Review: Braking Day by Adam Oyebanji

Review: Braking Day by Adam OyebanjiBraking Day by Adam Oyebanji
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, science fiction, space opera, thriller
Pages: 359
Published by DAW Books on April 5, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

On a generation ship bound for a distant star, one engineer-in-training must discover the secrets at the heart of the voyage in this new sci-fi novel.
It's been over a century since three generation ships escaped an Earth dominated by artificial intelligence in pursuit of a life on a distant planet orbiting Tau Ceti. Now, it's nearly Braking Day, when the ships will begin their long-awaited descent to their new home.
Born on the lower decks of the Archimedes, Ravi Macleod is an engineer-in-training, set to be the first of his family to become an officer in the stratified hierarchy aboard the ship. While on a routine inspection, Ravi sees the impossible: a young woman floating, helmetless, out in space. And he's the only one who can see her.
As his visions of the girl grow more frequent, Ravi is faced with a choice: secure his family's place among the elite members of Archimedes' crew or risk it all by pursuing the mystery of the floating girl. With the help of his cousin, Boz, and her illegally constructed AI, Ravi must investigate the source of these strange visions and uncovers the truth of the Archimedes' departure from Earth before Braking Day arrives and changes everything about life as they know it.

My Review: 

This debut science fiction thriller combines both “We have met the enemy and he is us” with “No matter where you go, there you are” into a story about the baggage that we literally carry with us as we attempt to make a seemingly fresh, new start.

Three colony ships, the Archimedes, the Bohr, and the Chandrasekhar, have been traveling through the black of interstellar space for 132 years. That’s seven generations of shipboard life, all in service of a single goal – reaching Destination World and disembarking for a return to planet bound life that is otherwise so far in the past that no one alive remembers any sense of gravity other than that generated by the gigantic revolving rings that make up their ships.

But all of that is about to change when we first meet Midshipman Ravi MacLeod aboard the Archimedes. Because Braking Day is only weeks away. On that day, the ship will fire up its main engines to start their final push for their new home.

When everything that has become familiar over so many decades of shipboard life will finally change.

But there are always plenty of people who prefer the status quo, and that’s just as true aboard the Archie and her sister ships as it is in any other gathering of humans. Some are just afraid. Some don’t want to take the chance of screwing up a pristine new world the same way that their ancestors – meaning us, now – made a mess of Earth.

And some, the privileged few of the officer class in particular, are not looking forward to the loss of their purpose or especially those much vaunted privileges. After all, a planetary colony won’t need an officer class to run things anymore. At least it won’t need the same people and skills in that officer class that it has needed while aboard.

First, however, Archie and her sister ships have to get there. The crew has always been told that there’s no one out there to stop them – except their own internal squabbles. And not that they don’t have plenty of those to be going on with.

But as operations gear up for Braking Day, engineer-in-training Ravi and his hacker-extraordinaire cousin Boz hack their way into secrets that no one was ever supposed to find.

Archie, Bohr and Chandrasekhar are not alone – and never have been. The officers have a plan for dealing with the threat that they’ve never officially acknowledged. The problem is that the so-called enemy has a plan to deal with them, too.

And Ravi and Boz are caught right in the middle of it.

Escape Rating A+: This was another reread for me, from another STARRED Library Journal review. So I went back to this after several months and, like The Bruising of Qilwa yesterday, it was every bit as good the second time around. I don’t have the opportunity to reread terribly often these days, so this was kind of a treat!

I got caught up in this right away, both times, because this complex story in this large, artificial ecosystem is anchored in one, multi-faceted character, Ravi MacLeod. From one perspective, Braking Day can be seen as Ravi’s coming-of-age story. When we first meet him, he’s a cadet in engineering, but that’s just the tip of a ship-sized iceberg. And from another, it’s a gigantic mystery with potentially deadly consequences. Certainly for Ravi, and quite possibly for everyone else as well.

After 132 years, the social stratification of shipboard life has reached the level of downright ossification. Children of officers become privileged officers in their turn. Children of crew become crew. Children of criminal lowlifes eventually get recycled (literally) as “Dead Weight”, just like their parents.

Ravi is a maverick who gets punished at pretty much every turn because he comes from a criminal family. He doesn’t “belong” to the officer class and few people on either side of that divide ever let him forget it. (If this part of the story sounds interesting, take a look at Medusa Uploaded by Emily Devenport, which shows what happens after century upon century of such ossification. It’s not pretty but it is compelling.)

There’s also a gigantic secret hidden in the history of the Archie’s expedition – as there was in David Ramirez’ The Forever Watch. It’s a secret that was born out of the same kind of fear and that results in the same deadly consequences.

There is also an enemy within Archie, in a place and position that all the powers that be refuse to even look at. It’s an issue that has more resonance to today than I originally saw. The privileged classes, the officers, don’t want to lose their power and privilege, and fear the changes that landfall will bring. Some of them don’t care that if they don’t land that eventually the ship’s recycling will fail and they’ll end up drifting in space. After all, it won’t happen in their generation. But the officers who are investigating the increasing incidents of sabotage never look among “their own” for the perpetrators.

Add in an actual, living, breathing enemy that has been raised for generations to hate everything about the Archie and her sister ships, that wants nothing more than revenge for past wrongs, and you have multiple recipes for disaster all playing out at the same time – a disaster that just keeps on getting bigger and having more facets every minute.

The question of whether the fleet will cripple itself, whether they and their old enemy will wipe each other out, or whether the cybernetic space dragons will decide that they are all collectively too stupid to live creates the kind of non-stop adventure that will keep readers on the edge of their seats even after the big, explosive climax.

Braking Day was the author’s debut novel, and it was wild and marvelous and thoughtful all at the same time. I literally gobbled it up not once but twice and still wished there were more. His next book is a complete surprise as it’s a contemporary mystery thriller. A Quiet Teacher is coming out next week, and I’m terribly curious to see where the author takes me next.

Review: The Mountain in the Sea by Ray Naylor

Review: The Mountain in the Sea by Ray NaylorThe Mountain in the Sea by Ray Nayler
Narrator: Eunice Wong
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, climate fiction
Pages: 464
Length: 11 hours and 5 minutes
Published by MCD on October 4, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Humankind discovers intelligent life in an octopus species with its own language and culture, and sets off a high-stakes global competition to dominate the future.
Rumors begin to spread of a species of hyperintelligent, dangerous octopus that may have developed its own language and culture. Marine biologist Dr. Ha Nguyen, who has spent her life researching cephalopod intelligence, will do anything for the chance to study them.
The transnational tech corporation DIANIMA has sealed the remote Con Dao Archipelago, where the octopuses were discovered, off from the world. Dr. Nguyen joins DIANIMA’s team on the islands: a battle-scarred security agent and the world’s first android.
The octopuses hold the key to unprecedented breakthroughs in extrahuman intelligence. The stakes are high: there are vast fortunes to be made by whoever can take advantage of the octopuses’ advancements, and as Dr. Nguyen struggles to communicate with the newly discovered species, forces larger than DIANIMA close in to seize the octopuses for themselves.
But no one has yet asked the octopuses what they think. And what they might do about it.
A near-future thriller about the nature of consciousness, Ray Nayler’s The Mountain in the Sea is a dazzling literary debut and a mind-blowing dive into the treasure and wreckage of humankind’s legacy.

My Review:

This turned out to be an utterly lovely book. It is very much in the vein of the science fiction of ideas and making them come to life and it just completely sucked me in as though one of the octopuses had just wrapped me in its tentacles and pulled. Hard.

I loved this one a lot more than I expected, which means I’ll probably squee a bit. You have been warned.

It’s clear from the beginning that this takes place on a near-future Earth. The setting isn’t quite dystopian, and it isn’t quite not either. Whether it seems dystopian or not at any given point in the story depends on which of the three point of view characters the story is following at that moment.

Eiko’s perspective is definitely dystopian. He was kidnapped from the streets of Ho Chi Minh City and is a slave on an automated fishing trawler, hunting the world’s depleted oceans for any source of protein that can still be processed into food. His story is tragic and his situation is bleak and getting bleaker by the minute.

Whether Rustem’s situation is dystopian or not depends on whether one thinks that the mostly terrible and generally criminal clients he works with are representative of the way his world works or whether he’s bottom-fishing because he’s an infamous black-hat hacker who conducts assassinations by AI proxy. His current clients do seem to be worse than most, but they’ve given him a more complex and intriguing puzzle than average – and threatened his life if he doesn’t deliver.

If one wonders how those two characters intersect – and this reader certainly did – the glue that holds this story together is the perspective of Marine biologist Dr. Ha Nguyen, who has been whisked away to the remote Con Dao Archipelago by a transnational tech company to fulfill the dream of her life’s work.

In the waters off Con Dau, DIANIMA Corporation has discovered a pod of octopuses that might, just possibly, have achieved not just a similar level of intelligence to humans, but have also independently developed the skills that vaulted humans to the top of the food chain. DIANIMA has brought Dr. Ha Nguyen to Con Dau because she quite literally wrote the book on the possibility of intelligent, communicating life developing in the world’s oceans.

If she determines that the pod of octopuses is just a pod of ordinary octopuses – who are plenty intelligent but have no way to pass it on – well, probably not much happens to her and there wouldn’t have been much of a book, either.

But if she finds enough evidence that the octopuses off Con Dau can do what we do, if they have developed language that conveys abstract concepts and have methods of speaking and especially writing that language, then they may hold the key to humans learning to communicate with other species. Or it may be possible to weaponize their abilities through threats, intimidation and superior firepower – assuming that humans actually have superior firepower.

Or they could be a threat. If humans threaten them, they will likely become a threat regardless. So the human sharks and vultures are gathering around Con Dau, whether to protect, to save – or to kill.

Escape Rating A+: If Remarkably Bright Creatures and Three Miles Down had a book baby, it would be The Mountain in the Sea. Which is a fairly strange thought because as much as I loved both those books, they really shouldn’t have any relationship to each other.

But here they do. And it’s surprising and awesome.

As I said at the top, this book is an example, a stellar example in fact, of science fiction of ideas. This is a near-future world, there are no spaceships or extraterrestrials here. It could be said to be a climatological disaster, but if so it’s one that we can see from here.

The heart of that mountain in the sea is the idea of just how damn difficult communication is. It’s an issue that doesn’t get nearly enough play in space opera type SF, and it should. Other species who don’t share our frames of reference probably don’t communicate the way we do – at all.

So what this story does, and does well, is to convey just the smallest sliver of how difficult it will be to find common ground with a species that doesn’t communicate the way we do, doesn’t have the same species imperatives, doesn’t move through its world the way we do, doesn’t use any body language we recognize. There’s not going to be the equivalent of the Rosetta Stone. It’s Dr. Ha Nguyen’s job to create one from scratch, while never being certain that her interpretation is anywhere near the correct target – let alone hitting a ‘bull’s eye’. If her base assumptions are off base, everything that follows after will be gibberish – with potentially catastrophic consequences.

That the author manages to make what could have been a fairly dry story about communication difficulties into a compelling story of relationships between people, octopuses and artificial intelligences turned the whole thing into an utter delight with a surprising ending that mixed more sweet than I expected into a situation that could have turned out so very bitter. That the story managed to bring those three extremely disparate and seemingly disconnected perspectives into a connected whole that brought the whole story full circle made for delicious icing on top of a very yummy story-cake.

I listened to The Mountain in the Sea, and the reader did an excellent job to the point where I found myself hunting for things to occupy my hands so I could listen longer to the story. Much of Dr. Ha Nguyen’s side of the story is a dialog between her written work and that of DIANIMA’s creator, Dr. Arnkatla Mínervudóttir-Chan. The reader did a particularly good job of distinguishing these two strong, intelligent women’s writings from their personal perspectives and their frequently contentious dialog once they finally do meet in person.

In short, a wonderful performance of an excellent book. I’m looking forward to finding more work by this author. Considering that this is his debut novel, I have high hopes for his next book. And if it’s read by the same reader, that will make it even more of a treat!

Review: Station Eternity by Mur Lafferty

Review: Station Eternity by Mur LaffertyStation Eternity (The Midsolar Murders, #1) by Mur Lafferty
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: mystery, science fiction
Series: Midsolar Murders #1
Pages: 336
Published by Ace on October 4, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From idyllic small towns to claustrophobic urban landscapes, Mallory Viridian is constantly embroiled in murder cases that only she has the insight to solve. But outside of a classic mystery novel, being surrounded by death doesn’t make you a charming amateur detective, it makes you a suspect and a social pariah. So when Mallory gets the opportunity to take refuge on a sentient space station, she thinks she has the solution. Surely the murders will stop if her only company is alien beings. At first her new existence is peacefully quiet…and markedly devoid of homicide.
But when the station agrees to allow additional human guests, Mallory knows the break from her peculiar reality is over. After the first Earth shuttle arrives, and aliens and humans alike begin to die, the station is thrown into peril. Stuck smack-dab in the middle of an extraterrestrial whodunit, and wondering how in the world this keeps happening to her anyway, Mallory has to solve the crime—and fast—or the list of victims could grow to include everyone on board….

My Review:

Mallory Viridian is a murder magnet. Wherever she goes, whenever she is in a group long enough, big enough, or both, somebody ends up dead. She’s never been the intended victim, and she’s never been the perpetrator, either. No matter how many times any number of different law enforcement agencies have tried to pin the murder on her. Because she nearly always solves the case. In fact, she has a downright preternatural ability to solve crimes. She’d be perfect as a cop or a private investigator, but law enforcement is so perturbed by her ability to be in the room where it happens AND figure out whodunnit when they can’t that she’s been blackballed from any possibility of using her weird talent where it will do some good.

She’s also tired of being in the midst of all the carnage as well as the suspicion that goes along with it.

Which has led her to Station Eternity, one of only three humans permitted on the alien, self-aware, sentient station. In the hopes that, with only three humans aboard her gift – or curse – won’t kick in. As long as she doesn’t let herself get too close to either of her fellow exiles.

So when she learns that an entire shuttle full of humans is already on its way to the station, she starts to panic. A panic she manages to pass along to her fellow exiles; an AWOL US Army soldier with a whole lot of military secrets, along with the human ambassador who is sure the shuttle contains his replacement. The soldier is sure that someone is coming to get him, while Mallory is dead certain that when the shuttle arrives, somebody is going to end up dead.

They’re all equally correct. And equally screwed.

When the shuttle approaches the station, chaos erupts. Mallory expected a murder – but not on the scale she is forced to confront. Or the people she’s forced to confront along with it.

The station lashes out at the shuttle, killing half the humans aboard, along with all of the non-human crew. Why? Because someone attacked the station’s very own symbiotic partner, setting off a chain of catastrophes, evolutions, and revelations that no one aboard is prepared to deal with.

Especially Mallory.

Escape Rating A-: This delightfully bonkers story combines a locked-room – or at least locked station – mystery with a fascinating premise and a species-diverse post-First Contact setting to create a puzzle that will drive its readers every single bit as panic-stricken as its protagonists.

The world of Station Eternity isn’t all that hard to fathom – from a certain point of view. The concept that someday – possibly even someday soon as in this story – beings from the galaxy at large will visit Earth. And most likely decide that we aren’t nearly as impressive as we think we are.

We don’t impress the rest of the galaxy because we’re so…singular. Isolated. Unable to form symbiotic bonds with other species, which those other species believe are required for higher development.

While humans – at least those of certain mindsets – see threats to our existence in what are most likely just threats to their own sense of self-importance and manifest destiny.

So what begins as a seemingly simple crash turns into a life-threatening crisis that places Mallory and her uncanny talent for solving murders at its center. And very nearly out its airlock.

What holds the story together is the way that everyone involved, including the non-humans, is linked to Mallory. In spite of her fear of becoming linked to much of anyone. The station has permitted her sanctuary, one species of insect-type aliens is studying human biology through her, several of the rock-type aliens are her friends, the camouflage-type aliens respect her ability to help solve problems, and the officious administrative-type (both human and alien) want her off the station.

Even what seems like a grab-bag of assorted humans aboard the shuttle are all connected to her – or connected to the other human-granted-sanctuary aboard, that AWOL soldier Xan. Who is also connected to Mallory – not just because of their time on the station but as a result of all the times they interacted on Earth.

It’s the connections to Mallory, those things she has avoided much of her life, that glue both the reader and Mallory into the story. Some of that holding together peeks back at how they all got there, and occasionally that peering into the past puts a bit of a hitch in the narrative – but that always manages to stutter back around.

So it’s bonkers. And weird. And fascinating. And a bit too on the nose at some points. It’s also perfect that in the end Mallory finally has the three things she’s been looking for. A purpose she can really sink her teeth into. A place where she can have friends and a real life for herself. Best of all, she finally has answers to all the puzzles of her life – and a way to move forward. With hope.

It’s not surprising that Station Eternity is the first book in a series. The premise of the uncanny detective on the alien station just seems perfect for continuing. And it will be, sometime next year.

In the meantime, if you’re looking for something to tide you over, I can recommend two recent books that are also wrapped around solving mysteries on spaceships or colonies which have put different but still fascinating spins of their own onto their SFnal mystery. So if you like the sound of Station Eternity, or are looking for more after you finish it, check out The Spare Man by Mary Robinette Kowal and the upcoming To Each This World by Julie Czerneda. They are both excellent and will make the wait for the (so far untitled) next book in The Midsolar Murders series go just a little bit faster.

Review: Travel by Bullet by John Scalzi

Review: Travel by Bullet by John ScalziTravel by Bullet (The Dispatcher #3) by John Scalzi
Narrator: Zachary Quinto
Format: audiobook
Source: purchased from Audible
Formats available: audiobook
Genres: mystery, science fiction
Series: The Dispatcher #3
Length: 3 hours and 43 minutes
Published by Audible Studios on September 1, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazon
Goodreads

The world has changed. Now, when someone is murdered, they almost always come back to life—and there are professionals, called "dispatchers," who kill in order to save lives, to give those near the end a second chance. Tony Valdez is a dispatcher, and he has never been busier.

But for as much as the world has changed, some things have stayed the same. Greed, corruption and avarice are still in full swing. When Tony is called to a Chicago emergency room by an old friend and fellow dispatcher, he is suddenly and unwillingly thrown into a whirlpool of schemes and plots involving billions of dollars, with vast caches of wealth ranging from real estate to cryptocurrency up for grabs.

All Tony wants to do is keep his friend safe. But it’s hard to do when friends keep secrets, enemies offer seductive deals, and nothing is ever what it seems. The world has changed... but the stakes are still life and death.

My Review:

I’ve always assumed that The Dispatcher series was set in a near-future Chicago. It seems like I was half wrong, because the opening of Travel by Bullet makes it very clear that this is an alternate Chicago, but the alterations seem limited to the switch that makes the whole series possible. That 999 out of 1,000 who are murdered don’t actually die.

The Chicago this story takes place in, however, is very much the real city, and very much right now, in a world where the pandemic just happened and we’re or in this case they’re, just getting out from under it. With all the exact same mess and uncertainty lingering in Tony Valdez’ world as there is in this one.

There really is a Lou Malnati’s Pizzeria in Wicker Park. And now I want some. Because there is nothing like a Chicago Deep-Dish Pizza – although when I lived there I usually went to Pizzeria Uno.

But you can taste the pizza as you listen to Zachary Quinto once again describe Tony Valdez’ Chicago as he slips back into the role that he voiced in the first two audio originals in this series, The Dispatcher and Murder by Other Means.

The thing about Tony Valdez’ Chicago, as described in the title of the second story in the series, is that someone who wants to commit a murder DOES need to do it by other means. Because very few people who are murdered directly – so to speak – don’t actually die. They just come back somewhere safe and let the police – or whoever – know whodunnit.

So it has to be done some other way.

But that also means that being dispatched has become a bit of a thrill-ride for the rich and jaded. A thrill-ride that Tony’s fellow dispatcher has conducted on multiple occasions. It’s a well-paid if dubiously legal and ethically questionable job. And Mason Schilling is all about getting paid.

At least until Mason throws himself out of a moving car on the Dan Ryan because he’s in something dirty and deadly up to his neck. And when he asks for Tony to be present for Mason’s own dispatching, he drops Tony into it right along with him.

Leading Tony straight into that world of the rich and jaded, while dodging questions from his friends in the Chicago PD and trying to stay just one step ahead of the folks who’d like to take him for a deadly drive on Ryan the same way they did Mason.

All in pursuit of a MacGuffin that may, or may not (it’s a bit of a Schrödinger’s MacGuffin) hold millions of dollars, or millions of dollars in secrets, or both. Or neither. The truth of which is what Tony has to figure out, one step ahead of pretty much everyone who is chasing after him – even after he travels by bullet.

Escape Rating A: The author of The Dispatcher series is best known for two things, his science fiction and his excellent line in snark. Travel by Bullet, and the entire series so far, has a whole lot more of the latter than the former.

Tony Valdez clearly represents the author’s voice in this series. There’s usually at least one character in any of Scalzi’s stories that reads like it’s his direct representation in the action, and in The Dispatcher it’s definitely Tony.

Not that the entire cast of characters isn’t plenty snarky as the situation requires. Because it generally does in this series.

What this series isn’t, at least in comparison to Redshirts, Old Man’s War or The Collapsing Empire, is all that science fictional. Instead, rather like his Lock In series, The Dispatcher series is a mystery that has been set up by an SFnal concept.

So if you’ve been curious to try Scalzi but don’t read much SF, this series might be a way in. If you’ve stayed away because of the extreme snarkitude, well, this might not be your jam.

But it certainly is mine.

What makes this particular entry in the series so delicious – besides the references to Lou Malnati’s pizza – is that it’s a story about humans behaving very, very badly and we’re inside the head of someone who isn’t afraid to say the terrible parts of that out loud – at least within the confines of his own head.

In other words, it’s fun to see rich people fuck up this badly and get at least some of their just desserts for it. The schadenfreude is strong with this one.

At the same time, we get a peek into the darker side of the more human aspects of Tony’s job. So many people want to do something for their suffering loved ones – especially in the throes of the still simmering pandemic. And Tony, along with all the other dispatchers, is at the front line of telling people that what he’s obligated to do won’t actually help. It’s heartbreaking and it’s real and it’s impossible not to feel for everyone involved.

The SFnal conceit that makes this series work also makes both the mystery and the solution of it intensely convoluted. Which is part of the fun of the whole thing, listening to what’s rattling around in Tony’s head as he tries to figure out what he’s gotten himself into, how deep he’s in it, and just how hard it’s going to be to get out.

It’s a wild ride from beginning to end, told in Zachary Quinto’s perfectly wry and world-weary voice. As with the previous books in the series, there will eventually be a hardcover book from Subterranean Press, but it’s not here yet. Still this was written for audio and it’s the perfect way to experience Tony’s Chicago.

Speaking of which, the author has said that this series is his love letter to Chicago. If you love the city as much as he does – or as much as I do – listening to The Dispatcher series will make you fall in love all over again.

Review: Star Trek: Picard: No Man’s Land by Kirsten Beyer and Mike Johnson

Review: Star Trek: Picard: No Man’s Land by Kirsten Beyer and Mike JohnsonNo Man's Land (Star Trek: Picard) by Kirsten Beyer, Mike Johnson
Narrator: Michelle Hurd, Jeri Ryan
Format: audiobook
Source: purchased from Audible
Formats available: audiobook
Genres: science fiction, space opera, Star Trek
Length: 1 hour and 39 minutes
Published by Simon Schuster Audio on February 22, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Discover what happens to Raffi and Seven of Nine following the stunning conclusion to season one of Star Trek: Picard with this audio exclusive, fully dramatized Star Trek adventure featuring the beloved stars of the hit TV series Michelle Hurd and Jeri Ryan.
Star Trek: No Man’s Land picks up right after the action-packed season one conclusion of Star Trek: Picard. While Raffi and Seven of Nine are enjoying some much-needed R&R in Raffi’s remote hideaway, their downtime is interrupted by an urgent cry for help: a distant, beleaguered planet has enlisted the Fenris Rangers to save an embattled evacuation effort. As Raffi and Seven team up to rescue a mysteriously ageless professor whose infinity-shaped talisman has placed him in the deadly sights of a vicious Romulan warlord, they take tentative steps to explore the attraction depicted in the final moments of Picard season one.
Star Trek: No Man’s Land is a rich, fully dramatized Star Trek: Picard adventure as Michelle Hurd and Jeri Ryan pick up their respective characters once more. Written for audio by Kirsten Beyer, a cocreator, writer, and producer on the hit Paramount+ series Star Trek: Picard, and Mike Johnson, a veteran contributor to the Star Trek comic books publishing program, this audio original offers consummate Star Trek storytelling brilliantly reimagined for the audio medium.
In addition to riveting performances from Hurd and Ryan exploring new layers of Raffi and Seven’s relationship, Star Trek: No Man’s Land features a full cast of actors playing all-new characters in the Star Trek: Picard universe, including Fred Tatasciore, Jack Cutmore-Scott, John Kassir, Chris Andrew Ciulla, Lisa Flanagan, Gibson Frazier, Lameece Issaq, Natalie Naudus, Xe Sands, and Emily Woo Zeller, and is presented in a soundscape crackling with exclusive Star Trek sound effects. Drawing listeners into a dramatic, immersive narrative experience that is at once both instantly familiar and spectacularly new, Star Trek: No Man’s Land goes boldly where no audio has gone before as fans new and old clamor to discover what happens next.

My Review:

I picked this up in one of those “Audible Daily Deal” things for $1.99. And it was certainly worth way more than I paid for it. Because this was not quite two hours of Star Trek fun in a week where I seriously needed to go to my happy place – and Star Trek is still very much that place.

Like so many Star Trek: Next Gen episodes – and this certainly does seem a lot like an episode of Picard so that fits – No Man’s Land has an ‘A’ plot and a ‘B’ plot. The A storyline is an action adventure story, with Seven of Nine and the Fenris Rangers racing off to save a hidden Romulan cultural archive from the depredations of one of the mad warlords who rose up after the fall of the Empire.

The B plot, as it so often was in Next Gen, is a character-driven story wrapped around the possible romance that was hinted at between Raffi and Seven of Nine in the closing moments of the final episode of Picard’s first season. The possibility of that relationship is echoed in the A plot by the bitter sweetness of the lifelong love between Seven’s old friend, Professor Gillin and Hellena, the wife he was separated from during the Romulan evacuations so many years ago.

Like so many Trek episodes from ALL of the series, it all begins with an emergency distress call from a far-flung outpost. In this particular case, a far-flung outpost filled with nothing but scholars, historians, scientists and relics – some of which are also among the first three groups. It’s a repository of Romulan culture, desperately saved from the destruction of the Romulan homeworld by the Fenris Rangers, with the cooperation – sometimes – of the original owners and the assistance of the librarians and archivists who gathered the material. It has been protected mostly by its obscurity, but that cloak has been torn away and one of the more implacable Romulan warlords is on his way to either capture or destroy it.

Except, that’s not exactly what happens.

But the distress call interrupted a tender moment between Raffi and Seven, as duty calls one of them, in this case Seven, and drags a bored, unemployed Raffi along in her wake. And that’s where the real fun begins – as it so often does in Trek – with a mission, a barely workable plan, and a character going it on their own without any plan but possibly a death wish.

And underneath it all, an adventure that might blow up in everyone’s faces leading to an ending that no one quite expects.

In other words, a typical day on the bridge of a Federation starship – even if someone has to steal one first!

Escape Rating B: I went into this hoping for a bit of fun, and I certainly got that so I left this story pretty happy with the whole thing. But it listens very much like a cross between an episode of the Star Trek universe as a whole and one of the media tie-in novels that Star Trek birthed in vast quantities.

By that I mean that I was expecting fun but not anything that would seriously affect the main storyline of the show – in this case – Picard. So I was expecting the hints of a romance between Seven and Raffi to be bittersweet at best because even if it does happen eventually it can’t happen here.

And yes, the Romulan warlord is a bit of a screaming cliché – but then most Romulan warlords were screaming clichés. The actual emperors could be very interesting, but the warlord wannabes – not so much.

On the other hand, the exploration of the Fenris Rangers and how they work together and mostly don’t was fascinating. The banter between Starfleet-trained Raffi, over-the-top, walking malaprop Hyro and jack-of-all-trades Deet was frequently hilarious. That trio act provided most of the comic relief in a story that was otherwise pretty damn serious.

Of course I loved the whole idea of the hidden repository. That’s always cool.

But it was the story of Professor Gillin and his lost love that tugged at my heartstrings, and I really liked the way it held up a mirror to the relationship that Raffi and Seven are tentatively reaching towards – and backing off from at the same time.

Because Seven and Raffi just aren’t in the same place. They’re both damaged and grieving and more than a bit lost – but Raffi is at a place where she’s willing to try again and Seven just isn’t there and may never be. Watching them recognize that was sad but also heartfelt.

And it rang so very, very true that Raffi’s love for the Federation was the relationship that she felt the most regret over, that it was the most difficult love of her life for her to completely give it up. Because in a way that’s true for all of us who have been fans over the years and never quite let that love go.

So if Trek is your happy place, or if you just want to dip a bit into that world, or if you’re looking for a bit of distraction from whatever that won’t hurt too much or pull too hard or tax too dearly on your world-weariness of the moment, No Man’s Land is actually a great place to go for a couple of hours.

Review: 1632 by Eric Flint

Review: 1632 by Eric Flint1632 (Ring of Fire #1) by Eric Flint
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: alternate history, science fiction, time travel
Series: Ring of Fire #1
Pages: 597
Published by Baen Books on 2-1-2000
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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FREEDOM AND JUSTICE -- AMERICAN STYLE 1632 And in northern Germany things couldn't get much worse. Famine. Disease. Religous war laying waste the cities. Only the aristocrats remained relatively unscathed; for the peasants, death was a mercy. 2000 Things are going OK in Grantville, West Virginia, and everybody attending the wedding of Mike Stearn's sister (including the entire local chapter of the United Mine Workers of America, which Mike leads) is having a good time. THEN, EVERYTHING CHANGED.... When the dust settles, Mike leads a group of armed miners to find out what happened and finds the road into town is cut, as with a sword. On the other side, a scene out of Hell: a man nailed to a farmhouse door, his wife and daughter attacked by men in steel vests. Faced with this, Mike and his friends don't have to ask who to shoot. At that moment Freedom and Justice, American style, are introduced to the middle of the Thirty Years' War.

My Review:

What if? That’s often the central question in science fiction. In the case of alternate history, as 1632 most definitely is, the question is just a bit more specific. What if history went down a different leg of the trousers of time than it did in the world we know?

When this book and this series, 1632, opens, it’s the year 2000 in Grantville, West Virginia. The entire town has turned out, along with quite a few selected and/or important guests, to see Rita Stearns, hometown hero Mike Stearns’ sister, get married to an out-of-towner whose parents most definitely do not approve.

Time and history, at least as far as the residents of Grantville knew it, gets knocked off the rails during the wedding reception, when what they later refer to as “The Ring of Fire” slices a 6 mile wide – and deep – circle in the earth with Grantville at its center, picks up that slice of the just barely 21st century U.S. and switches it with a corresponding slice of earth in the middle of the Holy Roman Empire in 1632 during the height of the mess that history refers to as the Thirty Years’ War.

The story in this book and the series that grew out of it, is not about the aliens. Nor is it about the mechanism of that time travel. It’s about what happens next. In 1632. Where a complete town of 3,000 people with late 20th century ideas and ideals has suddenly dropped into the midst of chaos.

No one even thinks about Star Trek’s Prime Directive. They can’t reverse what happened. They don’t even know how it happened. They can’t leave. And there are far, far too many of them to either hide that they are there or attempt to blend into the local population. Where they are, which turns out to be the middle of the Thuringian Forest, is where they are staying. And where their children, and grandchildren, etc., will be born and raised.

This is the story of who they decide to be and how they decide to make that happen in a world that isn’t ready for either what they think or what they know. They see two options laid out before them. The first is to batten down the hatches and fend off anyone from the outside who tries to get in. The second is to throw open the doors and let everyone in – as long as they are willing to abide by the conditions laid out in documents that won’t be written for another century and a half.

Can the United States of Europe get enough people to accept democracy, civil rights and American-style prosperity fast enough to change enough history to make a new, good life for themselves and everyone willing to join them?

Or will the powers-that-be of 17th century Europe wipe them out and grind them under before they have firm enough ground to stand on?

Escape Rating A: I read 1632 way back when it was originally published in 2000 and absolutely fell in love with it – and several of the subsequent volumes of the Ring of Fire series. The author and originator, Eric Flint, passed away last week and it reminded me just how much I loved this at the time. I decided to see if it held up over the intervening decades – and here we are. The answer is pretty obvious from the rating. I loved it then and I love it still and I’ll probably read more of the series – again or for the first time – as time permits.

That’s not to say it doesn’t have its flaws along with its terrific points – but I still loved it. For one thing, this is very much competence porn. The group of folks who end up as the “Founding Fathers and Mothers” are all utterly excellent at doing the jobs that have been thrust upon them.

Probably more excellent – and more cohesively – than would happen if this were real. Or if it happened now. It did feel like they came together much faster in 2000 than might occur today after the last two decades of extreme political divisiveness in the U.S.

The wedding reception also created a rather convenient excuse for a lot of people to be in this small and already dying town than would have been true on a typical Sunday. It is particularly notable that the only black people in town – a much needed doctor and his paramedic daughter – are only there for the wedding. Otherwise the town would be almost entirely monochromatic.

If there are any LGBTQ+ folks in Grantville – we certainly don’t meet them in this first book. (That being said, this was not atypical of publishing at the time this book came out. The series kept on going, 32 books and counting, with the most recent, 1636: The China Venture, published in 2019. I imagine the books got more diverse in all ways as the series continued, but I can’t prove it from here.)

What fascinated me the first time I read this, and continues to do so, was the history and the directions that the author – and his later collaborators – chose to take that history. Their initial decisions in this first book seem reasonable, especially that all-important decision to gear their technology down to the level of the Industrial Revolution. It’s a level they can reach and maintain with the knowledge they have and the level of technology they can get their neighbors to reach. And it’s still way ahead of where central Europe is when they “landed”.

This book doesn’t so much end as it does lead immediately to the next book in the series, 1633. But it still feels like it stops on a triumphant note. Not because they just won an important military victory – although they certainly did. It’s what that victory is in service of that makes the ending a high note.

First, the victory is a victory of alliance – not of Grantville using its technical superiority to turn itself into a fortress nation. They form an alliance with King Gustav II Adolphus of Sweden, who in the history that was but will not be, a very forward thinking monarch who might have changed real history – if he hadn’t died in late 1632.

Second, the victory on their home ground, protects the most dangerous thing that Grantville brought back with it – the high school library and the students studying at the school. The powers-that-be, including Cardinal Richelieu of France (the villainous mastermind in The Three Musketeers) knew that the knowledge and information that Grantville brought to the 17th century was infinitely more dangerous than any of their weapons – and they wanted it destroyed at all costs.

And I have to admit that that acknowledgement, that libraries are dangerous because they expose people to knowledge and information, warmed the cockles of my librarian’s heart. Because it is and because we are. Not because of any of the specific things that are being protested today, but because libraries open people’s minds to what is possible – and that is what reactionary forces always fear above all else. Libraries, and librarians, teach people to ask questions that no tyrant, whether of government or of thought, wants to answer.

So I had fun. I had a lot of thoughts re-reading this book, but I also had a lot of fun. Even if things were a lot easier than I expect they would have been or should have been, I enjoyed watching these highly competent people doing their best to not just survive but to make a real life for themselves, their neighbors AND their posterity in a place where none of them could ever have expected to be.

I’ll be back – again or for the first time – the next time I need a competence porn pick-me-up or just want to watch a whole bunch of people play silly buggers with history. 1633 here I come!

Review: Three Miles Down by Harry Turtledove

Review: Three Miles Down by Harry TurtledoveThree Miles Down: A Novel of First Contact in the Tumultuous 1970s by Harry Turtledove
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: alternate history, science fiction
Pages: 288
Published by Tor Books on July 26, 2022
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From New York Times bestselling author Harry Turtledove, the modern master of alternate history, a novel of alien contact set in the tumultuous year of the Watergate scandal.
It's 1974, and Jerry Stieglitz is a grad student in marine biology at UCLA with a side gig selling short stories to science fiction magazines, just weeks away from marrying his longtime fiancée. Then his life is upended by grim-faced men from three-letter agencies who want him to join a top-secret "Project Azorian" in the middle of the north Pacific Ocean—and they really don't take "no" for an answer. Further, they're offering enough money to solve all of his immediate problems.
Joining up and swearing to secrecy, what he first learns is that Project Azorian is secretly trying to raise a sunken Russian submarine, while pretending to be harvesting undersea manganese nodules. But the dead Russian sub, while real, turns out to be a cover story as well. What's down on the ocean floor next to it is the thing that killed the sub: an alien spacecraft.
Jerry's a scientist, a longhair, a storyteller, a dreamer. He stands out like a sore thumb on the Glomar Explorer, a ship full of CIA operatives, RAND Corporation eggheads, and roustabout divers. But it turns out that he's the one person in the North Pacific who's truly thought out all the ways that human-alien first contact might go.
And meanwhile, it's still 1974 back on the mainland. Richard Nixon is drinking heavily and talking to the paintings on the White House walls. The USA is changing fast—and who knows what will happen when this story gets out? Three Miles Down is both a fresh and original take on First Contact, and a hugely enjoyable romp through the pop culture, political tumult, and conspiracies-within-conspiracies atmosphere that was 1974.

My Review:

This was fun. Actually, it was considerably more fun than I expected. Although I wasn’t expecting The Hunt for Red October and every UFO story that takes place at Area 51 to have a book baby, either. But they did and this is definitely it.

It’s the summer of 1974 when this story opens, and does it ever feel like it. Watergate was in high gear, but the infamous tapes had not yet been released. Meaning that there was still plenty of room for people to believe that Nixon was being railroaded. There were also plenty of people who just didn’t like “Tricky Dick” and were happy to see him fall from grace – whether he was being railroaded or not.

The Cold War was still lukewarm at this point. It wouldn’t officially end for another decade, so the US and the USSR are still locking horns, but mostly on the diplomatic front. And the US is still stuck in the deeply unpopular and divisive Vietnam War, although there were certainly signs that the government of South Vietnam was teetering and that the US wouldn’t be able to prop it up for much longer.

Jerry Stieglitz was a graduate student at UCLA, very much like the author. But Jerry’s research for his doctorate in marine biology was about whalesong. If he ever managed to finish it. An issue that is even more in doubt after a visit from the CIA with an offer of the kind of money a graduate student can’t afford to turn down to do a job that sounds more like a boondoggle than anything that will advance his research.

It’s also going to be hell on his love life. Jerry and his fiancé Anna have their wedding all planned – and paid for – to take place in just three weeks.

The CIA wants Jerry on a research vessel in the Pacific Ocean starting ASAP. He thinks he’s part of their cover story. That research vessel is carrying some specialized equipment, to let the CIA raise a sunken Russian submarine from the titular “three miles down” under the ocean.

It’s only after Jerry is aboard ship and they’re on their way to the crash site that Jerry learns that he’s been brought aboard, not for the cover his marine biology research provides, but for the twists of mind necessary for his side-gig.

Jerry is a published (although not very much, yet) science fiction writer. Which makes him perfect for the real mission, hidden under the fake mission, concealed by a really thin cover story about mining manganese from the ocean floor.

It’s Jerry’s job to anticipate all the things that might go wrong when the ship brings up its real prize – a UFO that crashed under the waves who knows how and who knows when. All that anyone knows is that the UFO, whether crewed or not, managed to bring down that Russian submarine all by its lonesome.

Whatever is in there, the US wants to nab for itself before the Russians learn the truth about who sunk their nuclear equipped submarine.

Bringing up the UFO is the adventure of a lifetime. What Jerry finds in it will change, not just his life but quite possibly the world. But he doesn’t believe the US should be opening this particular can of worms on its own.

The problem is that if Jerry tells anyone what they found, somebody really will kill him. But they’ll have to catch him first.

Escape Rating A: Three Miles Down is fun on three different levels. First, there’s the obvious, the golly gee-whiz-bang fun of finding that UFO. It’s an edge-of-the-seat adventure that makes the reader feel like they are right there with Jerry and the crew – even if it’s also a boy’s only club. Which, to be fair, it would have been in 1974.

But just the idea of that discovery is fascinating – and all too easy to imagine for anyone who loves science fiction. Which leads directly to that second level. Because the story feels like it’s intended as a love note to the SF genre, particularly as it was at that period. (I was in high school when the book takes place, and I remember reading – or at least thinking about reading – many of the exact same books that Jerry reads on the trip. And the inclusion of real-life science fiction writer Jerry Pournelle in that latter part of the story reads as spot-on.)

And then there’s that third level, when Jerry’s situation goes pear-shaped and he finds himself on the run in the best spy thriller tradition, trying to keep one step ahead of the people who are out to get him. A part of the story that also flips the espionage thriller on its head, as Jerry, an American, is on the run from the CIA so that he can give the secret to America’s enemies. AND HE’S DOING THE RIGHT THING!

Put all those elements together and this story is an absolute blast from beginning to end, with an ending that opens up the possibility for so many wonderful new beginnings. I’d love to know what happens next, because I really enjoyed following Jerry’s “Magic Carpet Ride” of a journey.

Review: A Prayer for the Crown-Shy by Becky Chambers

Review: A Prayer for the Crown-Shy by Becky ChambersA Prayer for the Crown-Shy (Monk & Robot, #2) by Becky Chambers
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: fantasy, hopepunk, science fiction, solarpunk
Series: Monk & Robot #2
Pages: 160
Published by Tordotcom on July 12, 2022
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After touring the rural areas of Panga, Sibling Dex (a Tea Monk of some renown) and Mosscap (a robot sent on a quest to determine what humanity really needs) turn their attention to the villages and cities of the little moon they call home.
They hope to find the answers they seek, while making new friends, learning new concepts, and experiencing the entropic nature of the universe.
Becky Chambers's new series continues to ask: in a world where people have what they want, does having more even matter?

My Review:

This book is the prayer, and we are all, all of us who read this marvelous story, the crown-shy.

Crown shyness is a real-world phenomenon. About trees. Which is totally fitting for this story that features two people – even though one of them doesn’t refer to itself as “people” – who are exploring both friendship and all the myriad wonders of their world together.

Some trees spend their early years growing taller as fast as they can, reaching for the open sky and the sun. Then they start growing outwards, filling in branches and creating their part of the canopy of a forest. You’d think that those leaves and branches up in the canopy would overlap with the trees on all sides, creating a barrier between the sun in the sky and the ground far, far below.

But they don’t. Many species are “crown-shy”, meaning that they somehow know where their limits are and leave just a bit of space, a channel, between where their leaves end and the next tree’s leaves begin. So that the sun does reach the ground to give other denizens of the forest a chance to grow.

The communities in Panga are like that. They grow but so big and no further, so that each village has enough – actually more than enough – to sustain itself and its people. No one needs to want for more.

And that’s what’s at the heart of the Monk & Robot series so far. That question about what do beings want, either as individuals or as a community. What, for that matter, is there to want once society has somehow evolved past our current, endless hunger for more?

The tea-monk Sibling Dex and the robot Mosscap met in the first book in this terrific series, A Psalm for the Well-Built, because they were both asking variations of that question. Sibling Dex had pulled off the beaten path into the woods because they were in the throes of burnout and were asking themselves if what they were doing was what they wanted to do. If their endless journey was all there was or would be to their life.

While Mosscap was asking itself what had happened to the humans after the robots achieved self-awareness and walked away into the depths of the forest. What did humans need? And more specifically, was there anything that robots could do for them or with them?

The first book followed Dex’ journey deep into the wilderness, into Mosscap’s territory, to a remote location that was once sacred to their god and their service as a tea-monk. This second journey goes the other direction, as Dex and Mosscap head towards the City, home of the University and all its scholars, so that Mosscap can ask its questions of the people in Dex’ world who are supposed to have all the answers.

Only to discover that they’ve both already found their destination. And that what they truly need is each other.

Escape Rating A: If you’re looking for a story that will shed some light into the darkness, just as those crown-shy trees let light through to the forest floor, read A Psalm for the Wild-Built and A Prayer for the Crown-Shy. Because they are the purest of hopepunk, and we all need that right now.

This is a book that asks some pretty big questions, and then lets its two protagonists work out the answers for themselves as they travel through a lovely world that may have solved many of the problems we have today but still doesn’t have all the answers.

As Mosscap discovers, the value is in both asking and being asked the questions. The robot started out with “what do humans need?” The answers that it finds surprise it. In a world where striving for more for more’s own sake seems to have been eliminated, what humans need seems to boil down to one of two things.

Either someone needs help with a very specific concrete issue that either they haven’t gotten around to or for which there isn’t anyone local with the right skills or knowledge. Or, the answer is more existential, where the short version is often something like “purpose” or “fulfillment”. The kinds of things that a person needs to determine for themselves.

As does a robot. Mosscap discovers that it has no answer for itself to its own question. It doesn’t know – at least not yet – what it needs or what its fellow robots need. I sincerely hope that the series will continue, and that we’ll get to follow Mosscap and Dex as they hunt for their own answers.

In the end, this book is an antidote to so much that is happening right now in the world. It’s a walk through light and beautiful places, led by two beings who have learned that friendship is the most important journey of all.

Review: You Sexy Thing by Cat Rambo

Review: You Sexy Thing by Cat RamboYou Sexy Thing (Disco Space Opera #1) by Cat Rambo
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Disco Space Opera #1
Pages: 304
Published by Tor Books on November 16, 2021
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Farscape meets The Great British Bake Off in this fantastic space opera You Sexy Thing from former SFWA President, Cat Rambo.
Just when they thought they were out...
TwiceFar station is at the edge of the known universe, and that's just how Niko Larson, former Admiral in the Grand Military of the Hive Mind, likes it.
Retired and finally free of the continual war of conquest, Niko and the remnants of her former unit are content to spend the rest of their days working at the restaurant they built together, The Last Chance.
But, some wars can't ever be escaped, and unlike the Hive Mind, some enemies aren't content to let old soldiers go. Niko and her crew are forced onto a sentient ship convinced that it is being stolen and must survive the machinations of a sadistic pirate king if they even hope to keep the dream of The Last Chance alive.

My Review:

This one gave me an earworm. And as a song from just two years later proclaimed, “It’s my own damn fault.” (I’m also experiencing one of those terrible moments when it slaps you upside the head that the 1970s weren’t 20 or 30 years ago but 40 going on 50 years ago.)

“I believe in miracles” is the first line from a 1975 hit by the British band Hot Chocolate. The title of the song is, you guessed it, “You Sexy Thing”. In this particular story, it’s also the name of a self-aware, sentient, sapient bioship.

A ship that thinks it’s being stolen because of that “I believe in miracles” password, given to retired Admiral Niko Larson by the ship’s once-and-future owner. A man who will hopefully be a bit less of a douchecanoe in his next incarnation.

No, he’s not King Arthur, or any kind of hero whatsoever. He’s just a rich, self-indulgent asshat who has paid for the kind of quasi immortality you can buy in an SFnal universe where cloning and downloading one’s consciousness is a thing. Not a sexy thing, but an expensive thing. The kind of thing that is very do-able with enough money.

Niko and her crew are on the run. Not because they’re criminals, but because TwiceFar Station, where they have been operating The Last Chance Restaurant since they managed to leave the military service of the Holy Hive Mind, has just been destroyed as collateral damage in the neverending game played by a race called the Arranti.

It’s what the Arranti do. And it has set Niko’s plans back by years if not decades as the crew scrambles to grab what they can and get off the station while they can. Along with everyone else who isn’t dead yet.

Once aboard the Thing, things start happening. Or rather, things are revealed. The ship is taking them to a prison planet, where their stories will be officially judged. They’re not actually worried, because they’re telling the truth about how they acquired the ship. Not that they don’t have plenty of secrets – just that THAT isn’t one of them.

But there are plenty of secrets aboard just the same. Secrets that are about to bite Niko and her crew in the ass. Because the hijacked ship is being hijacked again, this time for real. And it’s taking Niko and her crew back to the site of her greatest failure, in the domain of her greatest enemy.

A man with a long reach, and an obsessive desire to make Niko pay for even attempting to “steal” something that he had declared was his. Even if he had to twist it beyond almost all recognition to make it so.

Escape Rating A-: There are two stories aboard the Thing. One is an adrenaline-inducing tale of torture and death with little chance of escape, and the other is a sort of Great British Bake Off in space where everyone aboard has the opportunity to learn to cook – including the ship! – while they all figure out who they want to be – and who they want to be with – when they “grow up”.

Not that they are not all adults – more or less – but as a group of people who have spent most of their adult lives either in military service or on the run or both there haven’t been many opportunities for any of them to figure out what they want in life when they’re not either chasing an impossible goal or running from an enemy.

Or both, all too frequently, both.

The heartwarming parts of this story, the bits about figuring out their places in the universe and with each other, are lovely and sweet and a whole lot of fun. One of the best parts is the way that they all treat the ship as another member of their crew and the Thing gets to experience quite a bit of self-actualization along with everyone else. The ship’s perspectives on events – including their thoughts about their own journey, are terrific. I could have been immersed in those parts of the story forever.

The other part of the narrative is what happens after their arrival in the den of that sadistic pirate. The circumstances were obviously terrible. The reason for all that terribleness was even more terrible. What happens there is yet more terrible again.

The danger there is ramped up to 11 and the torment of envisioning how much worse it’s going to get is even, well, worse. It’s every bit as heartbreaking as the parts of the story about all of them cooking together is heartwarming.

I have to say that something about the villainy of the villain didn’t quite work for me. Not in the sense that I didn’t feel their danger, not even in the sense that I didn’t get his motivations – or not exactly. After all, even villains believe that they are the heroes of their own stories.

He just didn’t feel like a person. He was more of a cartoon villain, a supervillain who was consumed with his revenge obsession. He tipped over the top of the villain scale into bwahaha territory. It’s not that he wasn’t a real threat – because he most definitely was – but that he didn’t feel like a real character.

The ship read as more of a real character than the villain did. Also as more of a real character than the ship Moya does in Farscape, I think because we hear the Thing’s comments directly and not through an interpreter.

In the end, as much as the two parts of this story didn’t quite gel, I did enjoy reading about Niko and her crew and I’m terribly curious about what happens next as they jump out of the frying pan and into the fire yet again. So I’ll be back next summer when their (mis)adventures continue in Devil’s Gun. I have a feeling that’s just what they’re going to find – and that it will probably be aimed straight at them.

Review: The Impossible Us by Sarah Lotz

Review: The Impossible Us by Sarah LotzThe Impossible Us by Sarah Lotz
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: Romance, science fiction
Pages: 483
Published by Ace Books on March 22, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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This isn't a love story. This is Impossible.
***
Nick: Failed writer. Failed husband. Dog owner.
Bee: Serial dater. Dress maker. Pringles enthusiast.
One day, their paths cross over a misdirected email. The connection is instant, electric. They feel like they've known each other all their lives.
Nick buys a new suit, gets on a train. Bee steps away from her desk, sets off to meet him under the clock at Euston station.
Think you know how the rest of the story goes? They did too . . .
But this is a story with more twists than most. This is Impossible.

My Review:

Every once in a while, even in real life, someone will text or call a wrong number, and instead of getting a hang-up or a brush-off, a connection gets made. There’s that famous story about the Arizona grandma who texted a complete stranger to come for Thanksgiving dinner in 2016. He not only came for dinner that year, he and his now-wife are still invited and attending that Thanksgiving dinner every November.

But the connection between Bee and Nick, while it still begins with a text to a complete stranger, has much further to travel, even if they don’t realize it at first.

The hook into this story is the witty and emotionally honest banter between Nick and Bee. Both are well into adulthood if not necessarily adulting, they both have serious shit to deal with and both of them, frankly, are clinically depressed in one way or another.

Bee is avoiding relationships by playing spin the one-night-stand roulette wheel on Tinder. She’s self-supporting, her business of re-purposing used wedding dresses is going gangbusters, and she’s completely alone except for her lifelong friend Leila and her upstairs neighbor. It’s an OK life but she’s lonely.

Nick sees himself as a failure – only because he is. His marriage is dying if it isn’t already dead. His career as a novelist produced one self-absorbed book and nothing since. His only real friends turn out to be his dog, Rosie and his stepson Dylan – because his wife is cheating with his other best friend so that relationship is clearly over.

Bee and Nick find each other at a point where they each desperately need a lifeline – and they become that for each other in text after text after text, all day and sometimes all night long.

Until they agree to meet. Under the clock at Euston Station. They both say they’re there, but neither can see the other. And that’s when things go wildly pear-shaped.

Eventually, after railing at each other, cursing at each other, and obsessively reading over their correspondence, they come to the heartbreaking realization that the multiverse is real and that they are not living in the same version of it.

Each of their worlds is the other’s “road not taken”. The worlds aren’t SO different. The divergence isn’t all that far in the past. In Bee’s world Clinton’s two terms were followed by W.’s two terms, then Obama’s two and then, let’s call him The Former Guy.

Nick thought Bee’s reference to The Former Guy as president was a bad joke, because his world split off at the hanging chads in Florida in the 2000 election. Clinton was followed by Gore’s two terms, then Obama’s two terms. His world managed to skip both 9/11 and Brexit. Not that his world is unequivocally better, but it is different in ways that don’t seem too surprising if you remember anything about Al Gore’s political platform.

Accepting that they can’t meet in person, they also decide that the relative closeness of their parallel worlds means that they CAN meet their world’s equivalent of each other. As they discover, however, that just because they can, doesn’t mean they really should.

Escape Rating B: This book is bonkers. Whether that’s a good thing or a bad thing is going to be strictly in the eye of the beholder, and honestly I’m still not sure. It’s a wild ride, but I’m not sure I liked where that ride ended up.

I’m also none too sanguine about labeling this as a romance. An emotional if not physical romance does occur, but there’s no HEA for Bee and Nick. There can’t be and that’s the point of the story. It really is impossible for the two of them to become an “us”.

This is more of a story about that “road not taken”, or an example of the quote from John Greenleaf Whittier, “For all sad words of tongue and pen, the saddest are these, ‘it might have been’.”

Nick and Bee might have been something special, but once they meet their actual doppelgangers in each other’s realities, I’m not so sure. Or I’m not sure that Nick has it in him to find his own happy ending, Bee, who has better coping skills in the first place (admittedly that’s a REALLY low bar to get over) ends the story with at least the possibility of an HEA somewhere down the road.

(Nick reminded me a bit too much of an old quote from Henry Ford, “Whether you think you can, or you think you can’t — you’re right.” Nick is firmly stuck in “can’t” to his own and the story’s detriment.)

But this is being marketed as a romance, which is going to lead entirely too many people to pick it up thinking there’s a happy ending, and those readers are going to be seriously disappointed. OTOH, while the SFnal elements are more than enough to push it to SF, the way the doomed romance is centered in the story is going to turn off many of those readers as well. And on my third hand in an alternate universe, although this is SFnal and does center a romance, it doesn’t gel in the right way to make it a science fiction romance, either.

For people who know what they are letting themselves in for, there is plenty of satisfaction to be had on this wild and crazy ride through the multiverse of other worlds, other selves and other lives. Just don’t expect a happy ending.