Review: Just Get Home by Bridget Foley

Review: Just Get Home by Bridget FoleyJust Get Home by Bridget Foley
Format: eARC
Source: supplied by publisher via NetGalley
Genres: suspense, thriller
Pages: 352
Published by Mira on April 13, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

When a devastating earthquake - the Big One - hits Los Angeles, two strangers are brought together by an act of violence and must help each other survive the wrecked city.
Beegie is riding the bus when the quake hits. The teenager was heading back to her unhappy foster home, but then she’s thrown into a broken world. Roads crumble, storefronts shatter and people run wild.
Dessa, a single mom, is enjoying a rare night out when it strikes. Cell towers are down, so without even knowing if her 3-three-year-old daughter is dead or alive, she races to get back across town.
As danger escalates in the chaotic streets, Beegie and Dessa meet by a twist of fate. The two form a fragile partnership, relying on each other in ways they never thought possible, and learn who they really are when there’s only one goal: Just get home.

My Review:

One of the things I liked about yesterday’s book was that even with werewolves in the mix the author made it clear that monstrosity and monstrousness was really a human condition. No werewolves – or any creature that goes bump in the night – need apply, because we’re nasty enough on our own.

Just Get Home is a story about the evil that men – and women, but mostly men – do when the restraints of so-called civilized society are stripped away. It’s a story about what happens when the world comes to an end – at least temporarily.

And this story is all the more monstrous for feeling so close to the real and the here and the now.

Escape Rating B: I have more feelings about this book than I do coherent thoughts, so I’m putting the rating up early. I don’t read a lot of thrillers, and I was expecting this one to more about the journey and the unlikely partnership between Dessa and Beegie, and less about the messes their lives were in before.

This is also a book where I recognize that it’s good of its type and that lots of people are going to love it from the edge of their seat, but that I’m not the right reader for it. YMMV.

It doesn’t help my own reading of the story that Beegie and Dessa are hot messes long before the story opens. And that so much of the mess of Dessa’s life was of her own making. She had – and still has at least before the quake hits – PLENTY of options. I’d have felt more sympathy for her if she’d tried and failed than that she doesn’t seem to have tried at all.

But where Dessa is in her mid-late 20s, Beegie is a decade younger or a bit more. She’s been bounced around the foster care system for reasons that are not of her making, and it feels like her life is in the situation it’s in before the story opens because her choices have been so limited by race, by poverty, by age and by gender. She isn’t making good choices, but she is also so stuck in so many different ways that it’s no surprise that she lashes out the few times she can.

One of the things this book does well, when it focuses on the immediate present and not either character’s past, is the immediacy of all the ways that civilization and civilized behavior break down in the wake of a disaster. The frightening thing is that if the “Big One” really does hit California things will likely be even worse.

For this reader, the harrowing nature of their journey drove home that life at its best and certainly at its worst is considerably more dangerous for women in so many ways that their situation forces them to think about constantly.

And us too.

Review: The Consequences of Fear by Jacqueline Winspear + Giveaway

Review: The Consequences of Fear by Jacqueline Winspear + GiveawayThe Consequences of Fear (Maisie Dobbs #16) by Jacqueline Winspear
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: historical fiction, historical mystery, mystery, thriller
Series: Maisie Dobbs #16
Pages: 352
Published by Harper on March 23, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

As Europe buckles under Nazi occupation, Maisie Dobbs investigates a possible murder that threatens devastating repercussions for Britain's war efforts in this latest installment in the New York Times bestselling mystery series.
September 1941. While on a delivery, young Freddie Hackett, a message runner for a government office, witnesses an argument that ends in murder. Crouching in the doorway of a bombed-out house, Freddie waits until the coast is clear. But when he arrives at the delivery address, he’s shocked to come face to face with the killer.
Dismissed by the police when he attempts to report the crime, Freddie goes in search of a woman he once met when delivering a message: Maisie Dobbs. While Maisie believes the boy and wants to help, she must maintain extreme caution: she’s working secretly for the Special Operations Executive, assessing candidates for crucial work with the French resistance. Her two worlds collide when she spots the killer in a place she least expects. She soon realizes she’s been pulled into the orbit of a man who has his own reasons to kill—reasons that go back to the last war.
As Maisie becomes entangled in a power struggle between Britain’s intelligence efforts in France and the work of Free French agents operating across Europe, she must also contend with the lingering question of Freddie Hackett’s state of mind. What she uncovers could hold disastrous consequences for all involved in this compelling chapter of the “series that seems to get better with every entry” (Wall Street Journal).

My Review:

In London, in September of 1941, fear was a constant companion. Every person old enough to be aware, including any children past toddlerhood, has to have felt at least some level of fear every waking minute. Fear of bombs, fear of losing someone dear to them – likely because of a bomb, fear of being made homeless and losing everything they owned – due to a bomb.

Fear that Hitler would invade Britain after softening up the target with – yet more bombs. Fear that Britain, standing alone, wouldn’t be able to hold back the tide of Nazi Germany any more than King Canute could hold back the ocean’s tide by ordering it so.

Maisie Dobbs, once upon a time a battlefield nurse in World War I, now serves as part of the checks and balances at the Special Operations Executive, vetting agents who are about to be sent to infiltrate occupied Europe as secret radio operators, saboteurs – and spies.

She did her bit in the first war, and she’s doing it again. Just not quite as near the front lines, although every bit as heartbreaking.

Maisie has spent the years between the wars as a private investigator, trained by her mentor Maurice Blanche, to ferret out the secrets that people have been keeping, sometimes even from themselves, in order to resolve personal issues they bring to her, and crimes brought to her by the police, or, in the case of her interviewing for the SOE, by the government.

The story here is about Maisie attempting, not always successfully, to balance her government work, her private clients, her family out in the country, and her American lover in the Diplomatic Corps of his own country.

It is also a story about the ways in which those responsibilities come into conflict. A country that expects her to drop everything at a moment’s notice in order to send people into situations where death is almost certain. A country that expects her to keep its secrets even from those she loves. A country that expects her to help cover up a murder in order to protect an alliance that it considers strategic.

It’s that last stress that proves to be more than Maisie can live with. The question becomes whether or not she, or anyone else involved, will die for it.

Escape Rating A: This is Mystery & Thriller week on Goodreads, and the image being used looks a lot like a piece of the cover for this book. I fully admit that I had no idea when I was picking out this week’s books that I would be echoing this theme, I just wanted books that I knew would be good and it turned out I struck a theme.

It took me most of the book to get how the title related to this particular story. Everyone is afraid at this point in the war. Things are pretty dark, and in spite of the famous British “stiff upper lip” the situation does not look hopeful.

But the fears that drive this story are not all about the war, even though they circle back to it. There’s a murder in this mystery, and everything about that murder is a result of fear. The murderer fears the loss of his honor, and the exposure of that loss. The witness fears that the killer knows he is a witness, and that the murderer is out to get him as well. And Maisie fears that her emotions are clouding her judgment, and most importantly, fears that the war will rob her of her second chance at happiness.

All three act out because of their fear, and act on their fear at the same time. This entire case and its outcomes are all consequences of those fears.

The ending is not all heartbreak as one might expect from the beginning, although the piper does get paid.

The story closes on December 8, 1941, the day after Pearl Harbor. The Americans, including Maisie’s lover, are scrambling to prepare America’s response to the attack. The entire war has changed irrevocably, along with Maisie’s life.

I’ve followed Maisie’s adventures from her very first story, fittingly named after this singular character. This is a series that follows the history of both its character and the world she inhabits, and sincerely rewards readers who get involved at the very beginning. This is not a series to pick up in the middle, especially as the last few books in the series, from A Dangerous Place onwards, show the shadows darkening over Europe as Britain prepares for the inevitable that no one wants to see.

This turned out to be a fitting close for the theme of this Blogo-Birthday Celebration Week as well. Both Maisie Dobbs and Sebastian St. Cyr are coincidentally at the 16th book in their respective series, but more importantly, both are atmospheric historical mysteries set in periods of great upheaval featuring compelling and fascinating protagonists.

Maisie also links back to, not Susan Ryeland or Atticus Pünd in Moonflower Murders, but rather to the author of the series, Anthony Horowitz, and the TV character he created, Christopher Foyle of Foyle’s War. Although a police detective rather than a private investigator, Foyle is another compelling character who served in WW1 and is now, in the second war, investigating crimes on the homefront – and occasionally working for the government – just as Maisie is.

I expect Maisie’s war to be every bit as dangerous, and to include every bit as much crime and punishment as her between the wars life has done. And I’m certainly looking forward to reading about Maisie’s war now that it is finally and officially here.

~~~~~~ GIVEAWAY ~~~~~~

Today is the final day of my Blogo-Birthday Celebration Week. This is a series that is near and dear to my heart, making it a perfect ending to a week of giveaways. I love this series and am thrilled to share a bit of that love with one lucky winner.

The winner of today’s giveaway will receive their choice of one book by Jacqueline Winspear (up to $25 US to include The Consequences of Fear) whether in the Maisie Dobbs series or her standalone or her nonfiction. If you haven’t met Maisie, I would recommend starting with one of the early books in the series, either the collection of novellas in Maisie Dobbs, or the first complete novel that features her, Birds of a Feather.

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Review: What the Devil Knows by C.S. Harris + Giveaway

Review: What the Devil Knows by C.S. Harris + GiveawayWhat the Devil Knows (Sebastian St. Cyr, #16) by C.S. Harris
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery, mystery, thriller
Series: Sebastian St. Cyr #16
Pages: 336
Published by Berkley Books on April 6, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Sebastian St. Cyr thought a notorious serial killer had been brought to justice until a shocking series of gruesome new murders stuns the city in this thrilling historical mystery from the USA Today bestselling author of Who Speaks for the Damned.
It's October 1814. The war with France is finally over and Europe's diplomats are convening in Vienna for a conference that will put their world back together. With peace finally at hand, London suddenly finds itself in the grip of a series of heinous murders eerily similar to the Ratcliffe Highway murders of three years before.
In 1811, two entire families were viciously murdered in their homes. A suspect--a young seaman named John Williams--was arrested. But before he could be brought to trial, Williams hanged himself in his cell. The murders ceased, and London slowly began to breathe easier. But when the lead investigator, Sir Edwin Pym, is killed in the same brutal way three years later and others possibly connected to the original case meet violent ends, the city is paralyzed with terror once more.
Was the wrong man arrested for the murders? Bow Street magistrate Sir Henry Lovejoy turns to his friend Sebastian St. Cyr, Viscount Devlin, for assistance. Pym's colleagues are convinced his manner of death is a coincidence, but Sebastian has his doubts. The more he looks into the three-year-old murders, the more certain he becomes that the hapless John Williams was not the real killer. Which begs the question--who was and why are they dead set on killing again?

My Review:

If you like your historical mystery very much on the dark and gritty side, you absolutely cannot go wrong with Sebastian St. Cyr. The feeling of being in his moment with him is so strong that the reader just can’t turn their eyes away until the mystery is solved – and that’s been true for 16 books now and hopefully counting.

Because it’s clear at the end of What the Devil Knows that this particular mystery may be solved – for certain definitions of the word solved – but that there are many greater – and lesser – mysteries yet to be revealed.

The most important being the mystery of St. Cyr’s very existence. Although his current case is less personal and a whole lot bloodier.

When St. Cyr is called in to investigate the grisly death of a corrupt magistrate, he knows that the case is already bigger than it seems as it appears that the perpetrator of the heinous Ratcliff Highway Murders (the original murders really happened) has struck again. But that man was executed three years previously, and the killings stopped. Even the doubters were silenced in the intervening three years.

But as St. Cyr investigates the latest murders, he becomes certain that there was a rush to judgment, aided and abetted by the government who needed to calm a roiling – and occasionally rioting – populace. The need for reform was in direct conflict with the government’s fear of a revolution every bit as destructive to the upper classes – and the country as a whole – as the French Revolution that was not just within living memory, but whose results were still being felt.

No one in the government, especially not St. Cyr’s father-in-law Charles Jarvis, the power behind the Prince Regent’s self-indulgent, shaky, profligate regency, wants St. Cyr to poke his nose into the original case. It’s too obvious that there was a fix in, and too many people involved in that fix have died in its wake.

And that’s just what St. Cyr finds. Three new and very flashy murders connected to that original miscarriage of justice. Along with a whole lot of very, very quiet stabbings in the dark.

Escape Rating A+: One of the things that makes this series so marvelous is the way that it exposes the dark underbelly of the Regency. As a result of the popularity of Georgette Heyer’s sparkling Regency romances, when we think of the period we think of romantic aristocrats, the strict rules of the haut ton, and a lot of glitz and glamour.

St. Cyr’s restless investigations into the seamier side of the Regency, reveals all of the creeping, oozing, frightening things that you find when you kick over a rock, just that in this case the rock is very, very shiny and hides more muck than expected because we’ve all been blinded by that shine.

It’s not just that bad things happen to bad people – although they do – or even that bad things happen to good people – but it’s the way that so much of what is wrong has been perpetrated and perpetuated by those in power, supposedly for the greater good. Or at least for Britain’s good. But usually for their own good.

And all of that has resonance for the 21st century while still leaving St. Cyr as a man of his own time. He’s someone who is on the outside of both worlds and has the intelligence and the vision to see what is wrong along with the will not to turn his eyes away.

That’s what makes him a hero worth following from one investigation and one mystery to another, 16 books and very much hopefully counting.

~~~~~~ GIVEAWAY ~~~~~~

This is the second book giveaway for my Blogo-Birthday Celebration, and it’s also the second time that a book in the St. Cyr series has come out just in time for me to include among the week’s giveaways.

The winner of today’s giveaway will receive their choice of one book by C.S. Harris (up to $25 US to include What the Devil Knows), whether in the St. Cyr series or written as Candice Proctor or C.S. Graham. If you have not yet had the pleasure of making Sebastian St. Cyr’s acquaintance, I recommend starting that series at the beginning in What Angels Fear.

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Review: Moonflower Murders by Anthony Horowitz + Giveaway

Review: Moonflower Murders by Anthony Horowitz + GiveawayMoonflower Murders (Susan Ryeland #2) by Anthony Horowitz
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, thriller
Series: Susan Ryeland #2
Pages: 608
Published by Harper on November 10, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Featuring his famous literary detective Atticus Pund and Susan Ryeland, hero of the worldwide bestseller Magpie Murders, a brilliantly complex literary thriller with echoes of Agatha Christie from New York Times bestselling author Anthony Horowitz.
Retired publisher Susan Ryeland is living the good life. She is running a small hotel on a Greek island with her long-term boyfriend Andreas. It should be everything she's always wanted. But is it? She's exhausted with the responsibilities of making everything work on an island where nothing ever does, and truth be told she's beginning to miss London.
And then the Trehearnes come to stay. The strange and mysterious story they tell, about an unfortunate murder that took place on the same day and in the same hotel in which their daughter was married—a picturesque inn on the Suffolk coast named Farlingaye Halle—fascinates Susan and piques her editor’s instincts. 
One of her former writers, the late Alan Conway, author of the fictional Magpie Murders, knew the murder victim—an advertising executive named Frank Parris—and once visited Farlingaye Hall. Conway based the third book in his detective series, Atticus Pund Takes the Cake, on that very crime. 
The Trehearne’s, daughter, Cecily, read Conway’s mystery and believed the book proves that the man convicted of Parris’s murder—a Romanian immigrant who was the hotel’s handyman—is innocent. When the Trehearnes reveal that Cecily is now missing, Susan knows that she must return to England and find out what really happened.
Brilliantly clever, relentlessly suspenseful, full of twists that will keep readers guessing with each revelation and clue, Moonflower Murders is a deviously dark take on vintage English crime fiction from one of its greatest masterminds, Anthony Horowitz.  

My Review:

For a dead man Alan Conway certainly does manage to get around. He even manages to cause just as much mischief from the grave as he did while alive. Something that he is probably looking down upon, or more likely up towards from below, with a great deal of pride if not utter glee.

In life, Alan Conway was not what one would call a “good person”, even if he was a very good author of very twisty mysteries. Until he became part of one himself, in the story that is told in the first book of the Susan Ryeland series, Magpie Murders.

As a reader, I wasn’t expecting to see Ryeland, Conway, or the detective character that Conway created, Atticus Pünd, ever again. After all, as Charles Dickens so eloquently opened A Christmas Carol, “Marley was dead to begin with” just as Alan Conway is at the start of Moonflower Murders. Atticus Pünd was a product of Conway’s now dead imagination, and Susan Ryeland is not just out of a job at the end of Magpie Murders, but the publishing company she worked for is as dead as Conway.

I have to say that of the three of them, I missed Atticus Pünd the most. In my review of Magpie Murders I said that I really wished the Pünd series actually existed because I would love to read them. Based on Moonflower Murders, it is entirely possible that I might get my wish.

There is a complete Atticus Pünd mystery enclosed within the pages of Moonflower Murders. However, unlike Magpie Murders, the title of both the book by Anthony Horowitz is different from the Atticus Pünd book by Alan Conway that forms the heart of the case that Susan Ryeland finds herself stuck in the middle of, whether that’s where she wants to be, or not.

In this case it’s more like wants to be. Or at least wants to be if there has to be a case at all. Which there definitely does. And it’s all, just as it was in Magpie Murders, Alan Conway’s fault.

As this story opens, it’s been two years since the events of Magpie Murders brought Susan Ryeland’s career in publishing to an end, and brought Alan Conway to his. His end, that is. (His books seem to be doing just fine.) Susan is now the co-owner of a small hotel in Crete, with her business-and-domestic partner Andreas. At the point where the Trehernes, Conway and this case invade her life, the hotel is losing money, Susan has lost her patience with being a hotel owner and her relationship with Andreas has lost much of its steam.

So she’s ready for a change, or at least a break. The Trehernes in their tragedy offer her both a partial solution to the hotel’s problems and a break from her own. They are willing to pay her 10,000 pounds to come back to England and stay at their hotel for a week. (That’s nearly $14,000 (US) so enough to make a serious dent in the inn’s financial problems. A real temptation on that front alone, without Susan’s other reasons for taking a break from Crete, innkeeping and Andreas.)

The Trehernes’ visit has nothing to do with their common interest in small hotels and everything to do with Alan Conway and Atticus Pünd. Because Alan Conway visited their hotel, Bramlow Hall, and wrote about a real-life murder that took place there. Of course Atticus Pünd solved the fictitious murder, but their daughter, after reading Atticus Pünd Takes the Case, believed that Alan Conway had solved the real murder as well.

A belief that she conveyed to her parents in a rather frantic telephone call, just before she went missing.

The police have not found Cecily Treherne, and her parents are desperate to grasp at any straws that might lead to their missing daughter. Alan Conway is beyond grasping at, but his editor Susan Ryeland is not.

Whether Susan can figure out what it was that Cecily Treherne believed that Alan Conway knew is a long shot. But it’s one that Susan is willing to try in order to get away from Crete and gain some perspective on her life there.

She goes into the whole thing thinking that it’s a clever puzzle that she might just have a chance at solving. And it is. But it’s also digging up the dirt in a whole lot of lives that thought they had put it all behind them. For those people, it’s not just a clever puzzle.

And for someone, it’s murder. Again.

Escape Rating A-: This is a book that I began in audio and switched to the ebook relatively early on. I got to the weekend, didn’t have any place I needed to drive to, and couldn’t wait to see what happened next.

And it was a whole lot easier to peek ahead to see where the Atticus Pünd book started in the ebook!

This book within a book contrasts the process of the extremely amateur detective, Susan Ryeland, against the tried-and-true methods of the professional detective Atticus Pünd. And it’s clear from the outset that Susan is in WAY over her head in a way that Pünd never is. Also that Susan has to reckon with a lot more pesky reality than the fictitious detective ever does – lucky for him.

But then, Pünd reads as if he is both an homage to Dame Agatha Christie’s celebrated detective Hercule Poirot and his antithesis. Both are post-war refugees, neither are English. Making them both outsiders who can investigate a case without bias or prejudice. Both are acknowledged geniuses. At the same time, they are refugees from different wars, Belgium was neutral before it fell while Germany was the enemy. The biggest difference between the two is that Pünd seems to have relatively few affectations while Poirot seems to be the accumulation of his.

And in the background there’s the late and mostly unlamented Alan Conway. Certainly no one at Bramlow Hall misses him. But Susan is following his trail, hoping to see either what he saw, what the missing Cecily Treherne saw, or to figure things out for herself.

But Conway had an advantage – he knew many of the principals before he ever entered the scene. Susan, however, has a different advantage. She, like Pünd, is an outsider. She arrives with no preconceived notions about who might have done it.

She’s a blank slate as an investigator, but she’s often just plain drawing a blank, knowing that there’s something she isn’t seeing or isn’t putting together. She’s just not sure what. As this story is told from Susan’s first-person perspective, whatever blank she’s drawing – we’re drawing it too.

Normally I’d say that with a first-person narrator it’s important to like the person whose head you’re in. I have to say that isn’t true here, or at least it wasn’t true for me. I’m not sure I actually like Susan much. She treats all of the people involved in the case as though she were reading a book and they’re all just characters – and not real people whose lives are being upended for the second time.

That she isn’t sure of anything, not whodunnit, not who Alan thought done it, not even why she’s there or where her life is going felt both real and off-putting at the same time. Probably part of why I like Atticus Pünd better is that he always seems sure of his course – even when he isn’t.

All Susan is sure of is that she’s pissing everyone off nearly as much as Conway did before her. And that the missing Cecily Treherne, whether she solved the mystery or not, was most likely dead long before Susan arrived back in England.

What keeps this story moving, and keeps both the reader and Susan Ryeland guessing every step of the way, are the multiple mysteries that need to be unraveled at Bramlow Hall. Who committed the original murder? What happened to Cicely Treherne? What did Alan Conway know? And the key that unlocks the entire mystery, who committed the murder in Atticus Pünd Takes the Case?

This is a series that just didn’t seem plausible after Magpie Murders. But I’m so glad it’s here! Maybe we’ll even get to read ALL of the Atticus Pünd series before Susan Ryeland’s career as an amateur detective goes the way of her publishing career.

~~~~~~ GIVEAWAY ~~~~~~

Moonflower Murders is the first of three days of book giveaways for this year’s Blogo-Birthday Celebration. This felt like the right book to start with for two reasons. The first reason, and the most important, I always fill this week with books I love and want to share, and this author always fills that bill. Even when his characters infuriate me, I love the stories he tells with them. Moonflower Murders was certainly no exception to that rule. Second, the author and I share our birthday, April 5, although he’s just a smidge older than I am, which makes me feel a tiny bit better about the whole thing.

The winner of today’s giveaway will receive their choice of one book by Anthony Horowitz (up to $25 US to include Moonflower Murders), whether in this series or any of his other series or standalones.

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Review: Tell No Lies by Allison Brennan

Review: Tell No Lies by Allison BrennanTell No Lies (Quinn & Costa Thriller, #2) by Allison Brennan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: mystery, romantic suspense, suspense, thriller
Series: Quinn & Costa #2
Pages: 432
Published by Mira on March 30, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Something mysterious is killing the wildlife in the mountains just south of Tucson. When a college intern turned activist sets out to collect her own evidence, she, too, ends up dead. Local law enforcement is slow to get involved. That’s when the mobile FBI unit goes undercover to infiltrate the town and its copper refinery in search of possible leads.
Quinn and Costa find themselves scouring the desolate landscape, which keeps revealing clues to something much darker—greed, child trafficking and more death. As the body count adds up, it’s clear they have stumbled onto much more than they bargained for. Now they must figure out who is at the heart of this mayhem and stop them before more innocent lives are lost.

My Review:

There’s a reason why so many jokes about how good a friend one is or has begin with something about moving, burying or just hiding bodies. As in the dead body or bodies of the enemies that you’ve killed. It’s usually a joke.

It’s also deadly serious in this mystery thriller, as the case begins with dead bodies. Bird bodies, killed by toxic runoff from an illegal waste dump. Probably waste from the local copper refining operation.

But those poor birds’ bodies lead to the human corpse of a young conservationist who was frustrated with her boss’ unwillingness to investigate the cause of those birds’ death. Her freelance, solo investigation results in her own body at one of the sites she hoped might lead her to the culprit.

And it kind of does, just not in any way that she expected – or lived to see.

Tell No Lies is a story that definitely puts the suspense in romantic suspense, as the murder of Emma Perez sets in motion a chain of events that seriously stretches the long rubberbanding arm of coincidence, only for it to snap back and burn all the people who got stuck in its path.

This is also a story about blood being thicker than water. Not just in the usual way that people will do anything for family but also in the way that people will end up in the middle of stupid shit for family. So both thick meaning close but also thick meaning dense – as in dealing with family makes people act like they are not exactly the sharpest knife in the drawer – whether they normally are or not.

So this story begins with a murder. It middles as the FBI using the murder to do an investigation into illegal toxic waste dumping by a respected local company. It’s only as the bodies start piling up that the FBI puts the pieces together into a puzzle that is on a whole other level of awful from what they initially suspected.

While one of their own is caught in the trap.

Escape Rating A-: As far as genre goes, Tell No Lies is a bit hard to pin down – kind of like the problem they have figuring out the size and shape of the case that brings this FBI mobile response team to tiny Patagonia, Arizona.

Just as the story begins with illegal toxic dumping, quickly jumps to murder, then spreads tentacles into fraud, kidnapping, human trafficking, gun running, drug smuggling and back around to murder again, this book begins as a mystery, loops in suspense and thriller, and tacks on romantic suspense for spice (so to speak) not to mention a few more bodies.

What makes the story so compelling is those tentacles. The FBI, in the person of Agent Matt Costa and his team, come to Patagonia with the intent of using the murder to find the illegal toxic waste dumping. At the beginning, they kind of think they know, if not whodunnit, at least who is involved in doing it.

But, just like every twist and turn in this case, they’re sort of right and also sort of wrong at the same time. Because the things they think are connected are not. But they also are. And that confusion leads to them getting in their own way, over and over again.

Which is what makes the story so damn fascinating. It’s one step forward, two steps back, three steps sideways in an ever-widening pattern. There’s an old saying that goes, “It ain’t what you don’t know that gets you into trouble. It’s what you know for sure that just ain’t so.”

That’s what happens in this case. The FBI thinks they know a lot of things that just aren’t so. They think it’s all about the toxic dumping. The team has undercover agents in place to watch the people they believe are involved. They think their informant is acting on the side of the angels.

There are plenty of hints that make the reader aware that there is more going on than initially meets the eye. But the way that it explodes and the reasons for it confound everyone – including the reader. Or at least this one. Even though who was involved did eventually get clear enough, the why was not what anyone was expecting. At all.

Which is what made this an edge of the seat read from beginning to end.

One final note. This is the second book in a series that looks like it’s going to continue. I haven’t read the first book, The Third to Die, and didn’t feel like I’d missed much by not having done so. It’s pretty clear that this team is still in the process of jelling and it was easy to get into it. But it’s also clear that the sometimes resolved sexual tension between FBI Agent Matt Costa and LAPD Detective Kara Quinn began in that first story and at the moment in this one is just kind of a mess. I’m not certain that this one needs the romance angle, but that may be because I didn’t see it begin. Also because whatever relationship they sorta/kinda have is seriously awkward and messy at best at this point.

Hopefully their relationship gets, if not some resolution – because I suspect the on again/off again nature of it is going to be part of the suspense for a few books – at least becomes less of a mess in future books in the series. And I definitely want there to be future books in the Quinn & Costa Thriller series, because the mystery/suspense/thriller parts of this case kept me glued to the book from start to finish!

Review: Chinook by M.L. Buchman

Review: Chinook by M.L. BuchmanChinook (Miranda Chase NTSB #6) by M L Buchman
Format: eARC
Source: author
Formats available: paperback, ebook, audiobook
Genres: action adventure, suspense, technothriller, thriller
Series: Miranda Chase NTSB #6
Pages: 360
Published by Buchman Bookworks on March 23, 2021
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Miranda Chase—the heroine you didn’t expect. Fighting the battles no one else could win.
When the fastest and most powerful helicopters in the US Army’s fleet start falling out of the sky, Miranda Chase and her team of NTSB crash investigators are called in.
One crash leads to another and they are fast entangled in a Chinese conspiracy to start a war. Only Miranda’s team can stop the trade war from becoming a real one.

My Review:

Chinook is the second book in what looks to be the second quartet of Miranda Chase’s “adventures” as the lead investigator for the NTSB. There’s a lot to unpack in that description.

The NTSB is the National Transportation Safety Board. That’s the agency that investigates aircraft crashes. I say aircraft and not airplanes because the NTSB is called in for helicopter accidents as well as plane crashes. They’re the folks who determine how it crashed, why it crashed, whether any human agency is responsible for the crash and especially what can and should be done to prevent the same type of crash of the same type of aircraft happening again.

Miranda Chase, introduced in the awesome military suspense thriller Drone, is a lead investigator for the NTSB. She’s also THE lead investigator they have, the one who gets called in whenever a crash is particularly strange, particularly difficult to figure out or particularly or even tangentially involves the military. Not that the military services don’t have their own agencies to deal with this kind of thing, but when things get weird, or complicated, or just don’t seem to make sense at first glance OR (very big OR here) when the powers that be in Washington believe that there might be a coverup going on, Miranda and her team get called.

They’re the very best at what they do. And that’s all down to Miranda. Not just because she’s the best investigator they have, but because the team that has gathered around her are each the best at their parts of the investigation and the best at protecting Miranda and keeping her on task.

Miranda Chase is on the autism spectrum, and the hyperfocus that her place on that spectrum gives her is part of what makes her so very good at her job – and so very bad at dealing with the people and politics that want to either get in her way, derail her completely or just remove her from the picture – occasionally permanently.

The first four books in the series (Drone, Thunderbolt, Condor and Ghostrider) were all about putting Miranda’s team together and watching them work. Also, and mostly importantly watching them come together as a team and find the best way to work together, both in spite of and because of all of their collective quirks, idiosyncrasies and baggage from a set of generally messy pasts.

The second series which begins with Raider, at least so far, seems to be about adding the right people to the team and tying up the loose ends dangling after their previous adventures. Along with more than a bit of romance as each team member becomes confident enough of their place in Miranda’s world to reach out for someone who can make their life even more complete.

Even if, in the case of Miranda’s friend and chief geek Jeremy Tranh, the person he’s looking at to fill that kind of role in his life is supposed to be dead.

Escape Rating A: It’s not exactly a secret that I love this series, and this latest entry is absolutely no exception whatsoever.

One of the reasons I love it so much is that Miranda Chase and her team are high-grade (and high-octane) competence porn. They’re good at their jobs. They are, in fact, the best of the best at their jobs. They make an excellent team and they know it. They enjoy being good and capable and that part of the story is always wonderful.

We don’t celebrate competence and excellence nearly enough so it’s always a joy to read.

This series also reminds me of the best of Tom Clancy. The edge of the seat thriller-ness of really good people fighting the good fight on behalf of the actually decent folks in government and the military – while never implying that ALL the people in government or the military are good or even halfway decent. But also not claiming that they are all villains either. Just that they’re human with all the faults and virtues that can imply.

It also Clancy with either a sense of when to stop or a damn good editor or both. Clancy’s later books got to be extremely door-stoppy. This series – actually all of this author’s books – are tight and tense and never run on with themselves.

Another plus, at least so far, is that the individual stories do stand kind of alone, but they also hook back to previous events with at least enough backstory to bring readers for whom it’s been awhile or those new to the series, up to speed.

There are pieces of this particular case that go all the way back to the first book, Drone. And the new member of the team isn’t new to the series. She was on the sorta/kinda opposite side in Ghostrider – and she stole Jeremy’s heart along the way – unwilling to recognize that he kept hers as well.

But there is, as there always is, a crash investigation at the heart of this story, wrapped up in a whole lot of political shenanigans both here and especially in this case, in the highest echelons of a government who is not exactly numbered among the United States friends. It’s up to Miranda and her team to discover what is at the heart of not one but two crashes, a Chinook helicopter in the middle of an airshow in the U.S., and something bigger and considerably more deadly on a beach in Taiwan.

And it’s a tense and suspense-filled ride every step – and on every aircraft – along the way.

The next book in this series is Havoc, coming in late April. I’m already on the edge of my seat in anticipation!

Review: Danger in Numbers by Heather Graham

Review: Danger in Numbers by Heather GrahamDanger in Numbers by Heather Graham
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, ebook, audiobook
Genres: mystery, romantic suspense, thriller
Pages: 336
Published by Mira on March 23, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

On the edge of the Everglades, an eerie crime scene sets off an investigation that sends two agents deep into a world of corrupted faith, greed and deadly secrets.
A ritualistic murder on the side of a remote road brings in the Florida state police. Special Agent Amy Larson has never seen worse, and there are indications that this killing could be just the beginning. The crime draws the attention of the FBI in the form of Special Agent Hunter Forrest, a man with insider knowledge of how violent cults operate, and a man who might never be able to escape his own past.
The rural community is devastated by the death in their midst, but people know more than they are saying. As Amy and Hunter join forces, every lead takes them further into the twisted beliefs of a dangerous group that will stop at nothing to see their will done.
Doomsday preppers and small-town secrets collide in this sultry, twisty page-turning thriller.

My Review:

I got sucked into Danger in Numbers from the first page, but there were two things that I admit it took me a while to get. The first was that the story reminded me of something but I couldn’t put my mental finger on exactly what for the longest time. (Surprisingly, it’s Faithless in Death by J.D. Robb. Humans are still screwed up and still falling for stupid stuff even in the future.)

The second was that the title is a play on words. That hit me upside the head somewhere in the middle and just didn’t let go.

Neither did the story.

At first I thought this might be my second serial killer story in a row. Then I realized it was way more gruesome than that. One person, or even two people, who have gone bloodily off the deep end is horrible enough. But the idea of dozens or hundreds being brainwashed into evil by a cult and its charismatic leader – and we know that it does happen in the real – is on a completely other level of insanity.

FBI Special Agent Hunter Forrest rushes from Micanopy in north Florida to the edge of the Everglades – most of the way down Florida the long way – because he’s dead certain that the horrifically dead body that the FDLE (Florida Department of Law Enforcement) has just discovered is related to the murder he’s investigating at his end of the state.

He’s sure because he’s seen it before. Not just because he’s made a career out of investigating cases like this one, but because, once upon a time, he was inspired to join the FBI because of a case much too much like this.

The land around the Everglades is a patchwork of federal, state, private and tribal land. The towns that are near its edge are too small to have much in the way of police forces of their own, and this case is already too big and too sensational for local cops to handle, leaving the FDLE in a slightly uneasy partnership with the FBI to locate and catch the killers.

Because this isn’t the work of an individual or even a gang. It takes an entire town – or an entire cult – to plan and carry out this kind of murder as well as an entire town – or cult – to provide both the reason for it and the means to pull it off and cover up not the crime – because they want that to be found to send a twisted message – but to hide or obscure the identities of the perpetrators.

FDLE Special Agent Amy Larson is going to have to work WITH the FBI whether she – or Forrest – like it or not. Her senior FDLE partner is in the hospital, the murder site is on disputed land, and as good as the FDLE is, the FBI is better.

Larson doesn’t like the feds moving in on the FDLE’s case. Forrest isn’t sure that Larson, still in her 20s and with only four years at the state bureau, is up to the task. And neither of them can resist the pull between them – no matter how much they try.

While the cult – and the man behind it all – is after both of them.

Escape Rating A-: I slipped into this book easily because we spend the story following Hunter and especially Amy. We don’t get into the minds of the cultists, nor is the cult either glorified or sensationalized. We follow Amy and Hunter and their cause is righteous. There’s a lot of understanding on both of their parts but particularly Hunter’s, on how easy it is for people to get sucked in and how practiced the cult leaders are at finding and sucking in the desperate and the easily swayed.

There is, after all, just a hint of truth at the heart of the very big lie that the con artist cultists are peddling – just as there is at the heart of all “Big Lies”.

It helps that Amy and Hunter are both interesting characters, who are good at their jobs and keep their focus on the victims at all times. They are in this to help people and it’s easy for the reader to be on their side from the beginning, even as they wonder whether they can manage to be on the same side without friction – of one kind or another.

I liked them both as investigators quite a bit, but I have to say that the romance that develops between them just didn’t feel necessary. I expected it but would have liked the book just as much, or maybe a bit more, without it.

A part of the story that I personally found fascinating was the location in Micanopy. I lived in Alachua County for three years so the area felt familiar. The only thing missing from what I remember of the town is that there was still quite a bit of memorabilia around town from the filming of the movie Doc Hollywood in 1991.

Nevertheless, the familiarity made the location easy to visualize.

While the fact that Hunter and his family had been part of a cult very much like the one they’re tracking felt pretty obvious from the flashback start even though the family was not named, something that took me completely by surprise was just how well the title’s play on words worked in the story.

“Safety in numbers” is a catchphrase that comes up all the time – and it even does in the story as Hunter and Amy and the members of their team try very hard to not work by themselves on this case. The times that Amy is in direct danger are the few times that she is alone.

But there is also a danger in numbers. In this story, it’s the danger of numbers of people big enough to become a cult, or a mob, or the perilous combination of the two that is at the center of the series of ritualistic murders and a whole lot of broken lives and families. Alone, most of these people would have been harmless – or more likely whining complainers or even argumentative blowhards. Even if they had succumbed to their own personal dark sides their crimes would have been, at least in comparison, few and most likely much harder to cover up.

Together they make a self-righteous, self-feeding, murderous mob.

There’s another danger in numbers. Even though it’s clear that the “Divine Leader” will face justice the last page turns, he’s left behind entirely too many true believers who will carry out his mission either for the promise of eternal glory or the filthy lucre of leading a gigantic con. The cult members were following a plan to either court or appease the Four Horsemen of the Apocalypse to bring about the End Times.

As the story ends, the cult is one horse down – and three to go.

Review: The Jigsaw Man by Nadine Matheson

Review: The Jigsaw Man by Nadine MathesonThe Jigsaw Man by Nadine Matheson
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Inspector Anjelica Henley #1
Pages: 496
Published by Hanover Square Press on March 16, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Imitation is the sincerest form of flattery...
When body parts are found on the banks of the River Thames in Deptford, DI Angelica Henley is tasked with finding the killer. Eerie echoes of previous crimes lead Henley to question Peter Olivier, aka The Jigsaw Killer, who is currently serving a life sentence for a series of horrific murders.
When a severed head is delivered to Henley's home, she realises that the copycat is taking a personal interest in her and that the victims have not been chosen at random.
To catch the killer, Henley must confront her own demons - - and when Olivier escapes from prison, she finds herself up against not one serial killer, but two.

My Review:

There’s a tension-filled junction where mystery, suspense and thriller meet – and fight it out with guns, knives and in this particular case, saws. Particularly jigsaws and ripsaws. But saws. Definitely saws.

This is a story that will have readers on the edge of their seats, wringing their hands in sympathy with Detective Inspector Anjelica Henley of the London Metropolitan Police Serial Crimes Unit as she comes to the chilling realization that she is the mouse in a cat and mouse game with not just one but two serial killers.

Killers who are determined to out-do each other in a bid for Anj’s attention. As if her life wasn’t already fraught enough – and not just because everyone, including some versions of the blurb for this book centered around her as she falls apart – misspells her damn name.

It begins when Anj, on her way to work at the SCU, is diverted to a crime scene for the first time in two plus years by her boss. Who also happens to be her on-again, off-again lover. As she’s on her way to work after yet another in a series of seemingly endless arguments with her husband about the consuming nature of her job, she’s already on edge when she arrives at the crime scene to discover that the body that’s been discovered is in pieces, like a jigsaw puzzle.

The calling card of the serial killer who tried to gut Anj like a fish when he resisted arrest two years ago.

Anj has been investigating cold cases ever since, at least until now. She’s still suffering from PTSD and panic attacks. And her assailant, Peter Olivier, is in a high security prison serving seven consecutive life sentences.

But there’s someone out there either doing Olivier’s bidding or desperately seeking his “master’s” attention. Someone who has discovered the best way to get that attention – by grabbing the place in DI Angelica Henley’s mind that remains hyper-focused on Peter Olivier.

Who simply won’t be having that. At all.

Escape Rating A+: The Jigsaw Man is sitting right on that extremely uncomfortable crossroads. Which makes it an absolutely compelling, can’t put it down kind of story, whether you see it as mystery or suspense or thriller or all of the above.

It’s that “all of the above” factor that kept me up until 4 in the morning because I just had to finish.

This one combines police procedural – although a procedure that gets shot to hell fairly quickly and riddled with holes to begin with – with one of those stories that combines the gruesomeness of serial killer stories with the suspense of stories where the investigator is an integral part of the crime spree.

In that regard, The Jigsaw Man reminded me a lot of The Silence of the White City by Eva Garcia Saenz, Who Watcheth by Helene Tursten and the Frieda Klein series by Nicci French. All of those mysteries include serial killers who are thought to be out of commission in one way or another and detectives who are forced into the conclusion that their deaths or prison terms were mistaken, reports of their deaths were greatly exaggerated, that the police had the wrong person in prison or very nearly all of the above.

The personal stakes for the detectives in all of these cases ratchet up the stakes and the tension as the investigators find themselves unravelling, looking over their shoulders at things and people they thought were safe – only to discover that nothing was as it seemed. As does Anjelica Henley in this book.

DI Henley’s plight in The Jigsaw Man is particularly fraught. Her marriage is falling apart, her father has dropped into a deep clinical depression and, her mind and body are betraying her. Her career feels like it’s all she has left – and it’s killing her even as not one but two serial killers see her as the cherry on top of their killing spree sundae.

The Jigsaw Man is one of those mystery thrillers that is impossible to put down. The way that this story morphs from a hunt for a serial killer to a hunt for his copycat to a desperate search for competing serial killers along with their hunt for each other grabs the reader and quite honestly puts the reader’s own fingers in their mouth so they can bite their nails to the quick in anticipation and rising dread.

At the same time, we see Anjelica spiraling out of control as the crime spree is rising up to engulf her. We want to help her, want her to get help, and need her to put an end to it before it puts an end to her. And yet…

Some of the descriptions of this book lead one to believe that it’s the first of a series. I very much hope that it is, because while this series of crimes is solved, it’s clear that there’s plenty of unfinished business swirling around DI Henley and the serial killer who brought her to this point.

I want more of Henley’s story and I’m dead certain that other readers will, too.

Spotlight + Excerpt: Her Dark Lies by J.T. Ellison

Spotlight + Excerpt: Her Dark Lies by J.T. EllisonHer Dark Lies by J.T. Ellison
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Pages: 416
Published by Mira on March 9, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

At the wedding of the year, a killer needs no invitation
Jutting from sparkling turquoise waters off the Italian coast, Isle Isola is an idyllic setting for a wedding. In the majestic cliff-top villa owned by the wealthy Compton family, up-and-coming artist Claire Hunter will marry handsome, charming Jack Compton, surrounded by close family, intimate friends…and a host of dark secrets.
From the moment Claire sets foot on the island, something seems amiss. Skeletal remains have just been found. There are other, newer disturbances, too. Menacing texts. A ruined wedding dress. And one troubling shadow hanging over Claire’s otherwise blissful relationship—the strange mystery surrounding Jack’s first wife.
Then a raging storm descends, the power goes out—and the real terror begins…

Welcome to the Excerpt tour for Her Dark Lies by J.T. Ellison. Ellison is a new author for me, but as I’ve been reading a bit more suspense recently it looks like an absolutely riveting read. I’m looking forward to reading and reviewing Her Dark Lies in the weeks ahead, so here’s a teaser to whet all of our reading appetites!

Excerpt from Her Dark Lies by J.T. Ellison (continued from yesterday’s excerpt at Berit Talks Books)

There is something…wistful on his face. I run my hand from his cheek to his temple, smoothing back his too-long hair. There is the lightest sprinkling of silver in his part, just a few hairs here and there, lending him a serious, studious air.

“A magic bed? What, does it fly?” I tease.

“In a way. Rumor has it ladies tend to get knocked up on their wedding nights. My grandmother and my mother swear by it.”

“Ah.” A deep sense of foreboding seizes me, and I instinctually scan my body for any signs of pregnancy. It’s a reflex, something I’ve done regularly since we first became intimate. An accidental pregnancy terrifies me. I can only imagine the headlines, how I’d be portrayed. Prevailing wisdom: a woman like me can only land a man like Jackson Compton if I get pregnant and he is forced to do the right thing.

I run my mind over our sexual escapades from the past month. I had my implant taken out; it was making me feel terrible. I have been taking my pills on time, haven’t I? We’ve been careful, yes?

Stop it. You’re being paranoid.

Yes, of course we’ve been careful. The dull ache deep in my stomach is certainly my impending monthly, just in time to ruin our wedding night. The malaise I’ve been feeling for the past couple of days is stress and travel related. I’ve never flown well, even short hops leave me with a headache, clammy and uncomfortable. Add in a mild concussion and a boat on slightly stormy seas? I’d gone to the doctor for a preventative motion sickness patch before we left; it is helping tamp down some of the nausea from the bump on my head, too.

The long night coupled with the long journey from Nashville to Naples is catching up to me. We’d been forced—quelle horreur—to fly first class on Delta instead of being chauffeured across the sea in the family jet. Jack’s father is flying in from Africa, where he’s been on business with Jack’s brother Elliot. As heads of the company, their travel needs take precedence.

Yes, it was a terrible burden for me to be waited upon by the dark-eyed flight attendants with their prettily accented Italian and sly smiles for Jack. The wine was plentiful, the carbonara and crusty bread delicious, the lay-down beds surprisingly comfortable. I’d only disliked being separated from Jack. He was in the cozy suite behind me, and I felt all alone, watching the flight attendants’ faces light up with pleasure as they walked past me to tend to Jack’s needs.

The breeze picks up, and I realize Jack is looking at me curiously. “Everything okay?”

“Yes, but good grief, don’t wish a baby on us just yet. I want to be married for a while, first.”

“No promises, darling. My parents will explode with happiness at the idea of another heir.”

There is a certain hopefulness in his voice. Jack is a decade older than me. A widower. His first life was stolen from him. He is ready to start a family. I understand. He’s already experienced so much. I’m only getting started. I’m not ready for a child. I might not ever be ready. I need to tell him that, before the wedding. In case it’s a deal breaker.

I take a deep breath. “Jack?”

“Yes, darling?”

But we are interrupted by a call from the upper deck. Gideon, beckoning. “We need you for a moment, Jack.”

Jack squeezes my shoulder. “Be right back.”

I watch Jack stride away and wrestle my urge to confess back into place. What purpose will it serve? He’ll just get upset, and who knows, maybe I’ll change my mind.

You know what they say about digging your own grave.

I turn back to the island.

Unlike the smoky gray open waters of the bay, the water in the shallower edges of the channel is cerulean and almost clear; schools of dark fish race away. What are they running from? The boat? A predator?

The breeze cools, the azure Mediterranean early summer sky turning hazy. Bad weather is coming. Italy is under a Red warning this long weekend, a severe weather alert, expecting the worst storms in a decade.

I hope everyone gets here in time. The channel crossing to Isle Isola is too dicey to manage anything smaller than the yacht or the hydrofoil ferry in bad weather, and the hydrofoil normally runs to Isola only once a week, though it’s running three days in a row for us to get all the guests on the island. And obviously, the choppers can’t fly if the storm is too bad.

The Hebrides is approaching the cliff’s edge now. The imposing granite face is sheer and unforgiving. We’re so close I can see the striations of the stone, the moss growing in the cracks. At the top, there is a flash of white. What is that?

A scarf, my mind fills in. A woman’s scarf.

And then it is gone.

Someone is watching for us.

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: Faithless in Death by J.D. Robb

Review: Faithless in Death by J.D. RobbFaithless in Death (In Death, #52) by J.D. Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: futuristic, mystery, romantic suspense, suspense, thriller
Series: In Death #52
Pages: 400
Published by St. Martin's Press on February 9, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In the new Eve Dallas police thriller from #1 New York Times-bestselling author J. D. Robb, what looked like a lover's quarrel turned fatal has larger--and more terrifying--motives behind it...
The scene in the West Village studio appears to be classic crime-of-passion: two wine glasses by the bed, music playing, and a young sculptor named Ariel Byrd with the back of her head bashed in. But when Dallas tracks down the wealthy Upper East Side woman who called 911, the details don't add up. Gwen Huffman is wealthy, elegant, comforted by her handsome fiancé as she sheds tears over the trauma of finding the body--but why did it take an hour to report it? And why is she lying about little things?
As Eve and her team look into Gwen, her past, and the people around her, they find that the lies are about more than murder. As with sculpture, they need to chip away at the layers of deception to find the shape within--and soon they're getting the FBI involved in a case that involves a sinister, fanatical group and a stunning criminal conspiracy.

My Review:

I’ll try to keep the squeeing to a minimum over here, but with this OMG 52nd book in the In Death series it’s going to be damn difficult.

Because this entry in the series, after last fall’s admittedly excellent trip to the angst factory with Shadows in Death, is all about the case. And also JUST about the case. While there are plenty of personal – and generally wonderful – things going on in the background for several members of this found family, the crime and hoped for punishment that this story is centered on is a murder case and JUST a murder case.

There are plenty of people and events that surround the murder and its coverup that many readers – including this one – may see as a commentary on our contemporary events in spite of this series being set in a future that is 40 years beyond our time and probably not the one we’re going to get.

But this case, in spite of it coming directly on the heels of the events in Shadows in Death, doesn’t do any deep diving into the nightmares that haunt the pasts of both NYPSD Lieutenant Eve Dallas and her husband, thief-turned-multi-billionaire Roarke.

In fact, as this case opens, Eve is wrapping up the paperwork for that previous case. (NYPSD is a bureaucracy and a city department. Of course she has to deal with the demon that is paperwork.)

At first, the case seems relatively simple. Ariel Byrd, a promising artist. is dead, bludgeoned to death in her studio with one of her own tools. The cause of death in this particular case is screamingly obvious. Initially, the killer seems so too. The woman who discovered and reported the dead body is just as screamingly obviously lying as the victim is dead.

The question that Dallas and her detective partner are stuck on and stuck with is wrapped around exactly what the woman is lying about. The facts, the evidence and the woman’s story are jumbled into a big ball of wrong, but the exact nature of that wrong is considerably less obvious.

As the dive gets deeper into the background of the lying, manipulative and utterly faithless Gwen Huffman, Dallas discovers that there be monsters there, in the shape of Gwen’s parents and their friends, the founders of and true believers in the cult of the Natural Order. A cult that espouses total racial segregation, absolute female subjugation and the elimination with extreme prejudice of lesbians, gays, bisexuals, trans men and women and anyone who is non-genderconforming in any way.

There isn’t a law enforcement agency on the entire PLANET that doesn’t want to bring the Natural Order down. They’ve been trying for years, but just as with the past and present KKK and with contemporary white supremacy, there are plenty of people among the powers that be who are either true believes themselves or have been paid off to look the other way, which has put the righteous takedown this bunch really deserves out of reach.

Until this case, a case that at first doesn’t seem to connect at all, develops tentacles that reach all the way down into the heart of this darkness.

After all, like so many cases that begin small and end up being really, really big – it’s not the initial criminal act that causes all the trouble. It’s the cover up. This one just turned out to need way more cover up than the perpetrator or the cult could ever handle.

Especially with Dallas on the case.

Escape Rating A: The books in this series generally begin with a murder and in a certain sense the situation tends to go straight downhill from there, at least until justice triumphs and evil gets its just desserts. In this particular case, actually in MANY of Dallas’ cases, those desserts are very just indeed.

Very much on the other hand, this series is a comfort read for me, even if the case that Dallas and Roarke are involved in doesn’t turn out to be all that involving, although this one certainly did.

But, very much and very surprisingly like reading fanfiction for a beloved book or TV series, the world that Dallas and Roarke live in is a world that I can slip into as easily as an old sweater or a comfy pair of slippers. After 52 books (and counting!) I know these people, this found family that Dallas and Roarke have gathered around themselves, very much to their own continued astonishment.

With each entry in the series, I get to visit with all my old friends, see how they are doing, catch up on what has been happening in their lives. I don’t need to be introduced to them, I don’t need to figure out the worldbuilding. I’m immersed in the story from the very first page because everything is so familiar and beloved.

Except the murder, of course. That’s always new. But the way that Dallas investigates that murder, and the people who help her along her way – they are known and familiar. To the point where I laugh along with them, not because anyone has necessarily said anything particularly funny, but because the humor is built into the way they interact. Like old friends with fond and familiar stories.

This case, however, was absorbing in and of itself, which doesn’t always happen. But it certainly did this time. The cult that turns out to be front-and-center of the case, after being successfully hidden and behind and in back for so many years, is just plain evil. Not fantasy villainy, but purely the evil that humans do, to each other and to themselves, all too frequently in history.

There are seeds of that evil in the here and now. Today. As there have always been. That’s what makes the entire story so chilling, and makes the takedown so very righteous.

So come for the camaraderie. And for the romance between Dallas and Roarke that still manages to be both romantic and hot after 52 books. Stay for the horror show, because you’ll be riveted.

Stand up and cheer for the ending. The end of the cult. The end of the case. But not the end of the job. Dallas and Roarke, along with the rest of the family, will be back in the fall in Forgotten in Death. I already have it scheduled on my reading calendar!