Review: The Show by John A. Heldt

Review: The Show by John A. HeldtThe Show (Northwest Passage #3) by John A. Heldt
Format: ebook
Source: author
Formats available: paperback, ebook, audiobook
Genres: historical fiction, time travel, time travel romance
Series: Northwest Passage #3
Pages: 293
Published by John A. Heldt on February 16th 2013
Purchasing Info: Author's WebsiteAmazon
Goodreads

Seattle, 1941. Grace Vandenberg, 21, is having a bad day. Minutes after Pearl Harbor is attacked, she learns that her boyfriend is a time traveler from 2000 who has abandoned her for a future he insists they cannot share. Determined to save their love, she follows him into the new century. But just when happiness is within her grasp, she accidentally enters a second time portal and exits in 1918. Distraught and heartbroken, Grace starts a new life in the age of Woodrow Wilson, silent movies, and the Spanish flu. She meets her parents as young, single adults and befriends a handsome, wounded Army captain just back from the war. In THE SHOW, the sequel to THE MINE, Grace finds love and friendship in the ashes of tragedy as she endures the trial of her life.

My Review:

While The Show is the third book in the author’s Northwest Passage series, it is much more of a direct sequel to The Mine, the awesome first book in the series, than the second book in the series, the marvelous The Journey, turned out to be.

In the Northwest Passage series, at least so far, the protagonists accidentally, or in the case of The Show, accidentally-on-purpose, discover methods of traveling in time. The time travel is complete handwavium – it’s purely a plot device and nothing more. And no more or less believable than the methods used in Outlander.

Not that the time period is the same as Outlander, or even the same from one book in the Northwest Passage series to another. In The Journey, the heroine travels within her own lifetime, and makes changes to her life in the past. Definitely changes for the better from her perspective, but one wonders about the butterfly, its flapping wings, and the effects on the futures of all of the other people who were within her original orbit.

That’s a question that raises its hand and waves vigorously by the end of The Show.

Because both Joel Smith in The Mine and Grace Vandenberg in The Show travel outside of their own lifespans. And then more.

In The Mine, Joel travels from 2000 to the summer of 1941, and leaves on December 8, 1941, the day after Pearl Harbor. He leaves, at least in part, because he knows about WWII and fears that if he finds himself in the Army there is the possibility that he will save someone who should have died, or kill someone who should have lived. He’s worried about that butterfly quite a bit.

But he didn’t worry about it enough not to fall in love back in 1941, and not to leave behind a trail of breadcrumbs that allows someone to follow him to the future. That someone is Grace, the woman he loves and would have married if he had stayed in 1941.

So she comes forward to the future, to him.

It’s all sunshine and roses – not to mention marriage and children, until yet another portal whisks her away from 2002 to 1918. Her journey is just as accidental as Joel’s original trip to the past – but the consequences are even more devastating.

When Joel left 2000 for 1941, he was a young man, fresh out of college, with no dependents and relatively few cares in the world or hostages to fortune. When Grace leaves 2002 for 1918, she’s a wife and mother of two little girls. She leaves everything behind – and can’t figure out how to get back.

Just as Joel did in 1941, Grace manages to make a life back in the past, with relatives that would become hers in the fullness of a time that she has already lived but they haven’t yet experienced.

She has her parents again, this time as contemporaries. She has a front row seat on their courtship. She even manages to fall in love again. It’s not the same, but it’s a life that could be sweet.

And then she discovers that she has one last chance, and it is the last chance, to go back to her real life in 2002 – if she’s willing to leave behind everything she’s found in 1918 to take the chance that this time she can go home.

Escape Rating B: I enjoyed The Show, but it doesn’t hold up quite as well as my memory of The Mine – which you really need to read before going to The Show. Nor did it grab at my heartstrings in the way that The Journey did.

I think that one of the reasons this didn’t grab me quite as hard was that the blurb for the book gives the big plot twist away. We know from the opening pages that Grace is going to travel back in time – and it hangs over the story like the proverbial Sword of Damocles. Grace’s advent into 2000 was way too easy, and I just wanted the story to get to the interesting – and hard – parts.

Grace’s life in the 21st century also raises questions that Joel’s life in 1941 didn’t. How did Grace and Joel even manage to get married in 2000 without Grace having a birth certificate? How did she get a driver’s license – which she definitely did. It’s a detail that niggles at me.

Joel was rightfully worried in 1941 about what would happen if he turned up at an Army recruiter’s office after Pearl Harbor with no birth certificate or ID of any kind. But in the rush to get bodies in uniform he would have had a way easier time than Grace should have had even in the pre-9-11 21st century.

Grace’s story in 1918 was much more tightly focused on Grace, her dilemma and her once and future family than Joel’s was in The Mine. We don’t see nearly as much of the era in which she finds herself as we did with his story. That may also reflect that Grace, as a young woman, would have had fewer opportunities to engage with the wider world in 1918 than Joel did in 1941. Part of the reason that The Journey got to me so much was that I identified with Michelle’s choices very strongly, while Grace’s don’t resonate with me in the same way.

However, one of Grace’s choices that I did empathize with was her eventual decision to move forward in 1918. A choice that some readers seem to have been appalled by. As far as Grace knows, she’s stuck in the past. She doesn’t believe that she has any hope of returning to 2002. She mourns her life there and misses her husband and children desperately, but she came back to the past already pregnant and needs to make some kind of future for herself and her child.

One final thought about that butterfly flapping its wings. Joel worried about changing the past and thereby changing his future. Grace, on the other hand, when the opportunity arises, rushes to change the past in a way that should prevent the future that gave birth to herself. It’s the ultimate paradox of time travel, and it bothers me that it isn’t addressed in any way.

Then again, this series feels as if its intended as historical fiction mixed with romance and not SF – where the time paradox would get done to death. I’m considering it as much handwavium as the time travel mechanism itself.

And I’ll be back for the next book in the series, The Fire, the next time I need a reading pick-me-up.

Review: The Journey by John A. Heldt

Review: The Journey by John A. HeldtThe Journey (Northwest Passage #2) Formats available: paperback, ebook, audiobook
Series: Northwest Passage #2
Pages: 231
on November 4th 2012
Purchasing Info: Author's WebsiteAmazon
Goodreads

Seattle, 2010. When her entrepreneur husband dies in an accident, Michelle Preston Richardson, 48, finds herself childless and directionless. She yearns for the simpler days of her youth, before she followed her high school sweetheart down a road that led to limitless riches but little fulfillment, and jumps at a chance to reconnect with her past at a class reunion. But when Michelle returns to Unionville, Oregon, and joins three classmates on a spur-of-the-moment tour of an abandoned mansion, she gets more than she asked for. She enters a mysterious room and is thrown back to 1979.

Distraught and destitute, Michelle finds a job as a secretary at Unionville High, where she guides her spirited younger self, Shelly Preston, and childhood friends through their tumultuous senior year. Along the way, she meets widowed teacher Robert Land and finds the love and happiness she had always sought. But that happiness is threatened when history intervenes and Michelle must act quickly to save those she loves from deadly fates. Filled with humor and heartbreak, THE JOURNEY gives new meaning to friendship, courage, and commitment as it follows an unfulfilled soul through her second shot at life.

My Review:

We went to a Bob Seger concert over the weekend. It relates to this book on two levels. The first is that sense that I get from the best of his music, like Night Moves, Against the Wind, Main Street and Like a Rock, of someone older looking back at their life with both reminiscence and regret. It truly is “strange how the night moves, with autumn closing in.”

The song Night Moves was released in late 1976, and would have still been playing on the radio, at least occasionally, when widowed Shelly Preston slips back in time from 2010 to 1979. I remember because I was listening to the radio too during the 1970s. In 1979, when the heart of this story takes place, I was 22 to the original Shelly’s 18. I made some of her choices then, and some of the choices she made later as well.

But I managed my life do-over much less dramatically than Shelly does when she goes down that dark stairwell in the old abandoned mansion and finds herself back home again, in 1979, watching herself go through the trials and tribulations of her senior year in high school. She does not “become” the young Shelly, this isn’t that kind of story. Instead, she takes a job at the local high school, becoming the adult friend and mentor that Shelly needed but didn’t have during her first go around.

The older Shelly, calling herself Michelle, does not choose the Star Trek “Prime Directive” as her modus operandi for her second trip through 1979. She is determined to do what she can to save whomever she can, and to give the younger Shelly the chance for a happier life.

That she gets to experience her own slice of happiness is a joy and a wonder. Even if it isn’t meant to be.

Escape Rating A+: Sometimes I talk about what I think about a book, and sometimes I talk about how the story made me feel. If you haven’t already guessed, this is definitely one of those reviews that’s all about the feels.

At the beginning, I actually felt too close to the older Shelly. Her reflection on her life and the choices that led her to them hit way too close to home, to the point where I actually had to step back for an evening to get some distance from those feelings.

That a story made me reflect that much and feel that deeply is a testament to the writer. I absolutely loved his first book, The Mine, when I read it back in 2012. I have all the others but never went back to his writing – caught up in the “so many books, so little time” conundrum. I will not make that mistake again. This is a writer that seriously speaks to me.

Speaking of The Mine, do not let the description of The Journey as #2 in the Northwest Passage series keep you from reading this book, whether first or second. Although Joel Smith’s and Shelly Preston’s paths do cross in The Journey, it’s a very brief meeting and has no effect on either story.

These are both time travel stories with a hint of romance, and both are very powerful stories, but they’re not really tied to each other in the way that series sometimes are.

Also the time travel in both stories is fairly simple handwavium, as it should be. The time travel isn’t the point. It’s what the protagonists do with their new lives that’s the point. And it’s marvelous and beautiful and heartbreaking.

If you’re looking for a book to sweep you up, make you reflect, and possibly even make you ugly cry just a bit, take your own trip back in time with The Journey. Bring tissues.