Review: Neverwhere by Neil Gaiman

Review: Neverwhere by Neil GaimanNeverwhere by Neil Gaiman
Formats available: hardcover, paperback, ebook, audiobook
Pages: 336
Published by William Morrow on July 7th 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The #1 New York Times bestselling author’s ultimate edition of his wildly successful first novel featuring his “preferred text”—and including the special Neverwhere tale, How the Marquis Got His Coat Back.
Published in 1997, Neil Gaiman’s darkly hypnotic first novel, Neverwhere, heralded the arrival of this major talent and became a touchstone of urban fantasy. Over the years, a number of versions were produced both in the U.S. and the U.K. Now, this author’s preferred edition of his classic novel reconciles these versions and reinstates a number of scenes cut from the original published books.
Neverwhere is the story of Richard Mayhew, a young London businessman with a good heart and an ordinary life, which is changed forever when he is plunged through the cracks of reality into a world of shadows and darkness—the Neverwhere. If he is ever to return to the London Above, Richard must join the battle to save this strange underworld kingdom from the malevolence that means to destroy it

My Review:

neverwhere dvdI’m not sure whether I first went to Neverwhere by reading the book or watching the TV miniseries. Needless to say, even though the TV series actually came first, the book is better. And I was thrilled to have the opportunity to reread it for this tour.

Neverwhere is one of those stories that stuck with me long after I read it. I’ve even written about it before. There’s something about Neverwhere, with its concept of London Below, that has always reminded me of Simon R. Green’s Nightside, which also creates an otherworldly version of London that exists alongside and underneath the great city.

But Neverwhere is a different kind of story. It doesn’t have to be set in London Below, although the setting does give its some of its resonance and charm as well as its flights of fancy. Who would have thought there would actually be an Earl at Earl’s Court? On the other hand, why isn’t there? And what if there was?

Neverwhere is the story of what happens to someone who takes the red pill, although in this case it’s not that our hero Richard Mayhew sees the painful truth of reality so much as that he sees that there is a deeper reality lying underneath our own. The humdrum world he comes from is just as real as London Below, but without that red pill, he can’t see it. And unlike takers of the blue pill in The Matrix, when Richard comes back, he still remembers everything. Only to discover that, as Mr. Spock once said, “After a time, you may find that having is not so pleasing a thing after all as wanting. It is not logical, but it is often true.” At the end of his harrowing adventure, Richard Mayhew wants his safe, normal world back. Only to discover that he has changed too much to fit back into the life he once found so satisfying.

The story of Neverwhere is relatively straightforward in its plot, but complex in its setting. Richard Mayhew, a young and somewhat insecure securities analyst in London, rescues a young woman he finds bruised and bleeding on the streets of London.

By rescuing Door, he finds himself outside the life of the normal world, and an unwitting denizen of “London Below”. He is lost and confused and completely out of his depth. All that he knows is that if he is to get his own life back, he must find Door in the confusing maze of the world he never knew was under London, and travel with her, like the Cowardly Lion, the Scarecrow and the Tinman, until he reaches the wizard, in this case the Angel Islington, and he can finally go home.

Just like the journey through Oz, Richard and Door face trials and monsters, and also as in Dorothy’s journey, the angel, just like the wizard, is not what he appears to be. But in this case what they find is not a benign trickster – the angel is the greatest monster of them all. And nothing in the journey turns out to have been quite what it appeared to be.

After passing all his tests, Richard is able to receive what he thinks is the greatest wish of his heart. Only to discover that he has grown too much or too big to be contained in his old life.

Escape Rating A+: The story of Neverwhere was just as magical upon re-reading as it was the first time around. Or even the second, which I think was viewing the TV series. And even though the special effects are often laughable, and some of the horror is reduced by the necessity of filming things that are best left in the imagination, the TV show holds up too.

view from the cheap seats by neil gaimanThis time, I listened to parts of Neverwhere from an unabridged audiobook recorded by the author. And unlike many authors who read their own works, Gaiman does an excellent job voicing all the characters, to the point where I was still hearing his voice in my head a couple of weeks ago when I was reading The View from the Cheap Seats.

The story here is of a mythic journey, and there are lots of parallels to The Wizard of Oz, a fact which does get lampshaded in Neverwhere. While Richard is journeying to find his way home, he is also taking a trip through a long, dark night of the soul. And as a result, he becomes more than he was.

So many of the characters he meets seem more than a bit odd on first meeting. The Marquis de Carabas is a trickster. He always has his eye on the main chance, and does not suffer fools or incompetents within his orbit. He does not seem to ever warm up to Richard, who he always sees as the ultimate babe in the very deadly woods. But in the end he always keeps his word. And he always collects his debts.

The villains of this piece are Mr. Croup and Mr. Vandemar, and while they often sound incredibly campy, the more they appear in the story the easier it is to see them as creatures that would make the monsters under the bed and in the closet run for cover. (But their scariness works better in print than on the screen, where the reader is able to feel the creepiness rather than see the joke.)

Neverwhere is one of the ultimate urban fantasy wild rides. If you have ever dreamed that there is a beautiful, terrible, magical world existing just out of reach, take your own journey to London Below. And always remember to “mind the gap”.

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Review: The View from the Cheap Seats by Neil Gaiman

Review: The View from the Cheap Seats by Neil GaimanThe View from the Cheap Seats: Selected Nonfiction by Neil Gaiman
Formats available: hardcover, paperback, ebook, audiobook
Pages: 544
Published by William Morrow on May 31st 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

An enthralling collection of nonfiction essays on a myriad of topics—from art and artists to dreams, myths, and memories—observed in Neil Gaiman’s probing, amusing, and distinctive style.
An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.
Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.

My Review:

“Fiction is the lie that tells the truth” – This is a quote that Neil Gaiman seems to have adapted from Albert Camus’ version: “Fiction is the lie through which we tell the truth.”

A good bit of this collection is about the creation of that fiction, not just his own, but also other people’s. So we get a look into how the writer does his craft, but even more of a peek at what the writer thinks about other writers’ books that he has known and loved. And sometimes that’s about the books, and sometimes that’s about the writer, and most often it’s about the love.

As a librarian, I have to say that the entire first section of this collection just warms the proverbial cockles of my book-loving and book-pushing heart. Because in it, Gaiman basically lays out his love of books and bookstores and libraries for the entire world to see. And his expression of that love is absolutely lyrical. It’s a paean to libraries and a clarion call to save them all wrapped into one beautiful ball.

He also talks a lot about the books that shaped him, both as a person and as a writer. If the “Golden Age of science fiction is twelve” or thirteen, as the age varies depending on what story he is telling, then Gaiman was exposed at just the right moment. But even if you are not a lover of science fiction, his story of escaping into books as a child will resonate for any adult who has spent their life escaping from it in books. We all started out young.

As a writer, Gaiman began as a journalist (not unlike his friend, the late, much lamented Terry Pratchett) and moved from writing for other people to writing the stories that, as he says, he couldn’t keep inside. And the stories that he wanted to read. Along the way, he passed through comic books, fantasy, science fiction and horror. As many of the languages of myth-making as he could manage. In various pieces of this collection, there are essays that speak to one or more of those interests, with digressions into movies and music.

But whatever he is, or was, writing about (or in some cases speaking about) the author’s voice shines through. And that love. Love for the genre, love for the medium, and especially love for the power of words and the worlds they create.

Escape Rating A: Because this is a collection of essays and whatnot, I don’t actually need to read the entire thing to write a credible review. But I had so much fun reading it that I could not make myself stop.

Also, I recently listened to the beginning of Neverwhere, read by the author. As I read The View From the Cheap Seats, I could hear the author’s voice in my head, especially reading the speeches. It’s a very distinct authorial voice, and a surprisingly excellent voice for reading.

(Some authors are notoriously bad at reading their own work. Gaiman is emphatically not one of them.)

trigger warning by neil gaimanAs an essay collection, while I wouldn’t say that it is uneven the way that last year’s short story collection, Trigger Warning, was, I would say that the appeal of the collection will depend on how closely the reader’s interests match the author’s.

Anyone who loves books and reading AT ALL will enjoy the first section, Some Things I Believe. Because the author believes A LOT about the joy of reading to move us and the importance of bookstores and libraries and of simply READING.

But other parts of the collection reflect different tastes and interests. As someone who reads a lot of science fiction and fantasy, the essays in those sections, including the speeches, had plenty of resonance for this reader. The stories within the stories, the tropes that are referred to, the people being honored, are all ones that I am not just familiar with, but frequently also love. And occasionally have my own stories about.

And his writing about science fiction and fantasy and being both a reader and a writer echo my own experiences in the SF fan community.

His speech about Tulip Mania as it relates to the Comic Book Industry (Good Comics and Tulips: A Speech) should probably be read by anyone interested in the economics of fads and/or the bursting of false-demand economic bubbles.

At the same time, the sections where I’m not as invested, aren’t as interesting to me. My taste in music is different from the author’s. So while I find his essays on music interesting, they don’t move me in the same way that the ones on SF and fantasy do. They are excellently written, but don’t touch a place in my heart.

But so much of this collection does.

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Review: Wilde Lake by Laura Lippman

Review: Wilde Lake by Laura LippmanWilde Lake by Laura Lippman
Formats available: hardcover, ebook, large print, audiobook
Pages: 368
Published by William Morrow on May 3rd 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The bestselling author of the acclaimed standalones After I’m Gone, I’d Know You Anywhere, and What the Dead Know, challenges our notions of memory, loyalty, responsibility, and justice in this evocative and psychologically complex story about a long-ago death that still haunts a family.
Luisa “Lu” Brant is the newly elected—and first female—state’s attorney of Howard County, Maryland, a job in which her widower father famously served. Fiercely intelligent and ambitious, she sees an opportunity to make her name by trying a mentally disturbed drifter accused of beating a woman to death in her home. It’s not the kind of case that makes headlines, but peaceful Howard county doesn’t see many homicides.
As Lu prepares for the trial, the case dredges up painful memories, reminding her small but tight-knit family of the night when her brother, AJ, saved his best friend at the cost of another man’s life. Only eighteen, AJ was cleared by a grand jury. Now, Lu wonders if the events of 1980 happened as she remembers them. What details might have been withheld from her when she was a child?
The more she learns about the case, the more questions arise. What does it mean to be a man or woman of one’s times? Why do we ask our heroes of the past to conform to the present’s standards? Is that fair? Is it right? Propelled into the past, she discovers that the legal system, the bedrock of her entire life, does not have all the answers. Lu realizes that even if she could learn the whole truth, she probably wouldn’t want to.

My Review:

Wilde Lake is a book about stories. The ones that last. The stories that we tell each other. The stories that we tell ourselves.

And what happens when someone finally unravels all of the stories that people have told her about her life.

This is, after all, Lu’s story. Lu is Luisa Frida Brant, and at first it seems like she lives a mostly charmed life. She’s just been elected the first female State’s Attorney for Howard County Maryland.

Howard County is a real place, as is Columbia, the planned community that Lu grew up. Even the history of Columbia is pretty much as described in the book. Even Wilde Lake is a real feature of the town. I’ll admit to being completely surprised that Columbia and Wilde Lake exist. They are so planned that I thought they must be fictional, but they are not.

But hopefully not the events that unfold in this story. Even though, or perhaps especially because, they feel typical of suburban life in the 1960s and 1970s.

But the story is Lu’s story. While it begins at the point of Lu’s greatest triumph, it also begins at the point where her whole life begins to unravel. As she relates the story of her childhood, while dealing with her life in the present, we see where all the stories that Lu has been told, and all the stories that Lu has told herself, converge and rewrite the past as she once knew it.

At first we see an almost typical American family. Lu, her brother AJ, and their father, AJ Senior. Lu’s mom isn’t in the picture – she died a week after Lu was born. And AJ Senior is the State’s Attorney, instilling in Lu both her competitiveness and her desire to practice law.

AJ Junior is the one who seems to have the truly charmed life. AJ is charismatic, and everyone seems to love him. At least until he and his charmed circle of friends are violently attacked at their high school graduation party, leaving one young man dead and another paralyzed from the waist down.

In the aftermath, the world goes on. AJ and his friends go their separate ways. But when Lu herself becomes State’s Attorney, the truth about that long ago night, and the events that led up to it, all explode into the light.

And in the end, Lu discovers that nothing that she believed, about herself, about her family, about her life, was remotely true.

Escape Rating A-: I will say that this story builds slowly over much of its length. We are mostly inside of Lu’s head as her version of events travels back and forth from the here-and-now to her memories of her childhood and adolescence and all the stories that she was told. Also, because it is entirely Lu’s perspective, the other characters in the story feel a bit one-dimensional. We don’t really get to know them. Which in its own way makes sense in this story, as Lu discovers that all the things and all the people she thought she knew are not what she believed them to be.

All families tell stories. Sometimes because a child is too young to understand the truth, and sometimes because there is a guilty secret to be hidden. Sometimes both. And sometimes the one morphs into the other as the child becomes an adult and no one wants to air the proverbial dirty laundry now that it has finally been washed, folded and put away.

There was one such story in my own family, not nearly as explosive as what Lu uncovers. But I remember my own sense of shock and the shifting and sifting of memories in light of the new and surprising information. For her, in this story, the revelations she uncovers would have been infinitely more profound, unnerving and identity-rattling.

In the end, the truths that Lu uncovers are like the ending of the movie The Sixth Sense. Once you know that the boy truly sees dead people, you are forced to re-evaluate everything you thought you saw in the film. Once Lu finds out the truth about her family and her past, she is forced to re-examine all of her own memories to see where the truth was hidden from her, and where she hid it from herself.

They say that the truth will set you free. This is a moving story of a woman who finds the truth, and it nearly destroys her.

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Review: The Total Package by Stephanie Evanovich

Review: The Total Package by Stephanie EvanovichThe Total Package by Stephanie Evanovich
Formats available: hardcover, ebook, audiobook
Pages: 256
Published by William Morrow on March 15th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The New York Times bestselling author of Big Girl Panties and The Sweet Spot is back with a funny, sweet, and sizzling novel about the game of love, in which a hot quarterback must figure out how to score big with a beautiful and talented media analyst after a heartbreaking fumble.
Star quarterback, first-round draft-pick, and heartthrob Tyson Palmer has made a name for himself with his spectacular moves. When the head coach of the Austin Mavericks refuses to let him waste his million-dollar arm, Tyson makes a Hail Mary pass at redemption and succeeds with everyone . . . except Dani, whose negative comments about his performance draw high ratings and spectacular notices of her own.
Dani can’t forgive Tyson’s transgressions or forget the sizzling history the two of them shared in college, a passionate love Tyson casually threw away. And even more infuriating, he doesn’t realize that the bombshell with huge ratings is the cute girl whose heart he once broke.
But can a woman trying to claw her way to the top and a quarterback who knows all about rock bottom make it to the Super Bowl without destroying each other? And what will happen when Tyson—riding high now that he’s revived his career—realizes he needs to make an even more important comeback with Dani? Can he make some spectacular moves to get past her defenses—or will she sideline him for good?

My Review:

sweet spot by stephanie evanovichTrue confession: I picked up The Total Package because I enjoyed both Big Girl Panties and The Sweet Spot – sometimes in spite of, but mostly because of, issues I had with both stories. So I didn’t look at the blurb before grabbing this one. And I ended up liking The Total Package in spite of the fact that “secret baby” is possibly the trope I hate most.

Then again, the fact that the main character has said secret baby doesn’t have nearly as much impact on this story as secret babies normally do. Dani Carr is incredibly lucky – not only do her parents fully support her (emotionally not financially) in her single motherhood, but they are also more than happy to take over all childcare responsibilities for her secret baby while Dani is off to Austin pursuing her career.

While trying to convince herself that she isn’t really pursuing the baby’s father.

This is not a comment about Dani’s mothering or motherhood or anything else of that nature. Her situation works for her and her family, and the baby is well taken care of and that’s all fine. I am commenting that Dani’s family’s support makes it possible for this to be a secret baby story where caring for the secret baby has little impact on the story, which is unusual and made the story work better for me, but might strike other readers as unrealistic. Your mileage may vary.

The baby doesn’t feel important until the very end, when the secret is revealed in all its (actually his, it’s a boy!) toddling glory.

Because this is a secret baby story, we do get the scene where the secret baby is created, and it is not a love scene of which romantic dreams are made. Nor should it be. When our story begins, Dani Carr is going by her slightly realer name of Ella Carrino, and the baby’s father is Tyson Palmer, a former star quarterback skidding toward the end of his career in a haze of booze and prescription painkillers.

They knew each other in college, when he was the golden boy, and she was hired to tutor him in English, so he could keep up his grades and his eligibility. They flirted, because Tyson flirted with everything that moved. But Ella turned him down, and he respected and liked her all the more for it.

But of course she fell for him anyway. So when he comes back to town to wallow in Homecoming, she carts him off for a one-night stand. She doesn’t intend it to be one night – she has very fuzzy romantic dreams of giving him her virginity and being the one true friend who can help him out of the terrible mess he’s gotten himself into.

Instead he runs away, more or less straight into the arms of an NFL team owner who is willing to spend a lot of money on Tyson’s recovery and rehabilitation if Tyson will give him three years of great playing and hopefully a Super Bowl ring.

The story flashes forward to five years later, when Tyson is signed for his fourth year. While he hasn’t gotten the Austin Mavericks that Super Bowl ring, he has brought them up from the cellar of the league to the playoffs.

The Mavericks sign one new player, a phenom wide receiver who has been Palmer’s nightmare as an opposing player, but will be a dream to throw to when they are on the same side. But Marcus comes with two big strings attached. He’ll only sign if Tyson agrees to another year, and he’ll only sign if he gets to have his own press rep. And that’s where Dani Carr comes in. Marcus is only willing to talk with the up and coming sportscaster, and Dani is pretty much informed that it is an offer she can’t refuse. Either she becomes Marcus’ press rep, or she can kiss her sportscasting career goodbye.

But working with Marcus throws Dani back into Tyson’s orbit, and that’s where the real story is. At first Tyson doesn’t remember Dani, and Dani still has enough unresolved feelings about Tyson to translate to on-air animosity and on-the-field avoidance.

It takes an entire season for the Dani and Marcus to find out where they really stand with each other. Then Dani finally tells Tyson that he’s a father, and it all goes to hell in a handbasket. Unless their “guardian angel” can figure out a last minute “hail Mary pass” to save their relationship.

Escape Rating B: The overall theme of all three of Stephanie Evanovich’s books seems to be about being true to oneself, and not letting that self be seduced by whatever the dark side of the force might be in one’s profession, even if that profession is very high-profile and comes with many, many too many seducers to that dark side. In all three of her books so far, the hero at least, and often the heroine as well, have fallen into one self-inflicted trap or another, often for the most understandable of reasons, and need help getting themselves out, along with a whole lot of intestinal fortitude.

Big Girl Panties by Stephanie EvanovichAt the beginning of The Total Package, Tyson’s rescuer sends him to rehab for six weeks, and then delivers him to the less-than-tender mercies of Logan Montgomery, the high-profile “trainer to the stars” that we met in Big Girl Panties. It’s great to see that Logan and Holly are still happily ever after, and that Logan’s original hard-ass nature has retained the humanity that Holly brought out in him.

But the story at this point is Tyson’s. He quite literally “gets with the program” and works his way out of his addictions and his depression. The man who comes out of his ordeal is better, stronger and much more grounded. The fame no longer goes to his head because he’s already been where that leads and is certain that he doesn’t want to go there again. We don’t see Tyson struggle much to overcome his demons once the story moves forward. He seems to lead a charmed life – fictional portrayals of high-profile addicts usually have one or more episodes of backsliding, (I’m thinking of both House and Sherlock Holmes in Elementary), but Tyson never wavers.

That the story fast-forwards from Tyson’s re-emergence into the spotlight to the end of that third seasons seems like a good storytelling choice. Not a lot happens in those intervening years. Tyson gets better at living his life, but the years of being knocked around on the field are taking their toll. It is time for him to retire, and he’s ready to go before his body is broken irreparably.

And this is where the story really begins. We don’t ever get to know a whole lot about Marcus, but he clearly acts as Tyson and Dani’s guardian angel. Either Marcus is a little bit psychic, or he has developed his skills at reading people to a fine art. How he managed to always know where Tyson was going to throw the ball was amazing. That he figures out instantly that Dani and Tyson have unfinished business, and even the exact nature of that unfinished business, was awesome but just a bit “out there”, at least for this reader.

The tension between Dani and Tyson fuels the story. I’ll admit that as soon as their original sex scene finished, I knew she was going to be pregnant. Virgin having unprotected sex almost always leads that way in fiction, whatever the odds in real life.

Dani’s parents were amazingly understanding – not just about the pregnancy, but also Dani’s uncharacteristic unwillingness to admit that she knew perfectly well who the father was. Admittedly, when she found out she was pregnant Tyson was incommunicado in rehab. She didn’t know where he was or even if he was still alive. By the time he emerges from his seclusion, she still isn’t sure he should be told, and her reasoning isn’t unreasonable – she’s worried that his reform is either all an act, or that it won’t take.

But by the time they both end up part of the Mavericks’ organization, it’s been five years. While he could still backslide, Tyson has done all he can to prove that he’s responsible and staying on the straight and narrow. His inability to take any painkiller stronger than aspirin or ibuprofen with lots of ice is a big part of why he wants to retire. He is in pain, and continuing to play is just creating more pains that he can’t medicate away. It’s a tough road he’s on.

So we know how Dani got to where she is, what we watch is how she deals with it. And she still can’t resist Tyson, and we understand why. The man he is today is much more irresistible, and a much better human being, than the one she seduced five years ago.

What’s interesting about the story is that Dani doesn’t seem to have changed much at all. She’s just gotten very, very good at hiding who she really is.

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Review: Cat Shout for Joy by Shirley Rousseau Murphy

Review: Cat Shout for Joy by Shirley Rousseau MurphyCat Shout for Joy (Joe Grey #19) by Shirley Rousseau Murphy
Formats available: hardcover, paperback, ebook, large print, audiobook
Series: Joe Grey #19
Pages: 336
Published by William Morrow on February 23rd 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Awaiting the birth of his first kittens, feline P. I. Joe Grey, his companion Dulcie, and their furry sleuthing pals must unmask a killer preying on some of the most vulnerable citizens in the charming California coastal community of Molena Point.
For Joe Grey and Dulcie, life is a bittersweet mix of endings and beginnings. While they joyfully await their first litter, they are also sad for their friend, the old yellow cat Misto, whose time on earth is drawing to an end. But Misto tells them an exciting future awaits: among the litter will be a little calico returned from the distant past who will be born with the same ancient markings, and the adventurous spirit of Joe Grey.
While the proud parents await the birth of their babies, their humans have their hands full with projects of their own. Kate Osborne has bought the old Pamillon estate and Ryan Flannery is building a new cat shelter as part of their volunteer rescue project. The criminals are busy, too. The Molena Point PD has stepped up patrols to apprehend a mugger attacking the local elderly. The case becomes a homicide when one of the victims dies, leaving everyone in the town—including Joe and Grey and his furry sleuthing companions—on edge, just when the kittens are about to arrive. When Dulcie gives birth, her little calico is just as Misto predicted, as if she has come back to the world from mythic ancient times.
But the celebrations will have to wait. A murderer is on the loose—and neither young nor old is safe until the culprit is found.

My Review:

I think the art on the cover of this entry in the Joe Grey series is intended to represent Dulcie and Joe Grey’s impending kittens. The calico is Courtney, the white cat is Buffin and the dark one is Striker.

Of course I could be wrong about the picture, but I’m right about the kittens. The joy in this book is that Dulcie is expecting, and part of the story is Joe Grey’s, and everyone else’s, reaction to Dulcie’s impending motherhood.

No one except the old cat Misto is certain whether the new kittens will be speaking cats like both their parents. Joe Grey is uncertain about which instincts will rule him, his intelligence or his feline instincts. He is more than smart enough to know that whatever happens, the kittens bring change.

This is also a story where one door closes, and another door opens. As Dulcie enters her last days of pregnancy, the old seer cat Misto breathes his last. All the humans and all the speaking cats love the old tom, and he and his sometimes otherworldly wisdom will be missed.

And in the midst of all of this emotional upheaval, Joe Grey, and Max Harper, the police chief, have a case. At first, it seems like someone is targeting the frail and elderly in Molena Point, for “shits and giggles”. At first no one is harmed and nothing is stolen. But a series of elderly residents are attacked from behind and knocked to the ground while their assailant runs away in glee.

But the attacks are on the frail, and as the list of “prank” victims rises, so does the accidental death toll. Until one of Ryan’s young assistants is shot on a job site, and it’s suddenly clear that whatever is going on, there is someone out there masking a killing spree with a series a nasty muggings.

Partly because he needs to distract himself from all of the emotional upheaval, and partly because he can never resist a good mystery or the opportunity to put away a bad person, feline detective Joe Grey puts himself into the thick of the investigation, sniffing out important clues and pretending to be an innocent kitty as he listens in to evil plots and evil people who plan to escape their consequences.

It is Joe who provides the vital links between the series of muggings and a heinous San Francisco crime, but it’s a force of nature that delivers the baddies to their just rewards.


Escape Rating B+
: The fun in this series is watching the cats figure out ways to both investigate the crimes and to give the police the evidence they need without revealing themselves. In this age of caller ID and instant tracking of everything everywhere, concealing their identities is an ever increasing challenge.

And they know they must conceal themselves. Not only would revealing themselves to the police endanger any evidence they provide, but there is always a risk that someone will discover who and what they are and want to take them away for experimentation. The more people who know their secret, the greater the risk.

In this entry in the series, it’s the emotional issues that hold the forefront, and the case is often in the background. This book represents huge changes for the characters. Joe Grey and Dulcie now have kittens to train. While they are proud of their new family, the kittens also increase the risk. How does one teach an intelligent, curious and playful baby that it is not safe to talk or burble in front of the humans? Joe Grey and Dulcie discovered their voices in adulthood, they don’t know what it is like to raise speaking kittens. Assuming that they will have speaking kittens, which is not certain to anyone but old Misto.

At the same time, the passing of Misto is sad and beautiful. As is so often the case, Misto is ready to go, but his loved ones are far from ready to let the wise old cat leave. Readers who have experienced the loss of a beloved companion animal will need lots of tissues to get through his passing. Just thinking about this part of the story gets me in the feels.

The mcat on the edge by shirley rousseau murphyystery takes a back burner in this entry in the series. As we discover, the killers and their rationale are both more than a bit nuts. Also, one of them is so completely unlikeable that readers will find themselves hoping she is guilty of something from the very beginning, just so she gets what’s coming to her. And that’s well before we think she’s guilty of anything beyond being a bitch. The ending of the mystery occurs offstage, and loses a bit of its cathartic value at being reported second-hand.

From the moment in the first book in this series, Cat On the Edge, when Joe Grey uses his new-found voice to order delivery from his favorite deli and charges it to his human, the big grey tom snagged a piece of my heart in his claws, and he hasn’t let go yet.I hope that there will be a 20th book in this marvelous series, and soon. I enjoy my visits to Molena Point, and I can’t wait to see what trouble the kittens will get themselves, and their parents, and their humans, into next!

Review: The Ramblers by Aidan Donnelley Rowley + Giveaway

Review: The Ramblers by Aidan Donnelley Rowley + GiveawayThe Ramblers: A Novel by Aidan Donnelley Rowley
Formats available: hardcover, paperback, ebook, audiobook
Pages: 400
Published by William Morrow on February 9th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

For fans of J. Courtney Sullivan, Meg Wolitzer, Claire Messud, and Emma Straub, a gorgeous and absorbing novel of a trio of confused souls struggling to find themselves and the way forward in their lives, set against the spectacular backdrop of contemporary New York City.
Set in the most magical parts of Manhattan—the Upper West Side, Central Park, Greenwich Village—The Ramblers explores the lives of three lost souls, bound together by friendship and family. During the course of one fateful Thanksgiving week, a time when emotions run high and being with family can be a mixed blessing, Rowley’s sharply defined characters explore the moments when decisions are deliberately made, choices accepted, and pasts reconciled.
Clio Marsh, whose bird-watching walks through Central Park are mentioned in New York Magazine, is taking her first tentative steps towards a relationship while also looking back to the secrets of her broken childhood. Her best friend, Smith Anderson, the seemingly-perfect daughter of one of New York’s wealthiest families, organizes the lives of others as her own has fallen apart. And Tate Pennington has returned to the city, heartbroken but determined to move ahead with his artistic dreams.
Rambling through the emotional chaos of their lives, this trio learns to let go of the past, to make room for the future and the uncertainty and promise that it holds. The Ramblers is a love letter to New York City—an accomplished, sumptuous novel about fate, loss, hope, birds, friendship, love, the wonders of the natural world and the mysteries of the human spirit. 

My Review:

The Ramblers is a book that you really can judge by its cover. The cover picture is intended to represent the Ramble and Lake section section of New York City’s Central Park. And if it’s half this pretty, it looks like a marvelous place to lose an afternoon. Or two. And so is this book.

The Ramblers is the interconnected story of three slightly lost souls who are making their way in the city, and dealing with the lives and especially the baggage that they brought with them. It’s also a very pretty love letter to the city of New York/

All three of our protagonists, Clio, Smith and Tate, are 30-something Yale graduates who are finally, in their vastly different ways, growing up. Each of them has issues in their past that they need to resolve before they can move on, and although those issues do not relate directly to their experiences at Yale, it is their time at Yale that ties them all together.

This is also a story about privilege; having it, getting it, keeping it, and what it costs to do any of those things.

Clio and Tate were both scholarship students who never felt like they belonged in the rarefied Ivy League school. But Clio has forged a successful career as a renowned ornithologist, and Tate created an app that is sweeping the internet for millions of dollars. At the same time, they are both still figuring out who they want to be when they grow up, and recognizing that the time to take that step is now, if they can.

Clio and Smith were best friends and roommates at Yale. They know all each other’s secrets. The two women are still roommates, but now they share an upscale apartment in Manhattan that Smith’s parents pay for. Just like they paid the start-up costs for Smith’s business. It’s their way of controlling Smith. They love her, but they want her to be who they want her to be, and Smith has finally recognized that there is a price tag attached to all their generosity – and it’s a price that Smith is no longer willing to pay.

Smith and Tate are both recovering from relationships that were so very right for them, until they ended suddenly in a blaze of doubt and recriminations. Smith suspects that her parents interfered with her engagement to a talented Pakistani neurosurgeon, and Tate discovers that his windfall made his soon-to-be-ex wife see life in a different light. Or at least see the value of their impending divorce in a different shade of light – green.

Clio has found the love of her life, but is certain that she isn’t good enough to keep him. She’s even more sure that they can’t have a future until she reveals all the secrets she’s been keeping, And she recognizes that once all the cats are out of all the bags, the debonair hotelier who loves her may decide that she is too damaged to care for – just like her mother.

Escape Rating B: For a story that circles around so many “first-world problems” it is surprisingly not self-indulgent. Or its characters are not as self-indulgent as readers might first suppose.

I think that’s a result of using Clio as the central character. While her Yale education gives her a great deal of privilege, it is privilege that she earned. Clio grew up in New Haven, the child of a woman who finally committed suicide after decades of manic-depressive swings, and a father who had to work two or three jobs just to keep ahead of his wife’s manic spending sprees and to keep the household barely afloat.

Clio spends her childhood trying to be a little adult, and grasps the normalcy she creates in her adulthood as tightly as she can. She has also preserved her safe life by making sure that she never gets emotionally involved. She’s too scared to get close enough to tell anyone about her mother, and she’s much too afraid that she might find herself caught by the same disease. She doesn’t want to tie anyone else into the life she was forced to lead.

Which makes her initial panic when Henry asks her to move in with him more understandable to readers than it does to him. Clio thought he was safe to have a fling with, and ignored the tiny little voice that told her they were both in way too deep for that. Henry is older, and has made a career of going from city to city, creating beautiful hotels, and moving on from his new hotel and whoever he romanced while he built it. When he breaks pattern, telling Clio he wants a future with her, all of her fears are exposed. Her journey is to decide that she is entitled to a real life, and to bring Henry into her world, letting the chips fall where they may.

Smith is the child of real privilege, and her story is both getting over her heartbreak at the ending of her engagement, and getting over herself and her envy of her younger sister’s upcoming wedding and Clio’s probable move in with Henry. As Smith looks at her own life and her own feelings, she realizes that the price of her privilege is too high, and that if she wants her parents’ respect, or her own, she has to make it on her own.

Tate’s situation is caught in the middle between Clio and Smith. Not literally, there is thankfully no romantic triangle here. It’s that Tate went to Yale the same way that Clio did – he earned it on his own merits. But like Smith, his long-term relationship has ended, and he’s in the throes of an unwanted divorce. Also like Smith, he is wealthy, but in Tate’s case it is earned wealth and not family money.

There’s a part of me that wants to say The Ramblers reminds me a bit of Sex and the City. That resemblance is both in the way that the story serves as a love letter to New York City, and in the strength of the friendship between Clio and Smith. They are sisters-of-the-heart, and their relationship is the best part of the story.

~~~~~~ GIVEAWAY ~~~~~~

I am giving away a copy of THE RAMBLERS to one lucky U.S. commenter.

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Review: Cat Telling Tales by Shirley Rousseau Murphy

Review: Cat Telling Tales by Shirley Rousseau MurphyCat Telling Tales (Joe Grey #17) by Shirley Rousseau Murphy
Formats available: hardcover, paperback, ebook, audiobook
Series: Joe Grey #17
Pages: 373
Published by William Morrow on November 22nd 2011
Purchasing Info: Author's WebsitePublisher's Website
Goodreads

Even the bright seaside village of Molena Point has been hit hard by the economic downturn, bringing a rash of foreclosures in which many residents are abandoning their family pets. While feline P. I. Joe Grey's human friends join together to care for the starving cats, a fire leaves a twelve-year-old boy homeless. The body of his alcoholic guardian is discovered in the smoldering ruins, causing Joe to wonder if escape was really impossible for the elderly woman or if something more sinisteroccurred.
Meanwhile, Debbie Kraft descends uninvited on the Damens' home with her two children, claiming that her ex-husband has left her with no money and nowhere else to go. But when Joe learns that the victim of the fire was Debbie's estranged mother and that Debbie is not broke at all but carrying plenty of cash, his fur is on end with suspicion.
As Debbie's abandoned tomcat follows her all the way down the coast from Oregon with his own clues to add to the mix, Joe learns that Debbie's Realtor ex-husband may be involved in a number of intricate real estate scams. Furthermore, his sales partner may be missing, and while Joe and his pals prowl through the dead woman's house, they discover that her reclusive neighbor has disappeared as well.
But it's not until Debbie's tomcat arrives that Joe and his feline detective pals find the biggest clue of all: a grave that the cops have missed. And as the pieces of the puzzle begin to come together, tortoiseshell Kit sees her own dreams coming true in the handsome new cat with whom she might share her life's adventures.

My Review:

catswold portal by shirley rousseau murphyOnce upon a time (1992) there was an epic fantasy titled The Catswold Portal, written by Shirley Rousseau Murphy. I remember it as being a lovely little story, all the better for the possibility that some cats could switch between human form and feline form, and that some cats could have human speech and human intelligence.

While there is no direct link, at least so far, it is pretty clear that at least some of the ideas from The Catswold Portal found their way into the author’s Joe Grey mystery series. Because Joe Grey and his feline friends Dulcie, Kit and now Misto and Pan, all have human-level intelligence. Old Misto also tells fabulous tales of times long ago, and may possibly link back to Portal at some point.

But in the meantime we have a marvelous small-town mystery series where the best detectives in the town of Molena Point are Joe Grey and Dulcie. Joe Grey lives with Clyde Damen and his new wife Ryan Flannery, and Dulcie lives with Wilda, former parole officer and current librarian. Kit lives with a slightly fey older couple, the Greenlaws. Misto has found a home with the town vet, John Firetti. All of their humans know that the cats are much more than they appear. Joe Grey’s very first adventure, where he discovers his newfound talents, is in the marvelous Cat on the Edge.

When Joe Grey started ordering deliveries from the local deli and charging them to his housemate, the truth was bound to come out.

But Joe Grey, along with the rest of the increasing number of hyper-intelligent felines, have found a way to put their innate and insatiable curiosity to good use. They help the local police department solve crimes. The cats phone in reports to 911, providing information that they have gathered. Sometimes they get their info by sitting under a table and looking like they are sleeping, and other times they have to break and enter, or even dig for a vital clue.

In this 17th entry in the series, we find the feline private investigators attempting to unknot what at first seems like a series of unrelated incidents. A fire kills an alcoholic old woman. The old woman’s daughter returns to Molena Point, supposedly destitute, with two children and a suspicious story about her ex-husband. Said ex-husband’s business partner seems to be missing, as does the best friend of an older woman down on her luck and living in her car.

And nearly everyone in this strange chain of events is missing a cat, or has abandoned a cat, or both. And it’s the cats who figure out how all these missing persons and their crimes tie together, from discovering that the destitute woman is carrying wads of cash to finding the two missing women buried under a decrepit house. Even though they are all afraid that they are leaving too many clues behind about their collective identity as the police department’s two best and most mysterious snitches, their curiosity won’t let them rest until justice is finally done.

Escape Rating A-: I picked this up after attempting to read a book so bad that I still want brain bleach days later. I knew that Joe Grey and his pals would be an antidote for the reading that ailed me, and they certainly were.

The Joe Grey series combines the joys of a small town mystery series with the unique aspect that the private detectives are really cats. This is not like the late Lilian Jackson Braun’s Cat Who series, where Qwill believes that Koko and occasionally Yum Yum are pointing out clues to him. Whatever Qwill thinks Koko is telling him, it is always Qwill who solves the crime.

Joe Grey, along with his friends Dulcie, Kit, Misto and Misto’s son Pan, are the detectives. One of the fun things about this series is that while the cats have human intelligence and speech, they still seem like cats. Joe Grey in particular speaks the things that we think our cats are thinking. His attitude’s feel like a cat’s attitudes – he loves his comfort and his crab salad, and thinks that humans talk too much around the things they are really thinking, and don’t say the things they really should say. Joe Grey also has the occasional existential crisis, he can’t help but use the gift he’s been given, and yet he worries about the way it has changed him and his friends.

Dulcie has learned how to use computers from her librarian housemate, and has taken up writing poetry. She loves who she is and doesn’t worry about who she used to be.

But they all worry about getting caught. Seeing a cat talking on the telephone would blow most human’s minds, and would certainly blow the cats’ collective cover. Their need to figure out a way to tell the police what is really going on and explain how the key evidence was found, especially when it is in a place that no human could find it, often takes up some of the mental powers.

Like all small town mystery series, part of the fun is in seeing how all of our friends are doing over the books. When we first met Joe Grey and his human housemate Clyde, Clyde was a bachelor who occasionally got himself involved with the wrong woman. In this book, Clyde and Ryan are celebrating their first wedding anniversary, if Joe Grey can ever manage to tie up the string of crimes that keep sending the town into crisis after crisis.

While the cats do solve the crimes and the mysteries, this particular story, set in the midst of the recent recession, has a lot to say about the human costs of the real estate crash, not just the criminal scam that is the center of the case, but also the way that so many families, when they lost everything, either abandoned or were forced to leave behind their pets, especially cats, as they moved into shelters or apartments that would not take pets. Those stories are heartbreaking, but the little town of Molena Point is doing the best it can for all its residents, including their stray cats.

Who knows? One of them might be the next Joe Grey!

Review: After Alice by Gregory Maguire

Review: After Alice by Gregory MaguireAfter Alice by Gregory Maguire
Formats available: hardcover, paperback, ebook, audiobook
Pages: 288
Published by William Morrow on October 27th 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From the multi-million-copy bestselling author of Wicked comes a magical new twist on Alice's Adventures in Wonderland, published to coincide with the 150th anniversary of Lewis's Carroll's beloved classic
When Alice toppled down the rabbit-hole 150 years ago, she found a Wonderland as rife with inconsistent rules and abrasive egos as the world she left behind. But what of that world? How did 1860s Oxford react to Alice's disappearance?
In this brilliant new work of fiction, Gregory Maguire turns his dazzling imagination to the question of underworlds, undergrounds, underpinnings — and understandings old and new, offering an inventive spin on Carroll's enduring tale. Ada, a friend of Alice's mentioned briefly in Alice's Adventures in Wonderland, is off to visit her friend, but arrives a moment too late — and tumbles down the rabbit hole herself.
Ada brings to Wonderland her own imperfect apprehension of cause and effect as she embarks on an odyssey to find Alice and see her safely home from this surreal world below the world. If Euridyce can ever be returned to the arms of Orpheus, or Lazarus can be raised from the tomb, perhaps Alice can be returned to life. Either way, everything that happens next is After Alice.

My Review:

alice in wonderland by lewis carrollAlice’s Adventures in Wonderland by Charles Lutwidge Dodgson (much better known as Lewis Carroll), was published in 1865. One hundred and fifty years ago. It is not surprising that one or more authors would tackle Alice in her anniversary year. Gregory Maguire, has made a career of tackling modern fairy tales as he does The Wizard of Oz in Wicked, is a natural choice to take a run at Alice.

And the run he takes is slightly sideways. Not that the whole of the original Alice isn’t completely sideways all by itself. Alice is, after all, one of the first and best examples of the literary nonsense genre. No one has done it better.

Instead of chasing after Alice head on, the author has introduced some new characters to literally chase after Alice into Wonderland – and back out again. Mostly.

In After Alice, instead of the real sisters of Alice Liddell, the author has provided a number of girls and women who are semi-concerned about Alice and her whereabouts while she is off in Wonderland.

While her sister Lydia has lost track of Alice and doesn’t care if the perpetually wandering child is temporarily mislaid – because she always comes back, others are not so calm about Alice’s disappearance.

Her best, and probably only, friend Ada arrives at the riverbank just in time to stumble down Alice’s rabbit hole after her friend. By this story’s end, it seems like half the countryside, or at least its female representatives, is chasing after one or both of the girls.

But Ada is in Wonderland, trying to find her best friend. And having her very own adventure of a lifetime.

Escape Rating B: Alice’s Adventures in Wonderland is a book that we all remember reading, or seeing a movie. So we all feel familiar with the story, even if it has been a while. Even quite a while. And for those who want to re-acquaint themselves with one of Oxford’s most famous little girls, there is a 150th Anniversary Deluxe Edition of The Annotated Alice. Alice’s Oxford is not quite ours, or even the Oxford that Tolkien and Lewis were familiar with. A guidebook to the world she (and Lewis Carroll) knew is lovely.

The attempt in After Alice is to somewhat imitate Carroll’s style while also commenting on both it and the story. After Alice, while it is literally chasing after Alice, also occasionally “breaks the fourth wall” and talks directly to 21st century readers, as though we are time travellers looking back at Alice in 1865 while knowing all of the other famous and fictional characters who knew and loved Oxford in the interim between then and now.

The story, while its main character is following Alice, is on a different adventure. In her real world Ada suffers from curvature of the spine, and wears a metal brace that sounds like an iron maiden without the spikes. In Wonderland, she can walk and even run unaided, while her abandoned brace leads a life of its somewhat diabolical own. The way that the brace restricts her and makes her an object of pity, fear and social ostracism takes real life when she no longer wears it.

Ada’s adventure is different from Alice’s. Ada is more self-aware than Alice, and she goes through her adventure with a mission – to rescue Alice before the girl gets into too much trouble. So there is less outright silliness in Ada’s journey, and that seems right.

The silliness in Ada’s journey comes into play with the people chasing her. Not just Alice’s sister Lydia, but also Ada’s governess. The interactions between the two women and their fears of bearing responsibility for the young girls’ disappearances takes some surprising peeks, and pokes, into the position of women in the Victorian Age.

after alice by gregory maguire UK coverLike Alice’s own journey, Ada’s contains a surprising amount of commentary into her time and place, disguised in the nonsensical, but not actually nonsense, journey through Wonderland.

Reviewer’s Note: The UK cover of After Alice is much, much cooler than the U.S. cover.

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