Review: Never Too Old to Save the World edited by Addie J. King and Alana Joli Abbott

Review: Never Too Old to Save the World edited by Addie J. King and Alana Joli AbbottNever Too Old to Save the World: A Midlife Calling Anthology by Alana Joli Abbott, Addie J. King
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, science fiction, short stories, urban fantasy
Pages: 318
Published by Outland Entertainment on February 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Once every generation there is a Chosen One, who will stand between humanity and darkness.
But why is the Chosen One so often a teenager? Why do only children get swept through portals to save the fantastic world on the other side? Whose idea was it to put the fate of the world in the hands of someone without a fully developed prefrontal cortex?
In Never Too Old to Save the World, nineteen authors explore what would happen if the Chosen One were called midlife. What would happen if the Chosen One were:
a soccer moma cat ladya nosy grandmothera social workera retireean aging swordmaster?
The Chosen One could be anyone— because when the universe calls, the real question is whether the hero will take up the mantle and answer their midlife calling. Sometimes the world needs a hero who's already been in the thick of chaos and survived. In those cases, age does matter.

My Review:

What if you didn’t find a wardrobe to Narnia – or anywhere else – back when you were 8? And you didn’t get your Hogwarts letter at 11? And Gandalf didn’t even manage to come to take you on an adventure at 50?

Or perhaps, by the time Gandalf found you at 50, you thought you were too old to go on adventures – or – and much more likely –  had too many commitments in the so-called ‘real world’ to run off and leave your responsibilities behind? After all, Bilbo very nearly did.

That’s what this collection is about. It’s all about people who pick up the mantle of the ‘Chosen One’ in some fantasy or science fictional world who are explicitly not children or teens. Who are a bit too tied down – or a bit too wised up – to be the fool that rushes in where angels rightly fear to tread. Or so they think.

This collection is for everyone who missed that wardrobe or that letter and still wonders whether or not they’d have what it takes – or have the willingness to feel the fear and do it anyway – if a white wizard or a mad man with a blue box came calling for them.

There are 19 fabulous stories in this collection – and I think I loved every single one. To the point where I can’t just pick one favorite. I have to pick two.

My favorite fantasy story is “Jackalope Wives” by Ursula Vernon – who also writes marvelously fantastic fantasy and horror as T. Kingfisher. “Jackalope Wives” is the only story in the book that has been previously published, originally in Apex Magazine and later in her short story collection Jackalope Wives and Other Stories.

This is the story that won the 2014 Nebula Award for Best Short Story and should have won the 2015 Hugo Award in the same category. But, well, puppies. I digress and I need to stop to keep from going there again. Because ARRGGGHHH. Still.

“Jackalope Wives” is one of those stories that surprises the reader with a twist at the end that is even more heartbreaking, in its way, than the story you thought you were reading – which was already heartbreaking enough. Grandma Harken is absolutely correct that “You get over what you can’t have faster than you get over what you could.” But the truth of that statement doesn’t make the getting over any faster or any easier.

As a counterweight to the bitter, bitter sweetness of “Jackalope Wives”, my science fictional favorite story is “Launch Day Milkshakes” by Jim C. Hines, which is literally laugh out loud funny. To the point where I started laughing and couldn’t get a breath OR stop as my spouse looked over at me like I’d lost my mind because I could not catch enough breath to explain the joke.

At first, “Launch Day Milkshakes” is a story about absolutely deliciously getting one over on a misogynistic asshat boss in the biggest and best way possible. It’s also a brainship story in the vein of Anne McCaffrey’s classic, The Ship Who Sang. But that’s not all it is, and neither of those things were the parts that made me laugh so hard – no matter how much I enjoyed the asshat’s comeuppance. Which I very much did. I’m not going to spoil this one because it’s just so much fun when you get the joke – and see it get batted around like the universe’s biggest ball of yarn.

I know I said two favorites, but my third is kind of a riff on Buffy, meaning that there’s some urban fantasy in here as well. “Lean In: The Lord of Hell is Coming” by Ericka Kahler starts out with the local representative for the equivalent of the Watchers coming to a CEO to tell her that demons are coming to her city and that she’s the ‘Chosen One’ who is supposed to vanquish them. It’s not news to Mary Ann because she already has, just not in the way that heaven expected or that hell can ever manage to fight. I think this one is funnier the longer you think about it.

Of the rest of the collection, there are considerably more fantasy stories than SF as fantasy does tend to lend itself more to ‘chosen one’ narratives. Not that there haven’t been more than a few famous SF stories in this vein (I’m looking at you, Luke Skywalker – ahem). But magical appointments, by their very nature, do find themselves a bit more comfy – while their protagonists are generally quite uncomfy – in fantasy.

Because I loved this collection so hard, I can’t resist a brief shout out to every single one of the stories in it. The SF stories are listed first because there were fewer of them and because I’m contrary that way.

  • “The M.A.M.I. Incident” by Guadalupe Garcia McCall reminded me a whole lot of Day Zero by Robert C. Cargill which makes for a great but uncomfortable story.
  • “Utopia” by Vaseem Khan about making a friend out of a very great enemy.
  • “All the World’s Treasures” by Kimberly Pauley about a family legacy that is just so much bigger on the inside than it first appears.
  • “Big Momma Saves the World” by Maurice Broaddus about the great power in bad macaroni and cheese.
  • “A Legacy of Ghosts” by Sarah Hans about exorcizing one’s very own demon family with the power of positive thinking.
  • “Adya and the Messengers” by Jaymie Wagner about the proper treatment of heavenly messengers and their steeds.
  • “Soccer Mom Saves the World” by Addie J. King, a story whose title does pretty much say it all.
  • “My Roots Run Deep” by John F. Allen about a social worker saving the multiverse and getting her groove back at the same time.
  • “It’s My Nature – A ‘Monster Hunter Mom’ Adventure” by JD Blackrose, another one whose title gives more than a bit of a clue about the story.
  • “Truthteller” by Linda Robertson, a historical fantasy about an object of power that isn’t quite what any of the parties seeking it imagined.
  • “Granny” by R.J. Sullivan about a neighborhood snoop who is way more than she seems.
  • “The Sunspear” by Alexandra Pitchford, about a young woman who believes she has a destiny and a middle aged woman who is running from hers.
  • “Once a Queen” by Alana Joli Abbott, a Narnia-like story with a much better ending.
  • “By the Works of Her Hands” by LaShawn M. Wanak, another Narnia-type story where the portal opens as a lure to pull the right person in chasing after the young fool who rushes in believing that they are ‘the one’ when they’re just bait for their mother.
  • “Strange Wings” by Kathryn Ivey about a warning that comes nearly too late.
  • And last in both the collection and this list: “The Mountain Witch” by Lucy A. Snyder about the uses to which both heroes and villains are put when they are both female.

Escape Rating A+: I don’t normally list every single story in a collection like this, but this collection frequently got me in the feels and gave me something to identify with in just about every story. Sometimes we all need that reminder that age is just a number and that everyone has it in them to save, if not the world, at least their corner of it.

I’m also still hoping against hope that Gandalf will finally get the hint!

 

Review: The Keeper’s Six by Kate Elliott

Review: The Keeper’s Six by Kate ElliottThe Keeper's Six by Kate Elliott
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, urban fantasy
Pages: 208
Published by Tordotcom on January 17, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Kate Elliott's action-packed The Keeper's Six features a world-hopping, bad-ass, spell-slinging mother who sets out to rescue her kidnapped son from a dragon lord with everything to lose.
There are terrors that dwell in the space between worlds.
It’s been a year since Esther set foot in the Beyond, the alien landscape stretching between worlds, crossing boundaries of space and time. She and her magical travelling party, her Hex, haven’t spoken since the Concilium banned them from the Beyond. But when she wakes in the middle of the night to her son’s cry for help, the members of her Hex are the only ones she can trust to help her bring him back from wherever he has been taken.
Esther will have to risk everything to find him. Undercover and hidden from the Concilium, she and her Hex will be tested by dragon lords, a darkness so dense it can suffocate, and the bones of an old crime come back to haunt her.

My Review:

There’s a popular image in science fiction – fostered by pretty much all of Star Trek (apropos of yesterday’s book) where Earth and Earth humans seem to be the center of the galaxy no matter how many other races and species might populate it.

(And now I’m wondering if that attitude might have been at least part of the reason why Star Trek: Enterprise didn’t do so well. Because it showed us being on the back foot and under someone else’s thumb. I seriously digress.)

But in fantasy, when Earth gets connected to the rest of the ‘verse, whatever that ‘verse might be, we’re often considered a backward place whose population can’t be trusted to accept that we’re not alone, we’re not on top, and we don’t have anything like a manifest destiny at all.

We’re a protectorate – or at least a protected world of some kind. Because most of us can’t handle the truth that is out there and that we’re not in charge of it and never would be.

That’s the situation in the Wayward Children series, particularly in its most recent entry, Lost in the Moment and Found. And it’s very much the case in Ilona Andrews’ Innkeeper Chronicles, which the universe of The Keeper’s Six rather strongly resembles – and not just for that.

Daniel Green is a Keeper. Certainly his mother Esther and his spouse Kai would both agree. But in the context of this universe, being a Keeper is a specific and rather uncommon thing to be. Keepers maintain Keeps, and Keeps are the structures that straddle the line between the realm of that place’s “real” world and the dangerous and limitless Beyond that links the worlds together.

The Keeps and their Keepers are essential to maintaining trade routes between the worlds. But Keepers themselves don’t generally travel. Trade is conducted by special groups of talented magic users called Hexes because there are six specific talents required to navigate the Beyond. More than six in any single group invites death and destruction. Less is theoretically possible but likely to get itself killed because the group doesn’t have the necessary when the feces hits the oscillating device.

Esther Green is the Lantern, or light maker, of the freelance Hex that operates out of Daniel’s Keep. But she’s also Daniel’s mother. So when she gets a call that he’s been kidnapped, she drops everything – including the restriction against her Hex returning to the Beyond for ten years – to ride to his rescue.

A rescue that is going to be fraught with even more danger than Esther initially imagined – and she imagined a LOT.

But as Esther and the rest of her Hex get back together to storm the one place they’re not supposed to return to, we get to see just how this world does and doesn’t work, we get introduced to a fascinating group of people and an even more fascinating kind of magic.

While Esther has to go head-to-head and toe-to-toe with obstreperous bureaucrats, nefarious smugglers and villainous slave traders while chasing down old clues and new betrayals on her quest to rescue her son from the dragon who thinks that he’s running the show AND Esther.

He’s not. He just doesn’t know it – yet.

Escape Rating A-: Like the author’s previous novella, Servant Mage, The Keeper’s Six introduces us to a world that is much larger than the relatively small slice we get. Howsomever, very much unlike that previous book, The Keeper’s Six feels like it is just the right length for this story. It would be fantastic to have more, and there are certainly hints in what we have that there could be a more at some future point – but we don’t need that more to feel like this story doesn’t come to a lovely and satisfactory conclusion – because it absolutely does.

But this universe is fascinating and seems to have so much more to explore and I’d love to go back. To the point where this is my second reading of the book. I read this for a Library Journal review during the summer and liked it so much that I wanted to visit the world again and liked it even more on the second trip.

Part of what made me pick this back up again was that Esther would fit right into Never Too Old To Save the World, a collection of stories about people in midlife – or a bit later – who get called to be the ‘Chosen One’ for fantasy or SFnal worlds and how their change in fate melds and conflicts – sometimes at the same time – with the life they have already built.

(Never Too Old To Save the World will be out next month. I’ve already read it and it’s wonderful. Review to come!)

Esther is in her mid-60s in The Keeper’s Six. She’s been part of a Hex for most of her adult life, leading expeditions into untracked places, facing untold dangers, never knowing whether she’ll make it back or not. She’s addicted to the adrenaline of the work but aware that her days at it are numbered. The mind and spirit may be willing but time is taking its toll. Her quest has her between the proverbial rock and the opposing hard place. A dragon has kidnapped her son, and what that dragon wants in return is her son’s spouse and the co-parent of their four children.

This dragon eats books – literally not figuratively. But when he does, people – not necessarily humans but people – arise out of nowhere in the midst of his hoard as living representations of the books he’s consumed. I’m amazed and appalled in equal measure – and so is Esther.

There’s just so much going on in The Keeper’s Six. The way the Beyond is stable and unstable at the same time, keeps the Hex on their toes and the reader guessing what will come next. The juxtaposition of the Hex’ utter trust in each other with their interpersonal conflicts makes every situation precarious.

That there are wheels within wheels spinning around their suspension, this quest, the dragon’s questionable motives and their own group dynamics keeps all the plates spinning in their air in a way that kept me riveted through both readings.

The icing on this lovely little cake was that Esther is Jewish and that it wasn’t just window dressing. Her religion and her practice of it mattered both to the story and to the way she conducted herself within it. (That representation also mattered to me on a personal level.) That there is just a touch of romantic possibility between Esther and the dragon’s lieutenant, a man who seems to be the embodiment of the 14th Century Judeo-Persian poet Shahin who wrote about Queen Esther, the biblical queen for whom Esther Green was named provided just the right amount of rueful sweetness in the midst of all the danger and the necessary and important derring do required to fix it.

On top of everything else that made The Keeper’s Six so much fun was the way that it seemed to link to so many other wonderful books. Not just the previously mentioned Innkeeper Chronicles by Ilona Andrews, Never Too Old to Save the World and Lost in the Moment and Found by Seanan McGuire, but also Under the Whispering Door by TJ Klune and even a bit of The Merchant Princes by Charles Stross. Portal fantasy seems to be having a moment these days, and I’m absolutely here for it. Because I still want my own door to open.

In the end The Keeper’s Six was a terrific story set in a world that I’d love to visit again. But if that never happens I’ll still be very satisfied with the trip I did get to take.

Review: Lost in the Moment and Found by Seanan McGuire

Review: Lost in the Moment and Found by Seanan McGuireLost in the Moment and Found (Wayward Children, #8) by Seanan McGuire
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, urban fantasy, young adult
Series: Wayward Children #8
Pages: 160
Published by Tordotcom on January 10, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A young girl discovers an infinite variety of worlds in this standalone tale in the Hugo and Nebula Award-winning Wayward Children series from Seanan McGuire, Lost in the Moment and Found.
Welcome to the Shop Where the Lost Things Go.

If you ever lost a sock, you’ll find it here.If you ever wondered about favorite toy from childhood... it’s probably sitting on a shelf in the back.And the headphones that you swore that this time you’d keep safe? You guessed it….
Antoinette has lost her father. Metaphorically. He’s not in the shop, and she’ll never see him again. But when Antsy finds herself lost (literally, this time), she finds that however many doors open for her, leaving the Shop for good might not be as simple as it sounds.
And stepping through those doors exacts a price.
Lost in the Moment and Found tells us that childhood and innocence, once lost, can never be found.

My Review:

If you’ve ever wondered where the odd socks or the missing Tupperware lids go, well, that’s where Antsy finds herself on the other side of that door. The Shop Where the Lost Things Go. Which is completely, totally and utterly appropriate, because Antsy is certainly lost herself. And has lost herself, along with some things that she wasn’t aware of, like her belief that adults would keep her safe, along with her innocence of all the horrors the world has to offer.

In that shop she finds two “people”, the intelligent magpie Hudson and the old woman Vineta. She also finds safety, purpose and the joy of discovery, not just by helping in the shop but by venturing out into all the new doors that open every morning leading out of the shop to worlds of wonder.

It’s a good, happy, fulfilling life. It’s the life she might have chosen for herself, if only she knew it was available to choose. But she thinks she’s paying for her safety and her happiness, along with her room and board, through her work in the shop AND in venturing through the various doors to help keep it stocked.

And she is. But not in the way that she believes she is. Perhaps in a way she might have chosen anyway – perhaps not. But the choice was taken away from her because the magic of the Doors didn’t want her to know – and knows just how to punish her when she discovers the terrible truth.

Escape Rating A-: Considering that the author spoils this in an Author’s Note at the very front of the book, I don’t feel at all bad about doing it here as well. Because honestly, if she hadn’t told me up front that Antsy was going to rescue herself from the grooming, gaslighting monster in her own house I wouldn’t have made it through the first chapter.

Other strange, wondrous and terrible things happen to Antsy after she gets herself through that door marked “Be Sure”, but that particular horror is NOT among them. After all, this is a book about the Wayward Children and many of those children have passed through some very dark places. Antsy will not be an exception.

But be both warned and reassured – she will get herself out of that first, most terrible place. And all the terrible and wonderful things that happen to her in the story are able to happen because she was able to get herself out and onto the road that leads her to this story.

Antsy’s story is about everything having a price, a realization that is part of everyone’s loss of innocence. At seven, as Antsy is when she steps through that door, while her loss of some innocence is what made her run in the first place, she’s still naive enough not to realize that prices can be levied even when one is not aware that a bargain has been struck.

For an adult, the price of most things is often simply that we never get to know what might have been down the road less taken or the other leg of the trousers of time. Some costs are more explicit, whether it’s the choice of a profession of service that may cost one’s life, a decision to or not to have children, or even the famous one posited by Benjamin Franklin, that, “Those who would give up essential Liberty, to purchase a little temporary Safety, deserve neither Liberty nor Safety.” But we generally know the bargain we’re making when we make it – or at least we think we do.

When Antsy opens the door to The Shop Where the Lost Things Go, and starts opening all the fascinating doors that open within the shop to all those fascinating places, she too is making a bargain and paying a price for it. But she’s only seven years old, she’s lost, alone and scared, and not nearly savvy enough to understand that the price she’s paying may or may not be something she’s willing to give.

But it’s not an unknown price. Both Vineta and Hudson are perfectly aware of what Antsy is giving away, even though she is not. They are all too aware that they are using her for their own purposes – and choose not to tell her, not even when she matures enough to understand.

In a way, the woman and the bird are using Antsy just as much as someone in her original world intended to use her. Which intent was worse or more heinous is one the reader will have to decide for themselves.

What’s fascinating about Antsy’s trip through the Doors is the way that the Doors are revealed to be much closer to full sentience than was apparent in the earlier stories. Antsy’s door took her to the Shop because that’s where the Doors wanted her to go. And they’ve deliberately obscured her awareness of what’s happening to her because the Doors want her to stay – no matter what it will cost her.

That they have the wherewithal to punish her when she tries to break free is a shock – both to Antsy and to the reader. It makes us rethink some of the events of the previous books in the series and quite possibly makes the whole thing more dark and even less of a lark than it previously appeared to be.

Which won’t stop me from reading the next book in the series, still untitled but scheduled for publication next January. In the meantime, I still have one previous book to read, Come Tumbling Down, and quite possibly a re-read of the whole marvelous thing now that I know a whole lot more about the Doors and their universe work – although I’m certain there’s more to discover.

This award winning series began with Every Heart a Doorway, which means it starts at the end of a whole bunch of the Wayward Children’s stories. Lost in the Moment and Found ends in the place if not the time where that story begins, and would be a perfect place to get into the series if you haven’t already found your way to the reading door that leads to it. Wherever you begin, it’s an awfully wonderful journey, particularly in the sense that it is chock-full of both awe and wonder.

Review: Sweep of the Heart by Ilona Andrews

Review: Sweep of the Heart by Ilona AndrewsSweep of the Heart (Innkeeper Chronicles, #6) by Ilona Andrews
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: fantasy romance, paranormal romance, science fiction, science fiction romance, urban fantasy
Series: Innkeeper Chronicles #6
Pages: 454
Published by NYLA on December 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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From the New York Times #1 bestselling author, Ilona Andrews, comes a fun and action-packed new adventure in the Innkeeper Chronicles! We invite you to relax, enjoy yourself, and above all, remember the one rule all visitors must obey: the humans must never know.

Life is busier than ever for Innkeeper, Dina DeMille and Sean Evans. But it’s about to get even more chaotic when Sean's werewolf mentor is kidnapped. To find him, they must host an intergalactic spouse-search for one of the most powerful rulers in the Galaxy. Dina is never one to back down from a challenge. That is, if she can manage her temperamental Red Cleaver chef; the consequences of her favorite Galactic ex-tyrant's dark history; the tangled politics of an interstellar nation, and oh, yes, keep the wedding candidates from a dozen alien species from killing each other. Not to mention the Costco lady.

They say love is a battlefield; but Dina and Sean are determined to limit the casualties!

My Review: 

Dina Demille is not exactly a typical innkeeper, and Gertrude Hunt is far from an ordinary inn of any stripe whatsoever. And that’s not just because Dina’s lover, partner and fellow innkeeper, Sean Evans, is an alpha strain werewolf.

The inn that Dina and Sean keep is both a portal and a crossroads, a place where worlds literally collide – and sometimes come for tea. Or sanctuary. No matter what species they are or what world they might have come from.

Inns like Gertrude Hunt are special in that their existence and their services keep Earth safe from all the many, many powers in the big, bad galaxy that would otherwise roll right over us – possibly even with the equivalent of hyperspace bypass à la The Hitchhiker’s Guide to the Galaxy.

The network of inns, and the Innkeeper Assembly exist to provide neutral ground for contentious groups that need a place to negotiate. And by their existence they cement Earth’s position in that wider galaxy as a protected planet not to be messed with, or conquered, or eradicated for interstellar highway construction.

But there is a great big galaxy out there which people on Earth are kept from being aware of. A galaxy that Dina, Sean and Gertrude Hunt are very much a part of. A galaxy that hosts at least one entity that is gobbling up inns and innkeepers, and seems to have a special hate on for Dina, her family, and her inn.

A vendetta that seems to have extended to anyone who has helped them, meaning that one of Sean’s friends and mentors out in that wider galaxy has been kidnapped and dragged to an utterly inhospitable planet as bait to lure them into a trap.

A trap that they know they’ll need to walk into with eyes wide open, once they manage to jump through all the hoops that will give them what they need to get there.

Not that those hoops don’t constitute an entirely different kind of trap. In order to go after their friend, first Dina, Sean and Gertrude Hunt will need to host an intergalactic edition of The Bachelor, so that Kosandrion, the Sovereign of the Seven Star Dominion, can find a spouse to become the other parent of the Heir (yes, you can hear the caps) to the Dominion. The game is rigged, the contestants all hate each other and everyone knows that Kosandrion is the quarry of multiple assassins.

All Dina and Sean have to do is keep the Sovereign and all of the various factions, contestants, security contingents and observers alive until the end of the ‘show’ even though each and every group has deadly plans to eliminate one or more of their rivals, the Sovereign and/or every single being on hand to watch the proceedings.

This is a job that absolutely nobody wanted, but Dina and her crew are the ones who have to complete it. Flawlessly. ALL their lives hang in the balance – or on the point of more than one very sharp knife.

Escape Rating A: The Innkeeper Chronicles, the series that began with Clean Sweep and is now six books and hopefully counting, sits on that border between science fiction and fantasy. On the one hand, the inns are magical and give their keepers a whole array of magical powers. And on the other, part of their magic is to host beings from other worlds who may very well arrive at the inn via spaceship – whether they are supposed to or not.

Spaceships, after all, can be hard to hide, and the first rule of the inns is that the humans must not know about the wider galaxy.

In addition to sitting on that science vs. magic divide, this particular entry in the series is caught between two plotlines that only relate to each other at the messy points. As in, Dina and Sean have to get through this mess to get what they really need out of the whole thing. But this isn’t part of their own whole thing – which is even messier in it’s own way.

So the framing story is their need to save their friend, which is part of the overarching plot of the series that Dina’s parents, also innkeepers, disappeared without a trace and that in the process of searching for them someone has started hunting her, Sean, anyone who helps them in general and other inns and innkeepers in particular. And all of that is fascinating but none of it is exactly lighthearted. It’s the complete opposite of fun and lighthearted.

Howsomever, the other – and the larger part of this entry in the series IS frequently lighthearted, even though it is not all fun and games. At all.

Instead, this intergalactic episode of The Bachelor embodies the whole “SF is the romance of political agency” concept in a way that is even more entertaining than the TV series could ever possibly be – as well as potentially more deadly.

Because the contest to become the spouse of the Sovereign isn’t only what it appears to be and that’s what gives the whole thing it’s sometimes gallows humor as well as the kind of wheels within wheels political machinations that I always love.

That it also manages to include an actual romance as part of its many plots and counterplots is just icing on a bittersweet cake that gives fans of the series the answers to questions they’ve been asking since the series began.

I had an absolute blast with Sweep of the Heart. For those who have been following the series, it’s a delight. The Bachelor plot has pretty much all the plots, counterplots and wry humor that any reader could ask for, while still pushing the overall story forward AND giving out a few more hints on what all that awfulness is truly about.

I think that a lot of readers will enjoy the intergalactic Bachelor game even if they are new to the series, but that overarching plot forms the beginning AND the end and may keep those readers from getting to what they would consider the juicy middle. On the other hand, series readers are going to eat the whole thing up with a spoon. Or at least this reader did.

Also be advised that, as much as I loved this book, it is not the novella that some of the blurbs make it out to be. It’s more like FOUR times that length. Not that its nearly 500 pages don’t go absorbingly fast, but it’s not a quick lunchtime read – more like an all afternoon binge. Although an absolutely glorious one.

It’s clear from the way that Sweep of the Heart ends that Dina and Sean’s adventures, trials and tribulations are far from over. It’s probably going to be a year or more likely two before we get to find out what happens next. And that’s going to be a damn long wait.

Review: The Ballad of Perilous Graves by Alex Jennings

Review: The Ballad of Perilous Graves by Alex JenningsThe Ballad of Perilous Graves by Alex Jennings
Narrator: Gralen Bryant Banks
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, magical realism, urban fantasy
Pages: 456
Length: 17 hours and 15 minutes
Published by Redhook on June 21, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Music is magic in this novel set in a fantastical version of New Orleans where a battle for the city's soul brews between two young mages, a vengeful wraith, and one powerful song.
Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it’s simply home.
In a world of everyday miracles, Perry might not have a talent for magic, but he does know Nola’s rhythm as intimately as his own heartbeat. So when the city’s Great Magician starts appearing in odd places and essential songs are forgotten, Perry realizes trouble is afoot.
Nine songs of power have escaped from the piano that maintains the city’s beat, and without them, Nola will fail. Unwilling to watch his home be destroyed, Perry will sacrifice everything to save it. But a storm is brewing, and the Haint of All Haints is awake. Nola’s time might be coming to an end.

My Review:

While it seems likely that every city whose biggest industry is attracting tourists has two sides, the carefully curated tourist destination and the place where real people live, there is something about New Orleans that has made it a liminal place in more ways than that usual, particularly in fantasy and magical realism.

After all, New Orleans, with its historical transformations from French to Spanish to American, and its equally subversive retentions of everything it wants to hold dear from each iteration, whether on the literal surface, the figurative underground, or its signature combination of the two in its haunting but necessary above ground cities of the dead is just ripe – if not a bit too much so – for stories where the past and present collide, where the dead visit the living and where one version of the city lies on top of, underneath, or side by side any or all of the others.

In other words, the concept that New Orleans has either managed to split itself or has been split into two cities, the “real” New Orleans we know and the “realer than real” Nola is not so farfetched. At least not when it comes to this particular city.

What makes The Ballad of Perilous Graves both fascinating and fun is the way that it teases the reader with its two perspective that combine into one epic coming-of-age and coming-into-power quest, led by two characters who may or may not exactly be separate and may or may not be seeing the same – or even similar – cities.

But who must find their way somehow into the same quest to save the same place, the city that they both love – no matter who or what they have to sacrifice along the way.

Escape Rating A-: I am a sucker for stories about New Orleans so I was all set to love The Ballad of Perilous Graves. Which in the end I did, although it took awhile to get me there. This is one of those books where the audiobook, as read by Gralen Bryant Banks, carried me over to the point where the story got its hooks into me and didn’t let go.

At first, there’s just a lot of setup to get the reader into this version/vision of the city. Part of the reason it took me a bit to get there was that the initial point-of-view character is rising sixth grader Perilous (Perry) Graves. The Graves family, Perry, his little sister Brendy and his parents, Deacon and Yvette, live across the street from Peaches Lavelle, who seems to be 12 or so and seems to be the strongest person in the world – or at least in Nola. Peaches and her VERY magical adventures at first made me wonder if Perry was dreaming this whole thing, whether he was making it up, or whether he was seeing what he wanted to see instead of what actually was. Because his Nola didn’t quite match up to reality and Peaches was kind of the icing on that particular cake.

It was only when the perspective switched to the adult Casey Ravel that I figured out that whatever was happening was “real” for the story’s own version of reality. Also, Casey’s reality matched up to real reality considerably more than Perry’s did. Which should have clued me in that their realities were not exactly the same reality – at least not at first – but it took me an embarrassingly long time to get there.

The quest is really Perry’s quest, and it begins in Nola. Someone is killing the songs that are the foundation of the city’s identity, and havoc is being wrecked on both sides of that divide. So the overarching story is Perry’s hero’s journey, his coming of age as he takes on the mantle of his family’s inherited magic to save his friends and family, and his city.

It is, of course, a journey that leads him through some very dark places, to versions of Nola that are even more magical than his own and to places that exist on no map that has ever been printed. Because New Orleans is that liminal place where all versions of the city link, from the magical to the mundane, from the living to the dead, and everywhere in between.

It’s also a quest to find his grandfather, who was kidnapped at the beginning of the story by a haunted man – or ghost, or song – on a mission to retrieve something that Daddy Deke doesn’t even remember that he has.

There is a LOT going on in this story. So much. I’m sure there are parts I didn’t quite get, or parts that I thought I did because this isn’t my first trip to a magical version of New Orleans BUT that I got completely wrong but got enough to keep me in the story. And that’s both fine and fantastic. Not every book has to be for me (and shouldn’t be) for me to enjoy the hell out of it.

This is a magical, mystery tour of the city. It’s a hero’s journey both for Perry and for Casey, and both young men – because Casey is still young and Perry may be very young but is a man by the end of the book – it’s a coming into power story. For Perry it’s a coming of age story as well. For Casey it also feels like an acceptance story, but we don’t get nearly as much of Casey as we do of Perry, as much as Casey serves to ground the story in a bit of the real in its early stages.

But it’s also such a wild ride to so many wild and diverse visions of New Orleans that, as unique as the author’s voice is – and it most definitely is – the ingredients in this gumbo reminded me of other urban fantasies and especially other New Orleans stories. So if you’re looking for something that recalls bits of The Ballad of Perilous Graves, here’s my list of books it made me go looking for: The Map of Moments by Christopher Golden and Tim Lebbon, The City of Lost Fortunes by Bryan Camp, The Sentinels of New Orleans by Suzanne Johnson, Chasing the Devil’s Tail by David Fulmer, with a bit of The City We Became by N.K. Jemisin, Edinburgh Nights by T.L. Huchu, Last Exit by Max Gladstone and No Gods, No Monsters by Cadwell Turnbull for embodied cities, extra dead bodies and talking thereto, ways to get into alternate worlds and hiding monsters in plain sight.

The Ballad of Perilous Graves is the author’s debut novel, which I had to look up because OMG it’s wonderful and crazy and I’m expecting more marvelously wild and great things. And hopefully more New Orleans.

Review: Uncanny Times by Laura Anne Gilman

Review: Uncanny Times by Laura Anne GilmanUncanny Times (Huntsmen #1) by Laura Anne Gilman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook,
Genres: fantasy, historical fantasy, urban fantasy
Series: Huntsmen #1
Pages: 384
Published by Gallery / Saga Press on October 18, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Huntsmen, according to the Church, were damned, their blood unclean, unholy. Yet for Rosemary and Aaron Harker the Church was less important than being ready to stand against the Uncanny as not being prepared could lead to being dead.
The year is 1913. America—and the world—trembles on the edge of a modern age. Political and social unrest shift the foundations; technology is beginning to make its mark.
But in the shadows, things from the past still move. Things inhuman, uncanny.
And the Uncanny are no friend to humanity.
But when Aaron and Rosemary Harker go to investigate the suspicious death of a distant relative, what they discover could turn their world upside down—and change the Huntsmen forever

My Review:

Uncanny Times feels like it’s set in the ‘Weird West’, but it’s not. Still feels that way though. Rather, it’s set in a kind of alternate early-20th century New England, but the New England that grew out of Washington Irving’s creepy folklore-ish stories such as Rip Van Winkle and The Legend of Sleepy Hollow.

Rosemary and Aaron Harker might never have hunted a ‘headless horseman’ but whatever they’re after in tiny Brunson, New York, on the shores of Lake Ontario – in November! – is certainly equally uncanny. They just don’t know exactly what it is – at least not yet.

It’s their job to find out. The Harkers are Huntsmen, from a long line of people who have the ability to deal with the uncanny. They go where they are sent, figure out the nature of the threat they have to face – and eliminate it without involving local law enforcement or putting the local populace in danger – or at least in any more danger than they already are.

But this case is different from the beginning. They are summoned, not by one of their superiors in the Huntsmen but rather by an old family friend who always knew about the uncanny and those who are tasked with fighting it.

Or rather, by the man’s widow, who makes it clear that his death was as uncanny as the creatures that Rosemary and Aaron usually hunt. One of the man’s last requests was that if there was anything suspicious about his death that his wife ask the Harkers to come. There was and she has.

And the man was right – his death was at the hands of something uncanny. Something that doesn’t seem to be recorded in the rather extensive records of the Huntsmen. But whatever it is, or was, or wants to gorge itself into becoming, it’s up to Rosemary and Aaron to take it out – or go down trying.

Escape Rating B-: Uncanny Times is kind of a gothic version of historical and/or urban fantasy, with a bit of alternate history thrown in for bodies and spice. I call it gothic because the creeping horror is very slow burn, and it’s imbued in the atmosphere of the town long before we see it manifest as any sort of creature that the story can sink its teeth into – or that can sink its teeth into the characters.

This also doesn’t read like the version of 1913 that history records. Instead, it reads like the Weird West, an alternate version of the late 19th century – or what followed in this case – where the things that go bump in the night are real and history has gone down a different – and much creepier – leg of the trousers of time.

So this may be pre-World War I by our calendar, and Woodrow Wilson is President – but he’s no pacifist in this version of history. So it’s 1913 by way of something like Cherie Priest’s Boneshaker – we just haven’t seen what the equivalent of the massive earthquake was. At least not yet. The world of the Huntsmen reads more like that of Charlaine Harris’ Gunnie Rose, or Lindsay Schopfer’s Keltin Moore than it does the pre-WW1 world we’re familiar with. While the Huntmen organization and what it fights reads as very similar to the Circuit Riders of The Silver Bullets of Annie Oakley’s alternate world.

The story in Uncanny Times is a slow build of creeping horror mixed with more than a bit of confused investigation. It takes quite a while to get itself going, but that feels like its a necessary part of the entire story. Not only is this the first book in a projected series, but the creature that the Harkers are hunting for isn’t something that is supposed to exist even in their version of the world.

Added to that, they have to operate in plain sight while concealing pretty much everything they really are and really do. Most people don’t believe, and the ones that do mostly can’t be trusted. They even have to hide the true nature of their dog, because he isn’t just a dog. Botheration (best name ever!), besides being a VERY good boy, is also a hellhound and an expert tracker of both ordinary humans AND the creatures that the Huntsmen hunt.

And he steals pretty much every scene he’s in. Botheration is an awesome dog. (Don’t worry about Botheration, he’s bigger and stronger than most things that he hunts – and he comes out of this story every bit as fine as he went into it. I promise!)

I recognize that I’m a bit all over the map about Uncanny Times. I picked this up because I loved the author’s Retrievers series, which still has a place in my heart and on my physical bookshelf even 20 years later. But I have to confess that the lightning hasn’t struck again in that I’ve tried some of her later series but haven’t gotten hooked.

And I have to say that I liked Uncanny Times but didn’t love it as much as I hoped. It takes a long time to get itself going, and its two points of view characters are very private people. We don’t get to see nearly enough of what makes either of them tick. A lot of their investigation is obscured by fogs of various kinds and it makes the story murky as well.

But I loved Botheration. And the setting is fascinating because it feels like alternate history but the reviews don’t make it sound like it actually is – which really makes me wonder if I read the same thing everyone else did. So I’m torn, but whole in my conviction that I’ll pick up the next book in the series, whenever it comes out, at least to see what Botheration is bothering next!

Review: Dead Man’s Hand by James J. Butcher

Review: Dead Man’s Hand by James J. ButcherDead Man's Hand (The Unorthodox Chronicles, #1) by James J. Butcher
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: urban fantasy
Series: Unorthodox Chronicles #1
Pages: 384
Published by Ace on October 11, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In the tradition of his renowned father, James J. Butcher's debut novel is a brilliant urban fantasy about a young man who must throw out the magical rule book to solve the murder of his former mentor.
On the streets of Boston, the world is divided into the ordinary Usuals, and the paranormal Unorthodox. And in the Department of Unorthodox Affairs, the Auditors are the magical elite, government-sanctioned witches with spells at their command and all the power and prestige that comes with it. Grimshaw Griswald Grimsby is...not one of those witches.
After flunking out of the Auditor training program and being dismissed as "not Department material," Grimsby tried to resign himself to life as a mediocre witch. But he can't help hoping he'll somehow, someway, get another chance to prove his skill. That opportunity comes with a price when his former mentor, aka the most dangerous witch alive, is murdered down the street from where he works, and Grimsby is the Auditors' number one suspect.
Proving his innocence will require more than a little legwork, and after forming a strange alliance with the retired legend known as the Huntsman and a mysterious being from Elsewhere, Grimsby is abruptly thrown into a life of adventure, whether he wants it or not. Now all he has to do is find the real killer, avoid the Auditors on his trail, and most importantly, stay alive.

My Review:

Leslie Mayflower’s partner is dead. Well, his ex-partner, as Mayflower has retired from the Department of Unorthodox Affairs. But Mayflower, better known – and righteously feared – in that community as the Huntsman feels like he owes his former partner one last debt, so he lets himself be convinced to view the scene of her murder.

What he finds is a puzzle he can’t resist. His partner, Samantha Mansgraf, one of the baddest baddasses to ever work for the Department, left a message in her own blood to “Kill Grimsby” after obliterating everyone and everything at the scene except her own mangled corpse.

Mayflower is having a difficult enough time believing that anyone could have taken Mansgraf out, but he’s absolutely positive it couldn’t have been Grimsby. Because Grimsby is an utter failure at pretty much everything – including being a witch and applying to work for the Department – while Mansgraf was, well, Mansgraf. A name which literally translates to ‘man’s grave’ because she was just that powerful, paranoid, and deadly.

Mayflower wants to avenge his former partner. He knows he can’t trust the Department, that’s part of why he retired in the first place. He’s not sure that Grimsby is either trustworthy or even remotely capable of assisting him. After all, the man is currently working as a clown for children’s birthday parties at the worst and most inedible food franchise in the city if not the entire planet. And he’s failing at that.

But both men are broken and both need someone to help them stand up – or at least someone to stand up for. They may not be much, separately or even together – but they’re all they’ve got.

Which gives them each the one thing they need more than anything else. The chance to finally be enough.

Escape Rating B: Once upon a time, at the turn of the most recent century, there was a wizard listed in the Chicago phone book. The temptation to compare Boston’s Grimshaw Griswald Grimsby to Harry Dresden is not surprisingly a strong one, considering that Dresden’s creator and Grimsby’s are father and son, both playing in the same urban fantasy storybox.

But the 21st century world of Dead Man’s Hand isn’t Chicago in 2000, although it does take some of its inspiration from a different bit of intellectual property of the same era.

In 1997, a little movie called Men in Black began a franchise that is still stuttering along. (The reviews of the most recent entry in the series were not exactly stellar.) MiB is set in a near-future world where aliens walk among us in disguise. Naturally, there are agents that monitor those aliens, ensuring that the secret of Earth’s place in the wider galaxy is kept, at the cost of losing memories and/or exile or outright termination or all of the above. Those agents are the titular men in black, and the agency that employs them is huge, powerful and entirely too subject to that old saw about power corrupting and absolute power corrupting absolutely.

In urban fantasy, which Dead Man’s Hand most definitely is, the strange, weird, wonderful and sometimes deadly and dangerous things that walk among us aren’t from ‘out there’ so much as ‘over there’ or, all too frequently, ‘below’. Or, again, all of the above. In this world, those humans who can see and work in ‘Elsewhere’ are witches (whether male or female). There are, however, plenty of other beings from ‘Elsewhere’ that are capable of messing with humans, whether ‘Usual’ (garden-variety humanity) or ‘Unorthodox’, meaning witches and a few others.

And there’s an agency set up to monitor and control anyone or anything who can see ‘Elsewhere’, whether human or not. Just like the aforementioned Men in Black, that agency is huge, powerful and entirely too subject to that very same old saw about power and corruption.

That the offbeat pairing of experienced, emotionally stunted and permanently grizzled Mayflower with wide-eyed newbie Grimsby has more than a passing resemblance to the pair of agents in the first MiB movie feels like more than coincidence. Although I keep seeing Sam Elliott as Mayflower and let’s just say that STILL not a bad look. At all.

Ahem…

The story in Dead Man’s Hand begins with Mayflower’s search for revenge but quickly morphs into a search for a magical McGuffin that he hopes will lead to that revenge. But, as is true in most of urban fantasy, magical McGuffins are never exactly who, what or where everyone thinks they are, and that’s especially true here.

What makes that work is the way that Mayflower and Grimsby discover that they are each not quite what the other thought, either.

There’s a lot of running and chasing in pursuit of that McGuffin – or in retreat from the other forces in search of that same item. One of the locations that chase led through left a bad taste in at least this reader’s mouth. It’s possible that the bit chasing down body parts in the sex dungeon run by demons was intended to be funny, but if so the joke didn’t land. And probably shouldn’t have.

On my other hand – and I have plenty to choose from in this one as there’s one extra – the dig down through the layers of misdirection and the nearly archaeological level digging required to find either Mayflower’s or Grimsby’s remaining faith in themselves took us into some emotional dark places and gave readers plenty of dirty deeds to look forward to uncovering in future entries in the series.

I certainly am.

Review: The Monsters We Defy by Leslye Penelope

Review: The Monsters We Defy by Leslye PenelopeThe Monsters We Defy by Leslye Penelope, L. Penelope
Narrator: Shayna Small
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fantasy, magical realism, urban fantasy
Pages: 384
Length: 11 hours and 30 minutes
Published by Orbit on August 9, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A woman able to communicate with spirits must assemble a ragtag crew to pull off a daring heist to save her community in this timely and dazzling historical fantasy that weaves together African American folk magic, history, and romance.
Washington D. C., 1925
Clara Johnson talks to spirits, a gift that saved her during her darkest moments in a Washington D. C. jail. Now a curse that’s left her indebted to the cunning spirit world. So, when the Empress, the powerful spirit who holds her debt, offers her an opportunity to gain her freedom, a desperate Clara seizes the chance. The task: steal a magical ring from the wealthiest woman in the District.
Clara can’t pull off this daring heist alone. She’ll need help from an unlikely team, from a jazz musician capable of hypnotizing with a melody to an aging vaudeville actor who can change his face, to pull off the impossible. But as they encounter increasingly difficult obstacles, a dangerous spirit interferes at every turn. Conflict in the spirit world is leaking into the human one and along D.C’.s legendary Black Broadway, a mystery unfolds—one that not only has repercussions for Clara but all of the city’s residents.

My Review:

This fantastic, marvelous historical fantasy, set in Black Washington DC during the Jazz Age, brings its time, its place and its people to glorious life. It also tells a tale of big thrills, big fears and deep, deep chills. Because under its glitter and walking in its footsteps is a cautionary tale that hovers just at the point where being careful what you wish for drops straight through the trapdoor of some favors come with too high a price.

Clara Johnson was born with the ability to speak to the dead. It’s not a one-way street, because they can speak to her, too. And not just the dead, anyone or anything that exists ‘Over There’ can get her attention – or she can get theirs.

An attention she took advantage of, once upon a time, in order to save her life.

She made a bargain with a being calling herself ‘The Empress’. In return for a literal ‘Get Out of Jail Free’ card, Clara made a deal. A deal, like all deals with the enigmas that exist Over There, that left Clara with both a charm and a trick.

The charm she refuses to use or even talk about – after that one and only time it got her out from under a murder charge. The trick, however, is a binding on her soul. Whenever someone asks her for help making contact with the spirits, she has to help. She’s not allowed to take payment for that help, and she’s not permitted to make too strong a case against taking that help to the person who has made the request.

Because the help they ask for will result in that person receiving their own charm, and their own trick. And Clara has learned, to her cost, that in the end neither are worth it. A lesson she should have kept much more firmly in mind as she gets herself deeper into a case that catches her up in a battle that may cost her entire community their souls, their futures, and their destinies.

Escape Rating A+: I know I’m not quite doing this one justice because I loved it so hard. I just want to squee and that’s not terribly informative. But still…SQUEE!

Now that I’ve got that out of my system – a bit – I’ll try to convey some actual information.

The Monsters We Defy combines history, mystery and magical realism into a heist committed by a fascinating assortment of characters on a mission to save themselves, each other, and all their people. And just possibly the world as well.

The historical setting is ripe for this kind of story. On the one hand, there’s the glitter of the Jazz Age. And on the other, the divided reality of the District’s black community, where the ‘Luminous Four Hundred’ holds itself high above the working class and the alley residents, while pretending that the white power brokers who control the rest of the city don’t see everyone who isn’t white as less than the dirt beneath their feet.

It’s not a surprise that someone would take advantage of that situation for their own ends. What makes this book different is that the someone in this case is an enterprising spirit from ‘Over There’ rather than a human from right here.

And into this setting the author puts together one of the most demon-plagued crews to ever even attempt to pull off a heist. All of them, except for Clara’s roommate Zelda, are in debt to one enigma or another in a burden that they wish they could shake. Vaudevillian Aristotle can play any role he wants to or needs to, but is doomed to be invisible when he’s just himself. Musician Israel can hypnotize an individual or a crowd with his music – but no one ever cares about the man who plays it. His cousin Jesse can take anyone’s memories – make them forget an hour or a day – but the woman he loves can never remember him for more than a day.

They all thought they were getting a gift – only to discover that it’s a curse they can’t get rid of. Unless they steal a powerful ring from the most famous and best-protected woman on Black Broadway.

Unless the spirits are playing them all for fools. Again.

It all hinges on Clara, who is tired and world-weary and desperate and determined. She doesn’t believe that she’ll ever have any hope of better, but she’s determined to try for literally everyone else. And the story and her crew ride or die with her – no matter how much or how often she wishes she could do it all alone.

Because the story is told from Clara’s perspective even though it’s not told from inside her head, it was critical that the narrator for the audiobook embody Clara in all of her irascible reluctance to take up this burden she knows is hers. The narrator of the audiobook, Shayna Small, did a fantastic job of both bringing Clara to life AND making sure that the other voices were distinct and in tune with the characters they represented.

And she made me feel the story so hard I yelled at Clara to look before she leaped and think before she acted more than a few times, because I cared and I wanted to warn her SO MUCH. (Luckily I was in the car and no one could hear me.)

I found The Monsters We Defy to be a terrific book about a high-stakes heist committed by a desperate crew that led to a surprising – and delightful – redemptive ending. And the audio was superb.

If you’ve read either Dead, Dead Girls by Nekesa Afia or Bindle Punk Bruja by Desideria Mesa, you’ll love The Monsters We Defy because it’s a bit of both of those books with a super(natural) chunk of T.L. Huchu’s The Library of the Dead‘s “I speak to dead people,” thrown in for extra bodies and high-stakes scary spice!

Review: Small Town, Big Magic by Hazel Beck

Review: Small Town, Big Magic by Hazel BeckSmall Town, Big Magic by Hazel Beck
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: fantasy, paranormal romance, urban fantasy
Series: Witchlore #1
Pages: 416
Published by Graydon House on August 23, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

For fans of THE EX HEX and PAYBACK'S A WITCH, a fun, witchy rom-com in which a bookstore owner who is fighting to revitalize a small midwestern town clashes with her rival, the mayor, and uncovers not only a clandestine group that wields a dark magic to control the idyllic river hamlet, but hidden powers she never knew she possessed.

Witches aren't real. Right?

No one has civic pride quite like Emerson Wilde. As a local indie bookstore owner and youngest-ever Chamber of Commerce president, she’d do anything for her hometown of St. Cyprian, Missouri. After all, Midwest is best! She may be descended from a witch who was hanged in 1692 during the Salem Witch Trials, but there’s no sorcery in doing your best for the town you love.Or is there?
As she preps Main Street for an annual festival, Emerson notices strange things happening around St. Cyprian. Strange things that culminate in a showdown with her lifelong arch-rival, Mayor Skip Simon. He seems to have sent impossible, paranormal creatures after her. Creatures that Emerson dispatches with ease, though she has no idea how she’s done it. Is Skip Simon…a witch? Is Emerson?
It turns out witches are real, and Emerson is one of them. She failed a coming-of-age test at age eighteen—the only test she’s ever failed!—and now, as an adult, her powers have come roaring back.
But she has little time to explore those powers, or her blossoming relationship with her childhood friend, cranky-yet-gorgeous local farmer Jacob North: an ancient evil has awakened in St. Cyprian, and it’s up to Emerson and her friends—maybe even Emerson herself—to save everything she loves.

My Review:

Once upon a time (mostly in the 1980s and 1990s) there were a whole lot of books telling stories about people (usually young women) who discovered that the mundane world all around them hid secret places and even more secretive people filled with magic – and danger. And that the protagonist of those stories either belonged in those magical places or discovered them or had to save them.

Or all of the above.

Emerson Wilde used to read all of those books, tucked inside the safe and comforting shelves of her beloved grandmother’s bookstore, Confluence Books. But her grandmother has passed, and left the store, her quirky Victorian house, and her legacy to Emerson.

Even if Emerson doesn’t remember the full extent of that legacy or her family’s place in St. Cyprian Missouri, a beautiful little town that sits at the confluence of the Mississippi and Missouri Rivers.

Emerson thinks of St. Cyprian as a magical little town, one she’s proud to be a part of as a small business owner and president of its Chamber of Commerce. She doesn’t know the half of it.

But she’s about to find out.

Escape Rating B: Just like Emerson, I read all those books too, which meant that I sorta/kinda knew how this one was going to go. If you took a selection of those books and threw them in a blender with A Marvelous Light by Freya Marske, Witch Please by Ann Aguirre, Her Majesty’s Royal Coven by Juno Dawson and just a bit of Manipulative Dumbledore-style Harry Potter fanfiction you’d get something a lot like Small Town, Big Magic.

Not that that’s a bad thing, as each of those antecedents has plenty to recommend it. And if you like any of them you’ll probably like at least some parts of this first book in the Witchlore series.

But as much as I loved the premise – or most of the premises – that make up this story, there were a few things that drove me utterly bananas.

Many of those original urban fantasy-type stories focus on a relatively young protagonist who has their world view overturned when they learn that magic is real, all around them, and that they have at least some of it.

Emerson’s “unbusheling” as it’s called in A Marvelous Light isn’t like that at all. Because she did know about magic until she was 18 – and that’s where the Harry Potter fanfiction reference comes in. Emerson’s memory of magic was wiped because she failed a test of power – and that whole scenario is suspicious in a way that does not get resolved at the end of this first book in the series.

Second, she is an adult when her memories come back after an attack by a magical creature. The tragedy of this story is that her closest friends have all stayed with her, stayed her besties, for the decade or so that her memory has been gone. And they’ve all retained their magic, their complete memories, and have kept the secret. The thought of that compromise is kind of hellish, that they all loved her enough to stick by her – and that they all feared the witchy powers-that-be enough to keep her utterly in the dark about the truth of their world.

So when Emerson’s powers start coming back, her friends are equal parts scared and thrilled. Thrilled they can finally be their full selves around her. Scared that the powerful witch council will learn that she’s broken the memory block and that they’ve all told her all the things they promised not to tell under threat of their own memory wipes – or worse.

And they are collectively even more frightened because Emerson’s powers must have returned for a reason. A reason that is likely to be even bigger and more threatening than whatever that council will do to them.

What kept making me crazy was that in the midst of all this her friends were just as over-protective and condescending as any of the adults assisting a young first-time magic user are in any of those stories from the 80s and 90s. The situation frustrated the hell out of Emerson, and I was right there with her.

I also think it made her learning curve drag out a bit more than the story needed.

But there’s something else, and it looms even larger now that I’ve finished the book. There are two antagonists in this story. The first, and the largest by nature, is, quite literally, nature. An evil menace is filtering into the confluence of the rivers that sustain the magic of not just St. Cyprian, but the entire magical world. Emerson’s powers have emerged because it is her task to lead the coven that can stop it – even if she has to sacrifice herself in the stopping.

Howsomever, the focus through the entire story is on the other big bad – that leader of the local council who memory-wiped Emerson, exiled her sister Rebekah, drove her parents out of St. Cyprian and has generally been manipulating the entire town through her coven/council for some reason that has not yet been revealed.

And isn’t revealed by the end of the story. So everything ends on a ginormous freaking cliffhanger. The evil menace in the waters seems to have been dealt with – at least for now. But the council has just arrived to deliver what their leader believes is a well-deserved smackdown for saving everyone’s asses.

Literally just arrived as the book doesn’t so much end as come to a temporary and frustrating halt in mid-looming threat.

And we still don’t know what the root cause of that conflict even is. The ending isn’t satisfying. I need to know why the leader seems to have had it in for Emerson and her entire family long before the events of this book. The evil in the water, as much as it needed to be eliminated, wasn’t personal – at least as far as we know. It needed to be resolved but it’s difficult to get invested in. I’m invested in seeing that manipulative witch get exactly what’s coming to her. And I didn’t even get a hint.

Hopefully the answers – or at least some of them – will be revealed in the second book in the series, Big Little Spells. Because I’m salivating for some just desserts to be served.

Review: Ruby Fever by Ilona Andrews

Review: Ruby Fever by Ilona AndrewsRuby Fever (Hidden Legacy, #6) by Ilona Andrews
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: paranormal, romantic suspense, urban fantasy
Series: Hidden Legacy #6
Pages: 384
Published by Avon Books on August 23, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

#1 New York Times bestselling author Ilona Andrews is back with the newest book in the exciting Hidden Legacy series—the thrilling conclusion to her trilogy featuring fierce and beautiful Prime magic user Catalina Baylor.
An escaped spider, the unexpected arrival of an Imperial Russian Prince, the senseless assassination of a powerful figure, a shocking attack on the supposedly invincible Warden of Texas, Catalina’s boss... And it’s only Monday.
Within hours, the fate of Houston—not to mention the House of Baylor—now rests on Catalina, who will have to harness her powers as never before. But even with her fellow Prime and fiancé Alessandro Sagredo by her side, she may not be able to expose who’s responsible before all hell really breaks loose.

My Review:

It is – much too nearly – the end of the world as the extended Baylor family knows it – entirely too many times. And they do not feel fine at all. But things will get better. Or they will die trying. Or both.

All too often it looks like both are barreling through the front door AND the back.

Ruby Fever is the sixth book in the awesome, urban fantasy/paranormal romantic suspense Hidden Legacy series that started with Burn for Me. As part of that series, it’s also the third and final book in the second trilogy, Catalina’s trilogy, that began with the interstitial novella Diamond Fire.

As the series chronicles the romantic and other adventures and misadventures of the Primes of House Baylor, there is hopefully another trilogy on the way featuring the youngest Baylor sister, Arabella.

That’s a long way of saying for pity’s sake don’t start here. There’s a whole lot of drama, worldbuilding and family manipulation with the best and worst motives packed into the story so far and it won’t make much sense without starting at one of the entry points, either Burn for Me or Diamond Fire.

Speaking of burning and fires, it feels like Ruby Fever opens in a fire fight. Not exactly, but pretty damn close. Because it’s not just a battle, House Baylor is at war with a rogue Russian Prime on one hand – and quite possibly the Russian Imperial House on the other.

And that’s where all the worldbuilding starts coming in.

The Hidden Legacy series takes place in an alternate version of the 21st century. One where, sometime in the 19th century, a mad Victorian chemist invented a serum that was intended to create supersoldiers.

And it sorta/kinda did. BUUUUT, as so often happens with mad scientists, things did not exactly go according to plan. Those superpowers turned out to be hereditary, and the resulting superpowered families had no loyalty to anyone but themselves and their families.

Over the intervening centuries, those superpowered families, now called Houses, pretty much came to control the world and are outside of any law except their own. It’s a dog-eat-dog, power corrupts absolutely kind of world. But there are rules that govern behavior – even bad behavior like outright warfare – between the Houses.

And the highest crime among the Houses – the one that is so verboten that no one even talks about it, is the theft of the superserum formula and any serum developed from it.

So of course that’s the war that House Baylor and their allies are right in the middle of. The question is whether they can manage to get out.

Escape Rating B: The premise of the Hidden Legacy series might sound a bit familiar. The world of the Arcane Society and its spinoffs (by Amanda Quick/Jayne Ann Krentz/Jayne Castle) has the same origin story. A Victorian era mad scientist develops a serum that gives some people super powers. What makes the series so different from one another is what happens after that.

The Arcane Society remained in the shadows. They are powerful but that power seldom manifests – or is allowed to manifest – as political power. (At least not until their descendants take to the stars in the Harmony series.)

In the Hidden Legacy version, the Primes take control of the world. No one can stop them except themselves and they rule everything. Not precisely in a political sense as it relates to mundanes, but the world is absolutely their oyster and they operate above any law but their own.

The result is not surprising but it is fascinating. Power corrupts and absolute power corrupts absolutely. The only way to oppose such an absolute power is to have absolute power of one’s own. Which is pretty much what happens in Ruby Fever.

Or to put it another way, this entry in the series is about a lot of rich and powerful people behaving very, very badly – and being called to account for it by the only means possible. Bigger brains and superior firepower.

Howsomever, Ruby Fever is the culmination of pretty much everything that has happened in all the previous books in this series. Which does mean that a new reader can’t start here. But even for an long-time reader, it means that the pace of this story is absolutely relentless and quite frequently fairly grim – as there’s just so damn much to resolve in order to get all the open plot threads wrapped up.

A lot happens, a lot happens very fast, and if the last time you read the previous book in this series was when it came out back in 2020 (remember 2020, the year from hell?) it takes more than a bit to get oneself stuck back into this world.

At least for me, it felt like the constant barrage of serious shit going down and being blasted by the fan all over the Baylors went past being too much and into absolutely brutal. I think I’d have gotten the point with just a bit less of shit everywhere all the time or perhaps a bit more of something a bit lighter, like the escaped superpowered spider.

It does all come together, and once it finally does it’s a fantastic roller-coaster ride until the end. But getting there was kind of a rough ride.

If this turns out to be the last book in the series, it does wrap up everything – some of it in a bow, some of it in a shroud, but wrapped all the same. There is an opening left for Arabella’s story, and I wouldn’t mind seeing that at all. But if we don’t get it, we have plenty of closure for what has been a compelling series from the very first page.