#BookReview: Space Holes: First Transmission by B.R. Louis

#BookReview: Space Holes: First Transmission by B.R. LouisSpace Holes (First Transmission, #1) by B.R. Louis
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: farce, humor, parody, satire, science fiction, space opera
Series: Space Holes #1
Pages: 302
Published by CamCat Books on March 26, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Saving an alien planet is nothing compared to meeting your sales quota. Marcus Aimond, untrained tag-along aboard humanity's first intergalactic exploratory commerce vessel, has a singular sell off-brand misprinted merchandise. When the rookie and his crew encounter the Nerelkor, a frog-like civilization, he is thrust head-first into an alien civil war. The opposing factions, Rejault and Dinasc, are stuck in an ill-fated feud driven by deep-rooted ineptitude. To avoid the planet’s total annihilation and establish a local sales office, Aimond and the crew must survive arena combat, reshape the very structure of the planet, establish world peace, and stay alive―for the sake of positive branding, of course.

My Review:

I’m writing this review because I desperately need to get this book out of my head. Which means that, fair warning and abandon all hope ye who enter here, this is going to be an absolute RANT of a review.

Which is really too bad because it had a lot of potential. It’s just that all that potential turned out to be added cereal filler.

I mean that literally. You’ll see.

At first, I thought the title was a pun, that ‘Space Holes’ was meant to be a play on ‘Ass Holes’ without literally giving the book the title ‘Ass Holes’. Having read it, I think that would have been a better book.

Instead, the ‘Space Holes’ of the title are wormholes, or at least one stable wormhole near Jupiter. The reason that those wormholes are not officially called wormholes in any of the promotional or merchandising brochures created by the company that owns the trademark on the term ‘Space Holes’ is that ‘wormhole’ is a word in common parlance that can’t be trademarked.

At that point, the joke was still funny but was starting to wear a bit thin. You’re wondering what the joke was, right?

The joke was that this is set in a not-too-far-distant future where a cereal company that makes really bad but ridiculously addictive cereal has taken over the entire world (except for Florida which is also part of the joke) and is desperate to find new markets for their terrible cereal and all of the cheap tchotchkes they use to market their terrible cereal and that the terrible cereal is intended to market. Yes, it’s the circle of advertising life, and yes, it really happens and yes it can be funny.

Which leads to the building of a spaceship intended to traverse that ‘Space Hole’ to another galaxy in order to set up new branch offices and sell yet more cereal and all of the many, many toys and other cheap products that fund the company’s executive offices and, at this point, the entire world government.

And it kind of was, up to a point of saturation.

Where the joke started to get thin, at least for this reader, was the point where the crew of the ship got trained, not even in simulators, but through a limited series of a mere EIGHT 45-minute point-and-click web-based training videos. It’s not a surprise that they crash-land on the first planet they find, it’s more of a surprise that they don’t crash into the sides of the wormhole.

Don’t even think that the ship has safety protocols designed to prevent such an occurrence, because it doesn’t. Have safety protocols, that is. Safety was sacrificed for cost-cutting and/or greater merchandising opportunities at every single instance. It’s both amazing that the GP Gallant flies at all AND that anyone on its crew is capable of flying her.

The whole thing lost me when a promotional advertisement interrupted the middle of a red-alert klaxon, not just once but every 30 seconds or so. Once was sorta/kinda funny. Multiple iterations wore the joke of the whole entire thing down to a nubbin and yeeted it into a black hole. Not a space hole, but a black hole of utter destruction.

And yet, in spite of everything, surprising everyone including this reader, the crew of the GP Gallant managed to find a planet filled with beings who seemed to be even less capable then they were, and saved them from their own inability to make any sense by ending their civil war.

Escape Rating D: That’s a misnomer, because I didn’t escape at all and still haven’t, dammit. I can’t get this thing out of my head no matter how much I try.

The worst part is that the ideas at the heart of this thing aren’t bad. There’s the germ of a good story here, possibly more than one, that might have worked IF this had been a series of short stories instead.

Howsomever, what this book turned out to be is a bad combination of the awesome book Redshirts and the movie Office Space. Possibly with a bit of the book Mickey7 thrown in if Mickey had less assigned functionality and no ability to acquire any.

(The erstwhile protagonist of this farce is the child of one of the corporate bigwigs who gets literally thrown onto the ship at the last minute because daddy dearest is certain the boy is useless. He isn’t really, but he sort of is, and he wants to be useful and a hero so bad, and he’s very earnest but completely unqualified and again, this had potential, but by that point the joke had been stretched way too thin and kept getting, well, thinner to the point of utter transparency.)

Leading to my ultimate conclusion that those seeming progenitors of Space Holes, all of which were very good of their type – absolutely do not belong together. Well, maybe Mickey7 and Redshirts together might be good, but the dysfunctionality of Office Space just doesn’t belong here – particularly not with added corporate shills, obsessive rule-pushers and over-the-top merchandising shenanigans.

There’s plenty of room for satire, parody and even outright farce in all of the above. But all at once just proves the rule that too much of a good thing is often NOT wonderful at all.

A- #AudioBookReview: The Annual Migration of Clouds by Premee Mohamed

A- #AudioBookReview: The Annual Migration of Clouds by Premee MohamedThe Annual Migration of Clouds by Premee Mohamed
Narrator: Eva Tavares
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: paperback, ebook, audiobook
Genres: dystopian, post apocalyptic, science fiction
Pages: 158
Length: 4 hours and 49 minutes
Published by ECW Press on September 28, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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In post-climate disaster Alberta, a woman infected with a mysterious parasite must choose whether to pursue a rare opportunity far from home or stay and help rebuild her community.
The world is nothing like it once was: climate disasters have wracked the continent, causing food shortages, ending industry, and leaving little behind. Then came Cad, mysterious mind-altering fungi that invade the bodies of the now scattered citizenry. Reid, a young woman who carries this parasite, has been given a chance to get away - to move to one of the last remnants of pre-disaster society - but she can't bring herself to abandon her mother and the community that relies on her.
When she's offered a coveted place on a dangerous and profitable mission, she jumps at the opportunity to set her family up for life, but how can Reid ask people to put their trust in her when she can't even trust her own mind?

My Review:

There’s a deep, dark chasm between “the end of the world as they know it” and “the end of the world”. It’s a badly carved gorge where the steps going down are slippery, steep and riddled with stretches that have been completely washed out and strewn with sharp rocks and trail-obstructing boulders. The steps going up the other side are much too far away to see – and might not even exist at all.

In movies – one of the many, many things from the “Before Times” that no longer exist in Reid’s broken world – and books – of which there are some but not nearly enough – the end of the world is a catastrophic EVENT, a thing that happens or more likely that the brave heroes of the fictional narrative manage to stave off by luck, by ingenuity, by miracle, or all of the above.

But that’s not what happened in the world that Reid lives in. There was no singular event, no one, overwhelming catastrophe, no nuclear or meteor strike. Just a long, slow slide down the side of that chasm, as birth rates fell and climate change got more extreme and power sources dried up or died out or became too remote to access as the world fell back into its constituent parts.

Reid lives in a world of scarcity, in a ‘city’ that barely hangs on from year to year and from disaster to disaster, as a parasitic ‘disease’ ravages her body and her mind and increases its hold on the dwindling population year by year.

But there’s a light at the end of Reid’s dark tunnel – a light that’s just for her. A few places, former enclaves of the rich from back in the day when money still mattered – closed the gates of their domes, their pockets of science and tech and ‘civilization’ from the ‘Before Times” and kept the barbarians and the diseases and the wildlife OUT of their pristine sanctuaries.

One of those enclaves is Howse University. Every year, Howse sends out invitations to a privileged few graduating students in the remote cities to come to Howse and enter the next class. To enter a world where electricity still functions, where books are still printed and not merely preserved, where science still happens and knowledge is passed from teacher to students in the lap of safe, well-fed, climate controlled luxury.

A place where Reid might be able to find a cure for the disease that is taking over both her mother’s body and mind – and her own.

All Reid has to do is reach the assigned meeting place in the limited time available. All she has to do is get her mother to forgive her for leaving, for possibly turning her back on everything and everyone Reid has known and loved, on the people and the place and the community that has sheltered her for her entire life.

Traveling all alone through an unknown wilderness is going to be much, much easier than getting her mother – and the parasite that lives within her – to accept that their daughter is leaving them behind.

Escape Rating A-: I picked up this book because I read the sequel to this, We Speak Through the Mountain first and it felt like half a story. A very good half, but still a half and reading the second half without the first I felt like I was missing something. Which, as it turned out, I was. Not enough to prevent me from liking the other book, but enough to keep me from getting as invested in Reid’s journey as I did this time around – although I do feel that investment in the second book now in retrospect.

In other words, don’t do what I did. If the premise of this book or We Speak Through the Mountain speaks to you, read The Annual Migration of Clouds first. They’re both novellas, so even together they are not a big read, but they are a deep one, and deeper when read together in the proper order.

I listened to most of this book, but had to finish in the ebook because as the story got closer and closer to its ending I felt compelled to discover how Reid managed to get to where we first met her in We Speak Through the Mountain – particular the disaster that her brain kept shying away from during that story.

However, the narrator for The Annual Migration of Clouds was excellent and did a terrific job of portraying Reid’s oh-so-real combination of angst and anger as she works her way through her present situation, the history she’s forced to inherit, the unfairness of the world to which she was born, her love for her mother and her community and her NEED to discover as much as she can of what’s been denied her. Even as her internal voice rants and rails at the parasite that influences her thoughts and controls her behavior to a degree that she only becomes conscious of when she fights it. Because it punishes her when she does.

The Annual Migration of Clouds is a coming-of-age story AND it’s a story about the survivors of the end of the world, making their way down that slippery slope of retreating technology and regressive knowledge, just trying to get through another day and another year in the hopes that someday it will all be better for someone – even though they all know that better day will not come for them.

If this part of the story, this description and setup of a world in decline in a way that is in no way the fault of anyone or anything mired in it grabs your imagination, if the way that Reid’s community has managed to survive, along with the many ways in which they demonstrate, as best they can, that survival is insufficient, reads as fascinating and entirely too plausible – as it did to this reader – there are other stories that take this same concept and follow it in different directions – or are nearer to or farther down the road from that initial slide – such as Lark Ascending by Silas House, The Starless Crown by James Rollins, and Station Eleven by Emily St. John Mandel may also appeal – and vice versa as well.

Reid’s experiences at Howse University, as related in We Speak Through the Mountain, ask a different set of questions, questions about what the haves owe to the have nots, and what happens when an outsider, repeatedly and often, challenges the smug elitism of their safe, secure, patronizing privilege. Now that I know how Reid came to those experiences, I may go back and experience them again for myself to see how much that story has changed now that I have more of this one.

A- #BookReview: The Citadel of Weeping Pearls by Aliette de Bodard

A- #BookReview: The Citadel of Weeping Pearls by Aliette de BodardThe Citadel of Weeping Pearls (Xuya Universe) by Aliette de Bodard
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: science fiction, science fiction mystery, space opera
Series: Universe of Xuya
Pages: 164
Published by Jabberwocky Literary Agency on September 12, 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The Citadel of Weeping Pearls was a great wonder; a perfect meld between cutting edge technology and esoteric sciences-its inhabitants capable of teleporting themselves anywhere, its weapons small and undetectable and deadly. Thirty years ago, threatened by an invading fleet from the Dai Viet Empire, the Citadel disappeared and was never seen again. But now the Dai Viet Empire itself is under siege, on the verge of a war against an enemy that turns their own mindships against them; and the Empress, who once gave the order to raze the Citadel, is in desperate needs of its weapons. Meanwhile, on a small isolated space station, an engineer obsessed with the past works on a machine that will send her thirty years back, to the height of the Citadel's power. But the Citadel's disappearance still extends chains of grief and regrets all the way into the fraught atmosphere of the Imperial Court; and this casual summoning of the past might have world-shattering consequences... A new book set in the award-winning, critically acclaimed Xuya universe.

My Review:

I wasn’t expecting to go down the “wibbly wobbly, timey wimey” rabbit hole again after yesterday’s book, but here we are all the same. Only further back and further forward, with MUCH bigger consequences, even though the motives for the time travel are every single bit as personal and emotional as they were in before.

I’ve been nibbling at the vast, sprawling Universe of Xuya ever since I read The Tea Master and the Detective and fell hard for the way that the author dips in and out of a vast history and galaxy-spanning empire that takes root in a version of Earth’s history that simply managed to go down a different leg of the trousers of time.

If China founded a colony on the west coast of North America in the 15th century and started growing both eastwards and southwards, shoring up the Aztec, Maya and Incan regimes in Central and South America, bringing the scourge of smallpox to the continent early enough that immunity has developed before the conquistadors and the pilgrims invaded, the world changes. A lot.

As with all alternate history SF, once the butterfly has flapped its wings in a different direction, the changes ripple out in all directions, resulting in the universe we find in this amazing saga. A universe where human expansion from Earth is based on Chinese and Viet traditions – because they became different types of world powers than they did – or did not – in our history. (The author goes into the history and how it changed in quite a bit of helpful and fascinating detail on her website. An explanation I’ve been staring at for several days that probably had more than a little bit to do with my picking this book up now instead of the other things I had planned.)

But human is as human does, which ties back to those “wibbly wobbly, timey wimey bits” and the all too human regrets of an Empress who faces the threat of war and wishes she had not exiled her brilliant, untraditional, defiant heir many years ago, a daughter who has carried on sailing the same sea of regrets and recriminations, and a young girl grown up without the mother who was lost in that same explosion of fear, love and war.

In this SFnal universe, however, lost does not necessarily mean dead, and advanced engineering makes entirely too many things possible – including some that it quite possibly should not. Like time travel, even if, as in yesterday’s book, it’s not possible to change the past – only to visit.

And perhaps, just a little bit more.

Escape Rating A-: The more times I dip into this series and to the author’s work in general, the more I realize that all her stories are SF mysteries to some extent, and that most of them were published ahead of the current trend for that fascinating blend.

In Citadel, the mystery begins when a famed scientist and engineer disappears just as she is getting results in her greatest and most speculative experiment. She was searching for the Empress’ heir, Bright Princess Ngoc Minh, who disappeared into deep time, or the space between the stars, or somewhere believed to be utterly mythical – and took her entire rebellious colony of ships and orbital stations, collectively known as the Citadel of Weeping Pearls, along with everyone aboard them with her wherever it is she went.

With war on the horizon, the Empress needs her daughter’s genius and the weapons and technologies it created. But the promising trail has winked out of existence along with the missing engineer, only to reappear in the hands of a pair of amateurs on a far distant orbital station.

A station that seems to be in the process of going to join the Citadel though a time portal – with someone trapped on the other side.

But nothing is quite as it seems, as the possibility of going back and bringing the Citadel forward forces everyone who has been touched by its disappearance to rethink what they did then, what they’ve felt in the absence of the shooting star that is/was Bright Princess Ngoc Minh, and what they might do with a second chance.

Whether that’s a chance for closure, a chance to say goodbye, the possibility of reconciliation or the question of whether a miracle will be enough to save an empire rests in the minds, and the hearts, of every compelling character in this glimpse into the workings of the Universe of Xuya.

I’ll certainly be back the next time I have a flail and bail week like this one. Either with On a Red Station, Drifting which looks like it might be a bit of a direct prequel to The Citadel of Weeping Pearls, or Of Wars, and Memories, and Starlight because it gathers together so many of the early stories in the series that were published in a scattered array over the years.

A/A- Joint #BookReview: These Fragile Graces, This Fugitive Heart by Izzy Wasserstein

A/A- Joint #BookReview: These Fragile Graces, This Fugitive Heart by Izzy WassersteinThese Fragile Graces, This Fugitive Heart by Izzy Wasserstein
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: dystopian, science fiction, science fiction mystery, technothriller
Pages: 176
Published by Tachyon Publications on March 12, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In a queer, noir technothriller of fractured identity and corporate intrigue, a trans woman faces her fear of losing her community as her past chases after her. This bold, thought-provoking debut science-fiction novella from a Lambda Award finalist is an exciting and unpredictable look at the fluid nature of our former and present selves.
In mid-21st-century Kansas City, Dora hasn’t been back to her old commune in years. But when Dora’s ex-girlfriend Kay is killed, and everyone at the commune is a potential suspect, Dora knows she’s the only person who can solve the murder.
As Dora is dragged back into her old community and begins her investigations, she discovers that Kay’s death is only one of several terrible incidents. A strange new drug is circulating. People are disappearing. And Dora is being attacked by assailants from her pre-transition past.
Meanwhile, It seems like a war between two nefarious corporations is looming, and Dora’s old neighborhood is their battleground. Now she must uncover a twisted conspiracy, all while navigating a deeply meaningful new relationship.

Amy and Marlene’s Joint Review:

Amy: After the downfall of most governments in the US, the gap between the haves and the have-nots has gotten even bigger. In a time not too far past our own, in a mostly-dead downtown Kansas City, a young transwoman named Dora gets a visit from an old friend. Her former lover, who still lived in the commune Dora left, is dead. She goes to see, to say goodbye, and discovers that it wasn’t just an overdose — it was a murder. She’s determined to figure it all out, but while she’s walking around her old neighborhood, looking for clues and thinking things over, she gets jumped by a stranger who looks an awful lot like she used to…

From the Department of Fair Warnings: This book has a non-zero amount of bloody murders in it. It’s a murder mystery, yanno? You know to expect that. Also one brief sex scene, that I did not expect, and that might catch some readers by surprise by its strangeness.

Marlene: SF mystery is seriously becoming a ‘thing’, and I’m very much here for it in general – both because I love genre blends AND because SF mystery in particular gets to use its blending to query both sides of its equation. The SF pokes at the mystery elements and the mystery elements poke at the SF.

This particular combination of the two is very much of the Earth-bound, scientific laboratory wing of the SF genre, to the point where it would probably make a great intro to SF for someone who is primarily a mystery/suspense/thriller reader, as the SFnal elements are familiar in a post-apocalyptic, dystopian sort of way. It’s not that far from now in either time or circumstances and that makes the story easy to slip into.

Dora’s world is pretty much fucked, and that’s pretty clear from the get-go. She may have thrown her own set of torches into the conflagration, but her Kansas City – particularly her part of it – is very much on its way down towards a clearly yawning abyss.

She’s burned her bridges behind her, one righteously, and the other maybe not so much. Her dad wanted the boy she was assigned to be at birth – and she couldn’t be that. He’s also a douche in general which makes him REAL easy to hate. OTOH, she’s also cut herself off from the commune community that represented both family and safety. A split that had a lot of hurt and betrayal in it then – and still does when the story begins.

The mystery that Dora is compelled to solve is the same thing that caused her split from the community in the first place, and it’s a question as old as time – or at least as old as this quote from Benjamin Franklin, the one about the willingness to give up “essential liberty to purchase a little temporary safety deserve neither liberty nor safety.”

The commune has a habit of trusting people and letting people in who arguably should have been vetted a bit better first. They were, and are, unwilling to make that trade off of liberty for safety – even though it has bitten them in the ass before and quite likely has again.

But this time, the threat came from a direction none of them would ever have expected, and it’s up to Dora to unravel the mystery that has been festering – both under the city and in her own past – all along.

Amy’s Rating A: Dora has a lot to figure out, and she gets right to it. This story rocks along fast; if you’re like me, you’ll start reading, and not stop until you’re done, which won’t take terribly long. The first unfriendly stranger startled her, but when the second one shows up, and also looks rather like she would have if she had not transitioned, she starts putting the pieces together. Like all good mysteries, she’s got to sort out the who, the what, the where, and the why; the where comes first, and the remaining pieces fall into place in quick order thereafter. On its face, it’s a fine high-speed murder mystery, complete with a deeply flawed hero and a somewhat unsurprising, even more-flawed villain.

But Izzy Wasserstein has buried something deeper to think about in this tale. When presented with her clone, Dora looks at and interacts with — and even gets intimate with — someone who might have been her, if her father had gotten his way, and she’d been the son he always wanted. The interaction between this imperfect clone of her pre-transition body, and her own traumatized persona, gives me (as a queer transwoman myself) a great deal to think about: How would things have been different if I were not who I am? And how crucial to the person I have become was my transition, and my life experiences since then? It hearkens back to the whole “nature or nurture” question that mankind has pondered for a long, long time. Are we, in fact, born this way, destined to be who we are?

Obviously, it’s not an either-or question; there are shades and nuances throughout, and Wasserstein shows us some of that in her portrayal of the clone. They are imperfect, programmed from the time they came out of the tanks to be a violent killer and think of Dora as a “traitor.” Yet they don’t kill her, and they discuss with Dora at some length their “fighting their instincts” to become their own person.

So, really, there are two stories hidden in this short book: a straightforward, well-crafted cyberpunk whodunnit, and the story of a transperson squaring off with a clone of herself. Two good, thought-provoking stories under one cover…what’s not to like?

Marlene’s Rating A-: I tend to rate novellas at the A- level a LOT of the time and this book is no exception. I love the novella length because it’s fast to read, but that length means that a lot of backstory gets left on the proverbial cutting room floor because there isn’t space for it. In other words, as much as I totally got where Dora was personally coming from, how our world got fucked up into hers that fast needed a couple more steps for me to buy into it.

I also would have loved a bit more about the anarchist and commune movement as it applied to this particular story, because I was basing all of my knowledge and acceptance of the way that part of their world worked on Cadwell Turnbull’s fantastic Convergence Saga; No Gods, No Monsters and We Are the Crisis, because that near-future SF tale is also rooted a bit in the coop/commune movement – although with a completely different crisis and in an entirely different way.

The mystery part of this mystery wasn’t quite as mysterious as it might have been. Once the cadres of poorly programmed almost-Theodores started chasing after Dora it was really obvious that they were clones AND that her dad was the mad scientist (and he so was!) creating them. No matter what his employer or moneybags might have intended them to do or be.

Howsomever, the questions that Dora asks herself are the part of the story that sticks in the mind after the last page is turned – and they turned out to be considerably more fascinating than merely ‘whodunnit’.

As Amy said, it’s that age-old question of ‘nature vs. nurture’ along with a heaping helping of what does it mean to be ‘born that way’ – whatever way that may be in the mind of the person, and whether the answer to that question is based on innate characteristics or parental or societal expectations or fate or destiny.

Dora confronts those questions, not just in her own mind, but in her relationship with one of her almost-clones and that clone’s willingness to throw off their own programming. And that’s the fragile grace that gives this story its heart.

#BookReview: Floating Hotel by Grace Curtis

#BookReview: Floating Hotel by Grace CurtisFloating Hotel by Grace Curtis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: mystery, science fiction, science fiction mystery, space opera
Pages: 304
Published by DAW on March 19, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This cozy debut science fiction novel tells a story of misfits, rebels, found family—and a mystery that spans the stars
Welcome to the Grand Abeona home of the finest food, the sweetest service, and the very best views the galaxy has to offer. All year round it moves from planet to planet, system to system, pampering guests across the furthest reaches of the milky way. The last word in sub-orbital luxury—and an absolute magnet for intrigue. Intrigues such Why are there love poems in the lobby inbox? How many Imperial spies are currently on board? What is the true purpose of the Problem Solver’s conference? And perhaps most pertinently— who is driving the ship?
Each guest has a secret, every member of staff a universe unto themselves. At the center of these interweaving lives and interlocking mysteries stands Carl, one time stowaway, longtime manager, devoted caretaker to the hotel. It’s the love of his life and the only place he’s ever called home. But as forces beyond Carl’s comprehension converge on the Abeona, he has to face one final when is it time to let go?

My Review:

The Grand Abeona, the ‘floating hotel’ of the title, isn’t quite as grand as it used to be. Both as a place and as a story, It also isn’t quite as cozy as the blurb leads the reader to believe. Which does, however, make it much more interesting as a story.

It’s more layered than cozy, rather like an onion. Complete with tears.

Traveling through Imperial-controlled space, the Grand Abeona serves the function that once upon a time the circus used to fill in small town America. It’s a place that blows into town – or above town, as the case might be – livens up an otherwise humdrum life for a few hours or days, and then leaves, taking its crew of roadies and roustabouts along with it.

Along with, occasionally, a local or two who can’t resist the bright lights or can’t bear or afford to stay where they’ve always been for another minute, now that they’ve seen a way out.

So, the story of Floating Hotel begins with young Carl, who doesn’t so much stow himself away as he does slouch around in plain sight hoping for a chance to work his way aboard the most beautiful place he’s ever seen and away from his home planet. A place that is literally eating itself from the inside out as its people mine its resources to their own and its destruction under the orders of the rapacious empire.

Because they have no choice. It’s mine now and die later, or stop now and die now. It’s happened all over the empire and it’s happening right now on Hoxxes. But not to Carl, because he’s found a way out.

Middle-aged Carl is now the manager of the Grand Abeona, and that later he staved off all those years ago by leaving with the floating hotel is now coming for him and everyone aboard the place he’s come to call home. The place that he has let consume him, one day and one task at a time.

So welcome aboard the last voyage of the Grand Abeona. Be sure to take your heart and all your belongings with you on your way out.

Escape Rating B: This isn’t nearly as cozy as I was expecting from both the blurb AND the opening Prologue. That introduction makes it seem like its going to be Carl’s story about rising through the ranks of the hotel and that it will follow him along the way.

It isn’t and it doesn’t. While Carl opens the story – and also closes it – we absolutely don’t follow his rise through the ranks. He’s already there when the real story begins. We also don’t follow Carl, although he’s clearly the center around which the hotel revolves – even if no one quite sees him that way.

Instead, the story skips around through the crew and the regular guests, focusing on one after another as the saga of the ship’s last voyage gets told. That kaleidoscope of perspectives keeps the reader from getting invested in any one of the characters, but does show all of the facets of the hotel as it is – and pokes its way around the edges of the many, many secrets that are being kept aboard her.

One ginormous, galaxy-spanning secret most of all.

On the one hand, we have the ship and its denizens, each telling their individual bit of the story. And on the other, we have the ship and its denizens, each revealing a bit of their own secrets, as well as a soupçon of the BIG secret, while painting an excruciatingly unflattering portrait of the Empire they have escaped by becoming part of the ship’s company.

Initially believing that this was going to be cozier, The Floating Hotel gave me vibes of several recent SF stories that featured, or began with, entertainment venues in the space lanes, even if they branched out later into either mystery or space opera. I’m particularly thinking of The Spare Man, You Sexy Thing, and Veronica Scott’s Star Cruise series.

In the end, the SF book I was most reminded of is Khan Wong’s awesome The Circus Infinite, although I have to say that The Floating Hotel isn’t quite as awesome because The Circus Infinite was just a WOW of a book from beginning to end. (Therefore, saying it’s not quite as awesome as such an absolutely fantastic book means it was still pretty damn good.)

But it’s in that correlation between the circus and the cruise ship that gives the two a bit of the same resonance, as both stories begin with a character who desperately needs the kind of escape that constant traveling among the stars can provide, and finds themselves in a world that is filled with more secrets than just their own. Secrets that they will have to go to extreme lengths to keep.

So if you liked any of the above mentioned books, or if you have fond memories of either the very old book Hotel by Arthur Hailey, or the slightly less old TV series based on it, The Floating Hotel will both tickle that memory AND tell a fascinating story about the lengths that can be taken in running away and the crimes that can be committed in forcing someone back to the place they’re supposed to belong.

A- #BookReview: Feed Them Silence by Lee Mandelo

A- #BookReview: Feed Them Silence by Lee MandeloFeed Them Silence by Lee Mandelo
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: climate fiction, science fiction
Pages: 105
Published by Tordotcom on March 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Lee Mandelo dives into the minds of wolves in Feed Them Silence, a novella of the near future.What does it mean to "be-in-kind" with a nonhuman animal? Or in Dr. Sean Kell-Luddon’s case, to be in-kind with one of the last remaining wild wolves? Using a neurological interface to translate her animal subject’s perception through her own mind, Sean intends to chase both her scientific curiosity and her secret, lifelong desire to experience the intimacy and freedom of wolfishness. To see the world through animal eyes; smell the forest, thick with olfactory messages; even taste the blood and viscera of a fresh kill. And, above all, to feel the belonging of the pack.
Sean’s tireless research gives her a chance to fulfill that dream, but pursuing it has a terrible cost. Her obsession with work endangers her fraying relationship with her wife. Her research methods threaten her mind and body. And the attention of her VC funders could destroy her subject, the beautiful wild wolf whose mental world she’s invading.

My Review:

Considering that it’s recommended that doctors not treat themselves or their loved ones because they lose their objectivity, while lawyers are told that any who represent themselves have a fool for a client, then what should be said about scientific researchers who go into their supposedly objective study fully intending to use themselves as one of their subjects? There was that strange case regarding Dr. Jekyll and Mr. Hyde…

Not that Dr. Sean Kell-Luddon actually becomes a monster – or even turns into the wolf her experiment intentionally bonds her with. And not that, occasionally, her wife doesn’t think that Sean’s being more than a bit of a monster to her.

When Sean manages to tear herself away from her research to be physically, intellectually and emotionally present in their marriage. The one that’s falling apart around her. Just as it turns out, she is.

The year is 2031, and between climate change, coastal erosion and habitat encroachment, species are going extinct at an alarming rate. To the point where, for entirely too many species, it’s a tide that can no longer be turned – merely documented.

That’s particularly true for the charismatic megafauna, not just the really big animals like elephants and lions, but species much, much closer to home, like the gray wolves of Minnesota and neighboring states. Today.

Sean and her research team have submitted a controversial proposal to enmesh the brain of a member of one of the few surviving wolf packs in Minnesota with the brain of one of the scientists on her team. From Sean’s honest perspective, the one that she does her damndest never to display to her academic colleagues, this entire project is a dressed-up, scientific gobbledygook-filled last chance for her to live out one of her childhood dreams – to run with the wolves – before its too late.

For the wolves, that is. And, quite possibly, for Sean herself.

However, just as her research was proposed with ulterior motives on Sean’s part, the cutting-edge technology company that has chosen to fund it AND to provide the equipment that will make it possible, has a hidden agenda of their own.

An agenda that puts both Sean, and her wolf, in crosshairs that neither of them knew existed.

Escape Rating A-: I admit it, I had a bail and flail this week because yesterday’s book just wasn’t working and I didn’t get out early enough. But that cloud absolutely had a silver lining, because I bounced straight into this book and it was terrific.

To the point that I’m wondering what took me so long, but I’m quite happy to have gotten here in the end – even if this is a far from happy story. Which is exactly the way it should be, because species extinction is tragic, the fate of the wolves and other wildlife species is awful and Sean’s marriage isn’t doing well either.

But that’s what happens when one partner eats, sleeps and breathes their work to the point of obsession. Sean is entirely too realistic in that regard – as is the fate of the wolves and the corporate greed that condemns Sean’s one and only chance at fulfilling her lifelong dream.

Feed Them Silence had me hooked from the first time Sean interfaced with her wolf, Kate, through a machine that was intended to give her an inside track on the wolf’s thoughts and feelings, even if it unintentionally did quite a bit more on both sides.

The process of becoming one with her wolf sounded exactly like the process portrayed in the Assassin’s Creed game series that allows someone to live through the day to day memories of one of their ancestors at a pivotal point in history. But the result, that Sean sees and experiences Kate’s world through Kate’s eyes and mind and heart and memory, felt even more like the mammoth experiment in the awesome – and awesomely bittersweet – The Tusks of Extinction by Ray Nayler. That the experiments in the two books are markedly different in design and purpose doesn’t stop them from being more in dialog with each other than expected – because the experiments have become necessary for the same set of all-too-real reasons of climate change, habitat shrinkage, and humans so greedy they are willing to ignore the laws designed to protect the animals they are hunting for sport.

So the entry points for this story literally pulled me in, as I adored The Tusks of Extinction and the Assassin’s Creed series makes GREAT television – meaning that I get to watch the action while someone else plays.

But what really made this story work for me was how plausibly its science fiction encompassed so very much of the real world. Not just the present and predictable future of species elimination, but also the grind of academia, the damage that one partner’s obsessive hyper-focus on work can do to ANY relationship, the way that the entire world feels like that mythical frog in the pan of heating water – and then the complete immersion and identification of Sean’s identity with that of her wolf.

We see it all happening and are with her as she can’t help herself and we understand exactly why – even as the rest of her world falls apart. And it’s awesome and captivating and heartbreaking every step of the way.

Especially because even though the exact story isn’t happening right now – it really is.

A+ #BookReview: The Imposition of Unnecessary Obstacles by Malka Older

A+ #BookReview: The Imposition of Unnecessary Obstacles  by Malka OlderThe Imposition of Unnecessary Obstacles (Mossa & Pleiti, #2) by Malka Ann Older
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: climate fiction, mystery, science fiction, science fiction mystery, space opera, steampunk
Series: Investigations of Mossa & Pleiti #2
Pages: 208
Published by Tordotcom on February 13, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Investigator Mossa and Scholar Pleiti reunite to solve a brand-new mystery in the follow-up to the fan-favorite cozy space opera detective mystery The Mimicking of Known Successes that Hugo Award-winning author Charlie Jane Anders called “an utter triumph.”
Mossa has returned to Valdegeld on a missing person’s case, for which she’ll once again need Pleiti’s insight.
Seventeen students and staff members have disappeared from Valdegeld University—yet no one has noticed. The answers to this case could be found in the outer reaches of the Jovian system—Mossa’s home—and the history of Jupiter’s original settlements. But Pleiti’s faith in her life’s work as scholar of the past has grown precarious, and this new case threatens to further destabilize her dreams for humanity’s future, as well as her own.

My Review:

Like the opening of the first book, The Mimicking of Known Successes, in this delightful steampunk-y, space opera-ish, not-exactly-dark academic mystery series, this second entry begins not with the discovery of a dead body as most mysteries do, but rather with the disappearance and presumed deaths of a whole bunch of bodies.

But presumption, like assumption, involves drawing conclusions that may or may not be born out by evidence. Evidence that the still mysterious Investigator Mossa is determined to collect. Possibly, she’s driven to go that extra bit as an excuse to visit with her now on-again lover Scholar Pleiti at the University at Valdegeld.

Entirely too many of those missing bodies are/were students at the University, and Mossa isn’t above using that connection as an excuse to visit Pleiti AND involve her in her work. Again. Just as she did in their first adventure.

A lot of people DO go missing on Giant – otherwise known as Jupiter. The architecture of the colony, which is made up by rings of platforms stationed around the gas giant, leaves a lot of room for both accidental and on-purpose plummets to death and destruction, whether self-induced or pushed. Searching for missing persons is consequently the raison d’être of the Investigators, of whom Mossa is a part.

But the number of missing has jumped to a degree that is statistically implausible, leading Mossa to an in-person search for those missing. Some of them will be found perfectly safe, because that happens all-too-frequently.

The question in Mossa’s inquisitive mind is whether those findings will bring the number down to something reasonable. She doesn’t believe so. And she’s right.

While Mossa is looking into missing bodies, Pleiti is dealing with a body that has been found. The mad scholar/scientist that Mossa and Pleiti pursued in that first book, the man who pointed out that all of the busy research of the university was merely the ‘mimicking of known successes’ and had little chance of ever coming to fruition, the once respected rector of the university who may have derailed the university’s entire reason for being for centuries, has been found. Or at least his corpse has been.

But the effects of that death, and the events that led up to it, still chase our intrepid investigators. And may have more to do with all those missing bodies than anyone imagined.

Escape Rating A+: There’s something supremely comforting about this series – and I’m oh-so-happy it IS a series because The Mimicking of Known Successes could easily have been a one-off.

I think it’s the combination of the outlandish and exotic with the comforting and familiar. At first it seems pretty far out there, literally as well as figuratively. Jupiter is far away and seemingly totally inhospitable. And it kind of is. But still, humanity has adapted – at least physically. We’ve made it work.

At the same time, the way it works is so very human. They are still close enough in both time and space, relatively speaking, to see their lost home as something they might return to while also romanticizing the past and the possible future.

And the university is so very much academe in a nutshell, to the point where both books’ titles absolutely ring with the sense of academic politics being so vicious because the stakes are so small, caught up so tightly in the petty grievances of scholars that are more invested in scoring off against each other and/or proving their superiority than they are about real problems and practical solutions.

Which comes right back around to the whole story of the first book AND the motivations that lead to all those missing persons that Mossa is hunting for in this second one. Hunting, in fact, all the way around the train tracks that ring the planet to a hidden platform as far away from the University as it can get – and back around again to the place where both stories began.

To the University, and ultimately to the Earth it claims it wants to return them to – even as it settles into its comforts and grievances in a way that makes the reader wonder if anyone really, truly does.

What carries the story along, what holds it up around those rings and over that gas giant, is the relationship between Mossa and Pleiti. They live in different worlds, and approach those worlds from opposing perspectives. Mossa, the Investigator, the ultimate pragmatist, always on the hunt for a new mystery, and Pleiti, the scholar and dreamer ensconced within the comforts and comfortable stability of the university. Their relationship didn’t work the first time, because they couldn’t meet in the middle and let each other in.

This time around they’re a bit older, sometimes sadder, occasionally wiser. Or at least wise enough to know that they are better together than they are apart, even if that togetherness has and even requires more space that one or the other might desire.

Watching them try, following them as they attempt to join two worlds and two perspectives that aren’t intended to meet in any middle, adds something very special to this delightfully charming science fiction mystery that will keep readers coming back for more.

Particularly this reader, left desperately hoping for a third book in the series.

#BookReview: A Quantum Love Story by Mike Chen

#BookReview: A Quantum Love Story by Mike ChenA Quantum Love Story by Mike Chen
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: relationship fiction, science fiction, science fiction romance, time travel
Pages: 368
Published by Harlequin MIRA on January 30, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The only thing harder than finding someone in a time loop is losing them.

Grieving her best friend's recent death, neuroscientist Mariana Pineda’s ready to give up everything to start anew. Even her career— after one last week consulting at a top secret particle accelerator.

Except the strangest thing a man stops her…and claims they've met before. Carter Cho knows who she is, why she's mourning, why she's there. And he needs Mariana to remember everything he’s saying.

Because time is about to loop.

In a flash of energy, it’s Monday morning. Again. Together, Mariana and Carter enter an inevitable life, four days at a time, over and over, without permanence except for what they share. With everything resetting—even bank accounts—joy comes in the little a delicious (and expensive) meal, a tennis match, giving a dog his favorite treat.

In some ways, those are all that matter.

But just as they figure out this new life, everything changes. Because Carter's memories of the time loop are slowly disappearing. And their only chance at happiness is breaking out of the loop—forever.

My Review:

Carter Cho recognizes that he’s in a time loop. He has four days to live, over and over and over and OVER again, with no way to stop it and no way out. All he can do is watch, wait and repeat. It’s boring, it’s disheartening, it’s downright depressing. Most of all it’s terribly, terribly lonely.

Until Carter decides to take one loop and do the opposite of everything he did the first and all the subsequent, mind-numbing, heart-breaking times he’s looped before. And in that opposition he manages to convince, coerce, drag another person into the loop with him.

Dr. Mariana Pineda and technician Carter Cho are opposites in every possible way, but all they have is each other. And a seemingly endless amount of time to figure out what keeps making the Hawke Accelerator accelerate itself into a catastrophic explosion, time after time after time – and resetting the world as everyone but the two of them knows it.

Neither of them has the training or the tools to diagnose what’s going wrong – but they are all they have. And that turns out to be more than enough. Just in the nick of, well, time.

Escape Rating B+: If the blurb or the description above are making you think of the movie Groundhog Day, you are not alone. Neither was it alone in my head as I was reading my way through the first part of the story – because time travel loops have been done before.

In other words, this loop has been looped before. As they do.

At one end of that time loop story perspective there’s Groundhog Day, which has kind of a sweet ending no matter how much of an asshole the protagonist (played by Bill Murray) is as the story begins. But Carter Cho is a really nice guy – if a bit of an underachiever according to his parents – so that resemblance isn’t 100%

The ending of A Quantum Love Story, or rather, all the endings of the world before the resets, have all of the explosive punch of the movie Edge of Tomorrow, although there’s no war in Quantum.

A Quantum Love Story felt more akin to the Stargate SG-1 episode “Window of Opportunity” as following the protagonists through the loops of that journey goes through many of the same stages that Carter and Mariana go through while following characters that one really does want to follow. Also there’s no real villain in “Window of Opportunity”, which is also true in Quantum. The story, the journey, the battle if you will, is to solve the mystery and break the cycle – not to break heads.

But the chasing down of just how many different time loop stories this one brought to mind kept me from being as invested in Carter and Mariana’s problem solving through their loops, although the emotional journey they took did hold my interest even as it briefly looked like it was heading for Flowers for Algernon territory which made for some tense moments for this reader. (Don’t worry too much, it doesn’t go there, but there were a few bits that just about gave me the weepies when it looked that way. Howsomever, the author has form for this, as that’s part of the direction that his lovely Light Years from Home went.)

The heart of the story, and it very much does have one, is in the relationship between Carter and Mariana, who begin as opposites in just about every sense of the word and bond through shared trauma. But what they discover through that sharing is that their version of opposites attract brings out the best in both of them, and that there are possibilities in life that neither of them ever imagined.

Including the possibility of a happy ever after with someone that they would otherwise never have had a chance to meet. A chance that will be whisked away if they ever manage to solve the problem and stop the resets.

The solution to both problems, to the endless resets of the time loop and to stopping those resets, turns out to be exactly the same thing. With one surprising and beautiful deus ex machina of an exception.

Ultimately, the repeating time loops with their repeating reminders of other time loop stories is both a bit of a bug AND a feature. After all this is a story about things repeating until they don’t, so it seems right that they kind of do. In the end I was charmed by the story and the characters as they worked through both repeating and not repeating time at the same time.

I’ll certainly be repeating my exploration of this author’s work and his signature combination of science fiction and relationship fiction with his next outing, hopefully this time next year. In the meantime, if you are intrigued by this review, check out the first chapter excerpt I posted last week. If you like SF with just a touch of romance and a heaping helping of relationship building and problem solving, you just might fall in love with A Quantum Love Story!

Spotlight + Excerpt: A Quantum Love Story by Mike Chen

Spotlight + Excerpt: A Quantum Love Story by Mike ChenA Quantum Love Story by Mike Chen
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, science fiction romance, time travel
Pages: 368
Published by Mira on January 30, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The only thing harder than finding someone in a time loop is losing them.

Grieving her best friend's recent death, neuroscientist Mariana Pineda’s ready to give up everything to start anew. Even her career— after one last week consulting at a top secret particle accelerator.

Except the strangest thing a man stops her…and claims they've met before. Carter Cho knows who she is, why she's mourning, why she's there. And he needs Mariana to remember everything he’s saying.

Because time is about to loop.

In a flash of energy, it’s Monday morning. Again. Together, Mariana and Carter enter an inevitable life, four days at a time, over and over, without permanence except for what they share. With everything resetting—even bank accounts—joy comes in the little a delicious (and expensive) meal, a tennis match, giving a dog his favorite treat.

In some ways, those are all that matter.

But just as they figure out this new life, everything changes. Because Carter's memories of the time loop are slowly disappearing. And their only chance at happiness is breaking out of the loop—forever.

Welcome to the blog tour for A Quantum Love Story by Mike Chen. This is another author who I discovered through participation in a blog tour, so I’m thrilled to be back again with another book and tour. I’ve already finished A Quantum Love Story and loved it, so look forward to that review late next week. But the book is coming out TOMORROW, so here’s an excerpt from the very first chapter to whet your reading appetite for the whole, quantum tangle of this story!

Excerpt from Chapter 1 of A Quantum Love Story by Mike Chen

1
Carter Cho wasn’t really into science experiments.
Otherwise, he might have completed his degree in quantum mechanics. Cooking experiments, though? Totally different, because there was a real joy to that process. But setting a hypothesis, identifying controls, and looking for…stuff?
Seriously, that seemed like such a slog.
Except for this particular Thursday morning, on the corner of a crosswalk and standing across from the world’s biggest, most advanced particle accelerator, a science experiment felt necessary.
He didn’t really have a choice. It seemed to be the only way to possibly understand or even escape his very strange predicament.
Carter checked the time on his phone, waiting for it to tick specifically to twenty-three seconds past 8:22 a.m.
At that moment, the crosswalk light would switch, signaling for pedestrians to go.
Then everything would cascade, a waterfall of specific actions by the world around him:
The person on Carter’s right would step out first.
The person behind him would wait an extra four seconds, eyes stuck on his phone.
Annoyed, the woman next to that person would let out an exaggerated sigh, move around, then rush forward six steps into the street before catching her shoe.
Then she would stumble forward, her coffee spilling. The first time he went through this, he’d noticed the spill just in time to sidestep it before continuing on.
All of these actions sat line by line on the old-fashioned paper notebook in his hands, a checklist of what was to come with the precision delivered by his photographic memory.
Science experiments all led to a result. As for this, he wasn’t quite sure what the result, or even the purpose, might be. He already knew he was in a loop of some sort, something that started the instant he woke up on Monday mornings.
And it always ended up with the huge facility across the street exploding.
The Hawke Accelerator, both a modern marvel of technology circa 2094 and also some sort of weird top-secret project that no one really understood—now also the place that would simply go boom.
Carter should know. The first time he experienced this, he was in the accelerator chamber’s observation room, right in the heart of where the go boom happened at precisely 12:42 p.m. on Thursday. Which was today, again. Just a few hours from now.
He’d been through this six times before, each time expanding his acute understanding of the details surrounding him. Usually he wrote things down at the end of the day, a memory trick he’d
learned about himself very early on that helped cement the details into place, so even when he started the loop over without any scribbled notes to organize his thoughts, his photographic memory recalled it.
But this morning, he went in reverse, writing out the exact steps as they were meant to be.
And then he’d make sure it played out that way, bit by bit.
After that, he wasn’t sure. Carter thought of his parents, their usual voices chastising him for his lack of planning and forethought, how his teenage foray into coding and hacking was more about fun than applying himself, and now look at him, simply a technician running tests and tightening screws. Even now that he’d been through this loop several times, he hadn’t bothered to call them back from their birthday messages. Part of him used the excuse that he should stay as close to the original path as possible, but he knew better.
Even if this weird loop existence meant a complete lack of consequences, calling his parents was the last thing he wanted to do.
Carter checked his phone one more time, five seconds remaining until the crosswalk kicked off the sequence. He gripped the notebook, staring at the list of things to come.
A chime came from the crosswalk. And Carter began to move.
The person on the right moved.
The man behind Carter stayed.
An exasperated sigh came from behind him. Carter kept his eyes on his notebook, counting steps in his head. “Ack,” the woman said, right when Carter sidestepped. His focus moved down to the next item on the list, then the next, then the next, not once looking up. Instead, he executed through a combination of memory and instinct, sliding sideways when a cyclist rolled by on the sidewalk and slowing down just enough to follow in a group waiting at the front entrance of Hawke.
Someone coughed, marking a time to pause and wait thirteen seconds, enough time to review the next items on the notebook still in front of him:
Front desk hands out mobile device for the David AI digital assistant.
Security guard says something about visiting group from ReLive project.
Passing scientist asks what time Dr. Beckett’s flight gets in.

He moved through the security gate designated for employees, taking him past the lobby threshold and over to the main hallway that split in three directions. He stopped, leaned against the wall and waited for the final item to come to pass. Nothing special or unique, just the sound of heels walking in a hurried cadence from his right to his left. Carter checked the notebook, waiting for the visitor’s David AI to speak exactly what he wrote.
“Your next meeting starts in two minutes,” the AI said from the small mobile unit in his familiar London accent. “Oops! Looks like you might be late. Should I give the meeting notice of that?”
Carter mouthed the words as the visitor spoke, his voice fading down the hallway. “No, thanks. I’ll just hurry.”
David’s simulated voice could still be heard as Carter put the notebook down, holding it at his side while considering what just happened. He wasn’t particularly religious, though part of him wondered if he’d been condemned to some sort of purgatory. The predictability of it all, the strange exactness of everything he saw playing out as written on the notebook in his hands.
The first few times, he’d felt disbelief. Then curiosity. Then amusement.
This time, well, he guessed that was the purpose of this experiment: to figure out how he felt knowing he could predict every exact movement of every person he encountered.
Disbelief, curiosity, amusement, and now the whole thing was just unnerving.
Nothing out of turn. Nothing different. Nothing unexpected.
He blew out a sigh, hands pushing back his wavy black hair. Something tugged at him, a wish for things to be different. A person walking from his left instead of his right. Or the plant behind him coming to life and biting his arm. Or a piano dropping out of the sky and smashing his foot.
Anything at all to end this.
Ten minutes passed with Carter lost in his own thoughts, but that in itself turned out to be a change. Normally, he’d take a walk to clear his head, but the list’s finality wound up freezing him. All the previous loops, he’d tried to follow his original path as closely as possible, always ending back in the observation room where the accelerator started to deteriorate and a massive blast of energy struck him. Perhaps that was the only real difference, as he’d changed spots in those final moments to see exactly where the bolt landed on the floor, even using his photographic memory to draw a precise grid of the floor panels.
What he could do with that information, he wasn’t sure. But it had to mean something.
This time, though, a weight paused him, an all-encompassing blanket that left him pondering far longer than he’d ever done.
And then it hit him: he’d deviated farther from his path than before, and nothing bad had happened.
Heck, if he wanted something bad to happen simply so it could, maybe it’d be best if he pushed farther. Or even went in the complete other direction.
At this point, he’d normally turn right, check in with the technician’s desk, grab his cart of tools and begin going through his assignments for the day. But a sharp, almost foreign defiance grabbed him.
He would turn left. He would not check in with his supervisor. Instead he’d go…
Carter’s eyes scanned, looking for the most opposite thing he could possibly do.
Of course.
His steps echoed as he pressed ahead, a strange jubilance to his feet. He moved around people milling about or talking about actual work things, practically skipping with joy until he turned to the entrance of the Hawke cafeteria and straight to the bakery station and its waft of morning pastries.
Ten minutes passed with Carter lost in his own thoughts, but that in itself turned out to be a change. Normally, he’d take a walk to clear his head, but the list’s finality wound up freezing him. All the previous loops, he’d tried to follow his original path as closely as possible, always ending back in the observation room where the accelerator started to deteriorate and a massive blast of energy struck him. Perhaps that was the only real difference, as he’d changed spots in those final moments to see exactly where the bolt landed on the floor, even using his photographic memory to draw a precise grid of the floor panels.
What he could do with that information, he wasn’t sure. But it had to mean something.
This time, though, a weight paused him, an all-encompassing blanket that left him pondering far longer than he’d ever done.
And then it hit him: he’d deviated farther from his path than before, and nothing bad had happened.
Heck, if he wanted something bad to happen simply so it could, maybe it’d be best if he pushed farther. Or even went in the complete other direction.
At this point, he’d normally turn right, check in with the technician’s desk, grab his cart of tools and begin going through his assignments for the day. But a sharp, almost foreign defiance grabbed him.
He would turn left. He would not check in with his supervisor. Instead he’d go…
Carter’s eyes scanned, looking for the most opposite thing he could possibly do.
Of course.
His steps echoed as he pressed ahead, a strange jubilance to his feet. He moved around people
milling about or talking about actual work things, practically skipping with joy until he turned to the entrance of the Hawke cafeteria and straight to the bakery station and its waft of morning pastries.
“Don’t worry about it. It’s totally fine. I, uh,” he said. She bit down on her lip, brow scrunched, though eventually they locked gazes. “I should have watched where I was going.” He gestured at the growing coffee stain on his outfit.
“You sure?”
“Absolutely. It’s work clothes. It gets dirty. No big deal.”
The woman’s expression broke, relief lifting her cheeks into a toothy grin, one of those unexpected sights that made everything a little bit better. She looked back at the group, then the coffee cup in her hands. “Damn it, I spilled a bunch. Is there a place to get a refill?”
“You’re going to the main conference room?”
“Yeah. Spent all week there.”
All week. All the times Carter had been through the loop before, even seen the names of various guest groups on schedules, and yet they’d never crossed paths—not until he did the exact opposite of his routine.
Funny how that worked.
“We finally get to see the observation room, though. In a little bit.” She held up her coffee cup. “Just need a refill somewhere along the way.”
“Café is back there,” he said, thumb pointing behind him. “Way back there.”
“Ah,” she said with furrowed brow, a conflicted look that seemed about much more than a coffee refill. “Probably should meet with the team. Not enough time.”
Not enough time. The concept almost made Carter laugh. “Well,” he said, pulling out a bag, “a donut for making you late?”
She took the bag and peaked inside, cheeks rising with a sudden smile. “I don’t usually like donuts. But these glazed ones. Simple, you know?” She shuffled the bottom of the bag to nudge the donut out the opening. “Are you sure? I spilled coffee on you.”
“Yeah. I’m, uh,” he started, pausing as their gazes lingered. “My fault for running into you.”
The wrapper crinkled as she examined it up close before taking a small bite. “I should get back to my team. Maybe they’ll hand out free coffee by the time we get to the observation room. Thanks for this.”
Carter dipped his chin, a quick farewell as he considered the inevitability of the next few hours, a march toward a chaotic and violent reset. He matched her smile, though as she turned, he pondered saying something.
Normally, he wouldn’t. But with the world exploding soon? He went with the opposite of normal.
“My name’s Carter, by the way,” he said. “Carter, the guy who gives people donuts.”
Her gaze shifted, first looking at the floor, then up at the ceiling, even at the bag on her shoulder before finally locking eyes again. “Mariana,” she said, holding up the donut bag, “the woman always looking for coffee.” She bit down on her lip before glancing around. “I’m going to tell you something completely random.”
“Okay?” Carter said slowly. “About donuts?”
She laughed, an easy, bright laugh, though her eyes carried something far heavier. “No. The group I’m with. We’re touring the facility. But I’m quitting. They don’t know yet. Today’ll be my last day. Science is great until it’s not.” Her shoulders rose and fell with a deep breath. “I don’t know why I’m telling you this. Probably because we’ll never see each other again.” She spun on her heel, an abrupt move followed by determined steps forward.
“Not unless you need another glazed donut.”
She turned, slowing as she walked away backward, this mystery scientist who spilled coffee on him and then caught his attention. Because the idea that someone didn’t like most donuts, well, that
was as opposite as anything he’d ever encountered in his life. “Maybe that,” she said with a small grin.
“I’ll remember your name in case we do,” he said. “Mariana.”
Her fingers fluttered in a quick wave, then she turned, and Carter leaned against the wall, ignoring the people who came and went.
Mariana. Maybe he should write that down, just in case she became important. He pulled the notebook out from under his arm, only to find the pages soaked with coffee.
A pen would rip through those pages. He’d have to trust his memory to recall her name, her voice, her face. On the off chance that they ever met again.
None of it mattered anyway, but as experiments went, this morning did at least prove helpful.
Now Carter knew that he could do anything, even the opposite of normal. And that might just lead to him escaping this thing. Or, at the very least, a lot more pastries.
Mariana disappeared into the sea of people, and as she did, her words echoed in his mind. First her group went to the conference room, then the observation room above the accelerator core. He knew that space well; after all, he’d been in that same room when everything began to explode and—
Wait.
That was it. A possible connection that he’d somehow missed before. He’d been there, of all places, summoned to check some of the power conduits lining the walls as the whole thing fell apart. Could that exact space be important?
Carter’s head tilted up. Maybe the observation room held the key to everything.
And if it did, what would happen if others were caught in it too?

Excerpted from A Quantum Love Story by Mike Chen. Copyright © 2024 by Mike Chen. Published by arrangement with Harlequin Books S.A.

About the Author:

Mike Chen is the New York Times bestselling author of Star Wars: Brotherhood, Here and Now and Then, Light Years from Home and other novels. He has covered geek culture for sites such as Nerdist, Tor.com and StarTrek.com, and in a different life, he’s covered the NHL. A member of SFWA, Mike lives in the Bay Area with his wife, daughter and many rescue animals. Follow him on Twitter and Instagram: @mikechenwriter.

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A- #BookReview: The Tusks of Extinction by Ray Nayler

A- #BookReview: The Tusks of Extinction by Ray NaylerThe Tusks of Extinction by Ray Nayler
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: climate fiction, science fiction
Pages: 192
Published by Tordotcom on January 16, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


When you bring back a long-extinct species, there’s more to success than the DNA.

Moscow has resurrected the mammoth, but someone must teach them how to be mammoths, or they are doomed to die out, again.
The late Dr. Damira Khismatullina, the world’s foremost expert in elephant behavior, is called in to help. While she was murdered a year ago, her digitized consciousness is uploaded into the brain of a mammoth.
Can she help the magnificent creatures fend off poachers long enough for their species to take hold?
And will she ever discover the real reason they were brought back?
A tense eco-thriller from a new master of the genre.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

My Review:

When we first slip into Dr. Damira Khismatullina’s mind she is fighting the long defeat against ivory poachers along the banks of the Ewaso Ng’iro River in Kenya. She and her colleagues are losing the battle, and they know it. But they can’t stop fighting because they know that something precious will be lost if they can’t save the elephants.

She doesn’t know that she’s already lost; the battle, the war, and even her life, in a cause that is so very worthy against an implacable enemy that can’t be defeated but only delayed. Because her real enemy, the elephants’ true foe, isn’t poachers. It’s human greed. And that’s inexhaustible.

Dr. Damira may have lost her battle, but she’s not the only one fighting this war and conventional methods are not the only way to fight it. Because it’s not just about the elephants. It’s about the planet that made them.

Which is where Damira the mammoth comes into this story. Russian scientists have created a frigid version of Jurassic Park in the taiga, and have brought back not dinosaurs but mammoths in the hopes of pushing back climate change – at least a bit – by protecting and expanding the taiga and ultimately halting, or at least slowing, the melting of the permafrost.

But the newly resurrected mammoths are dying. They don’t know how to BE mammoths, and the captive elephants they were bred from didn’t even have the skills of how to be a wild elephant to teach them. But Dr. Damira Khismatullina did. Or does, as she was the last remaining expert on elephant behavior in the wild.

But she’s dead. The poachers killed her. And delivered her head back to the government to send the message that no one was permitted to even attempt to control the slaughter.

Compared to resurrecting an entire extinct species, implanting Dr. Khismatullina’s consciousness into a single member of that species was a piece of cake. So Damira the mammoth was reborn as the matriarch of the mammoth herd. She taught them to BE mammoths – or at least close enough for them to survive and even thrive in their new environment.

Just in time for the ivory hunters to find them. But Damira the mammoth matriarch has very different imperatives than Dr. Khismatullina the scientist did. And considerably more weapons at her disposal.

Escape Rating A-: I picked this one up because I utterly adored the author’s debut novel, The Mountain in the Sea. I mean I really, truly, seriously loved that book. To the point where I’ll be picking up everything he writes for years to come.

But that was so damn good that while I had hoped that The Tusks of Extinction would be good, I didn’t even expect that the lightning of that first book would fit into the novella-sized bottle of Tusks. Which it doesn’t – quite. Howsomever, that does not in any way mean that Tusks isn’t good, more that it has a VERY high bar to get over and not nearly as much space to run up to it.

The ecoterrorism that forms the background of The Tusks of Extinction is, unfortunately, very much like the mess the world has become in The Mountain in the Sea, something we can see all too clearly from here. Elephants NEED their tusks. Humans do not NEED ivory. They just want it because it’s rare and it’s difficult to obtain, and it’s precious because of those factors.

And humans are so very greedy, which explains the state of the world in a nutshell. (I digress, but only sorta/kinda. Dammit.)

So there’s a whole lot of sad hanging over this story, again, as there was in The Mountain in the Sea. But without that joy of discovery that carried Mountain, and without that surprising, albeit equivocal, sweetly bitter ending to a story that I expected to end in all bitter all the way down.

Also, as a science fiction reader, I wish that The Tusks of Extinction had a bit more time to explain how Russian science managed to reach BOTH the ability to resurrect an extinct species à la Jurassic Park AND the science needed to implant consciousness anywhere at all, let alone into another species, formerly extinct or otherwise. THAT story would be fascinating and we only get the barest hints of it here.

All of that being said, what makes this story work is the juxtaposition of the evolution of the new mammoths set against the total lack thereof of the humans that Damira left behind. Even though that evolution is likely to leave her fighting the long defeat yet again. At least this time around she has considerably better weaponry and is unlikely to live to see its ending.