Review: Devil’s Gun by Cat Rambo

Review: Devil’s Gun by Cat RamboDevil's Gun (Disco Space Opera #2) by Cat Rambo
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Disco Space Opera #2
Pages: 288
Published by Tor Books on August 29, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
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No one escapes their past as the crew of the You Sexy Thing attempts to navigate the hazards of opening a pop-up restaurant and the dangers of a wrathful pirate-king seeking vengeance in Cat Rambo's Devil's Gun .
Life’s hard when you’re on the run from a vengeful pirate-king…
When Niko and her crew find that the intergalactic Gate they're planning on escaping through is out of commission, they make the most of things, creating a pop-up restaurant to serve the dozens of other stranded ships.
But when an archaeologist shows up claiming to be able to fix the problem, Niko smells something suspicious cooking. Nonetheless, they allow Farren to take them to an ancient site where they may be able to find the weapon that could stop Tubal Last before he can take his revenge.
There, in one of the most dangerous places in the Known Universe, each of them will face ghosts from their Thorn attempts something desperate and highly illegal to regain his lost twin, Atlanta will have to cast aside her old role and find her new one, Dabry must confront memories of his lost daughter, and Niko is forced to find Petalia again, despite a promise not to seek them out.
Meanwhile, You Sexy Thing continues to figure out what it wants from life―which may not be the same desire as Niko and the rest of the crew.

My Review:

Devil’s Gun picks up the story of You Sexy Thing and its crew just after the moment at the end of the first book in the Disco Space Opera series, named after the ship and the damnable earworm of the song that the title comes from.

It’s the point where they’ve just learned that the evil space pirate they hoped they’d killed as they escaped his imploding, exploding ship/space station. Which, to be totally fair, was entirely deserved as he had already murdered one of their number and spent years brainwashing Captain Niko Larson’s former lover against her.

Pirate King Jubal Last is a bad, bad man, and the universe wasn’t going to miss him if he was gone. The only problem is that he isn’t. Meaning that Larson and her crew are on the run, away from Last and towards someone who they hope will help them figure out a way to take him out. Again.

If only they can find her. And if only she’ll give them the time of day. Because it’s that same brainwashed ex-lover that Larson still hasn’t gotten over. Just as the rest of the crew hasn’t gotten over the damage that Last did in their recent encounter.

And in the midst of Larson chasing down what once was, and one of her crew members trying to breathe life back into someone who has lost theirs, a new member of the crew searches for purpose while the sentient, sapient bioship that Larson is nominally – sometimes very nominally – in command of pursues its own interests for its own purposes. Specifically, for the purpose of creating drama and not getting bored.

It’s a recipe for disaster – but that’s not the problem it would be for most ship’s crews. Because if there is one thing that this crew is good at, it’s making a tasty dish out of a completely mismatched and even downright dangerous list of ingredients!

Escape Rating B: I picked this up because I enjoyed the first book in the series, You Sexy Thing, very much in spite of its unfortunate case of villain fail. The crew is as motley as you’d expect, but their bone-deep respect and reliance on each other – and the way they deal with their life and their livelihood through bantering away the stress made it an overall fun read with a heaping helping of heartbreak at the end.

But thank goodness that there’s a “when last we left our heroes” summary of that first book in the beginning of this second one, because it’s been over a year since I read it and almost two years since it came out.

I liked Devil’s Gun but didn’t love it nearly as much as I did You Sexy Thing in spite of that villain fail. Jubal Last was just a bit too over-the-top bwahaha to make sense as a character. But I loved the crew and got invested in their situation more than enough to feel for them as things went down.

Devil’s Gun reads like a middle book. It also reads as a chase for a macguffin that no one, least of all Niko Larson herself, is ever sure isn’t a scam. And it felt like a collection of separate plot threads that don’t quite braid together into a whole, as several members of the crew have their own problems to pursue and keep themselves to themselves more than a bit.

With the ship in pursuit of its own goals – to the detriment of everyone and everything else – as the story goes along. Admittedly, that part is fascinating. It’s as though Moya in Farscape took the ship where she wanted to go instead of where the crew wanted to go ALL THE TIME.

Which would have been cool – even as the crew would have been infuriated. As Larson often is in this story.

The sentient ship You Sexy Thing will certainly make readers think of Farscape and its sentient ship, Moya, although You Sexy Thing has considerably more personality. I’m not sure about the regular comparisons between this series and the Great British Bake Off as there’s no food competition going on – although there is plenty of cooking and baking. There’s also more than a bit of a resemblance between this universe and its intergalactic ‘gates’ left behind by an ancient race of Forerunners and Mass Effect and its mass relay travel gates left behind by the ancient Prothean race.

In other words, there are elements of Devil’s Gun and the Disco Space Opera series that will ring a lot of bells and bring back a lot of memories for SF readers, (I’m sure I’ve seen the Devil’s Gun itself, or a reasonable facsimile thereof, in Simon R. Green’s intertwined universes) blended into a story that’s a whole lot of fun and rides or dies on the interpersonal relationships among the crew. Which is also not an uncommon element of SF and space opera in general.

So if that’s your jam as it is for this reader, take a trip on the You Sexy Thing with Devil’s Gun. And the fun – for certainly deadly and sometimes insane definitions of fun – isn’t over yet. Devil’s Gun, like You Sexy Thing before it, ends on a mic drop. There is clearly more to come for this crew, and I’m looking forward to it!

Review: Knighthunter by Anna Hackett

Review: Knighthunter by Anna HackettKnighthunter by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: science fiction, science fiction romance, space opera
Series: Oronis Knights #2
Pages: 258
Published by Anna Hackett on July 26, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & Noble
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She vows to bring her abducted queen home…even if she has to work with the man she hates.Knightmaster Nea Laurier is tough, dedicated, and lives to be the best Oronis knight she can be. All her life, she’s worked hard to live up to her prestigious family name. She will do whatever it takes to rescue Knightqueen Carys from their enemy, the vicious Gek’Dragar…she just wishes it didn’t involve the most cunning and dangerous man she knows. A man she detested when they were at the Academy, and a man she still detests—Knighthunter Kaden Galath.Now she’s headed deep into enemy space, and the only person guarding her back is a man she’ll never trust.Knighthunter Kaden Galath was born in the darkness and came from nothing. Being a knighthunter—a spy for his people—is the perfect job for him. He uses all his unique and deadly abilities to keep the Oronis safe, even the beautiful, perfect, do-gooder Knightmaster Nea. He’s vowed to always stay alone in the shadows…but Nea might be the weakness he never expected.As Kaden and Nea embark on a mission to some of the deadliest enemy planets, they fight side by side, and uncover each other’s darkest secrets. Following the trail leading to their captive queen, Nea and Kaden will face their most dangerous battle yet, and a fiery passion that will engulf them both.

My Review: 

Knighthunter is a story about not one but two concurrent chases – one of which is definitely more successful than the other.

The Knightqueen of Oron was kidnapped by the Gek’Dragar in the first book in the Oronis Knights series, Knightmaster, which was all wrapped up in the investigation into that catastrophe as well as the romance between Knightmaster Ashtin Caydor and xenoanthropologist Kennedy Black from Earth. In Knighthunter, Knightmaster Nea Laurier and Knighthunter Kaden Galath have been tasked with hunting down the Knightqueen and her dedicated and bonded Knightguard Sten before the Gek’Dragar complete whatever dastardly plans they have for Knightqueen Carys in specific and most likely the Oronis in general.

It’s not like the Oronis and Gek’Dragar haven’t been bitter enemies since pretty much forever. And as the Oronis are allies of the bands of heroes in both the Galactic Guardians series AND the Eon Warriors series, they are the ones on the side of the angels.

The Gek’Dragar, on the other hand, are in league with (probably loosely and with intent to betray at some point) and certainly in the league of the rapacious Kantos, the dastardly enemies of the Eon Warriors.

So we all know where we stand – or fly – in not just this heinous act but also in the war that this is clearly a prelude for.

But, there are also enemies, of the much closer and more intimate kind, closer to home. Nea Laurier and Kaden Galath attended the Academy together. Well, not really together-together, but at the same time.

Each was the thorn in the other’s side for all the years of their schooling, and can’t seem to stand to be in the same room, let alone stuck with each other in a series of cramped two-person ships on the hunt for their kidnapped Knightqueen.

But appearances can be deceiving, and, in the spirit of the best defense being a good offense, Nea and Kaden have been defending so hard against their feelings for each other that it’s looked like a whole lot of being offensive. For nearly a decade of bristling hostility.

Howsomever, the longer they spend together in the here and now, the more occasions when they just miss their quarry, the more they realize that the masks they have been wearing with each mostly serve to hide their true feelings from themselves.

In the heat of that race, even as they chase down a ship that hides from them at every turn, they stop hiding from themselves. And each other.

Escape Rating A-: In terms of the overarching story of the Oronis vs. the ‘Big Bad’, in this instance the Gek’Dragar, Nea and Kaden’s pursuit of a series of fleeing Gek’Dragar ships through Gek’Dragar space gives the reader a tour of the galaxy and a whole host of reasons to understand why the Oronis have such a huge and justified hate-on for their scaly enemy.

Meanwhile, the sheer volume of true enemies that Nea and Kaden have to wade through in their hunt for their missing Knightqueen puts their personal enmity into sharp relief. They’ve never really hated each other, particularly not in comparison to what true hatefulness looks like.

But the heat of their enemies into lovers relationship burns away any misunderstandings between the two of them – and are there ever plenty! Many of which can be laid at the feet of Nea’s snobby, relentlessly demanding douchecanoe of a father. He may have had his reasons, or his own griefs, that created the mess of a relationship he has with his only remaining child, but his treatment of Kaden even all the way back in the younger man’s Academy days has no excuse.

It was also a whole lot of painful fun to watch Nea whack dear-old-dad with a big clue-by-four, but he clearly needed more applications of that  device before he gets the point. I hope we get to see those whacks delivered in a later book.

But seriously, the way that Nea and Kaden keep JUST missing Carys and her kidnappers ratchets up the dramatic tension in this one from the first page to the very last, as the hope that keeps getting snatched away comes back into view yet again.

This was great fun both as an adventure and as a romance, and I really loved being along for both rides. It also makes an excellent setup for the next book in the series, Knightqueen, coming early next year. In romances, I tend to find the chase much more interesting than the catch. And this one really kept me going through one ultimately successful chase – and one I hope to see turn successful soon!

Review: Light Chaser by Peter F. Hamilton and Gareth L. Powell

Review: Light Chaser by Peter F. Hamilton and Gareth L. PowellLight Chaser by Peter F. Hamilton
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: science fiction, space opera
Pages: 173
Published by Tordotcom on August 24, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In Peter F. Hamilton and Gareth L. Powell's action-packed sci-fi adventure Light Chaser, a love powerful enough to transcend death can bring down an entire empire.
Amahle is a Light Chaser - one of a number of explorers, who travel the universe alone (except for their onboard AI), trading trinkets for life stories.
But when she listens to the stories sent down through the ages she hears the same voice talking directly to her from different times and on different worlds. She comes to understand that something terrible is happening, and only she is in a position to do anything about it.
And it will cost everything to put it right.

My Review:

How to reboot the galaxy in 10 (or so) not so easy lessons. Because that first lesson includes the really heavy lifting of getting you to believe that the cushy, if a bit lonely, life you’ve been leading for millennia NEEDS to be rebooted in the worst way.

And that you’re the only one who can possibly do the job. If you can be convinced to deal with the heartbreak of both a completely epic betrayal on a galactic scale AND the heartbreak of un-forgetting the loss of the love of your artificially long life. Over and over again.

Amahle is the Light Chaser of the title. She, and all of her ilk, travel in endless repeating circuits of their little corner of the galaxy, distributing trinkets, treasures and carefully curated technology to dozens – or perhaps hundreds – of stagnant little planets in return for recordings of memories and experiences faithfully preserved in high-tech collars in the centuries since their previous visits.

There’s nothing sinister about the recordings themselves. In fact, the reverse. The Light Chasers are treated pretty much like deities, and the tech and the treasure that they bring is a boon to both the individual economies and the local planetary government. The collars keep records only, they don’t take anything from their wearers.

But the conditions of the planets. That’s where things get sinister. Because each planet is locked in whatever era of development it was created – whether their situation is bloody, medieval horror or post-scarcity techno-pampered ennui.

There’s no growth. There’s no change. There’s no evolution. Golden ages last forever – but so do Dark ones. To the point where Amahle, no matter how many times her memory has been wiped, is starting to notice.

Which is where Carloman comes in. Over and over again. Seemingly reborn on multiple planets in multiple eras, seeking out one of her collar-wearers so that he can deliver a message. Knowing that she will inevitably see that message in the long (at least relatively) journeys between the stars.

If he doesn’t manage to get the whole message across in one circuit, he’ll simply have to try again. Until he gets it right. Or she does.

Escape Rating B: As much as I LOVED yesterday’s Red Team Blues, I did go into it thinking I was going to get something SFnal – so I had still had a taste for that in my mind. (And I had another book just fail.) So I went looking for something short and SFnal that I already had – which is where Light Chaser comes in.

There are two threads to this story. The first one is hidden – at first. Because from one perspective, Light Chaser is the ultimate star-crossed, crosstime, long-distance romance. It’s so long distance and so far across time that initially Amahle doesn’t even remember that once upon a time, it happened. (And yes, there are hints of This is How You Lose the Time War if you squint a bit.)

Amahle’s been made to forget, repeatedly and often over the very long years, but her once and future love, Carloman, loves her so damn much that he’s managed to get around a veritable empire of AIs that are keeping them apart.

We never do find out how he does that, we only know that he has. And does. And possibly will again if it doesn’t work this time around.

The truly SFnal part of the story is the story of Amahle’s life in her here and now, as Carloman’s intrusions into the collars she has collected and viewed slowly but surely strips away her somewhat bored complaisance and wakes her up to a truth that seemingly only he can see. But once she’s seen it, she can’t unsee it, to the point where she tears her whole world apart to get it back.

It starts at the end and ends at the beginning, but along the way it portrays a far future world that isn’t what it ought to be – and tells the story of the painful stripping away of both illusion and self needed to get it back on track.

I finished Light Chaser wanting just a bit more of pretty much everything, as there is a LOT of handwavium involved in making the whole thing work. But within the constraints of a novella, it does a terrific job of making the reader think right along with Amahle. Digging this one out of the depths of the virtually towering TBR pile was absolutely the right thing to do!

Review: Watching the Clock by Christopher L. Bennett

Review: Watching the Clock by Christopher L. BennettWatching the Clock (Star Trek: Department of Temporal Investigations #1) by Christopher L. Bennett
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: science fiction, space opera, Star Trek, time travel
Series: Star Trek: Department of Temporal Investigations #1
Pages: 496
Published by Pocket Books on May 1, 2011
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBetter World Books
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There’s likely no more of a thankless job in the Federation than temporal investigation. While starship explorers get to live the human adventure of traveling to other times and realities, it’s up to the dedicated agents of the Federation Department of Temporal Investigations to deal with the consequences to the timestream that the rest of the Galaxy has to live with day by day. But when history as we know it could be wiped out at any moment by time warriors from the future, misused relics of ancient races, or accident-prone starships, only the most disciplined, obsessive, and unimaginative government employees have what it takes to face the existential uncertainty of it all on a daily basis . . . and still stay sane enough to complete their assignments.
That’s where Agents Lucsly and Dulmur come in—stalwart and unflappable, these men are the Federation’s unsung anchors in a chaotic universe. Together with their colleagues in the DTI—and with the help and sometimes hindrance of Starfleet’s finest—they do what they can to keep the timestream, or at least the paperwork, as neat and orderly as they are. But when a series of escalating temporal incursions threatens to open a new front of the history-spanning Temporal Cold War in the twenty-fourth century, Agents Lucsly and Dulmur will need all their investigative skill and unbending determination to stop those who wish to rewrite the past for their own advantage, and to keep the present and the future from devolving into the kind of chaos they really, really hate.

My Review:

“People assume that time is a strict progression of cause to effect but actually, from a non-linear, non-subjective point of view, it’s more like a big ball of wibbly wobbly timey wimey stuff.” At least according to Doctor Who.

Come to think of it, I’m pretty sure I spotted their TARDIS, or at least a TARDIS, somewhere (or somewhen) in the mass of confiscated time travel detritus stored in the Department of Temporal Investigations’ Vault on Eris. But I could be wrong. Or it might not be there now. Or then.

The thing about time travel, is that it messes up any sense of past, present and future, in the grammatical sense as well as every other way, more than enough to give anyone trying to talk about it – or write about it – a terrible and unending headache.

Just ask the folks at the Federation’s Department of Temporal Investigations, whose entire existence, across space and time, owes itself to Starfleet’s pressing need to clean up after Jim Kirk’s all too frequent messing about with time.

I really want to make a Law and Order reference to “these are their stories” because it does kind of work, even if DTI Agent Gariff Lucsly’s affect and mannerisms owe a lot more to Joe Friday in Dragnet.

The story in Watching the Clock combines two elements and both go back and forth in time more than a bit. Time which always seems to wibble just when it’s expected to wobble – and very much vice-versa. Seemingly ad infinitum and always ad nauseam.

The biggest variable often seems to wrap around who is getting the nauseam this time around.

As this is the first book in the Department of Temporal Investigations series, and that’s an agency that appears – often in rueful commentary – in several episodes across the Star Trek timeline without being the center of any incident – after all, DTI are more of a cleanup crew than an instigating force – a part of this book is to set up the agency, its primary officers, and its place within Starfleet.

Which results in more than a bit of that wibble and wobble, as the case that Agents Lucsly and Dulmur find themselves in the middle of is also in the middle of both the actual case (even if they’re not aware of it) and the Trek timeline, so the story needs to establish who they are, how they got to be where (and when) they are, and who they have to work with and against.

But the case they have before them – also behind them (time travel again) – is rooted in the Temporal Cold War, which seems to be heating up again. Assuming concepts like “again” have meaning in the context of time travel. Someone is operating from the shadows, manipulating the past in order to keep the Federation from defeating their aims in the future.

Which sounds a lot like what the Borg were attempting in First Contact. As it should. When it comes to time travel, this has all happened before, and it will all, most certainly, happen again. And again. And AGAIN.

Escape Rating A-: I picked this up because last week ended with some really frustrating reads. I was looking for something that I was guaranteed to be swept away by – no matter what. (I started the next St. Cyr book, What Darkness Brings, but it was too soon after the previous. I love the series, but like most series reads, I need a bit of space between each book so that the tropes don’t become over-familiar.)

It’s been a while since I read one of the Star Trek books, but I have a lot of them on my Kindle because they are one of the things Galen picks up when he’s looking for a comfort read. So there they were, and I hadn’t read this series. Although now I will when I’m looking for a reading pick-me-up.

There’s always plenty of Trek nostalgia to go around, and I’m certainly there for that, especially in the mood I was in. Howsomever, as a series set in the ‘verse but not part of one of the TV series, this one needed a bit more to carry this reader through all 500ish pages. Because that’s a lot, even for me. Especially when I’m flailing around for a read.

Watching the Clock combined the kind of buddy cop/partnership story that works so well in mystery – and this is a mystery – with that lovely bit of Trek nostalgia with a whole lot of thoughtful exploration of just what kind of a mess time travel would cause if it really worked.

Because the idea that going back in time would “fix” history, for certain definitions of both “fix” and history, sounds fine and dandy in fantasy but in SF just makes a complete mess out of causality and pretty much everything else.

(If you’re curious about other visions of just how badly it can go, take a look at One Day All This Will Be Yours by Adrian Tchaikovsky. The Tchaikovsky story, published a decade AFTER Watching the Clock, looks back on their version of a time war from the perspective of a battle-scarred, PTSD-ridden survivor and it’s not a pretty sight. But it is a fascinating story – also a lot shorter exploration of the same concepts as Watching the Clock.)

So, if you’re looking to get immersed in a familiar world while reading a completely original story set in that world, Watching the Clock is a fun read and Lucsly and Dulmur and all the members of the Department of Temporal Investigations are interesting people to explore it with. I had a ball, and if you’re a Trek fan you probably will tool.

If the concepts interest you but Trek isn’t your jam, check out One Day All This Will Be Yours.

Review: The Stars Undying by Emery Robin

Review: The Stars Undying by Emery RobinThe Stars Undying (Empire Without End, #1) by Emery Robin
Narrator: Esther Wane, Tim Campbell
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Empire Without End #1
Pages: 518
Length: 16 hours and 32 minutes
Published by Orbit on November 8, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this spectacular space opera inspired by the lives and loves of Cleopatra and Julius Caesar, a princess stripped of her power finds control through an affair that could help regain her reign—perfect for readers of Ann Leckie and Arkady Martine.
Princess Altagracia has lost everything. After a bloody civil war, her twin sister has claimed not just the crown of their planet Szayet but the Pearl of its prophecy, a computer that contains the immortal soul of Szayet's god. Stripped of her birthright, Gracia flees the planet—just as Matheus Ceirran, Commander of the interstellar Empire of Ceiao, arrives in deadly pursuit with his volatile lieutenant, Anita. When Gracia and Ceirran's paths collide, Gracia sees an opportunity to win back her planet, her god, and her throne…if she can win the Commander and his right-hand officer over first.
But talking her way into Ceirran’s good graces, and his bed, is only the beginning. Dealing with the most powerful man in the galaxy is almost as dangerous as war, and Gracia is quickly torn between an alliance that fast becomes more than political and the wishes of the god—or machine—that whispers in her ear. For Szayet's sake, and her own, Gracia will need to become more than a princess with a silver tongue. She will have to become a queen as history has never seen before—even if it breaks an empire.

My Review:

The queen. The carpet. The conqueror. It’s an indelible image, even if it was fixed in the collective unconscious by a mistranslation of Plutarch combined with a desire for a salacious story rather than anything that might have happened in history. Several sumptuous movies cemented that image.

So it’s not exactly a surprise that this science fictionalized reimagining of the romance of Cleopatra and Julius Caesar, while it doesn’t start with that scene, features it prominently. And makes it every bit as captivating and unforgettable in this story of two towering giants at the center of the rise and fall of an intergalactic empire as it was in the same circumstances of the world-spanning empire.

At first, and on the surface, The Stars Undying reads as a grand romance. And it definitely is that – even if neither of the protagonists begin their relationship thinking that’s where they are heading and what it’s all going to be about.

Altagracia is a disgraced princess leading a rebellion against her twin sister – who has just become the Queen of Szayet and the Oracle of their god, Alekso the Undying. We experience her side of this space opera from her first-person perspective so we begin the story thinking that we’re inside her head – even as she admits that she’s lying both to us and to herself as she sets out to overthrow her sister’s divine rule and take the crown for herself.

Which is where Matheus Cierran, the Commander of all the fleets and armies of the vast Empire of Ceiao, enters the picture. And Gracia enters his quarters rolled into a rug. Gracia conquers the conqueror – not so much with her beauty as with her wit and charisma – and he conquers her sister on her behalf.

As their romance spans the galaxy between Szayet and Ceiao, we see their universe from their alternating, first-person viewpoints, never quite sure who truly conquered whom, who is lying to whom, and whose intentions are the most righteous. While we watch them fall deeper in love with each other, and while both fail to recognize who their true enemies are – and fatally underestimate those enemies and each other.

Cleopatra and Caesar, (1866) painted by Jean-Leon Gerome
Cleopatra and Caesar, painted by
Jean-Léon Gérôme (1866)

Escape Rating A++: Because The Stars Undying is, most definitely, a reimagining of the relationship, both personal and absolutely political, between Cleopatra of Egypt and Julius Caesar, we do go into this story thinking that we know how it ends and even a bit of how it gets there. And just like Friday’s book, The Cleaving, that bit of foreknowledge does not keep the reader from frantically turning pages to see how it gets there.

In addition to the epic romance, and more important than that romance in the long run, The Stars Undying is also the story of the decline and fall of empire. As it begins, as it began, when Cleopatra rolled out of that rug – or more likely rose out of a sack – Rome was at the peak of its power. Just as Ceiao is when Gracia emerges from her carpet at Ceirran’s feet.

The thing about being at the peak of something is that from that highest point there is only one direction to go. Down. So this story is not about the crest of the peak but about the tip over it and into the decline that will inevitably follow – even if the principals can’t see it. Not yet anyway.

So the romance is how we get into this story, but that beginning takes us deeply into what one writer called “the romance of political agency” as we watch Gracia and Cierran jockey for power within their relationship and attempt to maneuver their way through and around the pitfalls of the densely factional political climate of Ceiao. An empire where the backstabbing never seems to end and Ceirran is always the target whether he recognizes it or not.

One of the fascinating things about the way that this story unfolds is just how tightly it gets wrapped around religion. Not any particular religion as we know it today, but religion and its seeming antithesis nevertheless. The Empire of Ceiao was founded on the basis of the disestablishment of ALL religions, which is carried to the point of being a religion unto itself.

Szayet, very much on the other hand, is not just a religiously backed monarchy but their religion is based on the idea that their god, Alekso Undying, lives on in an oracular artifact that is worn by each of his descendants as a symbol of their holiness and his godhood. It’s not even a myth. Gracia wears the Pearl and the spirit of Alekso within it does communicate with her frequently, often and always with disappointment in her and her actions. The only question in both the reader’s mind and Ceirran’s is whether the being she is communicating with is truly Alekso’s soul or merely his mind locked in a sophisticated machine.

That question, and both Ceirran’s and Ceiao’s reaction to any and all possible answers to it, turns out to hold the key both to his downfall and Gracia’s future in a way that surprises the reader and manages to seem inevitable at the same time. But then, all great leaders sow the seeds of their own destruction – at least in fiction.

The story in The Stars Undying reads like an unlikely amalgam of the Masters of Rome series by Colleen McCullough, The Memoirs of Cleopatra by Elizabeth George, Behind the Throne by K.B. Wagers, A Memory Called Empire by Arkady Martine and Engines of Empire by R.S. Ford. As a stew it shouldn’t work but most definitely does, combining the first-person perspective of the Memoirs with the deep dive into Roman history and politics of the McCullough series with the variations of the great empire not able to see or admit that it is past its prime in all three of the space opera series.

It’s not the stew that anyone would have expected but it’s absolutely glorious in its execution and now that I’ve read it I can’t help but wonder why no one got quite all the way here sooner. That the audiobook version that I listened to gave the two central figures, Gracia and Ceirran, their own separate, distinct and extremely well-acted voices was just icing on a very tasty cake.

(I had to switch to text near the end because I couldn’t bear to hear Gracia’s perspective on learning that Ceirran was gone in “her” voice, told from her internal, intimate, point of view. It would have been just too painful.)

That ending was so inevitable, based on the source material, that saying it happened does not feel like a spoiler. Howsomever, speaking of that source material, it is equally clear that the ending of The Stars Undying cannot possibly be the ending of the entire saga. This book, unbelievably the author’s debut novel, is listed as the first book in the Empire Without End duology. The second book in the duology is tentatively titled The Sea Unbounded and I can’t wait to read it whenever it appears. I might, maybe, possibly, have gotten over the book hangover from this book by then!

Review: Knightmaster by Anna Hackett

Review: Knightmaster by Anna HackettKnightmaster (Oronis Knights #1) by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: science fiction, science fiction romance, space opera
Series: Oronis Knights #1
Pages: 240
Published by Anna Hackett on March 16, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & Noble
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She was sent to forge an alliance with the deadly Oronis knights…and instead finds herself framed for abducting their queen.

Xenoanthropologist Kennedy Black loves exploring new cultures with Space Corps. Everyone in her life has left her, so she happily fills the void with exciting adventures. When she’s assigned to escort the new ambassador to the planet Oron for an opulent ball, she’s thrilled to get an up-close look at the Oronis knights, and their culture of honor and duty to their knightqueen. But she never expected her reaction to cool, controlled Knightmaster Ashtin Caydor, head of the Oronis Knightforce.

And she really didn’t expect a savage alien attack that leaves the knightqueen missing and Earth fingered as the culprit.

Knightmaster Ashtin Caydor lives to protect his planet, his people, and his knightqueen. He came from nothing, and the code of knighthood is the cornerstone of his being. When Knightqueen Carys is abducted by their mortal enemies, the ferocious Gek’Dragar, he’s icily enraged, especially when he finds evidence that Earth, and the far too enticing Sub-Captain Kennedy Black, are involved.

But Kennedy vows to clear Earth’s name by helping Ashtin and his knights find the queen. As she and Ashtin embark on a risky mission to a dangerous jungle planet, they’re forced to rely on each other, and their sizzling chemistry is soon undeniable. But love can’t be an option, not for a knight bound only to his duty and a woman whose heart already has too many scars.

My Review:

We first met the Oronis Knights in Conqueror, the final book in the author’s totally awesome Galactic Kings series. That series ended with a big bang of a battle when Conqueror Graylan Taln Sarkany called on every single one of his friends and allies to finally bring his nemesis to heel. Among those friends and allies were a contingent of the Oronis Knights, and it’s here in the first book of this new series that we pick up the thread of their story.

And it’s a humdinger, as all of Anna Hackett’s stories are.

Earth needs allies. Its introduction to the wider intergalactic universe was a rough one, as the planet was targeted by the rapacious Kantos. But Earth eventually found common cause with the Eons – after a series of fairly rough starts as portrayed in Edge of Eon and the rest of the Eon Warriors series.

After the rough start to that alliance, Earth is being a bit more proactive, and sending diplomats to possible allies instead of kidnappers as they did in Edge of Eon. It’s been a bit of a process that has not always run smooth – to say the least!

The Oronis are allies of the Eons, the Eons are Earth’s allies, so there are high hopes riding on a diplomatic mission from Earth to Oronis under the aegis of the Eons. Space Corps zenoanthropologist Kennedy Black is guiding, guarding and shepherding a diplomatic mission that goes completely pear-shaped when the welcome ball is invaded by Oronis’ historic enemy, the Gek’Dragar.

The Oronis’ knightqueen is kidnapped, along with her bodyguard. The evidence left behind points to a plot between the Gek’Dragar and Earth. Tensions are high, suspicions are higher, blood is on the ground and in the air, and the Earth delegation is furious at being used by a people they’ve never even met.

The Oronis aren’t ready to see reason – not until Kennedy puts her own life on the line to help the Oronis follow the trail. That she’ll be working closely with an Oronis Knight she can’t seem to resist – and very much vice-versa – is only one of the many reasons that she is determined to see this mission through.

Whether her heart can handle it or not.

Escape Rating A-: Their hunt for the knightqueen’s kidnappers lead Kennedy and Knightmaster Ashtin Caydor from scummy space stations with even scummier information brokers to a jungle planet that seems designed to eat them both alive before they can discover the next clue. They’re in a race against time while not knowing their enemy’s true purpose or how much time they have left. If it isn’t already too late.

Both believe that the lives they have led up to this point mean that it’s too late for any relationship they might have had – no matter how badly both of them want it.

Ashtin is duty-bound to serve his knightqueen and his people. Kennedy is an officer in her own world’s Space Corps with her own duty to serve as well as a drive to explore the universe her people have just barely reached at such a high cost.

This is a quest story. Ashtin is searching for his knightqueen and her bodyguard – who is also his friend. He is praying for vindication of his initial trust in Kennedy and her people. Kennedy is searching for that same vindication, to prove to this man she has just met that her people are worthy of their trust. And that she is worthy of his.

They both believe that a relationship between them is impossible – even as they give into the temptation to taste what they cannot have. Or so they believe.

Not all quests are successful – and they never reach success easily. So even though Knightmaster comes to a close with hope for Ashtin and Kennedy’s personal future, everyone’s hope for the knightqueen’s rescue hangs in the balance.

The search continues, but Ashtin has responsibilities on Oronis in the knightqueen’s continued absence. His best friend, and that friend’s most implacable enemy, will have to work together, however reluctantly, to bring their knightqueen home. If they don’t kill each other first.

We’ll all see what happens in the second book in the Oronis Knights series, coming in July.

Review: The Mimicking of Known Successes by Malka Older

Review: The Mimicking of Known Successes by Malka OlderThe Mimicking of Known Successes (Investigations of Mossa & Pleiti, #1) by Malka Older
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: climate fiction, mystery, science fiction, space opera, steampunk
Series: Investigations of Mossa & Pleiti #1
Pages: 176
Published by Tordotcom on March 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The Mimicking of Known Successes presents a cozy Holmesian murder mystery and sapphic romance, set on Jupiter, by Malka Older, author of the critically-acclaimed Centenal Cycle.
On a remote, gas-wreathed outpost of a human colony on Jupiter, a man goes missing. The enigmatic Investigator Mossa follows his trail to Valdegeld, home to the colony’s erudite university—and Mossa’s former girlfriend, a scholar of Earth’s pre-collapse ecosystems.
Pleiti has dedicated her research and her career to aiding the larger effort towards a possible return to Earth. When Mossa unexpectedly arrives and requests Pleiti’s assistance in her latest investigation, the two of them embark on a twisting path in which the future of life on Earth is at stake—and, perhaps, their futures, together.

My Review:

The Mimicking of Known Successes throws steampunk, mystery, climate fiction and planetary colonization into a blender with a soupcon of dark academia, a scintilla of romance and just a pinch of Sherlock Holmes pastiche to create a delightful story that leans hard on its central mystery and the push-pull relationship of its puzzle-solving protagonists.

It’s also a wonderful antidote to the recent spate of darkly corrupt academia. Or at least provides a much needed light at the end of some recent deeply dark tunnels in that genre. (I’m looking at Babel and both The Atlas Six and yesterday’s book, The Atlas Paradox.)

That light is in the characters, Investigator Mossa and her once and likely future lover, Scholar Pleiti. Neither of whom can resist a mystery. Or, as before and now again, each other.

The mystery begins, not with a dead body as such stories usually do, but with a missing one. It’s assumed that Scholar Bolien Trewl jumped, or was pushed off the platform at the last station on the end of the line around the gas giant moon these refugees from Earth have settled upon.

There is literally nothing else to do at that station except wait for the next train back inward, visit the four buildings on the platform, or drop off into the gas-wreathed planet below. The missing scholar isn’t still around, he didn’t board the next inbound train, so that leaves suicide or murder by plummet.

But that conclusion doesn’t make sense to Inspector Mossa. The pieces don’t add up. But those same pieces definitely lead her into temptation. The missing man was a Scholar at Valdegeld University, as is Mossa’s former flame Pleiti. Who might be of assistance in this investigation. Or the coincidence may just be an excuse to find out if the flame still burns.

As it turns out, more than a bit of both. And the game is most definitely afoot.

Escape Rating A+: This was a re-read for me. I reviewed The Mimicking of Known Successes last year for Library Journal, but I loved it so much that I kept referring to it in other reviews that I couldn’t resist giving a much longer review here.

So here we are.

At first, it was the setting that grabbed me. Mossa’s trip to that very remote station gives the reader a terrific introduction into the way this world both works and doesn’t, along with a taste of the marvelously steampunk-y nature of the whole thing.

Trains, the trains are so delightfully retro, while the planetary location is anything but. It’s not exactly a surprise that in this future view of the solar system, Earth is a painful and pined for reminder that humanity totally screwed the pooch of their home planet. Humanity is in exile, and seems caught between those who have settled down to make the most of their new home and those who are working towards a return.

That the divide reflects the town vs. gown contention that marks many college towns is just an added fillip to the whole. It’s the University that is devoted to a return, even as they spawn committees and arguments and delays and endless studies focused on the optimal way to go about it.

A process that the victim seems to have been at the heart of. As is Pleiti.

While the setting is fascinating and new, the details of academia that resemble the reader’s present provide a grounding (so to speak) a point of reference and congruence, and a whole lot of dry wit, particularly from Pleiti’s insider perspective.

As the story is told from Pleiti’s first-person perspective, we’re inside her head as she observes just how much her own profession obfuscates the important things and sweats the small stuff all the damn time.

Which lets the reader understand why Pleiti has let herself be drawn into Mossa’s investigation. It’s not just the rekindling of an old flame, it’s the need to work on something that has concrete and immediate effects that can’t be reduced to a footnote.

Even though Mossa and Pleiti nearly are reduced, not so much to a footnote as to a smear of grease on a cracked launchpad as the conspiracy and the mystery reach their explosive conclusion.

I initially picked this one up for its SF mystery blend, a combination that is having a marvelous moment right now. (If you want more of this combo, I highly recommend Station Eternity by Mur Lafferty, The Spare Man by Mary Robinette Kowal and Drunk on All Your Strange New Words by Eddie Robson along with John Scalzi’s Lock In.)

What grabbed me and kept me sucked in, TWICE, was the introduction to this quirky colony and its Sherlock and Watson investigative duo as they pursued the mystery to its surprising end. What kept me smiling and even chuckling all along the way were Pleiti’s wry observations of the familiar world of academe wrapped inside an utterly fascinating but not nearly so familiar setting.

When I first read The Mimicking of Known Successes last fall, it seemed to be a standalone book and I was a bit sad about that because I loved the characters and their world and the way they work together in it. So I was really pleased to discover that Mossa and Pleiti will return in February, 2024 in The Imposition of Unnecessary Obstacles. I’m looking forward to finding out what that title will mean for their relationship and their necessary investigations.

Review: The Weight of Command by Michael Mammay

Review: The Weight of Command by Michael MammayThe Weight of Command by Michael Mammay
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: military science fiction, science fiction, space opera
Pages: 272
on January 17, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

Lieutenant Kiera Markov is a scout platoon leader for a peacekeeping force on the remote planet of Tanara, where little has happened for decades, and the only mission is to keep the lithium flowing up the space elevator to feed the galaxy’s incessant demand. But when an unprecedented attack kills the entirety of the brigade’s leadership, the untested lieutenant suddenly finds herself in command.
Isolated and alone, Markov must contend with rival politicians on both sides of the border, all of whom have suspect motives and reason to take advantage of an untested leader, while an unseen enemy seeks to drive the two sides toward a war that Markov has a mission to prevent. It’s enough to test even a seasoned leader.
Markov isn’t that.
With challenges from all sides, and even from her own troops, Markov will have to learn quickly and establish her authority. Because what hangs in the balance is not only the future of the peacekeeping force, but of the planet itself.

My Review:

“War is hell,” or so said Union General William Tecumseh Sherman, who was most certainly in a position to know. But that is far from the only thing he had to say about the topic. So, while that famous phrase is certainly relevant to this story, one of his lesser-known quotes is even more so, that “one class of men makes war and leaves another to fight it out.”

Or, to put it another way, equally applicable to the story in hand, quoting a somewhat more down-to-earth source, one who frequently proclaimed, “Let’s you and him fight.”

But that’s not where The Weight of Command begins. Instead, the story begins as that all-too-literal weight of command falls with the force of a bomb dropping onto the shoulders of 23-year-old Lieutenant Keira Markov, just a few months into a peacekeeping mission on the planet Tanara.

Because she’s the only officer left in the command after a nuclear detonation took out all the other officers in the entire mission along with officials from at least one of the two sniping factions on the planet – the two groups the mission has been keeping the peace between for the past 50 years.

It’s not just Markov’s command structure that has been wiped out. An EMP pulse has knocked out all off planet communications. Not just hers. Everyone’s.

While it’s barely possible that one of the two local groups might have gotten their hands on a small nuke, the EMP pulse that silenced ALL the satellites surrounding the planet AND knocked out power on the station at the TOP of the space elevator that handles all incoming intergalactic transit is beyond either side’s technology.

But of course they descend into blaming each other – because they’ve been doing that for centuries and the grooves in the local psyches are well-worn and eager to fight – even if neither of them can win.

Whoever or whatever – not to mention whyever – someone wanted to isolate the planet as well as figuring out what it will take to end that isolation has just become the responsibility of a young Lieutenant who has never led a group larger than a platoon. Suddenly she’s been promoted to Major by the ranking noncom and has 4,000 people she has to keep alive until help can arrive.

While both local factions are ready – if not downright eager – to start a shooting war. And someone – or more likely a whole lot of someones – is pulling a whole lot of very sophisticated strings to keep everyone on planet busy while whatever schemes they’re scheming have a chance to hatch out in the wider, unsuspecting galaxy.

Major Markov has to figure out who the real enemy is, keep the two factions from doing someone else’s dirty work, and get word out to someone who can, will, and should relieve her from the weight of a command that she knows she’s not ready for – but has to rise to regardless.

She knows that history will judge her, and probably harshly, even if anyone of her sudden command lives to tell the tale. And especially if they don’t.

Escape Rating A: This is not exactly the first time this scenario has been done. (There are at least SIX different variations of it in the TV Tropes Wiki that each have their own separate lists of examples.) The two that initially came to my mind were Executive Orders by Tom Clancy and the 2003 Battlestar Galactica miniseries that kicked off that series. But there are clearly legions of stories including several by Robert A. Heinlein and more than a few occasions in David Weber’s Honor Harrington series.

What makes the application of this often-used trope so compelling in The Weight of Command is that we are not observing events from a dispassionate third-person perspective. This story is told from inside Markov’s head, so we’re with her through every moment of fear, self-doubt, desperation, indecision and anguish. She has the universe’s worst case of Impostor Syndrome but it’s not a syndrome. She isn’t qualified. She isn’t ready. She’s not deluding herself. But she’s all they’ve got.

Even better, we’re with her as she stumbles, falls and picks herself back up again. We’re in her head as she learns lessons that were supposed to take years to be trained into her. All she has is minutes – if she’s lucky. We see her screw up and we see her learn from her mistakes.

We see every problem that occurs with her crash-course of on the job training in a situation where that training time can get people killed – and does.

But it’s not all blood and guts. After all, the spraying of those is exactly what Markov is trying to prevent. She also has a mystery to solve and politics to navigate – which are tied together in a Gordian knot she should take the time to unravel but is much more likely to just slice into two with the biggest sword she can lay her hands on – metaphorical or otherwise.

The politics, at least, are part of her learning curve. She wants to be a blunt instrument, even though she knows that’s not going to serve her mission. Except when it does. Figuring out which is which goes right back to that learning curve. But it’s also the fun part when she knows she shouldn’t and does it anyway and it works in her favor – if not nearly often enough.

I picked up The Weight of Command because I adored the author’s previous work, especially his Planetside series and its universe-weary protagonist Carl Butler. Markov is a bit less of a blunt instrument than Butler – not because she’s not so inclined and certainly not because she has a higher opinion of politics or politicians or even humanity in general no matter how much she cares for individuals in particular – but she could certainly be said to be a chip off that old block. She just hasn’t had nearly the amount of time and experience needed to be as crusty or as jaded. (I certainly wouldn’t mind seeing EITHER character again!)

Still, the resemblance is definitely there, which made this reader feel right at home in this story. Now that I’ve finished it, I’m looking forward to the author’s next SFnal adventure in Generation Ship, coming in October.

Review: Under Fortunate Stars by Ren Hutchings

Review: Under Fortunate Stars by Ren HutchingsUnder Fortunate Stars by Ren Hutchings
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, space opera
Pages: 480
Published by Solaris on June 7, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Fleeing the final days of the generations-long war with the alien Felen, smuggler Jereth Keeven's freighter the Jonah breaks down in a strange rift in deep space, with little chance of rescue—until they encounter the research vessel Gallion, which claims to be from 152 years in the future.
The Gallion's chief engineer Uma Ozakka has always been fascinated with the past, especially the tale of the Fortunate Five, who ended the war with the Felen. When the Gallion rescues a run-down junk freighter, Ozakka is shocked to recognize the Five's legendary ship—and the Five's famed leader, Eldric Leesongronski, among the crew.
But nothing else about Leesongronski and his crewmates seems to match up with the historical record. With their ships running out of power in the rift, more than the lives of both crews may be at stake.

My Review:

When we first encounter the crew of the corporate-owned research ship, The Gallion, they are in the midst of the kind of dilemma that featured on just about every iteration of Star Trek. They’ve lost propulsion and communication, not flying blind because they’re not flying at all, all alone in the black of space.

The ship’s engineers, led by their chief Uma Ozakka, are desperately searching for the cause of their engines’ refusal to restart, reset or just re-anything. Something is suppressing their core power and the ship doesn’t have the equivalent of impulse engines – although their shuttles do.

But they are not alone. They pick up a distress signal from another, much smaller ship. And that’s where the adventure really begins.

The battered cargo ship they rescue, along with its motley-at-best crew, is a legend. But the legendary ship does not seem to contain its legendary crew. It’s also 152 years past its date with destiny. Or the Gallion is the same amount of time early for its normal anything.

Everyone aboard the Gallion believes it’s all a hoax. Buuuut engineer Uma knows all the history – along with most of the conspiracy theories – about the cargo ship Jonah and its crew. Because her dad was fascinated, and as a little girl she followed him everywhere.

And because the Jonah’s story was larger than life. After all, the Jonah and her crew, the Fortunate Five, came out of nowhere and negotiated a lasting peace between the human-centric Union and the alien Felen. A peace that came just in the nick of time to save both races.

Uma is fairly sure that the ship the Gallion has rescued is the real, historical Jonah. Which does not explain why the crew of the Jonah is only about half right at best. Nor does it even begin to explain the series of extremely fortunate coincidences that put the right people in the right place at the right time to save history.

It’s a story that proves that the heroes whose stories can NEVER be told are every bit as necessary as those whom history literally sings about.

Escape Rating A+: I loved Under Fortunate Stars, but then again, I also loved all the TV shows it pays homage to. OTOH, opinion in general seems to be a bit mixed depending on how the reader feels about what seems like an extremely long string of coincidences lining up perfectly to achieve the necessary outcome.

It does seem like an awful lot of surprisingly good luck after both ships have had the awfully bad luck to end up in this situation in the first place. But this is a story about causality and fulfilling the destiny that has been yours all along, and in the end turns into a Möbius strip of a story.

A lot of readers have compared the story to the Star Trek Next Gen episode “Yesterday’s Enterprise”, where a ship comes out of a temporal rift in front of Picard’s Enterprise and time suddenly slips sideways. The story of the episode is putting the correct timeline back into place – and it’s a great story.

But it didn’t have to be the Enterprise-D that met the mysterious ship from the temporal rift. A purist is going to come back at me about Tasha Yar, but she didn’t HAVE to go back. The only thing that HAD to happen to restore the timeline was for the Enterprise-C (because of course it was another Enterprise – it’s ALWAYS the Enterprise) to return to its own time to sacrifice itself for a Klingon colony to prevent the war that would otherwise have happened and that the Federation was about to lose.

Under Fortunate Stars is much more about what history records, what it hides, and how the sausage gets made to create heroes out of some very real and extremely flawed people. It’s also a deterministic story as everything that happens has to happen because it’s already happened, ad infinitum if very much not ad nauseum. The closing of this 152-year time loop also contains its opening.

What makes the story so much fun to read are not the ‘wibbly-wobbly, timey-wimey’ bits, but, of course, the characters. Uma Ozakka, the one who knows the history best, is expecting to meet bright, shiny heroes just like the images of the Fortunate Five that seem to be everywhere – including in multiple places aboard the Gallion. Who she meets, however, are people with some very dark pasts and some very big regrets, coming from a time when the aliens that have since made peace with humanity are a bitter enemy. They don’t want to become the ‘Fortunate Five’. Initially they want to take back any future technology they can pick up and destroy the hated, dreaded Felen.

The central characters of the whole thing turn out to be Jereth Keeven, the captain of the Jonah, who first of all isn’t the captain that history recorded and secondly is a con man on an epic scale. But he’s also Han Solo, complete with Han’s marshmallow heart under that tough, mercenary exterior. Eldric Leesongronski, the man who should be captain – at least according to history – is a mathematical genius filled with angst and far from the shining example of pretty much everything that Uma expects. Then there’s Uma herself, overqualified for her job, battling corporate bureaucracy as much as the temporal anomaly they have found themselves in, watching in real-time as her lifelong heroes display feet of clay up to their knees.

The way that the story bounces around in both time and point of view lets the reader see just how all the pieces get put together, leading to a finish that should be in the history books – and kinda is but also very much kinda isn’t. Just as it was. Just as it should be.

Under Fortunate Stars is the author’s debut novel, and it’s a surprise and a delight. I’m so very glad I read it, and I expect great things from her in her future work.

Reviewer’s Note: The popular comparison is between Under Fortunate Stars and ‘Yesterday’s Enterprise’, but IMHO the true comparison is between Under Fortunate Stars and the first three seasons of Babylon 5. There’s something set up in the PILOT of B5 that picks up weight and intention in the middle of the first season, at the end of the first season and the beginning of the second, and then finally pays off in the middle of the third season showing that all the history of the universe that we’ve seen so far was set up a millennia ago by someone who travels back in time with a stolen space station and a device that lets him change from a human into the founding leader and philosopher of another race entirely. Now that’s causality and a really BIG time loop!)

Review: Braking Day by Adam Oyebanji

Review: Braking Day by Adam OyebanjiBraking Day by Adam Oyebanji
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, science fiction, space opera, thriller
Pages: 359
Published by DAW Books on April 5, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

On a generation ship bound for a distant star, one engineer-in-training must discover the secrets at the heart of the voyage in this new sci-fi novel.
It's been over a century since three generation ships escaped an Earth dominated by artificial intelligence in pursuit of a life on a distant planet orbiting Tau Ceti. Now, it's nearly Braking Day, when the ships will begin their long-awaited descent to their new home.
Born on the lower decks of the Archimedes, Ravi Macleod is an engineer-in-training, set to be the first of his family to become an officer in the stratified hierarchy aboard the ship. While on a routine inspection, Ravi sees the impossible: a young woman floating, helmetless, out in space. And he's the only one who can see her.
As his visions of the girl grow more frequent, Ravi is faced with a choice: secure his family's place among the elite members of Archimedes' crew or risk it all by pursuing the mystery of the floating girl. With the help of his cousin, Boz, and her illegally constructed AI, Ravi must investigate the source of these strange visions and uncovers the truth of the Archimedes' departure from Earth before Braking Day arrives and changes everything about life as they know it.

My Review: 

This debut science fiction thriller combines both “We have met the enemy and he is us” with “No matter where you go, there you are” into a story about the baggage that we literally carry with us as we attempt to make a seemingly fresh, new start.

Three colony ships, the Archimedes, the Bohr, and the Chandrasekhar, have been traveling through the black of interstellar space for 132 years. That’s seven generations of shipboard life, all in service of a single goal – reaching Destination World and disembarking for a return to planet bound life that is otherwise so far in the past that no one alive remembers any sense of gravity other than that generated by the gigantic revolving rings that make up their ships.

But all of that is about to change when we first meet Midshipman Ravi MacLeod aboard the Archimedes. Because Braking Day is only weeks away. On that day, the ship will fire up its main engines to start their final push for their new home.

When everything that has become familiar over so many decades of shipboard life will finally change.

But there are always plenty of people who prefer the status quo, and that’s just as true aboard the Archie and her sister ships as it is in any other gathering of humans. Some are just afraid. Some don’t want to take the chance of screwing up a pristine new world the same way that their ancestors – meaning us, now – made a mess of Earth.

And some, the privileged few of the officer class in particular, are not looking forward to the loss of their purpose or especially those much vaunted privileges. After all, a planetary colony won’t need an officer class to run things anymore. At least it won’t need the same people and skills in that officer class that it has needed while aboard.

First, however, Archie and her sister ships have to get there. The crew has always been told that there’s no one out there to stop them – except their own internal squabbles. And not that they don’t have plenty of those to be going on with.

But as operations gear up for Braking Day, engineer-in-training Ravi and his hacker-extraordinaire cousin Boz hack their way into secrets that no one was ever supposed to find.

Archie, Bohr and Chandrasekhar are not alone – and never have been. The officers have a plan for dealing with the threat that they’ve never officially acknowledged. The problem is that the so-called enemy has a plan to deal with them, too.

And Ravi and Boz are caught right in the middle of it.

Escape Rating A+: This was another reread for me, from another STARRED Library Journal review. So I went back to this after several months and, like The Bruising of Qilwa yesterday, it was every bit as good the second time around. I don’t have the opportunity to reread terribly often these days, so this was kind of a treat!

I got caught up in this right away, both times, because this complex story in this large, artificial ecosystem is anchored in one, multi-faceted character, Ravi MacLeod. From one perspective, Braking Day can be seen as Ravi’s coming-of-age story. When we first meet him, he’s a cadet in engineering, but that’s just the tip of a ship-sized iceberg. And from another, it’s a gigantic mystery with potentially deadly consequences. Certainly for Ravi, and quite possibly for everyone else as well.

After 132 years, the social stratification of shipboard life has reached the level of downright ossification. Children of officers become privileged officers in their turn. Children of crew become crew. Children of criminal lowlifes eventually get recycled (literally) as “Dead Weight”, just like their parents.

Ravi is a maverick who gets punished at pretty much every turn because he comes from a criminal family. He doesn’t “belong” to the officer class and few people on either side of that divide ever let him forget it. (If this part of the story sounds interesting, take a look at Medusa Uploaded by Emily Devenport, which shows what happens after century upon century of such ossification. It’s not pretty but it is compelling.)

There’s also a gigantic secret hidden in the history of the Archie’s expedition – as there was in David Ramirez’ The Forever Watch. It’s a secret that was born out of the same kind of fear and that results in the same deadly consequences.

There is also an enemy within Archie, in a place and position that all the powers that be refuse to even look at. It’s an issue that has more resonance to today than I originally saw. The privileged classes, the officers, don’t want to lose their power and privilege, and fear the changes that landfall will bring. Some of them don’t care that if they don’t land that eventually the ship’s recycling will fail and they’ll end up drifting in space. After all, it won’t happen in their generation. But the officers who are investigating the increasing incidents of sabotage never look among “their own” for the perpetrators.

Add in an actual, living, breathing enemy that has been raised for generations to hate everything about the Archie and her sister ships, that wants nothing more than revenge for past wrongs, and you have multiple recipes for disaster all playing out at the same time – a disaster that just keeps on getting bigger and having more facets every minute.

The question of whether the fleet will cripple itself, whether they and their old enemy will wipe each other out, or whether the cybernetic space dragons will decide that they are all collectively too stupid to live creates the kind of non-stop adventure that will keep readers on the edge of their seats even after the big, explosive climax.

Braking Day was the author’s debut novel, and it was wild and marvelous and thoughtful all at the same time. I literally gobbled it up not once but twice and still wished there were more. His next book is a complete surprise as it’s a contemporary mystery thriller. A Quiet Teacher is coming out next week, and I’m terribly curious to see where the author takes me next.