Review: The Inheritance by JoAnn Ross

Review: The Inheritance by JoAnn RossThe Inheritance by JoAnn Ross
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, historical fiction, relationship fiction, women's fiction, World War II
Pages: 384
Published by HQN Books on September 7, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

With a dramatic WWII love story woven throughout, JoAnn Ross's women’s fiction debut is a generational saga full of sisterly affection and rivalry, perfect for fans of Susan Wiggs, Mary Alice Monroe and Lisa Wingate.
When conflict photographer Jackson Swann dies, he leaves behind a conflict of his own making when his three daughters, each born to a different mother, discover that they’re now responsible for the family’s Oregon vineyard—and for a family they didn’t ask for.
After a successful career as a child TV star, Tess is, for the first time in her life, suffering from a serious identity crisis, and renewed resentment around losing her father all over again.
Charlotte, brought up to be a proper Southern wife, gave up her own career to support her husband's political ambitions. On the worst day of her life, she discovers her beloved father has died, she has two sisters she never knew about, and her husband has fallen in love with another woman.
Natalie, daughter of Jack’s longtime mistress, has always known about her half sisters. And she can’t help feeling that when Tess and Charlotte find out, they’ll resent her for being the daughter their father kept.
As the sisters reluctantly gather at the Maison de Madeleine to deal with their father's final wishes, they become enchanted by the legacy they've inherited, and by their grandmother’s rich stories of life in WWII France and the wounded American soldier who would ultimately influence all their lives.

My Review:

When Pulitzer Prize winning conflict photographer Jackson Swann died, the most important thing that he left to his three daughters was not the award-winning Oregon winery that had been handed down in his family for generations, but each other.

The problem, the one that he left to his lawyer and his winery manager, was to get them to accept. Not just the winery – although certainly that, too – but mostly each other.

Tess Swann, Charlotte Aldredge and Natalie Seurat are all adults, all have – or have at least the shreds of – artistic careers of their own. But they’ve never met. They haven’t necessarily known that the others even existed.

These three women have been gathered together, not so much to celebrate the life of the man who links them, but rather to pick up the pieces of their own.

Tess, after a successful career as a child actress, a spectacular failure as a pop singer, and another successful career as a best-selling novelist, is looking for a third act in a life that has already seen plenty. She comes to the winery to recharge and search for a story idea that will get her past her writer’s block.

Her career sacrificed to her controlling husband’s political ambitions, her supposedly perfect marriage in tatters, Charlotte comes to the winery in search of respite and a place to call home – because her soon-to-be-ex-husband’s over-gilded and over-decorated faux antebellum McMansion certainly wasn’t it.

While Natalie returns to the winery to mourn the father that she knew best of all the sisters, and to make sure that her beloved, 96-year-old grandmother is doing as well as she can in the wake of her only son’s death.

Whether they will find what they are each looking for, or something more, or merely closure, they have one growing season at the winery to figure it all out together – or to tear themselves apart.

Escape Rating B: Like yesterday’s book (and a fair number of books in the chick lit/women’s fiction/relationship fiction genre), this is a story about three women, all of whom, coincidentally or otherwise, are at a crossroads in their lives or that face a crossroads because of the events of the story that bring them together.

In this case, the death of their larger-than-life father, no matter how much (Natalie) or how little (Tess) he participated in their lives. Jack Swann, who never seemed to quite know what to do with any of them when he could, manipulates them all after his death in a way that could have been horrible, but isn’t.

He provided an opportunity for all of them that he couldn’t have managed in life, for them to meet, be obligated to spend time together, get to know the grandmother that only Natalie was allowed to know about, and discover the legacy of the family they share.

The story of The Inheritance is, in a word, charming. Just as Jack Swann himself was, even if he couldn’t ever manage to stick around. The sisters are different enough from each other to stand as individuals, while at the same time sharing just enough characteristics to seem like they might make their initially tenuous connection work.

Their father turns out not to be the glue that ultimately binds them. That position is reserved for their grandmother Madeleine, who tells them the story of how she met and married their grandfather in France fighting for the Resistance in WW2. A story which inspires Tess’s writing, Charlotte’s realization that the life she has is not the one she wants or needs, and Natalie throwing caution to the winds in order to pursue the man she’s loved all her life.

I was charmed by this story, and thought that the way that the lives of the sisters finally mingled was lovely even if it was a bit contrived in the service of the story. There were a couple of bits that niggled at me.

Tess never met her father. That he didn’t raise her was one thing, but they never seem to have met at all in her conscious memory, and we never do find out why. As many family secrets as get revealed – and there are PLENTY – that omission felt like it just…dangled. Even after his marriage to Charlotte’s mother fell apart he was still a real if occasional presence in her life. But not Tess.

Second, there’s the show/tell repetition of Madeleine’s fascinating story about meeting, falling for and marrying her American pilot, Robert Swann. It’s a lovely and romantic story, and it serves as inspiration to all three sisters even though Tess is the one who plans to turn it into a novel. But we read Madeleine’s account as she remembers it and then it is repeated as she tells it to her granddaughters. While it’s normally better to show instead of tell, by the way the story works the telling feels like the better option. But one or the other would have been sufficient.

So I enjoyed reading The Inheritance, but it didn’t quite hit the spot as well as yesterday’s book. That’s possibly because this one reminded me a bit of Rhys Bowen’s World War II books, particularly In Farleigh Field, one of the subplots in Pardonable Lies, part of  the Maisie Dobbs series and a third book I can’t put my finger on and it’s driving me bananas. It could be just because it’s a bit too similar to yesterday’s book and would have been a better read not quite so close.

But if you’re looking for a charming read that touches on a few dark places but doesn’t go too deeply, includes not one but four happy endings, and tells a lovely story of a surprising sisterhood, The Inheritance is a great way to while away some cozy reading hours.

Review: Write My Name Across the Sky by Barbara O’Neal + Giveaway

Review: Write My Name Across the Sky by Barbara O’Neal + GiveawayWrite My Name Across the Sky by Barbara O'Neal
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: Chick Lit, relationship fiction, women's fiction
Pages: 366
Published by Lake Union Publishing on August 10, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

The USA Today bestselling author of When We Believed in Mermaids returns with a tale of two generations of women reconciling family secrets and past regrets.
Life’s beautiful for seventysomething influencer Gloria Rose, in her Upper West Side loft with rooftop garden and scores of Instagram followers—until she gets word that her old flame has been arrested for art theft and forgery. Knowing her own involvement in his misdeeds decades earlier, Gloria realizes she could be the next arrest and must flee. But first, she needs to make sure her nieces are protected from any fallout.
The sisters, though in their thirties, are still constantly at odds with each other. Willow, struggling to live up to their mother’s fame as a singer-songwriter, is recovering from a failed album and yet another heartbreak, while Sam is desperate to revive her floundering video game company.
When circumstances out of their control bring the three women back together, they will each have to reckon with and reconcile their interwoven traumas, past loves, and the looming consequences that could either destroy their futures or bring them closer than ever.

My Review:

This is the story of two pairs of sisters all of whom were, in their own ways, trailblazers. Sam and Willow are in their late 30s when this story opens. Sam was one of the first women to head her own gaming company, and one of the first to design action/adventure games specifically intended to appeal to girls. While her company was an “overnight” success 20 years ago, in internet time, 20 years is a century, and her company is floundering.

Her sister Willow is a musician, a violinist who’s most recent solo album tanked. Sank without a trace, taking her boyfriend, her current home and pretty much everything she owned down with it. Willow is a folk/electronica violinist with a unique sound who just hasn’t found the right audience. But at 35, her time couch-surfing and hoping for a big break is running out.

Gloria and her sister Billie came of age in the so-called “Swinging 60s”. Gloria was a stewardess for TWA, back in the days of Coffee, Tea or Me, when stewardesses were expected to tolerate getting groped on every flight in return for the opportunity to visit exotic places for multi-day layovers back when international travel was an expensive novelty and not an every-hour-on-the-hour occurrence.

Bille was a rock musician in the 1960s and 70s, said to be a combination of Joan Jett and Janis Joplin. Unfortunately Billie followed Janis’ trajectory all the way down to an early death, leaving her sister Gloria to raise the daughters she left behind – not that she was all that present when she was alive.

And Billie’s ghost still haunts them all when this story begins. And not just because Gloria is still living in the luxury New York apartment that Billie bought with the royalties from her first album, the place where Gloria raised her girls to adulthood and left them with a yearning to blaze their own trails.

But they’re both failing when this story begins, while Gloria is faced with the sudden failure of the facade she has been maintaining for over 50 years. The man she has loved for all of those years has finally been caught. By Interpol. Suddenly, the biggest of her youthful sins looks like it’s either going to send her on the run or land her in jail for the rest of her life.

Escape Rating A-: Let me get this out of the way first, because it drove me crazy. If the title of the book is giving you an earworm you can’t quite place, it’s because it IS a line in a song, just not the title and not exactly word for word. In the 1971 song by the Stylistics, it went “Write YOUR name across the sky…” but Billie Thorne turned it around because she’d learned from both her mother and her sister not to let anyone else define or restrict her life. Which didn’t stop the world from doing it anyway.

Like the two previous books by this author that I have read, The Art of Inheriting Secrets and When We Believed in Mermaids, this is a story about the past crashing headlong into the present, pushing all of the characters to remember people and events that they have forced into the background of their minds and hearts, until their memories crash into the same heartbreaking epiphany and they’re all finally able to move forward.

I liked this one just a tiny bit better than the previous books, although I certainly liked both of them quite a lot. But the difference in this one was the character of Gloria, who represents a different generation and an entirely different perspective on the people and events that shaped all of their lives. Because through Gloria’s memories we’re allowed to see the late Billie Thorne as she was, through the eyes of someone who was an adult at the time, and not just through the memories of the childhoods that she scarred.

This is also explicitly not a romance, although there are romances in it, and that includes 74-year-old Gloria. For both Gloria and Sam, it’s a second chance at romance, while Willow puts herself and her music first, and finds love as the reward.

As much as the story’s focus is on Sam and Willow, it was Gloria’s story that held my attention. As much as all three women are at crisis points in their lives, it was Gloria’s that brought me the most “feels”, probably because I’m closer to her age than to either of her nieces. I loved that Gloria is happy with the career she had, and has found a second act through her plants and her friends and her instagram feed and followers, because I know how that goes. At the same time, while she doesn’t handle the crisis she is faced with terribly well for most of the story, it was all too easy to slip inside her feelings of desperation, her desire to protect the ones she loves, and her acknowledgement that the long ago events that brought her to this pass were of her own making.

I certainly liked the way that all three of these women’s stories resolved themselves. Gloria faced the demons of her past. Sam found a way to silence the demons inside her head, or at least learned to stop letting them spill out of her mouth. And Willow, in learning from the stories of her mother AND her sister, played her way to the top of the world. A feel good ending all around that I hope will bring as big a smile to other readers’ faces as it did mine.

~~~~~~ GIVEAWAY ~~~~~~

I’m very happy to say that I’m giving away a copy of Write My Name Across the Sky to one lucky US commenter on this tour. But some of you will hate me because the question in the rafflecopter is about songs that give you earworms and how you get rid of them, which will probably implant the song you least want stuck in your head in your brain. “It’s a Small World After All” anyone?

a Rafflecopter giveaway

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Review: The Bookseller’s Secret by Michelle Gable

Review: The Bookseller’s Secret by Michelle GableThe Bookseller's Secret by Michelle Gable
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, women's fiction, World War II
Pages: 400
Published by Graydon House on August 17, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The Bookseller's Secret is a delight from start to finish, a literary feast any booklover will savor!”—Kate Quinn, New York Times bestselling author of The Rose Code
ARISTOCRAT, AUTHOR, BOOKSELLER, WWII SPY—A THRILLING NOVEL ABOUT REAL-LIFE LITERARY ICON NANCY MITFORD
In 1942, London, Nancy Mitford is worried about more than air raids and German spies. Still recovering from a devastating loss, the once sparkling Bright Young Thing is estranged from her husband, her allowance has been cut, and she’s given up her writing career. On top of this, her five beautiful but infamous sisters continue making headlines with their controversial politics.
Eager for distraction and desperate for income, Nancy jumps at the chance to manage the Heywood Hill bookshop while the owner is away at war. Between the shop’s brisk business and the literary salons she hosts for her eccentric friends, Nancy’s life seems on the upswing. But when a mysterious French officer insists that she has a story to tell, Nancy must decide if picking up the pen again and revealing all is worth the price she might be forced to pay.
Eighty years later, Heywood Hill is abuzz with the hunt for a lost wartime manuscript written by Nancy Mitford. For one woman desperately in need of a change, the search will reveal not only a new side to Nancy, but an even more surprising link between the past and present…
“With a vivid cast of unforgettable characters, Gable expertly and cleverly delivers wit, humor, and intrigue on every page. What a delightful escape.”—Susan Meissner, bestselling author of 

The Nature of Fragile Things


“A triumphant tale that highlights the magic of bookshops and literature to carry people through even the darkest days of war.”—Kristina McMorris, New York Times bestselling author of Sold on a Monday

My Review:

The secret that the bookseller is keeping forms a link between the lives of two women who are facing the same crisis in the same location – eighty years apart.

When Nancy Mitford and Katharine Cabot each step through the doors of the Heywood Hill Bookshop in London, they are writers who seem to have lost their writing mojo – even if Nancy Mitford wouldn’t have known what that term meant.

Both have had moderate success, along with a couple of books that sank nearly without a trace. In 1942, Mitford was still smarting from the failure of timing that was the publication of Pigeon Pie, a book lampooning the “Phoney War” of 1939. Unfortunately for Mitford, the book was released just as the Sitzkrieg became the Blitzkrieg, making the book not just passe but in very poor taste.

(The sinking of Pigeon Pie got a brief mention in another recent WW2 book set in a bookstore, The Last Bookshop in London, as the unsold copies got summarily returned to the publisher. If you liked that book you’ll probably like this one and vice versa.)

As each of the women crosses the threshold of Heywood Hill they are facing variations of the same crossroad. In the midst of the war, Mitford feels as if she’s lost both the time and the inclination to write. Katie, in the wake of multiple personal losses, isn’t sure she has it in her to write again, and is even less certain that it’s worth trying.

We follow their stories back and forth, from Nancy during the war years working in the bookshop to keep body and soul together in a material sense while worried that she’ll ever find time to write anything ever again. She’s somewhat desperately in search of both a few spare minutes a day to write and a muse to inspire her to write.

It’s that search for inspiration, or rather what she seems to have found to fill it, that links Mitford to Katie. Peter Bailey has scraps of evidence that Mitford was writing an autobiography about her war work with refugees, a story that would feature his own grandmother. He’s searching for the manuscript of that book – if it even exists.

Katie, who wrote her thesis on Mitford, is willing to help him search for that manuscript so she can continue procrastinating over her own empty pages. That Bailey is intelligent, interesting and incredibly handsome doesn’t impact Katie’s desire to help him in the slightest.

Right.

In the past, we follow Mitford during the war years – a period that she did not write about herself – as she uses that attempted autobiography to get out of her slump – even if it never sees the light of day.

In the present Katie uses her search for the manuscript and her flirtation with Bailey to inspire her to pick up her own pen – or in her case open her word processor.

While the current manager of Heywood Hill looks on and hopes that he is doing the right thing. It’s left up to the reader to be the judge of that!

Escape Rating A-: I was a lot more charmed by this than I expected to be, and also a lot less lost than I thought I might be. I have not read Mitford at all, so when I came into this the only background I had were some of the better-known historical bits, that her family was involved in leftist politics before, during and after the war. I did think this might be a bit more like The Last Bookshop in London than it turned out to be, so that reference to Pigeon Pie did link the two a bit.

My lack of background about Mitford wasn’t really an issue as this story is very much a “what if?” kind of story. It’s not biographical because little is known about Mitford’s activities during the war, particularly her work at Heyward Hill. So all of the parts from Mitford’s perspective are meant to look and sound and act like her, but may or may not bear huge resemblance to what she actually did during those years.

Nancy Mitford

Whatever she truly did during the war, it’s clear that Nancy Mitford was a complex individual who mined the triumphs and tragedies of her life – and there were plenty of both – in her fiction. Her best known works, The Pursuit of Love and Love in a Cold Climate, both published after the end of the war, managed to tell and retell different variations of her life in a way that let her explore her past and possibly expiate it without making relationships with her family any worse or more strained than they already were.

But when this story takes place, those bestselling books weren’t even a gleam in the author’s eye. Her success was still in the future and her present was a bit bleak in more ways than one.

And that’s where Katie’s story comes in. She has one bestselling book under her authorial belt and zero inspiration for a second. She turns to Mitford for both comfort and inspiration, comfort in the re-reading of her favorites and inspiration because Mitford went through a 15-year dry spell and Katie’s isn’t nearly that long yet. What she hopes for but doesn’t expect to find is a way forward for herself in both her life and her art.

Both parts of this story weave the personal with the professional, the difficulty of getting out of a slump, the relentless pressures of time and just plain life in general, and the way that real life intrudes and inspires at the same time. Katie both feels for Mitford and gains perspective from her at the same time.

I think that’s the part that charmed me. Coming into this cold, so to speak, I didn’t have any preconceptions about Mitford so was able to see the ways in which the two women were alike in spite of the difference of nearly a century. Both independent, both sometimes bowed under the weight of other people’s expectations, both having an approach/avoidance conflict about their work and everything else in their lives. They seemed like sisters under the skin and I wanted a happy ending for them both, but on their terms. Mitford seems to have more or less gotten hers, so Katie definitely has a chance!

Because that bookseller kept his secret after all.

Review: Wait For It by Jenn McKinlay

Review: Wait For It by Jenn McKinlayWait for It by Jenn McKinlay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, women's fiction
Pages: 352
Published by Berkley Books on August 10, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A woman looking for a new lease on life moves to Arizona where she rents a guest house on a gorgeous property with a mysterious owner--a man who teaches her about resilience, courage, and ultimately true love, in this funny, bighearted novel about hope and healing from New York Times bestselling author Jenn McKinlay. Stuck in a dreary Boston winter, Annabelle Martin would like nothing more than to run away from her current life. She's not even thirty years old, twice-divorced, and has just dodged a marriage proposal... from her ex-husband. When she's offered her dream job as creative director at a cutting-edge graphic design studio in Phoenix, she jumps at the opportunity to start over.
When she arrives in the Valley of the Sun, Annabelle is instantly intrigued by her anonymous landlord. Based on the cranky, handwritten notes Nick Daire leaves her, she assumes he is an old, rich curmudgeon. Annabelle is shocked when she finally meets Nick and discovers that he's her age and uses a wheelchair. Nick suffered from a stroke a year ago, and while there's no physical reason for him not to recover, he is struggling to overcome the paralyzing fear that has kept him a prisoner in his own home.
Despite her promise to herself not to get involved, Annabelle finds herself irresistibly drawn to Nick. And soon she wonders if she and Nick might help each other find the courage to embrace life, happiness, and true love.

My Review:

I could say that this is an opposites attract story – and it sort of is. I could also say it’s a story about two people who have some really serious issues learning to deal with their own shit because no one else can fix your crap for you – no matter how much they might want to. Or need to because of their own crap. And both of those things would certainly be true, but they are not the whole story. Even if perhaps they should have been.

The thing about Annabelle Martin is that she’s impulsive in the extreme. It may have something to do with her being artistic, but mostly that’s just the way she is. She’s open about pretty much everything, including her need to please the people around her – even when she hurts herself in the process.

Her impulsiveness and need to avoid conflict have led her to some pretty strange places. Two marriages and two divorces before she’s even turned 30. A friends-with-benefits relationship with her first ex-husband, along with an engagement ring that she’s just swallowed.

And a desperate need to escape that situation leading her to impulsively accept her best friend’s offer to move from Boston to Phoenix in order to become the Creative Director for her best friend’s PR firm. That’ it’s winter in Boston probably explains the rest of Annabelle’s surprising acceptance. Winters in Boston are cold. And ugly. And did I mention bloody damn cold?

Annabelle’s impulsive move, along with giving up her successful freelance design work – she must be really successful as Boston is an expensive city to live in! – runs her headlong into way more problems than she left behind.

There is something wrong at her friend’s PR firm, and possibly her friend’s marriage. And the place that same friend arranged for her to live in comes with its own set of issues in the form of Annabelle’s mysterious landlord. The one who has presented her with a 10-page list of supplemental rules for her six-month rental of the guest house on his property but who can’t be bothered to meet her in person.

Annabelle is intrigued and annoyed by turns. The rules are ridiculous and have a strong whiff of “get off my lawn”, making her think her landlord is an old curmudgeon. She’s only half right.

Escape Rating B: First, the title of this book gave me a terrible earworm. Actually, I think I picked it up for the earworm, and now I can’t get Wait for It from Hamilton out of my head. The song from the play is only applicable in bits, especially the part that goes “I am the one thing in life I can control” but I still can’t get the damn thing out of my head. Again.

Annabelle’s landlord, Nicholas Daire, is the one who is trying to control a life that went completely out of his control less than a year before, when the 35-year-old property mogul had a stroke. By the time Annabelle moves into his guest house and starts driving him crazy, he’s mostly recovered from the stroke.

Except that he’s stuck in an endless loop of panic, afraid that he’ll have another one. Panic that is so acute that it mimics another stroke. In his fear, he’s become a hermit, retiring from his business, refusing to leave the house except for doctor’s appointments, and relentlessly training his body, when it works, with the idea that he can make himself strong enough to recover completely.

And refusing to even entertain the notion that what’s causing his current problems isn’t his body – it’s his head.

Annabelle, with the help of a tiny cat she names “Sir”, throws Daire’s carefully ordered life and his ten pages of rules out the window the moment she sets foot in the guest house. He’s order, she’s chaos, and they need each other to deal with all the baggage they’ve carted along to the point where they meet. And combust.

For me it felt like there were multiple things going on in this story, any one or two of which would have made for either a terrific romance or a great bit of relationship fiction, but that all together couldn’t devote the necessary time to make the whole feel satisfying.

Annabelle’s work situation was painful but oh-so-real, as the inside candidate for the job she took does his worst to use office politics and his long-time friendship with one boss in order to trump Annabelle’s qualifications, capability and long-time friendship with the other boss. That inside candidate is a user and a douchecanoe, but like many such people in real life and fiction (honestly he’s Spender from Mass Effect Andromeda), Carter West is terrible at doing the job but very effective at keeping it by sabotaging everyone around him. Dealing with this asshole, along with getting her friend to own up to having brought her to Phoenix with ulterior motives in this direction would have made an excellent story of female friendship and empowerment and I wish we’d gotten more of that.

While Annabelle has her own issues, the story on Daire’s side is about falling into a relationship with Annabelle in order to avoid dealing with his own. That they call each other on not dealing with their shit was terrific, because they both have lots. But the romantic relationship between them felt like instalove. Something that Annabelle has been known for but Daire is infamous for keeping people at arm’s length and refusing to admit that he cares no matter how much he does. I bought that they loved each other by the end but didn’t really feel them, or particularly him, falling. Although the relationship he manages to re-establish with his sister felt hard-fought and hard-won every step of the way.

Hence the good but not fantastic rating. Each part was good, but they didn’t quite make a whole for me. Your reading mileage may vary.

Review: Radar Girls by Sara Ackerman

Review: Radar Girls by Sara AckermanRadar Girls: a novel of WWII by Sara Ackerman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large Print, paperback, ebook, audiobook
Genres: historical fiction, historical romance, women's fiction, World War II
Pages: 368
Published by Mira on July 27, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

An extraordinary story inspired by the real Women’s Air Raid Defense, where an unlikely recruit and her sisters-in-arms forge their place in WWII history.
Daisy Wilder prefers the company of horses to people, bare feet and salt water to high heels and society parties. Then, in the dizzying aftermath of the attack on Pearl Harbor, Daisy enlists in a top secret program, replacing male soldiers in a war zone for the first time. Under fear of imminent invasion, the WARDs guide pilots into blacked-out airstrips and track unidentified planes across Pacific skies.  
But not everyone thinks the women are up to the job, and the new recruits must rise above their differences and work side by side despite the resistance and heartache they meet along the way. With America’s future on the line, Daisy is determined to prove herself worthy. And with the man she’s falling for out on the front lines, she cannot fail. From radar towers on remote mountaintops to flooded bomb shelters, she’ll need her new team when the stakes are highest. Because the most important battles are fought—and won—together.
This inspiring and uplifting tale of pioneering, unsung heroines vividly transports the reader to wartime Hawaii, where one woman’s call to duty leads her to find courage, strength and sisterhood. 

My Review:

Like the author’s previous books, including last year’s Red Sky Over Hawaii, Radar Girls is a story that talks about World War II on a slightly different homefront from most.

The experience of the war was a bit different in both Hawaii and Alaska, as these two U.S. territories were considerably closer to the front lines than the 48 contiguous states. Alaska was vulnerable because of its large size and relatively small population, making it an easy target – except for the weather. Islands in the Aleutian chain were occupied during the war.

Hawaii, on the other hand, was a small, sparkling, isolated jewel in the middle of the Pacific. It was the perfect location for the U.S. to have a forward base in the Pacific – and provided a tempting target for Japanese forces to use as a stepping stone to the U.S. mainland.

The surprise attack on Pearl Harbor on December 7, 1941 showed the U.S., and especially the Islands’ residents, just how vulnerable their paradise could be. In the wake of the attack, they were determined not to get caught with their defensive pants down a second time.

The centerpiece of that determination forms the heart of this story, as Hawaii mobilizes its men for war and its women for defense, armed with a new tool in their arsenal – RADAR.

This story of previously unsung heroines is wrapped around three fascinating threads. First, of course, there’s the war. But secondly, there’s the story of the sisterhood of women who were recruited to learn military communication, signal interpretations and vectorology, in spite of all the men who said they couldn’t do it. Daisy Wilder, her friends and her frenemies become the heart and soul of the Women’s Air Raid Defense of the Islands, watching for enemies approaching by air and sea, locating downed American pilots and piloting those in trouble safely home.

Daisy comes into the program as a loner, having been raised around more horses than people in the isolated cabin she and her mother have shared since her father’s death. Daisy has been her little family’s primary breadwinner, and dropped out of school in order to make a living at the stables where her father was once employed.

She doesn’t expect to become part of this group of women – after all, it’s not something she has any experience with. That two of the other women are upper class and look down on her for lack of education, her towering height and her practical, unfeminine wardrobe is what she expects. She expects to fail.

Instead she succeeds. Her supposedly “unfeminine” traits and interests make her a good fit for the WARD, and becomes part of this tight-knit sisterhood in spite of those expectations – and in spite of those frenemies.

So a story of unexpected sisterhood set amidst a story of rising to the occasion in the midst of war. But it wouldn’t be complete without the romance that weaves through it. A romance that might never have happened without the war breaking down the barriers between the son of one of the richest men on the island and the daughter of the man his father accidentally killed.

Escape Rating B+: I picked this up because I enjoyed the author’s previous book, Red Sky Over Hawaii, in spite of one seriously over-the-top villain – as if the ordinary wartime conditions weren’t enough trouble for one woman to be dealing with.

I liked Radar Girls more than Red Sky because it didn’t go over that top and dump ALL the troubles of the world onto the same woman’s shoulders. Not that Daisy and her group of found sisters didn’t have plenty of problems, but they were a bit more evenly shared.

One of their training officers is a creeper, stalker and sexual harasser. One of their husbands is MIA and presumed dead. Another woman’s husband is a gambler who has lost their house. Someone else just has terrible luck with men – or makes terrible choices of men. Or a bit of both. Daisy herself is in love with someone she can’t believe could love her back considering their backgrounds.

And they adopt a kitten, who has kittens providing comfort and comic relief in equal measure. While someone in the neighborhood keeps stealing their lingerie from the clothesline.

And over all of it, the constant tension of interpreting radar signals that might, this time, be a second invasion, knowing that getting it wrong could have potentially dire consequences. It’s a stress that increases with each day and each potential sighting – and that never lets up.

Considering that WARD operated behind the scenes – or underground – this is a story where there aren’t a lot of really BIG events happening onstage. There are lots of radar sightings that have the potential to be a second invasion – but it never happens. The women are, by the top secret nature of the job, in an isolated environment. There are big battles, and they all listen to them on the radio, but the battles don’t come to them.

But in spite of all that, in spite of the big drama happening offstage, the story is captivating from the very first page, with Daisy on a remote beach seeing the Japanese planes screaming overhead. Daisy is a fascinating character who is just different enough for 21st century readers to identify with while still feeling like a part of her own time.

Also, I love a good training story, so the parts of this one where Daisy and her cohort get a crash course in their new duties and master them was a treat. It was easy to imagine oneself being part of that crew and doing one’s own bit to fight their war.

This author seems to be making a specialty of telling captivating stories about the homefront experience of her own home state during World War II. I’m looking forward to more – and I expect them to keep getting better and better!

Review: Lady Sunshine by Amy Mason Doan

Review: Lady Sunshine by Amy Mason DoanLady Sunshine by Amy Mason Doan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, women's fiction
Pages: 368
Published by Graydon House on June 29, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

“A delicious daydream of a book.” —Elin Hilderbrand, New York Times bestselling author of 28 Summers
“With lyrical writing and a page-turning plot, this sun-dappled book has it all: heart, smarts, and an irresistible musical beat. A tone-perfect evocation of the free-spirited late 1970s and a riveting coming-of-age story.” —Karen Dukess, author of The Last Book Party
“In LADY SUNSHINE, Amy Mason Doan has crafted an engrossing tale of secrets, memory, music, and the people and places you can never outrun. This novel will transport you to the ‘70s and summertime magic and a long overdue reckoning. A fantastic summer read.”—Laura Dave, New York Times bestselling author of The Last Thing He Told Me
ONE ICONIC FAMILY. ONE SUMMER OF SECRETS. THE DAZZLING SPIRIT OF 1970S CALIFORNIA.

For Jackie Pierce, everything changed the summer of 1979, when she spent three months of infinite freedom at her bohemian uncle’s sprawling estate on the California coast. As musicians, artists, and free spirits gathered at The Sandcastle for the season in pursuit of inspiration and communal living, Jackie and her cousin Willa fell into a fast friendship, testing their limits along the rocky beach and in the wild woods... until the summer abruptly ended in tragedy, and Willa silently slipped away into the night.
Twenty years later, Jackie unexpectedly inherits The Sandcastle and returns to the iconic estate for a short visit to ready it for sale. But she reluctantly extends her stay when she learns that, before her death, her estranged aunt had promised an up-and-coming producer he could record a tribute album to her late uncle at the property’s studio. As her musical guests bring the place to life again with their sun-drenched beach days and late-night bonfires, Jackie begins to notice startling parallels to that summer long ago. And when a piece of the past resurfaces and sparks new questions about Willa’s disappearance, Jackie must discover if the dark secret she’s kept ever since is even the truth at all.
Lady Sunshine is shot through with free love, hope, and all the magic of the ’70s, but under the sun and music lie dark secrets.It’s a thrilling ride, a beautiful evocation of an era, and a story that will keep readers entranced from the first page to the last.”—Rene Denfeld, bestselling author of The Child Finder
“This book is gorgeous. A gold-drenched nostalgic dream with a fierce female friendship at its heart.”—Marisa de los Santos, New York Times bestselling author of I'll Be Your Blue Sky
“Haunting and vivid, with layered, complex characters and an evocative setting that sparkles with detail, LADY SUNSHINE will stay with me for a long time.”—Julie Clark, New York Times bestselling author of The Last Flight

My Review:

This story feels like its drenched in summer, not just any summer, but those summers that exist only in memory, the summers of childhood where the season seems endless when school lets out, but speeds up inexorably as the number of carefree sunny days dwindles down at the end as school looms on the horizon.

Even though Jackie and her cousin Willa are not children in this particular summer. But at 17 when the story begins, they are not exactly adults either. This is a story of that summer where it all changes.

It’s also a story about another summer, the summer twenty years later when Jackie returns to the place she left behind, all alone with her memories of friendship and love and loss. Only to find that she isn’t quite as alone as she believed, and that those memories, as painful as they are, are not quite done with her yet – no matter how much she wants to be done with them.

It’s the summer of 1979, and Jackie has come to spend her last summer of high school at the Sandcastle, the home of her uncle Graham Kingston, a famous folk singer of the 1960s whose best performing and recording years seem to be behind him – along with the demons that lifestyle brought with them.

Jackie, escaping from the straitjacket of conformism that is life with her father and stepmother, finds herself, and finds herself a home, in the free-spirited and freewheeling circle of artists, musicians and friends that hangs around her uncle at the Sandcastle. And she finds the sister of her heart in her cousin Willa.

Twenty years later it’s all gone. Her larger-than-life uncle is long dead, as is her cousin Willa. No one is left except Jackie to inherit the house, the grounds, the studio and all the memories they left behind. She’s back for one final summer, the summer of 1999, to pack it all up and sell it all away. Forever.

But first she has to go back to the time, and the place, where it all went so very wrong. There are pieces still left to break her heart one last time – if only she’ll reach out and grab them.

Escape Rating B: This is such a summer book. The heat of both of those long-ago summers practically steams off the page, and the sound of the surf rolls in your ears as you read Jackie’s old diary over her shoulder.

But the story also moves at the pace of those long ago summers, in that it builds slowly at the beginning, like the early days of summer when it feels like the season will last forever. And occasionally it feels like that part of the book is taking its own sweet summer time to get itself off the ground.

Once it catches its own wave, once the end of both summers is on the horizon, the pace picks up as the girls of 1979 and the woman of 1999 try to wring the last drop of bittersweetness out of each and every day that is left.

In 1979, Jackie doesn’t want to leave. In 1999, it feels like she can’t until she’s done. Or until it’s done with her.

Although speaking of 1979, on the one hand I have to say that it read like I remember. I was just a few years older than Jackie and Willa at the time. On the other hand, I kept wondering why the author chose that particular time period, and I think it must have been the music.

As I said, Jackie’s 1979 felt like the one I remember. Which is part of what carried me through the early parts of the story.

Because it’s the story of that golden summer that sweeps the reader up and carries them away, just as Jackie was carried away by the larger than life figure of her uncle and the place he created around himself on the northern California coast.

Because of the dual timelines, we start the story know that something terrible happened at the end of that summer. The questions all revolve around what that something was that made the idyll crash and burn.

Waiting to discover what that “something” was hangs over the entire book, because even in the secondary timeline of 1999 Jackie refuses to get near that memory. As the story spun out, it became clear that it was a loss of innocence, but not sexual. This is not Summer of ‘42 and the girls neither lose their virginity nor get sexually abused by a trusted mentor or family member. It’s much more complicated, and therefore more interesting, than that.

It turns out that the loss is twofold, they discover that their hero has feet of clay up to the knees, and they discover that their attempts to “fix” things can have tragic consequences. But it takes a fair bit of story to get there.

While the foundation of everything is in 1979, the 1999 portions of the story were more dynamic. More things happen and they happen faster, even as Jackie continues to avoid the real issues that brought her back.

But when those issues finally come full circle, it provides a lovely ending for the whole emotional package. There were points in the middle where I wondered whether this story was ever going to get itself to its sticking point, but when it finally did it made for just the right coda to the entire journey.

Review: The Summer of No Attachments by Lori Foster

Review: The Summer of No Attachments by Lori FosterThe Summer of No Attachments by Lori Foster
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, women's fiction
Series: Summer Friends #2
Pages: 336
Published by Hqn on June 22, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Summer flings with no strings mean nobody gets hurt.At least, that was the plan…
After putting the brakes on her dead-end relationship, local veterinarian Ivey Anders is ready to soak up this summer on her own terms. The way she sees it, no dating means no disappointment. Why complicate life with anything long-term? But when she meets Corbin Meyer—and his troubled young son, Justin—Ivey’s no-strings strategy threatens to unravel before she can put it into practice.
Trust doesn’t come easy for Ivey’s best friend, Hope Mage, a veterinary-clinic assistant who’s affected by an incident that’s colored every relationship she’s had. Though Hope’s happy for Ivey, she can’t quite open her own heart to the possibility of love. Not just yet… Maybe not ever. Soon, however, she’s faced with a dilemma—Corbin’s older brother, Lang. He’s charming, he’s kind…and he may just be the reason Hope needs to finally tear down her walls.
And as the sweet summer months unspool, the two friends discover love won’t give up on them so easily.
"Brimming with heart, heat and humor."—Jill ShalvisNew York Times bestselling author, on Worth the Wait

My Review:

The irony of The Summer of No Attachments is that the first thing that Ivey does after declaring that she isn’t going to get attached to anyone this summer is that she immediately gets attached to someone.

However, as Ivey is a veterinarian, that she finds herself instantly attached to a slightly skittish rescue dog named Daisy – along with all of the puppies that Daisy gave birth to practically in Ivey’s lap – is not all that big a surprise.

But Daisy and her puppies are all adorable, so we all do fall right along with her. That Daisy is the first Jack-A-Bee dog I’ve heard of or read about made her extra cute. (A Jack-A-Bee is the result of mating a Jack Russell Terrier with a Beagle and the whole idea just oozes cuteness.)

Ivey’s romance with Daisy would have been an adorable story, but that’s not what we’re here for. And honestly, that’s not what Ivey is there for, either. Okay, it is part of what she’s there for, but not ALL of it.

As the story opens, Ivey finds Daisy and Daisy has her puppies at the end of what has already been a very long day for Ivey and her best friend and veterinary assistant Hope Mage. When Ivey finally makes it home, her boyfriend of two years is lounging on her couch bitching about her being home late.

It’s the latest in a string of disappointments in that relationship, and it’s the last. Ivey kicks Geoff to the curb and vows to have a summer of hookups with no need to fall into another relationship.

Haven’t we all made those kinds of vows?

Ivey’s promise to herself turns out to be about as successful as you might expect. The meet cute in this story isn’t between Corbin Meyer and Ivey Anders, although they certainly do meet. But the real cute in that meeting is the one between Corbin’s son Justin and Daisy and her pups.

There’s something about Justin, scared, shy and uncertain, that reaches out to Daisy – and surprisingly vice-versa for the boy and the dog. That the dad and the vet can’t resist seeing the two fall in love and help each other heal makes this a lovely story with a lot of heart.

And doggie kisses!

Escape Rating A: I just plain fell in love with these characters, this place and this story, to the point where I was up until 4 am because I couldn’t resist reading just a little longer – all the way to the very heartwarming conclusion with its happy ever afters all around. HEAs for everyone turned out to be just what I needed.

The primary story is in not just the romance between Corbin and Ivey, but in the way that they both fall in love with Justin and build a family together out of some pretty shaky circumstances.

As the story begins, Corbin and Justin are still walking on eggshells around each other. Justin’s mother dumped him on Corbin, after telling Corbin that the child she never bothered to inform him existed was his and it was time for him to take over childcare full-time while she ran off. As the truths about Justin’s circumstances are slowly revealed – not just to the reader but to Corbin – the scope of the tragedy-in-the-making becomes both clearer and wider.

So Corbin is adjusting to having a pre-teen son he never knew about. He hasn’t really got the time or the energy for a relationship and Ivey is more than a bit gun-shy about diving into a relationship with anyone at all. (Not that her ex was evil or anything, but she feels like she just climbed out of a rut and is worried about climbing into another one.)

But they do it anyway, in spite of themselves, two steps forward and one step back, while Corbin’s family rallies around and life goes on.

The secondary characters were icing on a very tasty cake, especially the romance between Corbin’s brother Lang and Ivey’s bestie Hope. That could have been a whole romance all of its own, and it would have been a great one even by itself, but the story was even better in the contrast between the kind of second chance that Corbin, Ivey and Justin are reaching for and the much more difficult one that Hope needs to let herself have after trauma and betrayal.

The depth of the friendship between Ivey and Hope was beautiful, and added something special to the whole story. A story that was just plain special all the way around.

Goodreads says that this book is the second book in The Summer Friends series that begin with The Somerset Girls, which I have but have not read. Although now that I’ve visited Sunset, Kentucky, I’m sure I’ll find my way back!

Review: The Clover Girls by Viola Shipman

Review: The Clover Girls by Viola ShipmanThe Clover Girls by Viola Shipman
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: Chick Lit, women's fiction
Pages: 416
Published by Graydon House on May 18, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

"Like a true friendship, The Clover Girls is a novel you will forever savor and treasure." —Mary Alice Monroe, New York Times bestselling author
Elizabeth, Veronica, Rachel and Emily met at Camp Birchwood as girls in 1985, where over four summers they were the Clover Girls—inseparable for those magical few weeks of freedom—until the last summer that pulled them apart. Now approaching middle age, the women are facing challenges they never imagined as teens, struggles with their marriages, their children, their careers, and wondering who it is they see when they look in the mirror.
Then Liz, V and Rachel each receive a letter from Emily with devastating news. She implores the girls who were once her best friends to reunite at Camp Birchwood one last time, to spend a week together revisiting the dreams they’d put aside and repair the relationships they’d allowed to sour. But the women are not the same idealistic, confident girls who once ruled Camp Birchwood, and perhaps some friendships aren’t meant to last forever…
Bestselling author Viola Shipman is at her absolute best with The Clover Girls. Readers of all ages and backgrounds will love its powerful, redemptive nature and the empowering message at its heart.

My Review:

Actual adulting is very different from what we imagined life would be like when we were kids. Even more different than real life was from summer camp life, back in that long ago day.

Or at least that’s true for the Clover Girls of Camp Birchwood as they look back on those four golden summers more than 30 years ago, back when they were certain they were going to be best friends 4-EVER, just like their names. Back when they were 15 instead of 50. Before they broke their friendship and went their separate ways.

Back when they were all full of life and hope and dreams. Back when they were all alive.

Because none of those things are true any longer. Veronica, once a supermodel, has faded into the background of her marriage and her life. Liz is caught in the mid-life sandwich, divorced, taking care of her dying mother and coming to the harsh realization that her grown up children are selfish, self-centered and self-absorbed, and that Liz is going to be all alone in the world when her mother dies. Rachel is possibly the most hated woman in America, a former actress and conservative political handler and TV personality who lives out of a suitcase and goes on TV to spin the deeds of vile politicians into soundbites that can be all-too-easily swallowed by people looking for demons to embrace.

Emma is dead. But before she died she returned alone, to Camp Birchwood, one last time, to make the abandoned campground ready for one final visit from the Clover Girls. Emma hopes that a return to the place where they were free to be their best and most authentic selves will give the friends she loved so much one last chance to fix what they broke between them.

And what they broke inside themselves.

Escape Rating A-: The Clover Girls reads like “sad fluff”, but it’s the fluffiest, tastiest marshmallow fluff that ever fluffed, lightly toasted and nestled lovingly between two graham crackers and just the right amount of chocolate. In other words, it may be sad fluff, but it’s the quintessential s’more of sad fluff, just as messy, gooey and tasty as the s’mores we ate at summer camp way back when.

And if my read of it is any indication, it’s clear that you can take the girl out of summer camp, time can put the entire experience (far) into the rearview mirror, but you can’t really take the girl out of the woman or the s’mores out of the girl.

There is a LOT of sad in this story – and not just because Emma is dead from the beginning. But it’s a weep in the middle rather than a cry at the end kind of story. All of the remaining Clover Girls have a lot to get over, a lot to forgive each other for and an equal amount of crap to forgive themselves for, but the story ends with a smile and twinkle in its eye.

Along the way, there’s a lot about the boxes that women get shoehorned into from a very young age, and how there’s even less time than there was when the Clover Girls were girls for girls to just have a chance to be and to find out who they can be when there’s less pressure to fit into the molds that society and their parents have already laid out for them.

One thing I was grateful for is that there aren’t a ton of flashbacks. There’s just enough for the reader to understand what went right and wrong back then that led them to the lives they have now, without spending half the book reliving the past.

It’s the present that’s important. Acknowledging the past is necessary in order for them each to move forward, but rehashing the past in all of its gory detail won’t help them deal with the issues they have in the present. And I’ll admit that I wouldn’t have liked the story half as much if that was the way it had been written.

Something else that I liked about this story was the way that the author dealt with the recent past and the political strife that has occurred in the U.S. over the past few years. Not just the conflict between political parties but divisions between family members. The remaining Clover Girls seemed to run the political gamut from liberal to conservative, but with the exception of Rachel it was conservative in the way that anyone who lived through the Reagan Era would think of conservative rather than the pure factionalism that’s occurring now. I found that acknowledgement to be both real and tastefully done, although I’m sure that others’ reading mileage will vary.

There turned out to be much more to this story than I expected on any number of fronts, all of them thought provoking and in the end rather joyful. And that sad fluff was surprisingly tasty as well as nostalgic. All in all, an absolutely lovely read.

Review: Talk Bookish to Me by Kate Bromley

Review: Talk Bookish to Me by Kate BromleyTalk Bookish to Me by Kate Bromley
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, romantic comedy, women's fiction
Pages: 320
Published by Graydon House on May 25, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Inspiration can come from the most unlikely—and inconvenient—sources.
Kara Sullivan’s life is full of love—albeit fictional. As a bestselling romance novelist and influential bookstagrammer, she’s fine with getting her happily-ever-after fix between the covers of a book.
But right now? Not only is Kara’s best friend getting married next week—which means big wedding stress—but the deadline for her next novel is looming, and she hasn’t written a single word. The last thing she needs is for her infuriating first love, Ryan Thompson, to suddenly appear in the wedding party. But Ryan’s unexpected arrival sparks a creative awakening in Kara that inspires the steamy historical romance she desperately needs to deliver.
With her wedding duties intensifying, her deadline getting closer by the second and her bills not paying themselves, Kara knows there’s only one way for her to finish her book and to give her characters the ever-after they deserve. But can she embrace the unlikely, ruggedly handsome muse—who pushes every one of her buttons—to save the wedding, her career and, just maybe, write her own happy ending?
"A fun and sexy romp, with chemistry that gave me all the feels!" —Jennifer Probst, New York Times bestselling author of Our Italian Summer
"Add this book to your TBR list immediately!" —Sarah Smith, author of Faker

My Review:

Romance book tropes are not nearly as much fun to experience in real life as they are between the pages of the best-selling romance novels that Kara Sullivan writes. Or so she discovers when it seems like all of her favorite tropes are happening to her, all at once, when her muse is on strike and she runs into her ex in a meet-not-so-cute at her best friend’s pre-wedding party.

Some of Kara’s favorite tropes are enemies-to-lovers, forced proximity and forbidden love, and she gets all of those and more in this second-chance at love story. Which is, of course, yet another romantic trope.

Now that I think about it, Kara REALLY should have paid more attention to her list of favorite tropes from the very beginning. It would have saved her a lot of heartbreak – but it might have also prevented her chance at her very own HEA.

Not to mention keeping her from missing the deadline to submit her next book!

Escape Rating B: I’m putting the rating in really, really early because I really need to talk about this book and the myriad mixed feelings it gave me. Because there were lots. Bunches. Oodles.

A LOT.

For me, this didn’t read so much as a second chance romance as it did a kind of “unfinished business” romance. Kara and Ryan fell in love in college, and it was one of those stars blazing in the night overwhelming kinds of love that happens when we’re young and not yet jaded and haven’t felt anything quite like it before. It’s that first romance on the cusp of adulthood, when you can imagine spending the rest of your life with this person and you’re old enough for that to be real but you may not be quite mature enough to get through the hard parts.

Kara and Ryan didn’t so much break up as explode while both of them were dealing with terrible situations in their birth families. But it feels like when they broke up they weren’t really done with each other, so when they meet again ten years later, everything that wasn’t resolved back then comes back up now. Unfortunately along with bringing back all the feelings, they regurgitate the bad parts as well.

So Kara’s angst at seeing Ryan again is laid on top of her angst about her next book along with her long held grief and guilt at the sudden death of her father and the arguments they were having at the time he died.

(This was the part that gutted me. My dad also died suddenly, although thankfully not in the midst of us arguing. It’s been almost 30 years now and sometimes the grief still cuts like a knife. I was just so there for Kara that I almost couldn’t go on with the book.)

Also, I don’t know why, but I went into this one thinking that it would be a rom-com. It has all of the witty banter of a rom-com, but as funny as Kara’s and Ryan’s verbal interactions sometimes are, the story at its heart isn’t funny.

Now that I think about it, this might be verging on what some of my bookish friends are calling “sad fluff”. What happened between Kara and Ryan back in college ended sadly, and both of them have been sad about it for pretty much the entire intervening time – at least all of that time when they weren’t still seething with anger.

And what happens in the present, well it ends well. It ends with the chance of happiness. But it doesn’t end with a happy ever after because their relationship still isn’t ready for that. In some ways I’m glad to see a story that is set up as a romance not quite end romantically just because it’s a romance. An HEA at the point Kara and Ryan are at the end wouldn’t feel earned.

But it’s also weird to read a romance that doesn’t end in an HEA or HFN.

Talk Bookish to Me wasn’t quite as bookish as I was expecting, although her portrayal of just how much damn work it is to be a bookstagrammer made me glad that every time I investigated the possibility I backed off. Bookstagram is neat but I’m so much more about the words than about the pictures that I can’t even. So that bit made me perversely happy.

As I said earlier, this one gave me a ton of mixed feelings. Both while reading and after. Your reading mileage may vary but please be advised that emotions in bookish mirror may be closer than they appear.

Review: The Summer Seekers by Sarah Morgan

Review: The Summer Seekers by Sarah MorganThe Summer Seekers by Sarah Morgan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, women's fiction
Pages: 432
Published by Harlequin HQN on May 18, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

“The ultimate road-trippin’ beach read and just what we all need after the long lockdown.”Booklist
, STARRED REVIEW
for
THE SUMMER SEEKERS

The Summer Seekers is the ultimate road trip book.”—Susan Wiggs, #1 New York Times bestselling author
Get swept into a summer of sunshine, soul-searching and shameless matchmaking with this delightfully bighearted road-trip adventure by USA TODAY bestselling author Sarah Morgan!
Kathleen is eighty years old. After she has a run-in with an intruder, her daughter wants her to move into a residential home. But she’s not having any of it. What she craves—what she needs—is adventure.
Liza is drowning in the daily stress of family life. The last thing she needs is her mother jetting off on a wild holiday, making Liza long for a solo summer of her own.
Martha is having a quarter-life crisis. Unemployed, unloved and uninspired, she just can’t get her life together. But she knows something has to change.
When Martha sees Kathleen’s advertisement for a driver and companion to share an epic road trip across America with, she decides this job might be the answer to her prayers. She's not the world's best driver, but anything has to be better than living with her parents. And traveling with a stranger? No problem. Anyway, how much trouble can one eighty-year-old woman be?
As these women embark on the journey of a lifetime, they all discover it's never too late to start over…

My Review:

We’re all the products of our families, in one way or another. For some, it’s by imitation. We learned what to do by observing the people around us. For others, it’s in opposition. We learned what not to do by observing the people around us.

It’s pretty clear at the beginning of The Summer Seekers that Liza and her mother Kathleen exist in opposition. Kathleen’s life has been filled with wanderlust, spending most of Liza’s growing up years on the road filming her travel show, titled, just as this book is, The Summer Seekers.

What Liza learned from that experience is that she absolutely did not want that life for herself. She attached herself to home and hearth pretty much as soon as she could. Kathleen craved adventure, leaving Liza to crave the security she never felt she had.

But time has marched on. Kathleen still craves adventure, but at 80 her adventures are not quite as easy to arrange. While 40ish Liza wants above all for her mother, and all of her other loved ones, to be safe. Even though “safe” is the last thing that Kathleen was EVER built for.

There’s that saying about a ship in harbor being safe, but that not being what ships are built for. Kathleen is the ship. Her daughter Liza is the harbor, attempting to keep every ship not just safe but her own definition of safe and worrying so much over every ship – meaning every member of her family and their every need – that she’s worrying herself all the way to a permanent panic attack – if not worse.

And Kathleen and Liza, no matter how much they love each other, manage to just push each other further and further away. Liza wants to keep her mother safe, and she desperately needs to talk about her feelings about her mother’s absences, both physical and emotional, as she was growing up. While Kathleen wants to live the remaining years of her life by wringing out every day until every last drop has been squeezed out – and by never talking about or touching on anything deeply emotional at all.

They are on an emotional collision course when Kathleen announces that she is planning to take the one trip she always intended to but never quite managed. She intends to fly from London to Chicago and take a ride on storied, scenic Route 66. With an unemployed former barista named Martha as her driver, personal assistant and companion.

Liza is practically out of her mind with worry. Because that’s the person she’s become.

But just as Kathleen is about to fly away, just as she did so often during Liza’s childhood, they have one of those moments when they see each other clearly. A moment that puts a shaky bridge across the emotional chasm between them.

And in that moment they throw each other an emotional lifeline. As the miles increase between them, the distance, paradoxically, closes.

But is it too late?

Escape Rating A-: The Summer Seekers begins as Kathleen and Liza are in the midst of a seemingly life-long failure to communicate. Kathleen is emotionally distant – not just with her daughter but with, generally, everyone in her life. Liza, in reaction to her mother’s emotional distance during her childhood, has turned into her mother’s opposite – a woman who has tried to be so present and so involved in the lives of everyone she loves that she does everything for them – and has lost herself in the process.

Into the middle of that gulf steps, or rather drives, Martha. Literally as well as figuratively. Because Martha has the emotional intelligence that both Kathleen and Liza lack. (It’s clearly not in their family DNA!) It’s kind of a surprise that it’s in Martha’s, because her own family can’t seem to appreciate anything she has or is or does – and it’s killing her spirit one hour at a time.

But on this journey, Martha becomes the bridge between Kathleen and Liza. At 25, she’s not quite young enough to be Liza’s daughter, but she’s definitely of an age to be Kathleen’s granddaughter. In the forced intimacy of a very long car trip in a small but fast sports car, they open up to each other in a way that neither has done with their families.

So technology-savvy Martha facilitates the smartphone, email and video chat communication that links Kathleen with her daughter Liza. They share more over the longer distance than they ever have when close.

At the point where the story becomes about Kathleen’s, Liza’s and Martha’s physical and emotional journeys forward and towards each other, it becomes an absolute delight to follow. But the beginning, when Kathleen and Liza are at such cross purposes they are not having the same conversation even when they are in the same conversation, was a painful read for me because it hit much too close to home.

What makes this story is not the physical journey but rather the emotional journey. Martha, with just a bit of Kathleen’s help, learns to listen to the voice inside herself and not all of the naysayers that surround her at home. Kathleen, with a bit of help from Martha’s emotional intelligence, opens up to her daughter about the past Kathleen left behind long ago, and the betrayal that led to the emotional distance that affected both of their lives.

While Liza, with just a bit of prodding from her mother, finally snaps under the weight of all of the worries and obligations that she has buried herself under for so long. In the resounding echo of that snap she drops everything and takes back…herself. She puts herself, her own dreams and her own needs, back near the top of her gigantic to-do list. And every single person in her life is the better for it. Including, most especially Liza.

The “kicks on Route 66” in the Mustang convertible may be the thing that push the story forward, but it’s the emotional journeys that pull very successfully at the reader’s heart.