Publisher: Harper Voyager

Review: Winds of Marque by Bennett R. Coles

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
Review: Winds of Marque by Bennett R. ColesWinds of Marque: Blackwood and Virtue by Bennett R. Coles
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Blackwood & Virtue #1
Pages: 368
Published by Harper Voyager on April 16, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

"Bennett R. Coles ranks among my go-to list in SF. Entertaining and intelligent storytelling and terrific characters. In Winds of Marque, Coles may well have invented a whole new subgenre that has me scrambling for a description--Steam Space?  Whatever you call it, a blast to read. Here's hoping that many more adventures are in the offing for Blackwood and company."  —Steven Erikson, New York Times bestselling author

The first novel in an exciting science fiction series—Master and Commander in space—a swashbuckling space adventure in which a crew of misfit individuals in the king’s navy are sent to dismantle a dangerous ring of pirate raiders.

In a dense star cluster, the solar winds blow fiercely. The star sailing ship HMSS Daring is running at full sheet with a letter of marque allowing them to capture enemy vessels involved in illegal trading. Sailing under a false flag to protect the ship and its mission, Daring’s crew must gather intelligence that will lead them to the pirates’ base.

Posing as traders, Daring’s dashing second-in-command Liam Blackwood and brilliant quartermaster Amelia Virtue infiltrate shady civilian merchant networks, believing one will lead them to their quarry.

But their mission is threatened from within their own ranks when Daring’s enigmatic captain makes a series of questionable choices, and rumblings of discontent start bubbling up from below decks, putting the crew on edge and destroying morale. On top of it all, Liam and Amelia must grapple with their growing feelings for each other.

Facing danger from unexpected quarters that could steer the expedition off course, Blackwood and Virtue must identify the real enemy threat and discover the truth about their commander—and their mission—before Daring falls prey to the very pirates she’s meant to be tracking.

My Review:

The blurbs and the reviews for this book say the same two things fairly consistently. One, that it’s a whole lot of fun. Two, that it’s Aubrey and Maturin (Master and Commander) in space.

The first thing is definitely true. Winds of Marque is a whole lot of fun. I’m a bit less sure about the second thing – and I’m saying that as someone who read the entire Aubrey and Maturin series.

What makes this so much fun is that it is a romp of swashbuckling derring-do, but set in space in the distant future – on a Navy ship under letters of marque (government-licensed piracy) with a mission to find the real pirates and wipe them out before humans end up in a war with the insect-like Sectoids.

Our plucky heroes are Subcommander Liam Blackwood and Petty Officer Amelia Virtue. Fraternizing between the ranks is about to become the least of their problems.

Blackwood, second-son of the nobility and Executive Office (XO) of the HMSS Daring, has a reputation for coddling, chivying and generally outmaneuvering dunderheaded noble Captains so that they manage not to kill their entire crews in acts of noble idiocy. He’s unfortunately good at his job – because it’s bad for his career. Someone has to take the blame for the untouchable nobles’ disasters, and it’s generally their frustrated XO.

Virtue is the newly promoted quartermaster of the Daring. She’s relatively young, hyper-competent, and has the combined duty of making sure the Daring is fully supplied without resorting to Naval stores while instructing Blackwood in just how different the life of a commoner ranking sailor is from that of even a second-born noble son.

It’s probably going to be the making of him, if they survive the mess they are currently in.

Because nothing about their mission is exactly what it seems. Not the inexperienced but not unintelligent Captain Lady Sophia Riverton, not the pirates and certainly not the Sectoids.

That there’s a noble fop on board who is just dead certain that he can do everything better than his Naval superiors but social inferiors is nearly the deadly icing on a very explosive cake.

And it’s a blast from beginning to end.

Escape Rating B+: I had a great time while I was reading this. The verve and drive of the narrative really sweeps the reader along. But, I’m not sure how well it holds up upon further reflection. Not that I won’t pick up the next book in the series when it comes out. I did have a great time.

Part of the problem for this reader may be in all those comparisons to the Aubrey and Maturin series. Which was marvelous and excellent and terrific and if you enjoy naval stories or Napoleonic war stories is highly recommended. The audio is particularly good.

One issue, at least so far, is that Blackwood is not analogous to Aubrey (neither is Riverton) and there is no Maturin, at least so far. And that one aspect of the story, the Napoleonic wars in space, has been done before by David Weber in the Honor Harrington series. (It’s also been done in fantasy in the Temeraire series by Naomi Novik!)

Where it is similar to the Aubrey and Maturin series is in its detailed descriptions of the working of the ship. That the Daring is a ship powered by “solar sails” makes that resemblance more pronounced, but also a bit out of place. I’m not sure whether it’s that we’ve become so used to FTL (Faster Than Light) ships being sleek and powered internally that solar sails feel less possible (not that FTL drives in general are possible at the present) or that the whole “sailing” aspect feels like an artificial way for the author to insert sailing jargon and terminology that would not otherwise be present.

One aspect of the story, although not the primary aspect, is the developing romance between Blackwood and Virtue. As much as I like both characters, there doesn’t feel like there’s enough there to sell the romance. While it does take a reasonable amount of time for them to fall in love, because the story is told from Blackwood’s perspective we don’t see enough of Virtue’s thought processes to “feel” their romance. It’s a not nearly enough significant glances and conversations about ship’s business that fall into bed – or rather office floor at a crisis point.

Although this is a navy that has given up on anti-fraternization regulations, these are people from two different worlds that don’t mix. If they are going to be together, there need to be a whole lot more conversations about how that’s going to work. Because what Virtue tells Blackwood is correct – as a noble he can do anything at all to her, up to and possibly including murder but certainly including rape and assault – and he will never be punished because he’s a member of the aristocracy and she’s a commoner. That power imbalance is going to require one hell of a reckoning at some point.

The book this reminds me of the most is The Guns Above by Robyn Bennis. That book incorporates its equivalent ship jargon much more smoothly. Transferring the terminology of sailing vessels to an airship that sails the air felt smoother even if the war they are flying in is just as deadly. That story also includes a noble fop, but that one manages to get better – if not less foppish – as the adventure goes along.

The situation that the Daring finds herself in is a well-worn and well-loved trope. The ship of misfit naval personnel go rogue with official sanction but no official backing to do a job that desperately needs to be done – but that no one in the official navy wants to be caught dirtying their hands to actually get done. If they complete their mission someone else will get the glory, but if they fail the survivors will take all the blame.

And it’s so much fun that none of them can resist signing up for another mission. Readers won’t be resisting either!

Review: Mahimata by Rati Mehrotra

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: Mahimata by Rati MehrotraMahimata by Rati Mehrotra
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Asiana #2
Pages: 480
Published by Harper Voyager on March 5, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

A young female assassin must confront the man who slaughtered her family, risk her heart, and come to terms with her identity as a warrior and as a woman in this thrilling fantasy from the author of Markswoman.

Kyra has returned to the caves of Kali, but her homecoming is bittersweet. She no longer knows what her place is. Her beloved teacher is dead and her best friend Nineth is missing. And gone, too, is Rustan, the Marksman who helped her train for the duel with Tamsyn--and became far more than a teacher and friend.

Shaken by his feelings for Kyra and the truth about his parentage, Rustan has set off on a quest for answers. His odyssey leads him to the descendants of an ancient sect tied to the alien Ones--and the realization that the answers he seeks come with a price.

Yet fate has plans to bring Kyra and Rustan together again. Kai Tau, the man who slaughtered Kyra’s family, wages war on the Orders of Asiana. Hungering for justice, Kyra readies herself for battle, aided by her new companions: the wyr-wolves, who are so much more than what they seem. And determined to keep the woman he loves safe, Rustan joins the fight to ride by her side.

But will this final confrontation ultimately cost them their love . . . and their lives?

 

My Review:

The Asiana duology (yes, this is the second of two and there are only two) is set 800 plus years after a global catastrophe on our Earth. This is the story of the fantasy-like (or fantasy-lite) “civilization” left behind after a war that almost literally ended all wars – by wiping out a huge chunk of any population that might fight those wars.

But human beings are stubborn, in both good and bad ways. We came back as a species, and as this story begins, it looks like yet another war to end all wars has already begun – complete with weapons of mass(ive) destruction.

That the guns are called “kalashiks” is kind of a dead giveaway that this is our Earth and not someplace else. It’s not that another race of bipeds won’t/wouldn’t/hasn’t come up with the equivalent of assault weapons, it’s that this reader doubts that said other race would also spawn the languages that gave birth to the name “Kalashnikov”.

I digress and yet I don’t. The long-ago and long-lost past is part of the deep background of this story – and in a strange way also a part of its future. I’ll come back to this in a bit.

The story in Mahimata is a continuation of the story from Markswoman, and this can’t be read without having read the previous. Nothing will make sense otherwise. I’m actually glad that my reading of Markswoman wasn’t all that long ago, because Mahimata drops the reader right where that book left off.

This is a story where what goes around ultimately comes around, and karma is indeed a bitch. But our heroine Kyra is as much its victim as anyone else in the story.

Once upon a time, a man kidnapped and raped her mother, resulting in, well, Kyra. That same man returned to her mother to kill everyone in her clan, except Kyra. Who is, in the way of such stories, fated to kill him in his turn.

It’s what happens in the middle that makes the story. And one hell of a story it is.

Escape Rating B: I’m giving the rating early so that I can talk about what I did and didn’t like about the book. Because there’s a whole lot of like and not much dislike, except for one thing – which I’ll get to in a minute.

This is a story that put me in that rare approach/avoidance trap. I desperately wanted to know how it ended but I didn’t want it to end. The world that has been created in the wake of exactly whatever the apocalypse was is fascinating. The Orders of Peace, of which our heroine’s Order of Kali is just one of several, are dedicated to keeping the general population of the tribes safe from predators both without and within.

But while their purpose is a noble one, so much of their origin and history has been lost that much of what they have come to believe is neither true nor in the best interests of either the orders or the general population. They’re slowly killing themselves off, leaving the field wide open for a tyrant to bring unity through subjugation. The Orders are no longer strong enough to take care of such problems before they become big ones.

Which leaves our heroine and her friends and companions in a position where they will have to throw away much of what they think they know in order to face a danger which will overwhelm their world if they don’t act.

At the same time, the Asiana duology is also Kyra’s coming of age story. When we began in Markswoman, she was just about to take the step that graduates her from apprentice to markswoman. As her story continues, she finds herself in almost a constant state of examining the acts she has already committed with eyes that have become sharpened by experience.

An examination which often leaves her wondering just how she could have made so many huge mistakes, or have been so much of a fool. Her experiences may not have brought wisdom, but they have certainly brought clarity – even if nearly always too late.

However, and this is where we get to the things that gave me mixed feelings, while the epic battle and everything that led up to it was awesome and fascinating and grabbed me completely, the SFnal elements that underpin the way this world works felt more like a tease than anything that gelled into coherence.

I realize that is also how it is for the people of Asiana, that their scientific past has moved into myth and legend, but the way that Mahimata comes to its epic conclusion relies on those SFnal elements – and it didn’t stick the dismount. The story is great, the war has consequences, evil is vanquished – in a way that was very cool – and good, or at least not-evil triumphs.

But the extremely understated romance between Kyra and Rustan came to a kind of forced happy ending, using those SFnal elements as a kind of deus ex machina. It would have felt better, or truer, or more realistic, if one of them had paid the ultimate price for their victory. Or at least that would have made more sense.

Your mileage, as I always say, may vary.

The ending doesn’t erase just how much I loved 90% of the story. In the end, in comparison with an Olympic gymnastic routine, the routine was beautiful, but viewing this story as the gymnast in the analogy, it just didn’t stick that dismount.

Review: Polaris Rising by Jessie Mihalik

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: Polaris Rising by Jessie MihalikPolaris Rising (Consortium Rebellion, #1) by Jessie Mihalik
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Consortium Rebellion #1
Pages: 448
Published by Harper Voyager on February 5, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

A space princess on the run and a notorious outlaw soldier become unlikely allies in this imaginative, sexy space opera adventure—the first in an exciting science fiction trilogy.

In the far distant future, the universe is officially ruled by the Royal Consortium, but the High Councillors, the heads of the three High Houses, wield the true power. As the fifth of six children, Ada von Hasenberg has no authority; her only value to her High House is as a pawn in a political marriage. When her father arranges for her to wed a noble from House Rockhurst, a man she neither wants nor loves, Ada seizes control of her own destiny. The spirited princess flees before the betrothal ceremony and disappears among the stars.

Ada eluded her father’s forces for two years, but now her luck has run out. To ensure she cannot escape again, the fiery princess is thrown into a prison cell with Marcus Loch. Known as the Devil of Fornax Zero, Loch is rumored to have killed his entire chain of command during the Fornax Rebellion, and the Consortium wants his head.

When the ship returning them to Earth is attacked by a battle cruiser from rival House Rockhurst, Ada realizes that if her jilted fiancé captures her, she’ll become a political prisoner and a liability to her House. Her only hope is to strike a deal with the dangerous fugitive: a fortune if he helps her escape.

But when you make a deal with an irresistibly attractive Devil, you may lose more than you bargained for . . .

My Review:

If you love science fiction romance, this one is for you. Polaris Rising is one of those “chocolate in my peanut butter vs. peanut butter in my chocolate books. It’s marketed as just science fiction, because that’s where the money is – and the SFnal worldbuilding is definitely part of what makes this story work. But if you like more than a bit of rocket fuel in your romance, you’ll love Polaris Rising.

This is space opera of the merchant empire as opposed to military empire type. The High Houses that control everything in the ‘verse are great mercantile powers. Admittedly they do also have plenty of ships of the line, but the source of their power seems to be economic. In fact, the system they have set up (to benefit themselves of course) is designed to keep them at each other’s throats in the figurative but while fending off the literal sense.

At least usually not the literal sense with knives or guns at each other’s throats. Admittedly the line is occasionally as thin as the blade of a stiletto.

We begin the story with our heroine, Ada von Hasenberg, fifth child of that High House, being shoved into a cell. Ada, like many “princesses” before her, ran away from home to escape a political marriage. Her father finally put the bounty on her living head up high enough that mercenaries made it their business to hunt her down.

They’ve finally caught up with her. But they’ve also caught another high-value prisoner, Marcus Loch, known as the Devil of Fornax Zero. He’s a soldier who killed his entire squadron as well as his commanders and the military wants to put him on trial for his crimes – or at least make sure he pays for them with his own life.

These two shouldn’t have anything to do with each other, but the mercenary ship that holds them both is just a bit short on jail cells. They get thrown in together, and in the finest tradition of “the enemy of my enemy is my friend” cook up an escape plan that gets pushed into high gear when her erstwhile fiance arrives to keep her from being returned to her family.

Ada doesn’t think she’s worth nearly this much fuss – but lots of people suddenly seem to. When she finally gets the chance to figure out why, she knows exactly why she’s suddenly in so many crosshairs.

There’s only one person she can trust at her back – if he doesn’t double cross her somewhere along the way.

Escape Rating B: The elements of this story have been used before in both SF and SFR, if not necessarily combined together in quite this way.

There’s something about the tone of the book, and the shifting alliances between the various merchant empires, that reminds me of Vatta’s War series by Elizabeth Moon. (Start with Trading in Danger).

The difference between Polaris Rising and Vatta’s War is that in the Vatta’s War series the romance that eventually occurs is a secondary or even tertiary part of the plot. In Polaris Rising the romance between the “princess” and the “criminal”, is very close to center stage. To the point where a reader who wants nothing to do with “icky mushy stuff” may be turned off by this book – which would be a pity because the SFnal elements are very well done.

On that other hand, anyone who loved Amanda Bouchet’s recent foray into SFR, Nightchaser, is going to lick Polaris Rising up with a spoon. The two books hit many of the same plot beats, and both stories have that “perils of Pauline”, “out of the frying pan into the fire” type of careening adventure plot.

And they both feature family betrayals.

I’ll admit that while I enjoyed Polaris Rising, I didn’t find it quite as compelling as either of the readalikes that I’ve mentioned. Some of that may be a bit of pique. I understand why the decision was made to market this as SF instead of SFR, but that doesn’t mean that it doesn’t still annoy me a bit.

Also, while this story has lots of elements that I’ve loved in other stories, they are also elements that I’ve read in other stories. Neither Ada nor Marcus are what they initially appear to be. The reveal of Marcus’ story felt a bit anticlimactic – I knew what he was long before he told Ada. While the whole is put together in quite the interesting fashion, it just didn’t feel fresh or new to this reader. YMMV.

One thing that I did like was the way that the romance developed. It wasn’t slow, but then the circumstances don’t allow for that. But it also wasn’t insta-love. Insta-lust, yes, but that’s way more believable.

In the end, I found myself wanting to know more about the House system and how it works – and doesn’t. There’s something niggling at me that there are a few too many contradictions involved but I can’t quite put my finger on it.

I’m certainly more than intrigued enough to stick around for book two in the series, Aurora Blazing. Ada (and Marcus) kicked over one hell of an anthill on their way out of the central systems. Ada’s sister Bianca looks like she’ll be in the thick of the mess they left behind in the next story!

Review: The Kingdom of Copper by S. A. Chakraborty

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: The Kingdom of Copper by S. A. ChakrabortyThe Kingdom of Copper (The Daevabad Trilogy, #2) by S.A. Chakraborty
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Daevabad Trilogy #2
Pages: 640
Published by Harper Voyager on January 22, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

S. A. Chakraborty continues the sweeping adventure begun in The City of Brass—"the best adult fantasy I’ve read since The Name of the Wind" (#1 New York Times bestselling author Sabaa Tahir)—conjuring a world where djinn summon flames with the snap of a finger and waters run deep with old magic; where blood can be dangerous as any spell, and a clever con artist from Cairo will alter the fate of a kingdom.

Nahri’s life changed forever the moment she accidentally summoned Dara, a formidable, mysterious djinn, during one of her schemes. Whisked from her home in Cairo, she was thrust into the dazzling royal court of Daevabad—and quickly discovered she would need all her grifter instincts to survive there.

Now, with Daevabad entrenched in the dark aftermath of a devastating battle, Nahri must forge a new path for herself. But even as she embraces her heritage and the power it holds, she knows she’s been trapped in a gilded cage, watched by a king who rules from the throne that once belonged to her family—and one misstep will doom her tribe..

Meanwhile, Ali has been exiled for daring to defy his father. Hunted by assassins, adrift on the unforgiving copper sands of his ancestral land, he is forced to rely on the frightening abilities the marid—the unpredictable water spirits—have gifted him. But in doing so, he threatens to unearth a terrible secret his family has long kept buried.

And as a new century approaches and the djinn gather within Daevabad's towering brass walls for celebrations, a threat brews unseen in the desolate north. It’s a force that would bring a storm of fire straight to the city’s gates . . . and one that seeks the aid of a warrior trapped between worlds, torn between a violent duty he can never escape and a peace he fears he will never deserve.

My Review:

The previous book in this series, The City of Brass, was absolutely awesome, as is this one. But the end of City felt guardedly hopeful. Five years down the road, the future that resulted from that guarded hope is anything but.

Instead, The Kingdom of Copper has the feel of The Two Towers, in that things are always darkest just before they turn completely black. And also in the sense that The Two Towers makes no sense without having read The Fellowship of the Ring first.

Likewise The Kingdom of Copper makes no sense without having read The City of Brass first. We readers need that introduction into the characters and especially the hidden city of Daevabad before we have a clue about what’s going on in this book – or why we should care.

Fair warning, if your reading of City was a while ago, it may take a while to get back to the heart of the matter in Kingdom. The worldbuilding in this series is epically dense. Not impenetrable, just terribly, terribly complex.

At the end of City, Nahri had negotiated her marriage with Crown Prince Muntadhir of Daevabad in exchange for an extremely large dowry and some concessions for her downtrodden people. Then her friend, Prince Ali, killed her would-be lover, the djinn Darayavahoush. Ali was exiled, and Dara was just gone.

Nahri is alone in a city she never knew existed, under the watchful eye of her cruel and tyrannical father-in-law. She does her best not to put a foot wrong, because every time she does anything just slightly for herself, the King punishes someone close to her. Ghassan’s treatment of Nahri is a microcosm of how he rules his kingdom. Neither are exactly flourishing under his “care”.

But the way that Daevabad is ruled seems necessary from the king’s perspective. His people, the Geziri, conquered the city that belonged to Nahri’s people, the Daevas, generations ago. But the Geziri are the minority in the city that they rule, outnumbered by both the oppressed Daevas and the completely subjugated shafit, who are djinn with human ancestry.

The king feels that it is necessary to keep the Daevas and the shafit at each other’s throats to keep them from banding together and turning against their oppressors. (And if anyone sees echoes of many past and present tyrannies, it’s probably not accidental).

From Nahri’s perspective we see events in the city, but that’s not all that we see. Ali has survived many attempted assassinations by his father-the-king’s agents, and is living a life of sort-of-peace and increasing prosperity in the desert that is the Geziri home. Or he is until his mother’s family maneuvers him, yet again, into a position where he feels he has no choice but to return to Daevabad and his father’s dubious mercy.

While it is pretty obvious to Ali that his mother’s relatives want him to take steps against his father, their methods are generally more political, economic and subtle than the other player in this game of empires.

Because the djinn Dara is not dead after all. Or does not remain dead – again. The exiled Daevas have a plan to retake their city. A plan for which they need the assistance of the greatest warrior – and most feared weapon of mass destruction – that their people have ever produced. Both are in the person of Dara, who just wants to stay dead, but is honor bound to serve his people one more time.

There’s going to be a bloodbath in the city that they all claim to love – with Nahri, Ali and Dara caught in the middle. Again.

Escape Rating A: This book was terrific. And compellingly readable to the point where I finished at 3 am because I just couldn’t stop reading. At the same time, it just misses the A+ because it takes a while to get back into the action. There’s a lot going on in this story, and it’s all predicated on the events of the previous book. I suspect that if I’d read City a month or two ago instead of over a year ago I might feel differently.

If the final edition includes a precis of previous events that will probably help – a LOT.

Part of what makes this story so good, as well as what makes it difficult to get back into after a long absence, is the combination of how densely packed the worldbuilding is and how different it is from the western mythic traditions that so often underpin epic fantasy.

The worldbuilding in the Daevabad Trilogy is based on what feels like a combination of Indian, Persian and Arabic resources. The history hearkens back to Suleiman, the Islamic name of King Solomon the Wise from the Jewish Torah and the Christian Bible. The world of the Daevabad seems to be the result of Suleiman’s taming or subjugation of the Djinn, an event which exists in all three mythologies.

But most readers have an image in their heads for djinn, jinn, or the more popular term, genie. (If that image looks and sounds a lot like Robin Williams as the genie in Aladdin, well, Disney is also a mythmaker.)

The djinn in Daevabad are not those genies. Well not exactly. And not always. It feels like Dara might be a lot like those djinn, or genies – without the benevolent wish granting. But most djinn in this series seem to be basically people, with magical abilities and an affinity for one or more elements as granted by their heritage.

It takes a bit to stop thinking genie when one reads the word djinn and just think of them as warring tribes of magical people. But it’s definitely worth the mental leap to make it work for you.

Underneath the terminology, the story here is definitely a classic, using multiple tropes to underpin the story.

The obvious one is that age-old saw about power corrupting and absolute power corrupting absolutely. Not just for the current ruler of Daevabad, but also those who would be the rulers. It’s also definitely a story about the corruption of believing that the ends justify the means.

Nahri is certainly the bird in the gilded cage in this installment. After the life of both freedom and insecurity she lived in Cairo, her life in Daevabad is constrained at every turn. It’s only at the end when she returns to the truths she learned during her life on the streets that she finally sees a way out – even if it’s not one that anyone wants to take.

This is also a triangle story, albeit one with some interesting offshoots. Nahri loves Dara, or at least the Dara she thought she knew before she discovered that he was essentially a war criminal. Dara loves her, but the version of her that he left behind when he died. Five years of realpolitik have changed Nahri from that relatively naive girl he left behind.

Ali probably loves Nahri. Or he is capable of it if he figures out what love is – and gets his head out of his own ass on a whole host of topics. And possibly just plain grows up a bit. But Nahri is his brother’s wife. His brother Muntadhir loves his best friend Jamshid – and vice-versa – even though they keep their relationship on the down low. And Jamshid owes fealty to Nahri as the leader of the Daevas.

It’s complicated.

But the real story feels like one about the cost of vengeance. The Geziris conquered Daevabad, so now they oppress and demonize the descendants of the conquered to the point where the Daevas feel as if they have no option but to overthrow the Geziris. And both sides subjugate the mixed-blood shafit at every turn. No one is willing to even talk about building a future together, because everyone is so fixated on the atrocities that their ancestors committed against each other. Which only results in more atrocities. And the cycle continues.

And if that scenario sounds familiar, it bloody well should.

In an interview, the author posited what feels like the point of the entire series when she said, “Can you ever make a new world that properly addresses the wounds of the past?” So far in this series, the answer is a resounding, but absolutely compelling, NO.

So far in Daevabad, no one is even trying. Hopefully they will in the untitled third book in this series, which is not scheduled until (boo-hoo) 2021. It’s going to be a long wait.

Review: Kill the Queen by Jennifer Estep

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: Kill the Queen by Jennifer EstepKill the Queen (Crown of Shards, #1) by Jennifer Estep
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Crown of Shards #1
Pages: 416
Published by Harper Voyager on October 2, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Gladiator meets Game of Thrones: a royal woman becomes a skilled warrior to destroy her murderous cousin, avenge her family, and save her kingdom in this first entry in a dazzling fantasy epic from the New York Times and USA Today bestselling author of the Elemental Assassin series—an enthralling tale that combines magic, murder, intrigue, adventure, and a hint of romance

In a realm where one’s magical power determines one’s worth, Lady Everleigh’s lack of obvious ability relegates her to the shadows of the royal court of Bellona, a kingdom steeped in gladiator tradition. Seventeenth in line for the throne, Evie is nothing more than a ceremonial fixture, overlooked and mostly forgotten.

But dark forces are at work inside the palace. When her cousin Vasilia, the crown princess, assassinates her mother the queen and takes the throne by force, Evie is also attacked, along with the rest of the royal family. Luckily for Evie, her secret immunity to magic helps her escape the massacre.

Forced into hiding to survive, she falls in with a gladiator troupe. Though they use their talents to entertain and amuse the masses, the gladiators are actually highly trained warriors skilled in the art of war, especially Lucas Sullivan, a powerful magier with secrets of his own. Uncertain of her future—or if she even has one—Evie begins training with the troupe until she can decide her next move.

But as the bloodthirsty Vasilia exerts her power, pushing Bellona to the brink of war, Evie’s fate becomes clear: she must become a fearsome gladiator herself . . . and kill the queen.

My Review:

This fantastic (in multiple sense of the word) story starts and ends in pretty much the same place – the Queen is dead, long live the Queen. It’s just that it’s a different queen each time. And in the middle – well the story in the middle is absolutely awesome – and edge of your seat, can’t turn the pages fast enough riveting.

For a story that goes so fast once it gets going, the beginning is a bit leisurely. That beginning is our introduction to this world, and to our heroine, Lady Everleigh Winter Blair. Her very, very few friends in the palace call her Evie, because she’s a low-level – make that very low level – royal.

Queen Cordelia is a cousin, but Evie is at the lowest end of the family pecking order, an orphan with no fortune, no influential relatives and no powerful magic – at least no powerful magic that anyone knows about.

But she’s still a royal, so to earn her keep she handles all the crappy jobs that no one else in the royal family can be bothered to do. Basically, she’s a presence for events where a royal presence is required but where little can be gained from that royal presence in the way of power or prestige.

When we first meet Evie, she’s complaining about her dance instructor and stuck making pies for the ambassadorial visit from a neighboring country. It would be an insult for anyone other than a royal to make these particular pies – and thanks to the magic, they would know if someone else did the baking.

So Evie is stuck, just as she is always stuck, doing the jobs that no one else wants to do.

She plans to use the diplomatic banquet to ask her cousin for permission to leave. After all, Evie is in her late 20s, she’d like to buy back her late parents’ estate and work for herself. It’s a good plan – until it all goes spectacularly – and bloodily – pear-shaped.

That banquet turns into a slaughterhouse, with all of the Blairs, including the Queen, dead on the floor. Except for two – Evie and the Crown Princess Vasilia, the perpetrator of the slaughter.

Vasilia got tired of waiting for her mother to die so she could become queen, so she decided to push her own timetable forward – with a blade to her mother’s heart. (It is deliciously appropriate that her mother is Queen Cordelia, named after the one faithful child of King Lear in Shakespeare’s epic. One of the famous lines from that tragedy, “How sharper than a serpent’s tooth it is to have a thankless child.” Ironically, in the play, the comment refers TO Cordelia.)

Evie escapes the, let’s call it the “Red Banquet”, by the skin of her teeth, and mostly by accident. Vasilia uses her lightning magic to toss Evie over a wall that puts her outside the killing the zone – admittedly onto a steep hill that drops her in the river. She’s lucky she doesn’t drown, but then she’s just lucky to be alive.

All she has to do is figure out how to stay that way long enough to topple Vasilia from her ill-gotten throne. Because Evie is now the last of the Blairs, and only she can save her country and her people from the machinations of a madwoman who only became queen so that she could lead their country into other people’s wars for other people’s causes.

Evie must return and become the Winter Queen that she was meant to be. If she can just figure out how to survive the night – and all the long nights to come.

Escape Rating A: The thin line between A and A+ for this one is that it does start surprisingly slow. Once that “red” banquet begins, the story is off to the races, and doesn’t stop until it leaves the reader gasping at the end.

So read that first third for the character introductions and worldbuilding, and then hang onto your hat for the rest of the ride – because it’s wild from that point forward.

Kill the Queen is emphatically a heroine’s journey, and Evie Blair is our heroine. She begins the story as someone who is self-effacing and retiring at every turn. It has been drummed into her for 15 years that she is powerless and that the only way to survive is to keep her head down and obey everyone about everything. That doesn’t mean that she’s a natural doormat, just that being a doormat has been her only way to survive, and she’s drummed that lesson into herself to the point that it feels like a new awakening for her to finally be able to stand up for herself and let her inner rage, of which she has plenty, off its leash.

So this is a story about Evie first learning to stand up for herself, and then pushing that outward so that she is both able and willing to stand up for others. It’s a painful learning process – literally. Evie has to learn to fight, and she learns those skills as part of a gladiator troupe. And it is, as they say, the making of her.

Unlike the author’s previous series (and in spite of the cover image), Kill the Queen and the Crown of Shards series of which it is the first book, are epic and not urban fantasy. This first installment is a big sprawling story, and the world is only going to expand from here as Evie will be forced to unravel the plots that put Vasilia on the throne in the first place, and those plots have their origins in countries outside of her own.

While many have made comparisons between this story and Game of Thrones, and those comparisons are certainly there to be made, the two stories it reminded me of most were The Queen of the Tearling series and The Empress Game. Those are also stories where a woman must fight to control her throne and learn her own strength. The Empress Game (in spite of it being SF and not Fantasy) also has a similar element of using gladiatorial contests to determine who holds the crown.

Surprisingly, for me the beginning also had a lot of echoes from the plot of the video game Dragon Age Origins, particularly the two noble origin stories, where the crown and royal family are betrayed from within, and one young and disregarded member of the betrayed family survives to bring down the usurpers and wreak vengeance.

Kill the Queen is a big, sprawling epic of a story, with plenty to love for readers of the genre – and more to come. Protect the Prince is coming in July and I can’t wait to see how Evie manages to hold her crown, protect her kingdom – and apparently her prince. Or at least someone’s prince. We’ll see come summer.

Review: A Study in Honor by Claire O’Dell

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: A Study in Honor by Claire O’DellA Study in Honor (The Janet Watson Chronicles #1) by Claire O'Dell, Beth Bernobich
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: dystopian, mystery, science fiction
Series: Janet Watson Chronicles #1
Pages: 304
Published by Harper Voyager on July 31, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Dr. Janet Watson knows firsthand the horrifying cost of a divided nation. While treating broken soldiers on the battlefields of the New Civil War, a sniper’s bullet shattered her arm and ended her career. Honorably discharged and struggling with the semi-functional mechanical arm that replaced the limb she lost, she returns to the nation’s capital, a bleak, edgy city in the throes of a fraught presidential election. Homeless and jobless, Watson is uncertain of the future when she meets another black and queer woman, Sara Holmes, a mysterious yet playfully challenging covert agent who offers the doctor a place to stay.

Watson’s readjustment to civilian life is complicated by the infuriating antics of her strange new roommate. But the tensions between them dissolve when Watson discovers that soldiers from the New Civil War have begun dying one by one—and that the deaths may be the tip of something far more dangerous, involving the pharmaceutical industry and even the looming election. Joining forces, Watson and Holmes embark on a thrilling investigation to solve the mystery—and secure justice for these fallen soldiers.

My Review:

This was a wow. Even better, it was a wow in ways that I wasn’t expecting, so excellent all the way around.

Admittedly, I bounced off A Study in Honor the first time I started it. I was expecting a Sherlock Holmes pastiche, which it sorta/kinda is, but that’s not really apparent at the beginning. At the beginning, we’re following Dr. Janet Watson as she gets the shaft from the VA after losing her arm in combat.

Dr. Watson is a surgeon, and to go back to that job in civilian life, she needs two good hands. And the combat-damaged prosthetic that was supposed to be a temporary fix, well, it isn’t even good enough for much in civilian life – it certainly isn’t good enough for surgery.

But the war isn’t going well, is extremely unpopular, and the VA is sucking hind tit in the federal budget. Some things never change.

Other things do.

This war, unlike the perpetual war in Afghanistan that injured both the original Dr. John Watson and his 21st century incarnation in Sherlock, is a civil war. In what has become the not-so-United States.

The very frightening thing about this war is that it is so close we can see it from here. And entirely possible for all that. It’s a variation on the civil war in the darkly awesome book American War by Omar El Akkad, where the “reactionary” forces of the Old South have picked up the guns they are always afraid are going to be taken away from them and started a shooting war with what they see as the liberal-leftist North and Left-Coast West.

Unlike in American War, in this version, the so-called “Conservative” forces seem to be winning, if not all of the battles, at least the battle for hearts and minds in the North. It’s as though they made Robert E. Lee’s strategy work – just keep going long enough for the North to get too tired to fight.

This is also a scary close near future in that in 2016 Trump did get elected. Then after his administration overthrew as many of the civil rights of minorities as they could possibly manage, got replaced by the backlash of a progressive female Democratic president. After spending part of her first term turning back as much of the damage as possible, the folks who want their idealized 1950s back began the war in Oklahoma.

But this isn’t quite a dystopia, although it’s certainly getting there. Back home in Washington DC, away from the fronts in the states surrounding Oklahoma, the world seems to be going on as normal.

Unless you’re a wounded veteran trying to get the benefits you’re entitled to out of a VA that only cares about its bottom line.

Just as in the original stories, and in most of the remixes and pastiches, Watson is living off her military pension and needs a job. Holmes, in this case Sara Holmes, wants a roommate for the apartment she needs but claims to not be able to quite afford without said roommate.

But this Holmes is not what she seems. She’s every bit as brilliant (and enigmatic) as her original, but unlike the original Sherlock Holmes, Sara Holmes is not an independent agent.

As Janet Watson eventually discovers.

Escape Rating A-: I’ve written a lot about the setup of this story, because a lot of this book is setup. While this world unfortunately feels like a logical extension of current events, it is not current events and needs to get us fixed firmly into its vision of the future.

Which does not mean it isn’t a vision of the future that doesn’t include a whole lot of the present. Unfortunately for our protagonists, the parts of the present that carry over are quite frequently the worst bits. I said this isn’t a dystopia, but a better description would be that it isn’t a dystopia yet.

Those roots in the contemporary present form a good part of the terrible case that Janet unearths and that Sara helps her resolve. Part of what makes this book an A- rather than a A is that the case was fairly obvious. All too plausible, but also all too easy to figure out from the very first clue.

What makes this story, this version of Holmes and Watson, so fascinating are the characters of the two women. Instead of two white men in Victorian England (or 21st century England, for that matter), the Holmes and Watson in A Study in Honor are two black women at a time and place where the hope for true equality that shone during the Obama era has receded into the past and is dying under the lash of “conservative” dog-whistles that are pitched so any human can hear.

Which also means that in addition to the many indignities visited upon Janet Watson because she’s a wounded veteran, even more are heaped upon her because she’s black and because she dared to aspire to a profession that some people still believe should have been reserved for whites. And where the lesbianism of both of the protagonists just adds yet another layer of potential for prejudice.

A Study in Honor is a dark and gritty portrait of a world going to hell in a handcart, as seen from the perspective of someone who has visited that hell, and sometimes seems to have only left it in body but not in spirit. And investigates a mystery that plows right into the hell of that war and the dark heart of the people and governments that are waging it.

Watson and Holmes’ adventures continue in The Hound of Justice. I can’t wait.

Reviewer’s Note: Claire O’Dell is a pseudonym for author Beth Bernobich.

Review: Markswoman by Rati Mehrotra

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
Review: Markswoman by Rati MehrotraMarkswoman (Asiana, #1) by Rati Mehrotra
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Asiana #1
Pages: 384
Published by Harper Voyager on January 23, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Kyra is the youngest Markswoman in the Order of Kali, one of a handful of sisterhoods of highly trained elite warriors. Armed with blades whose metal is imbued with magic and guided by a strict code of conduct, the Orders are sworn to keep the peace and protect the people of Asiana. Kyra has pledged to do so—yet she secretly harbors a fierce desire to avenge her murdered family.

When Tamsyn, the powerful and dangerous Mistress of Mental Arts, assumes control of the Order, Kyra is forced on the run. She is certain that Tamsyn committed murder in a twisted bid for power, but she has no proof.

Kyra escapes through one of the strange Transport Hubs that are the remnants of Asiana’s long-lost past and finds herself in the unforgiving wilderness of a desert that is home to the Order of Khur, the only Order composed of men. Among them is Rustan, a disillusioned Marksman whose skill with a blade is unmatched. He understands the desperation of Kyra’s quest to prove Tamsyn’s guilt, and as the two grow closer, training daily on the windswept dunes of Khur, both begin to question their commitment to their Orders. But what they don’t yet realize is that the line between justice and vengeance is thin . . . as thin as the blade of a knife.

My Review:

This one sits right on the border between YA fantasy and Adult epic fantasy. I say this as more of a warning, in that the “official” genre designations on both Goodreads and Amazon emphasize the epic fantasy aspects and gloss over the young adult heroine. I enjoyed the book a lot, and am hoping to get an eARC for the second book in the series, Mahimata, but I’m not sure I would have picked it up if I’d known it was YA. So I’m not sorry in the least that I did, but your mileage may vary.

The Asiana series is also part of the “if it walks like a duck and quacks like a duck but isn’t actually a duck” school of fantasy-flavored science fiction. Or, if you prefer, science fiction that feels like fantasy. Like Pern or Celta, worlds that were created or found by science but have either regressed or chosen to live in a way that feels fantasy-like. I suspect that the SFnal origin will come into play later in this series, just as it does in both Pern and Celta.

In the case of Asiana, this world is a far-future, extremely post-Apocalyptic version of quite possibly our own Earth. The Apocalypse in question is so far back in the distant past that it is by this point a matter of myth and legend rather than history, but it is definitely there. The Orders of Peace of which the Order of Kali that Kyra belongs to is one, are known to be descendants of that long ago catastrophe.

More than long enough ago that the rules, regulations, strictures and beliefs have morphed considerably over the centuries. But at their heart lies that long ago, planetary-wide devastation.

But this story takes place in that far-future “present” and focuses on the struggles of the young Markswoman, Kyra.

Markswomen are bonded to their specially forged blades, and serve as peacekeepers, guards, judges and sometimes assassins throughout the world of Asiana. We meet Kyra as she undertakes her first Mark, the death that signifies a change in her status from apprentice to full-fledged Markswoman.

For Kyra it is also a personal quest, as her mark is the son of the man who wiped out her entire clan. It is justice, as his father murdered her clan’s future, she in turn kills his.

But it also marks the beginning of a long journey. One in which Kyra discovers that what she has been taught is not all that it seems – and that betrayal comes most easily from those that are closest to us.

It is a lesson that sends Kyra on a journey across the continent and back, because the person who has been betrayed is Kyra’s teacher and not herself. And Kyra is the only person capable of resetting the balance.

Escape Rating B+: Markswoman is the opening of a terrific epic fantasy – one that is all the better for having its roots somewhere other than the Western traditions that so often flavor epic fantasy.

The story also sits on that dividing line between coming-of-age and coming-into-power. Kyra is on the cusp of becoming a full Markswoman as the story begins. She is uncertain about her place in the Order of Kali and in her world in general. And she has to leave home in order to figure out what her destiny is and where she truly belongs. For most of the story, she is constantly learning lessons – not the formal lessons that comprised her novitiate and apprenticeship in the order, but the life lessons that will allow her to move forward.

One of the hardest, as it so often is, is the lesson about letting go. Not giving up, but of learning which are the battles to be fought and which are the injustices to be forgiven. We feel her indecision, her desperation, her frustration and her impatience. We also feel her need to make things right, and the conflict that brings to her heart.

But, as I said at the beginning, this story lies on the knife edge between YA and epic fantasy. The one place where it slips into YA territory is in its treatment of potential romantic relationships, as it very nearly falls into the dreaded love triangle trap. It doesn’t quite fall, but it gets a bit too close for comfort.

This also leads to wondering about the complete gender segregation of all of the Orders of Peace and how on Earth – or Asiana – that possibly works. Admittedly, we do get hints that it doesn’t. But it does make one wonder how Kyra’s nascent relationship with a Marksman from another order is going to work – if at all – or how much trouble it’s going to get them both into if they survive.

Which leads to my fair warning about the end of the book. Because Markswoman ends on one hell of a cliffhanger. While I wonder what took me so long to read it, I’m also glad that the eARC for the second book is already available. I can’t wait to see what happens next!

Review: Planetside by Michael Mammay

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Planetside by Michael MammayPlanetside by Michael Mammay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: military science fiction, science fiction
Series: Planetside #1
Pages: 384
Published by Harper Voyager on July 31, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

--“PLANETSIDE is a smart and fast-paced blend of mystery and boots-in-the-dirt military SF that reads like a high-speed collision between Courage Under Fire and Heart of Darkness.” – Marko Kloos, bestselling author of the Frontline series

--“Not just for military SF fans—although military SF fans will love it—Planetside is an amazing debut novel, and I’m looking forward to what Mammay writes next.” – Tanya Huff, author of the Confederation and Peacekeeper series

--“A tough, authentic-feeling story that starts out fast and accelerates from there.” – Jack Campbell, author of Ascendant

--“Definitely the best military sci-fi debut I’ve come across in a while.” – Gavin Smith, author of Bastard Legion and Age of Scorpio

A seasoned military officer uncovers a deadly conspiracy on a distant, war-torn planet…

War heroes aren't usually called out of semi-retirement and sent to the far reaches of the galaxy for a routine investigation. So when Colonel Carl Butler answers the call from an old and powerful friend, he knows it's something big—and he's not being told the whole story. A high councilor's son has gone MIA out of Cappa Base, the space station orbiting a battle-ravaged planet. The young lieutenant had been wounded and evacuated—but there's no record of him having ever arrived at hospital command.

The colonel quickly finds Cappa Base to be a labyrinth of dead ends and sabotage: the hospital commander stonewalls him, the Special Ops leader won't come off the planet, witnesses go missing, radar data disappears, and that’s before he encounters the alien enemy. Butler has no choice but to drop down onto a hostile planet—because someone is using the war zone as a cover. The answers are there—Butler just has to make it back alive…

 

My Review:

If Cold Welcome and Old Man’s War had a love child you might get something like Planetside. And it would be, and is, pretty damn awesome. I would say it’s awesome for a debut novel, but that isn’t nearly praise enough. It’s just plain awesome. Period. Exclamation point.

The story is a combination of military SF with a bit of detective work. Because there’s something wrong on Cappa, and it’s up to Colonel Carl Butler to figure out what. And to contain the problem – no matter the cost.

It begins simply enough – except it isn’t simple at all.

Butler is an old soldier, less than a year away from retirement. He’s been stationed somewhere really, really safe and far from the front lines to serve out his remaining time. But his best friend is the current overall military commander of SPACECOM, and needs the help of a friend that he can trust – not just to keep his secrets – but to make the hard choices and do the right thing without caring how bad it might look. Or be.

A High Councillor’s son is missing on a planet where SPACECOM is engaged in a hot war with the natives over natural resources. All the human settlements need silver, and Cappa is rich in it. Some of the native Cappans, who are an intelligent humanoid but not human species, are fighting with SPACECOM, and some are fighting against it.

In military terms, Cappa is a SNAFU (Situation Normal: All Fucked Up). It’s just a much bigger and nastier SNAFU than anyone is willing to admit. Butler comes in and kicks over the local anthill, and all hell breaks loose.

The investigation has been stalled for months, mostly in red tape. There are three commands on Cappa, SPACECOM, MEDCOM and SPECOPS, and the right hand and the left hand don’t know, don’t care, and don’t have to cooperate with each other or the hand in the middle.

Butler can easily see that there’s a coverup going on – he just can’t make any headway on figuring out who is covering up what.

It’s only when he goes planetside and the situation goes completely pear-shaped that he’s finally able to see the forest for the trees. It’s not just that one thing is wrong – it’s that everything is. And has been. And will be.

Unless Butler contains the whole sad, sorry mess – once and for all.

Escape Rating A+: I just finished and I’m still in shock. This one is going to stick with me for a long, long time.

I used Old Man’s War and Cold Comfort as antecedents because Planetside has strong elements of both of them, and they were themselves both absolute standouts.

The voice of Colonel Carl Butler in Planetside sounds very much like the voice of John Perry in Old Man’s War. They are both, after all, old men still at war. The difference is that Perry has taken his long experience into a new, young body, where Butler’s has all the mileage, artificial parts, aches and pains, of a life lived mostly in battle. Perry’s scars are on the inside, Butler’s are on the outside. But their first-person perspectives sound remarkably similar. They both do what needs to be done, but they both think it through, a lot. And they’ve both been around long enough to recognize bullshit when they hear it and hate it every single time.

There is also an element to both Planetside and the Old Man’s War series that what you think you know, what you’ve been told is true, mostly isn’t.

From Cold Harbor there’s the betrayal from within aspect of the story. Just as Butler learns that an awful lot of people in Cappa Base and on Cappa are getting in the way of his investigation for reasons that he has to figure out, so too does Kylara Vatta have to conduct an investigation under extremely adverse circumstances while fighting against an enemy within, facing betrayal at every turn while the situation goes from bad to awful to completely FUBAR (Fucked Up Beyond All Recognition).

So in Planetside we have the story of a man who has been deliberately placed in a terrible situation by a friend who seems to be exploiting the fact that he has nothing left to lose. Butler is trusted to, not sweep something under the rug, but discover all the awful secrets there are to be discovered and make sure that none of them get out.

We’re inside his head. We feel his frustration, we understand his confusion, and we empathize with his hatred of the obfuscation and the bullshit that is keeping him from getting the job done for no good reason whatsoever. In the end, we ache for his choices but we understand his reasons.

At the end, I’m left with two sets of competing quotes running through my head. In one ear, I’m hearing Robert E. Lee, “It is well that war is so terrible, otherwise we should grow too fond of it.” In my other ear, it’s Edmund Burke, paraphrased by Simon Wiesenthal, “For evil to flourish, it only requires good men to do nothing.” And there’s quite a lot of irony that the second quote is from Wiesenthal, a noted Nazi hunter.

I have extremely high hopes for more from this author. Soon, please! I already know that Planetside will be on my Hugo Ballot next year.

Review: King of Ashes by Raymond Feist

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: King of Ashes by Raymond FeistKing of Ashes (Firemane, #1) by Raymond E. Feist
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: epic fantasy
Series: Firemane #1
Pages: 512
Published by Harper Voyager on May 8, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

The first volume in legendary master and New York Times bestselling author Raymond E. Feist’s epic heroic fantasy series, The Firemane Saga—an electrifying tale of two young men whose choices will determine a world’s destiny.

For centuries, the five greatest kingdoms of North and South Tembria, twin continents on the world of Garn, have coexisted in peace. But the balance of power is destroyed when four of the kingdoms violate an ancient covenant and betray the fifth: Ithrace, the Kingdom of Flames, ruled by Steveren Langene, known as "the Firemane" for his brilliant red hair. As war engulfs the world, Ithrace is destroyed and the Greater Realms of Tembria are thrust into a dangerous struggle for supremacy.As a Free Lord, Baron Daylon Dumarch owes allegiance to no king. When an abandoned infant is found hidden in Daylon’s pavilion, he realizes that the child must be the missing heir of the slain Steveren. The boy is valuable—and vulnerable. A cunning and patient man, Daylon decides to keep the baby’s existence secret, and sends him to be raised on the Island of Coaltachin, home of the so-called Kingdom of Night, where the powerful and lethal Nocusara, the "Hidden Warriors," legendary assassins and spies, are trained.

Years later, another orphan of mysterious provenance, a young man named Declan, earns his Masters rank as a weapons smith. Blessed with intelligence and skill, he unlocks the secret to forging King’s Steel, the apex of a weapon maker’s trade known by very few. Yet this precious knowledge is also deadly, and Declan is forced to leave his home to safeguard his life. Landing in Lord Daylon’s provinces, he hopes to start anew.

Soon, the two young men—an unknowing rightful heir to a throne and a brilliantly talented young swordsmith—will discover that their fates, and that of Garn, are entwined. The legendary, long-ago War of Betrayal has never truly ended . . . and they must discover the secret of who truly threatens their world.

My Review:

It takes a very special kind of magic to capture lightning in a bottle. Magician had just that kind of magic, but that was a long time ago and world away from Firemane and King of Ashes. In the intervening decades (Magician was originally published in 1982!) the author has been prolific, but all of the books he has written since Magician have been set in Midkemia, the world he created with Magician, with the exception of the standalone Faerie Tale in 1988.

Magician looms very large in my memory. I still have my original copy, a 1982 Science Fiction Book Club edition. I picked up King of Ashes because I wondered if the author had managed to magic that lightning into the bottle again, in this first book in a completely new series that does not hearken back to Midkemia.

King of Ashes begins with a bang. Not quite literally, more like a thwack. That thwack is the sound the headsman’s axe makes when it severs the neck of the last king of Ithrace, Steveren Langene. But Langene’s real cause of death wasn’t the axe – the axe was just the instrument. Truly, he died of betrayal.

Langene’s line, the line of the Firemane, was supposed to have died on that scaffold. It certainly looked like it did, as his wife and all his children were killed before him. But as two of his former barons speculate while standing in the crowd of watchers, there are rumors of a baby, one born not long before this terrible campaign began.

Of course those rumors are true, as one of the barons soon discovers. So even though he couldn’t save his friend without dooming his own people, Baron Dumarch does what he can to save his friend’s only remaining child. He conceals the boy, not in his own household, but in the hidden kingdom of Coaltachin, the country of assassins.

The story in King of Ashes is the story of the coming of age of young Hatushaly who knows that he is different, and not just because of his copper-red hair in a kingdom of mostly dark-haired people. He is raised the same as the masters’ sons, but he knows he will never become a master himself. He feels that he is being protected, even as he undergoes the same grueling training as all children in the Invisible Nation.

He learns to hide, he learns to hunt, he learns to kill. He learns how to lead, how to follow, when to question and when to obey without question. He learns to control the fire inside him, without ever knowing what it is, why it is there, or who he really is. And he learns to control his own anger that secrets are being kept from him that he absolutely needs to know.

When all is finally revealed, he understands everything, but not nearly enough. And his story has only just begun.

Escape Rating A: In answer to the question of whether the author has managed to capture that lightning in the bottle again, the answer is yes. Perhaps not quite as full a bottle as Magician, but nevertheless, the bottle sparks with more than enough magic to make King of Ashes a marvelous read for any epic fantasy lover.

In the best epic fantasy tradition, King of Ashes is a coming of age story. We first meet Hatu as a baby, but the story then fast forwards to Hatu as a young man, nearing the end of his training in the Invisible Nation and learning to master himself and his power.

But it is not just Hatu’s coming of age, and that’s part of what makes the book so good. In spite of their training, Hatu has two friends who stand with him through thick and thin, the master’s grandson Donte and the farmer’s daughter Hava. Together they are the three best students of their year, and it seems as if together they will change their world. If they don’t manage to kill each other first.

It is also, and on the other side of the world, the story of Declan, an young journeyman smith, who gains his mastery and sets out to make his own fortune as the story begins. While Hatu’s training and early missions are fascinating, Declan’s rise from journeyman to master and leader is totally different but equally compelling.

The story switches from one point of view to the other as they are slowly but inexorably drawn together, but the reader is never confused who they are following or what they are witnessing – and why.

I don’t want to give the game away, so I’m trying not to add spoilers, and it’s very hard. This book was pretty damn awesome. The only reason I didn’t finish it in one day (all 500 pages of it!) is that about 2 am I just couldn’t keep my eyes open anymore, no matter how much I wanted to. I finished at breakfast the next morning because I just couldn’t stop.

There are elements of other epic fantasies, because these are classic tropes. The hidden prince story goes all the way back to King Arthur and the story of Excalibur in the stone. For a more contemporary parallel, the Codex Alera by Jim Butcher also has a similar feel. The loss and destruction of Ithrace has parallels to Guy Gavriel Kay’s Tigana, but that seam has also been mined time and again. The hidden kingdom of assassins also has its parallels in Jon Courtenay Grimwood’s Assassini and even in the assassin kingdom of Antiva in the Dragon Age video game series.

But putting those elements together with Declan’s considerably more prosaic but still fascinating transition from journeyman to master to leader makes for a magically tasty read. I am also happy to say that although the focus is on Hatu, Hava’s story arc is not reduced to merely sidekick/love interest. It is clear from the very beginning that she is going to be a mover and shaker in this story in her own right as it continues.

And there’s the rub. Unlike Magician, King of Ashes is far from a finished arc for these characters. As the Baron Dumarch puts it, this is only the first chapter, and it is a long game for him and a long first chapter for readers, albeit a very satisfying one.

The author appears to be committing trilogy, with the succeeding volumes very tentatively titled King of Embers and King of Flames. And I can’t wait.

Review: The Poppy War by R.F. Kuang

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: The Poppy War by R.F. KuangThe Poppy War by R.F. Kuang
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, grimdark
Series: Poppy War #1
Pages: 544
Published by Harper Voyager on May 1, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

When Rin aced the Keju—the Empire-wide test to find the most talented youth to learn at the Academies—it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard—the most elite military school in Nikan—was even more surprising.

But surprises aren’t always good.

Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power—an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive—and that mastering control over those powers could mean more than just surviving school.

For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away . . .

Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity . . . and that it may already be too late.

My Review:

The Poppy War is an absolute wow of a book. It’s also amazing that this is the author’s first novel, but that’s not what makes it such a marvel. It’s just completely, totally and utterly WOW! If you like grimdark (because this one is very grim and exceedingly dark) and/or if you like your fantasy-style alternate history set in a time and place that is totally f-ed up beyond saving, but the characters try anyway, then this book might be for you.

If you want a happy or at least a triumphant ending, where both good and evil are clear-cut and clearly drawn, this is not your book.

Instead, be prepared for absolutely anything, because this one sets off a whole pantheon of trigger warnings. And if you fall into it, dragging yourself out at the end is incredibly difficult. This is an epic book, and it will give you an epic book hangover – interlaced with tons of frustration, because it is clear from the way this book ends that this story is not over. Rumor has it that the author is committing trilogy, but there are no projected publication dates, or even titles, for those putative books 2 and 3.

Even though when you finish The Poppy War, you will want to read them right now – or at least right after a cocoa and a lie-down. I’d pass on the nap, because I think nightmares would probably be inevitable for a bit.

This book is so many things. It is a heroine’s journey, but it is not the usual heroine’s journey. Every time the heroine reaches a point that should be a triumph, the situation descends quickly into tragedy, anarchy or both.

There’s certainly an element of the “chosen one” to this story, but by the end one has the distinct impression that what Rin has been chosen for or by is operating by the old saying, that “those whom the gods would destroy, they first make mad.”

While the heroine is in her teens, and she certainly comes of age over the course of the story, this is absolutely, positively NOT a YA book. And while the first half of the story covers the trials and tribulations of fish-out-of-water Rin at the prestigious military academy at Sinegard, this is also not a “save the school, save the world” story in the way that Harry Potter is. At the same time, there are elements of Rin’s personality that may remind readers of a very, very dark Hermione Granger – at least the swotting parts of her personality.

The Poppy War is also an #ownvoices epic fantasy. The heroine is a brown skinned Asian woman, written by a brown-skinned Asian woman. The history that the author has chosen to use as her background is history that is all-too-familiar to her, but that we are not familiar with in the West, and should be. The unfamiliarity makes the story even more fantastic, while the grounding in the real gives it an authenticity that makes the tragedy all that much more tragic and awful.

And “awful” both in the sense of terrible and in the sense of “full of awe”.

Escape Rating A+: This may be the first week I’ve ever had two A+ books, and back-to-back at that. Epic fantasy is one of my first loves, and it’s certainly obvious in this week’s books.

The Poppy War is so many, many things, and all of them special and amazing. I was absorbed into this world from the opening pages, as our chosen heroine desperately seeks a way to escape her intended fate as concubine to an old man so that her foster parents can further their opium business.

Rin’s way out is through pain and achievement, and it sets the pattern for the rest of her story. At each turn she takes the more painful and dangerous route, no matter how dark the road seems or how often she is warned against it.

The Poppy War is a story where things are always darkest just before they turn completely black. Then the scene lights up with fire, and everything is reduced to ash. And Rin, well, Rin does not so much emerge triumphant as she rises slowly to a standing position, bloody, broken and incandescent.