the imaginary country, add Wikipedia pages about the imaginary country they’ve created – and it starts turning up in the news, the real news, and suddenly everyone remembers Pellargonia as if it’s always been there. The story is about the kids confessing what they’ve done, as though they can put the Pellargonia genie back in it’s magical bottle after it’s already become the center of a possible war.

The last of my fun favorites is “Cumulative Ethical Guidelines for Mid-Range Interstellar Storytellers” by Malka Older which is, at least in setting, actual science fiction. But it reads as if it’s in the same voice as the author’s wonderful SF/steampunk/mystery series, The Investigations of Mossa and Pleiti, with its tones of otherworldly academia where the politics and the strictures are still awfully vicious because the stakes are awfully small. It’s a story about what should be done instead of getting it done, and it’s just a lot of fun.

As much fun as those three stories were, there’s a second set of stories that captured me because they speak to the present moment in ways that chilled me to the bone. Because everything seems to come in threes, there are three stories in this category, at least for this reader, as well.

“Rabbit Test” by Samantha Mills and “The CRISPR Cookbook” by MKRNYILGLD read as responses to the overturning of Roe v. Wade in that they extend the loss of bodily autonomy represented by that decision and slide it down the slippery slope as far and as frighteningly as possible into the ramifications of that loss and the many future restrictions it might lead to.

Last, but equally not least, and also in response to the current events surrounding AI being taught to take the place of humans and human interactions, “Murder by Pixel” by S.L. Huang takes a deep dive into just how toxic and downright disgusting AI chatbots can become – and just how humans made them that way.

Escape Rating A-: It’s always difficult to rate collections like this one, because reading mileage varies widely, one person’s meat is another’s poison, etc., etc., etc. Howsomever, there was only one story in this collection that I bounced off hard, and that’s rare for me. Usually there are several. And I loved “The Six Deaths of the Saint” really, really hard, and a whole bunch of the other stories I either really enjoyed or really stuck with me, so I’m rounding this one up to an A- for all of those reasons.

To make a long story short – as is this collection’s whole, entire purpose – if you don’t generally read SF/F in the short form (it’s not usually my jam) but want to get a picture of what happened last year, this collection is a great place to read!

Review: The 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church by Rachel L. Swarns

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church by Rachel L. SwarnsThe 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church by Rachel L. Swarns
Format: ebook
Source: publisher
Formats available: hardcover, ebook, audiobook
Genres: African American History, history, U.S. history
Pages: 326
Published by Random House on June 13, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

“An absolutely essential addition to the history of the Catholic Church, whose involvement in New World slavery sustained the Church and, thereby, helped to entrench enslavement in American society.”—Annette Gordon-Reed, Pulitzer Prize–winning author of The Hemingses of Monticello and On Juneteenth
In 1838, a group of America’s most prominent Catholic priests sold 272 enslaved people to save their largest mission project, what is now Georgetown University. In this groundbreaking account, journalist, author, and professor Rachel L. Swarns follows one family through nearly two centuries of indentured servitude and enslavement to uncover the harrowing origin story of the Catholic Church in the United States.
Through the saga of the Mahoney family, Swarns illustrates how the Church relied on slave labor and slave sales to sustain its operations and to help finance its expansion. The story begins with Ann Joice, a free Black woman and the matriarch of the Mahoney family. Joice sailed to Maryland in the late 1600s as an indentured servant, but her contract was burned and her freedom stolen. Her descendants, who were enslaved by Jesuit priests, passed down the story of that broken promise for centuries. One of those descendants, Harry Mahoney, saved lives and the church’s money in the War of 1812, but his children, including Louisa and Anna, were put up for sale in 1838. One daughter managed to escape. The other was sold and shipped to Louisiana. Their descendants would remain apart until Rachel Swarns’s reporting in The New York Times finally reunited them. They would go on to join other GU272 descendants who pressed Georgetown and the Catholic Church to make amends, prodding the institutions to break new ground in the movement for reparations and reconciliation in America.
Swarns’s journalism has already started a national conversation about universities with ties to slavery. The 272 tells a bigger story, demonstrating how slavery fueled the growth of the Catholic Church in America and bringing to light the enslaved people whose forced labor helped to build the largest religious denomination in the nation.

My Review:

The 272 is a book that asks the questions, “What does the past owe to the present?” with the inevitable follow-up, “If a debt is owed, how and to whom does it, can it, should it, get paid?” Putting it another way, it’s a book that exemplifies the famous quote from William Faulkner, “The past is never dead. It’s not even past.”

That Faulkner, at least according to his Wikipedia page, was “a towering figure in Southern literature” adds more than a bit of irony to the mind-boggling appropriateness of the quote, as the history that is detailed in The 272 and the issues that history raises, are very things that Southern literature often dealt with through stereotyping and/or sweeping narratives dealing with issues of race and racism under the biggest rug they could find.

The 272 lifts that rug, on the slaveholding and slave trading history of the Catholic Jesuit Order in the United States and the early years of the Jesuit’s first American college, now Georgetown University – and their creation of all the Jesuit colleges that followed. It does so by taking the reader into the history of one family, the Mahoneys, who were owned by the Jesuits, sold by them, broken apart by them, and tracing that family’s history through sales, relocations, forced separations and joyous reunions, from the first documented member of that family, a woman whose freedom was easily stolen because she was black, all the way down to a man who is sitting in his own office at Georgetown University as his distant cousin relays to him that his employer once owned his ancestors.

There are two “stories’ being told in The 272 that weave together in a braid that begins with one indentured black woman on a Maryland plantation in 1676 (during this period both blacks and whites came to America as indentured servants to be freed at the end of their term of indenture) and ends with her hundreds of living descendents learning that they are all part of one family that was bought, sold, twisted and torn by a single institution. An institution that still exists and was able to survive to the present day because of the money that institution received for selling the crops and goods their direct ancestors produced and finally selling their ancestors themselves in one massive slave sale that was hidden in plain sight in Georgetown University’s records.

And there’s the flip side of that story, of the priests and the church that they served, mendaciously espousing the idea that it was more important to save those same slaves’ souls than it was to care for their bodies or, most especially, to grant them the freedom that their very order had come to America for. And to never see the contradiction and the hypocrisy in their teaching and their practices. To only see the money that could be made by selling their labor or their bodies. That money kept Georgetown itself financially afloat after years of mismanagement AND provided the seed money for the network of Jesuit colleges that exists to this day.

“The past is a foreign country; they do things differently there.” Or so goes the other famous quote about the past, attributed to L.P. Hartley. Which leads to the questions raised at the very beginning of this review, the question of what does that past owe to its descendants in the present? What does Georgetown University, the institution that still exists today because of that mass slave sale back in 1838, owe to those people in that past, and re-sold and torn apart by that same institution, even though that debt can only be paid to their descendants in this present day? It’s a question that is still in the process of being answered.

Reality Rating A-: Nonfiction is always hard to rate, because there are two factors involved. There’s the story being told, and then there’s the way that story is being told. The two parts don’t have to be in sync, and they aren’t quite here.

The story that’s being told in The 272 is a compelling one. It deals with racism and history and politics and money and religion. That’s not merely lot but any of those topics are more than meaty all by themselves to have the potential for a thought-provoking or even mind-altering book. And The 272 certainly does both.

The history, although in the main the story follows a pattern that is well-known, by focusing that pattern of promises made, promises broken, families broken, freedom sought, sometimes found and always abrogated by the reality of who holds power over whom on a single family traced through history the reader is made to feel its effects in the way that the dry recitations of history often do not.

That being said, the story as written is still just a bit dry. It is history and it does relate a lot of archival details that I personally found interesting. But the author resisted the temptation to put words or feelings into the heads of people whose words and feelings were not left in the historical record. (Which has the potential to be a whole discussion of its own.) That choice makes the history feel authentic, but also puts the reader at more of a distance from the narrative.

What does, however, add to the compulsion to read The 272 in pretty much one sitting is that the words and thoughts of the Jesuit priests who conducted this, let’s call it a legal atrocity and crime against humanity were recorded in their own words, and that racism, self-serving stereotyping and self-dealing hypocrisy ring off every page. It’s a drumbeat that echoes in the reader’s head long after the last page is turned.

The sale was never hidden, because it never needed to be. Which should be a crime in and of itself. But it faded into the shadows of history and seems to have been quietly swept under that rug until the mid-2010s. That’s when buildings named for the two perpetrators of this heinousness were being remodeled and research blew the dust off the archives sheltering the reputations of those ‘founding fathers’ of the University. Which led to a series of articles in the New York Times, the renaming of the buildings, this book, a family reunion of the Mahoney family from all parts of their eventual diaspora, and an ongoing series of dialogs between the University and the descendants on that question of what does that past owe to this present.

What brought me to this book this week is Banned Books Week. Not because this book has been banned or challenged – at least not yet – if only because it was just published in June 2023. However, this is a book that absolutely has the potential to be challenged and even banned because of the very questions that it addresses. The book challenges the ‘accepted’ narratives not just around slavery but also around the Catholic Church, which is the single largest denomination in the U.S. today. (There are more Protestants, but the Protestants are split among multiple denominations.)

The common thread among the books that get banned and challenged is that they tell stories that question accepted narratives and history. There are ongoing attempts to rewrite the history of slavery in the United States, trying to reframe it in ways that make it seem anywhere from less awful to downright benevolent, that have the goal of erasing the proven concept that the history of racism and slavery in the U.S. has a continued effect in this country and especially on the People of Color within it to the present day that still needs to be addressed.

The 272 asks questions, similar to the questions raised in The 1619 Project, which has been banned and challenged repeatedly in the years since it was published. The 272 has a tighter focus, but will still cause the same discomfort among the same people who The 1619 Project made uncomfortable. As a consequence, I will not be surprised, although I will be frustrated, disappointed and angry, to see The 272 on the list of banned and challenged books in the years to come – even if this is one of those times when I would very much prefer to be wrong.

Review: Starter Villain by John Scalzi

Posted on by Marlene Harris | Author : | A Reviews> audio reviews> audiobooks> book reviews
Review: Starter Villain by John ScalziStarter Villain by John Scalzi
Narrator: Wil Wheaton
Format: audiobook, eARC
Source: publisher, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: science fiction, superheroes
Pages: 272
Length: 8 hrs 5 mins
Published by Audible Studios, Tor Books on September 19, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Following the bestselling The Kaiju Preservation Society, John Scalzi returns with Starter Villain, another unique sci-fi caper set in the strangest of all worlds, present-day Earth.
Inheriting your mysterious uncle's supervillain business is more complicated than you might imagine.
Sure, there are the things you'd expect. The undersea volcano lairs. The minions. The plots to take over the world. The international networks of rivals who want you dead.
Much harder to get used to...are the the sentient, language-using, computer-savvy cats.
And the fact that in the overall organization, they're management...

My Review:

It’s a truism that “dogs have owners, cats have staff” and in that context, Charlie Fitzer is absolutely the staffer for ‘his’ cat, Hera, and her newly adopted kitten sister Persephone. In fact, Charlie is more Hera’s pet than she is his, something that he is forced to become all too aware of as Charlie’s situation sinks its teeth into him – figuratively and even literally.

As the story begins, Charlie is so far down that he can’t even see ‘up’ from where he’s standing. He’s a journalist without a job because journalism is dying. He’s divorced. The dad he spent the last several years taking care of is dead, and Charlie is living in his dad’s house but only owns one quarter of said house – while his three siblings want him OUT so they can sell it. He wants to buy a local bar so he can get out of substitute teaching and maybe build a life again.

And his great uncle Jake just died, which Charlie only knows about because he used to be a finance journalist – and a good one – and he still can’t resist listening to the finance news. He’s not expecting a legacy from Uncle Jake because Charlie hasn’t seen Uncle Jake since he was FIVE and barely remembers the man nearly 30 years later.

But Uncle Jake, who Charlie always believed was a parking lot magnate – which he was – was also something else. Something Charlie gets more than a glimpse of when he attends Uncle Jake’s funeral and one of the other attendees attempts to stab the corpse.

Uncle Jake was clearly not just in the parking lot business. And now, neither is Charlie. Which is how he discovers that Hera isn’t just a cat, and that truth is not only infinitely stranger than fiction – but that it downright inspires it in ways that Charlie could never have imagined.

At least not until he found himself mediating labor disputes between the management of the not-exactly-secret, über high-tech, super villain headquarters that Charlie himself is now in charge of and a pod of genetically engineered, super-intelligent and seriously pissed off dolphins who are planning to go on strike.

Escape Rating A: Charlie starts out Starter Villain in WAY, WAY over his head. Part of his charm is that he never loses sight of that fact. He’s always aware that he hasn’t got a clue, and isn’t likely to get one any time soon, and is secretly panicking about it every other minute. Which is a big chunk of why we like him and end up rooting for him so hard, because his inner voice is asking the same questions that a lot of us would be asking in his place.

The setup of Charlie’s world is hilarious and frightening AF at the same time. So much of what happens is utterly silly and bizarre, but with Charlie as our window into this universe we get to secretly giggle – sometimes guffaw – and Kermit-flail in panic right along with him. What makes it work is that the only thing about the over-the-top-ness of it all that Charlie takes seriously are the murders and death threats – which are legion. The trappings of wealth and power are hollow – at least as they apply to him – and he takes all of it with a grain of salt and a look behind the curtain.

So Starter Villain starts out looking like a short course in how to become a supervillain in a few, not so easy, morally ambiguous lessons, only for both Charlie and the reader to ultimately learn that they’ve been outvillained every single hilarious step of the way – and so has everyone else.

There are a couple of niggles that kept this from being an A+ grade, and one that almost put it over the top anyway, because in the end I had an absolute ball with Starter Villain, and not just because of the cats. Although they certainly helped – in exactly the way that cats always do.

The early part of the story is a really hard read – pretty much right up to the point where ‘Tobias the Stabber’ tries to stab Uncle Jake’s corpse to make sure the old man is really dead this time. It’s hard because Charlie is just so far down during that first part of the story, and circumstances continuously hammer that point home to both Charlie and the reader to the point where it feels a bit like ‘piling on’. That’s probably intentional, but it still makes that first part a bit more of a slog than I generally expect from this author.

Speaking of whom, the other niggle that is not a ‘me’ thing but may be a ‘you’ thing is that Charlie is very much the author’s avatar in this one. The bleed through from the author’s public persona to Charlie’s character is obvious. I like the author’s public persona, I’ve been to a whole bunch of his readings and events and often read his blog, Whatever, for his signature brand of giggles, snark and well-thought-out malleting. But I recognize that he’s an acquired taste. I’ve been rather thoroughly infected, and clearly so have a lot of others or his books wouldn’t make the New York Times Bestseller list on the regular. But if you’re not at least neutral to that taste, Charlie Fitzer may not be your jam. If so, I think you’re missing out but YMMV.

The thing that almost put Starter Villain over the top into an A+ anyway is that this is my second ‘read’ of Starter Villain. The first time around, I read it for a Library Journal review, which turned out to be Starred Review and the SFF Pick of the Month that month. So I did love it but that first bit was just hard. (I liked Charlie too much to enjoy watching him suffer – especially from inside his own head.)

This time around I was able to listen to the audiobook (THANK YOU TOR BOOKS!), narrated by Wil Wheaton of Star Trek: Next Gen fame. Wheaton is channeling the author’s public persona so hard and so well that I nearly caught myself checking a couple of times that it really was him and not the author himself – who does do an excellent job of reading his own work at conventions and on book tours.

But all of the above means that, as the character reads like an avatar of the author’s public persona, and the actor is excellent at channeling that same voice, the reading feels almost seamless, like we’re directly in Charlie’s head the whole time and Kermit-flailing right along with him.

In short – which I realize I haven’t been AT ALL – this means that you really, really need to read Starter Villain – especially if you like cats and are sure they’re the ones really in charge of you, your house, and pretty much everything else in the world. And if you have or can create an opportunity where listening to this book in audio will work for you, make it so because it’s even better in audio.

Guest Review: Chef’s Kiss by TJ Alexander

Posted on by Amy Daltry | Author : | A+ Reviews> book reviews> Guest Review
Guest Review: Chef’s Kiss by TJ AlexanderChef's Kiss (Chef's Kiss, #1) by T.J. Alexander
Format: paperback
Source: publisher
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, queer romance, romantic comedy
Series: Chef's Kiss #1
Pages: 308
Published by Emily Bestler Books on May 3, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A high-strung pastry chef’s professional goals are interrupted by an unexpected career transition and the introduction of her wildly attractive nonbinary kitchen manager in this deliciously fresh and witty queer rom-com.
Simone Larkspur is a perfectionist pastry expert with a dream job at The Discerning Chef, a venerable cookbook publisher in New York City. All she wants to do is create the perfect loaf of sourdough and develop recipes, but when The Discerning Chef decides to bring their brand into the 21st century by pivoting to video, Simone is thrust into the spotlight and finds herself failing at something for the first time in her life.
To make matters worse, Simone has to deal with Ray Lyton, the new test kitchen manager, whose obnoxious cheer and outgoing personality are like oil to Simone’s water. When Ray accidentally becomes a viral YouTube sensation with a series of homebrewing videos, their eccentric editor in chief forces Simone to work alongside the chipper upstart or else risk her beloved job. But the more they work together, the more Simone realizes her heart may be softening like butter for Ray.
Things get even more complicated when Ray comes out at work as nonbinary to mixed reactions—and Simone must choose between the career she fought so hard for and the person who just might take the cake (and her heart).

Note from Amy: I realized as I was writing this that I’ve been gone from these pages since the beginning the COVID-19 pandemic; my last review was for Melanie Yaun’s PsyTek. In the early days of the pandemic, just weeks after that review was posted, we lost Melanie, so the rest of that story, sadly, is lost to us, as is her brilliant work at our shared day job, her joyous wit, and her dear, dear friendship.  In the time since then, I’ve not been as much of a reader or writer as I have been in the past. But the subject of today’s post, perhaps, marks a turning point for me, where I can get back at the keyboard.

Guest Review by Amy: Two people, who get a crush on each other and spend most of the book circling around that fact through an assortment of tribulations, until one of them apologizes and says they’ll never mention it again, and the other says, “wait, what?” and they ride off into the sunset together.  Tropey as it comes, right?  That’s the basic recipe for a rom-com, isn’t it?

When I saw a queer romance, involving a chef, I was all-in. I love to cook (ask Marlene!) and I love queer romance almost as much as I love sci-fi.  If there’s ever a queer romance set on a spaceship involving the ship’s cook, I may spontaneously combust. (Marlene’s comment: Ryka Aoki’s marvelous Light from Uncommon Stars is more cooking than cheffing, but there’s a spaceship and a queer romance and donuts and it’s marvelous. I’ll be prepared to pick up your pieces if you combust upon reading.) 

Escape Rating: A+:  One of the things that makes a whole lot of romances work is that they draw the reader – usually a female – into identifying with the – usually a female – protagonist.  It’s a formula that has driven Harlequin’s success since before Marlene or I were born.  But what happens when the reader is not drawn into the world of the protagonist from whose eyes we are seeing the story, but to their love interest?  In my case, that is what happened in Chef’s Kiss.  Our protagonist, and the lens through which we see author TJ Alexander’s New York City setting, is Simone, a trained chef, who works at a fairly staid old media company producing recipes in a test kitchen. She’s happy with her situation; it’s her dream job!  Sure, it doesn’t pay as well as it could, perhaps, but the magazine has been losing subscriptions for a while now, because 21st century, you know…

Other reviewers, and indeed, the book’s back cover, call Simone “high-strung,” but to my eyes, that is kind of a cheap shot, as no one calls her that between the covers of the book, and I’m just not seeing that. She’s a bit uptight, perhaps, something of a perfectionist, and rather resistant to change, certainly.  So when the publisher of the magazine calls her in and tells her their whole business model is changing to creating video content, and then she discovers that the long-time kitchen manager has been replaced by a much younger and more energetic person who is going to change literally everything in her orderly world, she is, to put it mildly, kind of agitated about it. I get that, and I don’t think that classifies as “high-strung.”  She’s just behaving…well, like I might, in her shoes.  And I’m not high-strung.  Am I? (Marlene’s comment: No, you’re not. Or I am too and we’re NOT going there because cheap shot is still cheap.)

It doesn’t take long, of course, until the bisexual Simone falls for the tall, good-looking and energetic new soul in the kitchen, though – Ray is super-cute, enjoys wearing a leather apron, and looks really good in it. But they’re just colleagues, you know…then, just friends, of course…

The publisher’s video guy accidentally posts a clip of Ray being hilarious and awesome on the magazine’s channel, and it goes viral, and all of a sudden, the strategy for media is changed, and Simone and Ray are co-hosting a hit show on YouTube, much to the chagrin of the company’s arrogant social media manager.  Things rock on pretty well, until…

Okay, I’m going to have to level with you here. I’m not an unbiased reader; Ray is non-binary, tending toward masculine, and I’m non-binary, tending feminine. When Ray comes out at work, they have mixed results. While Simone and the other kitchen staff are supportive, management (including that snooty social media maven) are not, continually dead-naming and misgendering them. And Ray tells their allies in the kitchen to not make a fuss, because they cannot lose this job – and when we as readers are informed of why, when Ray tells Simone, my heart just broke for them.

Yes, this story is a rom-com. And yes, it’s got all the classic elements of one – the not-quite-understanding each other’s subtexts, the “I said things when I was drunk” night, the “we’ll never mention this again.” But there is a second story here, and it’s one that Simone shows us in some pretty sharp detail – Ray’s struggle for their identity and acceptance. Simone is there for Ray, as they are Going Through It, tending to them through what – for both Ray, and for me – are some of the toughest moments of their life. Ray’s path, because it mirrors my own, resonated forcefully with me, even though the details of their path are quite a bit different from my own. It’s the same struggle, really: the struggle to be themselves.  It is a struggle I have lived with for over a decade now, and seeing Ray’s life through Simone’s eyes brought me back to some of the difficult moments of that period.

Simone is going through her own struggle, too, being a mostly-closeted bisexual woman, and when she outs herself to her manager (in the discussion over Ray’s coming-out), you see her own frustration with the struggle she sees coming. It’s not on the scale of Ray’s, but it’s there, and we get to see her respond to that in a really rewarding way when she points out to her boss that “You’re the only straight person in the room.”

Cisgender and/or straight readers might not get that resonance, and for those readers who don’t, this is still a fantastically cute, sassy, well-crafted rom-com with a little steam and some great food for thoughtful reflection. If you’re one of those readers, that’s okay, though this reviewer’s hope is that seeing Ray and Simone’s struggles educate you a bit, and give you a better feeling for those people around you who may not fit in the same mold you do. For queer folk and their allies, though, there’s so much more to see and feel here. My one gripe about this book is that the ending came too quickly, the resolution a little bit deus ex machina for my tastes – the happy-for-now ending came quite abruptly, even though it was a good end to the tale. This was TJ Alexander’s first work, and I am going to read their second work, the follow-on Chef’s Choice, right away. I’m hungry for more.

Short and Unsatisfactory: Books and Reviews

Posted on by Marlene Harris | Author : | book reviews
Short and Unsatisfactory: Books and ReviewsThe Piano Tuner by Chiang-sheng Kuo, Howard Goldblatt, Sylvia Li-Chun Lin
Format: eARC
Source: publisher
Formats available: hardcover, ebook, audiobook
Genres: literary fiction
Pages: 168
Published by Arcade Publishing on January 3, 2023
Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Winner of every major literary award in Taiwan, an elegiac and deceptively quiet novel about love and loss, broken dreams and desolate hearts—and music   A widower grieving for his young wife. A piano tuner concealing a lifetime of secrets. An out-of-tune Steinway piano. A journey of self-discovery across time and continents, from a dark apartment in Taipei’s red-light district to snow-clad New York. At the heart of the story is the nameless narrator, the piano tuner. In his forties, he is balding and ugly, a loser by any standard. But he was once a musical prodigy. What betrayal and what heartbreak made him walk away from greatness? Long hailed in Taiwan as a “writer’s writer,” Chiang-Sheng Kuo delivers a stunningly powerful, compact novel in The Piano Tuner. It’s a book of sounds: both of music and of the heart, from Rachmaninoff to Schubert, from Glenn Gould to Sviatoslav Richter, from untapped potential to unrequited love. With a cadence and precision that bring to mind Thomas Mann’s Death in Venice, Kazuo Ishiguro’s Nocturnes, and Yasunari Kawabata’s Snow Country, this short novel may be a portrait of the artist as a “failure,” but it also describes a pursuit of the ultimate beauty in music and in love. 

I’ve been caught between two books this week that should not have anything in common – and yet they do. And not just my reaction to both of them. So here you have two short but not so sweet reviews.

The Piano Tuner by Chiang-Sheng Kuo

This is the story of one man, his late wife, her music career and the piano tuner who lovingly tends her pianos. Or at least that’s how it starts, as the man, the widower Lin, is in the throes of dealing with his late wife’s music studio. Which is where he comes upon the aforementioned piano tuner. There’s a reason the book is named for that piano tuner, as it is really his story, told backwards, forwards and sideways, about his life and especially the choices he made to become a tuner of pianos instead of the concert pianist his prodigal talents would have allowed him to be. Through his life, we see both the choices that he let slip away – and the ones that he never believed were truly his to begin with – as well as his acceptance of his role as the trusted person working in the shadows who makes genius possible for others.

Escape Rating C: As the story slips from past to present, and from the piano tuner’s past to the widower’s past, it speaks of both of them interchangeably both the first person and the third person in a way that never allows the reader to be certain who is “I”, that first-person voice, as the narrative continues. It’s a confusion that kept tripping me up and dropping me out of the story, even as I already felt distanced from it by its steeping in classical music and the performance thereof.

Daughters of Muscadine by Monic Ductan
Format read: eARC provided by the publisher via Edelweiss
Formats available: hardcover, ebook
Genre: Literary Fiction
Pages:144
Published by on November 14, 2023
Purchasing Info: Author’s Website, Publisher’s Website, Amazon, Barnes & Noble,  Bookshop.org
Goodreads

Two events tie together the nine stories in Monic Ductan’s gorgeous the 1920s lynching of Ida Pearl Crawley and the 1980s drowning of a high school basketball player, Lucy Boudreaux. Both forever shape the people and the place of Muscadine, Georgia, in the foothills of Appalachia. The daughters of Muscadine are Black Southern women who are, at times, outcasts due to their race and also estranged from those they love. A remorseful woman tries to connect with the child she gave up for adoption; another, immersed in loneliness, attempts to connect with a violent felon. Two sisters love each other deeply even when they cannot understand one another. A little girl witnessing her father’s slow death realizes her own power and lack thereof. A single woman weathers the excitement—and rigors—of online dating. Covering the last one hundred years, these are stories of people whose voices have been suppressed and erased for too Black women, rural women, Appalachian women, and working-class women. Ductan presents the extraordinary nature of everyday lives in the tradition of Alice Walker, Deesha Philyaw, James McBride, and Dorothy Allison in an engaging, engrossing, and exciting new voice.

My Review:

Daughters of Muscadine is another book that got derailed by that question of who is “I”. These are linked short stories, all taking place in a small town in northeast Georgia that is part of the Appalachian Region. The stories are linked by two events, the lynching of Pearl Crawley in 1920, and the drowning of Lucy Boudreaux in the 1980s. Both stories are told by one of Pearl’s descendants, as Pearl still haunts the area decades after her death.

The idea that all of the stories in this collection are linked into a sort-of novel is an interesting one, but the execution of that idea fell apart at “I”. Many of the stories are told in that first-person “I” voice, but the possessor of that “I” changes from story to story without explanation. So they didn’t link the way I (there’s that “I” again) expected. Or much at all.

Escape Rating D+: I shouldn’t have picked this up right now, because it won’t be published until November. But more than half of the short stories in this linked collection have been previously published so I don’t feel as bad about that as I otherwise might. But I got lost, over and over, because the speakers seemed to change without much warning and just didn’t link into a whole. I think this just needed something it didn’t have in the way of an introduction to each story to set them into the narrative as a whole. The description in the blurb was awesome, but the book unfortunately did not live up to it.

My two cents and your reading mileage may vary.

Review: Pets in Space 7 by S.E. Smith, R.J. Blain, Grace Goodwin, Skye MacKinnon, Carol Van Natta, Honey Phillips, Carysa Locke, S.J. Pajonas, JC Hay, Kyndra Hatch

Posted on by Marlene Harris | Author : | A Reviews> blog tours> book reviews
Review: Pets in Space 7 by S.E. Smith, R.J. Blain, Grace Goodwin, Skye MacKinnon, Carol Van Natta, Honey Phillips, Carysa Locke, S.J. Pajonas, JC Hay, Kyndra HatchPets in Space 7 by S.E. Smith, R.J. Blain, Grace Goodwin, Skye MacKinnon, Carol Van Natta, Honey Phillips, Carysa Locke, S.J. Pajonas, JC Hay, Kyndra Hatch
Format: ebook
Source: publisher
Formats available: ebook
Genres: action adventure romance, science fiction romance
Series: Pets in Space #7
Pages: 1369
on October 4, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo
Goodreads

Pets in Space® is back for a new year of adventures!

Pets in Space is back and better than ever! Featuring 13 original, never-before-released stories from some of today's bestselling science fiction romance authors, starring your favorite sci-fi pets. These furry, feathered, and slightly alien friends are always ready for a new adventure with their two-legged human and alien companions. From dogs to cats to sea creatures and unicorns, these romantic tales show that pets are more than just animals – they’re family.

This limited-edition anthology includes stories by some of the biggest names in science fiction romance. New York Times Bestseller S.E. Smith and USA Today Bestsellers R.J. Blain, Grace Goodwin, Skye MacKinnon, Carol Van Natta, Honey Phillips, Carysa Locke, S.J. Pajonas, JC Hay, and Kyndra Hatch, plus Leslie Chase, Winnie Winkle, and Candace Colt.

The Pets in Space 7 authors continue their vital support of HeroDogs, the non-profit charity that improves quality of life for veterans of the U.S. military and first-responders with disabilities.

★ Don't miss out — grab this limited-edition anthology before it's too late! ★

Exclusively in Pets in Space 7:
◆“Wynter and the Stone Dragon” by S.E. Smith: Love blossoms between a human king and an alien princess when a portal between their worlds opens.
◆“Life-Debt” by R.J. Blain: Hybrid human Viva and her pet fox have two rules: no names and no attachments. Why does the handsome man she rescued makes her want to break both?
◆“Marked Mate” by Grace Goodwin: An elite hunter pursues a dangerous criminal on an unsuspecting Earth, only to be distracted by a mysterious woman and her furry pet.
◆“Alien Abduction for Unicorns” by Skye MacKinnon: Unicorns are real, and alien Bruin is sexy as the stars. Can Scottish tour guide Tara forgive them for kidnapping her in the name of science?
◆“An Entanglement of Griffins” by Carol Van Natta: A space pirate and a pet sanctuary owner suspected of grand larceny get help from genetically-engineered griffins to recover the goods and find love.
◆“Cyborg Rider” by Honey Phillips: Can a bioengineered mole named Eglantine find a way to rescue the scientist and the cyborg who are depending on her?
◆“Healer Heart” by Carysa Locke: A telekinetic healer on a mission and a telepathic killer who is afraid to feel must trust an intelligent cat to help them save a group of children from death.
◆“Myra’s Big Mistake” by S. J. Pajonas: She’s burdened by a lifetime of disappointment. He’s been her secret admirer for years. Will a roll of the dice lead to a cosmic courtship?
◆“Desert Flame” by JC Hay: Dr. Cerridwen Lewis is prickly, foul mouthed, and quick to anger; in other words, she’s everything Captain Kal and his pet scythewing ever wanted.
◆“Death Angel” by Kyndra Hatch: How do you choose between your people and your mate? Especially when you're a Korthan cyborg captain and your human mate unknowingly holds the key to lasting peace or unending war?
◆“Written in the Stars” by Leslie Chase: Megan isn’t looking for love, especially not from an alien mercenary just passing through. But love, and her winged cat Nebula, have other plans.
◆“Liquid Courage” by Winnie Winkle: Powerful sea witch Morgan is determined to save her beloved ocean creatures from thieving aliens. Tony offers to help, but he's got secrets.
◆“Rhea’s Conundrum: A Witch in Space” by by Candace Colt: Eccentric witch Rhea only dreamed of the stars. So how did she and her snarky cat end up in a junk-picker spaceship with sexy alien captain C'tloc?

My Review:

Pets in Space is always an utterly marvelous treat. Every year an absolutely stellar group of science fiction romance writers get together to create this annual collection of space ships and adventure, featuring romance between humans and/or aliens, ably assisted by companion creatures, whether animals or AI, whether furry or feathered or something out of this world.

The proceeds from the sale of each Pets in Space collection go to charity, specifically to Hero Dogs, an organization which provides trained service dogs to heroes, specifically to wounded military veterans and first responders.

So the book supports a terrific cause, and the stories within are always out of this world. This is the seventh collection, and it contains a lucky THIRTEEN science fiction romance novellas in a whopping 1369 page book.

That’s a lot of book, and a lot of treats to savor until the next one arrives!

For me, the annual collection is a reading delight that will last through lots of reading time, especially over the winter with a cat in my lap and a cup of tea or hot cocoa at my side. It’s much too big for one sitting or even one weekend. I always want to take my time and enjoy every page.

This is a book that requires a plan of attack!

I confess that I always read the cat stories first. Partly because it’s always fun to imagine what cats would have to say if they could talk. And because my own feline overlords wouldn’t have it any other way. I’m supposed to reassure them that they’re the best cats in the universe and they aren’t shy about telling me so!

But seriously, I generally do read the cat stories first – as I did this time around. I save the stories about other animals, and in worlds I’m not familiar with, for times when I can dive into the towering TBR pile – or add to it – to get stories in the same worlds featured in the collection that are new to me.

So I’ll be treating myself to more of Pets in Space 7 over the months ahead.

Howsomever, I can’t leave you without making a few review-type comments about those three cat stories, “Healer Heart” by Carysa Locke, “Written in the Stars” by Leslie Chase and “Rhea’s Conundrum: A Witch in Space” by Candace Colt.

“Healer Heart” was interesting because it contained some elements of Nalini Singh’s Psy-Changeling series, particularly her genetically engineered and ruthlessly trained assassins, the Arrows. In the universe of the Telepathic Space Pirates there is also a group of genetically engineered assassins. And like the Arrows, some of those born and bred killers want more from life than just death. Which is where telepathic healer Nayla and the hunter cat Rasalas come in. While she personally wants to help one particular assassin, her assignment is to help assassin-trained children before the training is too deeply ingrained to be countered. She helps the kids with dogs, but it’s the cat pushing her to make things right with the man who broke her heart trying to protect her from himself.

There’s just so much to love in this one. Nayla is beating her head against the wall using her own gifts and training to help people who are determined to blame her for every break from tradition; the man she loves is terrified he’ll kill her if his training overcomes his reason; and the kids she is able to help are heartbreaking but hopeful. This universe is an absolute mess but this healer seems to have a cure for at least a bit of what’s ailing it.

“Written in the Stars” revolves around a woman stranded on a failing space station with her vast collection of books, her flying cat, and her determination to save up enough money to get back to something a little bit more like civilization. Megan is plucky beyond belief, and lucky beyond reason, as she finds both someone to love and a purpose for living in helping to rescue the space station from itself. Her winged cat Nebula is both very cat and very reminiscent of some famous literary felines, as Nebula is an intergalactic traveling version of the winged cats in Nebula-Award winning Ursula LeGuin’s lovely Catwings series.

Last but not least, “Rhea’s Conundrum: A Witch in Space” by Candace Colt. This one was my favorite because Rhea is a witch of a certain age who learns that love has not passed her by, and that she is not yet ready (if, admittedly, she ever will be) to settle down and help raise her grandchildren. Her conundrum is a devastating one, as the necklace that powered her journey to C’tloc’s spaceship can either take her back to her home or power his spaceship so that he can get back home, but not both. If she leaves, he’ll die. If she stays, by the time she manages to get back to Earth her family will probably be long dead. She can only live one life, and she has to make a bittersweet choice between loves – with the help of her very snarky cat. This one was a heartbreaker.

Escape Rating A: This collection is always a Grade A read, no matter when I pick it up or where I choose to dip into it at any given time. The stories are always a delightful range of styles and worlds and pets, and this year is no exception.

That it supports a wonderful cause while giving hours if not days of reading delight is just icing on a very lovely reading cake – with a puppuccino on the side.

But Pets in Space 7 is, as always, a limited edition. So if any – or hopefully ALL – of the stories appeal to you, be sure to get your copy before they fly off to the stars for another year. Because every collection, every year, is a feathery, whiskery, winged delight!

Review: Signal Moon by Kate Quinn + Giveaway

Posted on by Marlene Harris | Author : | A++ Reviews> audio reviews> audiobooks> blog tours> book reviews> Giveaways
Review: Signal Moon by Kate Quinn + GiveawaySignal Moon: A Short Story by Kate Quinn
Narrator: Saskia Maarleveld, Andrew Gibson
Format: audiobook
Source: publisher
Formats available: ebook, audiobook
Genres: historical fiction, timeslip fiction, World War II
Pages: 57
Length: 1 hour and 22 minutes
Published by Amazon Original Stories, Audible Audio on August 1, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon
Goodreads

From the New York Times bestselling author of The Diamond Eye comes a riveting short story about an impossible connection across two centuries that could make the difference between peace or war.

Yorkshire, 1943. Lily Baines, a bright young debutante increasingly ground down by an endless war, has traded in her white gloves for a set of headphones. It’s her job to intercept enemy naval communications and send them to Bletchley Park for decryption.

One night, she picks up a transmission that isn’t code at all—it’s a cry for help.

An American ship is taking heavy fire in the North Atlantic—but no one else has reported an attack, and the information relayed by the young US officer, Matt Jackson, seems all wrong. The contact that Lily has made on the other end of the radio channel says it’s…2023.

Across an eighty-year gap, Lily and Matt must find a way to help each other: Matt to convince her that the war she’s fighting can still be won, and Lily to help him stave off the war to come. As their connection grows stronger, they both know there’s no telling when time will run out on their inexplicable link.

My Review:

This story was so beautiful it just about broke me. It was gorgeous and glorious and heartbreaking all at the same time, and I was in tears at the end.

I want to say this is a timeslip story but that isn’t quite right. It’s more of a time-merging story, or a bit of technological SF sleight of hand story. It’s best to just say that it works. It all works marvelously, and let the how and why of it remain a bit nebulous.

After all, our two principals don’t completely understand the why of it themselves. They just know that it happened. And that it saved them both.

Lily Baines is a signal tech in Yorkshire in 1943, spending her days and nights with a Bakelite headset wrapped around her “bat-like” ears, listening for German signals. She’s a Petty Officer in the WRENS (Women’s Royal Naval Service), doing her bit for in a war that she’s entirely too afraid is being lost.

Late one shift, she picks up a signal from an American ship, broadcast in English, in the “clear”, detailing an attack on the ship by “Vampires”. An attack that results in the ship sinking with all hands after 42 minutes of harrowing transmission by the U.S. Naval signal tech, ST Matt Jackson, who gives the date as 2023.

While her superiors are certain that Lily has just been working too many days in a row without a break, Lily feels like she owes it to her fellow signal tech, the man she just heard narrate his own death, to try to help him. So she sends him a letter, a 1943-era radio, extra batteries, and a list of frequencies that she promises to listen on at a specific time every day.

There’s no science fiction involved in her package to the future. Her uncle is a solicitor and she contracts with his office to deliver the package to a certain room in a certain hotel in York on the day Matt said he checked in. Law offices do this all the time, just not necessarily for quite 80 years.

When Matt gets the radio, he’s sure it’s a prank, but he dials the frequency anyway. Even when Lily starts talking, he STILL thinks it’s a prank – at least until that night, when an event that she predicted comes true.

They have less than 24 hours to analyze the transmission that Matt hasn’t sent yet, in the hopes of figuring out what is about to go wrong so that he can prevent it. Or save his ship. Whatever it takes to prevent yet another war.

What they get is more than either of them ever bargained for. It’s enough – and it’s not nearly enough at all.

Escape Rating A++: Signal Moon is short and absolutely perfect in its length. It represents a very brief moment in time and needed to reflect that brevity. Also, it’s just so damn bittersweet – and appropriate in that bitter sweetness, that more would be just too much to take.

It’s that good.

But because of that short length, I was able to sit down with the audiobook and finish in one utterly absorbing and in the end completely heartbreaking listen. (If you have Amazon Prime you can get both the ebook and the audio as part of your Prime membership, and it’s so worth it to listen to the audio if you have a mere 82 minutes to occupy your hands while your mind wanders back to 1943 – and forward to OMG next year.)

The strength of this story is in the characters. The author sketches us a complete picture of Lily and her wartime service with just a bit of description and a whole lot of Lily’s internal monologue as she goes through her day pretending that everything is going to be alright even though she’s scared right down to her not-nearly-warm-enough fingertips that all is already lost.

While Matt’s more frank and frequently profane dialog, along with the desperation of his own internal monologue, gives the reader or listener a clear portrait of who he is and what drove him to become the person – and the officer – that he is on the brink of what could be – briefly – his very own war.

In the audiobook, the two characters are brilliantly voiced by their own narrators, Saskia Maarleveld for Lily and Andrew Gibson for Matt and they embody their characters beautifully. The audio would not have worked half so well with a single narrator. (Saskia Maarleveld is also the narrator for several of the author’s novels, including this year’s The Diamond Eye, which just moved up the towering TBR pile as a result.)

The ending of this story is inevitable. There’s just no other way this one works. But it’s easy to get so involved in their story that you just want it to have a different ending anyway. And that’s what broke me in the end. I knew what the end would be, but this was just one of those times where I really wanted a deus ex machina to step in and make that difference happen – even knowing how much I usually hate those kinds of endings. But it wasn’t, and it shouldn’t have been, meant to be.

Dammit.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

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Review: Legends and Lattes by Travis Baldree

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Legends and Lattes by Travis BaldreeLegends & Lattes by Travis Baldree
Format: ebook
Source: publisher
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, fantasy
Series: Legends & Lattes #1
Pages: 305
Published by Cryptid Press on February 22, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

High Fantasy with a double-shot of self-reinvention
Worn out after decades of packing steel and raising hell, Viv the orc barbarian cashes out of the warrior’s life with one final score. A forgotten legend, a fabled artifact, and an unreasonable amount of hope lead her to the streets of Thune, where she plans to open the first coffee shop the city has ever seen.
However, her dreams of a fresh start pulling shots instead of swinging swords are hardly a sure bet. Old frenemies and Thune’s shady underbelly may just upset her plans. To finally build something that will last, Viv will need some new partners and a different kind of resolve.
A hot cup of fantasy slice-of-life with a dollop of romantic froth.

My Review:

An orc, a succubus, and Ratatouille (the rat who wanted to be a chef from the Pixar film but in this case a baker named Thimble) open a coffee shop in Thune, a rather typical medieval-style fantasy town that has never seen, heard, smelled or especially drunk coffee before. Then Thimble the rattkin starts baking and honestly, they’ve opened the world’s first Cinnabon – complete with heavenly aromas pumped out to ensnare the masses who are about to learn just what they’ve been missing all their lives.

As much as that opening sounds like the start of a very bad joke, it isn’t at all. Instead, the story is every bit as sweet as one of Thimble’s soon-to-be-famous cinnamon rolls, and sticks in the pleasant corners of the reader’s mind just as much as Thimble’s icing sticks to everyone’s fingers.

This is one of those fantasy stories where the hero (or possibly the anti-hero) of entirely too many battlefields decides to retire while they’re still above ground and have all of their limbs and haven’t had their bell rung too many times.

And it’s a story about what happens after when anyone decides to live their dreams.

Viv visited a coffee shop once, and fell in love with pretty much everything about it. The aroma, the taste, the peace that filled her from both the drink and the ambiance of the place she drank it. She wanted to recreate all of those tastes and smells and feelings somewhere that hadn’t been introduced to coffee – at least not yet.

When she found a legendary treasure that was supposed to guarantee good fortune, she took it and her savings, retired from the mercenary life, and opened the first coffee shop in busy, bustling, Thune.

Along the way she gathered a group of friends and comrades to help her spread the word and run the business, while taking on trouble from both the local “protection racket” and from an old frenemy who believed that Viv hadn’t been honest about that treasure.

As much as Viv is determined to start a new life that doesn’t involve slicing throats or any other body parts, there are plenty of times when she’s tempted to solve her problems the way she used to. Especially when she loses the lucky charm that made all of her success possible.

Only to learn that it wasn’t the charm at all. It was all Viv, and the smell of coffee and cinnamon rolls, and the love and respect of her friends, her neighbors, and her new-found family.

Escape Rating A+: Legends & Lattes is one of those stories that no one knew they needed until they read it. Only to realize that the whole story is pretty much the best thing ever. I pulled this one off the virtually towering TBR pile because I seriously needed a comfort read after last week and I wanted something new at the same time. I also wasn’t in the mood for anyone who didn’t deserve it to die, or for anyone to get abused. I just wanted all good things in an interesting story and that’s actually kind of hard. Fictionally, all good things and interesting are contradictory, there’s no story without at least some drama.

Somehow, Legends & Lattes just delivered on all counts. (The only thing that would have made it better would be if one of Thimble’s cinnamon rolls had popped out of the book while reading!) Viv has a dream and she doesn’t step on anyone to fulfill it. She gathers great people around her, she accepts them as they are, treats them well, and they grow together into a lovely found family.

The course doesn’t always run smooth. There’s a lot of hard work involved in starting a business – especially one that no one is looking for or understands. Her carpenter calls the coffee “bean water” and he’s not wrong.

There are a few books with orcs as protagonists, but usually they’re doing the things that we expect of orcs in fantasy even if the orcs are the good guys. Viv is turning over a new leaf, trying not to be what everyone expects an orc to be. It’s hard but it’s working – mostly.

Her assistant-turned-business partner (and eventual romantic interest) Tandri, is a succubus, another character we don’t see being on the side of the angels. But she’s yet another character in this story who is cast against type and it works.

Viv even manages to deal with the protection racket without paying protection. Well, not exactly paying protection. Also without busting heads. It’s a bit tense and a bit of a gamble but it works.

And honestly, Thimble the rattkin baker is the best character in the whole story. I love Thimble – and I love that the little guy is a genius and that this shy and self-effacing character gets his own chance to shine.

But what makes the story so wonderful is that the treasure wasn’t really treasure. It was a stone full of karma and because Viv put good into it she got good out of it. The next person to own it seems to be on the road to getting exactly what he puts into it as well.

And that’s a story I wouldn’t mind reading – along with anything else this author comes up with. Now that Legends & Lattes has been picked up by Tor Books, maybe we’ll see more stories set in Thune! Pretty please! With cinnamon on it?

Review: The Black God’s Drums by P. Djèlí Clark

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Black God’s Drums by P. Djèlí ClarkThe Black God's Drums by P. Djèlí Clark
Format: ebook
Source: publisher
Formats available: paperback, ebook, audiobook
Genres: alternate history, steampunk
Pages: 111
Published by Tordotcom on August 21, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air--in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums.

But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations.

Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans.

My Review:

There is just something about New Orleans that makes it seem, not just possible but downright plausible, that there is magic on those streets and always has been. Whether the version of the city is the one we know from history, or some other New Orleans out there in the multiverse of parallel universes and alternate histories.

The U.S. Civil War has its own magic – not that magic with a capital “M” happened, but rather the magic of possibility, that so many never weres and might have beens hinge on the events that occurred during those few years that must have felt like they lasted forever.

It’s not just that the history and meaning of that conflict have been reinterpreted, re-imagined and re-written in the century and a half that followed, but that the entire enterprise balanced on a knife edge and could have tipped in pretty much any bloody direction.

That particular “might have been” has been the stuff of much alt-history science fiction. One very readable toe in that water is Harry Turtledove’s Guns of the South, but he needed time-travel to make it work. Cherie Priest’s Boneshaker and her saga of the grim, steampunk Clockwork Century posits a U.S. Civil War that never ended as collateral damage of a catastrophic event in Seattle during the Klondike Gold Rush that created zombies.

The Black God’s Drums takes place in an alternate version of New Orleans in a world where the U.S. Civil War tipped off the knife edge in the direction of a negotiated almost-peace, into an armistice between the Union and the Confederacy. An armistice that left the crucial port of New Orleans as an independent neutral city-state, governed by its citizens – ALL its citizens, black and white.

The Union counts this New Orleans as an ally, if not officially, while the Confederacy views it as a repudiation of all they hold dear. Under the armistice, the city may not be an open battleground, but it is sometimes a covert one. Which is what takes place in this story.

Right alongside the coming-of-age story of Creeper, a girl on the cusp of adulthood (Creeper’s OK with creeping up to adulthood, but she’s much less sanguine about approaching womanhood in any way, shape, or form) who wants more than anything to find a way out of the city she has lived in all of her life. She thinks her accidental discovery of a plot to drown the city in magically created storms can be traded for a berth on a smuggler’s airship.

But Creeper has magic of her own, a magic that leads her to be in the right place at the right time to save her city. And the knowledge that this place is hers to love and hers to defend – for as long as she has the favor of her goddess.

Escape Rating A-: The Black God’s Drums was nominated for both the Hugo and the Nebula Award for Best Novella back in 2019 – and I meant to read it then but it got swallowed by the “so many books, so little time” event horizon and it didn’t happen. Then I read the author’s A Master of Djinn last year and this popped back up to the top of the virtually towering TBR pile. So when I went hunting for novellas for this week, there it was near the top of the heap.

And am I ever glad that it was – even though this is nothing like A Master of Djinn. Instead, it reads like a combination of every book of magical New Orleans from the Sentinels of New Orleans to The City of Lost Fortunes to The Map of Moments combined then tossed in with steampunk like Boneshaker but stirred with the perspective of the author’s Ring Shout in the way that magic of the African diaspora is interwoven into the story and to the events of the alternate history.

So Creeper’s New Orleans feels like New Orleans even if it isn’t exactly the one that history records. Even though the work (and misuse of the work) of those gods, the orishas, have produced effects that both remind the reader of Katrina and make the hurricane seem tame in comparison.

And on top of all that, we have not just the coming-of-age story, but a pulse-pounding adventure with deadly danger both in the immediate term and in the consequences if things go wrong. As they very nearly do. Along with the possibility of a daring rescue by pirate airship – or an ignominious crash of defeat.

The thing about novellas is that even when they are complete in and of themselves, and The Black God’s Drums does tell its story beautifully in the length it has, I’m left wanting more. This adventure does come, rightly and properly, to its end. But what happens next? And what happened before? There’s so much of this alternate version of the city – and the country – to explore.

So, just as the author’s short works, A Dead Djinn in Cairo and The Haunting of Tram Car 015 embiggened their Dead Djinn Universe into the utterly captivating A Master of Djinn, I hope that someday the New Orleans of the orisha and the pirate airships will embiggen into something bigger, bolder and even more grand.