Review: Messenger of Truth by Jacqueline Winspear

Review: Messenger of Truth by Jacqueline WinspearMessenger of Truth (Maisie Dobbs, #4) by Jacqueline Winspear
Formats available: hardcover, paperback, ebook, large print, audiobook
Series: Maisie Dobbs #4
Pages: 322
on August 22nd 2006
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
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London, 1931. On the night before the opening of his new and much-anticipated exhibition at a famed Mayfair gallery, Nicholas Bassington-Hope falls to his death. The police declare the fall an accident, but the dead man's twin sister, Georgina, isn't convinced. When the authorities refuse to conduct further investigations and close the case, Georgina - a journalist and infamous figure in her own right - takes matters into her own hands, seeking out a fellow graduate from Girton College: Maisie Dobbs, psychologist and investigator.

The case soon takes Maisie to the desolate beaches of Dungeness in Kent, as well as the sinister underbelly of the city's art world. And while navigating her way into the heart of the aristocratic yet bohemian Bassington-Hopes, Maisie is deeply troubled by the tragedy of another, quite different family in need.

In Messenger of Truth, Maisie Dobbs again uncovers the dark legacy of the Great War in a society struggling to recollect itself in difficult times. But to solve the mystery of the artist's death, she will have to remain steady as the forces behind his death come out of the shadows to silence her.

Following on the bestselling Pardonable Lies, Jacqueline Winspear delivers another vivid, thrilling, and utterly unique episode in the life of Maisie Dobbs.

My Review:

I was disappointed to learn that there was no “Month of Maisie” this year. The last couple of years the publisher has toured both the upcoming book in the series (this year it’s To Die But Once) as well as the entire series to date. It’s been my prompt disguised as an opportunity to read one of the earlier books and then treat myself to the new one.

I always look forward to this tour, so I decided to do my own “Month of Maisie” this year. Hence today’s review of Messenger of Truth. Eventually I’ll catch up to myself, as I started reading with Leaving Everything Most Loved (book 10 in the series) and have been reading both forward and backward ever since. (I’m planning to review the new book during its “book birthday” week at the end of the month)

Messenger of Truth is set in 1931, in the depths of the Great Depression. As is usually the case for Maisie, she is somewhat at a crossroads. After the events in Pardonable Lies, she has broken with her mentor, Dr. Maurice Blanche. She did not find his lies all that pardonable.

She has also moved out of her free lodgings at the London house of her “sponsor”, Lady Rowan Compton and into a purchased flat of her own.

Last but not least, she is discovering that she enjoys her freedom, and needs her work, much too much to give it up for marriage to Andrew Dene, the surgeon who has been courting her for the past couple of stories. Andrew is a perfectly nice and respectable man, but also a traditional one. And Maisie has determined that the traditional life of a wife and mother is not what she wants, or at least not what she wants right now. Or possibly just not what she wants with Andrew Dene.

So a case drops into Maisie’s life, one that will focus her energies not just on her work, but on what she wants to do and where she wants to go from here. It is also a case that will help her turn towards the future and finally step out of the shadows of World War I, even though, in the end, the war is what the case is all about.

Georgina Bassington-Hope hires Maisie to discover the truth about how her twin brother Nicholas died. Or was killed. The police have ruled the death of the promising artist a tragic accident, but something in Georgina believes it was murder. When the police are fed up with listening to her, they refer her to Maisie.

Because Maisie will find out the truth. No matter who it might hurt. Even if the person most destroyed turns out to be her client. Or herself.

And no matter how much danger she puts them both into along the way.

Escape Rating B+: This series as a whole are excellent historical mysteries. If you like the genre and haven’t read them yet, start with the first book, Maisie Dobbs. And if you are a fan of either the Bess Crawford series by Charles Todd or the Mary Russell/Sherlock Holmes series by Laurie R. King, you’ll probably also love Maisie. All three series take place in the same WWI and between the wars period, and all feature heroines who would have a lot in common – and would probably enjoy a cuppa together to compare notes but would probably not become besties. They are all fascinating in similar ways, and they all cover some of the same turf, but are not much like each other.

I digress.

One of Maisie’s singular characteristics is her dogged determination to discover the truth, no matter what the cost. While most of her methods are fairly standard detective work in the sense of searching for clues and following the leads, she is also a practicing psychologist.

Another difference is that Maisie in “sensitive” in a way that might be described as psychic, although Maisie herself would never call it that. But she deliberately sets out to sense the vibrations and aura of a place, and will also deliberately put herself into a meditative trance in order to pick up those vibrations. The less one believes in this, the more off putting one finds it.

Messenger of Truth is a story where she does that rather a lot at the beginning, if only because there aren’t many physical clues to work with. Maisie, as she often does, looks deeply into motive to finally figure out “who done it”.

One of the hallmarks of Maisie’s cases is that there is always much more going on than just the case, and the way that Maisie usually discovers something about herself and her own issues as she resolves the case.

There’s a big, well, not exactly a red herring but certainly a bright pink one in this case. Nicholas and several of his painter friends kept studios on the beach at Romney Marsh, and either witnessed, were involved in, or a bit of both, one of the oldest “occupations’ on the English coast – smuggling.

That particular operation creates ties, and clues, in several directions – the past, the future, and the Customs and Excise. The call back to Dr. Syn and a Disney movie I saw as a child, The Scarecrow of Romney Marsh, was a trip down memory lane. The look into the future, at the direction Hitler was taking and the desperation of Jews to get their possessions out of the reach of the Nazis was prophetic. The Customs and Excise actually created a bit of comic relief, but also highlighted just how many things the dead artist was stirring up that no one wanted stirred.

In the end, it all circles back to the Great War. As so many things did at that time, and in Maisie’s life.

Maisie herself is always a fascinating character. Her life has made her the ultimate outsider, not part of any of the social classes, but able to operate in all of them. At the same time, this is a case where Maisie herself is working through multiple crossroads, deciding whether she wants a traditional life after all, or to continue down the independent road she has chosen. And just how much of her war it is time to put behind her – even as the next war looms on the horizon.

In the end, it’s not the case, but Maisie that we come to see, and it is her life that we want to read about. The case just provides focus for both her and the reader.

I can’t wait to pick up To Die But Once to see Maisie dealing with her second war, this time from the homefront.

Review: A Casualty of War by Charles Todd

Review: A Casualty of War by Charles ToddA Casualty of War (Bess Crawford #9) by Charles Todd
Formats available: hardcover, large print, ebook, audiobook
Series: Bess Crawford #9
Pages: 304
Published by William Morrow on September 26th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
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From New York Times bestselling author Charles Todd comes a haunting tale that explores the impact of World War I on all who witnessed it—officers, soldiers, doctors, and battlefield nurses like Bess Crawford.

Though the Great War is nearing its end, the fighting rages on. While waiting for transport back to her post, Bess Crawford meets Captain Alan Travis from the island of Barbados. Later, when he’s brought into her forward aid station disoriented from a head wound, Bess is alarmed that he believes his distant English cousin, Lieutenant James Travis, shot him. Then the Captain is brought back to the aid station with a more severe wound, once more angrily denouncing the Lieutenant as a killer. But when it appears that James Travis couldn’t have shot him, the Captain’s sanity is questioned. Still, Bess wonders how such an experienced officer could be so wrong.

On leave in England, Bess finds the Captain strapped to his bed in a clinic for brain injuries. Horrified by his condition, Bess and Sergeant Major Simon Brandon travel to James Travis’s home in Suffolk, to learn more about the baffling relationship between these two cousins.

Her search will lead this smart, capable, and compassionate young woman into unexpected danger, and bring her face to face with the visible and invisible wounds of war that not even the much-longed for peace can heal.

My Review:

They say that the road to hell is paved with good intentions. And that’s how it seems for much of A Casualty of War, as every time that Bess Crawford attempts to make things better for Captain Alan Travis, she seems to end up digging the poor man an even bigger hole. Bess being Bess, she feels more than a bit guilty about it, and a whole lot responsible.

And it’s that sense of responsibility that gets her in deep trouble. As it usually does.

Bess’ war is ending. Not with a bang, but seemingly with a whimper, as the eleventh hour of the eleventh day of the eleventh month of 1918 is noted by the chiming of a surgeon’s watch and nothing more at the forward aid station where Bess is currently stationed.

The guns may have finally been silenced, but there are still plenty of casualties pouring into the aid station, including Captain Travis. Bess met Travis once before, as the both spent a brief respite at a canteen in between trips back to the front. She found him pleasant, affable, intelligent and eager to return home to his family estate in Barbados.

Now he’s a patient, claiming that he was shot by someone on their own side. Not merely someone unknown, but his cousin James. His late cousin James. Very late. A year late. Whether James went up or down after his death in combat, he hasn’t been shooting anyone recently. On either side. For more than a year.

And that’s where the story kicks into gear and moves back to England. All the nurses who served in forward positions get sent home for two weeks’ leave, including Bess. She still has a duty to perform, but where that duty can best be provided is something that she’ll learn after a couple of weeks to rest and regroup. Or at least that’s what supposed to happen.

Instead, Bess takes on Captain Travis’ continuing case. Not his medical case, not exactly. Rather, the mess that she feels she helped to land him in. Bess feels as if she was the one to suggest that his supposed assailant, the one who Travis said resembled his great-uncle, might be his cousin James. So when it turns out that James has been dead for over a year, Alan Travis gets classified as a head-case and sent to increasingly worse care.

Shell shock was considered a moral failing, not a disease.

But Bess remembers the man she met in that canteen before he was wounded. She thinks he’s telling a version of the truth. And that he’s definitely not crazy. Just because it couldn’t have been James does not mean that there was not a very real assailant, one who resembled his cousin, in a British uniform, shooting at him. Not once but twice. As Bess treated both his injuries, she knows for certain that the shots were real. The only question is who fired them.

Bess finds herself involved in not just a giant mess, but also a small town mystery. It’s not just that something is wrong with the treatment of Captain Alan Travis’ case, but it turns out that something is also very wrong with the administration of his cousin Lieutenant James Travis’ will. And that those two messes are somehow one and the same.

It will be up to Bess, with the help of her friend (and her father’s right-hand man) Sergeant Major Simon Brandon, to figure out who did what to whom before it’s too late. Not just for Captain Travis, but also for Bess herself.

Escape Rating B+: After the Magpie Murders a couple of weeks ago, I have been itching to sink my teeth into a good historical mystery. I pulled A Casualty of War out of the TBR stack a couple of weeks ahead of publication just to scratch that itch. And I’m glad I did.

A Duty to the Dead by Charles ToddI have loved this series from its very beginning in A Duty to the Dead. And if you like historical mystery or are a fan of Maisie Dobbs in particular, that’s where I recommend that new readers begin Bess Crawford’s journey. While Bess finds herself in the middle of a case during every book, the series is also the story of Bess’ war as a combat nurse. Her journey begins in A Duty to the Dead, while in A Casualty of War it is obvious that her war is coming to an end. Which makes this book not the best place to start.

The war itself is winding down in this book. It actually has wound down, but that’s something we know from history and not something that Bess was 100% certain of at the time. What happened on November 11, 1918 was an armistice, which is not a peace treaty. While the guns were silent, it was still possible that they would roar again. Which of course they did, but not for another 20 years.

So part of the underlying theme to A Casualty of War is that Bess’ war, and her war service, are coming to an end. Bess, like many combat veterans, suffers from PTSD, even if it wasn’t called that then. Her experiences, many of them horrific, will be with her for the rest of her life. And unlike women of previous generations, Bess is used to serving, not just to being useful, but to having a profession and the professional respect and recognition to go with it. Adjusting to peacetime is going to be difficult.

It’s not surprising that Bess involves herself in a mystery during her leave. She doesn’t know what to do with herself if she’s not taking care of someone else.

One of the things that made this particular case frustrating, at least for this reader, is that it was obvious fairly early on that whatever was going on in the village of Sinclair and whatever was going on with Captain Travis were connected, and that the issue revolved around his cousin James Travis’ estate. While whodunnit was not remotely clear, if only because we hadn’t met the perpetrator at that point, the why of things felt obvious.

But one of the fascinating things about the case was the way that Simon Brandon and Bess worked together. Their relationship has always been interesting. Simon is a few years older than Bess, probably ten but not more than fifteen. He’s been a part of her life from her very earliest memories as he joined her father’s regiment in India when she was a child, and when he had to lie about his age to enlist. While he seems to act as an older brother, he certainly isn’t. He is certainly her protector, but his protection never encroaches on Bess’ agency or autonomy, not even when he fairly obviously wishes that he could. Nearly every man who asks Bess to marry him, and there have been several, wonders if Brandon is the reason that she refuses. And so does this reader. He is the one person in Bess’ life who understands and accepts her as she is, and not as he expects a woman to be in that time and place.

So the mystery in A Casualty of War had its anticlimactic moments, and also resembled bits of A Pattern of Lies. But the questions that it asks about not just Bess’ future, but the future of all who served in that war that did not end all wars and must now lay down their guns and their scalpels, remains an open one.

I can’t wait to see where Bess finds herself, and how she finds herself, next.