Review: Astounding by Alec Nevala-Lee

Review: Astounding by Alec Nevala-LeeAstounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction by Alec Nevala-Lee
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: biography, history, science fiction
Pages: 544
Published by Dey Street Books on October 23, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

“[Astounding] is a major work of popular culture scholarship that science fiction fans will devour.” — Publishers Weekly

"Alec Nevala-Lee has brilliantly recreated the era. . . . A remarkable work of literary history." — Robert Silverberg

"Science fiction has been awaiting this history/biography for more than half a century. . . . Here it is. This is the most important historical and critical work my field has ever seen. Alec Nevala-Lee’s superb scholarship and insight have made the seemingly impossible a radiant and irreplaceable gift."—Barry N. Malzberg, author of Beyond Apollo

Astounding is the landmark account of the extraordinary partnership between four controversial writers—John W. Campbell, Isaac Asimov, Robert A. Heinlein, and L. Ron Hubbard—who set off a revolution in science fiction and forever changed our world. 

This remarkable cultural narrative centers on the figure of John W. Campbell, Jr., whom Asimov called “the most powerful force in science fiction ever.” Campbell, who has never been the subject of a biography until now, was both a visionary author—he wrote the story that was later filmed as The Thing—and the editor of the groundbreaking magazine best known as Astounding Science Fiction, in which he discovered countless legendary writers and published classic works ranging from the I, Robot series to Dune. Over a period of more than thirty years, from the rise of the pulps to the debut of Star Trek, he dominated the genre, and his three closest collaborators reached unimaginable heights. Asimov became the most prolific author in American history; Heinlein emerged as the leading science fiction writer of his generation with the novels Starship Troopers and Stranger in a Strange Land; and Hubbard achieved lasting fame—and infamy—as the founder of the Church of Scientology. 

Drawing on unexplored archives, thousands of unpublished letters, and dozens of interviews, Alec Nevala-Lee offers a riveting portrait of this circle of authors, their work, and their tumultuous private lives. With unprecedented scope, drama, and detail, Astounding describes how fan culture was born in the depths of the Great Depression; follows these four friends and rivals through World War II and the dawn of the atomic era; and honors such exceptional women as Doña Campbell and Leslyn Heinlein, whose pivotal roles in the history of the genre have gone largely unacknowledged. For the first time, it reveals the startling extent of Campbell’s influence on the ideas that evolved into Scientology, which prompted Asimov to observe: “I knew Campbell and I knew Hubbard, and no movement can have two Messiahs.” It looks unsparingly at the tragic final act that estranged the others from Campbell, bringing the golden age of science fiction to a close, and it illuminates how their complicated legacy continues to shape the imaginations of millions and our vision of the future itself.

My Review:

Vintage Astounding from 1937

They were the men who sold the moon – as well as the rest of the universe. Together they were the Golden Age of science fiction – in some ways both the quip that says that the golden age of SF is 12 and in the historical sense.

John W. Campbell, Jr. was the editor of what became the premiere outlet for science fiction writing during its and his heyday, from 1937 through 1946. Back in the days before SF became mainstream, the pulps were all there were, and Campbell’s Astounding was the top of the pulps as far as SF was concerned.

That golden age was when he found, mentored, developed or at least published two writers who became synonymous with SF, Isaac Asimov and Robert A. Heinlein, and the one who nearly broke it, L. Ron Hubbard.

While Astounding and Campbell both went on after 1946 – Astounding exists today as Analog – and all three writers’ careers flourished in their very different trajectories after that period, SF as we know it today was significantly influenced by them and/or their writing, and they, in turn, were significantly influenced by Campbell’s editorial direction. And in one significant case, vice-versa.

Together, they made the genre as we now know it. And the children who grew up reading science fiction, their particular brand of science fiction, changed the world.

Reality Rating A: First things first, this is surprisingly readable. There’s a lot of information packed in here, and it flows fairly smoothly from one page into the next. I was surprised at how completely I was drawn in and held over a very long flight. I expected to bounce in and out, and I just didn’t.

(That the book is only about ⅔ as long as it appears to be is probably a help. The final ⅓ consists of extensive notes. It is blissfully not necessary to flip back and forth between the text and the notes in order to get the story or the context. The author certainly did his homework, but it’s not required that one read it for the book to make sense.)

Campbell in 1965

While Heinlein, Asimov and Hubbard have all been written about before, and in depth, Campbell really hasn’t. And certainly should have been. For the period when Astounding was at the top of the pulps, and for some time beyond, Campbell wasn’t just the editor of a magazine – he WAS science fiction in a way that just isn’t possible now that SF has gone mainstream. His role hasn’t been recognized, possibly because there is no real equivalent today.

This multi-biography attempts to set all four men in their time as well as their relationships to each other. And while on the one hand it feels both loving and respectful, on the other it doesn’t pull any punches when it comes to the darker side of all four – even though much of what we now consider that dark side generally passed social muster at the time it happened.

The book does a good job of giving context for why much of what we would consider bad behavior occurred, without ever minimizing it or apologizing for it. I’m thinking particularly of Asimov’s well-known propensity for pinching women’s bottoms and other places without their consent or even seeming to acknowledge that he needed their consent. That all the women in his various editors’ and publishers’ offices literally cleared the building whenever he had an appointment seems to be a message he just never got – and certainly should have.

All of them except Asimov seemed to have drunk to considerable excess. Towards the end of their lives both Campbell and Heinlein crossed the line from conservative to reactionary. None of them gave the credit to any of their wives that was certainly due.

Campbell’s racism undoubtedly affected his gatekeeping of the genre throughout his tenure at Astounding, and is in at least some part responsible for the whiteness of SF through his era and beyond. When some 21st century fans cry out for a “Campbellian Revolution” this is part and parcel of what they are looking back to and wanting to recreate.

And everyone was way more involved in the beginning of Scientology than seems to be widely known. Only Asimov steered clear, and even he got stuck arguing with Campbell about it on multiple occasions.

But we certainly see the hand of Campbell in the underpinnings of Hubbard’s Scientology – and we see a number of promising careers get sidetracked by it. Hubbard’s most of all.

These men were the giants upon whose shoulders the genre now stands, whether their influence was mostly positive, or in Hubbard’s case mostly negative. The author does a deft job of giving them their rightful place in SF history while showing that they all had feet of clay up to the knees. If not higher.

In the end, this is a fascinating study of a group of men who made this most popular genre what it became. And it’s a great read from beginning to end.

Review: The Woman Who Smashed Codes by Jason Fagone

Review: The Woman Who Smashed Codes by Jason FagoneThe Woman Who Smashed Codes: A True Story of Love, Spies, and the Unlikely Heroine who Outwitted America's Enemies by Jason Fagone
Formats available: hardcover, paperback, ebook, audiobook
Pages: 320
Published by Dey Street Books on September 26th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
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Joining the ranks of Hidden Figures and In the Garden of Beasts, the incredible true story of the greatest codebreaking duo that ever lived, an American woman and her husband who invented the modern science of cryptology together and used it to confront the evils of their time, solving puzzles that unmasked Nazi spies and helped win World War II

In 1912, at the height of World War I, brilliant Shakespeare expert Elizebeth Smith went to work for an eccentric tycoon on his estate outside Chicago. The tycoon had close ties to the U.S. government, and he soon asked Elizebeth to apply her language skills to an exciting new venture: code-breaking. There she met the man who would become her husband, groundbreaking cryptologist William Friedman. Though she and Friedman are in many ways the "Adam and Eve" of the NSA, Elizebeth's story, incredibly, has never been told

In The Woman Who Smashed Codes, Jason Fagone chronicles the life of this extraordinary woman, who played an integral role in our nation's history for forty years. After World War I, Smith used her talents to catch gangsters and smugglers during Prohibition, then accepted a covert mission to discover and expose Nazi spy rings that were spreading like wildfire across South America, advancing ever closer to the United States. As World War II raged, Elizabeth fought a highly classified battle of wits against Hitler's Reich, cracking multiple versions of the Enigma machine used by German spies. Meanwhile, inside an Army vault in Washington, William worked furiously to break Purple, the Japanese version of Enigma--and eventually succeeded, at a terrible cost to his personal life.Fagone unveils America's code-breaking history through the prism of Smith's life, bringing into focus the unforgettable events and colorful personalities that would help shape modern intelligence.

Blending the lively pace and compelling detail that are the hallmarks of Erik Larson's bestsellers with the atmosphere and intensity of The Imitation Game, The Woman Who Smashed Codes is page-turning popular history at its finest.

My Review:

Once upon a time in the West, a wealthy and charismatic man whisked a young woman off to a luxurious life on his expansive estate.

And even though that sentence is true, this is not that kind of story. Although it is a love story. And a war story. And a spy story.

The man was George Fabyan, a wealthy businessman who had created a kind of scientific and technical utopia on his estate at Riverbank, outside of Geneva Illinois. The town of Geneva still exists, and its location, and its horrible winters, are still exactly as described.

Elizebeth Smith Friedman

The young woman who was carried from the steps of the Newberry Library in Chicago to Riverbank was Elizebeth Smith, later Elizebeth Smith Friedman. Elizebeth’s career took her from Riverbank to Washington, as she became one of the foundational figures of cryptography and cryptanalysis in America.

Elizebeth Smith Friedman is also one of the many women who played pivotal roles in World War II on both sides of the Atlantic, whose contributions were lost to history. In her case, that loss occurred out of a combination of factors. Sexism certainly played a part. Both Elizebeth and her much more famous husband William were the premier cryptographers of their time. But popular beliefs about women’s brains and women’s places caused many to assume that she was the lesser light, supporting his career, even having some career of her own, but never quite equal.

Her biggest contributions, like those of the codebreakers at Bletchley Park in England, were shrouded in top secret classifications for decades after the war ended, and have only been de-classified in the 21st century.

And finally, while Elizebeth (and William) worked in secluded, top secret government offices, J. Edgar Hoover, the powerful director of the FBI, was under no restrictions about what he said and did, or more importantly, what he said that he and his agency had said and especially done. Hoover was more than happy to take the credit and the accolades that the Friedmans’ could not claim for themselves.

(I have yet to read anything that touches on Hoover and written after his death that does not have plenty of nasty things to say. He clearly had a gift for alienating anyone who had to deal with him in person, while capable of doing a splendid job of what we now call “spin doctoring” with the press and the general population)

Like the women in Hidden Figures, Elizebeth Smith Friedman is an important figure in the history of science in particular, and the history of U.S. in general, whose contributions deserve a giant spotlight.

Elizebeth Smith Friedman was the woman who broke the Nazi Enigma machine code during WWII, which allowed the nascent U.S. intelligence forces in South America to prevent Nazi Germany from creating strongholds within easy reach of the U.S. She, with her pencils and paper and absolutely amazing mind, helped to end the war.

She deserves to be remembered, and this account of her life, pulled together from her own archives and collected correspondence, is a fantastic start.

Reality Rating A+: The Woman Who Smashed Codes is nonfiction, It’s all true and it all happened. But the life of Elizebeth Smith Friedman is also the stuff of which great stories are made. And this particular account of her life is so well-written that it reads like the most compelling piece of fiction. But it’s a true story.

The story reaches out and grabs the reader from the first page, when George Fabyan breezes into the Newberry and asks the young Elizebeth if she will come and spend the night at his estate. It does sound a bit like a romance cliche. But it’s not that kind of invitation.

Instead, Fabyan invites her to join a rather strange project. One of the many scientists working at his estate is a woman who was convinced that Francis Bacon wrote Shakespeare’s plays. While she was (and is) not alone in that particular.theory, her application was a bit different. She was convinced, and had convinced Fabyan, that the truth was revealed in code in the typography of the First Folio. Elizebeth was recruited to assist in breaking this code.

While she eventually came to believe that this particular Bacon/Shakespeare theory was a load of bunk, it did teach both Elizebeth and her future husband William the art and science of codebreaking. A science that they spent the rest of their lives building, expanding, cataloging and most importantly, practicing.

Elizebeth Smith Friedman and William F. Friedman

There is a love story here. And what makes the story so interesting, and so relevant, is that the love story between Elizebeth and William is a marriage of equals, and always acknowledged as such by both of them – if not always by the outside world.

And also that the story of Elizebeth’s accomplishments is never overshadowed by that of her husband or her family obligations within the course of this narrative. This is her biography and the tale of her accomplishments and never descends into a family saga. Not that she didn’t also raise two children and often help her husband, but it is refreshing to see a biography of an accomplished woman written in the same manner as that of a similarly accomplished man, with the focus on her career and intellectual achievements.

The story of those achievements is a thrilling ride. She may have fallen accidentally into the field of cryptography, which, after all, did not exist when she began. But once in, she swam strong and swift up the steam, breaking the codes of the organized crime bosses running rum during Prohibition and the Nazis attempting to take over the world in World War II. Her cracking of the Enigma cipher in the U.S. occurred simultaneously and independently of the British crack of the same cipher at Bletchley Park.

She was an amazing woman, and she led an amazing life. She was the founding mother of cryptography in the U.S., and one of the pioneers of all codebreaking in this country, including the creation of the NSA.

The Woman Who Smashed Codes is a marvelously told story of a fascinating life that should be widely read. Anyone who has an interest in the lives of true unsung heroines and/or in the history of cryptography and cryptanalysis in the U.S. will get sucked right into Elizebeth’s story.

I certainly was.

Review: Rejected Princesses: Tales of History’s Boldest Heroines Hellions & Heretics by Jason Porath

Review: Rejected Princesses: Tales of History’s Boldest Heroines Hellions & Heretics by Jason PorathRejected Princesses: Tales of History's Boldest Heroines, Hellions, and Heretics by Jason Porath
Formats available: hardcover, ebook
Pages: 384
Published by Dey Street Books on October 25th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Blending the iconoclastic feminism of The Notorious RBG and the confident irreverence of Go the F**ck to Sleep, a brazen and empowering illustrated collection that celebrates inspirational badass women throughout history, based on the popular Tumblr blog.
Well-behaved women seldom make history. Good thing these women are far from well behaved . . .
Illustrated in a contemporary animation style, Rejected Princesses turns the ubiquitous "pretty pink princess" stereotype portrayed in movies, and on endless toys, books, and tutus on its head, paying homage instead to an awesome collection of strong, fierce, and yes, sometimes weird, women: warrior queens, soldiers, villains, spies, revolutionaries, and more who refused to behave and meekly accept their place.
An entertaining mix of biography, imagery, and humor written in a fresh, young, and riotous voice, this thoroughly researched exploration salutes these awesome women drawn from both historical and fantastical realms, including real life, literature, mythology, and folklore. Each profile features an eye-catching image of both heroic and villainous women in command from across history and around the world, from a princess-cum-pirate in fifth century Denmark, to a rebel preacher in 1630s Boston, to a bloodthirsty Hungarian countess, and a former prostitute who commanded a fleet of more than 70,000 men on China’s seas.

My Review:

Think of this as the ultimate collection of fractured fairy tales, because this collection is fractured on a number of different axes, all of them worth thinking about.

Also, the whole thing is a terrific hoot. So if you are looking for a slightly ironic and occasionally a bit pained laugh, this book is well worth dipping into. Often.

Many of these stories are based on history, some a bit more loosely than others. And the rest are based in myths that are well-known but have been ignored by Western culture. Why, you ask? Because all of the stories in this collection feature women who acted in various ways outside of the norms that Western history wants to impose upon women.

Every one of the women in these stories lives up to the saying, “Well-behaved women seldom make history.” None of these women behaved well, and all of them made history. Even if, or especially because, it’s a history that the entrenched patriarchy wants to bury. After burning.

In case you can’t tell, reading this collection will definitely get your feminist dander way, way up. And that’s a good thing. These stories all need to be told. Because if we want girls to believe that they can be anything they set their minds and hearts to, we need to show them that it is possible to be more than just the few options that all of the media messaging tells them are available to girls and women.

The tone of Rejected Princesses is tongue-very-firmly-in-cheek. Although it reminds me of last year’s marvelous Cranky Ladies of History, the scope is much broader and the stories are much, much shorter, to the point of being vignettes rather than stories. But the Cranky Ladies had an observable bias towards stories with which most of us in Western societies, notably America, are already familiar with.

Porath’s scope is deliberately broader. The intent seems to be to illuminate all of the dusty and forgotten corners of history and legend that are occupied by women, from every continent and every time period. There are stories that feature women in ancient legends from the Norwegian fairy tale Tatterhood to the Brazilian legend of Iara to Xtabay from Mesoamerican mythology.

The historical figures are equally far ranging, from familiar names like Harriet Tubman and Anne Hutchinson in the US and Tomoe Gozen in 12th century China to Andamana in the 14th century Canary Islands and Alfhild in 5th century Denmark. The author has attempted to show the wide and varied range of women in history, from the Ancient Greeks and Egyptians to the 20th century around the globe.

If you are looking for a female historical figure relevant to any culture, any continent, any race and any era, she’s probably in here someplace, along with her sisters. I think that anyone could find a woman to identify with who relates directly to herself in some or many ways.

Not all of the women are heroes, either. The infamous Elizabeth Bathory is not the only villain featured between these pages. But the focus of the collection is to show the wide range of women in history, from heroes to villains, from slaves to owners, from commoners to queens. We’ve done it all. We just don’t get to see it all reflected in the history books.

Escape Rating B+: This collection is not intended to be definitive. And it is definitely not intended to be an authoritative historical treatise. That tongue-in-cheek style lends itself to a lot of humorous asides and more than a bit of breaking the fourth wall, where the author talks directly to the reader and not necessarily about the subject in hand.

One of the terrific things that the author has added to the collection is an attempt to provide trigger warnings and guide parents to stories that are or are not suitable to a particular child at a specific maturity level. Many of these stories, Elizabeth Bathory just keeps coming to mind, are not for the faint of heart (or stomach) or for a very young audience. An unfortunate number of famous women rose to fame or infamy after an awful lot of abuse of one kind or another, which may make their stories not exactly suitable for toddlers. When the author calls someone’s ex-husband “a crap sandwich” it’s not surprising that the story is not for the youngest audiences.

Based on the story, calling this particular ex “a crap sandwich” may possibly have been an insult to both crap and sandwiches.

But it is incredibly fun. If you are looking for something to whet your own on someone else’s appetite for diving into more women’s history, this is a great place to start. One final note to prospective readers; the illustrations in Rejected Princesses are terrific and often relevant to the story. Not historically accurate, but always interesting. Because of the illustrations, this is one book that is MUCH better read in print. Which also makes it easier to skim, a temptation that is nearly impossible to resist.