A Notorious Vow (The Four Hundred, #3) by Joanna Shupe Formats available: paperback, ebook, audiobook
Series: Four Hundred #3
Pages: 384
Published by Avon on September 25, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads
Joanna Shupe returns to New York City’s Gilded Age, where fortunes and reputations are gained and lost with ease—and love can blossom from the most unlikely charade
With the fate of her disgraced family resting on her shoulders, Lady Christina Barclay has arrived in New York City from London to quickly secure a wealthy husband. But when her parents settle on an intolerable suitor, Christina turns to her reclusive neighbor, a darkly handsome and utterly compelling inventor, for help.
Oliver Hawkes reluctantly agrees to a platonic marriage . . . with his own condition: The marriage must end after one year. Not only does Oliver face challenges that are certain to make life as his wife difficult, but more importantly, he refuses to be distracted from his life’s work—the development of a revolutionary device that could transform thousands of lives, including his own.
Much to his surprise, his bride is more beguiling than he imagined. When temptation burns hot between them, they realize they must overcome their own secrets and doubts, and every effort to undermine their marriage, because one year can never be enough.
My Review:
While A Notorious Vow is the third book in the Four Hundred series, it is absolutely not necessary to have read the first two in order to get into this one – but for an unusual reason.
Although the stories all take place within the same place and time, and even though our protagonists do meet the Hatchers (the h/h of the first book, A Daring Arrangement) the previous couples and previous stories don’t really impinge on this one.
Because for very different reasons, both Oliver and Christina are pretty much recluses. Neither of them moves in society at all, because neither of them wants to. A decision that comes back to bite both of them during the course of this story.
And, in the best romantic tradition, neither of them initially believes it about the other.
Oliver Hawkes, a young, wealthy and brilliant inventor as well as reclusive investor, is deaf, and has been since a bout of scarlet fever in his early teens. He remembers being able to hear, but no longer can. Equally, he can no longer stand the terrible treatment he suffered at the hands of so-called “society” as everyone mocked not just the voice he could no longer hear, but also his ability to “speak” with his hands and his need to write down complex thoughts – and receive their replies, in a small notebook.
He is more than wealthy enough not to need a “day job” and quite capable of living mostly on his own. Within his own house, the staff have all learned enough sign language to communicate, and he lives quite well and is reasonably content. Until Christina quite literally falls into his lap.
Actually she falls in his garden, with the enthusiastic “help” of his dog Apollo, who knocks her down in his enthusiasm to greet a new person.
Christina’s desire to retreat from society is due to an extreme lack of confidence – a lack that has been instilled in her, and is constantly reinforced, by her greedy, grasping mother. Christina is always and forever a disappointment, and her lack of confidence allows the crueler elements of society to make fun of her at every turn.
The truth is that all of them are jealous of her in one way or another, including, most especially, her mother. But Christina has been programmed practically from birth not to be able to see it.
Christina and her parents are in New York out of the necessity of repairing the family fortunes. Christina’s father-the-earl is an inveterate gambler – and not a winner. Both of her parents have always lived well outside their means, even before he gambled away all the means.
They have fled England just barely ahead of their creditors – and those whom they outright swindled – in order to sponge off their New York relations and auction Christina off to the highest bidder.
That said highest bidder is the most disgusting and despicable person imaginable is also a standard of the romantic tradition – although this bastard manages to exceed expectations on all counts – as does the behavior of Christina’s parents. It is up to Oliver, who has no desire to be involved with society at all, to save Christina from not merely her parents but also a fate that is guaranteed to be worse than death – until it turns into actual death.
While at first it seems as if they will have their work cut out for them just trying to make a workable marriage out of what is still a rather nascent friendship, the situation becomes even more dire.
Just how corrupt is Tammany Hall, anyway?
Escape Rating B+: There were several elements that made A Notorious Vow interesting in unusual ways as well as a lot of fun to read. I got sucked right in and didn’t get out until I finished – more or less in one go.
We’ve seen plenty of wallflower heroines in historical romances, but very seldom a “wallflower” hero. Oliver’s exile from society seems mostly self-imposed. He has the money and the social standing to ignore the whispers that he can lip read quite well – but he chooses not to do so. His reasons for withdrawing are certainly valid, and not merely from his own perspective. But he could just as easily have gone the other way, damn the torpedoes, full speed ahead, and the doubters be damned. And as events later prove, it probably would have resulted in a better outcome after some initial discomfort.
Which is not to say that his discomfort isn’t very real. Like so many other handicaps, deafness was not much written about, talked about, or studied in the late 19th century. Oliver could not hear, but that did not mean that any of his other faculties were affected at all – which did not stop popular imagination from assuming that they had. A problem which is nearly his undoing.
But the crux of the romantic conflict between Oliver and Christina has little to do with his deafness, although that does make it more difficult – but far from impossible – for them to discuss the problem.
Oliver exhibits that unfortunate tendency of very intelligent people to assume that because they are so often the smartest person in any room that they inhabit, they are therefore always the most knowledgeable and always know best for everyone else. And the problem lies in that “always”. Few things are ever “always” true or “always” right. Because it seldom happens to him, Oliver is unable to recognize that it does occasionally happen even to him, and especially when it comes to his dealings with Christina. He doesn’t know what she wants or needs or thinks because he doesn’t ask her – he assumes he already knows. And of course he doesn’t.
This is a problem that would exist whether Oliver could hear a pin drop or can’t hear a thing – because it is an innate part of his personality. (And one that affects plenty of contemporary men as well!)
In addition to having an interesting and unusual hero and heroine, A Notorious Vow also has what can best be described as a surfeit of villains – especially when considering that the three villains are not working together. They are all separately and individually villainous, For the purposes of villainy, I’m counting Christina’s parents as a single villain. For all we see of the earl, they might as well be.
Her parents attempt to sell her to the highest bidder in order to get themselves out from under their debts and swindles. Her mother, in particular, is particularly vile. The highest bidder they attempt to sell her to is a disgusting old man who has probably murdered his three previous wives. When Oliver rescues Christina from their clutches, mommy dearest continues to clutch in the hopes of getting a better deal – even though her continued contact with Christina endangers the deal currently on the table. That there is a deal at all says everything that needs to be said about Christina’s parents.
When Oliver’s equally venal cousin bribes a judge and conspires to get him committed to an insane asylum, the disgusting old man bribes Tammany Hall to KEEP him imprisoned. Yet these individuals do not seem to be working together. I found the continued presence of Christina’s parents at this juncture to be one villain too many.
That does not take anything away from the horrific nature of Oliver’s imprisonment or the appalling stink of corruption that surrounds the entire case – and that unfortunately bears all too close a resemblance to real circumstances at the time.
Taken all together, A Notorious Vow turns out to be an engaging romance of surprised (and surprising) equals who have to overcome more difficulties than expected. And who discover at the end that their hard-won happy ever after is well worth the changes that they both have to make in their lives.
If this is the final book in the Four Hundred series, it is a fitting end. But I’ve enjoyed the whole series very much and would love to see it continue!
~~~~~~ TOURWIDE GIVEAWAY ~~~~~~
To celebrate the release of A NOTORIOUS VOW by Joanna Shupe, we’re giving away one paperback set of the entire Four Hundred series!
Link: http://bit.ly/2P4dd94
GIVEAWAY TERMS & CONDITIONS: Giveaway open to US shipping addresses only. One winner will receive a paperback set of the Four Hundred series by Joanna Shupe. This giveaway is administered by Pure Textuality PR on behalf of Avon Romance. Giveaway ends 9/25/2018 @ 1159pm EST. Avon Romance will send the winning copy out to the winner directly. Limit one entry per reader and mailing address. Duplicates will be deleted.
The Illegitimate Duke (Diamonds in the Rough, #3) by 
Ok, I’ve probably baited that metaphor as far as it can go. In the first book in the 
Escape Rating B: One of the terrific things about this series is the way that all of the women have been just a little something extra in ways that make them easier for 21st century readers to identify with while at the same time not stretching the bounds of plausibility too far. Or at least too far too far.
The similarities between the two situations meant that The Illegitimate Duke did not sparkle as much for me as The Duke of Her Desire. The gravity of the external situation – that typhus epidemic – may also have had something to do with that lesser sparkle, because there was less to sparkle about.
Born to Be Wilde (The Wildes of Lindow Castle, #3) by 
At first this seems like a frenemies into lovers story. We’ve met both Lavinia Gray and Parth Sterling in the previous books in this series. Lavinia, Willa (the heroine of 
Lavinia begins this story where Too Wilde to Wed ends. She has discovered that her mother has squandered not just their own money but also all of Willa’s as well. And she’s sold all of her own jewelry, Lavinia’s, and Willa’s and replaced them with copies. And stolen Diana’s jewelry as well, causing the rift between Diana and her family and forcing her into the circumstances she finds herself in at the start of Too Wilde to Wed.
Wicked and the Wallflower (The Bareknuckle Bastards, #1) by 
Too Wilde to Wed (The Wildes of Lindow Castle, #2) by 
They also both have a bad cases of thinking that they are not worthy of the other, but they are also surprisingly honest about it with each other. In spite of the description in the book blurb, North does figure out that this is not a battle, and that he can’t really win in the traditional sense. He can overwhelm Diana’s objections and defenses, but that will only result in both of them being completely miserable.
A Scandalous Deal (The Four Hundred, #2) by 
But the difficulties that Eva faces feel very real. No one believes she can possibly be an architect, not even once the truth is revealed and it becomes obvious that she IS an architect. She is also very career minded, and is unwilling to marry because marriage in the 1890s (and considerably thereafter) subsumed the woman’s identity under her husband’s. She needed her work to be HER work, and to receive commissions based on her efforts and not who her husband might be – and she didn’t want to put anyone in a position where they could force her to stop.
Counting on a Countess (The London Underground, #2) by 
Escape Rating B: I picked up Counting on a Countess because I really enjoyed the first book in this series, 
Hurts to Love You (Forbidden Hearts, #3) by 
But ten years later, the chickens start coming home to roost, and all the truths start coming out. In the first book in the series, 
This series may be “Forbidden Hearts” but the romance in this entry isn’t as taboo as the series title suggests, or as the first two entries in it certainly are. In this one, what initially keeps Gabe and Eve apart are their own internal conflicts, rather than the external conflict of Hate or the relationship taboo in Wrong.
The Art of Running in Heels (Chinooks Hockey Team #7) by 
Readers have begged Rachel Gibson to return to her popular 
The Duke of Her Desire (Diamonds in the Rough #2) by 