Review: Driving the Deep by Suzanne Palmer

Review: Driving the Deep by Suzanne PalmerDriving the Deep (Finder Chronicles, #2) by Suzanne Palmer
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Finder Chronicles #2
Pages: 432
Published by DAW Books on May 5, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From a Hugo Award-winning author comes the second book in this action-packed sci-fi caper, starring Fergus Ferguson, interstellar repo man and professional finder.
As a professional finder, Fergus Ferguson is hired to locate missing objects and steal them back. But it is rarely so simple, especially after his latest job in Cernee. He's been recovering from that experience in the company of friends, the Shipmakers of Pluto, experts at crafting top-of-the-line AI spaceships.
The Shipmakers have convinced Fergus to finally deal with unfinished business he's been avoiding for half his life: Earth. Fergus hasn't been back to his homeworld since he was fifteen, when he stole his cousin's motorcycle and ran away. It was his first theft, and nothing he's stolen since has been anywhere near so easy, or weighed so heavily on his conscience. Many years and many jobs later, Fergus reluctantly agrees that now is the time to return the motorcycle and face his family.
Unfortunately, someone has gotten to the motorcycle before him. And before he can figure out where it went and why the storage unit that held it is now filled with priceless, stolen art, the Shipyard is attacked. His friends are missing, presumably kidnapped.
Accompanied by an untrustworthy detective who suspects Fergus is the art thief and the sole friend who escaped the attack, Fergus must follow the tenuous clues to locate and save his friends. The trail leads them to Enceladus, where Fergus plans to go undercover to the research stations that lie beneath the moon's thick ice sheet deep in a dark, oppressive ocean.
But all movement and personnel are watched, and the limited ways through the thick ice of the moon's surface are dangerous and highly monitored. Even if Fergus can manage to find proof that his friends are there and alive, getting out again is going to be a lot more complicated than he bargained for.

My Review:

Fergus Ferguson has a gift, and not just the one that he thinks he has, his ability to put the pieces together to find things – and people – that are missing. Fergus’ more important gift is the gift of making friends wherever he goes – no matter how dangerous the situation or unlikely the friendship might be. Or how incredibly difficult the mess he makes may be to get out of.

Because Fergus Ferguson is every bit as good at making his life into a mess as he is at finding his way out of the mess he’s just made.

But this particular mess is going to be a bigger challenge than average – even for him. His friends from the Shipyards at Pluto are all missing, presumed dead. Or possibly missing, presumed kidnapped. Except for the one who isn’t dead, but is suspected of having caused the kidnapping and/or death of the others. Except she didn’t, but someone is trying awfully hard to make it look that way, in order to make everyone look the other way from whatever really happened.

Meanwhile, Fergus is stuck, deep under the ice on Enceladus, Saturn’s ice-covered moon. After all, it’s easy to hide things in a cold and dark place that damn few people want to go to in the first place. Especially dirty deeds being done, not exactly dirt cheap. Possibly on the public’s dime – or whatever passes for currency by Fergus’ time.

All Fergus has to do is figure out if his friends are down there, where they’re being held if they are, why they were kidnapped in the first place – and, of course, rescue them. Without getting them all killed.

And especially without drawing the notice of “the Bastards Above”.

Escape Rating A-: I picked this up because I loved the first book in the Finder Chronicles. That book is named basically for Fergus, and it’s just called Finder. And it’s awesome.

Both books, in fact, are an absolute treat to listen to, as the entire story so far is told from Fergus’ first person perspective, and the narrator does an excellent job of capturing Fergus’ wry, self-deprecating and universe-weary tone.

Howsomever, as often happens, I listened to the first half of this one and read the second, because I just couldn’t wait to find out how Fergus got himself out of the mess this time. Because it’s a doozy.

This feels like a story about closure, and perversely about opening. There’s that saying that when one door closes, another one opens. For Fergus, it feels a bit like he has to close that first door before he can let himself open the second one. Fergus ran away from home on Earth in his late teens, just after his dad committed suicide by drowning. An act that certainly comes back to haunt Fergus in the deeps under the ice of Enceladus.

But this story begins with Fergus going back to Earth for the first time in two decades, because there’s that door behind him that he needs to close. When he left he stole his cousin’s motorcycle. And it’s time for him to go back and take care of that debt, because looking back is keeping him from moving forward.

No plan of Fergus’ ever seems to survive contact with, well, Fergus, so his plan to get the motorcycle out of the storage locker he’s been paying for all these years turns up, not the motorcycle, but a whole bunch of stolen paintings that seem to be the ill-gotten gains from a museum robbery not unlike the real-life Isabella Stewart Gardner Museum theft in Boston in 1990.

Uncovering the paintings uncovers an undercover cop looking for the thieves. An obsessed man who is convinced that Fergus was one of the thieves he’s been hunting for years. Of course, his plans don’t survive Fergus either, and eventually, after a lot of misunderstandings and a few bouts of fisticuffs, they both end up trying to free Fergus’ friends.

But all of that turns out to be setup, as fascinating as it generally was. The story is really Fergus’ story, all alone in the dark of Enceladus, desperately hanging on to hope and trying to come up with a plan, in the face of the endless night and the unrelenting dark under the water.

In the end, with the help of new friends and old, including the stray cat Mister Feefs, Fergus manages to find the heart of this mystery. After all, while Fergus’ own plans never survive contact with Fergus – neither do anybody else’s.

Review: The Case of the Spellbound Child by Mercedes Lackey

Review: The Case of the Spellbound Child by Mercedes LackeyThe Case of the Spellbound Child (Elemental Masters, #14) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook
Genres: historical fantasy
Series: Elemental Masters #14
Pages: 320
Published by DAW Books on December 3, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The fourteenth novel in the magical alternate history Elemental Masters series continues the reimagined adventures of Sherlock Holmes in a richly-detailed alternate 20th-century England.

While Sherlock is still officially dead, John and Mary Watson and Nan Killian and Sarah Lyon-White are taking up some of his case-load--and some for Lord Alderscroft, the Wizard of London.

Lord Alderscroft asks them to go to Dartmoor to track down a rumor of evil magic brewing there. Not more than four hours later, a poor cottager, also from Dartmoor, arrives seeking their help. His wife, in a fit of rage over the children spilling and spoiling their only food for dinner that night, sent them out on the moors to forage for something to eat. This is not the first time she has done this, and the children are moor-wise and unlikely to get into difficulties. But this time they did not come back, and in fact, their tracks abruptly stopped "as if them Pharisees took'd 'em." The man begs them to come help.

They would have said no, but there's the assignment for Alderscroft. Why not kill two birds with one stone?

But the deadly bogs are not the only mires on Dartmoor.

My Review:

I actually read this a couple of weeks ago, while I was in the middle of listening to The Sinister Mystery of the Mesmerizing Girl followed by Mycroft and Sherlock: The Empty Birdcage. I was on a Sherlock Holmes kick and looking for stories that were at least Holmes-adjacent, as both Mesmerizing Girl and Spellbound Child turned out to be.

In other words, unlike Mycroft and Sherlock, which is definitely Holmesian all the way even if it is still focused more on the older brother than the younger, both the Extraordinary Adventures of the Athena Club and the Elemental Masters are series that I got into for Holmes but stayed in for everybody else.

Which is a good thing, because Spellbound Child, like last month’s Mesmerizing Girl, is all about the everybody else and only tangentially about Holmes. At least in Spellbound Child Sherlock isn’t in need of rescue along with some of that everybody else.

This story is part of the author’s Elemental Masters series. In this series, the world is an alternate version of our own history, it’s just a version in which magic works but is mostly hidden and strictly controlled by its practitioners – especially those who are masters of their particular elements.

The series began with The Fire Rose back in 1995 – a story that I read at the time but have no recollection of beyond the concept. I kept up with the first few books in the series, but then dropped it for a long time, until A Scandal in Battersea caught my attention two years ago, not for its fantasy but for its screamingly obvious Sherlockian elements. And have continued with the series ever since, even stepping back one book to A Study in Sable, where the entire current cast of characters was introduced.

The above should give heart to any readers who have not read the whole series. I do think starting with A Study in Sable would be beneficial to becoming acquainted with the current cast and situation. And all Holmes pastiche series seem to start with a play on the first Holmes story, A Study in Scarlet, as this one does.

However, Holmes is not an elemental master – at least not unless someone declares logic to be a form of elemental magic. He is, rather, a skeptic. In spite of his friend and biographer, Dr. John Watson, being an elemental master himself, as is Watson’s wife Mary. It is an interesting take on their long-term friendship and collaboration, as Holmes has his sphere in which he is an acknowledged expert, but Watson also has his. And there are times when logic must defer to magic, no matter how much Holmes may scoff. He does not believe, but he has seen. And there have been multiple occasions where magic is the only answer left after he has eliminated the impossible.

This story takes place during Holmes’ hiatus after Reichenbach Falls, so his presence is very much on the QT, as that saying goes. He’s part of the story but neither the integral or central part, and that’s as it should be.

Because this is a case that is intimately steeped in magic. And in a peculiar way, it hearkens back to the original premise of this series, that of retelling fairy tales in a new and magical world.

The child who is missing, and spellbound, turns out to be a surprisingly rational and logical version of Gretel. Making her also missing, also spellbound, but ot nearly as mature or rational or logical little brother Hansel. (This is a series where the females often get top billing and solve the case – and so it proves here.)

It is up to non-magical but highly practical Gretel, really Helen Byerly, to figure out just how the extremely wicked witch was ensorcelling ALL the children, and escape to find help. Help in the form of Dr. John Watson, his wife Mary, Spirit Master Sarah Lyon-White and psychic Nan Killian, along with their foster daughter Suki and their highly intelligent birds Grey and Neville, sent to the “wilds” of Dartmoor by the Wizard of London to determine why so many children have gone missing in recent years – and why so little is being done about it.

While this case doesn’t wind up at Baskerville Hall – as I fully admit I was more than half expecting – it has every bit as as many twists, turns and surprises as Holmes’ and Watson’s more famous visit to the moor.

Escape Rating B+: If you look carefully at the background image in the book cover, you’ll recognize the silhouette of the famous detective, complete with pipe and just the suggestion of a deerstalker cap. It does lead one to believe that there will be more of Holmes than actually occurs in this case. On the other hand, there’s plenty of Watson, or rather, Watsons in this one, as the Wizard of London has tasked the Watsons with a case that he finds more important than the locals seem to.

After all, it’s obvious to him fairly early on that someone is kidnapping children with magical talent. While all that the locals notice is that the missing children are “not their kind” meaning either poor or members of the Travelers, and are therefore beneath society’s notice.

Everyone involved, the Watsons, Nan and Sarah, as well as Holmes (and the reader) are fairly incensed by that attitude and determined to do what they can to get to the bottom of it.

I found the case to be an intriguing one, as the perspective switches from the imprisoned children to the search for them and back again. In spite of the magic involved, the search is actually fairly straightforward, even if some of the means and methods are otherworldly. What tugs at the heart in this story is the plight of those children, trapped by chains of both metal and fear to serve as magical “batteries” for a hedge wizard who would be a bully with or without magic.

The character who really shines in this story is the non-magical but eminently practical and oh-so-brave Helen Byerly. She’s trapped with the others, chained by magic she doesn’t understand, and yet she still finds a way to improve conditions for everyone she takes under her care – and reasons her way to an escape that has a chance of freeing them all. The story may focus on the Watsons and the other masters and magic users, but Helen is the real hero of the tale.

And I always love seeing a smart girl participate in her own rescue!

Review: Finder by Suzanne Palmer

Review: Finder by Suzanne PalmerFinder by Suzanne Palmer
Format: audiobook, eARC
Source: purchased from Amazon, purchased from Audible
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Finder Chronicles #1
Pages: 391
Published by DAW Books on April 2, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From Hugo Award-winning debut author Suzanne Palmer comes an action-packed sci-fi caper starring Fergus Ferguson, interstellar repo man and professional finder

Fergus Ferguson has been called a lot of names: thief, con artist, repo man. He prefers the term finder.

His latest job should be simple. Find the spacecraft Venetia's Sword and steal it back from Arum Gilger, ex-nobleman turned power-hungry trade boss. He'll slip in, decode the ship's compromised AI security, and get out of town, Sword in hand.

Fergus locates both Gilger and the ship in the farthest corner of human-inhabited space, a gas-giant-harvesting colony called Cernee. But Fergus' arrival at the colony is anything but simple. A cable car explosion launches Cernee into civil war, and Fergus must ally with Gilger's enemies to navigate a field of space mines and a small army of hostile mercenaries. What was supposed to be a routine job evolves into negotiating a power struggle between factions. Even worse, Fergus has become increasingly--and inconveniently--invested in the lives of the locals.

It doesn't help that a dangerous alien species thought mythical prove unsettlingly real, and their ominous triangle ships keep following Fergus around.

Foolhardy. Eccentric. Reckless. Whatever he's called, Fergus will need all the help he can get to take back the Sword and maybe save Cernee from destruction in the process.

My Review:

June is Audiobook Month, and Finder is one of those books that I picked up in audio and couldn’t wait to get into it. It’s one of those wild ride, thrill-a-minute stories that kept me sitting in my car in all sorts of places, just so I could hear just a bit more of whatever it was that Fergus managed to get himself into this time. Every time.

In the end I finished up with the book-book, or rather the ebook, because I just couldn’t start anything else until I discovered if/how Fergus finally managed to get himself out of both frying pan AND fire – and complete his self-imposed mission – without racking up too much more collateral damage along the way.

This is also a fantastic space opera, but not of the conquering star empires variety, which is cool and neat and different.

Fergus is the finder of the title. He’s kind of a repo man, but not exactly. He doesn’t repossess something because someone has missed a payment or ten. He finds things, big expensive things, that have been stolen and returns them to their rightful owners.

He’s at the ass-end of human-inhabited space, a collection of small-to-middling sized habitats strung out on power cables, named Cernee. The big thing he’s come to collect is a ship. Arum Gilger stole it from the shipbuilders, using an equally stolen ID, and the shipbuilders want it back. And it turns out that the locals are generally happy to help Fergus – up to a point – because they don’t like Gilger having that ship.

Fergus thinks the job is going to be easy. Get in, find the ship, steal the ship, fly it home to the Pluto shipyards, collect his pay. Get another job. Wash, rinse, repeat.

Instead, Fergus gets caught in the middle of a civil war. Arum Gilger wants to take over Cernee, and pretty much everyone and everything stands in his way. (Hence the reason that the locals are willing to help Fergus steal back the ship and get it the hell out of their space.) Especially the family Vahn, living on a remote habitat called “The Wheels”. It shouldn’t be Fergus’ business, but Gilger fires the opening salvo in his little war at the cable car that Fergus is sharing with “Mother” Vahn, and Fergus’ job has suddenly become personal.

Being nearly killed just for being in the same cable car as a seemingly inoffensive old lady is plenty of reason to get scared, to get angry, and to get to the bottom of everything that’s wrong in Cernee.

At least until everything that’s wrong in Cernee, including the mysterious alien ships that watch, and wait, and scare everyone three-quarters to death, decide that Fergus is their “true North” and all their ships start pointing towards him – wherever he goes, whatever he does – all the time.

Fergus may be the Finder, but something much bigger and much, much scarier has suddenly found him.

Escape Rating A-: First of all, this is one of those stories that naturally lends itself to audio. The story is told in Fergus’ first-person perspective, so hearing it in his voice from inside his head works well. The narrator does an excellent job of capturing Fergus’ world-weary (maybe that should be universe-weary), slightly deadpan voice. Fergus isn’t someone who gets really excited – because he’s been there and done that and is much too busy running away from the things that reach deeply into his emotions.

This doesn’t mean that the people around Fergus don’t get plenty excited, because the adventures that Fergus drags them into are generally frightening to the point of being downright life-threatening. Following Fergus is like being on one of those amusement park rides that barrels toward the edge of its track, to the point where you think the car is going to stop and you’re going to be thrown out of it, only to sharply turn – extremely sharply and very suddenly – and throw you against the sides as it madly careens towards the next near-disaster. (This ride in my childhood amusement park was the Wild Mouse, but yours undoubtedly had one too. They all did!)

Finder is very much one of those “out of the frying pan into the fire” stories. Fergus seems to be both a trouble and chaos magnet. They say that no plan survives contact with the enemy. It seems like no plan survives contact with Fergus, not even Fergus’ own plans. And yet, they generally manage to work in the end – for select definitons of “generally”, “work” and especially “end”. Either he has the devil’s own luck, as they say, or Cernee is connected to the Discworld, where “million-to-one” shots always come in.

There’s something about the way this story works, or perhaps in Fergus’ universe-weary voice, that reminds me of John Scalzi’s space operas. Especially The Android’s Dream, but generally the Old Man’s War universe. Fergus and John Perry would have plenty to talk about. That there’s a brief part of Finder that echoes Heinlein’s The Moon is a Harsh Mistress is totally fitting, considering the number of reviews that label Old Man’s War as Heinleinesque.

I digress just a bit, but not completely, as I think that Scalzi’s readers will also like Finder – very much. This one certainly did!

Review: The Bartered Brides by Mercedes Lackey

Review: The Bartered Brides by Mercedes LackeyThe Bartered Brides by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fantasy
Series: Elemental Masters #13
Pages: 320
Published by DAW Books on October 16, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The thirteenth novel in the magical alternate history Elemental Masters series continues the reimagined adventures of Sherlock Holmes in a richly-detailed alternate Victorian England.

The threat of Moriarty is gone--but so is Sherlock Holmes.

Even as they mourn the loss of their colleague, psychic Nan Killian, medium Sarah Lyon-White, and Elemental Masters John and Mary Watson must be vigilant, for members of Moriarty's network are still at large. And their troubles are far from over: in a matter of weeks, two headless bodies of young brides wash up in major waterways. A couple who fears for their own recently-wedded daughter hires the group to investigate, but with each new body, the mystery only deepens.

The more bodies emerge, the more the gang suspects that there is dangerous magic at work, and that Moriarty's associates are somehow involved. But as they race against the clock to uncover the killer, it will take all their talents, Magic, and Psychic Powers--and perhaps some help from a dearly departed friend--to bring the murderer to justice.

My Review:

The Bartered Brides is a Sherlock Holmes pastiche, as was last week’s Mycroft and Sherlock. But in spite of the two stories having more or less the same starting point, the Holmes canon, they couldn’t be any more different in tone or even genre.

Mycroft and Sherlock was a fairly straightforward, albeit excellent, historical mystery. The Bartered Brides on the other hand puts Sherlock Holmes in the midst of a Victorian urban fantasy. This is a world in which magic explicitly works, although most people, including Holmes himself, are at best reluctant to believe in it.

Just because Holmes doesn’t believe in magic doesn’t mean that magic doesn’t believe in him. Particularly in the person of Dr. John Watson, Sherlock’s chronicler and partner-in-solving-crime. Because Watson is an Elemental Water Master who solves cases that go where Holmes mostly refuses to tread.

Although for a Sherlock Holmes pastiche, Holmes himself is conspicuously absent for most of this story. The Bartered Brides takes place at a well-known point in the official Holmes canon, after the events of Reichenbach Falls, where Holmes and Moriarty both fell to their purported deaths. And before the events of The Empty House where Holmes returns, not from death after all, but from a long sojourn around the world recovering from his wounds and mopping up the remainders of Moriarty’s criminal organization.

Unlike in the canon, Watson at least, as well as his wife Mary, know that Holmes is alive and on the hunt. Which means that they are also aware that Moriarty’s henchmen in London might very well be hunting them.

But in the meantime, Lestrade is desperate. He does not know that Holmes is still alive. All he knows is that the headless corpses of young women are washing up on the banks of the Thames. He is out of his depth – not atypical for Lestrade. But this case feels weird – and it is – so he calls in his best Holmes substitute, Dr. John Watson and the two young women who assist him with his magical cases, psychic Nan Killian and medium Sarah Lyon-White.

When even their best isn’t good enough, they consider dropping the case. Until an emergency meeting with Sherlock’s brother Mycroft, representing Her Majesty’s government and Lord Alderscroft, and leader of London’s Elemental Masters convinces them to stay on the case.

They are both certain that this isn’t the usual kind of serial killer at work. Instead, this series of crimes looks like it’s right up the darker alleys of elemental mastery. Alderscroft in particular is beginning to believe that an Elemental Spirit Master has gone to the bad. And if there’s someone in London dabbling in the foul waters of necromancy he needs to get it stopped.

Nan and Sarah are also right. It would be too much like a bad farce for there to be both a gang of Moriarty’s henchmen out committing evil AND a gang of necromancer’s assistants out doing evil at the same time – even in a city as big as London.

But what could one have to do with the other?

Escape Rating B+: This is a fun book and has become a fun series. Originally the Elemental Masters series seemed to revolve around reworkings of classic fairy tales across various points in time where magic users who were masters of their particular elements were part of the reworking of the tales. And some entries in the series were better than others.

But a few books ago the author moved from reworking fairy tales to dealing with one legendary character in particular. In A Study in Sable she introduced her own versions of Holmes, Watson and the rest of the Baker Street crew. Sherlock was still very much his extremely rational self, but the Watson of this series is very different. His water mastery makes him much closer to Holmes’ equal, albeit in a different sphere. He also has allies and resources of his own separate from Holmes.

This redirection of the series really zings! It can also be read without reading the Elemental Masters series as a whole by starting with either A Study in Sable or an earlier volume which serves as a kind of prequel, The Wizard of London, which introduces the characters of Nan and Sarah as well as Lord Alderscroft, the titular “Wizard”.

The criminal conspiracies in this story do reduce to Occam’s Razor. Two separate gangs doing this much damage would be too much. It is a surprise however to see just how the one set of evil relates to the other – and they are both definitely very evil.

The truth about the headless corpses and their evil purpose will chill readers right down to the bone. As will the mastermind’s methods of obtaining them, which spotlights just how disposable working class women, especially young women, were at this point in history, as well as just how pervasive racial prejudices were at the time.

What makes this subseries so much fun is, of course, the cast of characters. The varying perspectives of this Watson with more agency, his equally powerful wife Mary, and the two young women who are determined to make an independent go of their world lets us see this version of Victorian London from it’s highest pinnacles to very nearly its lowest depths through the eyes of very sympathetic characters.

The villain in this case is deliciously and despicably evil, and we are able to see just enough of his horrible machinations to learn what he’s up to and to wholeheartedly concur with him receiving his just desserts.

This version of Victorian London is fascinating and magical, in both senses of the word. I hope we have plenty of return visits to look forward to!

Review: Gift of Griffins by V.M. Escalada

Review: Gift of Griffins by V.M. EscaladaGift of Griffins by V.M. Escalada
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Faraman Prophecy #2
Pages: 352
Published by DAW Books on August 7, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The second book in the Faraman Prophecy epic fantasy series returns to a world of military might and magical Talents as Kerida Nast continues the quest to save her nation.

Kerida Nast and her companions have succeeded in finding Jerek Brightwing, the new Luqs of Farama, and uniting him with a part of his Battle Wings, but not all their problems have been solved. Farama is still in the hands of the Halian invaders and their Shekayrin, and it's going to take magical as well as military strength to overcome them.

Unexpected help comes from Bakura, the Princess Imperial of the Halians, whose Gifts have been suppressed. As the Voice of her brother the Sky Emperor she has some political power over the Halian military, and she will use it to aid the Faramans, if Kerida can free her from what she sees as a prison. But whether Kerida can help the princess remains to be seen. If she succeeds, Bakura may prove their salvation. But should Kerida fail, all may be lost....

My Review:

Gift of Griffins is the direct followup to last year’s terrific Halls of Law. The action in Gift picks up right where Halls leaves off, and the two books as a whole feel like one single story that was just too long to fit into a single volume. So the author committed duology.

Gift makes no sense whatsoever without Halls. Consider yourself warned.

The story told in the two, however, is a lot of fun. This is epic fantasy that plays with some of the standard tropes in neat twisty ways.

Our point of view character is Kerida Nast. Ker was planning to be a soldier, like pretty much all of the women and men in her family before her. Two of her older sisters have risen to high rank in the Faraman military, and Ker expects to follow in their bootsteps.

So from the very beginning, the story feels like a heroine’s journey rather than a hero’s journey. One of the truly neat things about the story is the way that it turns out that Ker Nast is not the heroine whose journey fulfills the epic prophesy and saves the day.

Ker is only a piece, admittedly a big piece, of the prophecy that kicks the invaders out of the Faraman Peninsula and brings the mythic griffins back to their long abandoned home.

As we discover in Gift of Griffins, all of the various magics used by the human population of this world were literally gifted to them by the griffins centuries if no millennia ago. But humans being human, pretty much the first thing those magic users did was band into tribes based on exactly which kinds of magic they used in exactly what way. Then they bickered amongst themselves until, humans being human again, wars broke out, different groups gained ascendancy, and then ruthlessly tried to wipe out whichever faction was sucking hind tit.

Humans do kind of suck sometimes. The griffins, taking the very (very, very) long view, are none too happy with the way that their gift is being abused.

So when Ker finds their stronghold, courtesy of her friend Wiemark – a very, very young griffin that she found and “woke” in the griffins old ancestral home – the griffins tell her to solve her own problems and refuse to let Wiemark go back with her to help her.

Ker has a lot of problems to solve. Her homeland has been invaded by the forces of the Sky Emperor of Halia across the ocean, along with their mages. The Halians believe that women are chattel, and therefore maraud through Faraman killing every woman they see who does not immediately obey their every command – as well as all the women in the military because of course women bearing arms is absolute anathema.

They also kill every single Faraman mage (called Talents) that they find. Because Faraman magic is also utterly corrupt – because they believe it is used by women to deceive and enslave men.

(Any commentary on any contemporary groups, issues or problems feels intentional to this reader. Your mileage may vary.)

Ker, along with the friends and allies that she has gathered along her journey, has to figure out a way to defeat a force of magic users who specialize in mind control – and are all too proficient at it.

But she has an unexpected ally – in the middle of the enemy stronghold. If she can be rescued. If they can join forces. If Faraman can be saved. If the prophecy can be brought to fruition.

The odds are long, the stakes are high – and not everything is quite the way it seems.

Great fun.

Escape Rating B+: On the one hand, it is very nice indeed to have an epic fantasy that seems to be complete in merely two books – and only a year apart at that. On the other hand, the ending felt a bit rushed. It seemed like Ker was still getting her allies lined up when the villains essentially delivered themselves into her waiting (and fully armored) arms.

Not that I wasn’t perfectly happy to see more-or-less good triumph and for definitely evil to get its just desserts – but it felt like 1.9 books of build up and only .1 books of resolution. It felt like the ending happened awfully fast. I wasn’t ready and it didn’t feel like they were, either.

Again, not that they are supposed to be so fully ready that the final battle turns out to be a cakewalk – but they didn’t feel quite ready enough.

On my third hand (so, I’m an alien – or Kali the Destroyer. Sue me if you dare! BWAHAHAHAHA) and not that Ker and her allies couldn’t have used Kali’s power, one of the things I really liked about Gift of Griffins was the discover that while Ker is part of the prophecy, she is not the usual “prophesied one” or “chosen one” who is supposed to save the day. And that the “chosen one” in this story was also a woman and not the boy king – a character who does exist in this story and does help but is also just part of the prophecy and not its culmination.

The characters, well, the ones on the side of the angels at least, are all interesting and Ker in particular is a lot of fun to follow. One of the things that also makes this story work, at least for me, is that Ker’s side, while it is manifestly better than the villains, is never claimed to be perfect. Ker’s people have certainly done their share of murder and suppression, just not on the grand and horrific scale that the Halians are engaging in.

That the Halians turn out to not be the cookie-cutter villains they first appear to be makes the story just that much more involving.

That Ker is working to restore a system that may very well separate her from the man she loves, because it is a better system overall for everyone else, is a big and interesting part of her internal conflict – and we like her because of it. We want her to both help save the day and find a way to keep her own personal happiness.

She’s earned it.

Review: The Privilege of Peace by Tanya Huff

Review: The Privilege of Peace by Tanya HuffThe Privilege of Peace (Peacekeepers, #3) by Tanya Huff
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook
Genres: military science fiction, science fiction, space opera
Series: Peacekeeper #3, Confederation #8
Pages: 336
Published by DAW Books on June 19, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
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Former space marine Torin Kerr returns for one final adventure to save the Confederation in the last book in the military science fiction Peacekeeper trilogy.

Warden Torin Kerr has put her past behind her and built a life away from the war and everything that meant. From the good, from the bad. From the heroics, from the betrayal. She's created a place and purpose for others like her, a way to use their training for the good of the Confederation. She has friends, family, purpose.

Unfortunately, her past refuses to grant her the same absolution. Big Yellow, the ship form of the plastic aliens responsible for the war, returns. The Silsviss test the strength of the Confederation. Torin has to be Gunnery Sergeant Kerr once again and find a way to keep the peace.

My Review:

If this is truly the end of ex-Gunnery Sergeant now Warden Torin Kerr’s story, I’m going to be very, very sad to see it end. Torin’s story, from its beginning all the way back in Valor’s Choice (nearly 20 years ago, OMG) has been absolutely marvelous.

I began the Valor/Confederation series and the Vatta’s War series at about the same time, so they are both inextricably linked in my memory. They also both finished at the same time, and then revived at about the same time. Wonderful synchronicity.

And they both feature kick-ass, strong, idiosyncratic heroines in vast interstellar space operas. The biggest difference is that Vatta’s War and its sequel series Vatta’s Peace are mercantile space opera, while Confederation/Peacekeeper is strictly military SF.

Torin Kerr begins the series as a Sergeant in the Confederation Marines, and even though at the end of the Confederation series she does manage to retire the sergeant from the Marine Corps, as we, she and her crew discover in An Ancient Peace, the first book in the Peacekeeper sequel series, it is impossible to take the Marine out of the sergeant.

Even in what passes for peacetime, she’s still the Gunny. Mostly. When it counts.

The Privilege of Peace picks up almost immediately after A Peace Divided leaves off. Which means that this is not the place to start. And as much as I loved An Ancient Peace, the first book in the Peacekeeper series, I don’t think that’s the place to start, either. Because this peace, and the characters’ reactions to it, all depend on who and what they were during the late war, and what their relationships to Torin Kerr were during that war. If you enjoy military SF with great characters, terrific world-building and absolutely fantastic heroines, start at the beginning with Valor’s Choice.

And I envy anyone who does a binge-read to “earn” The Privilege of Peace. I’ve read the entire series, but as it was published. Which means that the details of Torin’s history happened even longer ago for me than they do for her. It took awhile for me to get back up to speed on all the names, faces, races, and reasons behind each character’s inclusion in this conclusion.

Because of that “ramp-up” time, the story seemed a bit choppy at points. Lots of characters have similar names, the reader is expected to remember all of their backstory, and the action jumps around a bit. It takes a while to set up the big showdown with “Big Yellow” and the Humans First pukes.

And that’s a hint that there are effectively two different enemies in this book, at least for certain definitions of enemy. Possibly also for certain definitions of factions.

“Big Yellow” turned out to be the enemy of the entire Confederation series. And while the threat of them returning has hung over all of the Peacekeeper series, in Privilege they really are back, and no one is happy about it. But at least now everyone knows that Big Yellow is the big enemy, even if they can’t always recognize its “minions” when they appear. Or disappear. Or hide in plain sight.

That second enemy is the home-grown variety. Humans First will sound familiar in entirely too many contemporary 21st Century ways. They believe that Humans are better than every other race in the galaxy and that the Confederation is holding them back from their greatness. They also believe that violence – along with infiltration and blackmail and other nastinesses – are the way to take their rightful place in the galaxy.

The idea that humans will carry their xenophobia into the stars is more than a bit depressing, but feels all too possible.

Torin and her friends are, as usual, stuck in the middle, caught between the manipulations of Big Yellow, the violence of Humans First, the mind-numbing insanity of Confederation bureaucracy and the secret dreams of the Confederation military.

Peace is a privilege that has to be earned. And as usual, Torin Kerr and her companions are paying for that privilege with their own blood, sweat and hopefully not too many tears.

Escape Rating B: I loved traveling with Torin and Company one more time. Not having just finished a binge of the entire series, it did take a while for me to catch back up, and the longer it has been since the beginning and the more that has happened since that beginning, the longer it seems to take with each book.

The multiple perspectives in The Privilege of Peace made the story seem a bit disjointed at times, but I still liked the journey and felt that the ending was earned. Which means I can only recommend this book to fans of the series. And I still think it is well worth reading the entire series.

The blurbs claim that this is the conclusion of Torin’s journey. If so, I’m sorry to see her go and I’ll miss traveling with her, but she has certainly earned her happy ending. And it is a happy ending – or at least as happy as Torin can manage.

At the same time, there are enough loose, or at least loose-ish, ends that it would be possible for the adventures to continue. And if that occurs, I’ll be glad to watch the Gunny kick more ass and take more names. Anytime. Anyplace. Any galaxy.

Review: A Scandal in Battersea by Mercedes Lackey

Review: A Scandal in Battersea by Mercedes LackeyA Scandal in Battersea (Elemental Masters, #12) by Mercedes Lackey
Formats available: hardcover, paperback, ebook, audiobook
Series: Elemental Masters #12
Pages: 310
Published by DAW Books on October 17th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
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The twelfth novel in Mercedes Lackey's magical Elemental Masters series reimagines Sherlock Holmes in a richly-detailed alternate 20th-century England

Christmas is a very special time of year. It is special for Psychic Nan Killian and Medium Sarah Lyon-White and their ward Suki, who are determined to celebrate it properly. It is special for their friends, Doctor John Watson, and his wife Mary, both Elemental Masters, who have found great delight in the season seeing it through young Suki’s eyes.

It is also special to others...for very different reasons.

For Christmas Eve is also hallowed to dark forces, powers older than mankind, powers that come awake on this, the Longest Night. Powers best left alone. Powers that could shake the foundations of London and beyond.

It begins slowly. Women disappearing in the dark of night, women only missed by those of their own kind. The whispers only begin when they start to reappear—because when they do, they are no longer sane. And when Nan and Sarah and the Watsons are called on to examine these victims, they discover that it was no ordinary horror of the streets that drove them mad.

But then, the shadows reach for other victims—girls of good, even exalted families, who vanish from concerts, lectures, and evening balls. And it will take the combined forces of Magic, Psychic Powers, and the worlds greatest detective to stop the darkness before it can conquer all.

My Review:

A Scandal in Battersea is the 12th book in Mercedes Lackey’s Elemental Masters series. I read the earliest books in the series long ago, probably when they were published in the mid-1990s. It doesn’t seem as if one needs to have read the whole series to get into this particular entry in it, although now that I’m diving back into the whole thing, it looks like A Study in Sable is more of a direct prequel to A Scandal in Battersea than any of the other books.

The original premise of the Elemental Masters series was to re-tell well-known fairy tales in a late Victorian/early-20th century alternate universe where magic works and is divided into at least four main branches representing the classic “elements” of Earth, Air, Fire and Water. But other forms of “magic” were introduced in later stories, notably telepathy and other ESPer powers, and the mediumistic power to communicate with spirits.

Over time, the series morphed into a single world, with some semi-continuing characters, including many of the protagonists in A Scandal in Bohemia – notably our main characters. John Watson (yes, that John Watson) is a Water Master, his wife Mary is an Air Master, while Nan Killian is a Psychic and Sarah Lyon-White is a medium.

It takes all of their combined powers, plus the rational mind of Sherlock Holmes, to solve this case. It all begins with a young woman having visions of a ruined London where a tentacled monster sucks people into itself, never to be seen again. While traditional medicine believes that the poor girl is mad, Dr. John Watson is all too aware that she might be sane – and psychic, warning of evil on the horizon.

And so it proves. Someone, some idiot, is calling up a power that he does not understand, in the belief that it will give him earthly power and vast wealth. And power. Lots and lots of power. All he has to do is sacrifice a few virgins to its ever-growing hunger.

Of course it all goes wrong. Bargains with demons, devils and otherworldly creatures of shadow never go well, at least not for the human bargainer. Plus, (or minus, depending on on your perspective) sometimes the monster gets out.

In order to keep this monster from getting out, every person and creature that our heroes can find on the side of the light, or even just on the side of keeping our world for us, wades into the fray.

And it might not be enough.

Escape Rating A-: For a book with Sherlock Holmes on the cover, where the title is a direct reference to one of the canonical stories, there just isn’t enough Holmes in this book. In the end, I had an absolutely marvelous time with this book and with this world, to the point where I ran out and picked up as many of the previous entries in the series as I could borrow from libraries, but there’s not enough Holmes to justify its description as, or to satisfy my yen for, yet another version of the logical, rational Holmes finding his way in a magic-working world.

But if you are looking for a version of Victorian London where magic works and where the cast of characters is both diverse and endlessly fascinating, you’ll love A Scandal in Battersea. That the main characters are a pair of independent young women and their intelligent birds just adds to the fun.

If you like this concept of a magical, or at least slightly alternate, Victorian London, the setting of A Scandal in Battersea reminded me quite favorably of Cindy Spencer Pape’s Gaslight Chronicles. And since I loved that series and it seems to have ended, it is very nice to find something that reminds me of it quite so strongly.

And if the monster in A Scandal in Battersea gives you the shivers as much as it did me, take a look at A Study in Emerald by Neil Gaiman (included in his collection Fragile Things, which is a pastiche where Sherlock Holmes’ London intersects with the Cthulhu Mythos, with predictably creepy results. I include this reference because the descriptions of the monster that they have to fight struck me as Cthulhu’s cousin. A reference that left me appropriately creeped out.

As much as I missed Holmes until his appearance at the ¾ mark, I had a great time with this book and could not put it down. I enjoyed this world so much that I immediately picked up an earlier book in the series, A Study in Sable, which introduces readers to Holmes, Watson and Mary Watson in what looks to be a kind of prequel to A Scandal in Battersea.

I’m charmed and enchanted all over again.

 

Review: Halls of Law by V.M. Escalada

Review: Halls of Law by V.M. EscaladaHalls of Law by V.M. Escalada
Formats available: hardcover, ebook, audiobook
Series: Faraman Prophecy #1
Pages: 496
Published by DAW Books on August 1st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
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The Faraman Polity was created by the first Luqs, and has been ruled for generations by those of the Luqs bloodline. It is a burgeoning empire maintained by the combined efforts of the standing military force and the Talents of the Halls of Law. While the military preserves and protects, it is the Halls' Talents—those gifted from birth with magical abilities—who serve as the agents and judges of the Law. For no one can successfully lie to a Talent. Not only can they read people by the briefest of physical contacts, but they can also read objects, able to find information about anyone who has ever come into direct contact with that object. Thanks to the Talents and the career military, the Polity has long remained a stable and successful society. But all that is about to change.
Seventeen-year-old Kerida Nast has always wanted a career in the military, just like the rest of her family. So when her Talent is discovered, and she knows she'll have to spend the rest of her life as a psychic for the Halls of Law, Ker isn't happy about it. Anyone entering the Halls must give up all personal connection with the outside world, losing their family and friends permanently. Just as Kerida is beginning to reconcile herself to her new role, the Polity is invaded by strangers from Halia, who begin a systematic campaign of destruction against the Halls, killing every last Talent they can find.
Kerida manages to escape, falling in with Tel Cursar, a young soldier fleeing the battle, which saw the deaths of the royal family. Having no obvious heir to the throne, no new ruler to rally behind, the military leaders will be divided, unable to act quickly enough to save the empire. And with the Halls being burned to the ground, and the Talents slaughtered, the Rule of Law will be shattered.
To avoid the invaders, Kerida and Tel are forced to enter old mining tunnels in a desperate attempt to carry word of the invaders to Halls and military posts that have not yet been attacked. But the tunnels hide a dangerous secret, a long-hidden colony of Feelers—paranormal outcasts shut away from the world for so long they are considered mythical. These traditional enemies of the Halls of Law welcome Kerida, believing she fulfills a Prophecy they were given centuries before by the lost race of griffins. With the help of these new allies, Kerida and Tel stand a chance of outdistancing the invaders and reaching their own troops. However, that is only the start of what will become a frantic mission to learn whether any heir to the throne remains, no matter how distant in the bloodline. Should they discover such a person, they will have to find the heir before the Halian invaders do. For if the Halians capture the future Luqs, it will spell the end of the Faraman Polity and the Rule of Law.

My Review:

If you are looking for a new epic fantasy series to sink your reading teeth into, and where you can get in at the very beginning without having to read through a huge pile of doorstop-sized books, Halls of Law is definitely a winner.

It’s also an epic fantasy for the 21st century, where we have an absolutely marvelous heroine’s journey from the outset, as well as a hero’s journey that looks like it will take us to some fascinating places.

Our point of view character is Kerida Nast. All her life she’s wanted to be a soldier, just like everyone else in her family since pretty much the dawn of time. But unfortunately for Kerida, and it looks like fortunately for the rest of Faraman Polity, Ker is a Talent, definitely with that capital T, and Talents are special.

Ker turns out to be a lot more special than most.

Talents in the Faraman Polity are psychics, born with a gift that seems to be a lot like psychometry. When a Talent touches an object, they can read the entire history of that object, AND, most importantly AND, they can read the current status and even whereabouts of all the people who have been involved with that object. And they can read people the same way.

No one can hide the truth from a Talent. Which has made the Talents, over time, the instruments and enforcers of the rule of law. They are the law.

But in order to be impartial enforcers of the law, Talents are separated from the rest of the Polity. Once their gift is discovered they are taken from their families, not just for training, but for life, and forced to cut all ties to the rest of the world and renounce all titles and inheritances.

Ker finds it a cage, sometimes gilded, sometimes lined with shit. Or at least with encrusted oatmeal. But just as she realizes that she can make a new and good life for herself within the ranks of the Talented, disaster strikes, and she is forced to combine her new abilities with her old skills as a soldier.

And that’s where this utterly marvelous story truly takes wing. On the back of a griffin.

Escape Rating A-: This is a terrific story, but I have to say that it isn’t really anything truly new in the realms of epic fantasy. For those who have read a fair bit in the genre, there are plenty of recognizable tropes. However, those tropes are put together in some unusual ways.

Throwing more than a bit of The Handmaid’s Tale into a completely epic fantasy setting gives the story many of its chills, and makes the evil that our good Kerida fights particularly malevolent. Her enemies, the Halia, seem to embody the worst of everything that makes Men’s Rights Activists so foul, while embodying their deep misogyny into an epic fantasy setting and adding a few additional twists to make things that much scarier, and the stakes that much higher for our heroes.

But in the best heroine’s journey tradition, the story follows Kerida as she discovers who she is and what she is capable of. She finds herself at the center of events that will not just hopefully drive out the enemy, but also re-shape her world for the better. If she survives – and succeeds.

An outcome that is never certain. When Halls of Law ends, Ker has merely completed the opening stages of the prophecy that she and her companions must fulfill. And the odds are firmly stacked against them.

I can’t wait to find out happens next!

Reviewer’s Note: V.M. Escalada was billed as a debut author in the material I received for my Library Journal Science Fiction and Fantasy article, Galaxy Quests. I chose to read Halls of Law because the information provided about the book sounded so good, and the book certainly was good. I’m glad I read it. But, and for me this feels like a very big but, V.M. Escalada is not, after all, a debut author. Rather, this is a new pen name for author Violette Malan. I loved her Dhulyn and Parno series, which begins with The Sleeping God. I’m thrilled to have something new by her, I wondered where she went. But a new pen name does not a debut author make, and I feel like I was misled in the materials for that article, and that I, in turn, misled the readers of the article. Next time I’ll do more research.

Review: A Peace Divided by Tanya Huff + Giveaway

Review: A Peace Divided by Tanya Huff + GiveawayA Peace Divided (Peacekeeper, #2) by Tanya Huff
Formats available: hardcover, ebook, audiobook
Series: Peacekeeper #2, Confederation #7
Pages: 384
Published by DAW Books on June 6th 2017
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The second book in the action-packed Peacekeeper series, a continuation of Tanya Huff's military sci-fi Confederation series following Torin Kerr
Gunnery Sergeant Torin Kerr had been the very model of a Confederation Marine. No one who'd ever served with her could imagine any circumstance that would see her walking away from the Corps.
But that was before Torin learned the truth about the war the Confederation was fighting...before she'd been declared dead and had spent time in a prison that shouldn't exist...before she'd learned about the "plastic" beings who were really behind the war between the Confederation and the Others. That was when Torin left the military for good.
Yet she couldn't walk away from preserving and protecting everything the Confederation represented. Instead, ex-Gunnery Sergeant Torin Kerr drew together an elite corps of friends and allies--some ex-Marines, some civilians with unique skills--and together they prepared to take on covert missions that the Justice Department and the Corps could not--or would not--officially touch. But after their first major mission, it became obvious that covert operations were not going to be enough.
Although the war is over, the fight goes on and the Justice Department finds its regular Wardens unable to deal with violence and the people trained to use it. Ex-Gunnery Sergeant Torin Kerr has a solution: Strike Teams made up of ex-military personnel, small enough to maneuver quickly, able to work together if necessary. Justice has no choice but to implement her idea and Torin puts her team of independent contractors back into uniform. It isn't war, it is policing, but it often looks much the same.
When the scientists doing a preliminary archaeological dig on a Class Two planet are taken hostage, Torin's team is sent to free them. The problem of innocents in the line of fire is further complicated by the fact that the mercenaries holding them are a mix of Confederation and Primacy forces, and are looking for a weapon able to destroy the plastic aliens who'd started and maintained the war.
If Torin weren't already torn by wanting that weapon in play, she also has to contend with the politics of peace that have added members of the Primacy--former enemies--to her team. Before they confront the mercenaries, Torin will have to sift through shifting loyalties as she discovers that the line between"us" and "them" is anything but straight.

My Review:

There’s an absolutely kick-ass military SF story in A Peace Divided. And that story is a marvelous continuance of pretty much everything that has happened to Gunnery Sergeant, now Warden, Torin Kerr from her first introduction in Valor’s Choice to her re-emergence after the end of her war in An Ancient Peace.

So if you enjoy military SF featuring smart, kick-ass, hard-fighting female soldiers (in this case Kerr is an NCO in the Marines), start at the very beginning with Valor’s Choice. And take good notes, because it seems as if everyone she has ever crossed paths with, or even just run into, makes an appearance in A Peace Divided.

Along with her permanent enemies, and the original instigators of the Confederation’s war with the Primacy.

The future, as was once opined to a very young Dustin Hoffman as Ben Braddock in The Graduate, is in plastics. And that future is nowhere near as benign or profitable as his would-be mentor believed.

Unless, as it turns out, you’re running guns.

Like all of the books in this series so far, A Peace Divided is a part of the branch of SF that makes some interesting and peculiar uses of the concept that what you think is happening is not what is really happening. While that seems to have played a major part of the war between the Confederation and the Primacy, and everything that resulted from that war (as well as the uneasy peace that Kerr now finds herself in) it also applies to the action in this particular story, not just on the part of the plastic aliens, but here primarily on the part of the humans and other sentients who drive this story.

It seems that sentient behavior has a limited number of patterns to follow, whether the beings that follow those patterns are humans, Krai, or di’Tayken, or even whether those sentients are two-legged or four-legged, skinned or furred or carapaced, and every other variant that the writer managed to think of.

As one of the sub-themes of this story is about human (and admittedly other sentient) bigotry, it is ironic that part of the story rides on the concept that people are people, no matter what species those people are from.

There’s a lot going on in A Peace Divided. The story that we follow is that of a band of basically space pirates who have taken an entire archaeological team hostage in the possibly mistaken but certainly partly insane belief that the archaeologists have discovered a weapon that can kill the plastic aliens.

And the other part of the story we follow is, of course, that of Warden Torin Kerr and her, if not merry then certainly snarky band of mostly ex-military peace-keeping wardens, as they set out to rescue the archaeologists and take down the space pirates, hopefully with a minimum of bloodshed.

One of the ongoing issues of this series is that “minimum of bloodshed” is defined much, much differently in the police-like Wardens than it ever was in the Confederation Marines. Being a Marine was a whole lot easier. There were rules and there were orders, there was a strict hierarchy, and there was a lot of security in that, both for the Marines and for the ones giving the orders.

Kerr is now out on her own, in a hierarchy whose rules are occasionally very arcane, and where security is minimal. It’s all on her, not because she wants it to be, but because she can’t seem to find any other way to be.

But it is really, really hard to keep the peace when the other side is doing its level best, and its absolute worst, to start a war.

Escape Rating B+: I loved traveling with Torin Kerr and Company again, and I liked the story, but it really needs the dramatis personae listing in the front and with a lot more detail. Or a summary of the action up till now. I’ve read the whole series, absolutely loved the whole thing, but occasionally I got lost among all the names, races and faces.

Once things get down to the brass-tacks, it klicks along like a ship in warp drive, but it takes a while to get there. I expect that people who are binge-reading the whole series and have everything fresh in their minds are going to eat this one up with a spoon, because it feels like everybody who has ever touched Torin’s life gets at least a mention.

Underneath the story, there are at least three sub-themes going on, one more overt than the other two. And they all add depth to the action, as well as making the reader think about the book well after the last page.

The first, biggest and most obvious is the issue of the returning veterans. Like our own society, the Confederation has done an all too excellent job of training young people, for any and all definitions of people, to set aside their fears and their instincts and become effective and efficient killing machines. The problem they have, just like the one we have, is what to do with those killing machines after their war is over. And just like our own society, the Confederations equivalent of the VA is overworked and understaffed and some people slip through the cracks. Admittedly some also make a hole and dive out, but there are a lot of folks who need help and don’t get the help they need. And a lot of the people that Kerr finds herself dealing with are her former comrades who fell through those cracks and can’t find a way to adjust to being civilians. Kerr and her troupe have plenty of problems with re-adjustment themselves, and they all have each other.

The Marines have a code that they leave no soldier behind. As an NCO, Kerr carried the remains of too many of her soldiers out on her vest, and she’s still carrying them. That there are soldiers that the entire military seems to have left behind feels like failure. Only because it is.

And of course, those folks who are desperate and haven’t adjusted get used by others for their own nefarious ends.

The other two sub-theme layers are about gun control and bigotry. They are more subtle, and it is easy to let them go in the heat of the story, but they are definitely there. And they add color and texture to a story that could have just been gung-ho military SF, but ends up being so much more.

~~~~~~ GIVEAWAY ~~~~~~

Thanks to DAW Books, I am giving away one copy each of An Ancient Peace and A Peace Divided.

a Rafflecopter giveaway

Guest Review: The Shadow Matrix by Marion Zimmer Bradley

Guest Review: The Shadow Matrix by Marion Zimmer BradleyThe Shadow Matrix by Marion Zimmer Bradley
Format: paperback
Source: purchased from bookstore
Formats available: paperback, ebook
Series: Darkover #25
Pages: 556
Published by DAW Books on September 1st 1997
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After spending her youth in the Terran Empire, Margaret Alton returns to Darkover, the planet of her birth. There she discovers she has the Alton Gift--forced rapport and compulsion--one of the strongest and most dangerous of the inherited Laran gifts of the telepathic Comyn--the ruling families of Darkover. And even as she struggles to control her newfound powers, Margaret finds herself falling in love with the Regent to the royal Elhalyn Domain, a man she has been forbidden to marry, for their alliance would irrevocably alter the power balance of their planet!

Guest Review by Amy:

Margaret Alton, now holder of the Shadow Matrix, must return to Darkover and learn how to control and use her newly-enhanced laran gifts. But the culture of the Towers is difficult for her; she feels like an outcast, and would much rather be with her beau, Mikhail Lanart-Hastur. Mikhail, for his part, has been handed a difficult job–test the remaining sons of the mad Elhalyn clan, to see if any of them are suitable to be the next king. It’s a small comfort that the Elhalyn king is a figurehead; the real power lies in the Hasturs. The last adult woman of the clan is clearly insane, and under the influence of a rogue laran user, but Mikhail soldiers on, trying to do the job his uncle tasked him with as the Regent of the Elhalyns. He’d much rather be with Margaret–but that alliance has been forbidden, as it would tip the balance of power on the Comyn Council, and that just won’t do. As both of them struggle with doing what they must do, they begin hearing voices in their dreams, voices that would send them on an adventure far, far into Darkover’s past. Their return from that adventure will change the future of Darkover.

darkover landfall by marion zimmer bradleyEscape Rating: B+. I’ll say it right up front: If you’ve not read a lot of other Darkover novels before this one, The Shadow Matrix will be almost incomprehensible to you. There’s backstory a-plenty: the politics of the Comyn, the madness of the Elhalyn family, laran and everything that goes with that, the Darkovans’ experiences with the Terrans, Lew Alton himself, the Shadow Matrix, and so, so much more. Names and terminology are thrown around willy-nilly, and you’re supposed to just know all that stuff. Darkover Landfall or even Thendara House are much better entry points for the Darkover novice.

With that caveat, Marion Zimmer Bradley’s Darkover very much is the definition of “epic fantasy milieu,” for me. The world and its people are rich and complex, and every action, every plot line, has multiple complicated angles to it, that the reader can really sink their teeth into. I don’t read a lot of fantasy, really, as I’m pretty fussy about how much brain-power I’ll put into my relaxing reading, and Darkover can soak up a lot of it. But Darkover can capture me, in a way that some other fantasy worlds just don’t, and for me the capturing element is that the culture of Darkover, static for a thousand years, is facing a tectonic shift, with the return of the Terrans to Darkover–suddenly, Darkover isn’t the only world there is, and Earth’s interest in the lost colony is not entirely benign. Darkover’s rulers must cope with this, and deal with the introduction of technologies that have never been seen on Darkover.

For me, this struggle of a society in flux almost echoes the one that our own society is dealing with. Marion Zimmer Bradley died in September of 1999, but in so many ways, her Darkover works portend the struggle of a society trying to learn new things that fly in the face of generations of tradition, and struggling to learn new technologies, and new ways of thinking. Consider this: When I was a child in the 1970s, I could possibly tell you a very small list of facts about a couple of countries other than my own–we did a brief survey of the history of Japan, one year, as I recall. But in the 21st century, our world has gotten so much smaller: I not only have access to all the information I could want and more, I can also connect with someone who is living there without too much difficulty, and learn it from them. That sudden shift is the kind of struggle Darkover’s leadership must deal with–and it keeps Regis Hastur up at night, for sure!

In The Shadow Matrix, Zimmer Bradley sends two young people off on an adventure that will solve one of Darkover’s great unsolved mysteries, and let them meet figures from Darkover’s distant past. I don’t want to spoil it too much, but along the way to begin that adventure, we finally get to understand more about the Elhalyns, something I couldn’t quite wrap my head around in my earlier Darkover reads. The love story between our two protagonists is very well-executed, though stereotypically, for quite a lot of the book, Mikhail has to be the “strong one,” and reassure his more-frail fair maiden Margaret that things will be okay. This strikes a bit of an out-of-tune note for me, as Margaret is an accomplished scholar in her own right. It’s not that she’s a naturally faint-hearted woman, at all; it’s just that, with her growing powers, she’s thrown into circumstances that she does not understand or want. Mikhail is a very old-school Darkovan man, and tut-tuts about it with her. Surprisingly to me, this doesn’t anger her.

When our couple returns from their time apart to the Comyn Castle in Thendara, they’re immediately embroiled in the political intrigues of the Comyn. Margaret, having no background for this, spends time with her mentor’s wife, who has recently come to Darkover to see her. Mikhail, as Elhalyn Regent, is struggling with the unfortunate fact that none of the children of the clan are at all suitable to sit as the King, and he does not want to do it himself! Meanwhile, the lovely (but vapid and scheming) Gisela Aldaran is trying to plot her way into a marriage with Mikhail, as she and her family thinks it would benefit the outcast Aldaran family to be closer to the throne. It’s all very normal (for Darkover), until the height of the Midwinter Ball, when a deep voice suddenly booms out in their mind, and Mikhail and Margaret begin their grand adventure. In true epic-fantasy fashion, it takes us well over 300 pages to get to the beginning of the “real” story!

This book is very much an “amazing adventure.” A lot of my reading has to do with ordinary people, who do interesting things–like, fall for each other–but in this book, we have epic people, doing epically awesome things, that can reshape a world. It’s a different kind of escape, to be sure, but Darkover is a world you can easily escape to, and enjoy.

Marlene’s Note: I discovered Darkover in the mid 1970s, and read (and occasionally re-read) the entire series available in the 1970s and 1980s. At the time, I loved them. The world creation is both completely absorbing and felt realistic. It felt like something that could have happened. The culture clash mirrored society in the 1960s and 1970s, and still does today. Those themes are evergreen. But after Zimmer Bradley’s death I became aware of the documented history of child physical and sexual abuse that occurred in her household, and which she certainly enabled and likely participated in. Knowing now what I did not know at the time, I have a difficult time separating the art from the artist.

For a summation of the case and sources for more information, see Jim C. Hines post titled “Rape, Abuse, and Marion Zimmer Bradley”