Review: Books Can Be Deceiving by Jenn McKinlay

Review: Books Can Be Deceiving by Jenn McKinlayBooks Can Be Deceiving (Library Lover's Mystery, #1) by Jenn McKinlay
Formats available: paperback, large print, ebook, audiobook
Series: Library Lover's Mystery #1
Pages: 304
on July 5th 2011
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Goodreads

Lindsey is getting into her groove as the director of the Briar Creek Public Library when a New York editor visits town, creating quite a buzz. Lindsey's friend Beth wants to sell the editor her children's book, but Beth's boyfriend, a famous author, gets in the way. When they go to confront him, he's found murdered-and Beth is the prime suspect. Lindsey has to act fast before they throw the book at the wrong person.

My Review:

I discovered this series as a read-alike for the Cat in the Stacks series by Miranda James, and it certainly. Both feature real-seeming librarians in almost-real libraries in small towns that are just perfect. Although I did miss Diesel, the librarian’s very large cat from the Cat in the Stacks series.

But where the Cat in the Stacks series is set in Athena Mississippi, the Library Lovers mysteries hail from Briar Creek Connecticut. Let’s just that the autumns are obviously a lot blustrier in coastal Connecticut than in the landlocked parts of Mississippi.

Unlike Charlie Harris at the beginning of the Cat in the Stacks series, Library Director Lindsey Norris is the relatively new director of the small town Briar Creek Public Library. She is also female, single, unencumbered and in her mid-30s – very different from widowed, 50-something Charlie with his grown children – and Diesel.

Lindsey on the other hand, is still feeling her way professionally and personally. Briar Creek is her first posting as the library director, and it’s not a career turn she had planned on. She had been an archivist at one of the Yale University libraries when budget cuts forced her to look in other directions. She found the position in Briar Creek because her best friend from grad school is the children’s librarian there.

Being a new, first-time director has its challenges. But no one plans on having one of their staff, particularly a friend, accused of murder. It’s difficult to tell which is worse, that Beth had both the motive and the opportunity for murdering her ex, or that the local sheriff is so determined to take the easy way out and place the blame on the “woman scorned” that he isn’t even looking for any other suspects.

He’s not exactly the sharpest knife in the drawer, either, and his bull-headedness is clearly driving the detective from the state Bureau of Investigation bonkers.

But with the local sheriff doing his level best to make sure Beth is found guilty, and the local press more than willing to stir up trouble just for the ratings, it’s up to Lindsey to focus her research skills on the late and not very lamented, to see if there’s someone else who might have a motive to end his existence.

The problem is that Lindsey’s research skills, as formidable as they are, barely keep her one step ahead of the killer – a step that closes faster than she expected.

Escape Rating B: I came down with the flu, and was looking for comfort reading again. As this will be posted just before I run off to the American Library Association Midwinter Conference, yet another library mystery seemed like a good fit.

Lindsey Norris does seem like “one of us”, much as Charlie Harris does. And for the same reason – her creator is also a library worker. But where I’d love to sit down and have coffee with Charlie, Lindsey reminds me much more of the “road not taken”. I often thought about becoming a library director but when I was interested I wasn’t able to make the leap, and eventually I realized that it just wasn’t my calling in the profession.

Seeing what Lindsey deals with, even in a fictional and perfectly imperfect library reminds me that I was right.

This story is the introduction to the series, the characters and the town of Briar Creek, and it does put the reader firmly into the middle of the action. Lindsey, as a transplant from somewhere else, is still warming up to the little town, and vice-versa, which makes her a good point of view character for the reader.

As is often the case, the case itself, the murder at the heart of the mystery, is just a bit over the top, but the scenes of small town life and Lindsey fitting herself into it are well done. The reader can certainly see why she’s fallen in love with the place.

A lot of what happens in the Briar Creek Public Library is very true to library life, both the good and the bad. Every library, big and small, has patrons just like those in Briar Creek, the good, the bad, the loud, the demanding, the weird and the obstreperous.

The staff, while occasionally a bit too good to be true and sometimes a bit too bad or weird to be true, is also quite  true-to-life. And unfortunately that includes the nasty character of Ms. Cole, the head of the circulation department and the disapprover of everything that Lindsey, Beth and anyone not the previous (and deceased) library director. That Ms. Cole can’t let go of her resentment of change and the advent of the 21st century is unfortunately all too plausible. I’ve worked both with and for people like her in my career (and supervised a few), and saying that it is never fun is a serious understatement.

But Lindsey is the new director of the library. That makes her Ms. Cole’s boss, whether either or them likes it or not. That Lindsey, with just about six months tenure under her belt, has not figured out what to do about Ms. Cole yet is not surprising. The woman is a fixture in the library and the community – even if a frequently resented one. The problem isn’t just that Ms. Cole challenges Lindsey’s authority at every turn, although that is a problem.

What I found questionable, to the point where it threw me out of the story, is that Lindsey isn’t even thinking about what she should do about Ms. Cole. While the reality is that the answer may be very little, she’s at the point in her job where she should be at least thinking about some changes. This disturbed me because Lindsey makes it clear at one point that she is aware that part of the joy of the job from Ms. Cole’s perspective is to torment and browbeat the library shelvers, who are usually teenagers in their very first job. While life isn’t fair, and bad things happen to good people, etc., etc., etc., for Lindsey to be aware of this and not even be thinking about what to do about this aspect of Ms. Cole’s performance of her duties is problematic.
And now I’ll get down off my soapbox.

But if you like cozy mystery series like Cat in the Stacks, or other small town mystery series that feature the mainstays of the town, Books Can Be Deceiving is a lot of fun. I have the other books in the series and I’m looking forward to returning to Briar Creek the next time I need a comfort read.

Reviewer’s Note: One of the reviews listed in Goodreads for this book was written by a dear and departed friend. I knew that if she liked it, I would too. I wish I could talk about it with her, because I’d love to hear the snark that she left out of her review!

Review: Wings of Fire by Charles Todd

Review: Wings of Fire by Charles ToddWings of Fire (Inspector Ian Rutledge, #2) by Charles Todd
Formats available: hardcover, paperback, ebook, audiobook
Series: Inspector Ian Rutledge #2
Pages: 306
Published by St. Martin's Paperbacks on May 15th 1999
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Goodreads

In Charles Todd's Wings of Fire, Inspector Ian Rutledge is quickly sent to investigate the sudden deaths of three members of the same eminent Cornwall family, but the World War I veteran soon realizes that nothing about this case is routine. Including the identity of one of the dead, a reclusive spinster unmasked as O. A. Manning, whose war poetry helped Rutledge retain his grasp on sanity in the trenches of France. Guided by the voice of Hamish, the Scot he unwillingly executed on the battlefield, Rutledge is driven to uncover the haunting truths of murder and madness rooted in a family crypt...

My Review:

I’ve been looking for comfort reads this week, and that has led me to take a look at some mystery series that I’ve been meaning to get caught up on. Today, that led me to Wings of Fire, the second book in Charles Todd’s Inspector Ian Rutledge series. I love their Bess Crawford historical mystery series, but by the time I started with Bess, the Rutledge series was already into double-digits and I wasn’t quite ready to face catching up. I have read scattered entries in the series, including the first book, A Test of Wills, so I was happy to answer when this one started calling my name.

That it reminded me, a bit, of the historical mystery that served as part of (the best part of, to my reading) Magpie Murders was just icing on the cake.

The Rutledge series is set in the post-World War I period. Ian Rutledge was a Scotland Yard detective before he went to serve in France, and now that the war has ended, he has fought his way back into his old job – even though he doubts himself and his superiors most certainly doubt him at every turn.

Rutledge returned from his war with shell-shock, which in his time was seen as a moral failing and not as the psychological trauma that it truly is. He faces skepticism about whether or not he is remotely capable of doing his job from every direction. Including the doubts from within. A manifestation of his PTSD is that he hears the voice of a young soldier that he was forced to execute for desertion. Whether “Hamish” is merely a figment of his imagination or is the voice of his conscience and his intuition is anyone’s guess, including Rutledge’s. However, while Hamish’s voice may be imaginary, his advice is all too often correct – except, of course when it is terribly, horribly wrong.

Rutledge is sent to Cornwall to reopen the case of a series of suspicious deaths within one prominent family. His superiors want him out of the way while an important serial killer is pursued in London, and they assume that he can’t do any harm in Cornwall, but will assuage the conscience of the local squire who called for the fresh investigation.

But Rutledge is an indefatigable pursuer of the truth, no matter who he might make “uncomfortable” in the process. And there is plenty in this case to be uncomfortable about. The local police ruled that the deaths of half-siblings Olivia Marlowe and Nicholas Cheney were suicide, while the subsequent death of their half-brother Stephen was an accident.

That’s an awful lot of bad luck and tragedy for one family – enough to make any detective suspicious. When those suspicions are combined with the revelation that Olivia Alison Marlowe was also the famous WWI poet O.A. Manning, doubts multiply.

As Rutledge digs deeply into the past of this once-numerous family, he finds a history of tragedy of disaster that stretches the bounds of bad luck past breaking. A murderer has been hidden in their midst for decades, but no one wants to believe that a beloved child or sibling could have held so many in so much terror for so long.

The question is whether Rutledge can sort through the clues and prove it, before he becomes the next victim.

Escape Rating A-: This was just what the reading doctor ordered. When life is disordered it is cathartic to get sucked into the “romance of justice” where good is tested but triumphs, and evil receives its just desserts.

Rutledge is a fascinating protagonist, because he is always the quintessential outsider. Even back in his own London home, his wartime and peacetime experiences set him apart from the rest of his fellow detectives. They don’t trust him, and he honestly does not trust himself.

In this setting, Rutledge is the distrusted “City” man poking his nose into local business that everyone believes has been satisfactorily resolved. He is not wanted, and no one believes that he is needed. He is resented at every turn, and yet no one can tell him to “shove off” no matter how much they want to.

That no one wants to believe in even the possibility of foul play just makes his job that much harder, and his self-doubts that much louder. And yet, it seems obvious from very early on that something must be wrong. This is a family that lost two children, three husbands, one wife, and three adult siblings to various accidents and mysterious deaths over the course of two decades. Nobody has luck THAT bad – especially not when there is money and property involved!

Part of what makes this case so fraught for Rutledge is the identity of Olivia Marlowe as the wartime poet O.A. Manning. The possibility exists that Olivia is the person responsible for the long series of deaths, and Rutledge is desperate for that not to be so. He found comfort in her poetry during his war, and does not want her legacy to be diminished at her death if he can help it. Yet, when the evidence seems to point that way, he refuses to ignore it.

What makes this case so interesting is its tangle. Something was wrong within that family. But what or who? And how can Rutledge prove anything when it seems that everyone who might know something is dead as the result of whoever-or-whatever it is. And no one really wants to know.

It’s Rutledge’s dogged pursuit that keeps the case going, and the reader’s fascination with it that makes this book a page-turner. I’m looking forward to continuing my way through Inspector Ian Rutledge’s case file whenever I need to sink my teeth into a meaty historical mystery.

Review: Out of Circulation by Miranda James

Review: Out of Circulation by Miranda JamesOut of Circulation (Cat in the Stacks, #4) by Miranda James
Formats available: hardcover, paperback, large print, ebook, audiobook
Series: Cat in the Stacks #4
Pages: 289
Published by Berkley on January 29th 2013
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Everyone in Athena, Mississippi, knows Charlie Harris, the librarian with a rescued Maine coon cat named Diesel. He's returned to his hometown to immerse himself in books, but when a feud erupts between the town's richest ladies, the writing on the wall spells murder.

The Ducote sisters are in a tiff with Vera Cassity over the location of this year's library fundraising gala, and Charlie would rather curl up in a corner than get into the fray. It seems everyone--even his housekeeper Azalea--has it in for Vera. And at the gala, she gives them good reason, with a public display of rancor aimed at anyone who gets in her way.

But those bitter words wind up being her last. When Charlie discovers Azalea standing over Vera's dead body, it's up to him--with a little help from Diesel--to clear Azalea's name, and catch a killer before his last chapter is finished.

My Review:

Part of what I enjoy so much about the Cat in the Stacks mystery series is that Charlie Harris feels like “one of us” – one of us librarians that is. He’s someone that I could imagine sitting down with at a library conference, laughing about our coincidentally shared last name and swapping stories about the library career we have very much in common.

And telling each other cat stories, because Diesel is definitely a cat worth talking about. Diesel may be extra-large, even for a Maine Coon (a typically large breed) but Diesel’s outsized personality is all cat. He doesn’t solve crimes, he doesn’t nudge clues, but he does provide his person and the people that surround him with outsized doses of sympathy when needed and love all the time, as well as the occasionally well-deserved “diss” when he feels ignored.

They all do that, too. You haven’t been seriously dissed until you’ve been dissed by a cat who believes he hasn’t gotten his or her due – and they all think that on occasion, no matter how good we usually are at being catservants.

There are also a lot of librarians who are mystery readers, and a lot of librarians who are owned by cats. This particular story puts those two well-known penchants together into a marvelously cozy little mystery.

In the end, it isn’t a surprise that Vera Cassity was murdered – it’s much more of a surprise that it took so long. And that it happened in the middle of a mystery-themed gala fundraiser for the Athena Public Library.

Vera wasn’t merely unpopular, she seemed to go out of her way to piss people off. That someone had finally had enough isn’t much of a surprise.

But what is a surprise is that the Sheriff seems to be concentrating his investigative attention on Charlie’s long-time housekeeper Azalea Berry. Not because Azalea had any more motive than anyone else, but because digging into any dirt he can find on Azalea will splash mud onto her daughter Kanesha – who looks to be the Sheriff’s rival in a not-too-distant election.

Of course, in this cozy mystery, the red herrings abound, and nothing is quite as it seems. Charlie, as always, does finally manage to figure out who really done it, but that’s not all he uncovers in this lovely little mystery. The secrets he didn’t expect to find turn out to be more explosive than the ones he was actually looking for.

Escape Rating A-: This was definitely a case of “right book at the right time”. I was looking for a comfort read to get myself back into the reading and reviewing swing, and discovered through trial and error that there were a whole bunch of genres I just was not in the mood for. A cozy mystery like Out of Circulation turned out to be just right. Especially since we missed our own cats very much while we were away.

I always love Diesel. He is just such a marvelous cat. Also a LOT of cat. But very cat. Not psychic, not human level intelligent, just big and loving and occasionally snarky (in a cat way) and very sweetly, demandingly, cat. I’ve had cats that have had individual bits of Diesel’s purrsonality (although quite not his huge size) but never one that had all these qualities at once. Every time Diesel appears in the story I got a chuckle.

And yes, we all talk to our cats the way that Charlie does and we all think they understand on some level. They’ve trained us well.

Part of the fun of this particular story were the allusions to many classic mystery series. At the costume party where the murder takes place, all of the guests were dressed, not as famous historical figures or in typical Halloween costumes, but in very clever costumes that paid homage to some of my own favorite mystery writers and fictional detectives.

Of course, it’s always just fun and games until the dead body is discovered, and so it proves in Out of Circulation.

The thoughtful part of this story revolved around the other mystery that Charlie looks into. Athena Mississippi is a small Southern town where memories are long and whose founding families are still represented in the current population. Charlie’s dilemma reflected a professional ethical issue that will be understood by any librarian or archivist, and the way that he handled it would serve as a terrific example for anyone in the professional on how to handle a problem like this one – which probably happens more often than we think. Every family has skeletons in the closet if you look back far enough.

And the way that the remaining family members handled the issue once it was discovered? Well that was just classy. It’s no wonder that the author has spun those particular characters off into their own series, because they are wonderful steel magnolias.

Review: Forty Autumns by Nina Willner

Review: Forty Autumns by Nina WillnerForty Autumns: A Family's Story of Courage and Survival on Both Sides of the Berlin Wall by Nina Willner
Formats available: hardcover, paperback, large print, ebook, audiobook
Pages: 416
Published by William Morrow on October 4th 2016
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Goodreads

In this illuminating and deeply moving memoir, a former American military intelligence officer goes beyond traditional Cold War espionage tales to tell the true story of her family—of five women separated by the Iron Curtain for more than forty years, and their miraculous reunion after the fall of the Berlin Wall.
Forty Autumns makes visceral the pain and longing of one family forced to live apart in a world divided by two. At twenty, Hanna escaped from East to West Germany. But the price of freedom—leaving behind her parents, eight siblings, and family home—was heartbreaking. Uprooted, Hanna eventually moved to America, where she settled down with her husband and had children of her own.
Growing up near Washington, D.C., Hanna’s daughter, Nina Willner became the first female Army Intelligence Officer to lead sensitive intelligence operations in East Berlin at the height of the Cold War. Though only a few miles separated American Nina and her German relatives—grandmother Oma, Aunt Heidi, and cousin, Cordula, a member of the East German Olympic training team—a bitter political war kept them apart.
In Forty Autumns, Nina recounts her family’s story—five ordinary lives buffeted by circumstances beyond their control. She takes us deep into the tumultuous and terrifying world of East Germany under Communist rule, revealing both the cruel reality her relatives endured and her own experiences as an intelligence officer, running secret operations behind the Berlin Wall that put her life at risk.
A personal look at a tenuous era that divided a city and a nation, and continues to haunt us, Forty Autumns is an intimate and beautifully written story of courage, resilience, and love—of five women whose spirits could not be broken, and who fought to preserve what matters most: family.
Forty Autumns is illustrated with dozens of black-and-white and color photographs.

My Review:

Forty Autumns is a very personal story. It is one woman’s account of the history of her own family, separated by the Iron Curtain that fell across Europe in general and Germany in particular post-World War II. While it may be possible to generalize from this one woman’s family to the history of East Germany as a Soviet-bloc country and to the circumstances of many families that were kept apart over those forty years, the power in this story comes from that personal touch. We feel for the author, her mother, and her family because it is easy to see ourselves in their shoes. On both sides of that impenetrable wall.

This is a story of courage across generations. It is easy to see the courage of the author’s mother Hanna, a young woman who took her life in her hands and literally ran across the border before it turned into deadly barbed-wire – with gun towers. But there was also courage in staying. Hanna’s mother, Oma, exhibited that kind of courage, as she strove to keep her family together and keep them from turning on each other, as so many families did, during the long dark years when the Secret Police seemed to have a spy in every house and every factory.

And it is, in the end, a story of survival. Because the family, on both sides of that once formidable divide, remained intact in spite of the dictatorial regime’s best and worst efforts. This is their personal story of that long, twilight struggle. And it’s marvelous.

Reality Rating A: Forty Autumns turned out to be a book that I just plain liked. I fell into the author’s story, and found myself picking it up at odd moments and sticking with it at points where I only intended to read a chapter, which turned into two, then three, without my being aware of it. The prose is spare, and it simply works, even though I’m having a difficult time articulating exactly why.

Forty Autumns also reminds me of two books I read recently. The history it contains reads like a nonfictional account of the history that is also covered by the marvelous, but fictional, On the Sickle’s Edge. Both are stories about families that are separated by the Soviet regime, and detail the ways that those trapped behind the Iron Curtain manage to survive even the harshest repression with just a little bit of hope.

It also touches a bit on the history in Sons and Soldiers. It felt obvious, at least to this reader, that the American G.I. that Hanna marries, the author’s father, was one of the “Richter Boys” whose history is outlined in that book.

This is very much a story about women – their courage, their tenacity, their perseverance. In this family, it is the women who cling to love and hope when all seems lost, as it so often does. This is a story that takes the political and makes it compellingly personal. Through the author’s story of her family, we get a glimmer of understanding of what life was like during those very dark years.

Part of what made this so readable is the way that the author managed to bring out the experiences of both sides of this struggle. So often, this kind of story is told only from the perspective of those who made it out, while those who were left behind recede into the shadows.

That is not the case here. Instead, we see Hanna’s struggle to make a place and a life for herself alone in the west, while the family she left behind struggles equally if differently to survive repression and stay together, with the State always looking over their shoulders, not just because that’s the way it was, but especially because Hanna’s defection left the rest of her family under a life-long cloud.

I found this story to be eminently readable. The author’s prose is spare, but she does a terrific job of telling the story without inserting additional drama or melodrama. There was plenty of both without needing to manufacture any!

In the end, the reader feels for this family, and joins in their triumphant celebration that they made it through, and were reunited at last.

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Review: File M for Murder by Miranda James

Review: File M for Murder by Miranda JamesFile M for Murder (Cat in the Stacks, #3) by Miranda James
Formats available: hardcover, paperback, large print, ebook, audiobook
Series: Cat in the Stacks #3
Pages: 304
Published by Berkley on January 31st 2012
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Athena College's new writer in residence is native son and playwright Connor Lawton, known for his sharp writing- and sharper tongue. After an unpleasant encounter, librarian Charlie Harris heads home to a nice surprise: his daughter Laura is subbing for another Athena professor this fall semester. It's great news until he hears who got her the job: her old flame, Connor Lawton...
Fearing competition for Connor's affections, one of his admirers tries to drive Laura out of town. And then, before Connor finishes the play he is writing, he is murdered- and Laura is the prime suspect. Knowing she's innocent, Charlie and his faithful sidekick, Diesel, follow Connor's cluttered trail of angry lovers, bitter enemies, and intriguing research to find the true killer before his daughter is forever cataloged under "M"- for murderer.

My Review:

I am predisposed to like this series. The amateur sleuth is a 50-something librarian named Harris who loves his enormous cat. Said cat is excellent at providing aid and comfort (but mostly comfort) to anyone in his orbit who needs it, and sometimes serves as a great sounding board for his human.

We all talk to our cats, and we all believe that they understand at least some of what we say, and vice versa. Diesel, while rather large for a cat, because Maine Coons are very large cats, acts like a cat a bit on the high end of feline intelligence. But no more than that. One of the things I love about Diesel is that he never does anything that cats don’t do – albeit writ somewhat large. It’s not uncommon for Maine Coon cats to be three feet long from nose to tail, and for the males to top out at over 20 pounds. Diesel is a big, handsome boy with a purr that sounds like, you guessed it, a diesel engine.

And Charlie Harris is very much a librarian. I can easily identify with what he does at work, and why he does it. And also why he loves the parts of this job that he loves, and dislikes the parts he doesn’t love. He rings true as “one of us”. Except for that fascinating habit he has of getting involved in murder. Like so many fictional small town amateur detectives, he does have a gift for tripping over dead bodies and inserting himself into police investigations. It’s a knack that the local police detective finds more annoying than endearing, to say the least.

This particular case hits rather close to home. On the plus side, Charlie’s daughter Laura is home in Athena for the summer, teaching a drama class at the local college where Charlie works. On the minus side, she got the temporary gig through the influence of this year’s resident playwright at the university. And Connor Lawton is a major pain in the ass. Not just to Charlie, but to every single person he comes in contact with. He’s rude, arrogant and downright nasty to all, and no one likes him one bit.

He’s one of those people who is just such a big arsehole that no one seems to mourn him when he’s found dead in his apartment. Rather, the long line of people who might want to do him in stretches rather far.

But once Connor is out of the way, whoever is behind his death turns their gaze upon Laura Harris, and her family finds itself under threat from all sides. Charlie, as usual, feels like it’s all up to him to figure out whodunit – before the killer manages to either kill his daughter or burn down his house with everyone inside.

Escape Rating B: This series is always a good time. I got hooked when I picked up Twelve Angry Librarians, and so far I have yet to be disappointed by a single trip to Athena, Mississippi. I grabbed this one because I bounced hard off of two books, and needed something that I knew would draw me right in, and File M for Murder certainly delivered.

The mysteries in this series are definitely cozy. And not just because Diesel, like all Maine Coons, is a very furry cat. Athena, Mississippi is a small college town, and everyone pretty much does know everyone. When Charlie needs to find the dirt on someone living in town, he knows just who to ask. And when he has to do research on someone’s past doings, he knows just which library has all the resources he needs, as well as the skill to use them.

There are plenty of cat mysteries, but one of the things that I like best about this series is that Diesel is just a cat. A very big cat, but just a cat. He doesn’t do anything that cats don’t do. Even in this particular story, where there is one point where Diesel really does save the day, he does it by smelling something off and meowing about it until he gets his human’s attention. Not all of us receive letter bombs (thank goodness) but that a cat would sniff out that the thing just smells “wrong” in a big way is quite possible.

It’s not that I don’t love Shirley Rousseau Murphy’s Joe Grey series, because I do, but one talking cat mystery series is probably enough. Or at least it is for this reader.

Another thing that I enjoy about this series is that Charlie is not always the first person to solve the mystery, the best person to solve the mystery, or even the person who saves the day by solving the mystery. In Charlie’s cases, he does get in the way of the police as often as he helps them. He doesn’t always do the cliche thing of getting all the suspects together for the big reveal. Sometimes the solution is anti-climactic, and Charlie is a step behind the police. It feels more human, and more likely, that an amateur sleuth would be as much of a hindrance as a help, while it still gives the reader a chance to put the pieces together along with Charlie, mistakes and all.

If you are looking for a light, fluffy and fun mystery series, with lovely people in an interesting setting, check out Charlie and Diesel. You don’t have to start with Murder Past Due (I didn’t) – this series is just good cozy fun wherever you jump in.

Review: The Admiral’s Bride by Suzanne Brockmann

Review: The Admiral’s Bride by Suzanne BrockmannThe Admiral's Bride (Tall, Dark & Dangerous, #7) by Suzanne Brockmann
Formats available: paperback, large print, ebook, audiobook
Series: Tall, Dark & Dangerous #7
Pages: 256
Published by Mira Books on April 1st 2006
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

His mission was to pretend that Zoe Lange, beautiful young scientist—nearly half his age!—was his new bride. Former Navy SEAL Jake Robinson was sure that his romantic years were behind him, but for God and for country, he would look into Zoe’s beautiful dark eyes, kiss her senseless, hold her as if he would never let her go... and then, when the job was done, do just that.

The only problem was, with each hour in Zoe’s company, the stakes were becoming higher. The game more real. And the dangers within their "honeymoon" chamber more and more apparent...

My Review:

I borrowed this one from the library because I was jonesing for a good older man/younger woman romance. I read a lot of fanfic, and one of the pairings that I’m following from a video game I’m playing deals with this trope, so I had a taste for it. And I’ll admit that I was looking for one where the story was finished. As much as I love fanfic, one of the problems with reading a lot of it is that even the best stories don’t always get finished, and I’m as guilty of this as anyone.

But it gave me a yen for a story with this trope, and browsing the Goodreads list brought this one to the top. That it also reminds me a another fanfic pairing was an added bonus.

The Admiral’s Bride was originally written in 1999. Technology has changed, and has certainly become more ubiquitous. On that other hand, the terrorist militia group that the Admiral and his Bride have to infiltrate could be ripped from today’s headlines. Technology may change, but human nature doesn’t seem to.

The Admiral in this story is Jake Robinson. And he really is an Admiral, or at least he is now. But he’s a former Navy SEAL, and Admiral is the nickname that his unit gave him back in Vietnam, where he seems to have made it his own personal mission to rescue units that Command said couldn’t be saved from the enemy.

The hospital started keeping track, calling the men he saved “Jake’s Boys”. There were nearly 500 of them by the end, and one of the last ones was intelligence agent Zoe Lange’s father. As Zoe wasn’t conceived until after her dad came home from Vietnam, Zoe quite literally owes Jake Robinson her life.

She’s hero-worshipped him from afar for almost her entire life. Which does add a certain amount of complication when they finally meet face-to-face. Because the man hasn’t lost a scintilla of his looks or his charisma in the 30 years since ‘Nam. He’s already the fuel for entirely too many of Zoe’s fantasies, but meeting him in real life turns out to be much more electrifying than she ever imagined.

And it’s completely mutual, as much as Jake keeps telling himself it shouldn’t be. He’s only been a widower for three years, and he still thinks of himself as married. Zoe is a member of his team, and should be off-limits. And if that wasn’t enough of a reason to back off, she’s 24 years younger than he is, she couldn’t possibly be interested in him.

But of course she is. And in the circumstances in which they find themselves, pretending a relationship is the only way to get the mission done. And when the pretense turns real, it gives them both a reason to survive.

If the entire mission doesn’t go totally FUBAR first.

Escape Rating B+: This was exactly what I was looking for. So I dove right in and came up for air about four hours later, ready to read the book I was supposed to read (actually yesterday’s review of Cover Fire).

In spite of Cover Fire being science fiction romance and The Admiral’s Bride being an almost 20-year-old contemporary, they have a surprising amount in common. In both cases, the black hats are a repressive, conservative cult conducting terrorist attacks. And in both stories, the man is career military while the woman is an intelligence operative. Both romances feature people who believe that the person they have fallen for could not possibly be interested in them, and that they have no possible future together. The reasons may be different, but the emotions they engender are surprisingly similar.

And both cults contain entirely too many people who are absolutely nucking futz. The crazy, hate-fueled BS gets a bit hard to read. In neither case are the heads of these arseholes places we want to stay for any length of time.

But one does get caught up in both the action and the romance of The Admiral’s Bride. Jake and Zoe are in tremendous danger, and they have to work together (and get their heads out of their emotional asses) in order to survive and succeed.

At the same time, one of the things that this book does well is to air the doubts that are all going through Jake’s head. 24 years is a big age gap. He and Zoe are not at the same places in their lives. It is hard to think about forever with someone, when your version of forever is 20 or 30 years shorter than theirs. The other person is potentially signing up for a lot of pain at the end. There are ways to deal with all of those issues, and this story doesn’t gloss them over. That Zoe’s job is so dangerous actually helps the situation. The mess they are in together brings home the possibility that she could be cut down in the line of duty at any moment.

That this story reminded me of a lot of early NCIS fanfic (which I love) was just a bonus. It was all too easy to see Gibbs as Jake Robinson, even though he’s not nearly tall enough. But it still added to my enjoyment of a story that just plain hit the spot.

Review: Grimoire of the Lamb by Kevin Hearne

Review: Grimoire of the Lamb by Kevin HearneThe Grimoire of the Lamb (The Iron Druid Chronicles, #0.4) by Kevin Hearne
Formats available: ebook, audiobook
Series: Iron Druid Chronicles #0.4
Pages: 64
Published by Del Rey on May 7th 2013
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

There's nothing like an impromptu holiday to explore the birthplace of modern civilisation, but when Atticus and Oberon pursue a book-stealing Egyptian wizard - with a penchant for lamb - to the land of the pharaohs, they find themselves in hot, crocodile-infested water.
The trip takes an even nastier turn when they discover the true nature of the nefarious plot they've been drawn into. On the wrong side of the vengeful cat goddess Bast and chased by an unfathomable number of her yowling four-legged disciples, Atticus must find a way to appease or defeat Egypt's deadliest gods - before his grimoire-grabbing quarry uses them to turn him into mincemeat.

My Review:

With great power comes great responsibility, at least according to the Spiderman mythos. But there are plenty of people who want that great power, but want to completely sidestep that whole great responsibility price tag. While history and politics are both littered with the bodies of the victims of those “great” figures, in urban fantasy that shortcut to great power usually travels down the road to hell, often paved with no good intentions whatsoever. That shortcut is nearly always dark magic.

And so it proves in Grimoire of the Lamb.

The Druid now known as Atticus O’Sullivan is 21. That’s 21 centuries old, not 21 years. But his magic keeps him looking much closer to 21 years old, and if that’s what people want to assume, he’s happy to let them.

While Atticus isn’t old enough to have visited Egypt when the pyramids were built, he is more than old enough to have visited Egypt before the Library at Alexandria was burned to the ground. And that long ago bit of library looting is the root of this story.

In the 21st century, Atticus lives in Tempe, near Arizona State University, and owns a shop that sells a combination of new age trinkets, minor magical items for the knowledgeable practitioner, arcane-seeming (and sometimes really arcane) used books and very special herbal teas that help students study just before exams.

While Atticus does seem to sell a few safe or relatively safe used books, most of his collection belongs in the Restricted Section at Hogwarts, or the nearest local equivalent, which happens to be a magically locked case in his shop.

And that case contains at least two books that are on semi-permanent loan from the defunct Library of Alexandria. One is that Grimoire of the Lamb, which Atticus believes is an ancient cookbook. The other is a book he calls Nice Kitty, which he describes somewhat like an illustrated guide to tantric sex to be practiced in the worship of Bast.

Bast is not happy that Atticus has that book. She’s so unhappy, in fact, that Atticus has avoided going to Egypt for centuries. But now he’s stuck.

An evil wizard has just stolen the cookbook, but only after informing Atticus that it isn’t a cookbook. That poor lamb isn’t for dinner, it’s a blood sacrifice to one of the ancient Egyptian gods. And it’s a sacrifice that will let the sorcerer kill his (and his god’s) enemies and place himself in a position of power. Someone has seriously given in to the dark side of the Force, and not just because he discovered the book by conjuring up a demon.

So Atticus, along with his faithful Irish wolfhound Oberon, takes off for Egypt to track down that stolen (or is that re-stolen) book, before it’s too late.

Escape Rating B+: I was looking for something quick and fun, and this certainly filled the bill. I was tempted to say light and fun, but Atticus often isn’t light. There are always plenty of humorous moments, if only within the confines of Atticus’ own thoughts, but there’s also always something darker at work.

And even if Atticus doesn’t provide a lot of levity, Oberon always does. When Bast’s many, many, MANY minions chase Atticus and Oberon through the streets of Cairo, poor Oberon’s attempts to visualize just how many cats are following them nearly breaks the poor dog’s enhanced brain. Bast commands a lot of cats. All the cats. And they all chase Atticus and Oberon with a vengeance. Possibly literally.

Grimoire of the Lamb is a prequel story to the Iron Druid Chronicles. Although it takes place before the absolutely marvelous Hounded, it was written after it, so while it introduces the characters we are familiar with, it also already knows who they are and what they are supposed to be.

This story is more intimate than Hounded in that the only two characters that we are familiar with are Atticus and Oberon. His werewolf lawyer appears in a phone call, but doesn’t participate in the action. This one is all on the druid and his dog.

Especially on Atticus. Just as in Hounded, the story is written in first-person singular, so we are always inside Atticus’ head, even when he’s gibbering to himself in pain. Which is often. Atticus gets knocked around a lot.

Tangling with a crocodile, let alone a crocodile god, is always messy. Especially when, as so often happens with Atticus, he’s making it all up as he goes along.

One of the fun things about this series is the way that it mixes multiple ancient mythologies with contemporary sensibilities. Atticus has survived by adapting from century to century and country to country. He never forgets who he is, where he comes from, or what he remembers, but he doesn’t cling to the dead past. There’s probably a lesson in there someplace.

Most of the time when Atticus is forced to deal with myths, legends and deities, they are from his own Celtic pantheon. But he remembers the other old gods, and they certainly remember him. Bast certainly does. And will. He’s planning to steal Nice Kitty back, as soon as he heals up from dealing with Sobek the Crocodile God. Hopefully for the last time.

But this is certainly not my last time visiting Atticus and Oberon.

Review: Someone to Love by Mary Balogh

Review: Someone to Love by Mary BaloghSomeone to Love (Westcott, #1) by Mary Balogh
Formats available: paperback, ebook, large print, audiobook
Series: Westcott #1
Pages: 400
Published by Signet on November 8th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Humphrey Westcott, Earl of Riverdale, has died, leaving behind a fortune that will forever alter the lives of everyone in his family—including the daughter no one knew he had...
Anna Snow grew up in an orphanage in Bath knowing nothing of the family she came from. Now she discovers that the late Earl of Riverdale was her father and that she has inherited his fortune. She is also overjoyed to learn she has siblings. However, they want nothing to do with her or her attempts to share her new wealth. But the new earl’s guardian is interested in Anna…
Avery Archer, Duke of Netherby, keeps others at a distance. Yet something prompts him to aid Anna in her transition from orphan to lady. As London society and her newfound relatives threaten to overwhelm Anna, Avery steps in to rescue her and finds himself vulnerable to feelings and desires he has hidden so well and for so long.

My Review:

When a book appears on seemingly everyone’s best of the year list, there’s a natural curiosity about whether the book lives up to its hype. Someone to Love is one of those books that landed on everyone’s “Best Romance” or “Best Historical Romance” list, so I wanted to see whether it was “all that”.

And in the end, it definitely is.

Someone to Love is part Pygmalion, but also part journey of discovery for both the hero and heroine, as well as everyone whose life is turned upside down by the death of the not-at-all lamented Humphrey Westcott. He died and left his mess for everyone else to clean up.

And what a mess he made. The late Earl of Riverdale was a bigamist. While it’s not clear why he married his first wife, he certainly married the second one for her money. He just neglected to tell her, or anyone else, about the first wife.

Ironically, he could have. His first wife, although she indisputably died after his second marriage, shuffled off this mortal coil before the first of his bastard children was born. He could have married her again in secret and made all his subsequent children legitimate.

Instead, his son and his daughters all believe that Anna Snow is the bastard, and that they are high-and-mighty little lordling and ladies. While their initial treatment of Anna is fairly abominable, their comeuppance is also painful. Dad was obviously a bounder, and no one seems to have a kind word for him now that he’s dead.

Even before the mess he’s left behind has been fully excavated.

Avery Archer, the Duke of Netherby and a somewhat distant connection of the late Earl, is the only person to see Anna as she really is. She is not a fortune hunter. The rich and proscribed life of Anastasia Westcott is not the life she hoped for or planned on. The only thing she wants out of this mess is family, and while some embrace her, others reject her utterly. She has discovered the truth of the old adage about being careful what you wish for because you might get it.

And everyone wants to make of her something that she is not, and has no desire to be, whether that is the villainess of the piece or merely a pawn to be molded to their will.

Only Avery sees Anna Snow exactly as herself, no matter how much wealth is draped around her. What disconcerts Avery immensely is that Anna is the first person to see him as he truly is. To see the brave and scared little boy who has made himself into one of the most feared and respected men in England.

They are made for each other.

Escape Rating A: Someone to Love is terrific historical romance. While it plays with the trope of Pygmalion (My Fair Lady) quite a bit, it also turns it sideways in some really delicious ways.

Anastasia Westcott, formerly known as Anna Snow, is not prepared to enter the rarefied society of the ton. But while she is willing to learn what the rules of that society are, she is not willing to stop being herself. Anna is already 25, which in ton terms means she is very nearly on the shelf. But in her own terms it means that she knows who she is and what she wants, and most importantly, what things up with which she will not put. She bends, but only so far. Her sense of self is very strong, and she is willing to push against both the tide and the managing natures of all of her new relations.

Until her unexpected elevation, Anna was a teacher, and a damn good one. She knows how to manage herself, and she knows how to manage others. And unlike the popular version of Pygmalion in My Fair Lady, Anna, while not raised as nobility, was definitely given a good education as well as lessons in deportment and manners. She finds the ton absurd, and has the intelligence and knowledge to recognize and articulate those absurdities.

Avery Archer’s character also plays with tropes and stereotypes, in this case the figure of the affected, bored society darling who appears to be eternally bored and doesn’t let anyone get close to either his heart or his mind. He delights in pretending that nothing affects him at all. But like the Scarlet Pimpernel, or Lord Peter Wimsey whom he somewhat resembles, there are dangerous depths under that bored, affected surface. He is a dangerous man, and people both respect him and give him a wide berth, unconsciously aware that he is a predator and that all of them are prey. He doesn’t need to display his power to have it acknowledged.

Avery’s interest in Anna surprises them both. She is never boring, and he does enjoy watching her navigate her family and the ton. But it much more than that. She is never affected. Her honesty captivates him. She on the other hand, can’t resist discovering just what is below the face he shows to the world.

That they fall for each other seems inevitable, and yet it isn’t. There is no secret yearning. Instead it’s more of a secret discomfiture. They reach beneath each other’s surfaces and bother each other. A lot, and in more ways than just emotional or sexual. They fall in like before they realize that they are in love.

If you are looking for a historical romance that provides a hero and heroine who manage to be a part of their time while still transcending it, Someone to Love is a winner.

Reviewer’s note: This book has given me a terrible earworm. I can’t get Queen’s Somebody to Love out of my head. And it fits.

Review: The Throwback Special by Chris Bachelder

Review: The Throwback Special by Chris BachelderThe Throwback Special by Chris Bachelder
Formats available: hardcover, paperback, ebook, audiobook
Pages: 213
Published by W. W. Norton & Company on March 14th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Finalist for the 2016 National Book Award for Fiction
A slyly profound and startlingly original novel about the psyche of the American male, The Throwback Special marks the return of one of the most acclaimed literary voices of his generation.
Here is the absorbing story of twenty-two men who gather every fall to painstakingly reenact what ESPN called “the most shocking play in NFL history” and the Washington Redskins dubbed the “Throwback Special”: the November 1985 play in which the Redskins’ Joe Theismann had his leg horribly broken by Lawrence Taylor of the New York Giants live on Monday Night Football.
With wit and great empathy, Chris Bachelder introduces us to Charles, a psychologist whose expertise is in high demand; George, a garrulous public librarian; Fat Michael, envied and despised by the others for being exquisitely fit; Jeff, a recently divorced man who has become a theorist of marriage; and many more. Over the course of a weekend, the men reveal their secret hopes, fears, and passions as they choose roles, spend a long night of the soul preparing for the play, and finally enact their bizarre ritual for what may be the last time. Along the way, mishaps, misunderstandings, and grievances pile up, and the comforting traditions holding the group together threaten to give way.
The Throwback Special is a moving and comic tale filled with pitch-perfect observations about manhood, marriage, middle age, and the rituals we all enact as part of being alive.

My Review:

To paraphrase Thoreau, “Most men lead lives of quiet desperation and die with their song still inside them.”

This is the story of a group of 22 middle-aged men who get together, once a year, to re-enact a single, disastrous football play, and let that song out, just for a brief moment of their lives.

The idea behind this story almost seems a bit absurd. This group of men has created a fairly elaborate ritual where they spend a weekend together in a very middling hotel and replay one memorable football scrimmage from 1985. The night that quarterback Joe Theismann of the Washington Redskins suffered a career-ending compound fracture while being sacked by New York Giants linebacker Lawrence Taylor. In the replays, you can hear the bones snap, and it’s still enough to make you sick to your stomach.

And this bunch of guys replays that tape over and over, so that they can get their parts just right for their actual replay on the field.

It’s a gathering of men who otherwise would have nothing in common. We don’t know how they originally came together, or why. All we know is that this is their one moment, every year, to be someone else, and to experience a little piece of the world through someone else’s eyes playing someone else’s part.

And through the rituals of the weekend, they reconnect with each other, and with themselves.

Escape Rating B: I found this book quietly interesting, but I’m not the intended audience. Although the friend who recommended it certainly is. I do remember that play, it was during a period of my life when I used to regularly watch football. I don’t anymore, and for the reasons why, take a look at my review of Monsters. I just can’t get past the cost.

The Throwback Special is, as I said, a very quiet story. We don’t know how these men originally got together. We also don’t see any more of their regular lives than they choose to reveal to each other over the course of the weekend.

What we do see, and what is fascinating, is the way that they each interpret and reinterpret every single event and every word that is said to them, or that they say to one another. Every moment is evaluated and reevaluated for threats, implications, and inevitably misunderstandings. Every man seems to be worried every second about how they perceive and are perceived by the others. Every interaction is analyzed for its possibilities of one-upsmanship and being set one-down in response. No matter how successful and in control any of them appear to be, the reality is that they are all insecure and uncertain every minute.

And they hide all their humanity behind a borrowed uniform and a worn helmet, while letting just a tiny bit out.

As a woman, I don’t know whether this portrayal of the men’s thoughts and fears is real or imaginary. But if there is a partial reality hidden there, it makes me sad. And it does what literary fiction is supposed to do. It makes me think.

Review: The Underground Railroad by Colson Whitehead

Review: The Underground Railroad by Colson WhiteheadThe Underground Railroad by Colson Whitehead
Formats available: hardcover, ebook, large print, audiobook
Pages: 306
Published by Doubleday Books on August 2nd 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Cora is a slave on a cotton plantation in Georgia. Life is hellish for all the slaves but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood - where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned and, though they manage to find a station and head north, they are being hunted.
In Whitehead's ingenious conception, the Underground Railroad is no mere metaphor - engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven - but the city's placid surface masks an insidious scheme designed for its black denizens. Even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.
As Whitehead brilliantly re-creates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman's ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

My Review:

As the saying goes, “fiction is the lie that tells the truth.” The Underground Railroad is definitely that kind of book. These specific events didn’t happen to this particular person, and yet, they all happened, all too frequently, to entirely too many people who had but one thing in common with Cora – the color of their skin.

The story in The Underground Railroad is historical fiction mixed with a bit of magical realism. The real, historical, Underground Railroad was not actually a railroad with rails and steam engines under the ground. The secret train with its hidden stations makes for a powerful metaphor for the vast network of people who helped fugitive slaves escape from the South’s “Peculiar Institution” to the theoretically “free” states of the North. Or to Canada.

Cora’s journey parallels many such real journeys, from the plantation in Georgia where she was born to her long and often desperate flight to freedom, endlessly pursued by the slave-catcher Ridgeway.

As she travels, she finds herself in different places, and in each she discovers a different way in which she, and her people, are not truly free of subjugation and hatred, even if it briefly appears so.

And while, again, the locations and the methods were not exactly in use in each specific place at that particular time, all these things really happened to real people just like Cora.

Her journey is one of continual loss, with the tantalizing hope of freedom always just out of reach, even when it seems most closely present. Her story is often grueling, and frequently heartbreaking. As each chance for hope and happiness is snatched away, we shake our heads and quake in anger, incensed that this is the way it was.

And this is the way, in so many ways, it still is. Slavery casts a long shadow, not just on those who suffered it directly, and those who perpetrated it and tried to perpetuate it, but on everything and everyone it touched. Even today.

Escape Rating B+: This is a hard story to read. We want to say, I want to say, that this treatment was beyond unjust, and that it couldn’t happen here. But we know from history that it most certainly did happen. And that its legacy is still with us.

The perspective in the story is that of Cora, a young woman born in slavery who decides to escape at whatever cost – because even though she knows that even the attempt is a death sentence if she fails – staying on the plantation is a sentence of immediate death in utter torment. There is no sugar-coating of the terrible conditions of slavery. Nor should there be.

But Cora is a difficult protagonist. Her story often feels as if it is being told at one remove. While we are outraged at everything that happens to her, we don’t always feel with her. She seems a bit detached, and so are we. There’s a part of me that believes that her detachment was part of her means of survival, but it makes her a sometimes cold character to follow.

Like the Railroad itself, each stage of her journey is a metaphor for one of the varying, but equally awful, ways that whites thought of blacks in the 19th century and believed that they were finding ways to deal with “the problem”. The most supposedly “enlightened” solutions contained some of the truest brutality, and the most overtly brutal enslaved everyone it touched, white as well as black, but in different ways. Even the “Free” North can’t bear the thought of a self-sufficient black community, as it gives the lie to all the stories they have told.

There are no easy answers in this book. The ending is not a happy redemption of anyone, more like a hope for a possible better future somewhere down the line. But we’re not there yet.

Sometimes a book sweeps all the awards, and one is left wondering why. The Underground Railroad is not one of those books. This is one that will haunt you long after you turn the final page.