#AudioBookReview: Cruel Winter with You by Ali Hazelwood

#AudioBookReview: Cruel Winter with You by Ali HazelwoodCruel Winter with You (Under the Mistletoe Collection, #1) by Ali Hazelwood
Narrator: Vivienne LaRue
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: ebook, audio
Genres: contemporary romance, holiday romance, short stories
Series: Under the Mistletoe #1
Pages: 73
Length: 2 hours
Published by Amazon Original Stories on November 12, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazon
Goodreads

For two former childhood friends, a blustery winter storm stirs some frosty—and scorching—memories in a delightful short story by #1 New York Times bestselling author Ali Hazelwood.
All newly minted pediatrician Jamie Malek wants is to borrow a roasting pan for Christmas dinner. Unfortunately, that requires her to interact with Marc—her best friend’s troublemaking brother, who’s now a tech billionaire. He’s the one who got away. She’s the one who broke his heart. Outside, a howling blizzard. Inside, a crackling fire. Suddenly, being snowbound with the man she never expected to see again might not be such a bad way to spend a winter’s night.
Ali Hazelwood’s Cruel Winter with You is part of Under the Mistletoe, a stirring collection of December romances that thrill and tingle all the way. They can be read or listened to in one swoony sitting.

My Review:

I was stuck in traffic at the end of Only Santas in the Building and found myself listening to the teasers for ALL the rest of the stories in the Under the Mistletoe collection and, well, I got hooked. So here we are back with another not too big, not too small, just right little holiday romance to sweeten – and heat up – the season.

This one is the longest entry in the collection, so it has just a bit more time and scope to get into the setup of the story and the backstory of the characters – and do they EVER have backstory. So this one gets just a bit deeper than the others – and it makes for a nice change of pace from the rest.

Jamie and Marc were not childhood sweethearts. Nor did they have a high school romance. Not that Marc didn’t want either of those things to happen. He was just very, very good at not letting Jamie know it.

Which was probably a good thing, as Jamie and his older sister Tabitha were childhood and high school besties. And even when this story takes place – ten whole years after Jamie and Tabitha’s high school graduation – Tabitha still hasn’t gotten past her childhood resentment of her parents’ bringing home their ‘Oops Baby’ just after her third birthday.

But Marc seems to have recognized that Jamie was his person the very first time she held him in her arms, when he was a newborn and she was all of two-and-a-half. In spite of decades of teasing and name-calling and everything that children can do to each other short of outright warfare, Jamie is still his person – a fact that Marc has built his entire life around even as he’s held it so close to his heart that Jamie doesn’t have a clue.

But on this one blustery cold winter night, stuck together at his parents’ otherwise empty house because her self-absorbed father thought nothing of sending her two miles down the road, on foot, in an impending northern Illinois blizzard, to retrieve a copper baking pan from his parents’ kitchen – all the secrets are laid bare.

And finally, at last, so are they.

Escape Rating B: In a collection of mostly fluff, this story gets surprisingly deep. And sad. And just a bit heartbreaking. It’s told in a series of flashbacks, sandwiched between the events of the now, and those flashbacks are what give the story its depth. But not in the way one expects.

It’s never been quite the right time for Jamie and Marc. She’s not quite three years older – something that mattered a lot when they were children but doesn’t matter in their late 20s at all. When things have gotten hard between them – not like that – it’s been because Marc’s been keeping the secret of his true feelings for Jamie pretty much all of his life – and occasionally those feelings get impatient.

He’s always been ready, but Jamie hasn’t. Because she’s afraid, not of Marc, not of having Marc, but of losing him. And it’s in the past that we see why. And that’s where the heartbreaking bits come in, because it’s not about him. It’s about her dad. Not in any terrible way, but certainly in a terribly human way.

I have to admit that Marc’s behavior occasionally tip-toed up to the line into the song “Every Breath You Take” in that it seems like he’s always been watching Jamie, always looking at her and after her even if she doesn’t know it, always waiting for the right moment to tell her that he loves her, planning his whole, entire life around making that happen. It seems romantic – but it’s also just a bit squicky and could have easily gone VERY wrong.

If it had it wouldn’t have fit in this collection at all. But since it didn’t, it did. And it does, in the end, work out. They are both finally in the right place at the right time with all their cards on the table.

I’m still enjoying this collection, the audios have ALL been lovely including this story’s voicing by Vivienne LaRue, and it’s all still feeling “just right” for the season. I may finish them ALL before this holiday is done. After all, Hanukkah doesn’t end until January 2, 2025, so I have plenty of time to indulge my holiday spirit!

#AudioBookReview: Only Santas in the Building by Alexis Daria

#AudioBookReview: Only Santas in the Building by Alexis DariaOnly Santas in the Building (Under the Mistletoe Collection, #5) by Alexis Daria
Narrator: Ruby Corazon
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: ebook, audiobook
Genres: contemporary romance, holiday romance, short stories
Series: Under the Mistletoe #5
Pages: 65
Length: 1 hour and 31 minutes
Published by Amazon Original Stories on November 12, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazon
Goodreads

It’s beginning to look a lot like Christmas, especially for a comic book illustrator whose late-night fantasies become real in a festive and flirty short story by bestselling author Alexis Daria.
All Evie Cruz wants for Christmas is a nap. And maybe some ornaments for her naked Christmas tree. And while she’s making a list, she wouldn’t mind unwrapping her sexy upstairs neighbor like a present. Luckily, the building’s Santa-themed party and a surprise sprig of mistletoe give her just the opening she needs to make all her wishes come true.
Alexis Daria’s Only Santas in the Building is part of Under the Mistletoe, a stirring collection of December romances that thrill and tingle all the way. They can be read or listened to in one swoony sitting.

My Review:

There are going to be more than a few readers/listeners to this one who are disappointed – not by the story itself but rather because the title sets up an expectation that the story will have a bit of a resemblance to the TV series, Only Murders in the Building. It doesn’t.

But I wasn’t looking for that. Instead, I got caught up in Evie’s freelance, gig-economy, deadline-driven life. Let’s just say that her cramming and scrambling to get her work in just minutes before the deadline sounded familiar. I understood the high she got from concentrating SO HARD and squeaking in JUST under the wire a bit too well.

That she was using the concentration and the pressure and the all-consuming nature of it to keep a whole lot of emotional stuff at bay was also something it was easy for this reader to identify with.

And then the story turned utterly delicious when her really sweet and deliciously hot neighbor turned up at her apartment door. It was pretty easy to see exactly why she had a crush on this guy – and to understand why she had no time to figure out whether that crush was returned – or not. Especially with her older sister naysaying in her ear at every turn.

The story, this deliciously sweet little holiday treat, comes to a delightful climax at the building’s annual holiday party, when everyone in the building comes to the penthouse apartment dressed as some variation of Santa – and a couple of meddling neighbors maneuver these two particular Santas under some strategically placed mistletoe to make their Christmas wishes come true.

Escape Rating B: I picked this second title from the Under the Mistletoe collection for the 2024 Ho-Ho-Ho Readathon because I wanted something short and sweet – or in this case steamy – for a day when most of us will still be recovering from yesterday’s turkey-induced coma.

And that’s exactly what I found.

Two stories into the collection, though, I’m starting to think that the real theme of the whole thing isn’t so much mistletoe as it is misunderstanding. Or at least mixed signals. Particularly the kind of mixed signals that occur between two people who don’t know each other well enough to know what the person they’ve been dreaming of – or at least daydreaming of – might be thinking about them.

Because their own insecurities get in their way. Both of their ways.

As compared to All By My Elf, the disconnect between Evie and Theo doesn’t even come close to a misunderstandammit. They don’t KNOW each other – and if someone doesn’t help them straighten out their crossed wires, they won’t have a chance to.

Hence that well-placed mistletoe.

Only Santas in the Building turned out to be the perfect light and frothy little story to listen to at the end of a long week. I got precisely what I was expecting and even a little bit more as Evie’s work resonated more than this reader expected. Then again, it resonated more with Theo’s work than he expected, too.

If you’re looking for little pick-me-up stories, this collection has been great so far – and I’ve already finished a third. They’re not deep, because there’s no time for that in this short format. But they’ve all been lovely for what they are and a perfect read and/or listen to help fill out my personal 2024 Ho-Ho-Ho Readathon readings.

#AudioBookReview: All By My Elf by Olivia Dade

#AudioBookReview: All By My Elf by Olivia DadeAll by My Elf (Under the Mistletoe Collection, #3) by Olivia Dade
Narrator: Andi Arndt
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: ebook, audiobook
Genres: contemporary romance, holiday romance, short stories
Series: Under the Mistletoe #3
Pages: 55
Length: 1 hour and 28 minutes
Published by Amazon Original Stories on November 12, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazon
Goodreads

Secret crushes, spicy Christmas treats, heinous holiday traffic, and a fateful snowstorm bring good friends together in a funny, heartfelt short story by bestselling author Olivia Dade.
Nina and William are underpaid adjunct professors at the same university, where winter break is no break at all: ’tis the season to make extra money. When their holiday side hustle has them stranded by a blinding blizzard in the middle of nowhere, there’s nothing to do but cuddle up for warmth and play a game of Never Have I Ever to pass the time. But in the game of love, secrets never stay secret for long…
Olivia Dade’s All by My Elf is part of Under the Mistletoe, a stirring collection of December romances that thrill and tingle all the way. They can be read or listened to in one swoony sitting.

My Review:

What do you do with a used Weinermobile? Does what happens in the Weinermobile STAY in the Weinermobile? Have you ever wondered? Inquiring minds actually get to find out in All By My Elf.

The answers to those questions coincide with a few considerably less humorous and more down-to-earth questions about the lengths (pun definitely intended) that part-time college professors will go to in order to keep feeding their dreams of the ivory towers of academia while still managing to feed themselves on stipends that barely allow them to make ends wave at each other.

Most of all – and best of all – All By My Elf is a romance that satisfies the craving for a hot, steamy friends into lovers romance that toasts a nearly frozen night in a grey-market Weinermobile into a story that’s way bigger than even a 27 foot long hot dog in a bun – or equally long mincemeat-filled roll of phyllo dough in a Mincemobile – could ever manage to contain.

Escape Rating B: Believe it or not, the puns are part of the story – and they are groaners even when Adjunct Professors Nina Teems and William Dern aren’t moaning together in the back of the weiner.

(Speaking of groaners, if the title of this story is giving you an earworm that refuses to let itself be nailed down, that’s because the earworm is tripping over the slight difference between the book’s title and the song’s title, which is ‘All By Myself’, originally performed by Eric Carmen in 1975 but also covered by Sheryl Crow in 1993 and Céline Dion in 1996.)

So, even though there’s nothing either light or fluffy about a giant hot dog nestled in an even bigger bun – the story itself has plenty of both as well as being the perfect steamy antidote to all of Thanksgiving’s turkey and trimmings – not to mention the rock solid nature of some traditional holiday fruitcakes.

After yesterday’s book, which turned out to be more Xmas and less Halloween than I expected, I found myself looking for a lighter and fluffier story to ease us all into the holiday season and especially the 2024 Ho-Ho-Ho Readathon that begins tomorrow. I chose this particular short story in the Under the Mistletoe collection because I loved the author’s Spoiler Alert series and was hoping for some of the same laughs amid the romance.

Which I definitely got even if I’m not all that fond of hot dogs and I’ve never had mincemeat in any form – let alone this particular version – that I can recall. And I don’t think I’ll ever be able to even think of it again without giggling at least a bit.

All By My Elf takes a gigantic misunderstandammit and turns up the heat between two friends who have epic crushes on each other and are afraid to act on them. At least until the Mincemobile gets stuck in an epic blizzard and they need each other’s body heat to keep from freezing to death. (That’s not really a spoiler as this is a short story and the inevitable is so obvious it can be seen from outer space.) This scenario is one that gets used in romance and in fanfiction ALL THE TIME, and it’s a classic for a reason. It works. It really, really works – no matter how contrived the machinations for getting the couple into it.

If you’re looking for a quick read that combines warmth and heat and more than a few groaning laughs, All By My Elf is a fun, quick, read or listen to give you an excuse to put your feet up and your mind on coast for a few minutes during the busy holiday season.

 

#AudioBookReview: The President’s Brain is Missing by John Scalzi

#AudioBookReview: The President’s Brain is Missing by John ScalziThe President's Brain Is Missing by John Scalzi
Narrator: P.J. Ochlan
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: ebook, audiobook
Genres: humorous science fiction, science fiction, short stories
Pages: 29
Length: 47 minutes
Published by Macmillan Audio, Tor Books on July 12, 2010
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBetter World Books
Goodreads

The question is, how can you tell the President's brain is missing? And are we sure we need it back?

My Review:

My brain is toast today which is what caused me to pull this book and audio out of the virtually towering TBR pile. I was looking for a bit of a laugh, something lighthearted that wouldn’t tax my own poor missing brain too much – and this certainly delivered!

It starts out with a simple but confounding idea. What if the brain of the President of the United States went missing? I don’t mean surgically removed or shot out or anything even remotely logical. But what if the President woke up one morning, felt a bit lightheaded, and his doctor did all the obvious tests and a few less obvious tests and determined that there was a void in his cranium where his brain matter was supposed to be.

And that he was otherwise healthy and as operational as he ever was.

It’s a crisis – and it’s a conundrum. There are plenty of jokes about whether anyone will notice that this particular president no longer has a brain. Likewise, plenty of people would notice if the president dropped dead because his brain had gone walkabout. Just because he seems to be fine – at the moment – doesn’t mean he will continue to be fine under the circumstances.

The human body is not meant to function without something up there.

So one poor low-level staffer is assigned to figure out what happened before they have to tell the president what happened. Because he’s not going to take it well – AT ALL. Who would?

That assignment that leads from the White House to an old high school buddy to Area 51 to white panel vans to, well, back to the White House. After the dust has settled and the crisis hasn’t so much been resolved as expanded and made totally moot – at the same time.

Escape Rating B: This turned out to be exactly what I was looking for. It was light, short and fun. It also, surprisingly, is NOT a commentary on any of the parties in the recent election – or the one before that or the one before that. The President’s Brain is Missing was originally published in 2010. It took me a while to remember which president this particular lack of braininess would have been lampooning at THAT time – but once I did it worked even better than it had initially.

And it most certainly did work.

It did remind me more than a bit of the author’s When the Moon Hits Your Eye in the sense that the crisis is just so completely off the wall and comes out of absolute nowhere. Although this story about the President’s missing brain did a much better job at, at least, nodding towards causality than Moon did and I liked it more for that.

Part of what made this so much fun is that it took me back both to a more innocent time – as strange as that seems – and it reminded me of a whole lot of wonderfully strange and geeky science fiction into the fun bargain.

There’s the obvious take off on the Star Trek: The Original Series episode Spock’s Brain – which was a terrible episode. At least Spock’s missing brain was considerably more apparent, as, after all, Spock USES his.

In addition to the multiple nods to Trek, and the beautifully played reference to the extremely applicable Clarke’s Law (Any sufficiently advanced technology is indistinguishable from magic,) I also got some whiffs of nostalgia about the X-Files and even a touch of Stargate. The X-Files were specifically mentioned, but so was Area 51 where Stargate Command had a base that dealt with alien technology.

The President’s brain may, or may not, have been missing – or maybe it’s Schrodinger’s Brain after all – but the author’s deft touch with science fiction humor was certainly present. And this story turned out to be the perfect listen for my own missing brain to wrap up the week.

Grade A #BookReview: Chasing New Suns by Lance Robinson

Grade A #BookReview: Chasing New Suns by Lance RobinsonChasing New Suns: Collected Stories by Lance Robinson
Format: ebook
Source: author
Formats available: paperback, ebook
Genres: science fiction, short stories
Pages: 202
Published by Lance Robinson on September 12, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Seven tales of mind, heart, and spirit from award winning science fiction author Lance Robinson.
From Apartheid era South Africa to humanity's first foray beyond the solar system, from precarious ecosystems in northern Alberta to the shiny glam of time-adept neocolonialists between the stars, these are stories of possibility.

This thought-provoking collection includes: the Writers of the Future Award first place winning story "Five Days Until Sunset"; "Communion", a haunting story of guilt, empathy, and human connection; "Money, Wealth, and Soil", which explores the relationship between greed and nobler human motivations, as a collective humanity attempts to incentivize the restoration of the world's ecosystems; "Problem Solving", a witty satire on neocolonialism and post-modern blahs; "The Thursday Plan", a story of an alternate history in which Apartheid never ended in South Africa; "The Gig of the Magi", a satirical take on finding love while grinding it out day to day in the gig economy; and "Chasing the Sun", which continues the spiritual quest begun in "Five Days Until Sunset".
Chasing New Suns is science fiction with heart.

My Review: 

I first read this author’s short story, “Five Days Until Sunset”, in Writers of the Future, Volume 40, and as you will see from my review of that story below, I loved it. It turned out to be one of my favorites in a collection of mostly excellent stories.

So when the author contacted me about reviewing this new collection of stories, a collection that included a sorta/kinda followup to “Five Days”, I was all in. And as you will also see from my reviews of the rest of the stories in the book, I’m very glad I said “YES!” to the whole thing.

“Five Days Until Sunset” (originally published in L. Ron Hubbard Presents Writers of the Future, Volume 40)
In spite of what a whole lot of SF would have one believe, the likelihood is that early colony ships will be a fairly iffy proposition. Which means that this reminds me a bit of Mickey7 but definitely without the humorous bits. Although in this case, it’s not that the planet is barely habitable, but rather that it’s not habitable in the way that the colonists dreamed of. It’s a story about adapting your dreams to your circumstances instead of attempting to force the circumstances to match your dreams. Grade A because the story is good and so complete in its very short length and it even manages to deal well with religion in the future which is really, really hard even in the present.

“The Thursday Plan”
What if? What if history went down a different leg of the trousers of time? What if you could see what is, what was, what might be, and what might have been, all at the same time? What if you could jump between them? That is the dilemma and the opportunity faced by James Mfaxa in a timeline where Apartheid did not end in 1994, but instead continued and became even more repressive with the help of invasive technology that bears a much too sharp resemblance to slave collars – or to an enforcement mechanism of thought police. But that technology – and the jammers used to combat it – give Mfaxa a chance to envision a different world. Not a perfect one – in fact far from it – but a world better than the one he has. If he is willing to take a chance of making his world, perhaps not right but at least right-ER.

I found this to be an A- story in ways that I think are a “me” problem rather than an actual issue with the story. I just didn’t know enough about the history involved for the story to have as big of an impact as it would have for someone who did. And even then it still landed with a thought-provoking bang.

“Problem Solving”
This turned out to be a surprisingly funny story with more than a bit of a sting in its tail. From one perspective, it’s all a bit of a farce, as D.K. discovers that his lifelong run of bad luck isn’t so much bad luck as terrible timing. D.K.’s discovery of this, accompanied as it is by the presence of alien representatives of an intergalactic alliance that give off the whiff of being serious scam artists adds to the fun of the whole thing. The way that D.K. finally manages to take advantage of his combination gift and curse pays off the whole story beautifully. This one isn’t deep – unlike the rest of the collection, and offers a nice change of pace.  Grade B

“Communion”
As I read this one, it reminded me of another story, which I eventually figured out was the story “Nonzero” by Tom Vandermolen in that same Writers of the Future collection that included “Five Days Until Sunset”. Both are stories about humans who have become ‘lost in space’, untethered from whatever ship or habitat they were originally living in. The difference between the two stories is the difference between hope – however tiny – and resignation. Personally, I enjoyed “Nonzero” a bit more because it had that hint of hope – and because the protagonist’s relationship with her AI was considerably more supportive than the one between Matt, Barb, Ismail and Liem in “Communion” as the four honestly don’t like each other much and they are each more alone at their end than the unnamed protagonist of “Nonzero” is with her AI companion.

Pessimists – or perhaps realists – will probably enjoy “Communion” more than “Nonzero”. Readers who do not believe in no-win scenarios will prefer “Nonzero”. This one is a Grade B for me because I prefer that glimmer of hope.

“The Gig of the Magi”
This story is an homage to the O.Henry classic, “The Gift of the Magi”. A story which, in spite of being over a century old at this point, still lands with a beautiful punch – especially during the holiday season. (If you have never had the pleasure of reading the original work, it is still worth a read, and is out of copyright and available free in ebook from multiple sources, while public libraries are certain to have it in their collections.) The story here, “The Gig of the Magi”, updates all of the settings and circumstances, while still delivering the same lovely message as the original. Grade A-.

“Money, Wealth, and Soil”
This is a terrific climate fiction story that manages to both showcase the pervasiveness of human greed and make it the engine of a possibly better tomorrow – even as agents of that greek do their damndest to game a very complicated system. Because that’s what people do. It’s also a story about payback without that payback actually being a bloody revenge, but rather something righteously delivered that hurts absolutely no one who doesn’t deserve it.

This was my favorite in the collection. I loved the way that it made the forces that normally break a system become part of the system, that it counted on human greed rather than pretending it doesn’t exist, and that it created something good out of it instead. And that the right people finally got what they deserved for all the different ways that can be parsed. Grade A+

“Chasing the Sun”
This story is a bit of a quasi-sequel to “Five Days Until Sunset”, and it’s the story I originally picked up this collection FOR. And I was not disappointed. You don’t have to read the earlier story first – although if you read the collection in the order in which it’s presented, of course you will anyway.

By the nature of the worldbuilding, while the people of this world seem to be the descendants of the surprised colonists in “Five Days”, they don’t have much in the way of even ancestral memory of those long ago – by their standards – events. And as a result of the ways their planet interacts with its sun, they can’t put down permanent roots and maintain archives. They MUST carry all their possessions on their backs nearly every single day.

But one of the things that made that original story interesting, and that continue into this later one, is that the original did an excellent job of presenting the multiplicity of possibilities of human religious beliefs in a way that actually worked – and its the descendants of those belief systems that fuel the interaction in this later story – even if some of those beliefs work less well for them in their present circumstances.

At the same time, it’s also a story about pride going before a very big fall, and of the way that clinging to the beliefs and methods of the past prevents people, even an entire people, from adapting to a changed present. And that even the stubbornest of people can learn with the right incentive.

As with the original story, this was also a Grade A story – even though, or perhaps especially because – it is a vastly different kind of story than the one that came before.

Escape Rating A: Overall, as should be obvious from my ratings of the individual stories, I really enjoyed this collection. I will be looking forward to whatever this author comes up with next AND I’ll be looking forward to next year’s Writers of the Future collection in the hope that it will be as good as the one this sprang from.

Grade A #BookReview: New Adventures in Space Opera edited by Jonathan Strahan

Grade A #BookReview: New Adventures in Space Opera edited by Jonathan StrahanNew Adventures in Space Opera by Jonathan Strahan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: science fiction, short stories, space opera
Pages: 338
Published by Tachyon Publications on August 13, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Have you ever wanted a faster-than-light trip to the future? Are you tired of reading science fiction novels that feel like they’re taking literal eons to finish? These fifteen award-winning and bestselling science fiction authors, including Charlie Jane Anders, Alastair Reynolds, Yoon Ha Lee, Becky Chambers, Tobias S. Buckell, Ann Leckie, and Sam J. Miller, and more, are here as your speedy guides to infinity and beyond.
In “Zen and the Art of Starship Maintenance,” a cloud-based contractor finds a human war criminal clinging to the hull of the ship. The clones of “All the Colours You Thought Were Kings,” about to attend their coming-of-age ceremony, are plotting treason. During “A Temporary Embarrassment in Spacetime,” two outlaws go on the run after stealing a device from a space cult.
Here are the new, adventurous―and most efficient―takes on interstellar battles, sentient spaceships, and political intrigue on a galactic scale. Discover where memories live and die, and where memes rise and fall in moments. Remember, the future is sooner than you think, and there’s only so much time for visiting it.

My Review:

These space opera stories aren’t exactly new as they’ve all been published before in a variety of not necessarily widely available sources. But all are from the last decade and every single story represents an author who is at the top of their game. And, for the most part, they are marvelous.

I’m usually hit or miss with short story collections, sometimes they work, occasionally they don’t, and often there are a couple of stories that go ‘clunk’ and not in a good way and/or one or two where I can see why people liked them but I’m just not the right reader for them.

This particular collection only had three stories that weren’t absolutely stellar – all puns intended. Which means that I read through the whole thing and had at least a bit to say about each, leading to an overall Escape Rating of A.

“Zen and the Art of Starship Maintenance” by Tobias S. Buckell
What is the difference between having free will but not having any real choices and being bound by contracts and programming – but having time to work one’s way around both? What does it REALLY mean to be human? And how much time and freedom does one need to find ALL the loopholes – and exploit the hell out of them? Escape Rating A for an absolutely beautiful asskicking of an ending.

“Extracurricular Activities” by Yoon Ha Lee (2018 Hugo nominee in the Novelette category)
Well, this just moved Ninefox Gambit up the virtually towering TBR pile, because I think this story is set in that universe and features one of the same characters, Shuos Jedai. Obviously one does not need to have read the series to get into this story because clearly I haven’t but just as clearly I most definitely did. Translating this to Trek a bit, because that’s what I was doing in my head, this story is what you’d get if Starfleet sent Section 31 to deal with the Tribbles, used Harry Mudd’s ship as cover – along with a much better looking version of Mudd – and it all worked out anyway in spite of all the reasons the entire operation should go terribly, horribly wrong. This is a story that shouldn’t be nearly as light as it turns out to be – but it is and it does and it was a LOT of fun along the way. Shuos Jedai fails up REALLY HARD in this story and it really works. Escape Rating A

“All the Colors You Thought Were Kings” by Arkady Martine
A different empire, different memories thereof. Three teens about to become cogs in the empire, except that they’ve chosen to take it over instead. A plot, a plan, a triangle of either siblinghood or romance or both, and a million to one shot that comes through but probably won’t change things half as much as they hoped. Escape Rating A

“Belladonna Nights” by Alastair Reynolds
What is the quality of mercy, and what does it mean to remember? Neither of which questions feel remotely like they should go together. I was expecting something about political shenanigans and jockeying for position and/or a bit of a star-crossed lovers romance, and what I got instead was something beautiful and sad and surprisingly elegiac. Which is exactly what the story is, an elegy for a people long dead, as seen through the eyes of the one person willing to remember them. Escape Rating A-

“Metal Like Blood in the Dark” by T. Kingfisher (2021 Hugo winner in the  Novelette category)
Not all learning organisms are human, and not all learning is on the side of the angels. But when your opponent is definitely working from the dark side of the Force, even a machine has to learn to fight fire with fire. Reminiscent of T.J. Klune’s In the Lives of Puppets in its story of machines being required to learn the worst lessons from humans – because some of them already have. Escape Rating A+

“A Temporary Embarrassment in Spacetime” by Charlie Jane Anders
This was just so deliciously, delightfully and dementedly over the top that it’s rolling on the floor laughing its ass off on the other side. A belly laugh of a tale, with a sensibility and a naming convention reminiscent of The Hitchhiker’s Guide to the Galaxy. Escape Rating A-

“Immersion” by Aliette de Bodard (2013 Hugo nominee in the Short Story category)
The weapons of conquest are not necessarily the kind that kill. Sometimes they just do their damndest to kill the culture instead and let the people conquer themselves. And sometimes the culture being appropriated manages to fight back in ways that aren’t exactly deadly weapons, but can be deadly all the same. Escape Rating A

“Morrigan in the Sunglare” by Seth Dickinson
Don’t read this one when you already have a sad because trust me, it won’t help at all. However, in its heartbreaking sadness it’s a beautiful story about what is, what was, what might have been, what it means to be human vs. what it means to have what it takes to defend those who are, what we owe to the people we love vs. what we owe to the people that love us AND it’s about saving what can be saved – even if that means we have to lose it. I have all the words and none of them convey this story properly because it’s beautiful and sad and HARD. Escape Rating A

“The Old Dispensation” Lavie Tidhar
My thoughts about this one went on two completely separate tracks. There are a TON of religious references in this far-future SFnal story, but what made all of that interesting was that every single one of those references, including place names and names of ships, originated in Judaism instead of any of the usual suspects. Very much on my other hand, however, the story doesn’t quite gel. The idea that the agent of the Exilarch was essentially dismembered and mind-raped was plenty creepy, and the whole idea of what the conflict was at its heart was kind of fascinating, but it didn’t pull together in the end and lost its way more than a few times in the middle. Escape Rating C

“The Good Heretic” by Becky Chambers
This was a heartbreaker in the best way, a story about friendship, and being true to yourself, and daring to be different no matter what it costs, and discovering that difference doesn’t have to mean bad or evil no matter what everyone else tells you. It’s part of the author’s Wayfarers universe but can absolutely be read as a standalone – I haven’t read Wayfarers yet but its moving up the TBR pile as I write. Escape Rating A++

“A Voyage to Queensthroat” by Anya Johanna DeNiro
There’s something in this one that reminds me of The Empress of Salt and Fortune by Nghi Vo, although I can’t totally put my finger on why. Part of it is the way that both stories are memoirs of secondary characters telling the story of someone famous and even legendary from a previously untold point of view, and that both have a gut-punch of an ending. I’m on the fence – with both stories actually – about whether the length was just right or whether there should have been just a bit more. Escape Rating A-

“The Justified” by Ann Leckie
The needs of the many outweigh the needs of the few or of the one – even when the one is supposedly the ruler of all they survey. And sometimes the only way to obey an order is to disobey the person who gave it. I think I needed more background than I had, or something like that, because this one only sorta/kinda worked for me and I was expecting it to be a wow. Escape Rating B

“Planetstuck” by Sam J. Miller
This was a story that works and works heartbreaking well because it’s completely invested in and riding on its characters. So even though we don’t have nearly enough about how this particular universe works, it doesn’t matter because what we care about – and deeply – are the desperate feelings of its protagonist and its lesson that you really can’t go home again – no matter how badly you want to, because some gifts really do come at much too high a price. Escape Rating A+

“The Last Voyage of Skidbladnir” by Karin Tidbeck
A beautiful ending to a terrific collection. It’s a bit steampunk-ish, not in setting but in the feel of the way the world is set up, but the story it reminds me of most is Floating Hotel by Grace Curtis, in that this is also about the last voyage of a cruise ship that is much bigger than it appears from the outside. Escape Rating B

#BookReview: Better Living Through Algorithms by Naomi Kritzer

#BookReview: Better Living Through Algorithms by Naomi Kritzer“Better Living Through Algorithms” by Naomi Kritzer in Clarkesworld Magazine Issue 200, May 2023) by Naomi Kritzer
Narrator: Kate Baker
Format: ebook, podcast
Source: podcast, supplied by publisher via Hugo Packet
Formats available: ebook, magazine, podcast
Genres: hopepunk, science fiction, short stories
Series: Clarkesworld Magazine Issue 200
Pages: 13
Length: 36 minutes
Published by Clarkesworld Magazine on May, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Clarkesworld Magazine, May 2023 issue (#200) contains:
- Original fiction by Naomi Kritzer ("Better Living Through Algorithms"), Harry Turtledove ("Through the Roof of the World"), Suzanne Palmer ("To Sail Beyond the Botnet"), Rich Larson ("LOL, Said the Scorpion"), Parker Ragland ("Sensation and Sensibility"), Megan Chee ("The Giants Among Us"), An Hao ("Action at a Distance"), and Jordan Chase-Young ("The Fall").
- Non-fiction includes an article by Carrie Sessarego, interviews with Premee Mohamed and Megan O'Keefe, and an editorial by Neil Clarke.

My Review:

This story was simply adorable – if both realistic and a bit sad. And sad because it was realistic and realistic because sad. With just the right tinge of hope to lift it up at the end.

It’s also surprisingly SFnal for a situation that sits in the uncanny valley where what used to be SF has become the real. It feels like it’s part of the lab-based SF tradition but there’s no actual lab. Or we’re all the lab. Or a bit of both.

Let me explain – or at least try.

Better Living Through Algorithms is set either in the RIGHT NOW or at a point in time so close that it might as well be now. It doesn’t need any aliens or space ships and there’s no computer virus running amuck.

What there is is an app. Just like now. But the app isn’t exactly like any of the usual suspects – although it’s perfectly capable of seeming like any or all of them.

Abelique combines elements of a productivity app, and a time management app, and a health monitoring app, wraps the whole thing up in a self-reflective little bow and ties it off with a bit of mystery.

When Linnea first hears about Abelique from her early-adopter friends, it sounds like a cult and she’s NOT INTERESTED. When her boss pushes her to try it – at work – he makes it sound like a productivity app. He also makes it sound like she’d better just do it.

So she does – to the point of doing the long and somewhat intrusive setup on work time – because if her boss is making references to her last and next evaluations as he’s “encouraging” her, it is. But Linnea gets hooked on Abelique the minute that it tells her it will help her lie to her boss. Because that’s clearly not the hallmark of a productivity app. At all.

And she’s in.

Through Linnea’s adoption of Abelique we see the whole life cycle of a viral app, as well as more than a bit of the nitty-gritty about how that sausage gets made. Abelique structures her day and her time – but in really good ways. It encourages her to connect with both new people and old dreams. It keeps her from becoming a drone of a worker bee.

All of which happen because she lets it invade her privacy – all for her own good. Which it actually is. At least until the inevitable end of the life-cycle comes and she stops using Abelique, gives up all of those good habits and goes back to her old routine.

But something remains, not of Abelique but of the person she leaned into while she used it. And that gives the story a much-needed little uplift at the otherwise sad but expected ending.

Escape Rating B+: I really did love this – not because the AI behind Abelique knows better than we do – but because it knows exactly what we know and just don’t pay attention to. None of the things that Abelique asks – and it’s always an ask and not a demand – are news.

People are happier when they have fewer small decisions to make. People are happier when they get outside more. People are more productive when they get enough sleep. People do feel better when they have space for a bit of creativity in their lives. Etc., etc., etc.

Abelique just puts all of those things that are already known into a package that seems cool and goes viral – for a little while. Because viral apps are only viral for a little while. It can’t last because of other predictable bits of human behavior – but it is lovely while it does.

In the end, this is a bit of hopepunk, in that some of what Linnea learns while she’s participating in Abelique remains – and not just for her – even after the app’s inevitable ending.

This was a story that I enjoyed while I was listening to it, but it wasn’t terribly deep and left me more than a bit sad at the end. As much as I liked it while I was listening, it doesn’t overtake How to Raise a Kraken in Your Bathtub on my Hugo ballot.

But reading it did leave me with a habit that I don’t plan on letting go of. I listened to this story from the Clarkesworld podcast reading. They read all the stories they publish in the magazine – as does Uncanny Magazine. I’ll definitely be looking for more of those podcasts, not just for the Hugo nominations, but for whenever I’m searching for excellent stories to listen to, even though there isn’t an app to tell me to.

#BookReview: The Mausoleum’s Children by Aliette de Bodard

#BookReview: The Mausoleum’s Children by Aliette de Bodard"The Mausoleum's Children" by Aliette de Bodard in Uncanny Magazine Issue 52, May-June 2023 by Aliette de Bodard
Format: ebook
Source: supplied by publisher via Hugo Packet
Formats available: magazine, ebook
Genres: Dark Fantasy, science fiction, short stories
Series: Uncanny Magazine Issue 52
Pages: 20
Published by Uncanny Magazine on May 2, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

The May/June 2023 issue of Hugo Award-winning Uncanny Magazine .

Featuring new fiction by Aliette de Bodard, Kylie Lee Baker, Lindsey Godfrey Eccles, Fran Wilde, Ewen Ma, Theodora Ward, and K.S. Walker. Reprint fiction by Chimedum Ohaegbu. Essays by Caroline M. Yoachim, LaShawn M. Wanak, Hana Lee, and Sam J. Miller, poetry by Nnadi Samuel, Jennifer Mace, Tehnuka, and Angela Liu, interviews with Kylie Lee Baker and Ewen Ma by Caroline M. Yoachim, a cover by Antonio Caparo, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, & 2022 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, Meg Elison, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.

My Review:

Welcome back to my bounce through this year’s Hugo nominations. Today’s foray into my quest to read the nominees that I didn’t get to last year is back in the Best Short Story (under 7,500 words) nominees with Aliette de Bodard’s “The Mausoleum’s Children”.

I put this particular story towards the front of the list because of the author. I’ve very much enjoyed her Universe of Xuya series – which is nominated for Best Series, BTW – and hoped for something in that series – although I should have known better because that’s against the rules – or at least something like that series – which would have been allowed.

I didn’t get what I was hoping for, but I think it did help that I have dipped into Xuya, as this is a story about returning to a place of former trauma, which just so happens to be a crashed ships’ graveyard.

Those crashed ships were once the kind of ship minds – at least sorta/kinda – who are some of the marvelous characters in Xuya. So I had the feeling this story was walking through their graves – and that bits of those minds still lingered, battered and broken and lost in endless nightmares.

But they’re not really the story. Instead, the story follows one human – or maybe I should say one person – who escaped from that ships’ graveyard as a child. Thuận Lộc is now an adult, forever scarred by her experiences, never fitting in anywhere in the world outside the mausoleum and desperate enough to return and attempt to save the people with whom she belongs – even if that attempt might mean her death.

In other words, she’s been living her whole, entire, supposedly ‘free’ life with a heaping helping of survivor’s guilt and she’s come to the conclusion that the only way out is through. One way or another.

Escape Rating B-: There’s a lot to unpack in this story and perhaps the suitcase it’s packed in wasn’t quite big enough in the first place.

The obvious bit is wrapped around Thuận Lộc’s need to belong, her guilt about not bringing her peeps out with her, and her attempt to assuage just a piece of that trauma. But there’s also more than a bit about abuse and its victims, Stockholm Syndrome writ very, very large, and the rapaciousness of greed for power in all forms and the way that some people try to escape evil by getting on top of it or allowing themselves to be co-opted by it.

I was, honestly, hoping for better from this story than I got. It wasn’t bad, I did like the central character and did feel for her, but the ending only worked because I was equating the ships in the mausoleum to the living ships from Xuya and that wasn’t in the text at all, it’s just the connection my brain went to in order to grasp something.

The premise at the heart of the story, trauma and survivors’ guilt and Stockholm Syndrome and the dangers of getting sucked back in but needing to go to expiate one’s demons – well, that’s been done much, much better in Premee Mohamed’s The Butcher of the Forest – a story that seems even better in comparison with “The Mausoleum’s Children”.

Two down in the Short Story category, four to go in the weeks ahead.

#BookReview: One Man’s Treasure by Sarah Pinsker

#BookReview: One Man’s Treasure by Sarah Pinsker"One Man's Treasure" by Sarah Pinsker in Uncanny Magazine Issue 50, January-February 2023 by Sarah Pinsker
Format: ebook
Source: supplied by publisher via Hugo Packet
Formats available: magazine, ebook
Genres: fantasy, short stories
Series: Uncanny Magazine Issue 50
Pages: 29
Published by Uncanny Magazine on January 3, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

The January/February 2023 issue of Hugo Award-winning Uncanny Magazine .

Our landmark Issue 50, a double sized issue! Featuring new fiction by Ken Liu and Caroline M. Yoachim, Mary Robinette Kowal, P. Djèlí Clark, A. T. Greenblatt, A.M. Dellamonica, Eugenia Triantafyllou, Sarah Pinsker, E. Lily Yu, Marie Brennan, Christopher Caldwell, John Wiswell, and Maureen Mchugh. Essays by Elsa Sjunneson, John Picacio, Annalee Newitz, A.T. Greenblatt, Diana M. Pho, and Javier Grillo-Marxuach, poetry by Neil Gaiman, Terese Mason Pierre, Sonya Taaffe, Betsy Aoki, Theodora Goss, Ali Trota, Abu Bakr Sadiq, Elizabeth Bear, and Brandon O'Brien, interviews with Ken Liu and Caroline M. Yoachim by Tina Connolly; interviews with Eugenia Triantafyllou, E. Lily Yu, and Christopher Caldwell by Caroline M. Yoachim, a cover by Galen Dara, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Meg Elison.

My Review:

This second entry in my very informal and scattered series of reviews of this year’s Hugo nominated works is focused on one of the nominees in the Novelette category – meaning a story between 7,500 and 17,500 words.

The title isn’t quite as evocative as last week’s “How to Raise a Kraken in Your Bathtub” – which is absolutely one of the most attention grabbing TITLES on the entire ballot. But this one came next because it’s from the same issue of Uncanny Magazine so I decided “Why not?”

For my next pick from the ballot I may have to resort to “Eeny, meeny, miny, moe” – or I will once I get through all the works by my faves that are on the list.

The title of this story, while not quite the claxon warning that Kraken should have been, does bring a scenario to the top of one’s mind – even if it’s a much different scenario – as well as a potentially less dangerous one.

“One man’s trash is another man’s treasure” as the old proverb goes. There’s also a variation about “one man’s meat being another man’s poison” but that’s not nearly as applicable in this story.

Because this is a story about the way that the trash gets taken out in a magically powered world, as seen through the eyes of the garbage collectors.

It’s kind of a “lower decks” story, in other words, a view of the world, not from the top where the movers and shakers do their moving and shaking and where stories are often set, but rather from much nearer to the bottom, where the nitty gritty is very gritty indeed and where shit gets done and disposed of – in this case one truckload at a time.

But this particular story is also a story about class and labor organizing and the rich being different from you and me, and especially from Aden, Blue and Nura.

And it’s a story about karma being a real bitch – but in a way that might just possibly teach someone a few lessons as she goes.

Escape Rating B-: It’s lucky for this story that it is not in the same category as Kraken because in spite of having potentially twice as much space to tell its tale, One Man’s Treasure doesn’t stick the dismount half as well.

The best part of One Man’s Treasure is the world creation and character creation by way of slice of life. On the one hand, it’s fantastically familiar on multiple levels.

While we might not think about how the Wizarding World in Harry Potter gets rid of its trash, it does have to happen somehow. In a magical world where everyone has a bit of magic, and a leisure class that has even more leisure, there would be neighborhoods where more magical detritus got thrown in the trash because there was more available to waste.

The potential of magical trash to be magically dangerous seems high once you think about it for a minute. That the ritzy neighborhoods would be paying good money to make sure that THEIR trash got taken away quietly and with minimal fuss seems obvious. That’s just humans being human in their ugliness.

The garbage collectors themselves, Aden and Blue along with Aden’s girlfriend Nura, represent an entirely different perspective. They’re the ones at the sharp end of the danger. They resent the waste of material and money that could make their lives better – AND they are frustrated by government budgeting – set by those very same rich people who don’t want to see them – that refuse to fund even basic safety equipment for their very dangerous jobs.

The situation is ripe for some kind of labor organizing and class action – which is exactly what happens. The way that situation comes about is woven into every thread of the story – even if the exact triggering point is a disgusting surprise.

But the denouement of the whole story felt a bit rushed, as though the words were running out – they possibly were – and it had to get wrapped. The character who has been lying all along – and for disgusting reasons – gets found out and gets punished. He seems to have an epiphany but we don’t get the chance to find out whether that’s real or whether it stuck.

So I was happily reading along, really liking the characters and loving the way the whole thing was working out and then BOOM it was over but not in a way that really felt like closure. This is a story where the world is terrifically built and just the right balance between familiar and new – but if you want to feel like it came to a solid conclusion you’ll need to decide that in your own head after you’ve finished – even as you wonder whether or not Aden ever lost the fox ears.

A- #BookReview: How to Raise a Kraken in Your Bathtub by P Djèlí Clark

A- #BookReview: How to Raise a Kraken in Your Bathtub by P Djèlí Clark"How to Raise a Kraken in Your Bathtub" by P. Djèlí Clark in Uncanny Magazine Issue 50, January-February 2023 by P. Djèlí Clark
Format: ebook
Source: supplied by publisher via Hugo Packet
Formats available: magazine, ebook
Genres: historical fantasy, short stories, steampunk
Series: Uncanny Magazine Issue 50
Pages: 26
Published by Uncanny Magazine on January 3, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

The January/February 2023 issue of Hugo Award-winning Uncanny Magazine .

Our landmark Issue 50, a double sized issue! Featuring new fiction by Ken Liu and Caroline M. Yoachim, Mary Robinette Kowal, P. Djèlí Clark, A. T. Greenblatt, A.M. Dellamonica, Eugenia Triantafyllou, Sarah Pinsker, E. Lily Yu, Marie Brennan, Christopher Caldwell, John Wiswell, and Maureen Mchugh. Essays by Elsa Sjunneson, John Picacio, Annalee Newitz, A.T. Greenblatt, Diana M. Pho, and Javier Grillo-Marxuach, poetry by Neil Gaiman, Terese Mason Pierre, Sonya Taaffe, Betsy Aoki, Theodora Goss, Ali Trota, Abu Bakr Sadiq, Elizabeth Bear, and Brandon O'Brien, interviews with Ken Liu and Caroline M. Yoachim by Tina Connolly; interviews with Eugenia Triantafyllou, E. Lily Yu, and Christopher Caldwell by Caroline M. Yoachim, a cover by Galen Dara, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Meg Elison.

My Review:

The title of this story is the title of the manual that Trevor Hemley receives along with the rather expensive ‘Kraken egg’ that he’s purchased from an advertisement in the back of a magazine. Which all sounds utterly dodgy when you think about it for even half a second – but Trevor Hemley didn’t. Think, that is.

All Trevor thought about was the possibility of fame and fortune, of finally proving to his wealthy father-in-law that he was worthy of the hand of the man’s daughter – even though he already had that hand, along with a lovely home and a secure position all provided by his wife’s father.

Which of course made him feel all that more looked down upon by his wife’s family and their wealthy connections.

So a kraken. Or rather a plan to hatch said kraken in his bathtub, reveal the existence of the long-believed either mythical or extinct kraken to the world, and reap the rewards that Trevor felt were his due. After all, in Trevor’s Victorian Era, the Industrial Revolution was in full swing, fantastic discoveries were being made around the globe by Englishmen of science and daring, and the sun never set on an Empire that reaped the benefits of all the countries to which it believed it was bringing enlightenment while raping their economies and destroying their cultures.

But England is unassailable from without – as history has proven time and again. Which does not mean that it can’t be conquered – or that vengeance can’t be delivered upon it – from within. One crate and one bathtub at a time.

By a monstrous and rapacious creature – in fact a whole horde of them – with appetites as large as empires.

Escape Rating A-: The whole of this story is considerably greater than the sum of its parts, which is merely one part of what makes it so much fun and so thought provoking at the same time.

On the surface, it’s a bit of a funny story about a man whose reach has very definitely exceeded his grasp, as well as a bit of a morality tale about the parting of fools and their money, combined with the message that anything that sounds too good to be true generally is and that people generally get conned because they’ve conned themselves first.

But those messages were delivered in a thrashing of tentacles and teeth which Trevor Hemley certainly deserved. What gives the story its shiver of horror mixed with delicious righteousness is the way that Trevor is merely a part of the deliverance of those messages to a much wider and even more deserving ‘audience’.

Because it’s not really about the kraken after all. Even though it still is. And it’s the double-barrelling of the story, that it’s both the tongue-in-cheek tale of a man who does something really, really stupid and pays for it, AND it’s a story about colonialism where the colonizers get more than a few tentacles of their just desserts.

The title of this is marvelous, eye-catching and true in more ways than one – much like the story it represents. However, that title isn’t the only reason I picked this up yesterday – but it is one of the reasons that I picked it first out of the Hugo Packet for this year’s awards – which leads me straight into the other reasons I chose to read this story to round out a week that’s had a whole lot of ‘meh’ in it.

As a person with at least a Supporting Membership in this year’s World Science Fiction Convention, I have voting rights for the Hugo Awards. In order to be informed about exercising those rights, the Awards committee compiles a packet of ebook versions of as much of the nominated material as the publishers will give them. That packet became available this week and I immediately downloaded the lot.

A lot that included this story by P. Djèlí Clark, whose previous work I have very much enjoyed, and in the case of the whole, entire Dead Djinn Universe (A Dead Djinn in Cairo, The Angel of Khan el-Khalili, The Haunting of Tram Car 015 and the utterly awesome A Master of Djinn) absolutely loved. While there are no djinn in this story, dead or alive, I was still up for some of his work because I knew it would be a gem whether or not it had received a Hugo nod.

All of which is to explain that many of the works that have received Hugo nominations (including another story from this very issue of Uncanny Magazine!) will appear in reviews here over the coming weeks. Based on the works that I have already read, plus this first foray into the nominated shorter works, it’s going to be an excellent year for the Hugos no matter which stories ultimately go home with rockets!