Genre: suspense

Grade A #BookReview: The Grey Wolf by Louise Penny

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Grade A #BookReview: The Grey Wolf by Louise PennyThe Grey Wolf (Chief Inspector Armand Gamache, #19) by Louise Penny
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Chief Inspector Armand Gamache #19
Pages: 425
Published by Minotaur Books on October 29, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The 19th mystery in the #1 New York Times-bestselling Armand Gamache series.
Relentless phone calls interrupt the peace of a warm August morning in Three Pines. Though the tiny Québec village is impossible to find on any map, someone has managed to track down Armand Gamache, head of homicide at the Sûreté, as he sits with his wife in their back garden. Reine-Marie watches with increasing unease as her husband refuses to pick up, though he clearly knows who is on the other end. When he finally answers, his rage shatters the calm of their quiet Sunday morning.
That's only the first in a sequence of strange events that begin THE GREY WOLF, the nineteenth novel in Louise Penny's #1 New York Times-bestselling series. A missing coat, an intruder alarm, a note for Gamache reading "this might interest you", a puzzling scrap of paper with a mysterious list—and then a murder. All propel Chief Inspector Gamache and his team toward a terrible realization. Something much more sinister than any one murder or any one case is fast approaching.
Armand Gamache, Jean-Guy Beauvoir, his son-in-law and second in command, and Inspector Isabelle Lacoste can only trust each other, as old friends begin to act like enemies, and long-time enemies appear to be friends. Determined to track down the threat before it becomes a reality, their pursuit takes them across Québec and across borders. Their hunt grows increasingly desperate, even frantic, as the enormity of the creature they’re chasing becomes clear. If they fail the devastating consequences would reach into the largest of cities and the smallest of villages.
Including Three Pines.

My Review:

You’ve heard the parable – even if you don’t recognize it at first. It’s often attributed to the Cherokee, but occasionally to a different Native American tribe. It’s the story about the two ‘wolves’ that battle inside each soul. One wolf represents the darker parts of human nature; anger, envy, jealousy, greed, arrogance, etc. Because that wolf is the embodiment of the dark side, it is often pictured as a black wolf.

The other wolf represents the better angels of our nature; joy, peace, love, hope, serenity, humility, empathy, truth, compassion, etc. That is the grey wolf.

As the parable goes, the wolf that wins the endless battle within each soul is the one that is fed by the thoughts and deeds of that person.

Having gotten to know Chief Inspector Armand Gamache over the course of this series, it’s all too easy to see Gamache as the embodiment of that grey wolf. At this point in his life and career, in more ways than one as he has literally become a grey wolf, older, sadder, wiser, but still fighting the good fight to do his best by his people and his province, in spite of the black wolves arrayed against him.

Including the one inside his own soul.

This particular case begins, as so many of Gamache’s cases begin, with a series of unrelated events that, on the surface have zero in common. Two murders, close together in time but remote and as far apart as they could be in the vast province of Québec, committed in precisely the same manner as a mafia hit. Even though neither victim appears to have any connections whatsoever with the ‘Sixth Family’ that controls organized crime in the province.

Someone breaks into Gamache family’s pied-à-terre in Montreal while he and his wife are at their home in Three Pines. But absolutely nothing appears to have been taken or damaged in the crime.

And last but absolutely not least, especially in Gamache’s mind and memory, a political operative that he crossed early in his career, who attempted to destroy him and his family and very nearly succeeded, calls in the middle of the night to say that she has information he should be interested in. Maybe he should be, but he’s absolutely not considering the source – with expletives.

At least, not until the unrelated incidents start coming together into a pattern that his instincts – if not the actual evidence before him –  tells him is the tip of a terrible iceberg. A pattern that tells him that there is something very, very rotten indeed in the Province de Québec, a pattern that will lead Gamache and his seconds-in-command, Isabelle Lacoste and his son-in-law Jean Guy Beauvoir, to the remotest corners of Québec, back to the scene of the lowest point and most desperate points in the relationships between Gamache and his son-by-birth Daniel as well as his son-by-adoption Beauvoir, and all the way to France, to a secure monastery keeping the secret of one of the world’s most famous recipes – and the potential application of one of the world’s deadliest poisons.

Gamache knows there is an enemy within – probably more than one. He has very few people he can trust absolutely, very little time and no authority with which to demand answers. And no faith that any of his desperate choices are the right ones. But he has to try, no matter the cost to his career or himself.

Because the nightmare he is desperate to prevent is only the beginning if he fails.

Escape Rating A: The Chief Inspector Gamache series, like many long-running series, tells each individual story on two levels. The particular work in hand, in this case, The Grey Wolf, focuses on the case that has been brought to Gamache’s attention at this moment in time, shows his team dealing with the clues and red herrings, figuring out which are which, and eventually solving the case or at least the immediate danger of it.

The other level is the one where things often get very deep, which in many ways goes all the way back to Gamache’s four things that lead to wisdom. As he explains to a group of young police officers in Still Life, “They are four sentences that we learn to say, and mean…I don’t know. I need help. I’m sorry. I was wrong.”

And he lives by those principles – even when it hurts. Especially when it hurts. And most especially when he discovers that he was wrong. Which he does, both in this story and in all the stories that have led him and his team to this point. Because the cop shop aspects of the usual mystery series have become a found family, AND Gamache has a tendency to tilt at big, important windmills that take that family into dangerous places and very fraught political circumstances.

This is one of those cases.

Which is where interesting and frustrating and really, truly frightening things happen in this story. As a criminal investigation, the reader is often caught up in Gamache’s own frustrations as the case is initially so elusive he’s not sure if there are one or several or precisely what it or they might be. Multiple people are playing multiple games, with both the best and worst of intentions, and it’s difficult for the reader to watch Gamache and his team flail around as much as this story forces them to.

It takes a lot of both investigation and speculation to pull this one together.

The frightening part, the part that makes this story a whole lot more fitting for Halloween week than I originally imagined, is the nature and scope of the vast criminal enterprise that Gamache has to stop. Because I don’t want to reveal the big secret, I’m going to do my damndest to talk around it.

The rot at the heart of this case, at first, read like some kind of supervillain shit. I mean that in all seriousness. It takes a situation that is already happening, that is already terrifying, that many people are trying to mitigate if not stop, something utterly real – and then posits that someone in a position of power is planning to deliberately cause an incident of deadly magnitude and then manipulate it to gain yet more power. Not in some wartorn country halfway around the globe, but in the heart of Canada.

And at first my mind went to Lex Luthor and some of his ilk and flew right out of my willing suspension of disbelief. But I kept thinking about it. And came to the unfortunately but truly frightening conclusion that it’s entirely too plausible. Then I started gibbering a bit because it so easily could. Not exactly this way, but threats of this magnitude are already on the horizon and people in power who would create and manipulate those threats are not merely waiting in the wings but believe they are in entirely too many ‘on-deck’ circles.

To make a very long story short, I picked this up because I simply love this series – especially its characters – very, very much indeed. Part of why I continue to read, book after book, is not just that those characters are fascinating, but that their relationships change shape over time. The way they work together is never static, and it often produces the kind of low-key bantering humor that arises in a group that knows each other well and loves each other much – and provides the light moments that this particular entry in the series definitely needed. And I love them all for it, even the crazy poet and her duck. If you’re looking for mysteries that are considerably more, and go infinitely deeper, than merely ‘whodunnit’, Chief Inspector Armand Gamache is a treasure – especially when he takes us on a walk through dark places, as he does in The Grey Wolf.

#AudioBookReview: Close to Death by Anthony Horowitz

Posted on by Marlene Harris | Author : | audio reviews> audiobooks> B+ Reviews> book reviews
#AudioBookReview: Close to Death by Anthony HorowitzClose to Death (Hawthorne & Horowitz, #5) by Anthony Horowitz
Narrator: Rory Kinnear
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Hawthorne and Horowitz #5
Pages: 419
Length: 9 hours and 12 minutes
Published by Harper, HarperAudio on April 11, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

In New York Times–bestselling author Anthony Horowitz’s ingenious fifth literary whodunit in the Hawthorne and Horowitz series, Detective Hawthorne is once again called upon to solve an unsolvable case—a gruesome murder in an idyllic gated community in which suspects abound
Riverside Close is a picture-perfect community. The six exclusive and attractive houses are tucked far away from the noise and grime of city life, allowing the residents to enjoy beautiful gardens, pleasant birdsong and tranquility from behind the security of a locked gate.
It is the perfect idyll until the Kentworthy family arrives, with their four giant, gas-guzzling cars, a gaggle of shrieking children and plans for a garish swimming pool in the backyard. Obvious outsiders, the Kentworthys do not belong in Riverside Close, and they quickly offend every last one of their neighbours.
When Giles Kentworthy is found dead on his own doorstep, a crossbow bolt sticking out of his chest, Detective Hawthorne is the only investigator that can be called on to solve the case.
Because how do you solve a murder when everyone is a suspect?

My Review:

There’s an old saying that familiarity breeds contempt. In the case of Giles Kenworthy and the other residents of Riverview Close it seems as if the contempt came pre-installed – at least on his side and well before he actually got to know any of his neighbors. If indeed he ever bothered to try.

Kenworthy seems to be one of those smug, self-involved, ultra-privileged individuals who go through life completely unable to see other people as, well, people. Meaning that he simply doesn’t notice how much the noise and smoke from his backyard barbecues affects the neighbors he can’t be bothered to invite, he doesn’t care that the loud music he plays on his convertible wakes up the entire neighborhood when he comes home in the middle of the night and parks the damn car in the middle of a shared driveway and blocks the neighbors in.

It seems as if Kenworthy’s inconsideration knows no bounds. He’s certainly brought utter disharmony to what was formerly seemed to be a close-knit and completely harmonious little community.

But is being a boor – even to the point of being a total arsehole (it’s arse, they’re English) – enough of a reason to actually murder someone?

That’s the problem that confronted Detective Superintendent Tariq Khan five years ago when he began his investigation of the murder of Giles Kenworthy, in the foyer of his expensive home, with a crossbow bolt through his throat.

And it’s the exact same question confronting Tony Horowitz – along with the ridiculously short deadline his editor has given him for the fifth book in the series following the investigations of former Metropolitan Police Detective Daniel Hawthorne as Tony follows literally behind the man as his bumbling sidekick.

But not this time, not exactly. Because Hawthorne can’t exactly call up an interesting murder to order. So instead of following the detective as he works a case, Tony is stuck with following Hawthorne on a past case through the extensive notes left by Hawthorne’s previous assistant, the considerably less bumbling John Dudley.

Tony is even more curious about the man who preceded him than he is about whodunnit. By this point in his association with Hawthorne he knows that he’s not going to get even close to the solution until Hawthorne leads him there – most likely by the nose at that.

Which leaves Tony doing a bit of snooping on his own – not into Giles Kenworthy’s murder – but into John Dudley’s exit from Daniel Hawthorne’s life. Something that it looks like no one wants him to look into – but that might just lead him back to an entirely different whodunnit.

Escape Rating B+: Hawthorne drives Tony crazy. This series generally drives me crazy. This particular entry drove me so crazy I switched from the audio – which was, as always in this series, and with this narrator, marvelous – to the ebook at the halfway point because I was going nuts trying to figure out anything at all. My luck is no better than Tony’s usually is because the cases Hawthorne ends up investigating are so bizarre AND the man dribbles out clues like a miser drops pennies.

But by that point I was so caught up in the thing that I didn’t thumb to the end to find out whodunnit – I just read faster to get there in one hour instead of five for the audio.

At first, I have to say that I only hung in because of the audio. Because the first section is all set up and it takes more than long enough that the reader is downright grateful when the body finally drops – particularly as the body that drops seems like it couldn’t have belonged to a more deserving fellow.

At that point, the story switches from third person – which just felt WRONG for this series because it is – back to Tony’s first person perspective where he proceeds to hang a lampshade over just how trite and boring that long set up is.

After all, Giles Kenworthy was a seriously deserving murder victim and all of the issues among the residents of Riverview Close – except for the woman suffering from chronic fatigue syndrome and the death of that poor dog – are very much first world problems and rich people’s first world problems at that. Which does lead back to the question of whether the man deserved to be murdered.

(Maybe for the dog, but not the rest. For the rest, maybe some slashed tires, or a thorough egging of both the house AND the open convertible. Or some maybe not-so-petty vandalism. But not murder.)

Normally this series works by following Tony as he follows Hawthorne and bumbles his way through the man’s genius and misanthropy to a solution. This time was a bit different, and I don’t think it entirely worked.

Because Hawthorne is reluctant to have Tony look into this case, parsimonious with clues and information, and doing his damndest to micromanage Tony’s writing process to the point of obstruction, the story is on two tracks.

The first is, obviously, the murder. Which is as twisty as ever and Tony is as lost as always but doggedly pursuing a solution even though he can’t see it because he knows Hawthorne can. At least until that thread of the story goes temporarily – and deliberately – pear-shaped.

But it’s the other track that gave me some pause, because part of the point of the series is that Tony knows little or nothing about Hawthorne and Hawthorne does his best to make sure it stays that way. His mystery is part of, I don’t want to say charm because let’s just say that’s not Hawthorne’s strongest suit, but rather it’s part of the way he works AND what keeps Tony following him. This entry in the series pulled that curtain back a bit in ways that I really hope pay off later because it seemed like some of them belonged more to the author’s James Bond novels than Hawthorne and Horowitz.

In the end, I have to admit that I’m every bit as hooked on this series, as Tony is hooked on following after Hawthorne, sometimes in spite of himself. The books certainly drive me every bit as crazy as Hawthorne does Tony.

Which means that, as differently crazed as this entry was from some of the previous books in the series, I’m still riveted – sometimes in spite of myself. So I’ll be back for the next – whenever either Hawthorne manages to run across a conveniently timed twisted murder – or Tony gets faced with an urgent deadline for book six!

#AudioBookReview: No One Goes Alone by Erik Larson

Posted on by Marlene Harris | Author : | audio reviews> audiobooks> B Reviews> book reviews
#AudioBookReview: No One Goes Alone by Erik LarsonNo One Goes Alone by Erik Larson
Narrator: Julian Rhind-Tutt
Format: audiobook
Source: supplied by publisher via Libro.fm
Formats available: audiobook
Genres: horror, mystery, paranormal, suspense
Length: 7 hours and 35 minutes
Published by Random House Audio Publishing Group on September 28, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

From New York Times best-selling author Erik Larson comes his first venture into fiction, an otherworldly tale of intrigue and the impossible that marshals his trademark approach to nonfiction to create something new: a ghost story thoroughly grounded in history.
Pioneering psychologist William James leads an expedition to a remote isle in search of answers after a family inexplicably vanishes. Was the cause rooted in the physical world...or were there forces more paranormal and sinister at work? Available only on audio, because as Larson says, ghost stories are best told aloud.
A group of researchers sets sail for the Isle of Dorn in the North Atlantic in 1905 to explore the cause of several mysterious disappearances, most notably a family of four who vanished without a trace after a week-long holiday on the island. Led by Professor James, a prominent member of the Society for Psychical Research, they begin to explore the island’s sole cottage and surrounding landscape in search of a logical explanation.
The idyllic setting belies an undercurrent of danger and treachery, with raging storms and unnerving discoveries adding to the sense of menace. As increasingly unexplainable events unfold, the now-stranded investigators are unsure whether they can trust their own eyes, their instincts, one another - or even themselves.
Erik Larson has written a terrifying tale of suspense, underpinned with actual people and events. Created specifically to entertain audio listeners, this eerie blend of the ghostly and the real will keep listeners captivated till the blood-chilling end.
Featuring Erik Larson reading his Notes for a Narrator.

My Review:

This is a ghost story. Actually, it’s not, because there’s no ghost. No one has ever reported seeing an actual ghost on spooky, creepy, isolated Dorn Island. Oodles of disappearances and other strange phenomena have been recorded, but there has been a singular lack of actual ghosties in a place that even the Society for Psychical Research has flagged as being haunted.

Maybe it’s the humans who occasionally visit who bring the hauntings with them. After all, they certainly bring enough emotional baggage along to conceal any number of ghosts.

That learned society, however, isn’t interested in mere speculation – although they certainly have plenty of that documented in their archives. The Society is looking for proof, for scientific evidence obtained by scientific methods, that will either prove beyond most shadows of doubt that psychic phenomena – including ghosts – are real, or that they are unequivocally not.

A party of researchers, led by pioneering psychologist William James, embarked for the tiny Island of Dorn off the coast of England in 1905. The reader, or in this case listener, follows along in their wake through the eyes of Julian Frost, an up-and-coming engineer in the British Post Office for his expertise with the new wireless telegraphy pioneered by Guglielmo Marconi. The party and the Society entertain some hopes that the sensitive apparatus that pulls telegraph signals from thin air might also manage to record psychic emanations the same way.

As we listen to Frost reading his diary long after the events chronicled within have come to their eerie, deadly, fever dream of a conclusion, we’re right there with this eccentric and increasingly fractious group of confirmed skeptics, reluctant believers, and as it turns out, unwitting experimental subjects and eventual signers of the Official Secrets Act regarding the tale that Frost is telling us much, much later – even though he knows he shouldn’t be revealing anything at all.

Whether this story tells a truth still behind lock and key, or is merely the fevered imaginings of a young man thwarted in love by not one but two beautiful women while the rest of the company looks on and laughs at his frequent humiliation is a question that will haunt the reader long after Frost’s furtive account has come to its surprising end.

Escape Rating B: I need to get this part out of the way because it’s the thing that drove me utterly BANANAS while I was listening to this story. No One Goes Alone was an audio original when it was published three years ago, because the author believes that ghost stories are best when told rather than read. YMMV may vary on that.

Howsomever, it’s been three years. I confess that I fully expected that at some point in those intervening years a text would have been published. My expectation was in error. There is no text. Still. Hence the bananas.

When I began the story, I was sucked right in and couldn’t wait to find out not just whodunnit but how and why it was done. The dramatic tension began on a very low simmer but kept building bit by bit as the water got hotter – so to speak – and an entire, literal rain of frogs started to overheat.

BUUUUT, there’s no text. So I couldn’t just read it quickly – it’s not that long even in audio – and I absolutely could not thumb to the end to get my curiosity assuaged. I got VERY frustrated with the whole thing but I HAD to know. (Now that I do know, I know that if I had flipped to the end it wouldn’t have made sense – but even that would have been informative in its way.)

Which doesn’t mean that I had to enjoy every scrap of that journey towards that knowing.

The story of No One Goes Alone is a very slow-building story, both because of the ponderousness of the early 20th century manners of polite speech and because it’s a story mostly told rather than shown, possibly because of the nature of the way it is told, through the reading of a diary rather than as it is happening before the diary writer’s eyes.

Also, while the narrator did a good job mimicking those slow speech patterns and differentiating between the members of this mixed party, American and British, male and female, young and middle-aged, the narration itself was a bit ponderous. To the point where, even though I normally listen to audiobooks specifically FOR the voice acting, this was a rare audiobook that worked better at 1.1x speed.

At first, the story had a bit of the flavor of Agatha Christie’s And Then There Were None, even though the cast of characters didn’t have anything like the right mix of seething resentments and hatreds to make that plot work without an outside force.

When the penny finally dropped, I realized what this story reminded me of very much was the Ishmael Jones series by Simon R. Green – hence yesterday’s review. Obviously not in the tone of the characters, as Green’s snark would not have played well or fit AT ALL coming from Julian Frost’s pen, but rather in the way that the story worked and the way that the ending came out of a deep left field that subverts the haunted house genre, pulls in elements that are totally unexpected, and does its damndest to make the story part of something bigger, more horrific and considerably more complicated all the way around.

In the Ishmael Jones series, that sharp turn into the even weirder works because the premise of the entire series comes out of that weird – that Jones is an alien masquerading as human and therefore has some superhuman talents and outside of the box enemies.

In No One Goes Alone, this claustrophobic haunted house story is connected instead to a greater, but more amorphous and less defined evil in a way that I’m not sure worked – at least not for this reader – leaving the conclusion to the story plenty chilling but not nearly as cathartic or as much of a resolution as I expected.

Your reading mileage, of course, may vary.

#AudioBookReview: The Mystery Writer by Sulari Gentill

Posted on by Marlene Harris | Author : | audio reviews> audiobooks> B- Reviews> book reviews
#AudioBookReview: The Mystery Writer by Sulari GentillThe Mystery Writer by Sulari Gentill
Narrator: Katherine Littrell
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Pages: 400
Length: 10 hrs 52 mins
Published by Dreamscape Media, Poisoned Pen Press on March 19, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

There's nothing easier to dismiss than a conspiracy theory―until it turns out to be true.
When Theodosia Benton abandons her career path as an attorney and shows up on her brother's doorstep with two suitcases and an unfinished novel, she expects to face a few challenges. Will her brother support her ambition or send her back to finish her degree? What will her parents say when they learn of her decision? Does she even have what it takes to be a successful writer? What Theo never expects is to be drawn into a hidden literary world in which identity is something that can be lost and remade for the sake of an audience.
When her mentor, a highly successful author, is brutally murdered, Theo wants the killer to be found and justice to be served. Then the police begin looking at her brother, Gus, as their prime suspect, and Theo does the unthinkable in order to protect him. But the writer has left a trail, a thread out of the labyrinth in the form of a story. Gus finds that thread and follows it, and in his attempt to save his sister he inadvertently threatens the foundations of the labyrinth itself. To protect the carefully constructed narrative, Theo Benton, and everyone looking for her, will have to die. 
USA Today bestselling author Sulari Gentill takes readers on a rollercoaster ride in The Mystery Writer, a literary thriller that turns the world of books and authors upside down and where a writer's voice is a thing to be controlled and weaponized, to the peril of everyone who loves a good story.

My Review:

The mystery – and the mystery writer herself – both kick off when a bedraggled, desperate Theodosia Benton knocks on her big brother’s door. Theo is uncertain of her welcome, but when her flight from Canberra fetches her up in Lawrence Kansas, she’s hoping against hope that the one person who has never failed her will rescue her one more time. Even if she and Gus haven’t seen each other in years.

Her hope in her brother is not misplaced. But her arrival pushes a small stone down a long, steep hill that gathers more than enough moss, snow and really big rocks to crush the lives that they are trying to build. And sweeps entirely too many people around them into its destructive path.

Depositing Theo – along with poor Gus and his ginormous dog Horse  – and the heart of the deepest and darkest conspiracy theory that neither of them could have possibly seen coming. Not even their best friend’s family of obsessive, true believing conspiracy nuts.

Escape Rating B-: I picked this up because I LOVED the author’s previous book, The Woman in the Library, and was hoping for more of the same. That isn’t what I got – emphasis on the “I” because I think that the reasons this book didn’t work for me until the very end were a “me” thing that may not be a “you” thing. Before I explain, let me state for the record that the dog is a VERY GOOD BOY and he’s doing FINE at the end of the story.

Even though I loved Horse nearly as much as Theo did, this book drove me bonkers. I was listening to it and it turned into a rage listen, but as much as the whole thing frustrated me no end, I couldn’t stop even though I couldn’t stand another minute. So I switched to text just to find out who done what and how and why a whole lot faster.

The audio was fine, and the narrator did a terrific job of dealing with Gus’ deliberately strong Aussie accent and Theo’s less pronounced one among all their American friends and neighbors. It was the story itself that was making me crazy, to the point where I tried thumbing to the end of the book just so I would know – but it didn’t make sense because things get very, very twisty at the end.

However, that twistiness did manage to redeem a great deal of my frustration, because the macguffin that powers this whole twisted mess that Theo has been dropped into was definitely a WOW to the point where it’s entirely too easy to fall down the rabbit hole of it being real. Really plausible anyway, in spite of itself. Or myself. Or both.

But it definitely middled in a place where it seemed obvious to this reader that there was a malign agency of some kind behind the way that Theo’s life goes so far down the road to hell in that handcart so fast. (Like Wednesday’s audiobook, people just aren’t THAT unlucky unless someone really is out to get them.) So I had a pretty good guess fairly on who was doing the dirty deeds – I just didn’t have the whys, the hows or the wherefores.

Which also frustrated me because I thought that at least one of the main characters, probably not Theo herself but either her older brother Gus or his friend Mac.

And that’s the point where I worked out that the part of the story that was not working out for this reader was that the entire house of cards relies on the protagonist’s innocence and naivete in order to work at all. And since the story is told from her perspective we get a lot of that naivete to the point where I just wanted to shake some sense into her. It’s not that she’s too stupid to live, it’s that she’s young and has led a rather peculiarly sheltered life in the remoter parts of an entirely different country.

Gus or Mac should have had a better perspective on just how high the terrible coincidences were piling up, and just how unlikely that was, as they are both a decade older than Theo and have, particularly in Mac’s case, considerably more knowledge of the way the world really does and doesn’t work. But the way the story works means that they are dealing with most of the events through what Theo tells them, and her naivete bleeds all over everything.

Plus, they are both trying really, really hard to protect her – even from her frequently misguided self.

In the end, I think the whole story and the way that it works can be summed up by the tagline that the most prominent group of conspiracy aficionados uses in their messaging, “We know what we know.”

The full quote, from Nicolaus Copernicus, feels like it’s a key to understanding the conspiracy theorists in the book as well as the book itself and how it hides its real mystery in plain sight.

“To know that we know what we know, and to know that we do not know what we do not know, that is true knowledge.” Clinging to what they know, the conspiracy theorists have no clue about all the many, many things they don’t know. Neither does Theo. And neither, as the book takes us on a not-so-magical mystery tour of the way that Theo’s, Gus’ and Mac’s lives go so very, very wrong, does the reader – at least not until the bitterly climactic end.

#BookReview: Village in the Dark by Iris Yamashita

Posted on by Marlene Harris | Author : | blog tours> book reviews
#BookReview: Village in the Dark by Iris YamashitaVillage in the Dark (Cara Kennedy, #2) by Iris Yamashita
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Cara Kennedy #2
Pages: 288
Published by Berkley on February 13, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Detective Cara Kennedy thought she’d lost her husband and son in an accident, but harrowing evidence has emerged that points to murder--and she will stop at nothing to find the truth in this riveting mystery from the author of City Under One Roof.
On a frigid February day, Anchorage Detective Cara Kennedy stands by the graves of her husband and son, watching as their caskets are raised from the earth. It feels sacrilegious, but she has no choice. Aaron and Dylan disappeared on a hike a year ago, their bones eventually found and buried. But shocking clues have emerged that foul play was involved, potentially connecting them to a string of other deaths and disappearances.  Somehow tied to the mystery is Mia Upash, who grew up in an isolated village called Unity, a community of women and children in hiding from abusive men. Mia never imagined the trouble she would find herself in when she left home to live in Man’s World. Although she remains haunted by the tragedy of what happened to the man and the boy in the woods, she has her own reasons for keeping quiet. Aided by police officer Joe Barkowski and other residents of Point Mettier, Cara’s investigation will lead them on a dangerous path that puts their lives and the lives of everyone around them in mortal jeopardy.

My Review:

Just as once-and-future Anchorage PD Detective Cara Kennedy wrapped up the murder cases at Point Mettier in City Under One Roof, a monkey wrench was thrown into the case nearest and dearest to her heart. Cara has been, honestly not surprisingly, unwilling to let the case of her husband’s and her son’s deaths go, to the point where the Anchorage PD’s psych evaluation put her out on disability.

Not a good place for a detective with nothing to do but dwell on the ‘might have beens’ to be. Particularly not when a picture of her late husband, her dead son, and herself, taken just before the ill-fated trip that left her a widow, was found on the cell phone of one of the gang members responsible for the deaths in Point Mettier in that first adventure.

Making Cara in this second mystery the equivalent of a dog with a very large bone to chew on. A bone that is made just that much bigger when she has her family’s bodies exhumed and discovers that, whoever they are, and whatever the Anchorage PD told her, the bodies she buried under her husband’s and son’s names were not, in fact, the bodies of her husband and son.

Although it certainly looks like one of those bodies was the victim of murder. Adding yet more questions to the pile of unanswered ones that she already has. And not just questions about who the now unidentified bodies were, and who are the other missing, presumed dead people in that gang member’s cell phone photo roll.

Because if the two bodies she buried weren’t her own loved ones, then where the hell are her husband and her son? Are they dead by some other misadventure lost in some other remote part of the Alaskan Bush? Or are they alive and in hiding?

Or worse, does her husband have something to do with the long list of missing and presumed dead faces in that photo roll? Cara can’t rest until she finds out the truth – whether it sets her free or gets her killed. Or both, not necessarily in that order.

Escape Rating B: Part of what made City Under One Roof work so well was the claustrophobic nature of its setting. Whittier, like the city modeled after it in the story, really is a city under one roof. That a significant chunk of that first story takes place while Point Mettier is literally cut off from the rest of the world – as really does happen in Whittier – gives the story a kind of ‘locked room’ vibe, complete with time running out as the tunnel will eventually open and the bottled up suspects will have the opportunity to escape.

The story in Village in the Dark spreads itself out in both time and space, as the action shifts from Point Mettier to Mia’s temporary refuge outside Willow to Anchorage and back again. It’s also a bigger story, in that it begins with Cara’s seemingly never-ending quest to find out what really happened – or who really happened – to her husband and son but loops in one of Point Mettier’s more colorful residents, that woman’s search for the events that led to her own son’s death, and then seemingly tacks on one mysterious young woman attempting to hide in plain sight.

It’s a bigger story but it’s a whole lot less tight and taut in the way that City Under One Roof was, and that mysteries are at their best. In other words, I got lost a bit whenever we switched to young Mia’s point of view because she started out WAY out there compared to the central axis of the story. Not that she didn’t finally move to the center of things, but it certainly took a while.

In the end, it’s a story about drugs and money. About corruption and temptation and dirty deeds done dirt cheap in the service of people who will never pay the price for the deeds done in their name – even if that name is a false one hidden behind multiple go-betweens.

But the further the story spread out, the less it hung together until the rapid-fire denouement. And then it was, quite literally, gangbusters.

At the end, the story that brought Cara into this series has been resolved. Whether it will be the jumping off point for more, and less personal and more procedural investigations, is a mystery yet to be solved.

One final note, the subtext in this entry in the series is the ease with which the police dismiss missing persons cases and crimes against women, particularly, in the Alaskan setting, indigenous women. The same horrifying subtext also underlaid the suspense in last year’s The Way of the Bear by Anne Hillerman. Coincidentally, or perhaps a commentary on the pervasiveness of the issue, the book I am currently listening to, Glory Be by Danielle Arceneaux, has an entirely too similar tragedy at its heart, yet again exploring and decrying the ease with which police discount and dismiss crimes against black women in that book’s Louisiana setting.

The pervasiveness of this all too real problem is considerably more chilling than the suspense in ANY mystery.

Grade A #BookReview: The Missing Witness by Allison Brennan

Posted on by Marlene Harris | Author : | A Reviews> blog tours> book reviews
Grade A #BookReview: The Missing Witness by Allison BrennanThe Missing Witness (Quinn & Costa, #5) by Allison Brennan
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Quinn & Costa #5
Pages: 416
Published by Mira on January 23, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

When a key witness goes missing, Quinn and Costa must find her before a killer silences her for good…
Detective Kara Quinn is back in Los Angeles to testify against a notorious human trafficker, finally moving past the case that upended her life. But when the accused is shot by a masked man in broad daylight, the chaotic scene of the crime turns up few reliable bystanders. And one witness—a whistleblower who might be the key to everything—has disappeared.
After the prosecuting DDA is stabbed to death, it’s clear that anyone who knows too much about the investigation is in danger, and tracking down the witness becomes a matter of life or death. With government corruption running rampant and someone on the inside trying to pin anything they can on Kara, she trusts nobody except FBI special agent Matt Costa and a handful of allies.
But when explosive secrets begin to surface within the LAPD and FBI, Kara questions everything she thought she knew about the case, her colleagues and the life she left behind months ago.
Now Quinn and Costa must race to find the missing witness and get to the bottom of the avalanche of conspiracies that has rocked LA to its core…before it's too late.

My Review:

“Oh what a tangled web we weave, when first we practice to deceive” or so Sir Walter Scott claimed – even if the quote is generally and erroneously attributed to Shakespeare. It does rather sound like one of his, after all.

The Missing Witness, both the person and the case she’s caught in the middle of, is all about those practices of deception, and the need for the FBI’s Mobile Response Team to get to the heart of those deceptions. Bloodily if necessary.

Because the case in this fifth book in the series, after The Third to Die, Tell No Lies, The Wrong Victim and last year’s Seven Girls Gone, takes LAPD Detective Kara Quinn’s temporary membership in the MRT all the way back to where it began, to the case that made LA much too hot a place for her to remain, putting her on an unwelcome vacation and pushing her straight into the path of the FBI – and into the arms of the MRT’s Special Agent in Charge, Matt Costa.

Kara has been dragged back to LA, possibly because the human trafficking case that sent her out of town is finally being brought to trial. Or, more likely because the villain of the piece wants her back in town so he can send his goons out to eliminate her – just as he’s done with all the other witnesses to his many, many crimes.

Not that both of those things aren’t true – they’re just not anything remotely like the whole entire story or any of its moduses and/or operandis.

This is a case that has always been about deception. Including covering up the fact that the case is much bigger on the inside than appears on the outside. But also because Kara’s participation at the beginning, misplaced guilt in the middle and exile at the end are all about, not the deceptions that all the perpetrators have perpetrated in order to keep the dirty deeds on the down-low. The biggest deceptions in this case are the lies that the cops who were supposed to be on Kara’s side, on her team, the people that she trusted to bring her back home to her city and her job, have been lying to her all along.

And that’s one betrayal that she has utterly no capacity to forgive.

Escape Rating A: The case in The Missing Witness was solid and compelling and confounding, all at the same time. Because it’s wrapped around something so huge, so monstrous, and so easy to hide and obfuscate, that it’s nearly impossible to see the whole of it at once.

When Kara Quinn opened this case and this can of worms not quite a year ago, it was about sweatshops and human trafficking and scum who are so rich and so well connected it seems like they can even buy forgiveness from the FBI

But Kara tipped over a huge, gigantic rock, and the things that crawled out from underneath it have tentacles reaching from the Mayor’s Office to the County Board of Supervisors to the LAPD and the LA Office of the FBI – and that’s just for starters.

So Kara left town so that the case against one human trafficker could get pulled together without her body ending up in the middle of it. But that’s not the case her friends and mentors at the LAPD are investigating. They’re investigating the much bigger monsters that crawled out from under that rock – and they’re keeping Kara out of town for her own good – or so they believe.

Their cause is righteous, but their methods are not. To the point where the left hand doesn’t know what the left hand is doing – or who the left hand is killing along the way.

At its heart, this is a case about political corruption, greed and graft, and the way all those things have intersected within the morass that has been called the Homeless Industrial Complex.

But white collar corruption and fraud cases are huge and complicated. There are so many moving parts that it’s difficult to get people to understand what’s at stake and who has been staked. So an awful lot of bad has happened but it’s been hard to even get the public’s attention OR to get a District Attorney to prosecute.

Murder cases, on the other hand, are easy to reduce to the soundbite of a gunshot.

What makes this story so compelling, is the way that Kara’s pursuit of the original murder and trafficker is used as a vehicle to get us inside, to get us to care about the larger but much more amorphous corruption case that has been hiding in plain sight all along.

And the way that even though a measure of justice gets served, we still feel the depths of the betrayals Kara suffers, that the people she once believed had her back have been lying to her all along in their belief that she wouldn’t have been willing to serve the same justice they were.

Which leads to the epic conclusion of The Missing Witness, a conclusion that is certainly the ending of the story arc of the first five books in this thrilling, suspenseful series, but hopefully will lead to much more to come. Because I’ve loved this whole series and I absolutely do not want it to end!

#BookReview: Random in Death by J.D. Robb

Posted on by Marlene Harris | Author : | B Reviews> book reviews
#BookReview: Random in Death by J.D. RobbRandom in Death (In Death, #58) by J.D. Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: futuristic, mystery, romantic suspense, suspense, thriller
Series: In Death #58
Pages: 368
Published by St. Martin's Press on January 23, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

In the new crime thriller from #1 New York Times-bestselling J.D. Robb, a small and easily concealed weapon wreaks havoc, and the killer is just a face in the crowd.
Jenna’s parents had finally given in, and there she was, at a New York club with her best friends, watching the legendary band Avenue A, carrying her demo in hopes of slipping it to the guitarist, Jake Kincade. Then, from the stage, Jake catches her eye, and smiles. It’s the best night of her life.It’s the last night of her life.
Minutes later, Jake’s in the alley getting some fresh air, and the girl from the dance floor comes stumbling out, sick and confused and deathly pale. He tries to help, but it’s no use. He doesn’t know that someone in the crowd has jabbed her with a needle—and when his girlfriend Nadine arrives, she knows the only thing left to do for the girl is call her friend, Lieutenant Eve Dallas.
After everyone on the scene is interviewed, lab results show a toxic mix of substances in the victim’s body—and for an extra touch of viciousness, the needle was teeming with infectious agents. Dallas searches for a pattern: Had any boys been harassing Jenna? Was she engaging in risky behavior or caught up in something shady? But there are no obvious clues why this levelheaded sixteen-year-old, passionate about her music, would be targeted.
And that worries Dallas. Because if Jenna wasn’t targeted, if she was just the random, unlucky victim of a madman consumed by hatred, there are likely more deaths to come.

My Review:

The case in Random in Death turns out to be, well, just a bit random. Even more random than I thought it would turn out to be. Which I’ll get back in a bit.

A young woman is having the night of her life. Her favorite band is onstage, performing a free concert just for the under-21 non-drinking crowd at the place where the band got their start. Jenna Harbrough a musician herself, and a dedicated one, and she’s hoping for the opportunity to give her demo disk to the band’s lead singer.

Because if he hears it, she knows she’ll get her shot at the bright lights, just like the members of Avenue A did twenty years ago.

It’s not hyperbole, or youthful wishing thinking. She’s got everything it takes to make it to the top. Except time.

Jenna is killed that night by someone who cares nothing for her, her dreams, her life – or honestly even her death. All that matters to him is that she is just the kind of girl who would never give him the time of day – just like everyone else in his life.

So he cuts her down and plans to do it again and again until someone finally sees him for who and what he really is. For ALL the possible meanings of that. He believes that when he’s finished he’ll get what he deserves.

And he will. Eve Dallas, the entire Homicide Unit of the NYPSD, and all of the people she has gathered around herself, are going to make damn sure of it.

Escape Rating B: Learning how all my ‘book friends’ were doing in this latest entry in the In Death series (after last fall’s Payback in Death) was the perfect read for me at the end of this week. This series is a comfort read for me, and my brain was pretty much TOAST. Burnt toast, at that.

But this is a rare case where the timing was perfect for falling into the familiarity of it all, but the book I fell into wasn’t. Perfect, that is.

The books in this series usually contain two elements, one being the case that Dallas and Company have to solve, and the other being what’s going on with everyone in their constantly expanding found fam.

This particular entry in the series was great – as always – on the found fam side of the equation, but the case, not so much.

Because the villain really was exactly what the kids who knew him claimed he was. He was a dooser. What’s a dooser, you’re asking? As did Dallas, Roarke and every other adult who became part of finding this dooser.

Dooser is one of those on the nose portmanteau words, in this case a combination of ‘dick’ and ‘loser’. Because he so very much embodies that combination. Which is what ultimately catches him up and brings him down.

And it kind of blunts the impact of his crime spree, because he’s just so very ‘lame’, to use vernacular that is closer to our time than theirs.

Because his victims were not exactly as random as we’d like them to be, at least not to anyone other than him. The case would have been more riveting if he’d been a bit more competent at it. Not that I actually want serial killers to be more competent, but once Dallas had one thread to pull his whole house of cards came down very, very fast.

The leading cause of death among women is men – and this is such a prime, chilling example of that. Particularly at the beginning, when it seemed like he was deliberately cutting down young women who are focused on their future careers and NOT looking for so-called traditional roles..

He wasn’t just killing them – he was killing their promise and their future and their possibilities and it seemed deliberate. Except that’s not what this villain cared about at all. Because he’s just a dooser incel who’s gone apeshit because he’s certain that he is absolutely entitled to the sex they’re not putting out for him – but are for everyone else. Hell, just for the fact that they’re not even noticing he exists.

So for all of his meticulous planning and serious science smarts, he was, in the end, just a loser. So it’s no surprise at all that Dallas put him in a cage. It didn’t even seem like it was all that hard to catch him, because he made so many mistakes from his very first murder. His crime spree was terrible, and the clock ticking was very loud, but he was such a loser that the mystery of the thing faded relatively quickly.

But it was still a whole lot of fun to see the progress being made on the house that Mavis and Leonardo are building to share with Peabody and McNab, that Jenkinson is rapidly filling the shoes that his promotion to Detective Sergeant entitles him to, and that there’s every bit as much romance – if not a little bit more – in Dallas’ and Roarke’s marriage.

And especially that Galahad is still very much, large, in charge, and all CAT. Just the way he should be.

The next book in the In Death series is Passions in Death, coming in September. I can’t wait to see what case and/or crisis Dallas and Company have to face next!

Grade A #BookReview: Holmes, Marple & Poe by James Patterson and Brian Sitts

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Grade A #BookReview: Holmes, Marple & Poe by James Patterson and Brian SittsHolmes, Marple & Poe: The Greatest Crime-Solving Team of the Twenty-First Century by James Patterson, Brian Sitts
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Holmes, Margaret & Poe #1
Pages: 352
on January 8, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Crime! Murder! Who are you going to call?
In New York City, three intriguing, smart, and stylish private investigators open Holmes, Marple & Poe Investigations. Who are these detectives with famous names and mysterious, untraceable pasts?
Brendan Holmes—The Brain: Identifies suspects via deduction and logic.
Margaret Marple—The Eyes: Possesses powers of observation too often underestimated.
Auguste Poe—The Muscle: Chases down every lead no matter how dangerous or dark.
The agency’s daring methodology and headline-making solves attract the attention of NYPD Detective Helene Grey. Her solo investigation into her three unknowable competitors rivals the best mysteries of Sir Arthur Conan-Doyle, Agatha Christie, and Edgar Allan Poe.

My Review:

Names to conjure with, aren’t they? Which is very much the point, when Brendan Holmes, Margaret Marple and Auguste Poe open their private investigation business in a formerly rundown bakery that no one else was willing to buy.

The bakery was, once upon a time in 1954, the scene of a grisly murder. A cold case that is right up Margaret Marple’s alley – whoever she might REALLY be.

It’s also the first link in a nearly endless chain of cases that doesn’t look like it’s even started yet – and doesn’t seem to have any end in sight.

As much as THIS Holmes, Marple and Poe resemble their originators – in both Holmes’ and Poe’s cases to their detriment – we know it’s mostly an act. Or a reconstruction. Or possibly three experienced operators taking on identities so blatantly false but so meticulously created that no one can find the seams where they were stitched together.

The NYPD certainly tries, and they seem to be far from alone in their attempts.

But whoever, and whatever, these fascinating detectives were once upon a time, in the here and now they’re the best chance that the city has of closing the toughest of cases, from a fake kidnapping to an impossible art theft to a real – and really old – body dump site under the subway. And everything in between and all the way up to the mayor’s office.

Along with the murder of a young, forgotten girl on the floor of a bakery.

Escape Rating A: To say I had misgivings going into this one would be an understatement. James Patterson is a publishing juggernaut, so at one point I felt sort of obligated to try one of his books just to see what all the fuss was about – because there certainly is lots of fuss. The book was 1st to Die, the first book in his Women’s Murder Club series, and I could not get into it and had not been tempted back.

Until now. Because I can’t resist a Sherlock Holmes pastiche, no matter how tangential, and got grabbed by the title of this book and couldn’t talk myself out of it.

I’m very glad that I didn’t, because Holmes, Marple & Poe is a terrifically fun read, whether you are there for the hints of the mystery giants they named themselves for, or are just there to help figure out whodunnit.

What made this so much fun was that it exists on two tracks. On the one hand, there’s the mystery wrapped around the identities of the people hiding behind those famous names. We don’t even get hints, merely a few unsubstantiated rumors, but we do get the fun of watching several investigations chase their own tails trying to figure it out.

(Also the fun of figuring out how those names are meant to reinforce the resemblance. C. Auguste Dupin was the detective in what is arguably the first detective story, “The Murders in the Rue Morgue”, written by Edgar Allan Poe. Margaret Rutherford was one of the earliest and most famous actresses to play the oft-portrayed Miss Jane Marple on the silver screen. I’m still puzzling about who Brendan was in relation to either Sherlock Holmes or Sir Arthur Conan Doyle but I just know I’m going to facepalm when I figure it out.)

On the other, and much more prominent hand in this story, we get to watch three investigators who are all mostly and more or less at the top of their respective games follow the trails of several bizarre crimes to a grand conclusion that ties all the cases up, not each in their own neat bow, but in one gigantic neat bow – with a couple of smaller bows hanging off the side.

The way that one clue led to another – even in cases that did not seem like they had anything to contribute to the whole of the thing – gave me vibes of one of my favorite mystery series, J.D. Robb’s In Death series. I even see the nucleus of the ‘Scooby Gang’ forming, including a demon cat and a gigantic hound named (of course) Baskerville.

In other words, the particular string of cases they follow is riveting, and I enjoyed the vibe of the ‘gang’ coming together so much that I would love to see more of it all. If Holmes, Marple & Poe turned out to be the first book in a series I’d be utterly thrilled and absolutely there for it.

Review: Fall by Tracy Clark

Posted on by Marlene Harris | Author : | A++ Reviews> book reviews
Review: Fall by Tracy ClarkFall (Detective Harriet Foster #2) by Tracy Clark
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Detective Harriet Foster #2
Pages: 347
Published by Thomas & Mercer on December 5, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Bookshop.org, Better World Books
Goodreads

In the second book in the Detective Harriet Foster thriller series, author Tracy Clark weaves a twisted journey into the underbelly of Chicago as Harriet and her team work to unmask a serial killer stalking the city’s aldermen.
The Chicago PD is on high alert when two city aldermen are found dead: one by apparent suicide, one brutally stabbed in his office, and both with thirty dimes left on their bodies—a betrayer’s payment. With no other clues, the question is, Who else has a debt to pay?
Detective Harriet Foster is on the case before the killer can strike again. But even with the help of her partner, Detective Vera Li, and the rest of their team, Harriet has little to go on and a lot at risk. There’s no telling who the killer’s next target is or how many will come next.
To stop another murder, Harriet and her officers will have to examine what the victims had going on behind the scenes to determine who could be tangled up in this web of betrayal…and who could be out for revenge

My Review:

When we first catch back up with Detective Harriet Foster, she’s in the midst of a doomed attempt to get closure for the unclosable. She’s attending the sentencing hearing of the young man who murdered her son. As much as everyone in her family wants her to – not so much put it behind her because that’s impossible – start living in the present and the future she has rather than the past she can’t change and can’t return to.

But when we first met Harri back in Hide, she was also still grieving the suicide of her police partner Glynnis Thompson. While closure for that loss may still be elusive, Harri does get at least a reason for that seemingly unreasonable act. A reason that is clearly going to dog her footsteps for months if not years to come.

What makes this second entry in the series so compelling is its deep dive into the seemingly baked in ways and means that the sausage of Chicago city government gets made. And seemingly always has been.

That a former alderman, convicted of corruption, gets out of prison after serving her time may be newsworthy as it happens – just as her trial and conviction three years before was – but it isn’t at all unusual. It’s just part of the way that ‘business’ in the City of Chicago has always been done.

Howsomever, that the aldermen who should have gone to prison with her – but whose names seem to have been barely whispered during the course of the investigation – start dropping like flies the minute she gets out is not only newsworthy, it’s juicy news at that. The kind of news that he newsies are all over like a bad rash.

Because that former alderman, Marin Shaw, should be the prime suspect for the killings. And in some people’s minds, she is. But not to Detective Foster and her current partner Vera Li. Because down in the dirt of Chicago politics and power, there are simply too many motives for killing an alderman or two, or even three.

Especially when one of the victims is the kingpin of a whole network of dirty City dealing not done remotely dirt cheap.

To the two experienced cops, it looks like a frame that someone is trying to make former alderman Marin Shaw fit into. But it doesn’t, quite, because the motives are as elusive as the killer has been, and they’ve been looking in the wrong direction all along. As they were intended to.

Escape Rating A++: I finished this at 3 in the morning because I simply could not put it down. I mean, I tried, but I just couldn’t let this one go until the end. An ending like black coffee, tasty but bitter, with a solid kick at the finish.

In other words, there are plenty of reasons why this book has ended up on so many “Best of the Year” lists – and quite possibly will mine as well. It is even better than the first book in the series, Hide, and provides an even more in-depth look at a damaged person doing her best in a broken system to make each day count for others – even if she can’t make them count for herself.

Detective Harriet Foster is compelling in her brokenness. I want to say that she’s strong in the broken places, but she’s not there yet. She’s putting one foot forward, one day at a time, and giving what of herself she feels she has left to her job of saving somebody else’s son because she couldn’t save her own.

She isn’t ready to put her own life together, but she’s reaching for the point where she can at least put her work life back together, when someone tries to pull that rug out from under her. The questions that get raised about her partner’s death do not get resolved in this entry in the series, leading to a fascinating ending of a cliffhanger that isn’t a cliffhanger. This case is resolved, Harri’s problems are just beginning.

At the heart of this one, however, is the mystery. And not so much for the mystery itself, as much as I enjoyed getting caught up in the clues and in Harri and Li’s investigation. But it’s what she’s investigating that adds the compulsive factor. Because that investigation creates a portrait of Chicago politics that manages to read both as the corruption the way that popular imagination has painted it AND as the way that the city’s newspapers cover it, all at the same time. And that feels entirely too true to life.

What gave the case a very nice twist at the end was that, as much fun as the dive into the political muck was to read, the motive for the murders wasn’t part of that muck. Not that it wasn’t mucky and murky in its own right, but it wasn’t the usual muck when it comes to Chicago politics which made for a more satisfying resolution – at least for this reader.

Anytime that a story keeps me up until 3 in the morning, I want more than I have. Not more of this particular book, because it was the right story at the right length at the right time, but more like this or more of these characters or both. Definitely both.

If you have that same impulse after you finish Hide and Fall (and do read both because the series just keeps getting awesomer as it goes), if Detective Harriet Foster, with her damage and her dangerous investigations into the broken places and people of Chicago grab your attention, you might also want to check out Inspector Anjelica Henley and the dark and dirty parts of her London, because the two are very much sisters under the skin with their respective city’s grit under their nails. The first book in the Henley series by Nadine Matheson is The Jigsaw Man.

As I’ve already read the Henley series, I’ll have to look for something else to tide me over until the next book in one or the other appears. (That’s The Kill List for Anjelica Henley in September and Echo for Harriet Foster next December. Tracy Clark has another Chicago-set mystery series, the Cass Raines series, that begins with Broken Places. I always enjoy a trip to Chicago, so I’ll be giving that a look while I wait for Harriet Foster’s next investigation.

Review: Payback in Death by J.D. Robb

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: Payback in Death by J.D. RobbPayback in Death (In Death, #57) by J.D. Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: futuristic, mystery, romantic suspense, suspense, thriller
Series: In Death #57
Pages: 368
Published by St. Martin's Press on September 5, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A retired colleague's suspicious death puts Lt. Eve Dallas on the case in Payback in Death, the electrifying new novel from #1 New York Times bestselling author J.D. Robb.
Lt. Eve Dallas is just home from a long overdue vacation when she responds to a call of an unattended death. The victim is Martin Greenleaf, retired Internal Affairs Captain. At first glance, the scene appears to be suicide, but the closer Eve examines the body, the more suspicious she becomes.
An unlocked open window, a loving wife and family, a too-perfect suicide note—Eve's gut says it's a homicide. After all, Greenleaf put a lot of dirty cops away during his forty-seven years in Internal Affairs. It could very well be payback—and she will not rest until the case is closed.

My Review:

The case in Payback in Death is a fascinating one that could just as easily work in a contemporary police procedural as it does in their near-future world, because cases about ‘who watches the watchers’ are always relevant, and raise interesting questions about just how much of that watching is necessary and who watches the watchers who watch.

There’s a rabbit hole there that this story doesn’t have to go down, because retired NYPSD Internal Affairs captain Martin Greenleaf honored his badge and his service during a career spent on that often thankless watch.

Now he’s dead, and it’s Dallas’ job to stand for him. Because whoever killed him did a really poor job of faking his suicide. The man was murdered in his own home, and left for his wife to find. But fate intervened in the person of a detective that Greenleaf mentored. A detective who may have struck out once and badly with Dallas, but who knows she’ll bring her best to the case of the man who stood in for his father.

Which, in the end, is what this case turns out to be about. Father-figures, and the devastation they leave in their wake when they go down. Whether that happens in the line of duty – as it did for Martin Greenleaf in spite of his retirement – or whether it happens because someone like Greenleaf discovers that a man who should have at least been a hero to his family, was someone that those watchers not only watched, but ultimately discovered had feet of clay up to the knees.

Escape Rating B: At this point, I’m here to see how all my ‘book friends’ are doing after whatever happened in the previous book in the series (which in this case was Encore in Death). I just plain enjoy spending time with Dallas and Roarke’s ever-growing ‘family’ and am always happy to catch up with the gang. It doesn’t matter whether the particular case is all that interesting, and it doesn’t matter what kind of case it is. I just like these folks a lot and want to be sure they’re all still okay.

That being said, at 57 books and counting, the In Death series breaks down into three kinds of stories. First are the cases that are just cases – like the case in Payback in Death. It’s appropriately puzzling, the motives are twisted and the clues are deeply buried at first and convoluted to the end, and it’s an important case that requires that Dallas and company bring their “A” game to get it solved, but in the end it’s still just a case that gives the NYPSD a chance to prove they are the best at what they do – which they are.

The second kind of story are the ones where someone is threatening one or more members of Dallas and Roarke’s extended family. Those get messy. Always interesting, often revelatory about their pasts as well as their present, but those cases stick much closer to home and get more emotional, no matter how many of NYPSD’s finest get involved by the end.

And then there’s the third kind of story, which can dig itself into either of the above. The stories that are trips to the angst factory because they bring back the specters of either Roarke’s or Dallas’ horrifyingly terrible, thoroughly abusive childhoods. Those stories are always hard because I’ve come to care about all the characters a great deal and I hate seeing them suffer again in their present over the crap in their pasts.

This was a case that turned out to be just a case – no matter how much the perpetrator tried to make it more than that. And failed.

But it was still riveting and held my interest from the first page to the last because the story was every bit as relevant today as it is in Dallas’ time. Cops are human – and all of Dallas’ crew are certainly that, from Peabody’s pink coats to Reinecke’s eye-watering ties to Dallas’ own inability to make sense out of cliches and figures of speech – because they mostly don’t if you dissect the words.

Someone does need to watch the watchers, to police the police, to make sure that flawed human beings, because we are all flawed human beings including the police, don’t take the ability to use force and even deadly force to the point where it becomes perceived as the right to do so – because it isn’t.

Part of what made this work for me was the way that it went into the amount of painstaking work that was required to dig through everything that Greenleaf had been part of in a long career to see where the motives might be, no matter how deeply buried they were.

And that the investigation displayed yet again the reasons that Dallas and her squad are the best at what they do.

The part that cast a bit of a pall over the riveting case was that the ‘B’ plot of the story, the sidebar case of the now (former) detective who went off the rails and took a swing at Dallas, didn’t feel like it got either explained or resolved – or at least not to this reader’s satisfaction.

Which did not stop me from reading Payback in Death in a single sitting, as I often do with each, always much anticipated, entry in this series. Obviously, I’ll be back in Dallas’ early 2060s New York City for book 58(!), Random in Death, coming in January, 2024. I’m already full of anticipation!