A- #BookReview: The Restaurant of Lost Recipes by Hisashi Kashiwai, translated by Jesse Kirkwood

A- #BookReview: The Restaurant of Lost Recipes by Hisashi Kashiwai, translated by Jesse KirkwoodThe Restaurant of Lost Recipes (Kamogawa Food Detectives, #2) by Hisashi Kashiwai, Jesse Kirkwood
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy mystery, foodie fiction, literary fiction, magical realism, translated fiction, world literature
Series: Kamogawa Food Detectives #2
Pages: 224
Published by G.P. Putnam's Sons on October 8, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The Restaurant of Lost Recipes is the second book in the bestselling, mouth-watering Kamogawa Food Detectives series, for fans of Before the Coffee Gets Cold.
We all hold lost recipes in our hearts. A very special restaurant in Kyoto helps recreate them...
Chef Nagare and his daughter Koishi serve their customers more than delicious food at their Kamogawa Diner down a quiet street in Kyoto. They can help recreate meals from their customers’ most treasured memories. Through ingenious investigations, these “food detectives” untangle flavors and pore through old shopping lists to remake unique dishes from the past.
From the swimmer who misses his father’s lunchbox to the model who longs for fried rice from her childhood, each customer leaves the diner forever changed—though not always in the ways they expect…
A beloved bestseller in Japan, The Restaurant of Lost Recipes is a tender and healing novel that celebrates the power of community and delicious food.

My Review:

The premise of this series is simple, beautiful and TRUE in all the best ways.

Hunger may be the best sauce, but nostalgia comes a close second. The difference is that hunger makes everything taste better – while nostalgia can only be satisfied by the correct combination of flavors and smells. The one that takes us back to the original that we remember so fondly and are able to reproduce so rarely.

It’s that reproduction – and the memories that come along with it – that makes this series both fascinating and heartwarming.

The Kamogawa Food Detectives are Chef Nagare and his adult daughter Koishi. Their little hole in the wall restaurant in Kyoto is a place that only the locals know. There’s no sign outside and they do almost no advertising. What little advertising they do isn’t even about the restaurant.

Their one line ad in a gourmet magazine proclaims, “We Find Your Food!”, which is exactly what they do. The clients for their food detection service come because they are desperate to recreate a taste – and the feelings that go along with it – that they barely remember but can’t let go of.

That they succeed isn’t magic – but it is. All it takes is a story and a fading memory and a whole lot of detection on the part of Chef Nagare – as well as a whole lot of taste-testing on the part of Koishi – to recreate just what the client has been searching for.

Each case – each story – is just a bit different. The process is the same, but the results are as variable as the clientele. Along the way, linking the separate vignettes into a harmonious whole, is the story of Nagare and Koishi, their banter, their gentle teasing, their excellent father-daughter relationship – and the way they include the missing member of their family, Nagare’s late wife Kikuko – in a way that demonstrates love and care and gentle grief and moving on all at the same time.

There may not be magic in the fantasy or magical realism sense in this book or this series, but the story is absolutely magical all the same.

Escape Rating A-: This is the series that got me firmly hooked on these cozy mystery/fantasy/magical realism type stories (the ones that trace their origin inspiration to Before the Coffee Gets Cold). After devouring this book in one sitting, I’m now certain that this is my favorite of them all in spite of the fact that nearly all of the others, there’s not even a hint of any actual magic.

It still seems like magic, but I think that magic can be put down to two factors – or at least this is how it’s working for me. One factor is the background story, the relationship between Nagare and his adult daughter Koishi and that it does work. Their relationship is just plain good in a way that seems magical because I honestly can’t imagine ever living with my parents as an adult and having them actually treat me as a functional adult. We weren’t that fortunate – although Koishi is.

We don’t get a lot of their daily lives in the spaces between their customers’ stories, but the bits we do get seem to be building on each other in a way that I simply find charming and heartwarming and I hope that other readers do as well.

As much as I enjoy the individual customers’ stories, Nagare and Koishi are the people carrying the story overall, and the other part of what I love is that the ‘magic’ of their food detective business comes down to good interview techniques on Koishi’s part, good investigative skills on Nagare’s part, a willingness to chase down any clue as well as, of course, Nagare’s skill in the kitchen and his willingness to experiment as often as it takes to get the dish exactly right.

The stories wouldn’t be half as much fun if they could just snap their fingers and make it happen. The breathless anticipation on the part of the customer – and the nervous worry on the part of the chef and the detective – make each customer’s story really pay off for both them AND the reader.

I do enjoy the individual stories, but without Nagare and Koishi to tie it all together the books wouldn’t work nearly as well, at least for this reader.

I’ll admit that I’ve been salivating for this book since the minute I finished the first book in the series, The Kamogawa Food Detectives. I mean that both literally and figuratively, as the food described within both stories as well as their presentation is absolutely mouth-watering. So don’t go into this series hungry. I mean it! You have been warned!

IMHO, this was totally worth the wait. I loved it and ate it up in one sitting. I’m just happy that there are several more books in the series in the original Japanese, so I have hopes that more will be translated – preferably as soon as possible!

#BookReview: Pets and the City by Amy Attas

#BookReview: Pets and the City by Amy AttasPets and the City: True Tales of a Manhattan House Call Veterinarian by Amy Attas
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, audiobook
Genres: animals, memoir, nonfiction
Pages: 320
Published by G.P. Putnam's Sons on June 18, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Hilarious, jaw-dropping, and heartfelt stories from New York City’s premier “house-call veterinarian” that take you into the exclusive penthouses and 4-star hotel rooms of the wealthiest New Yorkers and show that, when it comes to their pets, they are just as neurotic as any of us.

When a pet is sick, people—even the rich and famous—are at their most authentic and vulnerable. They could have a Monet on the wall and an Oscar on the shelf, but if their cat gets a cold, all they want to talk about are snotty noses and sneezing fits. That’s when they call premier in-home veterinarian Dr. Amy Attas.

In Pets and the City , Dr. Attas shares all the shocking, heartbreaking, and life-affirming experiences she’s faced throughout her 30-year career—like the time she saw a naked Cher (no, her rash was not the same as her puppy’s); when she met a skilled service dog who, after his exam was finished, left the room and returned with a checkbook in his mouth; and when she saved the life of a retired, agoraphobic Hollywood producer during a monthly treatment for his cat, Amos. In these moments Dr. Attas noticed key insights about animal, and human, nature—like how humans attach to one another through their love of animals, or how animals don’t have pride, ego, or vanity that their humans seem to value so much, sometimes to their detriment.

To Dr. Attas, she doesn’t just heal animals. She witnesses how they and their humans help and heal each other, and how the special bond between pet and owner might actually make us better people.

My Review:

Once upon a time in 1980, there was a book. To be fair, there’s always a book. But the book in this particular case was All My Patients Are Under the Bed by Louis J. Camuti. I still have a copy – even if one or more cats have gnawed on it a bit.

Dr. Camuti, like Dr. Attas, the author of Pets and the City, was a house call veterinarian in Manhattan, in the decades before Dr. Attas finished her training. Dr. Camuti’s practice was just a bit different, however, even for his own time, as he was one of the first vets to specialize in cats.

Dr. Attas, taking up, or finding herself in, her own visiting vet service in Manhattan, takes on all comers, as the stories in her book joyously and sometimes heartbreakingly attest.

To paraphrase the classic Law and Order intro, so apropos because that series is also set in NYC, these are her stories – and the stories of the animals and their people that she has treated along her way.

Reality Rating B: The author does several things in this collection of cat tales and not-necessarily-shaggy dog stories. First she tells her own tale, her origin story, not just how and why she became a vet, but how she fell – or was pushed, she was definitely pushed – into opening her peripatetic Manhattan practice.

Second, she tells oodles of sometimes funny, sometimes sad, occasionally downright heartbreaking stories about the animals – and their people – that she treated along the way. Those stories, even when they absolutely break your heart as they did hers, are THE BEST part of the whole book.

Even if the dogs did outnumber the cats.

Howsomever, as the blurb implies that there will be stories of the rich and famous of Manhattan, the third thing is that there is more than a bit of name-dropping. Unfortunately that part of her story is already starting to seem a bit dated as some of her early famous clients – as ultra-famous as a few of them were back in their day – have since passed away in the decades since Dr. Attas’ career began.

And occasionally the author gets up on her soapbox about animal and/or pet-related causes that are near and dear to her heart. But as this book is squarely aimed at animal lovers of all types and stripes and spots, most readers will empathize with her convictions.

To make a not very long story even shorter, Pets and the City, as much as the title titillates with its resemblance to Sex and the City, isn’t really about the rich and famous, and doesn’t dish dirty secrets on some of the city’s more famous and/or infamous residents. So if that’s what you are here for, this probably isn’t the book for you.

Also if you’re really, really, seriously a cat lover, the dogs are definitely having their day in this book. Personally, I always want more cat stories but the dogs ARE adorable – even when something noxious is gushing out of one of their orifices.

Ultimately, Pets and the City is a collection of (true but the names have been changed to protect the guilty) stories about the pets whose people live and work in Manhattan. No matter how palatial – or how down at heel – the place where their person lives and/or work, it’s the pets and THEIR stories that always takes center stage.

Which is exactly how it should be.

A- #BookReview: The Kamogawa Food Detectives by Hisashi Kashiwai, translated by Jesse Kirkwood

A- #BookReview: The Kamogawa Food Detectives by Hisashi Kashiwai, translated by Jesse KirkwoodThe Kamogawa Food Detectives (The Kamogawa Food Detectives, #1) by Hisashi Kashiwai, Jesse Kirkwood
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy mystery, foodie fiction
Series: Kamogawa Food Detectives #1
Pages: 208
Published by G.P. Putnam's Sons on February 13, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The Kamogawa Food Detectives is the first book in the bestselling, mouth-watering Japanese series for fans of Before the Coffee Gets Cold.
What’s the one dish you’d do anything to taste just one more time?
Down a quiet backstreet in Kyoto exists a very special restaurant. Run by Koishi Kamogawa and her father Nagare, the Kamogawa Diner serves up deliciously extravagant meals. But that’s not the main reason customers stop by . . .
The father-daughter duo are ‘food detectives’. Through ingenious investigations, they are able to recreate dishes from a person’s treasured memories – dishes that may well hold the keys to their forgotten past and future happiness. The restaurant of lost recipes provides a link to vanished moments, creating a present full of possibility.
A bestseller in Japan, The Kamogawa Food Detectives is a celebration of good company and the power of a delicious meal.

My Review: 

“We find your food” is all the advertisement that the Kamogawa Diner – and the office of the Kamogawa Food Detectives located in the back of the tiny restaurant – either needs or wants.

Because that combination of slogan, motto and raison d’être says all that this father-daughter duo needs to say, either about the food they serve or the unique service they provide.

Taste and smell are inextricably linked to memory in ways that we all know, but are hard to articulate. It’s why the right perfume is so evocative, and why dishes we loved when we were children evoke such powerful memories.

Nagare Kamogawa and his adult daughter Koishi own, operate and investigate the dishes served at their diner. When someone comes in needing their special services, Koishi asks the questions and her father, a police detective turned masterchef, provides the answers in the form of a dish that brings back the memory that their client has been chasing down so hard, to no avail. At least until now.

The stories in this delightful little collection are the stories of their clients, each with a particular sharp need for something like closure of a loss that happened yesterday or long ago. They are pursuing a chance to commune one more time with someone they lost, someone they left behind, or someone they need to let go of.

Each comes to the diner with a vague memory of a time, a place, a person, and a dish upon which it all hangs together in a faded memory. Through recreating the dish, the Kamogawa Food Detectives give their clients one more chance to reconcile, or mourn, the person in that memory, whether it’s someone they lost or merely a part of themselves they left behind.

Like the cuisine that is mouth-wateringly described in each and every story, the memories are, for the most part, not sweet unless that sweetness is tinged with the bitterness of loss. Rather, each story is one to be savored, as is this whole, entirely delicious, slice of life at the home of the Kamogawa Food Detectives.

Escape Rating A-: This was absolutely the right book at the right time. In spite of being a loosely linked collection of short stories, it hung together MUCH better than yesterday’s book, to the point where I finished this little volume in one – admittedly hungry – sitting. At the end, my only negative thought about the book was that it wasn’t nearly enough.

Don’t go into this one hungry, because the descriptions of the food are every bit as tantalizing as the stories are savory – even the ones that describe something that might not be to one’s own taste. If these dishes are half as good as the descriptions in the book make them, I’d be willing to try them all.

I also couldn’t help but think of similar dishes, not in cuisine but in my own memory. Dishes that my grandmother made that neither my mother nor I were ever able to replicate. Love and nostalgia are seasonings that are difficult to duplicate, no matter how many times one has tried. (If you’re wondering, I can replicate my favorite dishes that my mother made. But my grandmother’s, no.)

I want to say this was sweet but based on the utterly tantalizing descriptions of the food, it would be more accurate to say that this was wonderfully umami, in other words, marvelously savory and absolutely delicious.

This is, honestly, a book that kind of defies description. You have to be there, within its magic, to get the full flavor of just how lovely it is. All I can say is that it is absolutely, delightfully, worth the read.

Speaking of magic, however, if the taste of The Kamogawa Food Detectives is as appealing to you as it was to me, if you would like to try something similar with a more overt hint of magic (I say more overt because it could easily be claimed that what these food detectives do IS magic) you might want to try The Nameless Restaurant by Tao Wong. The Kamogawa Food Detectives is also frequently cited as a readalike for Before the Coffee Gets Cold. Which I have not read YET, but certainly plan to in the months ahead.

The above recommendations will hopefully tide you over until your next delicious visit to The Kamogawa Food Detectives. This book is the first in a series of seven in the original Japanese, and the second book, The Restaurant of Lost Recipes, will be published in English in October.

I’m already salivating for another taste!

Review: Nora Goes Off Script by Annabel Monaghan

Review: Nora Goes Off Script by Annabel MonaghanNora Goes Off Script by Annabel Monaghan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: contemporary romance, relationship fiction, women's fiction
Pages: 272
Published by G.P. Putnam's Sons on June 7, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Nora's life is about to get a rewrite...
Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it's her job. But when her too-good-to work husband leaves her and their two kids, Nora turns her marriage's collapse into cash and writes the best script of her life. No one is more surprised than her when it's picked up for the big screen and set to film on location at her 100-year-old-home. When former Sexiest Man Alive, Leo Vance, is cast as her ne'er do well husband Nora's life will never be the same.
The morning after shooting wraps and the crew leaves, Nora finds Leo on her porch with a half-empty bottle of tequila and a proposition. He'll pay a thousand dollars a day to stay for a week. The extra seven grand would give Nora breathing room, but it's the need in his eyes that makes her say yes. Seven days: it's the blink of an eye or an eternity depending on how you look at it. Enough time to fall in love. Enough time to break your heart.
Filled with warmth, wit, and wisdom, Nora Goes Off Script is the best kind of love story--the real kind where love is complicated by work, kids, and the emotional baggage that comes with life. For Nora and Leo, this kind of love is bigger than the big screen.

My Review:

This initially anti-romantic Nora actually writes those made-for-TV-sponsored-greeting-card-company romances that the Nora in yesterday’s book initially believed cast her as an unfeeling villain in every single outing. Unlike the romances that either of them reads, writes, agents or even watches, the particular script that this Nora is dealing with when this story begins is the story of her own life, and it’s about to be filmed in her very own picturesque but slightly run down home.

Or rather, it’s about to be filmed on her lawn and in “The Tea House” on the grounds where she does her writing. It’s a bit of art imitates life imitates art, as that Tea House was her emotional escape from an emotionally abusive but otherwise absent husband. It was the place where she wrote the scripts that literally kept their life afloat – because the asshole was just too “good” – at least by his own definition – to go out and get a damn job to contribute to the household.

Which also wasn’t good enough for him in any way, shape or form. Not Nora, and not their two kids. So he upped and left and she was actually pretty damn happy about it. She chose not to be a victim of any of her circumstances, and that’s her story and it sold and it’s being filmed and just the fees from using her house for part of the movie shoot is going to get her out of the debt the asshat left her in.

But her asshat ex is being played by the Sexiest Man Alive, and Nora is just a bit smitten. Or at least her fantasy life has suddenly taken on some new dimensions. Still, Leo Vance’s invasion of her life and occasionally her house is just a bit of excitement in her otherwise pretty ordinary and pretty contented life.

And she can’t wait for the film crew to be gone so she can get back to writing. But when the film crew leaves, Leo decides to stay. And stay. And STAY.

That’s where what was merely a blip – although a pretty damn big blip – of excitement turns into a whole lot more. Leo doesn’t just camp out in her tea house, he becomes part of her life and the lives of her two kids, Arthur and Bernadette. In a few short weeks, they become a family.

It’s easy for all of them to fall for him. He’s more involved in all their lives than the asshat EVER was. And it’s not an act. He’s not playing a part. So when Nora and Leo finally give in to the simmering tension between them, it seems like something that shouldn’t be possible might be possible after all. They might, just maybe and possibly, have some kind of future. No matter how much that seems like a fairytale.

But just when they do – they don’t. Leo gets a call, jets off to LA and then to Asia to film a big movie, and he ghosts the whole family. He misses all the things he promised he’d come back for and just disappears out of their lives if not out of their hearts.

Howsomever, this isn’t Nora’s first time on this particular merry-go-round. She wasn’t a victim before, and she isn’t going to be one now. She knows what to do. She writes her pain. She picks up the pieces and moves on. She survives.

It’s then, and only then, that the truths finally come out. The only question is whether or not it’s too late.

Escape Rating A: I fell into this one nearly as hard as I did Book Lovers, and that’s saying a lot. The two romances have a lot in common, particularly in the way that they both mix in a lot of relationship elements. Because this isn’t just a romance between the scriptwriter and the actor, it’s also a love story about the actor and the scriptwriter’s kids. They have to be able to become, not just a couple but actually a family in order for this to even possibly work.

And Nora is as surprised as anyone – if not a bit more so – that it might possibly work. So she’s not surprised at all when it doesn’t. Heartbroken this time around, but not surprised.

One of the things that makes celebrity romances so much fun – especially when they work as well as this one does, is that we’ve probably all had that daydream at least once or twice – if not a whole lot more times. It’s not remotely likely or even plausible, but it’s fun to dream.

But to make it work as in a novel that dream has to at least seem like it might possibly come true in this one particular case. (Spoiler Alert and All the Feels, both by Olivia Dade, also play with this idea but in a completely different way.) And it does seem to be working in Nora Goes Off Script – at least from Nora’s perspective.

Howsomever, because the story is told entirely from Nora’s point of view, we get why it works but we also see exactly how much she questions whether the relationship has ANY long term potential whatsoever. She knows she wants it to, but she’s realistic about wondering whether it can. That we don’t see things from Leo’s point of view means that we share her doubts and totally get why, when he disappears it’s disappointing but not as surprising as either she – or we – want it to be.

(Some of the folks in my reading circle saw these events as a giant misunderstandammit. While it’s true that the mess might have been cleared up by a conversation or a series of texts in their particular case, because of the agency in the middle of things it was easy to see that that conversation actually couldn’t happen. YMMV, as theirs obviously did.)

That all of Nora’s justified angst does lead to both another big money script sold to Hollywood AND to an HEA without her having to compromise a thing – because she shouldn’t – was a surprise and a delight. The ending fed the fantasy in a way that made this reader end the book with a big smile on my face – although probably not as big a smile as the one on Nora’s daughter Bernadette’s face.

Nora Goes Off Script is the author’s debut adult novel, although she has previously published both YA fiction and grown-up nonfiction. I’m so very happy that there is more where this one came from, and I’m looking forward to reading her sophomore adult romance, Same Time Next Summer, coming out THIS summer!

Review: Look Closer by David Ellis

Review: Look Closer by David EllisLook Closer by David Ellis
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, ebook, audiobook
Genres: mystery, suspense, thriller
Pages: 448
Published by G.P. Putnam's Sons on July 5, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From the bestselling and award-winning author comes a wickedly clever and fast-paced novel of greed, revenge, obsession--and quite possibly the perfect murder.
Simon and Vicky couldn't seem more normal: a wealthy Chicago couple, he a respected law professor, she an advocate for domestic violence victims. A stable, if unexciting marriage. But one thing's for sure ... absolutely nothing is what it seems. The pair are far from normal, and one of them just may be a killer.
When the body of a beautiful socialite is found hanging in a mansion in a nearby suburb, Simon and Vicky's secrets begin to unravel. A secret whirlwind affair. A twenty-million-dollar trust fund about to come due. A decades-long grudge and obsession with revenge. These are just a few of the lies that make up the complex web...and they will have devastating consequences. And while both Vicky and Simon are liars, just who exactly is conning who?
Part Gone Girl, part Strangers on a Train, Look Closer is a wild rollercoaster of a read that will have you questioning everything you think you know.

My Review:

It begins with a dead socialite hanging from the stair railing in her wealthy suburban Chicago home. And it begins from the perspective of the man who killed her, walking away from the scene of the crime, on Halloween night, in a Grim Reaper costume with no one the wiser.

From there, this twisty, turny, rollercoaster of a thriller is off to the races.

Because nothing and no one in this story is what they seem. Or even close to it. At all.

Except for the suburban police detective investigating her first murder in a tony suburb that has never seen murder before. A place where everyone expects police investigations to be wrapped up in 60 minutes like they do it on TV.

Detective Sergeant Jane Burke is investigating the case of a lifetime, the kind that will make her name and her career. And the more evidence she turns up, the more the whole thing looks like a slam-dunk. She has means, motive, opportunity and a suspect wrapped up in a nice neat bow.

Even better, a dead suspect, a con artist who got caught up in his own con and killed himself in his expensive condo when it all fell apart.

The case has been gift-wrapped so neatly that Jane can’t convince her superiors – or the village at large- that it’s all a frame and that there’s a puppet master hiding in the shadows pulling all the strings including her own.

After all, he’s done it before. And she can’t stand the fact that he might manage to do it again.

Escape Rating A+: Look Closer is a thriller about the ultimate long game, a game that is played on the reader every single bit as much as it is on the victims and on the detective stuck with the investigation.

Initially, we’re fooled along with everyone else. Socialite Lauren Betancourt is dead, and from the shifting narratives and time frames that make up the story, initially it seems very clear that her lover, Simon Dobias, killed her because she broke off their affair.

We know that nothing is quite as it seems – except for Lauren’s corpse – but what we discover over the course of the story is just how we, and every single person in the story – has been taken for one hell of a ride.

Saying anything else about the story itself is going to hit spoiler territory, and this is a story that deserves to be read without spoiling. Although I have to confess that about halfway through I tried thumbing to the end and the deception has so many corkscrews in it that reading to the end didn’t tell me much at all about how they finally got there – both the mystery and the narrative about the mystery.

The way that it’s written starts at the murder and then goes both backward and forward in time, frequently changing points of view as it goes. (Although I read this instead of listening to it let just say that there’s a reason that the audio had a full cast.)

So at first we know what happened – at least on the surface. As we go forward in time we see the detective investigating what happened and coming up with something she KNOWS is a frame but can’t prove is a frame with her boss and her whole town breathing down her neck for resolution.

As we see her doubts we start seeing the bits and pieces of what really happened, only to discover that what we thought was true was yet another frame embedded in one smokescreen on top of another. And even when we think we know, we don’t actually know much at all.

The way that this story worked – and does it ever! – reminded me more than a bit of Never Coming Home by Hannah Mary McKinnon. Not only in the story itself but in the way that the reader ends up grudgingly admiring all the players involved in this elaborate game even though we KNOW they are not exactly on the side of the angels.

So if you enjoy thrillers that go through some extreme corkscrew turns before they slide headfirst into their wildly surprising conclusions, Look Closer is one hell of a pulse-pounding read.

Review: Love and Saffron by Kim Fay

Review: Love and Saffron by Kim FayLove & Saffron: A Novel of Friendship, Food, and Love by Kim Fay
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: foodie fiction, historical fiction, relationship fiction, women's fiction
Pages: 208
Published by G.P. Putnam's Sons on February 8, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


The #1 Indie Next Pick, in the vein of the classic 84, Charing Cross Road and Meet Me at the Museum, this witty and tender novel follows two women in 1960s America as they discover that food really does connect us all, and that friendship and laughter are the best medicine.

When twenty-seven-year-old Joan Bergstrom sends a fan letter--as well as a gift of saffron--to fifty-nine-year-old Imogen Fortier, a life-changing friendship begins. Joan lives in Los Angeles and is just starting out as a writer for the newspaper food pages. Imogen lives on Camano Island outside Seattle, writing a monthly column for a Pacific Northwest magazine, and while she can hunt elk and dig for clams, she's never tasted fresh garlic--exotic fare in the Northwest of the sixties. As the two women commune through their letters, they build a closeness that sustains them through the Cuban Missile Crisis, the assassination of President Kennedy, and the unexpected in their own lives.
Food and a good life--they can't be separated. It is a discovery the women share, not only with each other, but with the men in their lives. Because of her correspondence with Joan, Imogen's decades-long marriage blossoms into something new and exciting, and in turn, Joan learns that true love does not always come in the form we expect it to. Into this beautiful, intimate world comes the ultimate test of Joan and Imogen's friendship--a test that summons their unconditional trust in each other.
A brief respite from our chaotic world, Love & Saffron is a gem of a novel, a reminder that food and friendship are the antidote to most any heartache, and that human connection will always be worth creating.

My Review:

It’s 1962 and the world is about to change. Neither Joan Bergstrom in LA nor Imogen Fortier on Camano Island (in Puget Sound outside Seattle) have any foreknowledge of what the 60s are going to bring, either to the country or to themselves.

They are both writers, and their correspondence begins when 27-year-old Joan writes a fan letter to 59-year-old Imogen about Imogen’s monthly column in a Seattle-based lifestyle magazine, Northwest Home & Life. Imogen is kind of who and what Joan wants to be when she grows up. Joan is Imogen’s chance to help, befriend, advise and share her soul with a woman living on the cusp of change.

They tell their stories to each other in letters over the next four years as the country grieves through the assassination of JFK and watches the Civil Rights Movement come to life. They mourn together, they hope together, and most importantly for their friendship, they explore the cuisines of the world together even though they’re usually eating more than 1,000 miles apart.

But they begin their friendship, their correspondence, and that delicious sharing with Joan’s first letter. It includes both a recipe and a few, precious strands of saffron to make the flavors come to life. And they do.

Joan is the explorer while Immy supports her and cheers her on. Joan starts out wanting to explore the cuisines of her native Los Angeles, and ends up finding the love of her life. Immy shares Joan’s discoveries, her recipes and her saffron, and discovers whole new facets of her husband of over 40 years. Both of their worlds expand because of their friendship with each other.

It all makes for a beautiful story, a sharing of hearts, minds and perspectives. With an ending that will make even the hardest of hearts shed a tear that it doesn’t last forever.

Escape Rating A: This is a bit more Charing Cross Road than Meet Me at the Museum, but it is every bit as marvelous as they are. It’s just that the ending has the bittersweetness of the former more than the hope of the latter. Not that both of those things aren’t part of its story.

I did figure out how this was going to end long before I got there but it honestly didn’t matter. This is one of those stories that are about the journey and not the destination.

More than anything else, what I read was that this journey was all about opening. Joan and Immy begin their journey far apart, in geography, in age, in circumstance. While those gaps aren’t bridged, they cease to matter. Because what they open up to each other are both their minds and their hearts.

They laugh together, they cry together, they share their triumphs, their tragedies, and their innermost thoughts. They inspire and encourage each other to leap and believe that the net will appear – even if the other has to provide that net. It’s impossible not to envy the depth of their friendship.

This is also not a book to read if you’re already hungry. From the very first letter, they share recipes, occasionally actual food and condiments, and encourage each other to explore new tastes and new cuisines at a time when the height of suburban culinary achievement was a fancy jello mold. They encourage each other to live a bigger life than they have been.

Love & Saffron is a very quick read with a lot of heart that kind of sidles up to the issues that were fomenting during the mid-1960s. We’re led into Joan and Immy’s sometimes sideways discussion of the Civil Rights Movement, racial prejudice and women’s rights through the perspectives of two intelligent women who are in the midst of having their eyes opened and their consciousness raised and figuring out where they are going to stand. It was easy to feel with them and for them and this is just a story that I’m very glad I read.

Review: Devoted in Death by J.D. Robb

Review: Devoted in Death by J.D. RobbDevoted in Death (In Death, #41) by J.D. Robb
Formats available: hardcover, paperback, ebook, audiobook
Series: In Death #41
Pages: 384
Published by G.P. Putnam's Sons on September 15th 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Eve Dallas tracks a couple whose passion is fueled by cold brutality in the newest crime thriller from the #1 New York Times–bestselling author of Obsession in Death and Festive in Death.
When Lieutenant Eve Dallas examines a body in a downtown Manhattan alleyway, the victim’s injuries are so extensive that she almost misses the clue. Carved into the skin is the shape of a heart—and initials inside reading E and D . . .
Ella-Loo and her boyfriend, Darryl, had been separated while Darryl was a guest of the state of Oklahoma, and now that his sentence has been served they don’t ever intend to part again. Ella-Loo’s got dreams. And Darryl believes there are better ways to achieve your dreams than working for them. So they hit the road, and when their car breaks down in Arkansas, they make plans to take someone else’s. Then things get messy and they wind up killing someone—an experience that stokes a fierce, wild desire in Ella-Loo. A desire for Darryl. And a desire to kill again.
As they cross state lines on their way to New York to find the life they think they deserve, they will leave a trail of evil behind them. But now they’ve landed in the jurisdiction of Lieutenant Dallas and her team at the New York Police and Security Department. And with her husband, Roarke, at her side, she has every intention of hunting them down and giving them what they truly deserve . . .

My Review:

I read this in the car while we were coming back from Cincinnati. It had me so completely absorbed that I zoned out and left my poor but wonderful husband to do all the driving with no good radio stations for a large chunk of the way. I was bad but the book was good.

The story here is always two-fold. On the one hand, we have a case of a spree-killing Bonnie and Clyde who make the mistake of coming to New York City and continuing their spree on Eve Dallas’ turf.

The second story is, as always, the continuing adventures of the family that Eve and Roarke have created – their friends and and Eve’s colleagues and cops at NYPSD Central. The line between friends, colleagues and subordinates has blurred so far that it is usually hard for Eve to figure out which is which, especially since she never thought she would have anything other than colleagues kept at arm’s reach.

The case is a particularly nasty one. A couple of spree-killers have discovered that torturing and murdering a victim sends their sex life into overdrive. They aren’t really all that smart, but they really are scary. They are also very, very lucky, and they’ve found a formula that works for them all too well. Pick a lonely spot. Entice a victim. Knock them out, throw them in the trunk, and carry them off to whatever flop they have secured for two days of fun and torture, until they kill their prey and dump the body far from wherever the crime took place. Then they move on down the road, heading for New York.

And that’s where Eve gets involved. Ella-Loo and Darryl decide to take up residence in New York City, where Eve and her merry band of murder cops have all the latest equipment and a whole lot of savvy about what makes people kill, and how to catch the ones that do.

A clock ticks during this story. Ella-Loo and Darryl have picked up what looks like their first NYC victim, and everyone involved in the case knows that Eve has at most 48 hours to find the lover/killers before they dump this body and grab another one.

So as Eve hunts down her prey, she tracks back through all the places that Ella-Loo and Darryl have struck, and in the process discovers a couple of places where small-town law enforcement preferred to hope that there was no murder, in spite of the evidence, rather than bring down a whole lot of federal oversight. There were too many times when these two killers could have been caught, long before their spree stretched to 24 bodies and counting.

A lot of heads will roll in a lot of places, but first Eve has to catch the killers before they rack up more bodies on her watch.

Escape Rating A-: This was one of the good ones in this series, because the race to find the killers remained front and center during the entire story. Long time fans do get some marvelous moments with the crew, and we do get to see how everyone is doing and what’s happening in their lives. But the focus of this story is always on finding Ella-Loo and Darryl before they finish their grisly business.

We also see how much police work has changed between our now and Eve’s 2060. In NYC, there is a lot of technology, a ton of resources, and a tremendous number of places where the killers can slip up just because they don’t know how much of live in NYC is observed by cameras. Which doesn’t help a whole lot until Eve has a clue of who they are looking for and where to look. Basic investigative work is still basic.

At the same time, we get a glimpse at police life outside NYC, where it doesn’t seem like things have changed all that much. One of the local law enforcement officers along Ella-Loo and Darryl’s route to questionable glory has never been satisfied with the accidental death verdict on a couple of their early victims. Deputy William Banner arrives from Oklahoma to tell Eve everything he knows, and everything he suspects, in the hopes that she can finally get justice for all the victims. He’s able to help the team deal with a lot of law enforcement agencies back home that don’t want to expose their mistakes to big city cops like Eve.

The FBI is going to be digging itself out of its part in this screw up for months, and that’s a good thing. As this case progresses, and we see who failed whom, we want them to eat their share of crow in this mess.

In the end, good triumphs, evil gets its just desserts and Eve and her crew go home to fight crime another day. The ending of the story is marvelously cathartic, as one of the regulars gets a much deserved boost just in time to let the accumulated tension out of the reader and the story.