Review: Indomitable by W.C. Bauers

Review: Indomitable by W.C. BauersIndomitable (Chronicles of Promise Paen, #2) by W.C. Bauers
Formats available: hardcover, paperback, ebook
Series: Chronicles of Promise Paen #2
Pages: 368
Published by Tor Books on July 26th 2016
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Promise Paen, commander of Victor Company's mechanized armored infantry, is back for another adventure protecting the Republic of Aligned Worlds.
Lieutenant Paen barely survived her last encounter with the Lusitanian Empire. She's returned home to heal. But the nightmares won't stop. And she's got a newly reconstituted unit of green marines to whip into shape before they deploy. If the enemies of the RAW don't kill them first, she just might do the job herself.
Light-years away, on the edge of the Verge, a massive vein of rare ore is discovered on the mining planet of Sheol, which ignites an arms race and a proxy war between the Republic and the Lusitanians. Paen and Victor Company are ordered to Sheol, to reinforce the planet and hold it at all costs.
On the eve of their deployment, a friendly fire incident occurs, putting Paen's career in jeopardy and stripping her of her command. When the Lusitanians send mercenaries to raid Sheol and destabilize its mining operations, matters reach crisis levels. Disgraced and angry, Promise is offered one shot to get back into her mechsuit. But she'll have to jump across the galaxy and possibly storm the gates of hell itself.

My Review:

Her name may be an absolutely terrible pun, but Promise T. Paen’s story is absolutely terrific. And her strength of will is exactly as the title states, indomitable.

The cold war between the Lusitanian Empire and the Republic of Aligned Worlds is definitely heating up in this second book in the Chronicles of Promise Paen. And Promise, and her Marines are in the thick of the action.

Even when Promise isn’t supposed to be.

The story begins with Promise as a still raw but very promising (puns all intended) Lieutenant in the RAW-MC. That’s the Republic of Aligned Worlds Marine Corps to the rest of us.

Promise is who and what Torin Kerr in Tanya Huff’s Confederation series would have been if the Gunny had ever accepted any of the many, many invitations she received to go to Officer Candidate School.

unbreakable by wc bauersWhen Promise’s time came, she didn’t feel she had much of a choice. In her first story, Unbreakable, Promise accepts a field commission when her Captain and Lieutenant are taken out of the fight, and she is left as the highest-ranking noncommissioned officer in her company. But now that they’ve been through hell together, the janes and jacks of Victor Company are Promise’s Marines.

Even after they take them away from her.

The story in Indomitable is all about Promise’s fall and rise, in that order. And how she copes (and often doesn’t) with the survivor’s guilt that haunts her sleep and dogs her at every step. Because war is coming, and Promise is one of the few officers who is willing to look at the oncoming storm, see it for what it is, and still run forwards to meet it.

Escape Rating A-: I loved this book, but I don’t want to give too much of the plot away. If you love military SF or military space opera, get this series, and start with Unbreakable. You won’t be sorry.

For this reader, the Chronicles of Promise Paen read like a combination of Tanya Huff’s Confederation series and David Weber’s Honor Harrington. While Promise as a character is much, much closer to Torin Kerr, the setting owes a lot to the Honorverse, at least so far. The conflict that is spinning up between the Lusies and RAW reads too much like the war between Haven and Manticore in the Honorverse to feel like coincidence. At the same time, it is entirely possible that both stories are drawing from the same source material – the Napoleonic Wars. We’ll just have to wait and see on that.

So far, we haven’t seen a lot about the motives of the Lusies. They are fighting a proxy war, and they are gobbling up territory, while winning the public relations war. There are also some pointed callbacks to our history, as the peace movement in RAW directly reflects some of the “peace in our time” rhetoric before our World War II.

There’s a lot going on in this book. On the surface, the action is all about guerrilla warfare on a fringe world. The Lusies are again using proxies, just as in Unbreakable. RAW is forced to send in its own overstretched and under-strength troops, and the effects are predictably devastating. To call the situation a FUBAR is understating the scope of the clusterf**k by several degrees of magnitude.

At the same time, we see the impacts of events back home, as powerful individuals attempt to block defense spending, oust anyone in favor of building up the fleet, and paint a big, fat target on Promise’s back. She’s playing in the big leagues, whether she planned to or not.

And because we see inside of Promise’s head, we see her doubts and her fears. She knows she’s been much more lucky than she has been good, and we feel her wondering if she has done enough. If she has been enough. We feel for her pain, and we see her grow, change and marginally cope.

In the end, the story is about Promise dealing with the hand she is dealt, and finally deciding to play it for all she’s worth. No matter the cost. Indomitable is filled with nearly non-stop action, but it ends on a pause, as Promise waits to take up her latest challenge.

I can hardly wait to see what she tackles (and what tackles her) next.

Review: Four Roads Cross by Max Gladstone + Giveaway

Review: Four Roads Cross by Max Gladstone + GiveawayFour Roads Cross (Craft Sequence, #5) by Max Gladstone
Formats available: hardcover, ebook
Series: Craft Sequence #5
Pages: 416
Published by Tor Books on July 26th 2016
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Goodreads

The great city of Alt Coulumb is in crisis. The moon goddess Seril, long thought dead, is back—and the people of Alt Coulumb aren't happy. Protests rock the city, and Kos Everburning's creditors attempt a hostile takeover of the fire god's church. Tara Abernathy, the god's in-house Craftswoman, must defend the church against the world's fiercest necromantic firm—and against her old classmate, a rising star in the Craftwork world.
As if that weren't enough, Cat and Raz, supporting characters from Three Parts Dead, are back too, fighting monster pirates; skeleton kings drink frozen cocktails, defying several principles of anatomy; jails, hospitals, and temples are broken into and out of; choirs of flame sing over Alt Coulumb; demons pose significant problems; a farmers' market proves more important to world affairs than seems likely; doctors of theology strike back; Monk-Technician Abelard performs several miracles; The Rats! play Walsh's Place; and dragons give almost-helpful counsel.

My Review:

The world of the Craft Sequence is guaranteed to give any reader a lingering book hangover. This is a world that requires the reader to throw out all of their preconceived notions about religion, magic, gods, demons, law, order and chaos. Not necessarily in that order, and on a continuously repeating cycle.

This world makes the reader think. And think. And re-think.

In this universe where the gods are not only made real, but can be fought in real terms and killed, worship is power and power is money and money is power and the ends all too often justify the means. And the lawyers are necromancers. Or the other way around.

But the story underneath all of the absolutely mind-blowing trappings turns out to be about relationships. There are four roads that cross. The relationship between Craftswoman Tara Abernathy and Priest Abelard of Kos the Everburning, the relationship between Justice Cat and Vampire Raz, the relationship between Tara and Shale, a gargoyle child of the moon-goddess Seril, and at the heart of the mess, the relationship between Kos the Everburning and Seril the moon goddess.

Seril was supposed to have been killed 40 years ago, at the end of the God Wars that brought The King in Red into power in Dresediel Lex. But she wasn’t. It’s hard to kill a god. Not impossible, but damnably difficult. Now that Seril is back, someone is using her as a lever to take down Kos. Even though taking down Kos will send not just all of his contracts, but all of the financial markets that use Kosite debt as a baseline, into financial chaos.

The mess that will ensue could make the Great Depression, the Great Recession and Brexit fade into a pinprick, even if they had all happened at once.

What happens is a race against time. Tara wants to save the city that holds her friends from the catastrophic bloodshed and chaos. Abelard wants his god to remain in control of his own fate, and to continue to be a real part of the lives of his citizens and worshippers. Seril wants to survive. And someone wants to cause the downfall of the last of the old gods, no matter who gets killed, or how many dark means they need to use to justify their grisly ends.

three parts dead by max gladstoneEscape Rating A: Nothing about the world of the Craft Sequence is anything like any fantasy you have ever read. Even the sequence itself was published out of order; Three Parts Dead is the first book, Four Roads Cross is the fifth.

But read them all, because the creation of this world fills in one complex layer at a time. Just like the series of interlocking contracts and agreements written by the Craft.

While Four Roads Cross sometimes seems as if it directly follows Three Parts Dead, the events of the intervening works also seem to influence the action. Or at least the knowledge that the reader gains about the world seems to influence either the action or one’s feelings about it and understanding of it. Read the series, and be prepared to sit and think for a while in between.

(The author has stated that the numbers in the titles reflect the internal chronological order of the books, as opposed to the publication order. Pick an order and dive in.)

There is a lot in this story about the way that humans create gods in their own image, and the way that those images in turn influence the humans who fall under their sway. Seril needs her worshippers every bit as much as her worshippers need her. What makes the relationship between gods and humans different in this world from our theology is that the benefits of the relationship are tangible for both parties. Seril gets power, and in return she provides real aid and assistance.

last first snow by max gladstoneLike the other books in this series, this one rides on the strength of the different and surprising relationships that have formed, particularly in the wake of the events of Three Parts Dead. We also see a much different perspective on Craft and the persons who practice it than we have previously. Elayne Kevarian, the Craftswoman who carries much of the action in Three Parts Dead and Last First Snow, has stripped herself of almost all human relationships in her quest for the ultimate in Craft and eventual immortality. At the end of Last First Snow, we see her wondering about some of her choices.

Tara Abernathy, Elayne’s apprentice in Three Parts Dead, is choosing another road. In spite of everything her craft has taught her, she forges friendships, sometimes in spite of herself. The conflict in the end is about those who use others for their own ends, and those like Tara, and the goddess Seril, who take their strength from their relationships with others.

Virtue may not be its own reward, but at least in this story, there is strength in even a fractured unity. And it is a wonder to read, and to behold.

~~~~~~ GIVEAWAY ~~~~~~

Tor Books is letting me give away a copy of Four Roads Cross to one lucky US/CAN commenter:

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Review: Battlestorm by Susan Krinard

Review: Battlestorm by Susan KrinardBattlestorm (Midgard, #3) by Susan Krinard
Formats available: paperback, ebook
Series: Midgard #3
Pages: 480
Published by Tor Books on March 29th 2016
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Goodreads

The third installment in New York Times bestselling author Susan Krinard’s first urban fantasy series...
Centuries ago, the Norse gods and goddesses fought their Last Battle with the trickster god Loki and his frost giants. All were believed lost, except for a few survivors…including the Valkyrie Mist, forgotten daughter of the goddess Freya.
But the battle isn’t over, and Mist—living a mortal life in San Francisco—is at the center of a new war, with the fate of earth hanging in the balance. As old enemies and allies reappear around the city, Mist must determine who to trust, all while learning to control her own growing power.
It will take all of Mist’s courage, determination, and newfound magical abilities to stop Loki before history repeats itself.

My Review:

This is one of those stories where it isn’t so much that “the enemy of my enemy is my friend” or even “the enemy of my enemy is my ally” but rather “the enemy of my enemy is someone else I can betray sooner or later, probably sooner.”

It feels like Battlestorm is the bastard child of American Gods and Babylon 5, and I’m still not sure whether I mean that in a good way or not.

Just as in American Gods, the primary movers and shakers of the story are gods from the Norse pantheon, Odin, Loki, and for added spice and betrayal, Freya. This is also as complex and dense a story as American Gods, without having any of its lighter moments. Battlestorm is Ragnarök moved to Midgard, meaning our present-day Earth, with all the possibilities for the end of the world as we know it that the idea of Ragnarök implies.

American Gods was much lighter in comparison, and that’s saying something.

Mist by Susan KrinardLike the long story arc of Babylon 5, the story began in Mist and continued in Black Ice has the feel of a long-anticipated and often repeated battle between Good and Evil. However, just as in Babylon 5, now that the forces of Good have revealed themselves in Odin, the contest is nowhere near that clear cut. Instead, we have a battle between the forces of Order and Chaos. Loki represents the forces of Chaos, and he desires a world where all law and order is eliminated, and only the strongest and most ruthless survive. On that infamous other hand, Odin represents Order. But Order with a capital O is not necessarily good. Odin is a force for the tyranny of order, a world where he will be the absolute ruler and utter dictator, and humanity can only exist in a state of blind obedience.

Poor Mist is caught in the middle. She wants to protect the people of Midgard, among whom she has lived for centuries. She believes that humanity should be left to determine its own path, without interference from her gods. But as a Valkyrie, Odin commands her obedience. And Loki holds those she loves captive.

Mist is going to have to betray someone in order to protect those she holds dear. Including the entire human race.

Escape Rating C+: If the concept of the Norse gods coming to contemporary earth to enact their final battle, or anything else, appeals to you, start this series at the beginning, with Mist. The three book series, Mist, Black Ice and now Battlestorm, is one long saga (how fitting!) and must be read in order to make any sense at all.

That being said, I personally think the whole thing probably works better if you can manage to read the whole thing not just in order but also close together. There are so many players in this story, so many wheels within wheels, that it feels impossible to remember who is betraying whom, and why, a year after the previous book. For those readers who, like me, read the books as they came out, I sincerely hope that the finished copy includes a synopsis of previous events. The ARC I read did not, and I really needed one.

A primer on the Norse pantheon probably wouldn’t hurt either, particularly focused on who is related to whom. Loki had a surprising number of powerful and interesting children, who all have agendas of their own, and do not always obey their father. But then, Odin has that problem with his kids as well. In Battlestorm, Loki’s personality and his relationship with his father feel like they owe a lot to Tom Hiddleston’s portrayal in the Marvel Cinematic Universe.

I found Battlestorm to be dense. It took me twice as long to read it as I expected, because I kept needing to step away and digest what had just happened – meaning what had just gone wrong. Mist never catches a break. She also seems to always be the last person in the universe to find out or be told information that is crucial to her fight and even to her very existence. There are a few too many instances where someone is just about to tell her something she desperately needs to know – only to be interrupted and the opportunity disappear for days and pages. For the daughter of a goddess, Mist seems woefully, or deliberately, misinformed about damn near everything all of the time.

This is the part that reminded me most of American Gods. Not just the Norse pantheon, but Mist’s position is a lot like Shadow’s. She has been created for a purpose that she has no clues about, but is led around by the nose by beings who are much better informed than she is and who are deliberately keeping her in the dark. And in the end, very little is as it originally seemed, to her or to the reader. Also like Shadow.

black ice by susan krinardFor anyone who has read my reviews of Mist and Black Ice, I was dead wrong about Orn’s identity. The true identity of the parrot becomes totally clear very early in Battlestorm. Just call him Mr. Wednesday.

If some of the description of and comments about Battlestorm appeal, try American Gods. It is positively awesome, where Battlestorm has both its moments and its moments of frustration. If the idea of evil being good and good being evil sounds interesting, try Banewreacker and Godslayer by Jacqueline Carey, which explore the same themes.

In the end, I was glad I finished Battlestorm and saw the story begun in Mist and Black Ice come to at least some resolution.

Review: All the Birds in the Sky by Charlie Jane Anders

Review: All the Birds in the Sky by Charlie Jane AndersAll the Birds in the Sky by Charlie Jane Anders
Formats available: hardcover, paperback, ebook, audiobook
Pages: 320
Published by Tor Books on January 26th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From the editor-in-chief of io9.com, a stunning novel about the end of the world--and the beginning of our future
Childhood friends Patricia Delfine and Laurence Armstead didn't expect to see each other again, after parting ways under mysterious circumstances during high school. After all, the development of magical powers and the invention of a two-second time machine could hardly fail to alarm one's peers and families.
But now they're both adults, living in the hipster mecca San Francisco, and the planet is falling apart around them. Laurence is an engineering genius who's working with a group that aims to avert catastrophic breakdown through technological intervention into the changing global climate. Patricia is a graduate of Eltisley Maze, the hidden academy for the world's magically gifted, and works with a small band of other magicians to secretly repair the world's ever-growing ailments. Little do they realize that something bigger than either of them, something begun years ago in their youth, is determined to bring them together--to either save the world, or plunge it into a new dark ages.
A deeply magical, darkly funny examination of life, love, and the apocalypse.

My Review:

This doesn’t often happen, but this is a book that I finished because I was stubborn, and for no other reason. Also, it wasn’t THAT long and by the time I decided I should probably bail, I didn’t have enough time left to read something else for today, unless I picked something really short. So I finished this instead.

That’s all to tell you right there that this isn’t going to be a favorable review.

I went into All the Birds in the Sky with a lot of hope. The author is one of my favorite columnists over at io9, and I expected way more from her writing than I got in this book. I’m going back to the columns.

For starters, the book reads like either Young Adult or New Adult. The story starts with our protagonists in middle school, and ends with them in their mid-20s at most, still completely confused about “the meaning of it all”. But they have sex, so probably New Adult. (There is absolutely nothing wrong with either YA or NA, but I prefer to know what I’m getting into in this regard up front. And I’d probably have avoided the whole thing if I’d known.)

This should have been a coming-of-age story, but I’m not sure that the protagonists ever do get there. They feel like more experienced apprentices than finally knowledgeable adults, or even on the road to there, at the end.

There’s a certain amount of wish-fulfillment in this story. Two kids, just a bit too weird and always outcasts at their school, bond together over their outcast status. Then the girl discovers that her weirdness is because she is a witch, and the boy discovers that he is an elite technical genius, and their paths diverge until they meet again at the end of the world.

But it felt like every plot twist had to hit every single cliche EVAR before the story moved on. Patricia and Laurence aren’t just slightly weird – their school is experimental and strange and designed to torture its occupants beyond all reason. Not that the students aren’t more than happy to torment anyone even slightly outside the norm, but their school is insane.

Their parents are all equally strange, and punish both children to the point of abuse, when they are not being criminally neglectful.

From this reader’s perspective, much too much of this part of the story felt like bullying on top of bullying, well past making the point that these kids were different. Either this was intended to feel surreal, or society had already gone so far to hell in the handbasket that this crap was normal. In which case, we needed a bit more explanation for how things got this screwed up.

The part of the story that might have been really interesting – the actual growing up years when Patricia goes to witch school and Laurence escapes his parents and ends up at MIT, are almost completely glossed over. When we meet them again, they are both in their 20s and the world is in even more serious crisis than it was.

The story then becomes the fight between science as either a redemptive or destructive force, as embodied by Laurence and his friends and colleagues, and magic as a healing force, embodied by Patricia and her fellow witches. Neither of whom, frankly, seem particularly clueful about the messes they are creating.

The two groups are racing to see which of them will bring about the end of the world as they know it first, while justifying their efforts by demonizing the other. It’s fast and furious and the end of the book doesn’t make much sense.

Escape Rating D: I did finish, which gets a D. Although that finish was sheer stubbornness on my part.

I do not like bullying stories or humiliation humor, and the first third of this book is both of those. Patricia and Laurence are bullied at every single turn, by the school, by their teachers, by their fellow students, by their parents, and Patricia by her sociopathic sister. It was relentless and depressing and went on way too long for this reader.

I hate humiliation humor. That’s where someone deliberately sets someone up for an accident or a pratfall and then laughs with their buddies because the victim’s humiliation is just so funny to them. Not funny at all. And there are better ways to make the point, if there is one, and advance the plot than repeating this behavior over and over.

In YA books, parents are often clueless, but in this one, the behavior of all the adults, especially the parents, was downright criminal.

And I figured out the big reveal long, long before the protagonists even got to the point where they figured out there should be one. The suspense was so dead by that point in the story.

In the end, there were no heroes in this book. Only victims and survivors. Including the readers.