Genre: steampunk

Review: Marion Lane and the Midnight Murder by T.A. Willberg

Posted on by Marlene Harris | Author : | A- Reviews> blog tours> book reviews
Review: Marion Lane and the Midnight Murder by T.A. WillbergMarion Lane and the Midnight Murder by T.A. Willberg
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery, mystery, steampunk, thriller
Series: Marion Lane #1
Pages: 336
Published by Park Row on December 29, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

The letter was short. A name, a time, a place.
Marion Lane and the Midnight Murder plunges readers into the heart of London, to the secret tunnels that exist far beneath the city streets. There, a mysterious group of detectives recruited for Miss Brickett’s Investigations & Inquiries use their cunning and gadgets to solve crimes that have stumped Scotland Yard.
Late one night in April 1958, a filing assistant for Miss Brickett’s named Michelle White receives a letter warning her that a heinous act is about to occur. She goes to investigate but finds the room empty. At the stroke of midnight, she is murdered by a killer she can’t see—her death the only sign she wasn’t alone. It becomes chillingly clear that the person responsible must also work for Miss Brickett’s, making everyone a suspect.
Almost unwillingly, Marion Lane, a first-year Inquirer-in-training, finds herself being drawn ever deeper into the investigation. When her friend and mentor is framed for the crime, to clear his name she must sort through the hidden alliances at Miss Brickett’s and secrets dating back to WWII. Masterful, clever and deliciously suspenseful, Marion Lane and the Midnight Murder is a fresh take on the Agatha Christie—style locked-room mystery with an exciting new heroine detective at the helm.

My Review:

Somewhere in the depths of Miss Brickett’s Investigations and Inquiries, which masquerades as Miss Brickett’s Secondhand Books and Curiosities, there must be a door that leads to the Invisible Library as well as some stacks that wander into the “L” space that leads to Terry Pratchett’s Discworld.

Or if there isn’t, there certainly ought to be. While the Discworld librarian would probably just throw some bananas at the entire mess, Irene Winters, the Librarian who serves as spy, agent and occasionally thief on behalf of the Invisible Library would fit right into Miss Brickett’s. To the point where I wonder if the Library hasn’t used Miss Brickett’s as a training program on multiple occasions.

Because first-year Miss Brickett’s apprentice Marion Lane has exactly what it takes to become Irene’s kind of librarian, and her misadventures read like just the kind of thing that Irene probably cut her teeth on.

And just as much the kind of misadventure that cut its teeth on her.

Marion Lane, like Miss Brickett’s itself (and Miss Brickett herself, for that matter) is more than she appears to be. Miss Brickett’s (the agency) is the kind of place that feels like it ought to exist, even though it really doesn’t. Both in the sense that it would be marvelous if there were people whose lives were dedicated to resolving issues and solving crimes for anyone who needs help, and it would be marvelous if said secret agency operated in secret tunnels under one of the great cities – like London.

London in particular, is so large, has been a city for so long, and has such a many-layered history that we’re not surprised when real things that have been lost for decades – or centuries – turn up under it. Like lost Underground Stations – something that has really happened.

Miss Brickett’s, both the agency and the person, also intersect with the post-World War II history of women who found important jobs and purpose during the war and just weren’t interested in giving it all up afterwards. Particularly women who served at Bletchley Park as codebreakers.

Come to think of it, Sparks and Bainbridge (The Right Sort of Man, A Royal Affair and the upcoming A Rogue’s Company) would have fit right into Miss Brickett’s – even if they would have chafed at some of its many rules and restrictions.

But there are secrets in and under Miss Brickett’s. Not just the secrets its Inquirers investigate, but the secrets that they are keeping. Including their own. Because Miss Brickett’s conceals some of the very shady parts of Britain’s involvement in the late war. And because it guards the mysterious and deadly “Border” between the worlds we know – and someplace we very much don’t.

So when the “Border Guard” is murdered in a locked room named the “Lock Room” Marion Lane risks her apprenticeship and her life to determine who really done it. Because it couldn’t have been the person who was framed for it.

It’s up to Marion and her friends and frenemies to discover the truth – before that truth discovers that they are out to get it – and definitely before it gets them.

The gorgeous UK cover

Escape Rating A-: The blurb is a bit misleading. While the murder at the heart of this mystery is a locked-room mystery, the totality of Marion’s story bears no resemblance to anything by Dame Agatha.

Rather, this reads like it sits at the dangerous crossroads between The Invisible Library and the Scholomance of A Deadly Education by Naomi Novik. The dark passages under Miss Brickett’s, the atmosphere of “here be dragons”, complete with monsters that serve as the equivalent of real, honest to goodness dragons, feels very much like the dark, dank and deadly corridors – and especially the lost halls – of the Scholomance.

It’s also clear that survival skills are an unstated but absolutely necessary part of all three curriculums.

While Marion’s misadventures read like some of Irene Winters’ training at the Invisible Library, Marion as a character is very much like El in A Deadly Education. She’s young, she’s still learning, the apprenticeship feels like her last chance to save herself, she’s in over her head and the place and everyone in it really are out to get her.

Not everyone in either case, but that’s how it feels from each of their perspectives at the time the stories open.

Marion’s situation is in many ways more poignant because it is based in the real. She knows that she doesn’t want the life everyone thinks she should want – marriage and children – and she definitely doesn’t want it with anyone that her grandmother picks out for her. She’s desperate to escape her situation and Miss Brickett’s is more than just a job, it’s Marion’s ticket out of her life and into something meaningful, purposeful and marvelous.

She has a lot riding on this apprenticeship – if she can just stick it for the three years required, not merely survive but receive good evaluations,  she’ll be offered a full-time position as an Inquirer – which includes room and board at Miss Brickett’s and away from her harridan of a grandmother.

But, as much as the creepy monsters under the agency, the mysterious “Border” and the hidden laboratories add to the chilling atmosphere of both Miss Brickett’s and the story, it’s the human side of all the equations that compels the reader to explore this world with Marion.

We feel for her personal predicament in the outside world, but it’s her motivations inside Miss Brickett’s that push her to investigate the murder. And it’s those same human motivations that are behind everything; pride, ambition, greed, jealousy and revenge, set against the need to keep the agency’s actions secret at all costs.

And it’s that balance and its breaking, the need to give justice to both the many – the people of London who rely on Miss Brickett’s services – as well as to the few – both the victim of the murder and the man framed for it, set against Miss Brickett’s own need to keep the agency secret so that “Official” London doesn’t shut down its clandestine and frequently illegal operations, that underpins the whole story and provides both its dramatic tension and its relief and release.

Marion and Miss Brickett’s are both fascinating characters. Marion’s career at Miss Brickett’s and her life are both at their starting points. Based on this initial outing, it’s clear that both have many more marvelous stories to tell us.

I hope we get to read them.

Review: The Dark Archive by Genevieve Cogman

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: The Dark Archive by Genevieve CogmanThe Dark Archive (The Invisible Library, #7) by Genevieve Cogman
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, historical fantasy, steampunk, urban fantasy
Series: Invisible Library #7
Pages: 336
Published by Ace on November 26, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

A professional spy for a mysterious Library which harvests fiction from different realities, Irene faces a series of assassination attempts that threaten to destroy her and everything she has worked for.
Irene is teaching her new assistant the fundamentals of a Librarian's job, and finding that training a young Fae is more difficult than she expected. But when they both narrowly avoid getting killed in an assassination attempt, she decides that learning by doing is the only option they have left - especially when the assassins keep coming for them, and for Irene's other friends as well...
In order to protect themselves, Irene and her friends must do what they do best: search for information to defeat the overwhelming threat they face and identify their unseen enemy. To do that, Irene will have to delve deeper into her own history than she ever has before, face an ancient foe, and uncover secrets that will change her life and the course of the Library forever.

My Review:

The Invisible Library series could also be titled, “The Perils of Irene” – without any sort of a stretch at all. Irene’s adventures aren’t just “out of the frying pan into the fire” but frying pans and fires all the way down. Until the last jump lands Irene (and company) straight into a pit where it’s always darkest just before things turn completely black. Then a light shines at the end of the tunnel and it’s always an oncoming train.

Which Irene and her friends manage to board and escape – only to have both the train and the station it crashes into transform into another frying pan and another fire. Each and every one bigger and hotter than the last.

And so it goes with this seventh book in the series, as Irene and her friends are still dealing with the fallout from the previous adventure in The Secret Chapter, only to discover that the mess that they thought they’d wrapped up hasn’t really begun. It’s just moved itself to a new home. Theirs.

Irene’s adventures tend to be caper stories. Well, they at least begin as caper stories. The opening scenes are of Irene sent somewhere questionable and doing something slightly dodgy, in order to “acquire” a book that the Library needs and that Irene has been ordered to get.

Sometimes (rarely) Irene’s methods of acquisition are on the relatively up and up – either an exchange of money or an exchange of more-or-less above board favors. When this story begins, Irene is in Guernsey in her analog of Victorian London intending to buy a copy – or possibly THE copy, of Le Morte de Merlin by Thomas Malory. (If the title sounds familiar, that’s because it’s this particular world’s foundational book of the Arthurian legends – except they’re based around Merlin instead. As if Mary Stewart’s The Crystal Cave were both rare and historical canon.)

Howsomever, as so often happens in the parts of Irene’s life that we are privileged to witness, the slightly clandestine but otherwise above board goes pear-shaped. The meeting place is attacked, the sellers are assassinated and Irene and her new apprentice escape the clutches of evil by the skin of their teeth – WITH the book firmly in hand.

While the beginning of this story is far from atypical for the series – and very much part of the reason that I love it so much – the farrago of death, danger and derring-do that Irene and her friends find themselves in this time turns out to be a walk through some very dark places.

Because it’s not just a book or even the future of the Library that’s at stake this time. What opens as just another one of Irene’s “little” adventures turns out to be the opening act in a fight for her very soul.

Escape Rating B: This turned out to be more of a mixed-feelings read than I was expecting. Because I absolutely adore this series and have been waiting all year for this book, so I expected to fall into instantly and love every minute of reading it.

But, but, but, it took me a while to get stuck back into Irene’s world, longer than usual. That may partly be ‘tis the season as well as ‘tis the year 2020 and everything is weird. I think it was also that the opening of this story reads like so many of the other books with tiny variations, that it felt like it started a bit in the middle – as in the opening is very dependent on events in the previous book – and that this book represents a change in direction for the series – or at least an expansion in scope as well as a contraction in focus – and it took a bit to switch from just another caper to “the end of the world as we know it” to “the end of Irene’s world as she knows it”. Which is not the same thing at all.

Also, Irene spends a lot of this story not just being reactive instead of proactive – because that’s normal – but because she’s reacting in confusion and obfuscation to the point where I as the reader felt more confused and obfuscated than I either liked or expected. Irene has a reputation for “getting shit done” but spent the beginning and middle of this book flailing around and worrying about her new apprentice instead of just dealing with shit.

At least it felt that way.

Then all of the various enemies’ schemes collapsed into (finally) one big ball of wrong instead of a whole lot of bouncing little balls of wrong and the whole story took flight even as Irene’s life crashed and burned.

The ending pushes the whole story off the original “light” rail and onto a much deeper and darker track. It’s going to be marvelous and probably heartbreaking and I can’t wait until this time next year when we’ll probably (hopefully) get book 8 in the series.

One final note, when I saw the title of this entry in the series, it sounded familiar – only because the title is oh-so-similar to another book that came out this fall, written by a real-world librarian and archivist. That similarly titled but not similar in subject book is Dark Archives: A Librarian’s Investigation into the Science and History of Books Bound in Human Skin by Megan Rosenbloom. You’d think it wouldn’t be remotely relevant. But it sorta/kinda is in a much creepier way than I could ever have expected.

Read this series, starting with The Invisible Library, and you’ll see.

Review: The Angel of the Crows by Katherine Addison

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: The Angel of the Crows by Katherine AddisonThe Angel of the Crows by Katherine Addison
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: gaslamp, historical fiction, historical mystery, steampunk, urban fantasy
Pages: 448
Published by Tor Books on June 23, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

This is not the story you think it is. These are not the characters you think they are. This is not the book you are expecting.
In an alternate 1880s London, angels inhabit every public building, and vampires and werewolves walk the streets with human beings under a well-regulated truce. A fantastic utopia, except for a few things: Angels can Fall, and that Fall is like a nuclear bomb in both the physical and metaphysical worlds. And human beings remain human, with all their kindness and greed and passions and murderous intent.
Jack the Ripper stalks the streets of this London too. But this London has an Angel. The Angel of the Crows.

My Review:

The Angel of the Crows is the second book by Katherine Addison, after her completely, totally, utterly awesomesauce The Goblin Emperor. And this second book is nothing like the first book – except that both are terrific.

But they are terrific in completely different ways. Goblin Emperor was a political thriller of epic fantasy, featuring assassination plots, deliberately mislaid heirs and a young man’s desperate attempt to learn how to rule a kingdom he was never supposed to inherit. It’s marvelous and thrilling and fantastic.

The Angel of the Crows, very much on the other hand, is urban fantasy, with several fantastic twists. This is steampunk and gaslamp and a bit of supernatural horror set in an alternate version of Victorian London where vampires have a pact with the Queen, werewolves are both legal and respectable, and every old building has its very own Angel to watch over the flock of humans that inhabit their domiciles.

It’s also a world where Dr. J.H. Doyle of the (British) Imperial Armed Forces Medical Service was wounded in Afghanistan in a war where the opposing forces were led by the Fallen. Fallen Angels, that is. A wound that has left him with a painful limp and a desperate need to turn into a hellhound every night.

A world where the self-styled Angel of London, an Angel called Crow so often he became one, solves mysteries that the police find too difficult to master. Including a series of bloody murders in Whitechapel.

The blurb turns out to be both right and wrong. Because these are not the characters the reader thinks they are. Yet they so very much are. And it’s surprising and wonderful from beginning to end.

Escape Rating A: In spite of the author’s claim, and the many, many differences between this world and the world we know, calling The Angel of the Crows a Holmes pastiche is right on the money.

But it’s the kind of Holmes pastiche that combines Neil Gaiman’s A Study in Emerald (collected in the author’s Fragile Things among other places) with Lyndsay Faye’s Dust and Shadow. By that I mean that this alternate world is invested – or infested – with a high quotient of the supernatural, but that this variation includes the detective and his friend desperate to solve the Whitechapel Murders. As they would have been if they had existed in real life, but that Conan Doyle probably couldn’t touch with the proverbial barge pole as that crime spree was probably too close to recent memory to be a fit subject for fictional crime-solving. But Holmes and Watson were operating at the same time as “the Ripper” and more than enough time has passed for historical mystery writers to have a field day looking into their investigation, as is the case in Dust and Shadow.

This variation is also genderbent and genderfluid in ways that fit within the world the author has created, and yet come as a complete surprise to the reader. Dr. J.H. Doyle reveals himself to be Joanna Henrietta Doyle when Miss Mary Morstan crosses his path. That Doyle has managed to not merely continue to live as a man but actually blackmailed the I.A.F. into allowing him to keep both his medical license AND his army pension turns out to be quite the story.

And ALL the angels are female – at least as much as celestial beings have gender. But humans have assumed them to be male, so that’s how they’re addressed and perceived. Only Doyle knows the truth of just how Crow managed to keep himself from becoming either Fallen or Nameless – as he so definitely should have.

(I continue to refer to Crow and Doyle as “he” because that is how they refer to themselves and to each other. They seem to have decided on their preferred pronouns, and I comply with their preferred form of address.)

The story of this book is a combination of many of the most famous cases in the original Holmes canon, notably A Study in Scarlet, The Sign of Four and The Hound of the Baskervilles, among MANY others, with their continued investigation into the Whitechapel Murders. While it is inordinately fun to spot the differences between the original version of those famous cases and this one, it is not required to be familiar with the Holmes stories to enjoy these versions. But if you are, the mystery that needs to be solved is often a bit anticlimactic as the resolutions aren’t generally THAT different. Even though James Moriarty turns out to be a vampire.

However, their exploration of how this version of the world works is fascinating, and their constant – and constantly frustrating – attempts to figure out who is – or who are – committing the Whitechapel Murders AND the Thames Torso Murders is definitely a new piece of both that puzzle and theirs.

The Angel of the Crows straddles, or perhaps that should be hovers over, a whole bunch of different genres. There’s historical mystery mixed with alternate history leavened with urban fantasy which includes more than a touch of the supernatural. And if any or all of that appeals to you as much as it does to me, The Angel of the Crows will sweep you away.

Review: Dangerous Territory by Lindsay Schopfer

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Dangerous Territory by Lindsay SchopferDangerous Territory: A Keltin Moore Adventure by Lindsay Schopfer
Format: ebook
Source: author
Formats available: paperback, ebook
Genres: adventure, fantasy, steampunk
Series: Keltin Moore #3
Pages: 253
Published by Independently Published on June 1, 2019
Purchasing Info: Author's Website, Amazon, Bookshop.org
Goodreads

The beast hunter is on a mission of mercy to save the love of his life.

Life is good for professional monster hunter Keltin Moore. His new beast hunting company is finding great success as he returns to distant Krendaria to protect its citizens from creatures of nightmare.

But when he receives word that the woman he loves is in trouble, he will leave the world that he knows behind and plunge headlong into dangers he has never faced before.

Somehow, he’ll have to sneak across a closed border, find his beloved and her family, and escort them all safely back out of the country. From dodging sadistic government agents to racing through beast-infested forests, will Keltin and his new friends survive their escape through Dangerous Territory?

This is the third installment of the award-winning Adventures of Keltin Moore, a series of steampunk-flavored fantasy novels. If you love compelling characters, fantastic creatures, and intense action then you will love these stories!

My Review:

The Adventures of Keltin Moore may be a difficult series to categorize but it’s a terrific action/adventure read.

Three books in, after The Beast Hunter, Into the North and now Dangerous Territory, the series as a whole feels like steampunk action/adventure, with kind of a “Weird West” vibe. But the weird in that West isn’t the west of anyplace on our own world, past or present. Instead, Keltin Moore’s beast hunting adventures take place in a world made up of his native Riltvin, with political shenanigans impacting his life and work from far away Krendaria and Malpinon, just so far. Keltin’s travels to his wider world give the series a bit of epic scope, without getting into the kind of vast empire politicking that epic fantasy is famous for.

And then there are those beasts that Keltin hunts. The beasts feel/read like magical constructs. That may not be true, but they remind me of the “Changed” beasts in some of Mercedes Lackey’s darker books. Keltin is not a trophy hunter – far from it. He is a defender of “regular folks” whose lives have been beset by rampaging “boils” as the beasts are called. The beasts are dangerous and deadly, fierce and heavily protected by natural armor.

It takes an expert to kill one. It takes a strong and lucky expert to kill as many beasts as Keltin has eliminated. Keltin makes me think of several variations of the Alaskan saying, “There are old bush pilots, and there are bold bush pilots, but there are no old, bold bush pilots. It feels like the same can be said of beast hunters in Keltin’s world.

The story in Dangerous Territory takes Keltin back to the sight of his greatest hunt, the huge beast-culling in northern Krendaria that formed the background of his first adventure, The Beast Hunter.

But Keltin sees Krendaria as a blood-soaked land he has no desire to go back to. He found himself as a leader, whether he ever wanted to become one or not, and he still feels guilty about the mistakes he made and the men he couldn’t save – even if he did the best he could and saved many who would otherwise have been lost to the boils.

However, this journey is one that he feels he has to make. Not just because Krendaria feels like unfinished business, but because Keltin has unfinished emotional business to take care of as well. And as dangerous as boil-infested Krendaria and politically fractured Malpinon are, the most dangerous territory that Keltin has to navigate in this adventure is the territory of his own heart.

Escape Rating A-: There’s just something about this series that I eat up with a spoon. They are all relatively compact books, tell a compact story featuring an interesting and empathetic main character. I want to know what happens to Keltin next and I’m really sorry there’s no fourth book immediately available.

That being said, what I like about this series is the way that it seems to get to the heart of its matter without bogging down into the myriad details that it could. And as I’m saying that I wish there were a bit more worldbuilding, and yet the series works fine without it. It feels like we’re getting the worldbuilding in bits and pieces, as Keltin explores his wider world we do too.

It would have been so easy for Keltin’s story to descend into “gun porn” with endless details about the weapons and ammunition that he uses. Instead there’s just enough detail for the reader to understand why it’s important to Keltin’s survival without diving so deep into the details that readers interested in Keltin’s story and not Keltin’s armament have just what they need to go on.

But it’s the story, and the spare nature of how it’s conveyed, that simply work for at least this reader. Part of why that works is Keltin himself. He is not a storyteller, and he doesn’t want to be. And we’re seeing his world and his journey from his perspective but not in first person singular. We’re not in his head, but rather we’re following a third-person narrator who knows a bit more than Keltin does about what’s going on around him but still follows Keltin for all the action.

It gives us enough distance to see Keltin as he is and not as he believes himself to be. Because he’s much more of a leader and a hero than he’d ever give himself credit for. From that slight bit of distance, we can observe his doubts and fears without getting as caught up in them as he does. And it allows him to keep some secrets from us as well.

The interesting thing about this particular entry in the series is the way that it revisits old territory without re-hashing previous events. Except, of course, for Keltin’s own re-hashing of his hesitant romantic correspondence with Elaine Destov, the woman he helps to save from the beasts of Krendaria, even as she saves him in turn.

His emotional uncertainty is endearing, and his willing to deal with his own doubts and fears is every bit as brave as his beast hunting.

I’ll admit that I found the ending of Dangerous Territory, with Keltin walking his sister down the aisle at her wedding, to be a bit anticlimactic. That’s partly because I wanted it to be Keltin’s wedding to Elaine, even though they aren’t ready for that yet. It also felt a bit “tacked on” rather than an integral part of the story just finished. But more than that, I think I also wanted to be certain of having a next book to look forward to, and I don’t. There’s plenty more of this world, and Keltin’s place in it, yet to explore!

Review: The Haunting of Tram Car 015 by P. Djeli Clark

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: The Haunting of Tram Car 015 by P. Djeli ClarkThe Haunting of Tram Car 015 by P. Djèlí Clark
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: alternate history, fantasy, steampunk
Series: Dead Djinn Universe #0.7
Pages: 130
Published by Tor.com on February 19, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

The Haunting of Tram Car 015 returns to the alternate Cairo of Clark’s short fiction, where humans live and work alongside otherworldly beings; the Ministry of Alchemy, Enchantments and Supernatural Entities handles the issues that can arise between the magical and the mundane. Senior Agent Hamed al-Nasr shows his new partner Agent Onsi the ropes of investigation when they are called to subdue a dangerous, possessed tram car. What starts off as a simple matter of exorcism, however, becomes more complicated as the origins of the demon inside are revealed.

My Review:

As I said yesterday, some of this week’s choices reflect the recent announcement of Finalists for the 2019 Nebula Awards as well as my own need to fill out my Hugo nominations list with books I’ve actually read and not merely intended to read. Which led me to The Haunting of Tram Car 015 by P. Djeli Clark. And I am very glad it did.

Unlike yesterday’s book, which was beautiful but had more than a bit of an elegiac tone to it, The Haunting of Tram Car 015 was just plain fun in a steampunkish, urban fantasy-ish, alternate history-ish kind of way.

As those are all “ways” that I enjoy, this was a fun read from beginning to end.

The story draws those steampunk/alt history from the setting that the author has created. This is Cairo, Egypt, in 1912 or thereabouts, but it is a very different Cairo from our history. This Cairo is a modern, metropolitan city at the top of its world, right along with London and Paris.

That change is a result of a singular 19th century event. A Egyptian wizard, or mystic, or inventor, or all of the above, broke open the wall between our world and the world of the djinn of myth and legend. That’s right, genies. Not the cartoon genie of Disney’s Aladdin, but a wholly magical people with powers, politics and motives of their own.

We only get hints of what the djinn are capable of in this story (I hope there’s more in the author’s previous work, A Dead Djinn in Cairo) but the effect of their introduction, and the magic they returned to our world in their wake, has been profound.

Instead of the British Occupation that Egypt suffered in our history, the country is in the ascendant as the heart of this magical revolution. But this does not change the nature of humanity one little bit, a fact that has multiple effects on the story.

Because this is where those urban fantasy elements come into things. Not just because we have magic in the city of Cairo, but because we have a mystery in that magical version of the city that needs solving. And wherever there is mystery, there are detectives.

In this case, Agent Hamed al-Nasr and trainee-partner Agent Onsi of the Ministry of Alchemy, Enchantments and Supernatural Entities. It is they, and their department, who are charged with figuring out who or what is haunting Tram Car 015 and either negotiate or exorcise that being’s removal from the tram car before more passengers get hurt.

Their search takes them from a greedy stationmaster to screeching banshee to the middle of Egypt’s burgeoning feminist movement. The literal middle, exactly where the mythical being usually finds her prey.

But not this time.

Escape Rating A: I had an absolutely grand time with this book. I loved the setting, both in its alternate history, its way of incorporating magic and magical beings into a world that was once like our own, and especially in the way that the everyday tools of investigation both get used and get set on their pointy little heads at the same time.

Even when whodunnit becomes whatdunnit, figuring out just who or what agency is doing the deed – and why – feels familiar and comforting no matter how unusual the thing being investigated might be.

At the same time, this story rang bells for books that I read long ago. Stories that I loved at the time but would now raise all sorts of red flags regarding cultural appropriation that they did not back then. But I offer them as interesting comparisons to the book in hand.

Michael Pearce’s historical mystery series about the Mamur Zapt, a British official who served both the British and the Egyptian government, occurs in real history at the same time as The Haunting of Tram Car 015. It is interesting to compare the perspectives and the period between the two books, as Pearce’s protagonist is part of the Occupation, although he would consider himself an enlightened one. While the independence movement that the earlier series touches on did not occur in the background of Haunting, the Egyptian feminist movement is common to both.

Just because history changes does not mean that underlying forces won’t still underlie – and rise up.

Another series that occupies a similar space to Haunting is Liz Williams’ Snake Agent series. This takes place in another world where magical, mythical and even celestial beings walk among us and are just as prone to being either the victims or the perpetrators of crimes as original recipe humans. And, like Agents Hamed and Onsi, Williams’ Inspector Chen is a member of the department tasked with investigating crimes that involve those other-than-human.

I recognize that some of my enjoyment of The Haunting of Tram Car 015 is an echo of my long-ago love for both of those series. It felt like it contained the best of both of those worlds, the early 20th century cosmopolitan Cairo, the world where magical beings walk among us, and the criminal investigation that uses standard methods to investigate a crime that is anything but.

But the ending of The Haunting of Tram Car 015 set it above the others in ways that I can’t begin to describe without totally spoiling the ending. You’ll just have to read the book and see for yourself!

Review: The Beast Hunter by Lindsay Schopfer

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: The Beast Hunter by Lindsay SchopferThe Beast Hunter (The Adventures of Keltin Moore, #1) by Lindsay Schopfer
Format: ebook
Source: author
Formats available: paperback, ebook
Genres: adventure, fantasy, steampunk
Series: Keltin Moore #1
Pages: 269
Published by Createspace on May 8, 2014
Purchasing Info: Author's Website, Amazon, Barnes & Noble, Bookshop.org
Goodreads

Beast hunter and local hero Keltin Moore joins a desperate campaign to save faraway Krendaria, a nation on the verge of revolution. A swarm of beasts threatens to destroy the country’s desperately needed crops, and an unprecedented team of hunters is assembled to cleanse the infested farmlands. But the grand adventure quickly becomes a desperate fight for survival as the horde of beasts seems endless and distrust among the hunters eats away at the campaign from within. In desperation, Keltin and his new friends embark on a dangerous mission into the heart of the deadly swarm, prepared to make a final stand against the oncoming beasts to try and save all of Krendaria from starvation.

My Review:

I read the second book in the Keltin Moore series, Into the North, a few months ago, and really, really enjoyed it. But it was the second book in the series, and while it did work as a standalone, there were plenty of hints to Keltin’s wider world that I wanted to explore. Hence this review of the first book in the series, which was every bit as fascinating as Into the North.

But this is a different story. And as much as Into the North reminded me of Jack London with its Gold Rush setting, The Beast Hunter does not. Instead, this one feels a bit more like fantasy or steampunk than its successor. At the same time, it feels like it could be a frontier story from our own past – albeit with a few twists and turns.

Keltin lives in a small town in an area that has a kind of frontier feeling to it. Transportation is either horse or mule or “shank’s mare” – meaning one’s own two feet. There are trains, but the town Keltin lives in is too small to have a station. And he does need to reach one.

His job is to hunt fairly fantastic beasts that are causing problems for local farmers or townsfolk, and he makes a halfway decent living at it. He’s also developed a reputation for it that has grown beyond his native Riltvin.

The story here is that his reputation has made the wider world come calling for him. There’s a huge beast infestation in far away Krendaria, and the government is looking to hire beast hunters from all over the world – for a fantastic bounty, of course – to help them contain it.

Also, unbeknownst to Keltin as he starts on his journey, to try to give the people of Krendaria a reason NOT to rebel. It’s hoped that the beasts can be beaten back before the harvest season so that farmers can go back to their farms and food can be brought in for the starving masses who are rebelling.

Some things are more possible than others.

No matter how many hunters are brought in, the supply of beasts seems endless. The patience of the rebels is much less so. But along the way, Keltin learns lessons about himself that are still taking shape in the second book.

The lone wolf hunter learns that loneliness is easy, leadership is hard, and that survival isn’t of the fittest, but of the one who learns to accept a little help from his friends, and to be one. And that two hearts might just possibly be better than one.

Escape Rating A: It’s neat to have read these in the wrong order. I enjoyed Into the North a lot, it was a terrific adventure and completely different from other things I was reading at the time and I just really liked it. It was the right book at the right time. But I was teased by the background of Keltin’s world and Keltin’s life before the point where that story begins – and now I have at least some of that backstory.

The story of The Beast Hunter is the adventure that Keltin has just returned from in Into the North – the Gold Rush location where that story takes place, is definitely to the north of Keltin’s native Riltvin.

But those names are also hints that this series does not take place on any obvious variation of the world we know. At the same time, we don’t actually know. We’re dropped into the middle of both Keltin’s life and his world. The political situation seems to be totally FUBAR, and the wildlife that Keltin hunts as a beast hunter is a whole lot wilder than anything currently or historically seen on our Earth.

So wherever and whenever Keltin’s story takes place, it isn’t here, it isn’t now, and it isn’t any then that we know of.

It does feel like Keltin’s story sits on a tricornered space between an adventure story, fantasy, and steampunk. It also feels like it would be a great book to give to someone who likes adventure stories and is curious about either of the other two genres but doesn’t want to get deep into their weeds on their first outing.

The names and histories of places like Krendaria and Malpinon hint of a wider world with a deeper history, and possibly portend a deeper dive into epic fantasy in a later story. Keltin’s world feels epic in scope, but not in the way that epic fantasy usually does. Keltin is living his life, and we see and hear what he does. His world may be big, but it maintains a human perspective, just as we live in a wider world than the parts that we experience on a daily basis. There’s no big conflict of good vs. evil. Keltin is just trying to do the best he can against certain small or medium-sized – and fairly monstrous monster-type – evils.

At the same time, both the non-humans that Keltin befriends and the beasts that he hunts clearly hint at a world not our own. But the magic that appears in the story is confined to those entities, at least so far. Humans seem to rely on tools and weapons that we’re familiar with, and in that the series feels like steampunk.

But it’s the adventure that carries the story. Keltin has come to help kill fantastic and horrible beasts that seem intent on wiping out not just the human population, but anything they can eat including each other. Keltin becomes the leader of a small band within the hunters, and does his best even as he is sure he isn’t doing a good job. His perspective, and his world, are all about surviving the next incursion and keeping himself and his men alive to fight another day.

At every stage it seems as if the entire enterprise is on the verge of collapse or extermination – whether by the rampaging beasts or by internal strife. The reader spends the entire story on the edge of their seat, wondering who will live, who will die, and whether Keltin will emerge from this whole mess with more damage than can ever be healed.

It’s a wild ride of an adventure every step of the way! So much so that I’m looking forward to reading the tale of Keltin’s third adventure, Dangerous Territory, the next time I need to escape from the everyday!

Review: Alice Payne Arrives by Kate Heartfield

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: Alice Payne Arrives by Kate HeartfieldAlice Payne Arrives (Alice Payne, #1) by Kate Heartfield
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: alternate history, science fiction, steampunk, time travel
Series: Alice Payne #1
Pages: 171
Published by Tor.com on November 6, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

A disillusioned major, a highwaywoman, and a war raging across time.

It’s 1788 and Alice Payne is the notorious highway robber, the Holy Ghost. Aided by her trusty automaton, Laverna, the Holy Ghost is feared by all who own a heavy purse.

It’s 1889 and Major Prudence Zuniga is once again attempting to change history―to save history―but seventy attempts later she’s still no closer to her goal.

It’s 2016 and . . . well, the less said about 2016 the better!

But in 2020 the Farmers and the Guides are locked in battle; time is their battleground, and the world is their prize. Only something new can change the course of the war. Or someone new.

Little did they know, but they’ve all been waiting until Alice Payne arrives.

My Review:

The problem with wanting to change things is that things change. The road to Hell is always paved with good intentions. The problem with humanity is, well, humans.

And wibbly-wobbly timey-wimey bits have a way of biting everyone in the ass – every single time.

Time travel has always been an irresistible idea for SF and other genres to play with and things always seem to turn out alright in the end. For values of “alright” that seem to be relatively definable. Or at least reasonably fixable.

The time travel in Alice Payne’s version of history – or rather versions of history – turns out to be not nearly so simple. Or half so easily fixable. And it makes so much sense – in a really, really horrible sort of way.

It all goes back to that road to Hell and those good intentions. Mostly.

Some of the damage is already present. From the perspective of the future, global warming and a whole bunch of other crap that we’re already dealing with has sent the planet into a state of anarchy by the time that time travel is invented.

And then there was bureaucracy – a hell in itself – but a hell created with the noble goal of going back in time to make things better. The problem with that little idea is “who decides”? One person’s meat is another person’s poison. One person’s better is someone else’s worse. Not to mention that there is no universal definition of “better”. We all think we know, but the devil is in those terrible details. Which leads, directly and inexorably, to rival factions of time travelers – or perhaps that should be time meddlers – who are just absolutely certain that their way is the right way.

Also, there’s the issue that every writer of alternate history runs into. Once you flap the butterfly’s wings in a different direction or a different rhythm, the changes ripple out forever and in ways that were never expected. A change that looks good at the outset may lead to terrible consequences later.

“Millions will die who did not die in what would have been our history.” If that line sounds familiar, it’s what Spock tells Kirk in the TOS episode The City on the Edge of Forever when he realizes that the woman Kirk loves, the woman at the foundation of a peace movement, has to die so that her peace movement doesn’t delay the entry of the U.S. into World War II – allowing Hitler to rise to global dominion. The peace movement looked like a wonderful thing – and in another time and another place it might have been. But there and then the immediate good thing led to a terrible consequence. And the needs of the many always outweigh the needs of the few or of the one.

Prudence Zuniga in 2070 believes that it all has to end. That every attempt to change history “for the better” is only making things worse and rippling that worse further back into history. That it’s time to end the tinkering, let the chips fall where they may, and move forward and only forward into a single future – whatever it might be.

Not that she’s not going to make one last play to make sure that her faction of the history changers wins the “History Wars”. She just needs one person in 1788 to fix a few last minute details.

She plans to involve a tinkerer, but ends up with a highwayman – or rather a highwaywoman, Alice Payne. So Prudence changes her plans – just a bit. And finds herself in the midst of that old dilemma, the one about the problem with changing things is that things change.

And change, and change, and change.

Escape Rating B: Alice Payne’s ride has echoes and origins in many time travel stories, from Doctor Who to The Chronicles of St. Mary’s to The Anubis Gates to The Doomsday Book and To Say Nothing of the Dog. But Alice Payne isn’t nearly so lighthearted as that dog.

The difference is that most of those stories try their damnedest not to change the history they explore. They kind of operate on a temporal version of the Prime Directive – to add in another Star Trek reference. They are trying NOT to change things and they do worry very much about the ‘grandfather paradox’.

What makes Alice Payne’s, or rather Prudence Zuniga’s, story feel so probable in its improbability is that no one is careful. It feels all too true to human nature that if the capability of time travel existed that it would be abused and only make things worse.

The story feels like it is set up to parallel the situations of Alice Payne and Prudence Zuniga. While the series is named after Alice, it feels like it is as much Prudence’s story – and more about Prudence’s time(s) and the mess that the world has gotten itself into than it is about Alice.

At the same time – so to speak – as a character Alice has more drive and ambition. And we get more inside her head – possibly because it’s a much less convoluted place that Prudence’s. After all, Alice knows who she is and what she’s doing and as far as she knows that doesn’t change. She’s in the late 1800s doing the best she can to hide her love for her friend Jane, dodge the amorous attentions of several disgusting men AND keep her family’s house halfway livable and her father out of debtor’s prison by posing as a highwayman and robbing the coaches of the aforementioned disgusting men.

Prudence is trying to stop time travel. Alice’s story is easy. It takes the reader a while to understand why Prudence feels like she needs to essentially commit treason – and we get enough to grasp what’s wrong by the tip of our reading fingernails without understanding it in quite as much depth as I’d like. The ending felt both a bit rushed and a bit of a tease for the next book in the series.

I’m quite teased. I’ll definitely be back to see where Alice Payne Rides take her – and us – next.

Review: Forged in Blood II by Lindsay Buroker

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Forged in Blood II by Lindsay BurokerForged in Blood II (The Emperor's Edge, #7) by Lindsay Buroker
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: epic fantasy, fantasy, steampunk
Series: Emperor's Edge #7
Pages: 422
Published by Lindsay Buroker on July 17, 2013
Purchasing Info: Author's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Amaranthe Lokdon survives her reckless plan to destroy the enemy’s weapon-filled super aircraft only to learn that thousands of people perished when it crash landed. Half of her team is missing...or dead. Meanwhile, the fighting in the capital has escalated, the Imperial Barracks have been taken by a pretender, and a deadly new danger threatens the populace. Amaranthe’s hopes of returning Emperor Sespian to the throne and bringing peace to the empire are dwindling by the hour.

To make matters worse, her strongest ally—and closest friend—has been captured and is under a powerful wizard’s control. If she can’t figure out a way to free Sicarius, he may kill them all when next they meet...

My Review:

Forged in Blood I ended at maximum cliffhanger, so I dove into Forged in Blood II the moment I finished it. It’s kind of impossible to stop at that point.

(Fair warning, this review will contain spoilers for Forged in Blood I. It would be equally impossible to talk at all about this book without talking about that book. They are pretty much one story, and everything that happens here is dependent on what happened there. Also, Captain Obvious being very obvious, don’t start the series here!)

Forged in Blood I ended at two parallel points with opposite results. Amaranthe has just crashed the Behemoth and wrecked untold destruction pretty much everywhere. She feels guilty beyond measure at the deaths she feels she is responsible for. And she might share in that responsibility but she certainly isn’t solely responsible – particularly considering that she never had any personal ability to control the airship/spacecraft in the first place.

But she walks away from the wreckage, believing all of her team are dead, only to shortly discover that so far, everyone she truly cares for managed to be someplace else.

On that other hand, Sicarius enters the ruins of the ship and finds what he believes are the remains of Amaranthe’s charred corpse. He believes that everyone he cares about, including Amaranthe and his son Sespian, are all dead in or under the crash. He tries to commit suicide-by-enemy in a grand fashion, only to be captured and mind-slaved by one of the many, many forces that is attempting to take control of the capital.

He doesn’t care – at least not too much. If his would-have-been-lover and his son are both dead, he is not unwilling to kill as many of those responsible for the situation as possible (he is an assassin, after all) before he finds a way to at least get himself killed if not take out the wizard controlling him in the process.

As Forged in Blood II opens, Amaranthe is working on multiple plans – as she always is – to eliminate the alien spaceship before even more nefarious things can be done with it, find a way to get some of their enemies to eliminate each other, and find out what happened to Sicarius and rescue him if necessary.

Sicarius has been given a list of people to kill, and he’s working his way down the list.

I would say that things go pear-shaped at this point, but they have been pear-shaped so long that the pear is starting to rot. This is a series where saying that our heroes jump out of the frying pan and into the fire doesn’t go nearly far enough. The entire series is pretty much fires and frying pans all the way down.

But this book is the end of the main story arc of the ENTIRE Emperor’s Edge series. They have to find the bottom in order for things to come to an appropriate close, and for all of the many, many threads to get tied up in a relatively neat bow.

Not nearly as neat a bow as Amaranthe the cleanliness obsessed would have liked. And the butcher’s bill needs to get paid. But in the midst of absolutely epic chaos, our heroes have to find a resolution that gets all of the many, many opposing forces out of the capitol.

And lets them midwife the birth of the republic that they having been aiming towards for much longer than any of them imagined.

Escape Rating A-: This is so obviously labeled book 2 of 2 that anyone who starts here needs to have their head examined. Just don’t. A part of me is wondering why Forged in Blood wasn’t simply published as one extremely long book – but there’s nothing stopping anyone from reading it that way now that both parts are available.

By this point in this long-running series a reader either loves the characters and the world enough to want to see how it all ends, or they don’t. Obviously, I did.

What made this series work for me was its play on the “five-man band” trope, even as Amaranthe’s little band of outlaws/rebels/revolutionaries grew past the original five. To the point where some of the roles are occupied by two or more members of her band of misfits.

Part of the fun in Forged in Blood II is that Amaranthe runs into someone who is even better at being the “leader” of such a group than she is. It’s both relaxing and unnerving for her to find herself again following someone else’s orders.

That the person whose orders she ends up following is someone who someone in his 60s and clearly still extremely badass is icing on the cake for any readers of a certain age, like moi. It’s always good to see evidence that heroes don’t need to be young to be extremely effective. Age and skill beats youth and stupidity all the damn time, and it’s fun to watch.

I also loved the way that the romance was handled in this series finale. It’s taken a year for Amaranthe to “humanize” the assassin Sicarius to the point where he might be able to have a relationship with anyone, Amaranthe included. At the same time, it was necessary for the events of that year for Amaranthe to have her bright, shiny, law-abiding edges tarnished a bit for her to be able to accept not just the person that Sicarius has become, but also the elements of the weapon that he was made to be that remain. Their romance has been excruciatingly slow-building throughout the series, but it needed to be. And the series couldn’t end without that thread being tied up – even if that tying literally included tying one or both of them to a bed. (Actually I’d pay money for that scene!)

Realistically, it would not be possible for a series that had this much adventure – including misadventure, in it without a butcher’s bill to be paid by the company. That price that they paid felt right, proper and necessary – and provided a much needed bit of poignancy to the ending.

This was a book where as I got nearer to the end I found myself slowing down. I wanted to find out how it ended, but I didn’t want to leave this world or these people. Lucky for me, the author didn’t either. There are two (so far) books set in this world after the end of Forged in Blood II. I’ll be picking up Republic the next time I have a long flight to read through. It’s 572 pages long – and I’m betting they’re all fantastic!

Review: Forged in Blood I by Lindsay Buroker

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Forged in Blood I by Lindsay BurokerForged in Blood I (The Emperor's Edge, #6) by Lindsay Buroker
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: epic fantasy, fantasy, steampunk
Series: Emperor's Edge #6
Pages: 378
Published by Lindsay Buroker on May 27, 2013
Purchasing Info: Author's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

The emperor has been ousted from the throne, his bloodline in question, and war is descending on the capital. Forge, the nefarious business coalition that has been manipulating the political situation from the beginning, has the ultimate weapon at its disposal.

If it was difficult for a small team of outlaws--or, as Amaranthe has decided they should now be called, rebels--to make a difference before, it's a monumental task now. If she's to return idealistic young Sespian to the throne, earn the exoneration she's sought for so long, and help her closest ally win the respect of the son who detests him, she'll have to employ an unprecedented new scheme...preferably without destroying the city--or herself--in the process.

My Review:

And now I remember why I stopped reading this series back in 2013. Not for any bad reasons, I assure you!

But back then, I raced through the first four books in the series (The Emperor’s Edge, Dark Currents, Deadly Games and Conspiracy), loving every one. I think I was about to pick up book 5, Blood and Betrayal, when I noticed that this book, book 6, was titled Forged in Blood I with the obvious implication that there would be a Forged in Blood II – as there turned out to be. But the titles strongly implied that this book wasn’t exactly complete in and of itself, and I decided that I didn’t want to read this until its second part came out.

Then I ran headlong into the “so many books, so little time” conundrum, and didn’t get the round ‘tuit for several years. I picked up Blood and Betrayal a few weeks ago, got right back into everything, loved it, and decided to read Forged in Blood on the long flight back home from Seattle.

It turns out that I assumed correctly. While Forged in Blood I does come to a logical conclusion, that conclusion is a screaming cliffhanger. I was still in mid-flight (Seattle to Atlanta is a LONG flight) and started in on Forged in Blood II with barely a pause for breath.

What we have here is what looks like the beginning of the end of this terrific saga. The story at this point is careening towards the conclusion of its original quest. Way, way back in The Emperor’s Edge, Corporal Amaranthe Lokdon of the Imperial law enforcers was given the assignment to hunt down the Empire’s most dangerous assassin, Sicarius.

It was intended to be a suicide mission. It certainly turned out to be a suicide mission for her career on the “right” side of the law.

But when she failed to capture Sicarius, she found herself a wanted criminal, at the core of a band of criminals, all of whom have bounties on their heads for crimes they either didn’t commit or acts of self-defense. Not that there isn’t a bit of criminality mixed in there, but for the most part, they aren’t guilty – or at least not guilty of much until they all end up on the run.

With both the assassin and the Emperor in their midst. But then, the Emperor hired them to kidnap him to save his from the so-called advisers who planned to have him assassinate. As a result, the people who wanted him dead are now after the entire gang – as well as the Empire itself.

So Forged in Blood I is the beginning of the end. Start with The Emperor’s Edge and get to know this amazingly awesome – just ask some of them – band of big damn heroes. And end this part of the story on pins and needles, not merely wondering but actively worrying whether all of them will get out of this caper alive.

Escape Rating A-: This is not the end. The, well, let’s call it an interim ending, is a hella cliffie. What makes it so gut-wrenching is that by this point in the series we know and love all of these people, and the way this book ends we fear for all of them in one way or another. It’s terrible, and wonderful, and you won’t be able to keep from diving into part 2 immediately.

At the beginning of the series, we had a band of petty criminals and wrongly accused political victims desperately trying to find a way to survive the many and various attempts on their lives and, most importantly, figure out a way to get pardoned by the Emperor.

Well, most of them want to get pardoned. Sicarius is guilty of every single thing he’s been accused of, and a few hundred more. He was, after all, the previous Emperor’s pet assassin – and he was damn good at his job.

He’s also, unbeknownst to everyone at the beginning, but an open secret by this point, the biological father of the current Emperor. The young and idealistic Emperor is having a difficult time processing it all – but his enemies plan to use the information to keep him from ever taking back his throne.

Because they want to install a puppet emperor and wring the kingdom dry.

There’s a lot of story to unpack by this point. Amaranthe, in particular, still wants a pardon but also wonders if there’s any way back from where this journey has taken her. As a law enforcer, she never believed the excuses of the ends justifying the means, but has discovered that when the ends are her own survival, discussions of means get left by the wayside until afterwards – when the guilt descends.

The young Emperor, Sespian, has been forced to grow up in a hurry while dodging bullets, bombs and even exploding airships. With him, and his idealism, among their party, the purpose of their journey has changed from pardons to revolution. Getting a close up view of just how screwed up the empire is for anyone not in power has inspired them all to invent a new form of government – a Republic. All they have to do is get enough power to push their reforms through – and then be willing to let that power go when they’re done.

Not an easy job. It’s what made the American experiment such a chancy thing at the time. That we have, at least so far, had regularly scheduled and orderly changes of power built into the system. (We’ll see how that goes in the future.)

What makes this series so much fun is the way that the band of misfits manages to work together, both because and in spite of their differences. This is a series where the snark, of which there is a lovely lot, is based on our knowledge of the characters and their knowledge of each other – not on jokes per se. A lot of that humor is gallows humor, because even at the best of time they are only one step out of the frying pan and one jump away from the fire.

This is a series where the worldbuilding has gotten deeper as it goes, as have the chasms that our heroes must leap across in order to stay alive and one step ahead of their many, many pursuers. The pace never lets up – leaving the reader breathless with anxiety and anticipation at the end.

I couldn’t wait to start Forged in Blood II, and so far it’s every bit as good as the rest of the series. We’ll see for certain in next week’s review!

Review: Blood and Betrayal by Lindsay Buroker

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: Blood and Betrayal by Lindsay BurokerBlood and Betrayal (The Emperor's Edge, #5) by Lindsay Buroker
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: fantasy, science fiction, steampunk
Series: Emperor's Edge #5
Pages: 374
Published by Lindsay Buroker on December 3, 2012
Purchasing Info: Author's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

The last thing Maldynado Montichelu—former aristocrat and current ladies' man—ever wanted was to be left in charge. After all, the team just blew up a train, crashed a dirigible, and kidnapped the emperor. It's kind of an important time.

But, with Amaranthe captured by the nefarious Forge coalition, and Sicarius off to find her, the team is lacking in leaders. Also, Sicarius has made it clear that Maldynado’s life may be forfeit should anything happen to the emperor while he’s gone.

To make matters worse, Forge’s cutthroats are after Sespian, and the young emperor believes Maldynado's loyalties are suspect. As if it’s his fault that his older brother is working with the coalition to usurp the throne. If Maldynado can’t figure out how to earn the emperor’s trust quickly, Sespian will go off to confront their powerful enemies on his own.

Meanwhile, Amaranthe must find a way to escape from the coalition’s newest ally, Master Interrogator Pike, a man who plans to pull all of the secrets from her head, one way or another…

Blood and Betrayal is the fifth novel in The Emperor’s Edge series.

My Review:

Welcome to this week’s second entry in the “long time no see” series. Otherwise known as the “ how big a fool I was to stop reading this” series.

Back in 2013 I started the Emperor’s Edge series by Lindsay Buroker, and fell headlong into her blend of fantasy, steampunk and SF. I also fell in love with her endlessly snarky five-man band of characters – even though the band eventually encompassed more than five characters, male or otherwise.

For a series that is set in a fantasy world that has elements of both steampunk and “pure” SF, the group dynamics of Amaranth Lokdon’s crew have the feel of the best sword-and-sorcery, you know the type where the hero and his sidekick slice and snark their way through a world that seems to be out to get them at every turn.

Amaranthe’s gang certainly is paranoid, but that doesn’t mean that people aren’t out to get them. As is certainly shown in this fifth entry in the series, Blood and Betrayal. And yes, there’s plenty of both within the pages of this thrill-a-minute story.

When last we left our heroes, five years ago and at the end of Conspiracy, Amaranthe had just been thrown out of the dirigible the gang had commandeered. In mid-flight. Of course.

As Blood and Betrayal opens, the gang is kind of in the same position that Aragorn, Legolas and Gimli are in at the opening of The Two Towers – minus the death of Boromir (or his equivalent).

The remaining members of Amaranthe’s merry band of tricksters all want to find her and rescue her. But they are already in the middle of a mission to pretend to kidnap the young Emperor Sespian and uncover the plot to overthrow him – along with figuring out all of the other plans being hatched by the dangerous and mysterious group calling themselves Forge.

Sicarius, Amaranthe’s second-in-command, pet assassin and possible future lover, finds himself on the horns of a dilemma. He desperately needs to rescue Amaranthe. He equally desperately needs to keep the young Emperor safe – because unbeknownst to everyone except himself and Amaranthe, Emperor Sespian is his son.

And someone needs to lead the remaining members of the crew – because it’s dubious whether they’re remotely capable of leading themselves anywhere except into yet another disaster. But in order to save Amaranthe he’ll have to trust them anyway – with not just their own continued existence, but with the life of the son he doesn’t dare acknowledge.

Out of the frying pan, into the fire, out of the torture chamber and into a subterranean sub rosa meeting to overthrow the empire. With deadly alien machines chasing them every step of the way.

It’s all in a day’s work – at least until the ocean crashes in.

Escape Rating A: It’s been 5 years since I read the previous book in this series, but as soon as I started this one (admittedly after re-reading my reviews of the previous four) I fell right back into this world and was just as caught up in the interpersonal dynamics of this terrifically odd assortment of people as I was back then.

Not that I’m planning to wait another five years to read the next books in the series. I was reminded of just how much I loved this gang and now that I’m back I can’t wait to keep going. I will say that now that I’m listening to books more again I really wish that the next books had been recorded (the first five have been) so that I could listen while I drive and workout. The level of snarkitude of these folks would make this a perfect series to distract me on the treadmill.

The heart of this series is the character of Amaranthe Lokdon herself. As one of the members of her crew puts it, Amaranthe is the glue that holds the group together. None of them would have ever had much to do with one another, but over the course of the series they have run into her and gotten themselves stuck both to her and to each other.

This particular entry in the series has the challenge of keeping Amaranthe’s “glue” front and center while she herself is a tortured captive elsewhere and Sicarius is tracking her captors so that he can rescue her – if he can get there in time.

With Amaranthe and Sicarius out of the immediate picture, the perspective on the remaining gang’s part of the story shifts to Maldynado the disowned nobleman whose family just might be behind the conspiracy to overthrow the empire. Not that Maldynado knows anything about what they’re doing – they disowned him years ago.

With his reputation as a fop – a reputation he encourages at every turn – Maldynado finds it difficult to take charge of anything. His actions in this story give him a surprising chance to step out from Amaranthe’s comfortable shadow to stand in the light for a change – a position from which he generally gets shot at. A not uncommon scenario for everyone in Amaranthe’s orbit!

This is a story that takes its turns into dark places – and into the backgrounds of more of its characters in ways that explore what brought them to these circumstances. At the same time, it’s a roller coaster ride of a story that never lets up until the train – in this case the steamroller – pulls into a sharp breaking stop at the end of the ride.

But the fun’s not over yet. There’s more to come in Forged in Blood. There’s no way I’m waiting five more years to see what happens next!