Genre: short stories

Review: The Good, the Bad and the Uncanny edited by Jonathan Maberry

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: The Good, the Bad and the Uncanny edited by Jonathan MaberryThe Good, The Bad, & The Uncanny: Tales of a Very Weird West by Jonathan Maberry, C. Edward Sellner, Keith R.A. DeCandido, James A. Moore, Greg Cox, Josh Malerman, Carrie Harris, John G. Hartness, Jennifer Brody, Scott Sigler, Laura Anne Gilman, Aaron Rosenberg, Jeffrey J. Mariotte, R. S. Belcher, Marguerite Reed, Maurice Broaddus, Cullen Bunn
Format: eARC
Source: publisher
Formats available: paperback, ebook
Genres: fantasy, horror, short stories, steampunk, Weird West
Pages: 350
Published by Outland Entertainment on December 19, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Gunslingers. Lawmen. Snake-oil Salesmen. Cowboys. Mad Scientists. And a few monsters. The Old West has never been wilder! THE GOOD, THE BAD, AND THE UNCANNY presents sixteen original and never-before-published adventures by some of today’ s most visionary writers who have spun wildly offbeat tales of gunmen, lawmen, magic, and weird science. Saddle up with Josh Malerman, Scott Sigler, Keith DeCandido, Cullen Bunn, R.S. Belcher, Greg Cox, Jeffrey Mariotte, Laura Anne Gilman, Aaron Rosenberg, Maurice Broaddus, John G. Hartness, Carrie Harris, James A. Moore, Marguerite Reed, C. Edward Sellner, Carrie Harris, and Jennifer Brody! These tales twist the American West into a place of darkness, shadows, sudden death, terror in the night, bold heroism, devious magic, and shocking violence. Each story blazes a new trail through very strange territory – discovering weird science, ancient evil, mythic creatures, and lightning-fast action. Edited by Jonathan Maberry, NY Times bestselling author of A DEADLANDS NOVEL, the Joe Ledger Thrillers, V-WARS, and KAGEN THE DAMNED.

My Review:

I don’t normally start reviews by talking about the author’s – or in this case the editor’s – Foreword. In fact, I very seldom read the Foreword because I’m too interested in getting to the actual story – or in this case stories – to take the time. And they’re generally not all that fascinating. But I read this one and got hit with a sense of nostalgia so strong that I can’t resist mentioning it here. Because the editor and I grew up with those same Westerns on TV pretty much all the time in our childhood, and because we both emerged with the same favorite, The Wild, Wild West.

Not that awful 1999 movie. I mean – and the author meant – the one, the only, the original TV series with Robert Conrad and Ross Martin. I still remember, and can hear Ross Martin’s voice in my head, talking mostly to himself, as he often did, as he was whipping up “the spécialité de la maison of the Hotel Desperation!” to get them out of whatever fix they’d gotten themselves into in that act of the four acts that made up each weekly episode. It’s a VERY fond memory.

So, if you have that same fondness for Westerns – especially those that touched on, or were touched by, or dipped their whole entire six-shooters into the very, very weird, or if you’re a fan of more recently published ‘Weird West’ inspired stories such as Charlaine Harris’ Gunnie Rose series and Laura Anne Gilman’s Huntsmen, or if you just plain love it when the things that go bump in the night are armed with fangs, claws AND six-shooters, this collection might just be your jam.

It certainly was mine. It was mine so much, in fact, that this is one of the rare occasions when I’ve rated each story in the collection individually, so that you can get the full-bodied flavor – complete with actual bodies, for each and every one.

“The Disobedient Devil Dust-up at Copper Junction” by Cullen Bunn
Mad scientist meets even madder gremlins as Professor Dimitri Daedalus and his Navajo partner Yiske arrive in remote Copper Junction Utah, summoned by the Professor’s old mentor to be his next sacrifices to the gremlins tearing up every single human tool in town with applied chaos and malice, only to end in fiery glory sailing off a cliff. Good fun. B

“Devil’s Snare” (Golgotha #1.5) by R.S. Belcher
In spite of being part of a series, this story stands quite well alone. Love-lorn scientist/engineer Clay Turlough, who combines bits of both Dr. Frankenstein AND his monster, gets dragged out of his latest attempt to ‘save’ his ladylove by a more strictly medical case of a poisoned boy, his widowed mother, and the man who is a bit too invested in both. A-

“Bad” by Josh Malerman
Borderline horror about two idiots who think they can rob the most secure bank on ‘The Trail’ by pretending to be one of the bank’s regular depositors. A pretense they intend to enact by literally stealing the man’s face. A hard read because the murdering bank robber wannabes are really, really TSTL to the point where the story is just blood, guts and idiocy. D

“Bigfoot George” by Greg Cox
Gold fever grips a gang of humans claiming a strike in Bigfoot country. The ringleaders think they can treat sasquatch the way they treat their fellow humans – only one of those fellow humans isn’t to both the humans and the sasquatch’ detriment. The humans are nasty in ways that are all too familiar, but the heel-turn of their not-so-human companion is epic enough to nearly redeem their mess – if not them. C+

“Story of the Century” by C. Edward Sellner
A tale of angels and demons, vampires and newspaper reporters. A reporter with a nose for news follows a bounty hunter on the trail of a demon who can wipe out whole towns in a single breath, only to find herself the last witness to an epic confrontation between celestial and demonic forces that wakes a legacy she had no idea she possessed. B

“The Stacked Deck” by Aaron Rosenberg
A card sharp with a magic touch wins his way onto a gambler’s paradise of a riverboat cruise only to learn that the stake he’s playing for is his soul and the deck has been stacked by a demon who believes he holds all the cards. The weird side of the weird West with a fascinating magical system of drawing cards from the ether. Maverick would have fit right in. And won. B+

“Desert Justice” by Maurice Broaddus
A black man with a righteous cause, the will to back it up and the grief not to care if he goes down in the fight takes up a magical badge to battle the evil spirit of the dead Confederacy that white men are using to vilify, subjugate and lynch blacks who stand up for themselves in the west after they fled the ‘legal slavery’ of the sharecropping system. If you enjoyed the author’s novella Buffalo Soldier you’ll love this one too. I certainly did. A

“In the End, the Beginning” by Laura Anne Gilman
A still heartbreaking but slightly more hopeful alternate magical version of the white man’s invasion of the west. It can’t be stopped, but powerful spirits CAN, if they are willing to sacrifice themselves and their magic in the cause, alter the means by which it happens, in the hopes that the ones who can’t be stopped are the best of their kind and not the worst.  A

“Nightfall on the Iron Dragon Line” by James A. Moore
The inevitable train story because no western or weird version thereof would be complete without one train story. The concept is interesting, and a story about a lawman bringing in a dangerous criminal always works in westerns but this one needed to be longer for all the disparate elements – especially the worm and the Chinese engineers – to come together. C

“Simple Silas” by Scott Sigler
This is straight up horror and the story relies on the protagonist having an undefined intellectual disability (because they were back then) in a way that just makes the whole thing more uncomfortable than compelling. D

“Hell and Destruction are Never Full” by Marguerite Reed
A bounty hunter captures a man for more money than she’s ever seen in her life and doesn’t want to hear about the real reason the bounty was set – until she comes face to face with a vampire and his renfield who plan to shut up a witness and get a meal out of it at the same time. That this has a happy ending is a big surprise. It’s not the standout in the collection but it was pretty good all the same. B

“The Legend of Long-Ears” by Keith R.A. DeCandido
A meeting that never happened between two legends, Calamity Jane and Deputy U.S. Marshal Bass Reeves. Calamity is a seer who drinks to keep her visions of the future at bay, while she does her best to keep the chaos agent known as Long-Ears from taking more lives than he’s due. She saves Reeves but can’t save them all. However, she saves so many that Long-Ears himself travels the west telling any who will listen the tale of his greatest and most respected enemy. This one seems like the quintessential weird west story, or at least one branch of it, with legends meeting, native spirits interfering, respect between enemies and tragedies all around. A+

“The Night Caravan” by Jennifer Brody
A post-apocalyptic tale where the desert has returned, while technology and fallout have bred monsters and settlements are far apart while travel puts you in danger of being ridden by one of the monsters. The mix of high tech and low villainy with a mythical utopia that is probably a boondoggle makes the story interesting. B

“Dreadful” by John Hartness
A middle-aged widow and a tired vampire-hunting cowboy team up to wipe out a nest of vampires that is eating their way across the west like locusts. Separately, they’re victims, together they might just be enough to get the job done. And if there’s an after, they might have a chance at being happy in it, together. B+

“Thicker Than Water” by Carrie Harris
Families are terrible. His brothers are human monsters. Her sisters are sea monsters. But family is family and blood is thicker than water, even when the deck of the ship is awash in it. This one just wasn’t my cuppa, and I’m trying really hard not to think about what the tea in that cuppa would be made of. C

“Barnfeather’s Magical Medicine Show and Tent Extravaganza” by Jeffrey J. Mariotte
Another one a bit too high on the creep-o-meter for me, about a magical circus tent that steals children and eats them to keep itself and its avatar powered – or perhaps the other way around, pursued by a lawman hoping to rescue children who are already gone. C

Escape Rating B: I had to do math to get to an overall rating, just as I did for the review of a previous collection by this publisher, Never Too Old to Save the World, which is going to end up on my Best Books list for this year because I’ve referred to it so often.

I enjoyed this collection, well, not quite as much as Never Too Old, but still quite a bit. Even the stories that went too far into horror for my personal tastes, or the couple that just didn’t work for me, still added to the overall feeling of ‘those thrilling days of yesteryear’ even if it was a weirder and more uncanny yesteryear than The Lone Ranger ever imagined.

Or perhaps especially because it was a whole lot weirder and considerably more uncanny. Just as marvelously as The Wild, Wild West so often was.

Review: Best American Science Fiction and Fantasy 2023 edited by R.F. Kuang

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Best American Science Fiction and Fantasy 2023 edited by R.F. KuangThe Best American Science Fiction and Fantasy 2023 by R.F. Kuang, John Joseph Adams
Format: eARC
Source: publisher
Formats available: paperback, ebook, audiobook
Genres: anthologies, fantasy, science fiction, short stories
Series: The Best American Science Fiction and Fantasy
Pages: 320
Published by Mariner Books on October 17, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

“Short stories have to accomplish a nearly impossible magic trick: to introduce a world often much stranger than our own and make you care about it in a matter of pages,” writes R. F. Kuang in her introduction. “The most important part of this magic trick is just a willingness to get weird.” The stories in The Best American Science Fiction and Fantasy 2023 are brimming with bizarre and otherworldly premises. Women can’t lie or fall in love. Fathers feed their children ghost preserves. Souls chase one another through animal incarnations. Yet these stories are grounded deeply in our reality. Out of these stories’ weirdness emerges the cruelty of border enforcement, the horror of legislation restricting reproductive freedom, the frightening pace of AI. The result is a stunning, immersive, intensely felt experience, showing us less of what the world is, and more of what it could be.

The Best American Science Fiction and Fantasy 2023 includes Nathan Ballingrud • KT Bryski • Isabel Cañas • Maria Dong • Kim Fu • Theodora Goss • Alix E. Harrow • S. L. Huang • Stephen Graham Jones • Shingai Njeri Kagunda • Isabel J. Kim • Samantha Mills • MKRNYILGLD • Malka Older • Susan Palwick • Linda Raquel Nieves Pérez • Sofia Samatar • Kristina Ten • Catherynne M. Valente • Chris Willrich

My Review:

This collection begins with a kind of a story getting into a bit of the nitty-gritty of just how this collection of stories was assembled. After all, it’s a fairly big ask and an equally large task to distill one year’s ENTIRE SF/F short fiction output into a book that has to be, if not all things to all (SF/F) people, at least serve as a representative sampling of the best works of an entire year in a genre that ranges from the dark heart of a monstrous villain’s soul – if they have one – to the furthest reaches of the stars – and covers everywhere and everywhen in between.

Not all stories will work for all readers, something that is especially true in such an encompassing genre, one filled with niches that may or may not even all occupy the same literary planet.

All of that being said, this collection is guaranteed to have its delightful moments for any reader of science fiction, fantasy, or any of the times, places and spaces in between.

For sheer reading pleasure, my favorites in this year’s collection were fantasy or at least fantasy-ish. Notice I said for reading pleasure, as other stories in the collection in other niches hit different places in my reading brain.

The story I loved most and hardest is, far and away, Alix E. Harrow’s “The Six Deaths of the Saint”. A story that reads like fantasy even though in the end it has SFnal elements. I loved this one because it’s a story about myths and mythmaking, but it’s told through the perspective of the person being made into a myth who finally breaks free of the legend that has accreted around them. That it happens with the aid of a love so great it makes Westley in The Princess Bride seem like he’s not even trying just adds to both the glory and the heartbreak of the story.

While Alix Harrow’s story blew me away, there were two other stories, just a bit lighter in tone, that I also adored.

“Pellargonia: A Letter to the Journal of Imaginary Anthropology” by Theodora Goss sits on the border between fantasy and SF, and I’m still not sure where it falls. This is fun because it begins as an exercise in imagination that becomes real, at least for situations where The Velveteen Rabbit is an imaginary country instead of a child’s toy. A group of high school students create an imaginary country, send scholarly papers to scholarly journals about the imaginary country, add Wikipedia pages about the imaginary country they’ve created – and it starts turning up in the news, the real news, and suddenly everyone remembers Pellargonia as if it’s always been there. The story is about the kids confessing what they’ve done, as though they can put the Pellargonia genie back in it’s magical bottle after it’s already become the center of a possible war.

The last of my fun favorites is “Cumulative Ethical Guidelines for Mid-Range Interstellar Storytellers” by Malka Older which is, at least in setting, actual science fiction. But it reads as if it’s in the same voice as the author’s wonderful SF/steampunk/mystery series, The Investigations of Mossa and Pleiti, with its tones of otherworldly academia where the politics and the strictures are still awfully vicious because the stakes are awfully small. It’s a story about what should be done instead of getting it done, and it’s just a lot of fun.

As much fun as those three stories were, there’s a second set of stories that captured me because they speak to the present moment in ways that chilled me to the bone. Because everything seems to come in threes, there are three stories in this category, at least for this reader, as well.

“Rabbit Test” by Samantha Mills and “The CRISPR Cookbook” by MKRNYILGLD read as responses to the overturning of Roe v. Wade in that they extend the loss of bodily autonomy represented by that decision and slide it down the slippery slope as far and as frighteningly as possible into the ramifications of that loss and the many future restrictions it might lead to.

Last, but equally not least, and also in response to the current events surrounding AI being taught to take the place of humans and human interactions, “Murder by Pixel” by S.L. Huang takes a deep dive into just how toxic and downright disgusting AI chatbots can become – and just how humans made them that way.

Escape Rating A-: It’s always difficult to rate collections like this one, because reading mileage varies widely, one person’s meat is another’s poison, etc., etc., etc. Howsomever, there was only one story in this collection that I bounced off hard, and that’s rare for me. Usually there are several. And I loved “The Six Deaths of the Saint” really, really hard, and a whole bunch of the other stories I either really enjoyed or really stuck with me, so I’m rounding this one up to an A- for all of those reasons.

To make a long story short – as is this collection’s whole, entire purpose – if you don’t generally read SF/F in the short form (it’s not usually my jam) but want to get a picture of what happened last year, this collection is a great place to read!

Review: A Stroke of the Pen by Terry Pratchett

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: A Stroke of the Pen by Terry PratchettA Stroke of the Pen: The Lost Stories by Terry Pratchett, Neil Gaiman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, short stories
Pages: 240
Published by Doubleday on October 10, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Far away and long ago, when dragons still existed and the only arcade game was ping-pong in black and white, a wizard cautiously entered a smoky tavern in the evil, ancient, foggy city of Morpork...
A truly unmissable, beautifully illustrated collection of unearthed stories from the pen of Sir Terry Pratchett: award-winning and bestselling author, and creator of the phenomenally successful Discworld series.
Twenty early short stories by one of the world's best loved authors, each accompanied by exquisite original woodcut illustrations.
These are rediscovered tales that Pratchett wrote under a pseudonym for newspapers during the 1970s and 1980s. Whilst none are set in the Discworld, they hint towards the world he would go on to create, containing all of his trademark wit, satirical wisdom and fantastic imagination.
Meet Og the inventor, the first caveman to cultivate fire, as he discovers the highs and lows of progress; haunt the Ministry of Nuisances with the defiant evicted ghosts of Pilgarlic Towers; visit Blackbury, a small market town with weird weather and an otherworldly visitor; and go on a dangerous quest through time and space with hero Kron, which begins in the ancient city of Morpork...

My Review:

I first became acquainted with the Discworld and its creator – or perhaps perpetrator would be the better word – in the early to mid 1990s when I had a long commute, audiobooks were still on actual tape, and the collection of same at the library where I worked wasn’t all that big because there wasn’t all that much available.

Two of those available titles were The Colour of Magic and The Light Fantastic, the first two books in the Discworld . It wasn’t exactly love at first listen because those first two books were a bit weirder than I expected, and looking back from the perspective of even Mort, only two books later, it was pretty clear that the author figured out he had a series going on somewhen approximately between The Light Fantastic and book 3, Equal Rites.

I don’t think he was all the way there until book 8, Guards! Guards!, which is a much better entry point for the series. (I digress – but hopefully not too far or I’ll fall off the edge.)

The point I’m working my way around is that masterpieces like the Discworld do not spring fully formed from the head of Zeus – or even two Zeuses in the case of Good Omens, co-authored with Neil Gaiman.

The stories in this collection, these ‘strokes of the pen’ by Sir Terry Pratchett, are a bit of a portrait of the beloved author as a young scrivener who was still in the process of figuring out what in the hell he was doing and quite possibly where was he going in that handcart.

The story of these stories is a bit of a story all by itself. They were published – these are not early efforts that were never intended to see the light of day. It’s just that they were published in a tabloid newspaper, the Western Daily Press, published in Bristol in the U.K. from 1967 to 1984, mostly under the pseudonym Patrick Kearns.

But the Western Daily Press was – and still is – a very small newspaper. The stories were published, read and mostly forgotten, with the exception of “The Quest for the Keys” which had been cut out and preserved by one enterprising fan – howsomever without any of the borders of the pages which would have revealed where and when it was published. A painstaking search through the British Library’s Newspaper Archive resulted in the discoveries that have been published in this collection.

The stories themselves are a LOT of fun. Every single one gives the reader a chuckle or at least a smile, and there are hints of what evolved into Pratchett’s style of both telling the story and making snide asides about the circumstances even in the earliest instances.

But they are very, very short, and with the exception of “The Quest for the Keys”, which was published in four parts, it’s obvious that the newspaper had limited space for fiction – and probably everything else. So these are touches, tastes, teasers and don’t get into a lot of detail.

Still, by grouping them in little series, the reader does get a pretty clear picture of places like Blackbury [sic] which seems like it could be just around the corner from Unseen University – no matter how much the stories refer to far-distant London. Which could, with a bit of a squint, be Ankh-Morpork.

Although, speaking of Ankh-Morpork, the final story in the collection, “The Quest for the Keys”, is set in the city of Morpork. Perhaps the annexation of Ankh is just around its corner. And again, a bit of a squint turns the lazy and underhanded wizard Grubble into the more inept but much nicer about it Rincewind of The Colour of Magic, while the hired sword Grubble has hired and duped, Kron, seems more than a bit like a younger and savvier Cohen the Barbarian, perhaps with just a touch of the inestimable Sam Vimes.

Escape Rating B: A Stroke of the Pen isn’t exactly the Discworld , but it is Discworld -adjacent. Which is as close as it’s possible to get now that its author, creator and perpetrator is no longer among us. It’s at that intersection of not being sure whether to cry because it’s over, or smile because it happened. The stories themselves are generally fun but not terribly deep, because there wasn’t time in the format to get that way.

So, think of this collection as a last twinkle of the author’s eye, and enjoy!

Review: White Cat Black Dog by Kelly Link

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: White Cat Black Dog by Kelly LinkWhite Cat, Black Dog: Stories by Kelly Link, Shaun Tan
Format: eARC
Source: supplied by publisher via NetGalley
Genres: fairy tales, fantasy, horror, retellings, science fiction, short stories
Pages: 272
Published by Random House on March 28, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Seven ingeniously reinvented fairy tales that play out with astonishing consequences in the modern world, from one of today's finest short story writers--MacArthur "Genius Grant" Fellow Kelly Link, bestselling author of the Pulitzer Prize finalist Get in Trouble
Finding seeds of inspiration in the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers--characters on the hunt for love, connection, revenge, or their own sense of purpose.
In "The White Cat's Divorce," an aging billionaire sends his three sons on a series of absurd goose chases to decide which will become his heir. In "The Girl Who Did Not Know Fear," a professor with a delicate health condition becomes stranded for days in an airport hotel after a conference, desperate to get home to her wife and young daughter, and in acute danger of being late for an appointment that cannot be missed. In "Skinder's Veil," a young man agrees to take over a remote house-sitting gig for a friend. But what should be a chance to focus on his long-avoided dissertation instead becomes a wildly unexpected journey, as the house seems to be a portal for otherworldly travelers--or perhaps a door into his own mysterious psyche.
Twisting and winding in astonishing ways, expertly blending realism and the speculative, witty, empathetic, and never predictable--these stories remind us once again of why Kelly Link is incomparable in the art of short fiction.

My Review:

Perhaps it’s a lingering fondness for the old Rocky and Bullwinkle cartoons, but I’ve always had a fondness for properly Fractured Fairy Tales. As the author of this collection has long been a writer I intended to read but never quite found the appropriate ‘Round Tuit’ for, this collection seemed like the perfect opportunity to indulge in a bit of cartoon nostalgia while discovering an author I’d heard of – often – but never actually read.

Also, there’s a cat in the title so I figured that I couldn’t possibly go wrong reading White Cat, Black Dog. And I did not.

There are only seven stories in this collection, each based on a different, but frequently familiar, fairy tale. As with all collections there are exceptions to the rules – but always interesting ones.

Of those seven stories, my favorite was the first – and titular story, “The White Cat’s Divorce”. I’m not at all familiar with the fairy tale it was based on, The White Cat, but this is one where I honestly didn’t care. It’s a story where the reader does guess what’s coming fairly early on, but it’s such a glorious delivery of just desserts that one doesn’t mind. Also, the concept of a clan of talking cats running a marijuana farm and dispensary is just too funny for words.

My next favorite story was “The Lady and the Fox”, based on Tam Lin, which I DO remember. It’s probably the story in this collection where the grimdark is on the lightest shade of darkness, as it’s a holiday story that leans into the warmth of the season and does result in at least the possibility of a happy ending. The romance at the heart of the story could go either way after the end, but by ending where it does it is possible for the reader’s mind to wrap the whole thing in the glow of its season.

The story that creeped me out the most was “The White Road”, based on The Musicians of Bremen, a fairy tale which rings only a faint bell. Its setup actually has a lot in common with Station Eleven, but it’s not a pandemic or lawless scavengers that come creeping for those who stray into the wrong places or in the wrong ways, but rather a road that comes for the dead but can be put off by really good – or even really hammy acting.

Several stories hit the middle of their road for me. “Prince Hat Underground” just went on too long. I loved the concept, even though it reminded me more of Orpheus and Eurydice than its intended fairy tale. Something about it just didn’t work for me, although many readers loved it. My feelings about “The Girl Who Did Not Know Fear” were similar in that it also did not work for me.

“The Game of Smash and Recovery” was supposed to be a take-off of Hansel and Gretel and I just plain didn’t see it. It did remind me of a combination of Medusa Uploaded and In the Lives of Puppets, which made it a very weird place to be even though the fairy tale was fractured completely beyond recognition.

Last, but not least in either size or scope, is the final story in the collection, the story that includes the titular Black Dog, “Skinder’s Veil”. This story about a waystation for the denizens of fairy and the house-sitter substituting for an absentee owner who may or may not be Death and who may or may not be a dead-ringer (pardon the pun) for its protagonist had a fascinating premise as well as characters who told some equally fascinating stories. And who probably would feel right at home in Bill Willingham’s Fables. I liked the story a lot as I was reading it, but at the end it felt like something had either just slipped through my grasp, or that the entire point of the thing was in the implications it left behind.

Ultimately a fascinating conundrum but too puzzling to be a favorite. Which may very well sum up my thoughts about the collection as a whole – but I’m glad I read it just the same.

Escape Rating B: In any collection, there’s usually at least one story that doesn’t work for a particular reader, and that was certainly true for this reader. Howsomever, a sign of a good collection is that when one looks at reviews for it, that story or two that turned out to be not quite what the individual hoped are different for each reader.

And that’s certainly true with White Cat, Black Dog.

So, if you’ve been meaning to become acquainted with this author, or curious about the work of someone who won one of the MacArthur “Genius Grants”, White Cat, Black Dog is a great place to be introduced to Kelly Link and her eclectic tales that merge fantasy, SF, horror and the most classic of classic fairy tales into a twisty, spellbinding whole, this is a great way of going about it.

Review: The Scarlet Circus by Jane Yolen

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Scarlet Circus by Jane YolenThe Scarlet Circus by Jane Yolen, Brandon Sanderson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fairy tales, fantasy, fantasy romance, Romance, short stories
Pages: 256
Published by Tachyon Publications on February 14, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The Scarlet Circus, the fourth volume in Yolen’s award-winning short fiction series brings you passionate treasures and unexpected transformations. This bewitching assemblage, with an original introduction from Brandon Sanderson, is an ideal read for anyone who appreciates witty, compelling, and classic romantic fantasy.

A rakish fairy meets the real Juliet behind Shakespeare's famous tragedy. A jewelry artist travels to the past to meet a successful silver-smith. The addled crew of a ship at sea discovers a mysterious merman. More than one ignored princess finds her match in the most unlikely men.

From ecstasy to tragedy, with love blossoming shyly, love at first sight, and even love borne of practical necessity―beloved fantasist Jane Yolen’s newest collection celebrates romance in all its glory.

My Review:

This ended up being my Valentine’s Day review because, to paraphrase the author’s forward just a bit, while the stories contained within are not “Romances” with a capital R, each story does contain a romantic element – even if that element is not the center of the story and seldom results in anything like a happy ever after.

Then again, one does have to kiss a fair number of frogs – and a few outright toads – in order to find the person they’ve been looking for all along.

Many of the stories in this collection are twists on familiar themes – or at least they sound familiar upon reading. “San Soleil” is one of those. It sounds just like the kind of fairy tale we all used to read – with the same kind of sting in its tail about listening to warnings provided by witches and sorceresses. It starts as a love story but is also a bit of a ‘just desserts’ kind of story. Not that anyone is evil. A bit TSTL but not evil.

As the opening story in the collection, it certainly sets the tone for the many and varied ways that love can go off the rails.

I had a sneaking bit of admiration for “Dusty Loves” in the way it takes off on Romeo & Juliet. This is one where the ‘heroine’ really is Too Stupid To Live, and consequently doesn’t. Which is pretty much what happens in Romeo & Juliet which is, after all, a TRAGEDY and not a romance. That the teller of this particular version of the tale has their tongue very firmly in cheek as they relate it makes the whole thing work a bit better than it would on its own.

On that favorite other hand, in “Unicorn Tapestry” the heroine is really a heroine, and most definitely not TSTL. If you like stories where the underdog wins the day, then this one will be right up your reading alley. It certainly left me with a smile at the end.

My least favorite stories in the collection were “A Ghost of an Affair”, “The Sea Man” and “The Erotic Faerie”. “Ghost” because it had so much promise but ended a bit ‘meh’. I felt like I was set up for a better and happier ending than I got. “Sea Man” felt like it didn’t belong here, it gave me vibes of other, more horrific tales than fit in this collection. And “Erotic Faerie” was an interesting concept rather than an actual story, a concept I’ve seen done better in Kenneth Schneyer’s “Selected Program Notes from the Retrospective Exhibition of Theresa Rosenberg Latimer” in his Anthems Outside Time collection.

Those initial stories were interesting and fun but didn’t quite touch my heart – although “Dusty Loves” certainly tickled my funny bone a bit. These next ones, however, got a bit closer to the heart of the matter – or at least my heart.

“Dark Seed, Dark Stone” takes the idea of a warrior’s child picking up their weapons to defend their king and country and changes that child from the usual son to a daughter who uses more smarts than skills to defend her homeland. This one isn’t so much a romance as it is a story about duty and purpose – and I liked it better for that. It’s more a romance in the older meaning of the word than the current commercial definition, and I liked it all the better for it.

“Memoirs of a Bottle Djinn” takes the usual Aladdin-type story and gives it a twist that’s been seen before – but does it well. In this case, the savvy but desperate discoverer of the bottle is wary about spending his wish foolishly and without thought. At the same time, as a slave he’s all too able to empathize with the djinn’s plight. So he makes a wish they can both live with, happily ever after.

“Peter in Wonderland” was a delightful surprise. It’s clearly a takeoff on Alice in Wonderland, but shows that the real Alice Liddell still travels to Wonderland even in adulthood, and gives her a fellow-adventurer on her trip that leads to a happy ever after a bit different from the one she experienced in real life.

As much as I enjoyed the above stories, my two favorite entries in this Scarlet Circus were wonderfully entertaining indeed.

“Dragonfield” was wonderful because all of its characters are so very flawed in such human ways, and yet they manage to pull each other up and together to defeat the all too real dragon that is terrorizing the town and achieve a happy ever after that neither of them expected or thought they could ever deserve. It’s a romance and an adventure wrapped into one shiny, magical ball of a story and it’s just lovely.

Last, but not least, because the Matter of Britain can never be least of anything, is “The Sword and the Stone”, a much different story than The Sword in the Stone that you may remember from either the novel by T.H. White (part of The Once and Future King), or the Disney movie or even the episode of the British TV series Merlin. For an inanimate object, Excalibur sure does manage to get around.

This version of the tale is told from Merlin’s point of view, and he’s getting pretty jaded at this point in his long life of meddling with Britain. Arthur himself is also a bit older in this version than the more traditional versions of the tale. While he’s trying his best, he’s clearly better, and happier, at some things than others. To the point where he’d much rather fight the wars than wrangle the peace that he needs to secure and maintain. Merlin cooks up the idea of the sword in the stone to give Arthur’s rule the final stamp of popularity and legitimacy it needs. Arthur thinks it’s all mummery, magic and cheating, which it most definitely is. Until it isn’t.

Which makes the ending just that bit more magical.

Escape Rating A-: Like most collections, the stories are a bit all over the map. I adored a couple, liked quite a few more, and a small number just missed the mark for me in one way or another – as the above descriptions show. But overall I’m very glad I picked this up, and enjoyed the ways that it played with romances of many types and stripes and definitions. That “love is all there is is all we know of love” doesn’t have to mean that all loves are exactly the same type.

The author has published three previous collections in a similar vein to this one, not necessarily romances but rather whole entire circuses of fractured and reinterpreted fairy tales like How to Fracture a Fairy Tale, The Midnight Circus and The Emerald Circus. I’m sure I’ll be visiting those circuses the next time I’m looking for familiar tales with just a bit of a twist in their tails.

Review: Never Too Old to Save the World edited by Addie J. King and Alana Joli Abbott

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Never Too Old to Save the World edited by Addie J. King and Alana Joli AbbottNever Too Old to Save the World: A Midlife Calling Anthology by Alana Joli Abbott, Addie J. King
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, science fiction, short stories, urban fantasy
Pages: 318
Published by Outland Entertainment on February 7, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Once every generation there is a Chosen One, who will stand between humanity and darkness.
But why is the Chosen One so often a teenager? Why do only children get swept through portals to save the fantastic world on the other side? Whose idea was it to put the fate of the world in the hands of someone without a fully developed prefrontal cortex?
In Never Too Old to Save the World, nineteen authors explore what would happen if the Chosen One were called midlife. What would happen if the Chosen One were:
a soccer moma cat ladya nosy grandmothera social workera retireean aging swordmaster?
The Chosen One could be anyone— because when the universe calls, the real question is whether the hero will take up the mantle and answer their midlife calling. Sometimes the world needs a hero who's already been in the thick of chaos and survived. In those cases, age does matter.

My Review:

What if you didn’t find a wardrobe to Narnia – or anywhere else – back when you were 8? And you didn’t get your Hogwarts letter at 11? And Gandalf didn’t even manage to come to take you on an adventure at 50?

Or perhaps, by the time Gandalf found you at 50, you thought you were too old to go on adventures – or – and much more likely –  had too many commitments in the so-called ‘real world’ to run off and leave your responsibilities behind? After all, Bilbo very nearly did.

That’s what this collection is about. It’s all about people who pick up the mantle of the ‘Chosen One’ in some fantasy or science fictional world who are explicitly not children or teens. Who are a bit too tied down – or a bit too wised up – to be the fool that rushes in where angels rightly fear to tread. Or so they think.

This collection is for everyone who missed that wardrobe or that letter and still wonders whether or not they’d have what it takes – or have the willingness to feel the fear and do it anyway – if a white wizard or a mad man with a blue box came calling for them.

There are 19 fabulous stories in this collection – and I think I loved every single one. To the point where I can’t just pick one favorite. I have to pick two.

My favorite fantasy story is “Jackalope Wives” by Ursula Vernon – who also writes marvelously fantastic fantasy and horror as T. Kingfisher. “Jackalope Wives” is the only story in the book that has been previously published, originally in Apex Magazine and later in her short story collection Jackalope Wives and Other Stories.

This is the story that won the 2014 Nebula Award for Best Short Story and should have won the 2015 Hugo Award in the same category. But, well, puppies. I digress and I need to stop to keep from going there again. Because ARRGGGHHH. Still.

“Jackalope Wives” is one of those stories that surprises the reader with a twist at the end that is even more heartbreaking, in its way, than the story you thought you were reading – which was already heartbreaking enough. Grandma Harken is absolutely correct that “You get over what you can’t have faster than you get over what you could.” But the truth of that statement doesn’t make the getting over any faster or any easier.

As a counterweight to the bitter, bitter sweetness of “Jackalope Wives”, my science fictional favorite story is “Launch Day Milkshakes” by Jim C. Hines, which is literally laugh out loud funny. To the point where I started laughing and couldn’t get a breath OR stop as my spouse looked over at me like I’d lost my mind because I could not catch enough breath to explain the joke.

At first, “Launch Day Milkshakes” is a story about absolutely deliciously getting one over on a misogynistic asshat boss in the biggest and best way possible. It’s also a brainship story in the vein of Anne McCaffrey’s classic, The Ship Who Sang. But that’s not all it is, and neither of those things were the parts that made me laugh so hard – no matter how much I enjoyed the asshat’s comeuppance. Which I very much did. I’m not going to spoil this one because it’s just so much fun when you get the joke – and see it get batted around like the universe’s biggest ball of yarn.

I know I said two favorites, but my third is kind of a riff on Buffy, meaning that there’s some urban fantasy in here as well. “Lean In: The Lord of Hell is Coming” by Ericka Kahler starts out with the local representative for the equivalent of the Watchers coming to a CEO to tell her that demons are coming to her city and that she’s the ‘Chosen One’ who is supposed to vanquish them. It’s not news to Mary Ann because she already has, just not in the way that heaven expected or that hell can ever manage to fight. I think this one is funnier the longer you think about it.

Of the rest of the collection, there are considerably more fantasy stories than SF as fantasy does tend to lend itself more to ‘chosen one’ narratives. Not that there haven’t been more than a few famous SF stories in this vein (I’m looking at you, Luke Skywalker – ahem). But magical appointments, by their very nature, do find themselves a bit more comfy – while their protagonists are generally quite uncomfy – in fantasy.

Because I loved this collection so hard, I can’t resist a brief shout out to every single one of the stories in it. The SF stories are listed first because there were fewer of them and because I’m contrary that way.

  • “The M.A.M.I. Incident” by Guadalupe Garcia McCall reminded me a whole lot of Day Zero by Robert C. Cargill which makes for a great but uncomfortable story.
  • “Utopia” by Vaseem Khan about making a friend out of a very great enemy.
  • “All the World’s Treasures” by Kimberly Pauley about a family legacy that is just so much bigger on the inside than it first appears.
  • “Big Momma Saves the World” by Maurice Broaddus about the great power in bad macaroni and cheese.
  • “A Legacy of Ghosts” by Sarah Hans about exorcizing one’s very own demon family with the power of positive thinking.
  • “Adya and the Messengers” by Jaymie Wagner about the proper treatment of heavenly messengers and their steeds.
  • “Soccer Mom Saves the World” by Addie J. King, a story whose title does pretty much say it all.
  • “My Roots Run Deep” by John F. Allen about a social worker saving the multiverse and getting her groove back at the same time.
  • “It’s My Nature – A ‘Monster Hunter Mom’ Adventure” by JD Blackrose, another one whose title gives more than a bit of a clue about the story.
  • “Truthteller” by Linda Robertson, a historical fantasy about an object of power that isn’t quite what any of the parties seeking it imagined.
  • “Granny” by R.J. Sullivan about a neighborhood snoop who is way more than she seems.
  • “The Sunspear” by Alexandra Pitchford, about a young woman who believes she has a destiny and a middle aged woman who is running from hers.
  • “Once a Queen” by Alana Joli Abbott, a Narnia-like story with a much better ending.
  • “By the Works of Her Hands” by LaShawn M. Wanak, another Narnia-type story where the portal opens as a lure to pull the right person in chasing after the young fool who rushes in believing that they are ‘the one’ when they’re just bait for their mother.
  • “Strange Wings” by Kathryn Ivey about a warning that comes nearly too late.
  • And last in both the collection and this list: “The Mountain Witch” by Lucy A. Snyder about the uses to which both heroes and villains are put when they are both female.

Escape Rating A+: I don’t normally list every single story in a collection like this, but this collection frequently got me in the feels and gave me something to identify with in just about every story. Sometimes we all need that reminder that age is just a number and that everyone has it in them to save, if not the world, at least their corner of it.

I’m also still hoping against hope that Gandalf will finally get the hint!

 

Review: The Wedding Setup by Sonali Dev + Spotlight + Giveaway

Posted on by Marlene Harris | Author : | blog tours> book reviews
Review: The Wedding Setup by Sonali Dev + Spotlight + GiveawayThe Wedding Setup: A Short Story by Sonali Dev
Format: eARC
Source: publisher
Formats available: ebook, audiobook
Genres: contemporary romance, short stories
Pages: 67
Published by Amazon Original Stories on January 11, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon
Goodreads

From USA Today bestselling author Sonali Dev comes a heartfelt short story about one woman’s journey of self-discovery and what it means to be happy.
Ayesha Shetty lost her brother seven years ago, the same time she lost everything else important to her: her dreams, her fierce independence, and the man she loved. Not wanting to see her mother hurt anymore, she put her wild self away and became the dutiful daughter her mother needed and took on her brother’s role in the family business.
Now her best friend’s big, fat Indian wedding is a chance to get away from her endless duties at the restaurant and maybe even have some fun (if she remembers how). But a setup arranged by her mother, with a doctor no less, is the last thing she needs. The fact that he checks all her mother’s boxes just makes everything better…and worse.
Then Emmitt Hughes shows up. Her brother’s best friend. The love she once chose over family duties and her responsibilities. The one she asked to leave, and who did. The one who knows the real Ayesha. Torn between a love from the past that could cost her the only person she has left and her sense of obligation to her mother, will Ayesha find the strength to stop thinking about what everyone else wants and finally put herself first? Or is the old Ayesha truly gone for good?

My Review:

The Wedding Setup is a short story, so I’m going to try to do it justice in a short review. Especially since this is a jam-packed post with an interview with the author, an excerpt from the story AND a giveaway!

From a certain perspective, this is a story about handling grief – or rather NOT handling grief. Ayesha has put herself in a box in her attempt to be the perfect daughter that she never was – and it’s a straitjacket. But so is the reason for that attempt, the death of her brother and her desperate need to hold onto her mother in the ultimately vain hope of preventing either of them from suffering any more losses. Ayesha’s father died when she was ten, and her mother was the rock that sheltered both her and her brother through the rest of her childhood. When her brother died, they were all each other had left. That and the depth of their grief and the fear of another loss.

But they lost each other along the way – even as they spent 16 hours a day together keeping the family’s restaurant afloat. Hanging onto the last remaining bit of her brother’s dream.

As this story opens, it’s been seven years since Ajay died, and Ayesha’s mother has had enough of living with Ayesha’s obedient ghost – because that’s who it seems has been trudging through the world in Ayesha’s place.

But that is far, far, far from what the story seems to be for most of its length. As Amma does her level best to bring back the old, vibrant, downright combative Ayesha by poking that sleeping tiger with every single stick she can find.

In the hopes that her daughter will come back to life and reach out for her own happy ever after.

Escape Rating A-: I have only one complaint about this story – it’s too damn short. It’s beautiful, it’s marvelous, and all the characters are fascinating – even the ones who only exist in memory. I would have loved this story even more if it had been novel length. But it isn’t so I’ll make do with what I have.

Part of the fun of The Wedding Setup is that the setup of Ayesha is not what either Ayesha or the reader think it is. The story is a gem of misdirection, and the reveal at the end forces both Ayesha and the reader to rethink everything that has happened. And rejoice at the ending.

Also laugh uproariously at the mental picture of a rat in scrubs administering a pap smear. Which is the only way to laugh at one of those necessary evils. Read The Wedding Setup to find out just how that comes to pass. The mental picture, that is.

Interview with Sonali Dev + Excerpt from The Wedding Setup

The Wedding Setup may be a short story, but it is tremendously powerful. How would you describe it to readers?

Thank you. It’s the story of a girl who used to be a rebel who followed her heart and fought for what she wanted, and then her brother’s death leaves her responsible for her widowed mother. It’s about being knocked off your feet and getting stuck, and learning how to stand back up and reclaim yourself.

The story invites us to take an intimate look into a mother-daughter relationship. This is a universal theme, however, you also steep the plot in your own Indian heritage. Can you tell readers what this story means to you as a daughter? What it means to you as an Indian woman?

There is so much of my own relationship with my mother in this book. We’ve always been incredibly close. She’s outspoken and confident and she modeled some powerful behaviors for me growing up about owning her own body and her voice. But there were the other parts where she was a product of her time and culture, believing in absolute terms that it is a woman’s duty to nurture her family, to marry ‘at the right time,’ to be a certain kind of mother. These are things she pushed hard. Things I internalized but also fought to do on my own terms and not hers. Ayesha’s relationship with her mother used to be this way, and then a tragedy changes their dynamic. So, it’s an exploration of how battles for identity get derailed by tragedy and grief and what it takes to heal.

Ayesha’s mom describes her as obedient, responsible, and “always putting everyone else before her own needs.” After hearing this Ayesha (internally) feels hypothermic. Can you explain how these seemingly sweet compliments completely destroy your heroine?

The mother-child bond comes with a kind of intuitive understanding of each other that’s unique to that relationship. So, while Ayesha has lost her fiery spirit and both she and her mother have lost years to their grief and struggle to survive, her mother knows who her daughter is deep down and how much she’s buried. So there’s a very nuanced intent to these ‘compliments’ and they hit the nerve they’re meant to hit. Ayesha’s reaction to these words is her dead parts coming back to life.

It only takes a moment—one second—for Ayesha to break free from her ice…a single word from Emmitt has her coming back to life. Why does she have such a powerful reaction to someone she hasn’t seen in seven years?

Ayesha had a crush on Emmitt for many years before they got together. She’s always had a strong reaction to him. The years they spent together as young adults were years when she came into herself, and felt seen and cherished. Then she loses all of that when her brother dies and they break up. So, it’s a combination of things that come together when Ayesha meets Emmitt again. They have a natural connection, but also, with his return come all the memories of who she used to be and how much she used to let herself feel.

Ayesha has never forgotten how Emmitt turns “her messy, impulsive, unfettered emotion into something beautiful.” But she has forgotten the effect that she has on him. What buried memories are uncovered as she watches Emmitt react to their reunion?

Emmitt has always dealt with the world and the pain it causes him by keeping everyone at arm’s length. But Ayesha destroys his defenses with her ability to love (and do everything else) so fiercely. So, when he loses her he’s already lost his ability to protect himself. Their joint grief is what separated them, so, while they understand each other’s pain they both also understand the loneliness of not having each other to lean on. They’ve had to make the journey to healing individually, but meeting each other again brings up the piece that needs the other to heal.

How did you get to know your couple? How were you able to understand what was needed to heal their broken hearts?

The one theme that threads through all my books is finding yourself on the tightrope between personal freedom and responsibility to family and community. Healing is always about finding or rediscovering your love for yourself. So, I understand my characters through that lens: how have they lost themselves? What about themselves do they need to reclaim and fall in love with? A truly connected couple is one who aids this journey in each other, recognizes it, and supports it.

In a limited number of pages you not only give readers a living, breathing couple, but also an avalanche of equally interesting characters like Ayesha’s best friend, suitor, aunties…and you even create depth with characters that are no longer living. Why was it so important to spend time with these secondary characters? What do they reveal about your hero and heroine?

I believe that as humans we are a sum total of our relationships and the world we live in and build for ourselves. How someone treats other people and how they respond to how they are treated is what constitutes character.

At its heart, every story is about a person who is somehow at odds with the world they live in or with themselves because of the expectations of their world, and the journey they make to resolve that conflict. Ayesha wouldn’t be Ayesha without her mother and Bela, her best friend and the community she was raised in. Bela has been her wild other half growing up, then their paths diverged, but they continued to be each other’s support. Her mother has become a crutch she uses to hold on to her grief. Emmitt’s grief over his friend has run his life for seven years too. So the secondary characters are just as integral to the story as the protagonists.

While the plot focuses on grief, there is also great joy to be found. After all, the backdrop of the story is a giant wedding. What do you personally find the most fun at a traditional Indian wedding celebration?

I’m always only there for the food and dancing! Fine, and getting to dress up. And the wine. Also, maybe the chance to hang out with family and friends I only see at weddings. And the drunk aunties and uncles.

After readers devour The Wedding Setup, which of your other books would you recommend they read next?

First, thank you so much for devouring The Wedding Setup! I’m incredibly proud of my Rajes series, a set of retellings of my four favorite Jane Austen novels set in a politically ambitious Indian American family from Northern California. Pride, Prejudice, and Other Flavors is a gender flipped Pride and Prejudice. Recipe for Persuasion is a two-generational homage to Persuasion set on a Food Network show. Incense and Sensibility, the love story between a gubernatorial candidate and a yoga therapist who can save him but also destroy his campaign, pays tribute to Sense and Sensibility. And the upcoming The Emma Project (May 17th 2022), which is a gender flipped Emma that explores what it means when a person with tremendous privilege offers charity to someone who has much less.

The Wedding Setup Excerpt

Goose bumps rose across Ayesha’s skin, one sharp dot at a time.

“Ayesha.”

That was it. Just that one word. Her name. In a voice that was its own ghost.

She squeezed her eyes shut. One tight squeeze. Tight enough to hurt, tight enough to almost dislodge the false eyelashes Andre had pressed into her lash line one by one with the precision of a surgeon. Then boom! she was in control again and back to Ayesha on Ice.

Eyes blank, face set, she turned toward the voice.

Emmitt.

The impact of him was a body blow.

The entire universe stilled. Words weren’t a thing. Or sound. Breath? What was that?

Ayesha! Get a grip.

No grip. That’s how it had always been. She’d had no grip when it came to Emmitt Hughes. Not even a little bit. Not when she’d spied on him and Ajay playing Mario Kart and Minecraft and GTA for hours, for years. Not when she’d yearned and dreamed and spun stories with him at the center.

I’ve made my love for you, my god.

It was the cheesiest of lines from one of those Bollywood songs her parents had played on repeat at the restaurant. Amma had loved translating the over-the-top lyrics and explaining their nuances.

Back when Amma was full of stories and songs and laughter. Before Ajay.

Ajay.

Her brother’s unspoken name fell between them like a glass bauble and shattered.

“You remember Emmitt,” Edward had the gall to say.

Bela shot him a glare.

You didn’t tell me he would be here. Ayesha threw the silent accusation at her traitorous best friend, who gave her nothing more than another worried look.

No, Eddie. Remind me again who he is? The snarky words stuck in Ayesha’s throat. Old Ayesha would have said them. Old Ayesha said everything.

“Emmitt,” New Ayesha said, every feeling buried under her customer-is-king voice from the restaurant. “Nice to see you again.”

His Adam’s apple bobbed in the long column of his throat. How was he still so darned beautiful?

One swallow, and then he smiled back. Banking feelings where no one saw them had been his thing. Emmitt the Wall. That’s what Ajay had called him. Her brother had been best friends with him since Emmitt had moved to Naperville in fifth grade after his parents’ divorce. Years of friendship, and he’d still held Ajay at that slight distance he’d been so good at. Something she would always wish she hadn’t cured him of.

You broke me, Ayesha.You broke every defense I’ve ever had against the world.

She, Ayesha Shetty—too tall, too dark, too outspoken, too intense, too ambitious, too everything for everyone else had been just enough to break through Emmitt the Wall.

“It’s nice to see you too,” he said gently, sounding . . . she dug through her brain to come up with the right word. Grown-up? Contained?

Good. Because Ayesha was all those things now too. Not a grenade with its fuse pulled, ready to blow up the world.

Author Biography

USA Today bestselling author Sonali Dev writes Bollywood-style love stories that explore universal issues. Her novels have been named best books of the year by Library Journal, NPR, the Washington Post, and Kirkus Reviews. She has won numerous accolades, including the American Library Association’s award for best romance, the RT Reviewers’ Choice Award for best contemporary romance, and multiple RT Seals of Excellence; has been a RITA finalist; and has been listed for the Dublin Literary Award. Shelf Awareness calls her “not only one of the best but one of the bravest romance novelists working today.” She lives in Chicagoland with her husband, two visiting adult children, and the world’s most perfect dog.

Buy Link: https://amzn.to/3pWDqM8

Social Media Links

Website: https://sonalidev.com/

Facebook: https://www.facebook.com/SonaliDev.author

Twitter: https://twitter.com/Sonali_Dev

Instagram: https://www.instagram.com/sonali.dev/

Goodreads: https://www.goodreads.com/author/show/7025918.Sonali_Dev

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

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Review: Fire of the Frost by Darynda Jones, Jeffe Kennedy, Grace Draven, Amanda Bouchet

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
Review: Fire of the Frost by Darynda Jones, Jeffe Kennedy, Grace Draven, Amanda BouchetFire of the Frost: A midwinter holiday fantasy romance anthology by Darynda Jones, Jeffe Kennedy, Grace Draven, Amanda Bouchet
Format: ebook
Source: author
Formats available: ebook
Genres: anthologies, fantasy romance, holiday romance, short stories
Pages: 368
Published by Brightlynx Publishing on December 22nd 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo
Goodreads

A midwinter holiday fantasy romance anthology…

From Darynda Jones, A Wynter Fyre a standalone novella set in a world where vampyres are hunted for sport. The only thing standing between them and total annihilation is Winter, a warrior bred to save them from extinction. Forbidden to fall in love, Winter cares only about her oaths… until she meets the devilish prince of the underworld.

Of Fate and Fire by Amanda Bouchet
The Kingmaker Chronicles meets modern-day New York City! Piers, an exiled warrior from Thalyria, finds himself in the Big Apple just before the holidays. The world and everything in it might be utterly foreign to him, but that won't stop Piers from helping to complete a vital mission for Athena and protect Sophie, a French teacher from Connecticut who's suddenly knee-deep in inexplicable phenomena, danger, and henchmen after an Olympian treasure that should never have ended up in her hands—or remained on Earth after the Greek gods abandoned it.

The King of Hel by Grace Draven
A novella-length expansion of a stand-alone short story in which a cursed mage-king from a frozen kingdom is obligated to marry a woman of high-ranking nobility but meets his soulmate in a lowly scribe.

Familiar Winter Magic by Jeffe Kennedy
It’s holiday time at Convocation Academy, but best friends Han and Iliana are finding it hard to celebrate. As a familiar, Iliana is facing her assignment to a life of servitude to a wizard, very soon. And Han… despite being tested by the oracle daily, he is still uncategorized. As Iliana and Han face being separated forever, they at last find the courage—or desperation—to break the rules and acknowledge their deeper feelings for each other. But it will take more than true love to save them from the laws of the Convocation…

My Review:

This holiday treat dropped into my lap this week and I couldn’t resist starting it immediately! Isn’t that what holiday treats are for? Immediate consumption for the yes! Especially as I’ve received earlier versions of this confection of a collection (Under a Winter Sky, Seasons of Sorcery and Amid the Winter Snow) and they’ve all been wonderful reading treats.

For the most part, this year’s collection of winter fantasy romances was a very sweet treat indeed – with just enough naughty in the mix to give Santa a blush or four.

My absolute favorite story this year was Grace Draven’s The King of Hel, and not just because it’s a standalone story that isn’t set in one of her other worlds. It’s the kind of fantasy romance that didn’t really have to be a fantasy romance. In fact, its real world inspiration was not. Inspired by the real life romance between Madame de Maintenon and Louis XIV of France, this is the story of Doranis, the magic-touched king of Helenrisia and his queen’s best friend, the modestly born Castil il Veras. What made this story so beautiful is the way that Castil’s deep, life-long friendship with Doranis’ queen is not broken by the romance. Rather, Castil is heartbroken when her best friend dies in childbirth yet still honors that friendship. But life goes on, and the queen’s death gives Doranis the freedom to marry the woman who is suited to him in all ways but birth, and lets Castil acknowledge her love for a man who was otherwise twice beyond her touch.

This was just a beautiful winter romance between two strong and surprisingly equal partners and I loved every page of it.

On the other hand, my least favorite story in this collection was Familiar Winter Magic by Jeffe Kennedy. It’s not that it’s not a good story, because it is, and it’s not that it’s not well done, because it is that as well. It’s that the protagonists of the story are fundamentally, by law and custom, absolutely powerless and their powerlessness gets rubbed like salt into their wounds and the reader’s psyche at every turn. This is just one of those cases where I know it’s good and I know there’s an audience for it and I’m just not it.

Of Fate and Fire by Amanda Bouchet was just plain fun, kind of in the way that the first Thor movie was fun. At points, literally in the way that the first Thor movie was fun, a fact that the heroine references more than once during the course of her whirlwind romance while running from bad guys story plays out. Although Piers of Thalyria, an exile from the world of the author’s Kingmaker Chronicles, has no godlike powers, it turns out that his heroine does and he’s been jerked across time and space in order to protect her while she figures out how to either use them or give them back. The story here is kind of a lighthearted romp – in spite of being chased down by evil entrepreneurs and their henchmen at every turn.

Last but not least, my second favorite story in the collection, Darynda Jones’ A Wynter Fyre. The beginning had a bit of an “aliens made them do it” start – not that any of the characters in this story are actually alien to this world. But there’s a common fanfiction trope for series like Stargate and its spinoffs where the characters are compelled by unbridled libidos to have sex because of “alien sex pollen”. The way this story begins, with vampyres biting Wynter in order to infect her with the equivalent of “vampyre sex pollen” had a very similar feel. Particular when the hero fends off the bad vamps in order to woo her for himself, once he’s helped her take the edge off, so to speak.

After that hot, heavy, creepy and slightly rapey beginning the story itself takes a surprising turn. Wynter has been awakened from 70+ years as a statue because her mother the demon (yes, the being she believes is her mother is an actual demon) needs her to rescue a kidnapped vampyre princess.

But it’s all a setup. Not that the princess hasn’t been kidnapped, but it’s all part of the plot to give Wynter the chance to do her job of protecting the vampyres properly – by killing the greatest threat to their existence – her demon mother. That the setup also manages to change the romance from a sex into love story into a second chance at love story is all part of its charm – something this one had absolutely oodles of.

Escape Rating B+: This collection is always a lovely holiday treat. But like any collection, some stories hit the mark with this reader – or any other – while others aren’t quite as close to the bullseye.

If I were giving individual ratings, A Wynter Fyre would get an A; Of Fate and Fire would receive a B; The King of Hel hits the high spot at A+ while Familiar Winter Magic just didn’t work for me at all. Your reading mileage – even through the snowy landscape of these winter tales – will definitely vary.

No matter which stories in the collection tickle your holiday reading fancy, the collection is definitely worth curling up with some hot chocolate and a cozy blanket for a delicious holiday read!

Review: An Elderly Lady Must Not Be Crossed by Helene Tursten

Posted on by Marlene Harris | Author : | book reviews
Review: An Elderly Lady Must Not Be Crossed by Helene TurstenAn Elderly Lady Must Not Be Crossed by Helene Tursten, Marlaine Delargy
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: mystery, short stories, thriller
Pages: 272
Published by Soho Crime on October 5, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Everyone’s favorite octogenarian killer is back in this new collection of stories by Swedish crime writer Helene Tursten that is sure to have you in stitches.
Eighty-eight-year-old Maud is never looking for trouble, but it always seems to find her. First, a woman in her building met an untimely end: tragic. Then, just recently, a dead body mysteriously appeared in her very own apartment, prompting an investigation by the local Gothenburg authorities. Such a strange coincidence. When it seems suspicion has fallen on her, little old lady that she is, Maud decides to skip town and splurges on a trip to South Africa for herself.
In these six interlocking stories, memories of unfortunate incidents from Maud’s past keep bubbling to the surface, each triggered by something in the present: an image, a word, even a taste. When she lands in Johannesburg at last, eager to move on from the bloody ordeal last summer, she finds certain problems seem to be following her. Luckily, Maud is no stranger to taking matters into her own hands . . . even if it means she has to get a little blood on them in the process.
Don’t let her age fool you. Maud may be nearly ninety, but this elderly lady still has a few tricks before she’s ready to call it quits.
*Includes cookie recipes*

My Review:

While neither as smooth nor as famous as “Tinkers to Evers to Chance” there has been a progression in this week’s reviews. First there was a book about “real” ghosts. Then fake ghosts being investigated by elderly lady amateur detectives. Today we have a story about real detectives investigating an elderly lady who might just be a serial killer. With fatally delicious cookie recipes.

Just like the previous trip through Maud’s murderous memory, An Elderly Lady is Up to No Good, the detectives who visit Maud are more of a catalyst than they are an integral part of the story. Inspector Irene Huss and Detective Embla Nyström still can’t quite get their minds around the idea that 88-year-old Maud might have been the murderer of the man who was found dead in her apartment over the summer. But they also can’t dismiss their instincts that say that Maud did it, no matter how frail and dotty a persona she projects.

That the detectives are still sniffing around Maud’s apartment makes Maud a bit apprehensive. I’d say nervous but Maud doesn’t seem to get nervous. Maud just removes whatever problem has come her way. But when the problem is two police detectives, she’s better off removing herself from their jurisdiction rather than employing her usual methods.

So Maud takes herself off, at 88 going on 89, on a luxury trip to a place she’s always loved. It’s been five years since her last, somewhat more economical visit to South Africa, so this time she’s going to go first class all the way. After all, she can afford it and she has no one to leave her money to, so she might as well spend some of it while she’s still capable of the trip.

The story of this elderly lady who truly must not be crossed isn’t so much a single story as it is a collection of memories. As Maud naps on the very long series of flights from Sweden to Johannesburg, her mind drifts back into the past, to the very first time she took care of business in her own inimitable-if-not-yet-deadly style when she was only eleven.

By the time that Maud eliminates her rival for a full-time teaching position, we see that Maud’s course is firmly set. She sees a problem – and she gets rid of the problem. She plans, she executes, and well, she executes someone who is in her way. Sometimes by way of a well aimed icicle, and sometimes by way of a not-so-nice recipe for cookies.

Maud gets things done.

But her trip to South Africa, besides causing her in-flight trips down memory lane, also gives her a chance to think about what she wants from the rest of her life, however short or long that might be. And it puts her in the way of one last good deed, by carrying out one more bad one.

Escape Rating A-: As with the previous book, Maud’s adventures are short but not exactly sweet. How could they be when Maud’s tried-and-true method of solving problems is to eliminate the cause of the problem – permanently.

Which makes Maud a bit of a guilty pleasure. On the one hand, I hope to be that healthy, spry and self-possessed at 88. On the other hand, Maud is a successful serial killer, not exactly a hobby to aspire to. If that’s what it takes to keep oneself young there’s a serious problem with the collateral damage. Maud is kind of like a picture of Dorian Gray that inflicts its damage on other people instead of a portrait.

I’m waxing a bit hyperbolic because of my internal conflict – although Maud has none. And probably doesn’t have a conscience either. There’s so much about Maud that’s admirable, and enviable. Her head is a very entertaining place to be. But she kills people who get in her way. Regularly. Some of them deserve it. And some are just in Maud’s way – until they aren’t.

The Ducote sisters from yesterday’s book are probably better role models for what one would want to be in their 80s. But having a drink or a meal with Maud would be fascinating – at least after I’d checked everything over for poison.

Review: The Tangleroot Palace by Marjorie M. Liu

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Tangleroot Palace by Marjorie M. LiuThe Tangleroot Palace: Stories by Marjorie M. Liu
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: anthologies, fantasy, horror, short stories
Pages: 256
Published by Tachyon Publications on June 15, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

New York Times bestseller and Hugo, British Fantasy, Romantic Times, and Eisner award-winning author of the graphic novel, Monstress, Marjorie Liu leads you deep into the heart of the tangled woods. In her long-awaited debut story collection, dark, lush, and spellbinding short fiction you will find unexpected detours, dangerous magic, and even more dangerous women.
“The Tangleroot Palace is charming and ruthless. Tales that feel new yet grounded in the infinitely ancient, a mythology for the coming age.”—Angela Slatter, author of The Bitterwood Bible
“Marjorie Liu is magic! Her writing is passionate, lyric, gritty, and riveting. She belongs high on everyone’s must-read list.”—Elizabeth Lowell, author of Only Mine
Briar, bodyguard for a body-stealing sorceress, discovers her love for Rose, whose true soul emerges only once a week. An apprentice witch seeks her freedom through betrayal, the bones of the innocent, and a meticulously-plotted spell. In a world powered by crystal skulls, a warrior returns to save China from invasion by her jealous ex. A princess runs away from an arranged marriage, finding family in a strange troupe of traveling actors at the border of the kingdom’s deep, dark woods.
Concluding with a gorgeous full-length novella, Marjorie Liu’s first short fiction collection is an unflinching sojourn into her thorny tales of love, revenge, and new beginnings.

My Review:

I picked this up not for her multiple award-winning Monstress, which I haven’t read yet, but for Dirk & Steele and Hunter’s Kiss, her marvelous urban fantasy/paranormal series that I read when they came out back in the late 2000s. I loved both of those series, but I’m kind of astonished that they came out way more than a decade ago.

But it has been a while, so I was happy to see this collection as a way of renewing my acquaintance with an author I very much loved. And I’m glad I did. There’s even a prequel for Dirk & Steele in this collection, at least if you squint a bit.

My favorite stories in this collection were The Briar and the Rose, Call Her Savage and the title story, The Tangleroot Palace.

The Briar and the Rose takes the fairytale of Sleeping Beauty, adds in a bit of magical possession and body-swapping, and wraps it in a bodyguard romance. Except that this takes place in a world of myth and legend, where an evil sorceress is maintaining her youth and beauty by possessing pretty young women and discarding their corpses. That sorceress is defeated by the love that develops between her female bodyguard and the true personality of the body being possessed in stolen moments when the sorceress sleeps. And it’s a powerful story about just how strong people can be when they have something, or someone to fight beside and to fight for.

Call Her Savage was fascinating because it hints at so much world and such a rich history that we don’t get to see in this story. There’s alternate history and revolution and wars and flawed heroines and politics and lost causes and fighting the long defeat. It reminds me a bit of Nghi Vo’s The Empress of Salt and Fortune, but with an alternate 19th or 20th century instead of alternate early history. This is the one I wish there were more of. A lot more.

The Tangleroot Palace was lush and lovely and kind of perfect. On its surface its about a princess who runs away from home to find magic in order to save herself and hopefully save her kingdom from subservience to a brutal warlord. And underneath that it’s a romance about hiding behind masks to protect one’s true self, about the power of illusion and the power of agency. And of course nothing about the warlord or the kingdom or the subservience turns out to be quite what the princess was expecting. But the magic at the heart of the forest is all too real, even if, or especially because, it too is based on an illusion.

Of the rest of the collection, Sympathy for the Bones, Where the Heart Lives and The Last Dignity of Man were interesting and I’m glad I read them but they weren’t quite up there with my faves. After the Blood played with a supernatural/paranormal take on a post-apocalyptic story but didn’t give enough details to really hang together. Not that some characters weren’t hung or otherwise eliminated, but this one felt like it had been done before, and better, elsewhere.

Still and all, I’d have read this for those three favorite stories, and I’m glad I stuck around for the whole thing. It was just the right amount of lovely and romantic and creepy to while awhile a rainy evening with a cat on my lap.

Escape Rating A-: This is a strong collection, filled with stories that grip the heart, ramp up the adrenaline and occasionally wring the tear ducts. They’re not new stories, but they were all new to me, and I got completely wrapped up in every single one. They have the feel of feminist fairy tales, in that all but one of the stories are led by women, and are from mostly female perspectives. So these are heroine’s journeys – and occasionally villainess’ journeys, rather than told from the point of view that such stories are usually told.

Although the one story that is told from a male perspective, The Last Dignity of Man, while it was not among my favorites was one of the most purely lonely stories I have ever read. It was so sad and so heartbreaking and had so much possibility but the monsters, and there certainly were monsters, were more disgusting than scary, not that they weren’t scary too. Still, the idea of someone emulating a supervillain in the hopes that a superhero would arise to thwart them, just like in the comic books, was a great idea that I’d love to see explored more fully with less puking. Seriously.

The Tangleroot Palace reminded me just why I loved this author so much, and has made me resolve to get stuck into Monstress at the earliest opportunity!