Review: The Night Masquerade by Nnedi Okorafor

Review: The Night Masquerade by Nnedi OkoraforThe Night Masquerade (Binti, #3) by Nnedi Okorafor
Formats available: paperback, ebook, audiobook
Series: Binti #3
Pages: 208
Published by Tor.com on January 16th 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The concluding part of the highly-acclaimed science fiction trilogy that began with Nnedi Okorafor's Hugo- and Nebula Award-winning BINTI.

Binti has returned to her home planet, believing that the violence of the Meduse has been left behind. Unfortunately, although her people are peaceful on the whole, the same cannot be said for the Khoush, who fan the flames of their ancient rivalry with the Meduse.

Far from her village when the conflicts start, Binti hurries home, but anger and resentment has already claimed the lives of many close to her.

Once again it is up to Binti, and her intriguing new friend Mwinyi, to intervene--though the elders of her people do not entirely trust her motives--and try to prevent a war that could wipe out her people, once and for all.

Don't miss this essential concluding volume in the Binti trilogy.

My Review:

I picked up The Night Masquerade because we saw the absolutely, totally, completely marvelous Black Panther over the weekend, and I was looking for more Afrofuturism. Then I remembered that the final book in the Binti Trilogy was already out, and why hadn’t I read it already?.

So here we are.

Admittedly, one reason why I hadn’t read The Night Masquerade already was because as much as I adored the first book, Binti, the second book, Home left me with a much more mixed reaction. Binti herself spent much of Home feeling fairly muddled, and as I read it I was muddled right along with her.

Although now that I have finished The Night Masquerade I am highly tempted to go back and reread Home. Now that I see where things were headed, the journey feels as though it had a lot more depth.

In Home, it seemed as if Binti, desperate for home, had gone back and discovered that, as the classic title goes, “you can’t go home again.”. In The Night Masquerade, the situation seems even worse. She discovers that while home may be the place that when you have to go there, they have to let you in, once they’ve opened the door there is nothing to stop them from stabbing you in the back as you walk past.

Binti may be physically home, but the people that she thought were hers reject her and everything about her that makes her what they perceive as anathema. Binti is different. Binti has left the Himba. Because the Himba don’t leave that turns Binti from “one of us” into a dangerous outsider.

She has also discovered that she is more than just Himba. Her father was one of the Desert People. While the Himba perceive the Desert People as barbarian savages, the truth is otherwise. As it usually is.

And the use of her talents as “harmonizer” aboard the sentient ship Third Fish (the events of Binti) have both grown her talent and made her a part of the non-human Meduse as well. She has become more, but her people (her own immediate family excepted) perceive her as being less.

The neighboring Khoosh people, on the other hand, see Binti’s Meduse friend Okwu as a enemy, and rain war and destruction on the Himba in frustration that Okwu and Binti are nowhere to be found.

Bintu gives her life in an effort to make peace, only to be struck down at the moment of her greatest achievement.

But just as on her first journey, the one where she should have died the first time, it’s not merely that what does not kill her makes her stronger, but that what kills her does too.

Escape Rating A: While The Night Masquerade is not as fresh as the first book, Binti, quite possibly because Binti herself is not as fresh and new as she was at the start of her journey, it still marks a return to the page-turning fascination of that first book.

In Binti, we saw her first, sometimes tentative steps into the wider universe, not in spite of but because of the tragedy that she survives aboard Third Fish. In Home, Binti is searching for who she is now, trying to harmonize all of the various parts of herself that she has discovered or that she has absorbed. And she flails around a bit. (Don’t we all at 17?)

But in The Night Masquerade Binti is finally on the road to who she is meant to be. Her journey is far from complete, even though it is nearly cut short. In this final book in the trilogy, she ultimately manages to reach past her own doubts and fears and take control of her future, by embracing all the disparate aspects of her identity.

A significant part of the story is Binti’s internal journey, as she sees the limitations of her own people’s worldview and chooses to deliberately move beyond it, in spite of her doubts and fears. And in spite of the cost.

It’s a difficult and dangerous journey, made even more so by the shortsightedness of entirely too many people on all sides. But watching Binti come into her own is absolutely fantastic. If you like coming-of-age stories, especially when combined with a heroine’s journey, I think (and hope) you will love Binti’s story as much as I did.

Reviewer’s Note: NoveList has just released beautiful posters featuring Afrofuturism and Afrofantasy in honor of the fantastic movie Black Panther. The posters are gorgeous, but of course not remotely comprehensive of either genre. However, Nnedi Okorafor is the only author featured on both posters. Look for the posters AND the books at your local library.

Review: Home by Nnedi Okorafor

Review: Home by Nnedi OkoraforHome (Binti, #2) by Nnedi Okorafor
Formats available: paperback, ebook
Series: Binti #2
Pages: 176
Published by Tor.com on January 31st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The thrilling sequel to the Nebula and Hugo winning Binti.
It’s been a year since Binti and Okwu enrolled at Oomza University. A year since Binti was declared a hero for uniting two warring planets. A year since she left her family to pursue her dream.
And now she must return home to her people, with her friend Okwu by her side, to face her family and face her elders.
But Okwu will be the first of his race to set foot on Earth in over a hundred years, and the first ever to come in peace.
After generations of conflict can human and Meduse ever learn to truly live in harmony?
Praise for Nnedi Okorafor:
"Binti is a supreme read about a sexy, edgy Afropolitan in space! It's a wondrous combination of extra-terrestrial adventure and age-old African diplomacy. Unforgettable!" - Wanuri Kahiu, award winning Kenyan film director of Pumzi and From a Whisper
"A perfect dove-tailing of tribal and futuristic, of sentient space ships and ancient cultural traditions, Binti was a beautiful story to read.” – Little Red Reviewer
Binti is a wonderful and memorable coming of age story which, to paraphrase Lord of the Rings, shows that one girl can change the course of the galaxy.” – Geek Syndicate
Binti packs a punch because it is such a rich, complex tale of identity, both personal and cultural… and like all of Nnedi Okorafor’s works, this one is also highly, highly recommended.” – Kirkus Reviews
"There's more vivid imagination in a page of Nnedi Okorafor's work than in whole volumes of ordinary fantasy epics." -Ursula Le Guin
"Okorafor's impressive inventiveness never flags." - Gary K. Wolfe on Lagoon
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

My Review:

There are two literary traditions that revolve around the thought and place we call “home”. One is the Thomas Wolfe version. That’s the “you can’t go home again” version of home. The other is the Robert Frost version, the one that says that “home is the place that, when you have to go there, they have to take you in.”

After the events of last year’s award-winning Binti, and a year at the intergalactic Oomza Uni, Binti desperately needs home to be the Frost version. She feels that there is something wrong with her, and that she needs the healing that only her home place can provide.

But when she gets there, she discovers that it is the Wolfe version of home. She ran away, not because anything terrible happened or would happen, but because the safe, secure and traditional plans that her family and her village all had for her future were too confining for her intellect and her spirit.

She stood on the shoulders of her village and saw further than anyone had in a long time. And, the people she thought were her own wanted to chop her off at the knees for it.

No one is right and no one is wrong. Binti is just a bit different from everyone she thought she knew, and everyone who believed that she was theirs. And much too much has happened for her to go back and become the smaller person that they all wanted her to be.

But just as Binti’s own Himba village people are looked down upon by the cosmopolitan, city-dwelling Khoosh, Binti herself has absorbed the prejudices of her own Himba people towards the elusive Desert People. Binti’s self-perception, even her very identity, are threatened when she learns that the Desert People are much, much more than the savage wanderers they appear to be.

And that she is one of them.

Escape Rating B-: I found the first story in this series, Binti, to be utterly absorbing from the opening paragraphs. But Home was much less so. Just as Binti seems suddenly unsettled at Oomza Uni as this story opens, as a reader I also felt unsettled. Binti found her involvement with her environment problematic, and I found my involvement with her equally so.

Binti couldn’t focus and neither could I. This was a story where I finally finished on the third attempt. I’m glad that I did, but this just didn’t grab me the way that the original did.

Home is also a middle book. While the overarching story moves forward in Home, it does not end. Or it ends on a cliffhanger. But the ending felt unsatisfying. I was hoping for some kind of conclusion, even if an interim one. Binti, in spite of its relatively short length, told a complete story, beginning, middle AND end. Home feels like all middle. And muddle.

I hope that the next book in this series, The Night Masquerade, brings Binti’s story to an exciting and satisfying conclusion.

Review: Binti by Nnedi Okorafor

Review: Binti by Nnedi OkoraforBinti (Binti, #1) by Nnedi Okorafor
Formats available: paperback, ebook, audiobook
Series: Binti #1
Pages: 96
Published by Tor.com on September 22nd 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs.
Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares. Oomza University has wronged the Meduse, and Binti's stellar travel will bring her within their deadly reach.
If Binti hopes to survive the legacy of a war not of her making, she will need both the gifts of her people and the wisdom enshrined within the University, itself - but first she has to make it there, alive.

My Review:

I was intending to review The Fifth Season by N.K. Jemisin today, but I spent too much time wading through A Hundred Thousand Worlds for a review over at The Book Pushers, and ran out of time. So I decided to review a different (and much shorter) book that is also among this year’s Hugo nominees. I’ll get around to The Fifth Season before Hugo voting is final.

Let me say this up front, I loved Binti.

Binti is a story in the classic SF coming-of-age-by-leaving-your-home-planet tradition, given a fresh twist by its Afropolitan heroine. The freshness comes from both aspects of that description. Females are much less often featured in this trope, where the protagonist leaves their home planet driven by a desire to be more than what home has to offer. Also, the heroine of Binti is unmistakably African, and in a future world where she faces similar types of prejudice to today, but in ways and for ostensible reasons that make more sense in this future. Although there are multiple shout outs to the present day “can I touch your hair?” issue.

Ultimately, this is a story about healing and survival. It’s about finding commonalities between people who have always seen each other as deadly enemies, to the point where both sides shoot first and ask questions never.

And this is a story about cultural misappropriation gone terribly, terribly wrong in the name of profit and fame.

At the same time, Binti is an everyteenager, leaving her family, her home and her predictable but probably excellent future for the great unknown. She is compelled and propelled by the desire to grow beyond the place where she was planted. But this is done in the story in such a way that nothing and no one is demonized. She’s not leaving because things are bad in any way at all. Only that her family desires to see her continue in the place and life they have planned for her, and view her desire for something different as both wrong and selfish.

In the end, she becomes far more than she, or anyone, ever dreamed. But she also becomes a different person than the one who left. As she strides off into her very brave new future, she is forced to wonder whether the price is a complete unmooring from her past.

And to know it was worth it.

Escape Rating A+: Binti changes the course of the galaxy, not because it wants to change, but because she feels compelled to change it. And because making things change is the only way for her to survive.

Binti has, along with its coming of age story, the feeling of a first contact story. Although this isn’t the first time the Meduse and the humans have crossed paths, it does seem to be the first time that they have had a reliable method of communication.

As Binti postulates in the story, it is a lot harder to kill someone after you have learned their name and had lots of conversations with them. It still isn’t impossible, as Earth’s history all too clearly shows, but it is harder once there has been some tentative steps toward understanding.

Especially when Binti’s ability to “harmonize” different things and different people through very, very high-level mathemagic allows the Meduse to finally see her, and eventually other humans, as an intelligent species, however different, like themselves.

But in the story, we see Binti’s hopes and desperate fears as she tries to find a solution that will allow them all to live. She seems to go through those seven stages of grief over and over as she is constantly sure that the Meduse will kill her as they did the rest of the passengers on the ship. Her breakthrough is almost as frightening as her initial capture, and equally unlikely of success.

In conclusion, Binti is a beautiful story. And even though it is short, it manages to both feel complete and leave the reader wanting more. I can’t wait for the sequel to come out in January.