Branded as Trouble (Wrangler's Creek, #3) by Delores Fossen Formats available: paperback, ebook
Series: Wrangler's Creek #3
Pages: 384
Published by Harlequin Books on June 27th 2017
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads
Every town needs a bad boy, and Wrangler's Creek's has been gone far too long
Getting his high school girlfriend pregnant was just one square in Roman Granger's checkered past, but it changed him forever. When his son's mother skipped town after the birth, Roman decided to do the same, baby Tate in tow, hoping for a fresh start.
Now Roman fears his teenage son is following in his wayward footsteps, so he returns home to Wrangler's Creek, aiming to set him straight. It's there he encounters Tate's aunt, Mila Banchini, the good-girl opposite of Roman who's had a crush on him since childhood. The old spark between them undeniably never died, though Roman worries it'll only lead to heartache. But if falling for Mila is such a bad idea, why does everything about holding her feel so right?
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My Review:
This book, and this entire series, feels like a “train wreck” read for me. That’s not necessarily a bad thing – after all, the reason why gazer block is such a problem after a highway accident is that we can’t turn our eyes away from the disaster.
And so it is for me with the Wrangler’s Creek series. The entire thing is so overrun with stampeding drama llamas, in so many coats and stripes and colors, that even as it drives me absolutely bananas I can’t turn my eyes away. I have to keep going to see what other brand of crazy happens next.
Branded as Trouble is plenty crazy, and plenty entertaining.
This series has been the story of the Granger siblings of Wrangler’s Creek. Or rather, the story of the Granger siblings coming back to Wrangler’s Creek. In Those Texas Nights, sister Sophie comes home to stay. No Getting Over a Cowboy was her brother Garrett’s story, and now it’s bad-boy older brother Roman’s chance to find his own happy. If only he can only get out of his own way.
(I have mixed feelings about whether one needs to read the series from the beginning to “get” what’s going on. I think not. The siblings obviously appear in each other’s stories, as do many of the background characters. But the individual books stand mostly alone.)
Roman doesn’t want to come back to Wrangler’s Creek. He doesn’t want to live anywhere near his mother Belle, and while I can’t blame him, it was good to find out the cause of all the bad blood between them. And there was plenty of cause, and knowing what it was makes a whole lot of their past and present interactions make a lot more sense.
It’s also clear that Roman needs to get past a lot of the bad stuff in his past, not because it wasn’t bad, not because his feelings aren’t justified, but because hanging on to all that old baggage is hurting him more than the people he throws it at – and it’s really hurting his teenage son Tate, who needs Roman to get his head out of his own ass and do what’s best for both of them.
Not that Tate doesn’t have plenty of growing up of his own to do. And his own share of baggage to lose.
Mila is there for both of them. She’s loved Roman since forever, but is all too aware that the feeling is not returned. And she’s mostly made her peace with that. Until Roman comes back to Wrangler’s Creek for the summer, and they find themselves thrown together over and over. Tate needs their help. And they need each other.
Escape Rating B: A great writer, probably several of them, have said that one of the differences between fiction and nonfiction is that fiction has to be plausible, while nonfiction merely has to be true. Branded as Trouble may be the point where the Wrangler’s Creek series fell over the line between crazy-fun and too crazy to be plausible. At least for me. Which doesn’t mean that I didn’t still have a good time, but the amount of eye-rolling I did as I read it was starting to hurt!
I have never liked the character of Belle, Roman’s mother. She’s slightly less offensive in Branded as Trouble, but no less crazy. And she’s not crazy in a fun way, she’s crazy in an annoying and overbearing way. (If no one has guessed, yes, some of her characteristics remind me a bit too much of my own mother. It just doesn’t make a comfortable read for me. Your mileage on this probably does vary).
Mila’s mother Vita is just plain nuts. She’s out there, marching to the beat of her own drummer – and it’s probably some kind of spirit drummer, because Vita seems like a caricature of a practicing witch. Or she’s listening to the voices in her head, or a bit of both. Surprisingly, Vita’s wacky pronouncements do usually make sense in the end, but her method of getting there makes her, as her daughter Mila describes her, into the “ultimate person repellant”, no one wants to get near her. Being Vita’s daughter in a small town where everyone knows everyone’s business must have been absolutely hell.
Where things past plausibility for this reader was in both the hero and the heroine have mothers who are way out there in different left fields of cray-cray land. This did pass “over-the-top” for me. Which does not mean that I didn’t like both Roman and Mila, because I certainly did.
Mila owns the local bookstore, which of course makes her my heroine. But the other thing I really like about her character is the way that she makes her own happy. She’s always loved Roman, but has no expectations that it will ever work out. That she’s come to the realization that she has to move on because he won’t make a move on her makes her brave, even if some of her efforts involve more drama llamas than the possibility of actual romance.
But she’s not pining. She keeps moving forward. And that’s what eventually makes her dreams come true.
~~~~~~ GIVEAWAY ~~~~~~
I am giving away a copy of Branded as Trouble to one lucky US/Canadian commenter:
No Getting Over a Cowboy (Wrangler's Creek, #2) by 
I digress.
Those Texas Nights (Wrangler's Creek, #1) by 
The town has its character, and its characters, both good and bad. The most fun of these is Vita, the local witch and the mother of Sophie’s best friend Mila. Clay’s ranch house is under assault by feral chickens, and a running gag in the story revolves around Vita’s various attempts to end the siege. A second, and even funnier running gag follows Mila’s attempts at a “fantasy date”, which usually end with Sophie and/or Clay witnessing something that they really, really, really wish they could un-see.