Review: Sweep of the Blade by Ilona Andrews

Review: Sweep of the Blade by Ilona AndrewsSweep of the Blade (Innkeeper Chronicles, #4) by Ilona Andrews
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: science fiction, space opera, urban fantasy, vampires
Series: Innkeeper Chronicles #4
Pages: 314
Published by NYLA on July 16, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Maud Demille is a daughter of Innkeepers—a special group who provide ‘lodging’ to other-planetary visitors—so she knows that a simple life isn't in the cards. But even Maud could never have anticipated what Fate would throw at her.

Once a wife to a powerful vampire knight, Maud and her young daughter, Helen, were exiled with him for his treachery to the desolate, savage planet of Karhari. Karhari killed her husband, and Maud—completely abandoned by his family—has spent over a year avenging his debts. Rescued by her sister Dina, she's sworn off all things vampire.

Except... In helping Dina save the world, she met Arland, the Marshal of House Krahr, one of the most powerful vampire houses. One thing led to another and he asked for her hand in marriage. She declined. Arland is not used to hearing the word ‘no;’ and try as she might, Maud can't just walk away from Arland. It doesn't help that being human is a lot harder for Maud than being a vampire.

To sort it all out, she accepts his invitation to visit his home planet. House Krahr is extremely influential and Maud knows that a woman—a human, with a very questionable past—who's turned down a proposal from its most beloved son won't get a warm reception. Maybe she’s not sure about marrying Arland, but House Krahr isn’t going to decide for her. Maud Demille has never run from a fight, and House Krahr will soon discover that there's a lot more to Maud than they’re expecting.

My Review:

Vampires and politics. They go together like love and marriage. Complete with ALL the possibly messy endings. Along with the occasional happy ever after – as well as the rare but not unheard of “red wedding”.

This is also a book that manages to be both considerably different from the previous books in the Innkeeper Chronicles and follow directly from its immediate predecessor, the marvelous One Fell Sweep.

In this version of the universe, there is interstellar travel, and there are plenty of places and peoples in the very big galaxy, not all of whom are even humanoid. But Earth is not a participant in any of what’s “out there”. Because Earth sits on a very large and very rare nexus of space travel conduits, it has been declared a kind of intergalactic Switzerland – albeit one kept a bit in the space-faring dark ages.

Earth is off-limits to every species out there, and it’s an off-limit that’s enforced by everyone in return for safe passage through that nexus. Earth’s knowledge of the wider galaxy is confined to a group of people called innkeepers, who have complete control over the grounds of their inns. Inns that provide safe harbor, safe haven and safe rest-and-recuperation for any beings traveling through the nexus.

The story of the first three books has revolved around Dina Demille, daughter of two lost innkeepers, returning to Earth and taking control of the inn her parents left behind – and defending it from all comers, of which there have been entirely too many.

Dina’s adventures have been the heart of the first three books, and they are awesome. This is also a broad hint to start with the first book, Clean Sweep. This worldbuilding in this series is fascinating and grows with each new book in the series.

Sweep of the Blade is the story of Dina’s sister Maud. Formerly Lady Maud. Exiled and disowned ex-wife of one of the lesser ruling Vampiric Houses. There are vampire knights in this universe, but they are not much like our versions of vampires. On the other hand, the werewolves seem to be pretty much on the legendary nose.

I digress.

Maud survived a prison planet that spit her lying, deceitful, cheating husband out in little tiny pieces. And she, in her turn, avenged his death on every single one of his killers. Now she’s out, and safe, and home with her sister Dina.

But safe is not what Maud is built for. She could make a home with her sister, or become an innkeeper on her own. She could also, and more likely, become an enforcer for the innkeeper’s guild. Because Maud is a fighter – and she’s good at it.

However, Maud has a daughter, Helen, who is five years old and half-vampire by genetics, but all vampire in spirit. Earth, and the Innkeeper network, may be safe for Helen, but not what’s best for her. She’ll always be isolated and alone.

Maud’s other option is a tall, handsome hunk of vampire Marshall, who loves her, wants to marry her, and can provide Helen with a place where she can be who she is. Maud just has to accept.

But she can’t. She spent years as one vampire house’s trained human monkey, only to be discarded like trash for a crime her husband committed that she had no part of. She’s not willing to be anyone’s second class citizen ever again.

Arland offers her a place where she can fight to be first, for herself and for her daughter. She just has to survive every single thing, and every person, that his House can throw at her. Including a murderous attack by her potential mother-in-law and a pirate coup led by his House’s enemies.

And a very red wedding.

Escape Rating A+: This was a book that I gobbled up over dinner, and didn’t let go of until it was done. It starts with a bang, ends with a mic drop, and in the middle there’s the biggest and most delicious story of political skullduggery, underhanded betrayals, complex negotiations and epic romance.

This series is awesome from beginning to end, but this entry is a bit different. The previous stories have been set on Earth, with the ever expanding galaxy of characters making their way to Dina’s inn. While there have been some epic battles, the fighting has all been defensive, protecting Dina’s inn and her varied guests.

Maud goes away from Earth and she goes on the offensive – even if that is sometimes in the sense of the best defense being a good offense. She has a goal, and for the most part it’s the same goal she’s always had – to protect her daughter at all costs.

She wants what’s best for Helen, and that means making a place for them among Arland’s ancient, respected and feared House. He is, in effect, a prince among his people, and if Maud is to stand at his side as his equal, she’ll have to earn that place. That’s the story here, of her earning that place – not by pretending to be a trained monkey, as she did in her first marriage – but by being her fighting self. And by letting Helen fight an appropriate number of her own battles.

It’s that fight that makes the story so much fun. There are maneuvers, there are counter-measures. There are wheels within wheels within wheels. The vampires respect strength, so that’s what Maud must project at all times – no matter how much she hurts or how wounded she is.

At the same time, she is underestimated at every turn, and has to walk a fine line between lowering her enemies’ guards and not letting them walk all over her. The way that she eventually earns her place is by combining her strengths, both as a warrior and as a human. And it’s glorious. And so is she.

I enjoyed this book so much because I really liked Maud and wanted her to succeed. She is both kickass and clever, and both of those characteristics were needed in order for her to defeat her enemies – as well as to earn her place in Arland’s House by defeating theirs!

Sweep of the Blade ends, thank goodness not with a cliffhanger, but with a truly thunderous mic drop that promises more story in this universe. I can’t wait.

Review: Finder by Suzanne Palmer

Review: Finder by Suzanne PalmerFinder by Suzanne Palmer
Format: audiobook, eARC
Source: purchased from Amazon, purchased from Audible
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Finder Chronicles #1
Pages: 391
Published by DAW Books on April 2, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From Hugo Award-winning debut author Suzanne Palmer comes an action-packed sci-fi caper starring Fergus Ferguson, interstellar repo man and professional finder

Fergus Ferguson has been called a lot of names: thief, con artist, repo man. He prefers the term finder.

His latest job should be simple. Find the spacecraft Venetia's Sword and steal it back from Arum Gilger, ex-nobleman turned power-hungry trade boss. He'll slip in, decode the ship's compromised AI security, and get out of town, Sword in hand.

Fergus locates both Gilger and the ship in the farthest corner of human-inhabited space, a gas-giant-harvesting colony called Cernee. But Fergus' arrival at the colony is anything but simple. A cable car explosion launches Cernee into civil war, and Fergus must ally with Gilger's enemies to navigate a field of space mines and a small army of hostile mercenaries. What was supposed to be a routine job evolves into negotiating a power struggle between factions. Even worse, Fergus has become increasingly--and inconveniently--invested in the lives of the locals.

It doesn't help that a dangerous alien species thought mythical prove unsettlingly real, and their ominous triangle ships keep following Fergus around.

Foolhardy. Eccentric. Reckless. Whatever he's called, Fergus will need all the help he can get to take back the Sword and maybe save Cernee from destruction in the process.

My Review:

June is Audiobook Month, and Finder is one of those books that I picked up in audio and couldn’t wait to get into it. It’s one of those wild ride, thrill-a-minute stories that kept me sitting in my car in all sorts of places, just so I could hear just a bit more of whatever it was that Fergus managed to get himself into this time. Every time.

In the end I finished up with the book-book, or rather the ebook, because I just couldn’t start anything else until I discovered if/how Fergus finally managed to get himself out of both frying pan AND fire – and complete his self-imposed mission – without racking up too much more collateral damage along the way.

This is also a fantastic space opera, but not of the conquering star empires variety, which is cool and neat and different.

Fergus is the finder of the title. He’s kind of a repo man, but not exactly. He doesn’t repossess something because someone has missed a payment or ten. He finds things, big expensive things, that have been stolen and returns them to their rightful owners.

He’s at the ass-end of human-inhabited space, a collection of small-to-middling sized habitats strung out on power cables, named Cernee. The big thing he’s come to collect is a ship. Arum Gilger stole it from the shipbuilders, using an equally stolen ID, and the shipbuilders want it back. And it turns out that the locals are generally happy to help Fergus – up to a point – because they don’t like Gilger having that ship.

Fergus thinks the job is going to be easy. Get in, find the ship, steal the ship, fly it home to the Pluto shipyards, collect his pay. Get another job. Wash, rinse, repeat.

Instead, Fergus gets caught in the middle of a civil war. Arum Gilger wants to take over Cernee, and pretty much everyone and everything stands in his way. (Hence the reason that the locals are willing to help Fergus steal back the ship and get it the hell out of their space.) Especially the family Vahn, living on a remote habitat called “The Wheels”. It shouldn’t be Fergus’ business, but Gilger fires the opening salvo in his little war at the cable car that Fergus is sharing with “Mother” Vahn, and Fergus’ job has suddenly become personal.

Being nearly killed just for being in the same cable car as a seemingly inoffensive old lady is plenty of reason to get scared, to get angry, and to get to the bottom of everything that’s wrong in Cernee.

At least until everything that’s wrong in Cernee, including the mysterious alien ships that watch, and wait, and scare everyone three-quarters to death, decide that Fergus is their “true North” and all their ships start pointing towards him – wherever he goes, whatever he does – all the time.

Fergus may be the Finder, but something much bigger and much, much scarier has suddenly found him.

Escape Rating A-: First of all, this is one of those stories that naturally lends itself to audio. The story is told in Fergus’ first-person perspective, so hearing it in his voice from inside his head works well. The narrator does an excellent job of capturing Fergus’ world-weary (maybe that should be universe-weary), slightly deadpan voice. Fergus isn’t someone who gets really excited – because he’s been there and done that and is much too busy running away from the things that reach deeply into his emotions.

This doesn’t mean that the people around Fergus don’t get plenty excited, because the adventures that Fergus drags them into are generally frightening to the point of being downright life-threatening. Following Fergus is like being on one of those amusement park rides that barrels toward the edge of its track, to the point where you think the car is going to stop and you’re going to be thrown out of it, only to sharply turn – extremely sharply and very suddenly – and throw you against the sides as it madly careens towards the next near-disaster. (This ride in my childhood amusement park was the Wild Mouse, but yours undoubtedly had one too. They all did!)

Finder is very much one of those “out of the frying pan into the fire” stories. Fergus seems to be both a trouble and chaos magnet. They say that no plan survives contact with the enemy. It seems like no plan survives contact with Fergus, not even Fergus’ own plans. And yet, they generally manage to work in the end – for select definitons of “generally”, “work” and especially “end”. Either he has the devil’s own luck, as they say, or Cernee is connected to the Discworld, where “million-to-one” shots always come in.

There’s something about the way this story works, or perhaps in Fergus’ universe-weary voice, that reminds me of John Scalzi’s space operas. Especially The Android’s Dream, but generally the Old Man’s War universe. Fergus and John Perry would have plenty to talk about. That there’s a brief part of Finder that echoes Heinlein’s The Moon is a Harsh Mistress is totally fitting, considering the number of reviews that label Old Man’s War as Heinleinesque.

I digress just a bit, but not completely, as I think that Scalzi’s readers will also like Finder – very much. This one certainly did!

Review: Winds of Marque by Bennett R. Coles

Review: Winds of Marque by Bennett R. ColesWinds of Marque: Blackwood and Virtue by Bennett R. Coles
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Blackwood & Virtue #1
Pages: 368
Published by Harper Voyager on April 16, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

"Bennett R. Coles ranks among my go-to list in SF. Entertaining and intelligent storytelling and terrific characters. In Winds of Marque, Coles may well have invented a whole new subgenre that has me scrambling for a description--Steam Space?  Whatever you call it, a blast to read. Here's hoping that many more adventures are in the offing for Blackwood and company."  Steven Erikson, New York Times bestselling author

The first novel in an exciting science fiction series—Master and Commander in space—a swashbuckling space adventure in which a crew of misfit individuals in the king’s navy are sent to dismantle a dangerous ring of pirate raiders.

In a dense star cluster, the solar winds blow fiercely. The star sailing ship HMSS Daring is running at full sheet with a letter of marque allowing them to capture enemy vessels involved in illegal trading. Sailing under a false flag to protect the ship and its mission, Daring’s crew must gather intelligence that will lead them to the pirates’ base.

Posing as traders, Daring’s dashing second-in-command Liam Blackwood and brilliant quartermaster Amelia Virtue infiltrate shady civilian merchant networks, believing one will lead them to their quarry.

But their mission is threatened from within their own ranks when Daring’s enigmatic captain makes a series of questionable choices, and rumblings of discontent start bubbling up from below decks, putting the crew on edge and destroying morale. On top of it all, Liam and Amelia must grapple with their growing feelings for each other.

Facing danger from unexpected quarters that could steer the expedition off course, Blackwood and Virtue must identify the real enemy threat and discover the truth about their commander—and their mission—before Daring falls prey to the very pirates she’s meant to be tracking.

My Review:

The blurbs and the reviews for this book say the same two things fairly consistently. One, that it’s a whole lot of fun. Two, that it’s Aubrey and Maturin (Master and Commander) in space.

The first thing is definitely true. Winds of Marque is a whole lot of fun. I’m a bit less sure about the second thing – and I’m saying that as someone who read the entire Aubrey and Maturin series.

What makes this so much fun is that it is a romp of swashbuckling derring-do, but set in space in the distant future – on a Navy ship under letters of marque (government-licensed piracy) with a mission to find the real pirates and wipe them out before humans end up in a war with the insect-like Sectoids.

Our plucky heroes are Subcommander Liam Blackwood and Petty Officer Amelia Virtue. Fraternizing between the ranks is about to become the least of their problems.

Blackwood, second-son of the nobility and Executive Office (XO) of the HMSS Daring, has a reputation for coddling, chivying and generally outmaneuvering dunderheaded noble Captains so that they manage not to kill their entire crews in acts of noble idiocy. He’s unfortunately good at his job – because it’s bad for his career. Someone has to take the blame for the untouchable nobles’ disasters, and it’s generally their frustrated XO.

Virtue is the newly promoted quartermaster of the Daring. She’s relatively young, hyper-competent, and has the combined duty of making sure the Daring is fully supplied without resorting to Naval stores while instructing Blackwood in just how different the life of a commoner ranking sailor is from that of even a second-born noble son.

It’s probably going to be the making of him, if they survive the mess they are currently in.

Because nothing about their mission is exactly what it seems. Not the inexperienced but not unintelligent Captain Lady Sophia Riverton, not the pirates and certainly not the Sectoids.

That there’s a noble fop on board who is just dead certain that he can do everything better than his Naval superiors but social inferiors is nearly the deadly icing on a very explosive cake.

And it’s a blast from beginning to end.

Escape Rating B+: I had a great time while I was reading this. The verve and drive of the narrative really sweeps the reader along. But, I’m not sure how well it holds up upon further reflection. Not that I won’t pick up the next book in the series when it comes out. I did have a great time.

Part of the problem for this reader may be in all those comparisons to the Aubrey and Maturin series. Which was marvelous and excellent and terrific and if you enjoy naval stories or Napoleonic war stories is highly recommended. The audio is particularly good.

One issue, at least so far, is that Blackwood is not analogous to Aubrey (neither is Riverton) and there is no Maturin, at least so far. And that one aspect of the story, the Napoleonic wars in space, has been done before by David Weber in the Honor Harrington series. (It’s also been done in fantasy in the Temeraire series by Naomi Novik!)

Where it is similar to the Aubrey and Maturin series is in its detailed descriptions of the working of the ship. That the Daring is a ship powered by “solar sails” makes that resemblance more pronounced, but also a bit out of place. I’m not sure whether it’s that we’ve become so used to FTL (Faster Than Light) ships being sleek and powered internally that solar sails feel less possible (not that FTL drives in general are possible at the present) or that the whole “sailing” aspect feels like an artificial way for the author to insert sailing jargon and terminology that would not otherwise be present.

One aspect of the story, although not the primary aspect, is the developing romance between Blackwood and Virtue. As much as I like both characters, there doesn’t feel like there’s enough there to sell the romance. While it does take a reasonable amount of time for them to fall in love, because the story is told from Blackwood’s perspective we don’t see enough of Virtue’s thought processes to “feel” their romance. It’s a not nearly enough significant glances and conversations about ship’s business that fall into bed – or rather office floor at a crisis point.

Although this is a navy that has given up on anti-fraternization regulations, these are people from two different worlds that don’t mix. If they are going to be together, there need to be a whole lot more conversations about how that’s going to work. Because what Virtue tells Blackwood is correct – as a noble he can do anything at all to her, up to and possibly including murder but certainly including rape and assault – and he will never be punished because he’s a member of the aristocracy and she’s a commoner. That power imbalance is going to require one hell of a reckoning at some point.

The book this reminds me of the most is The Guns Above by Robyn Bennis. That book incorporates its equivalent ship jargon much more smoothly. Transferring the terminology of sailing vessels to an airship that sails the air felt smoother even if the war they are flying in is just as deadly. That story also includes a noble fop, but that one manages to get better – if not less foppish – as the adventure goes along.

The situation that the Daring finds herself in is a well-worn and well-loved trope. The ship of misfit naval personnel go rogue with official sanction but no official backing to do a job that desperately needs to be done – but that no one in the official navy wants to be caught dirtying their hands to actually get done. If they complete their mission someone else will get the glory, but if they fail the survivors will take all the blame.

And it’s so much fun that none of them can resist signing up for another mission. Readers won’t be resisting either!

Review: Doctor Who: Scratchman by Tom Baker

Review: Doctor Who: Scratchman by Tom BakerDoctor Who: Scratchman by Tom Baker
Format: audiobook
Source: purchased from Audible
Formats available: hardcover, ebook, audiobook
Genres: science fiction
Pages: 304
Published by BBC Books on January 24, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

What are you afraid of?

In his first-ever Doctor Who novel, Tom Baker’s incredible imagination is given free rein. A story so epic it was originally intended for the big screen, Scratchman is a gripping, white-knuckle thriller almost forty years in the making.

The Doctor, Harry and Sarah Jane Smith arrive at a remote Scottish island, when their holiday is cut short by the appearance of strange creatures – hideous scarecrows, who are preying on the local population. The islanders are living in fear, and the Doctor vows to save them all. But it doesn’t go to plan – the time travellers have fallen into a trap, and Scratchman is coming for them.

With the fate of the universe hanging in the balance, the Doctor must battle an ancient force from another dimension, one who claims to be the Devil. Scratchman wants to know what the Doctor is most afraid of. And the Doctor’s worst nightmares are coming out to play…

My Review:

They say that you never forget your first Doctor. The Fourth Doctor, Tom Baker, was mine. The first episode I saw was The Talons of Weng Chiang. It was the late 1980s and Doctor Who was broadcast on WTTW in Chicago at 11 pm every Sunday night. It says a whole lot about a whole lot of things that my hour or so with the Doctor every weekend was often the high point of my week.

Listening to Tom Baker read his own Doctor Who novel was like stepping back into my very own TARDIS, and taking a trip back in time and space to those long ago nights – when both of us were a LOT younger. I heard his voice now, but the picture in my head was of my Doctor, then.

And it made for a marvelous adventure.

The Fourth Doctor with Harry and Sarah Jane

The adventure itself feels like, or that should be sounds like, pretty much exactly like, one of the stories from the Fourth Doctor’s early years, when his companions were journalist Sarah Jane Smith and Surgeon-Lieutenant Harry Sullivan from UNIT.

The Doctor, along with Sarah Jane and Harry, find themselves on a relatively remote island off the English coast, having been taken there by the Doctor’s somewhat wacky TARDIS. They take advantage of the lovely day but find themselves ambushed by scarecrows of all things. Scarecrows that have taken the places of nearly all the villagers in this little town. By the time the Doctor figures out what has happened to the villagers and what the menacing scarecrows are all about, both he and Harry have been infected by the scarecrow virus.

It then becomes a race against time to find some way of eliminating the scarecrows and saving the remaining villagers – and themselves – before time runs out. And they fail. Only to find themselves in the adventure behind the adventure that was there all along.

What made this adventure particularly suited to an audiobook read by the Doctor is that the readers are not observing this adventure at third-hand. Instead, the Doctor is on trial – yes, again – in front of the assembled Time Lords who, as usual, are not at ALL amused by his recent behavior. Or his previous behavior (or even his future behavior).

So the story is the Doctor’s testimony, as he is telling the Time Lords what happened, what he did, and why he did it. In the audio, as he tells it to them – along with forays into his thoughts about the proceedings, the interruptions to the proceedings and the jeering from his Time Lord audience – we’re in his head, hearing him tell the story to them – and to us.

Let’s just say that in this instance the first person voice really, really works. The Doctor, MY Doctor, told me a fantastic story of one of his adventures.

And I loved every single minute of it.

Escape Rating A+: This is the point where I simply squee in delight.  I had a ball, to the point where I laughed out loud on multiple occasions, often while on a treadmill in the midst of other people who must have thought I was a loon.

But then, a lot of Time Lords firmly believe that the Doctor, particularly in this incarnation, was a loon. That he often behaved like one may have added a bit to that belief. More than a bit.

This story reads, or particularly listens, like one of the best of the Fourth Doctor’s madcap (with serious bits) adventures. If you enjoyed “Classic” Who, you’ll love this too. (I fully recognize that I am giving this an A+ because I loved every single second of it. I’m well aware that this is a book, and an experience, that won’t work nearly as well for someone who is not a fan.)

At the same time, the story also feels like Tom Baker’s love letter to the character he played so long and so well, two of his companions, particularly one of his obvious favorites, Sarah Jane Smith, as well as to the arc of the character and the series as a whole.

There are loving (and accurate) references to not only his three predecessors in the role, but also to the future, including a particularly heartfelt interchange with Thirteen. There’s also a sequence in the TARDIS where Sarah Jane Smith sees the arc of her whole life in pictures. The pictures she described were instantly recognizable as scenes not only from previous events in her life, but as future events, including scenes from her later appearances in the show in the episode School Reunion and her own Sarah Jane Adventures.

I’m not ashamed to say that those scenes made me tear up a bit, as did Sarah Jane’s letter to the Doctor in the postscript.

The adventure of Scratchman both travels well-worn and well-loved paths with the Doctor, and goes to places that the reader/listener does not expect. And it’s a lovely trip though a very personal time machine every step of the way.

Review: If This Goes On edited by Cat Rambo

Review: If This Goes On edited by Cat RamboIf This Goes On by Cat Rambo, E. Lily Yu, Aimee Ogden, Rachel Chimits, Cyd Athens, Scott Edelman, Jack Lothian, Gregory Jeffers, Conor Powers-Smith, Priya Sridhar, Andy Duncan, Lynette Mejía, Hal Y. Zhang, Nick Mamatas, Steven Barnes, Kitty-Lydia Dye, Tiffany E. Wilson, Nisi Shawl, Kathy Schilbach, Zandra Renwick, Chris Kluwe, Sarah Pinsker, Calie Voorhis, Marie Vibbert, James Wood, Jamie Lackey, Paul Crenshaw, Langley Hyde, Judy Helfrich, Beth Dawkins, Sylvia Spruck Wrigley
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, dystopian, post apocalyptic, science fiction, short stories
Pages: 304
Published by Parvus Press LLC on March 5, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonKoboBookshop.org
Goodreads

A bold new anthology born of rage and sorrow and hope. 30 writers look at what today's politics and policies will do to shape our world a generation from now. Some of today's most visionary writers of science fiction project us forward to the world of the future; a world shaped by nationalism, isolationism, and a growing divide between the haves and have nots. This anthology sits at the intersection of politics, speculative fiction, and American identity. The choices we make today, the policies of our governments and the values that we, as people, embrace are going to shape our world for decades to come. Or break it. Edited by Cat Rambo, the current President of the Science Fiction and Fantasy Writers of America, the stories of If This Goes On invite you to worlds very like this one-- but just a little different.

Table of contents:Green Glass: A Love Story by E. Lily YuTwelve Histories Scrawled in the Sky by Aimee OgdenDead Wings by Rachel ChimitsWelcome to Gray by Cyd AthensThe Stranded Time Traveler Embraces the Inevitable by Scott EdelmanGood Pupils by Jack LothianAll the Good Dogs Have Been Eaten by Gregory JeffersThe Sinking Tide by Conor Powers-SmithMustard Seeds and the Elephant’s Foot by Priya SridharMr. Percy’s Shortcut by Andy DuncanA Gardener’s Guide to the Apocalypse by Lynette MejíaBut for Grace by Hal Y. ZhangHurrah! Another Year, Surely This One Will Be Better Than The Last; The Inexorable March of Progress Will Lead Us All to Happiness by Nick MamatasThe Last Adventure of Jack Laff: The Dayveil Gambit by Steven BarnesThree Data Units by Kitty-Lydia DyeOne Shot by Tiffany E. WilsonKing Harvest (Will Surely Come) by Nisi ShawlCounting the Days by Kathy SchilbachMaking Happy by Zandra RenwickThe Machine by Chris KluweThat Our Flag Was Still There by Sarah PinskerThe Editor’s Eyes by Calie VoorhisFree WiFi by Marie VibbertDiscobolos by James WoodFine by Jamie LackeyBulletproof Tattoos by Paul CrenshawCall and Answer by Langley HydeA Pocketful of Dolphins by Judy HelfrichTasting Bleach and Decay in the City of Dust by Beth DawkinsThe Choices You Make by Sylvia Spruck Wrigley

My Review:

I picked this up around the same time I received Cory Doctorow’s Radicalized to review for Library Journal. Just from the descriptions, it seemed that these two books either springboarded off the same event, were in dialog with each other, or both. (This is also a giant hint that if this book interests you that one will too!)

They’re not exactly in dialog with each other, but they certainly arose out of the same event – the 2016 election. Both are wrapped around the question about what the state of the US – and by extension the world – will be in the future if the hateful politics and policies that were given voice and force by the election of 45 continue into the future relatively unchecked.

That premise is explicit in If This Goes On, and implicit in Radicalized, but it is definitely there in both books.

They are very different collections, however. Radicalized consists of four novellas by a single author, where If This Goes On is a collection in the broader sense, of relatively short stories by 30+ authors around the single theme.

A theme that the collection is screaming about – loudly and with metaphorical expletives. As far as the authors and editor are concerned (and this reader) the policies of those elected in that mess are undoing much of the good that the US has done and are making both the country and the world into a worse place than it was.

None of the writers want the situation to continue – and have done science fiction’s usual excellent job of extending the present out into the possible, even plausible, end point of the contemporary mess in order to show just how awful things can be.

In the hopes that we will band together and do something about it before it is too late.

Escape Rating B+: My feels are all over the place on this one.

First, because it bothered the hell out of me and presumably will other people, the title of the collection sounds familiar because it is. If This Goes On— is the title of a novella by Robert A. Heinlein, a novella which would itself feel at home in this collection.

Whether the title of the collection is in homage or not, there is still plenty of resonance between the two.

This is not a collection to be read late at night, particularly with only the light of one’s screen to push back the darkness. Because there’s plenty of darkness in these stories. While some of them border on horror in the traditional sense, most of the stories give the reader the sense that they are looking at something horrible. And I was appropriately – and shudderingly – horrified.

There is some humor in some of the stories, but it is primarily humor of the “gallows” persuasion. These futures are all bleak in one way or another. While the stories themselves are excellent, the overall tone is fairly dark.

Each story is followed by an editor’s note that tends to hit that dark tone over the head with a baseball bat. The stories generally speak for themselves so that repeated emphasis felt a bit like being bludgeoned with the point of the collection – over and over again. I was already metaphorically bleeding so this was a case where the beatings didn’t need to continue until morale improved because it wasn’t going to happen. But there’s something about the reference to that t-shirt saying that seems appropriate just the same – possibly because hearing the news these days does feel a bit like that proverbial beating.

As much as I agreed with the authors’ and the editor’s perspectives, I’ll admit to getting tired of having it beaten into my head over and over again. YMMV.

These stories stand on their own. Sometimes swaying in the wind from the apocalypse, but they do stand. And the collection is well worth reading. If you read nothing else from this collection, look for Mustard Seeds and the Elephant’s Foot by Priya Sridhar – it’s lovely.

As the saying goes, in reference to the collection as a whole, “Read ‘em and weep.”

Guest Review: Stardance by Spider and Jeanne Robinson

Guest Review: Stardance by Spider and Jeanne RobinsonStardance by Spider Robinson, Jeanne Robinson
Format: paperback
Source: purchased from bookstore
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Stardance #1
Pages: 288
Published by Baen Books on February 1st 1977
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A woman of perfect beauty is too big for perfect grace as a ballerina; she will never be more than an understudy. Stardance is the story of one such, one with the body of Venus di Milo and a talent greater than Pavlova's. But if there is an answer, genius will find it; Shara Drummond goes to Space, where her life is devoted to creating a weightless art form that is to Dance as three dimensions are to two.

Then the aliens arrive, beings of pure light who dance forever between the stars. And so it falls to Shara Drummond to prove that the human race is ... human. By her Stardance.

Guest Review by Amy:

Our story is told in the voice of Charlie Armstead, a cynical former dancer and videographer. He’s the best at what he does, (probably because he’s a former dancer), and when he gets the opportunity to shoot video of the finest dancer he’s ever known in zero gravity, he jumps at the chance. But when aliens show up, Shara Drummond must dance for them, and Charlie gets the tape of a lifetime.  But, you see, that’s just the beginning of the story.

Escape Rating: A+. If you read the cover synopsis from the publisher, you might be misled into thinking that this book is about Shara Drummond, and her Stardance. I was, and when the dance with aliens came to a climactic conclusion a third of the way through the book, I was left wondering, “now what?” Frankly, I was a little bit mad that we’d hit the “end” so soon!

But, stubborn woman that I am, I kept reading, and when I finished the book, I had to spend rather a long time sussing out how I was going to describe this book. Because the end of Shara’s Stardance isn’t the end of the story; there’s a lot more to it, and Charlie must find his own way through to the end. It’s…complicated.

Spider and Jeanne Robinson have written a sonata, if you will. In the first movement, allegro, Shara does her dance for the aliens, Charlie taping every moment of it. This tape transforms the lives of a number of people in the second movement, a rondo, wherein Charlie and Shara’s sister Norrey marry and start a zero-gee dance school. In the third movement, the scherzo, the aliens return! An almost-pastoral coda ties up a few loose ends to the story’s structure, and we’re left with a tale to make you spend the night thinking about the real question that the Robinsons pose in this work: “What does it mean to be human?” Each part of the Stardance “sonata” is a story of its own, with its own tale to tell, and it isn’t until you get near the end that you figure out that all of these stories are actually a necessary part of a larger whole.

The first “movement” of this story doesn’t move terribly fast. Charlie is a depressive alcoholic, and it shows. That sort of life isn’t all that appealing to me, and so it made him a bit hard to like. After Shara’s dance, though, the transformative power of the Stardance wakes something up in him – he even later comments that it cured him of his alcoholism – and the vast profits from the tape let him move his life onto a more positive trajectory. Norrey is, as she has always been for him, a good influence, and when other members of their dance-school team join on, they forge an extended family of six: Three couples, one of them a gay couple, who love and trust each other completely. When the challenge arises, as the aliens return and park near Saturn, all six jump at the chance to go try to communicate with them, through their own Stardance.

There were some ironic moments for me in this book; one of the diplomats who accompanies the Stardancers out to Saturn is an American, Sheldon Silverman. He is nationalistic, vain, greedy, and always seeking a strategic advantage over the other five diplomats and the dancers. When he started causing problems, I had a thought: “well, of course. Stereotypical American politician.” Indeed, all of the diplomats in the group were somewhat trope-ish to me, from the cagey Chinese man to the Russian woman who tried (briefly) to bully the dancers, to the affable and brilliant Spaniard. This was a minor distraction, and it served the point that the us-vs-them that we embrace so much of here on Earth is part of the problem–but there is a solution, and in the end, when we find out that the aliens have the solution, two of the diplomats find that it just can’t work in their worldview.

If this was the only work in this universe that Spider and Jeanne Robinson created, it would be enough; it tells us an epic story, with adventure, romance, thrills, and a bit of mystery. Even more, it challenges the reader to think about the nature of family and humanity. It’s definitely worth a look. Originally published in 1977, it has startling insight into the “progress” we’ve made in the years since its publication. But there are two other works in this trilogy (Starseed and Starmind), which I hope to track down soon. If they’re as wonderful as Stardance, I’ll be in for a couple of thoughtful, thoroughly wonderful reads.

Review: Radicalized by Cory Doctorow

Review: Radicalized by Cory DoctorowRadicalized by Cory Doctorow
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: science fiction, short stories
Pages: 304
Published by Tor Books on March 19, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From New York Times bestselling author Cory Doctorow, Radicalized is four urgent SF novellas of America's present and future within one book

Told through one of the most on-pulse genre voices of our generation, Radicalized is a timely novel comprised of four SF novellas connected by social, technological, and economic visions of today and what America could be in the near, near future. Unauthorized Bread is a tale of immigration, the toxicity of economic and technological stratification, and the young and downtrodden fighting against all odds to survive and prosper.

In Model Minority, a Superman-like figure attempts to rectifiy the corruption of the police forces he long erroneously thought protected the defenseless...only to find his efforts adversely affecting their victims.

Radicalized is a story of a darkweb-enforced violent uprising against insurance companies told from the perspective of a man desperate to secure funding for an experimental drug that could cure his wife's terminal cancer.

The fourth story, Masque of the Red Death, harkens back to Doctorow's Walkaway, taking on issues of survivalism versus community.

My Review:

This is my first Cory Doctorow, and probably won’t be my last. I’ve seen his columns in Locus, where he predicts the future -sorta/kinda – but hadn’t read any of his books. When this popped up on my radar, it seemed like the time.

The advantage of collections is that the individual entries are generally shorter. I could always bail if it didn’t work for me. That didn’t happen – although I occasionally wanted to stop out of sheer terror.

The disadvantage of collections is that they are sometimes uneven. That didn’t happen here either. What did happen is that the stories get darker as they go. The first one isn’t exactly light-hearted, but does end with a glimmer of hope.

And that glimmer is the last light we see. The stories, and the futures that they posit, get progressively darker from there.

What this is is a collection of very-near-future dystopias. This is a future so close that we can see it from here. It seems to be mining a similar vein as If This Goes On, the recent collection edited by Cat Rambo – although these stories feel closer. A bit too close.

Unauthorized Bread is the first story in Radicalized, and it’s the one that ends in that glimmer of hope I mentioned. Not that there isn’t plenty of darkness in the middle. This story is about a lot of things, particularly the way that immigrants and others at the lower end of the socioeconomic lottery are marginalized and demonized. That message seemed fairly overt.

The less overt message, but still very much present, is the message about just how different “choice” looks from the perspective of people who have the societal privilege of being able to always choose between good, better and best, as opposed to those who are squeezed into the position of being forced to choose between terrible, awful and least bad.

But the plot is also a slightly terrifying extension of digital rights management – frequently a horror story all by itself – from the world of music, video and software to the world of appliances. We’ve seen the start of this, when Keurig introduced DRM into its line of coffee makers, allowing them to restrict use of the device that you own to pods that they authorize. Think about that, scale it up, and then shake in fear – and caffeine withdrawal.

The Model Minority is where the chill really sets in in this collection. But in the end, it ultimately felt sad. The future is posits is frightening, and all too plausible – even, perhaps likely. But this is one where I really felt for the character, and he ends up in a very sad place by the end. And so should we all.

The protagonist of this piece is a superhero who is meant to be Superman without ever naming him such. (DC would probably object – with lawyers). But he’s an alien whose current mundane identity is named Clark and whose girlfriend is a reporter named Lois. And he has a rich friend named Bruce who also has a secret identity. You connect the dots.

The story here is what happens when our hero is confronted with blatant racism. He witnesses a bunch of white cops pull a black man out of his own car and beat him nearly to death while putting on a show for their body cameras. Superhero steps into save the man being beaten, and attempts to get him proper medical treatment and a fair trial.

And it all goes pear-shaped, as we all expect it to. The system is designed to protect the cops and demonize the innocent black motorist. The media gins up, the way it does, to make it seem like the arrest and brutal beating are all the fault of the victim – because he’s black. The more our hero tries to help the man, the more trouble he causes, not only for the original victim, but also for himself.

Because when he threatens that fragile white majority with evidence of their own racism, they turn on him rather than look inside themselves. As they do. As we do.

The title story in this collection is a story about the weaponization of what is now the quiet desperation of families who are about to lose or have lost a beloved family member. Not because their condition is untreatable, but because their health insurance company refuses to pay for treatment.

Combine that with a big “what if?” What if those quietly desperate people treated health insurance company executives and employees exactly the same way that abortion providers are “treated” by the so-called right-to-life movement – with doxxing and harassment and terrorist attacks. This is purely my interpretation of the story, but it feels right. And ends up making the story about whether the ends justify the means – a contemplation that is itself frightening.

Last but not least, The Masque of the Red Death. On the surface, it’s the story of a prepper’s dream that turns into a prepper’s nightmare. A whole bunch of smug one-percenters are so certain that they’ve figured out how to survive the coming collapse of civilization – and that they will emerge from their hidden sanctuary fat and happy and ready to be back on top of the new civilization that they are just certain will be exactly like the old one, and that they’ll rule it.

Discovering that they have planned for everything except for their own humanity – and their hubris – takes this tale from chills to downright horror in quick steps. This is one of those cases where the road to hell is paved with bad and thoughtless intentions that the thinkers believe are good – at least for them.

Thinking about it, however, it strikes me that this story also ends in a glimmer of hope – just not for its initial protagonists.

Escape Rating A+: Science fiction in general, and this author in this collection in particular, is at its thought-provoking best when it comforts the afflicted and afflicts the comfortable. These stories do much more of the latter than the former, and are all intensely well-done in ways that will make the reader think – and squirm.

Review: The Chaos Function by Jack Skillingstead

Review: The Chaos Function by Jack SkillingsteadThe Chaos Function by Jack Skillingstead
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: science fiction, thriller, time travel
Pages: 304
Published by John Joseph Adams/Houghton Mifflin Harcourt on March 19, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

For readers of the best‑selling novels Sleeping Giants and Dark Matter, an intense, high‑stakes thriller with a science‑fiction twist that asks: If technology enabled you to save the life of someone you love, would you do so even if it might doom millions?   Olivia Nikitas, a hardened journalist whose specialty is war zones, has been reporting from the front lines of the civil war in Aleppo, Syria. When Brian, an aid worker she reluctantly fell in love with, dies while following her into danger, she’ll do anything to bring him back. In a makeshift death chamber beneath an ancient, sacred site, a strange technology is revealed to Olivia: the power to remake the future by changing the past.    Following her heart and not her head, Olivia brings Brian back, accidentally shifting the world to the brink of nuclear and biological disaster. Now she must stay steps ahead of the guardians of this technology, who will kill her to reclaim it, in order to save not just herself and her love, but the whole world.

My Review:

There’s a quote from The Rubaiyat of Omar Khayyam that goes,

“The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.”

This is a story about what happens when someone has the power to lure that Moving Finger back to cancel more than half a line – but does not – as no human does – have the wisdom to determine whether that cancellation was, or was not, the right thing to do.

This book was simply a wow.

Of course, it’s also just a bit more complicated than that. Also just saying it’s a wow isn’t really an informative review – although it certainly is succinct.

At first, this seems like a near-future dystopian novel, until it isn’t. And then it is again. And then it isn’t.

Still confused? I think it’s intentional – at least on the part of the story.

Olivia is an investigative journalist chasing a story in Aleppo, Syria, just a little more than a decade from now. Her world doesn’t feel much different from ours in time, only in place. The seemingly permanent, perpetual civil war/uprising/revolution/counterinsurgency/whatever that she is covering is worlds away from the comfortable life that still very much exists back in the US.

But Olivia makes her living covering what she calls the “Disaster”. A disaster that could be anywhere, and often is – just not back home. Also a disaster that seems to be a direct consequence of actions taken in our present, as the Syrian conflict that she is covering is the war to overthrow Assad, which has its roots in our now.

She’s attempting to cover violations of the current, tentative peace agreement when she, her guide and her aid worker-lover get caught in the crossfire – and the world changes.

And changes again. And again. And it’s all Olivia’s fault… Really, it is.

Brian is killed in that crossfire, and Olivia finds herself in the basement of the building she was trying to investigate, his blood still on her hands, when she finds an old man who has been tortured taking his last breaths. Something jumps from his corpse to her living body, and burrows itself into her brain.

When she makes a wish that Brian hadn’t died – he isn’t dead. But the world has changed, and not for the better.

That’s the point where things get very, very hairy. And then they get worse.

Since it’s all Olivia’s fault, it’s up to her to fix it if she can. Because the needs of the many really do outweigh the needs of the few or of the one – even if that one is someone she loves.

Escape Rating A+: This is still a wow.

I believe that the reason this is such a wow is that there are multiple ways to look at the story, all of them equally valid – as they should be. This is, after all, a story about the butterfly effect – for a butterfly with extremely large wings.

From the very beginning, I saw multiple connections to this story. Something about the atmosphere in war-torn Aleppo recalled for me the atmosphere of The Children of Men by P.D. James. The stories aren’t actually alike, but the worlds felt similar.

Once Olivia discovers her ability to change the future, the way that it worked was extremely similar to Ia’s ability in the military SF series Theirs Not to Reason Why. Like Ia, Olivia is trying to find the best of all possible outcomes, no matter how slim a chance it is, and make it happen. The difference is that Ia knows how to use her power, and Olivia most definitely does not.

But it’s the different, and all equally awful, portraits of the way that the world goes mad that push the story forward at breakneck speed. Each of Olivia’s attempts to save Brian results in greater and greater disasters. A weaponized smallpox epidemic. Nuclear powers, blaming each other, fingers on too many triggers, wiping out each other’s major cities and food producing regions. And it gets worse from there.

(I haven’t seen the world go so far past hell in a handbasket so fast since the early books in S.M. Stirling’s Emberverse)

The source of Olivia’s new-found power throws in a cult of conspiracy theorists as well as a chase around the world. The ability to control the future is a power that has been closely guarded – and extremely contested – for centuries. And no one’s vision of “better” remotely resembles anyone else’s.

But there’s a reason why I started with Omar Khayyam and ended with Spock. Because the story in The Chaos Function is also, writ large and with even more deadly consequences, the story of the classic Star Trek episode The City on the Edge of Forever. And the ending is just as necessary, and just as heartbreaking.

Guest Review: Orb by Gary Tarulli

Guest Review: Orb by Gary TarulliOrb by Gary Tarulli
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: science fiction
Pages: 322
Published by Gary Tarulli on November 16, 2011
Purchasing Info: Author's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

Three months outbound from Earth and the starship Desio approaches its planetary destination, her crew eager to commence a mission of scientific discovery. Kyle Lorenzo, however, has a personal reason for being on board--an inner conflict that will ultimately propel him to explore not only of the furthest reaches of an enigmatic ocean world but the nebulous recesses of his inner psyche.

During the long and isolating interstellar journey a physical relationship develops between Kyle and the ship's physician, Kelly Takara. That part is easy. Understanding the reasons for avoiding the emotional commitment desired by Kelly is harder. So, too, is trying to penetrate the mind of Larry Melhaus, the mission's brilliant and reclusive physicist - a failure to communicate made exponentially more troublesome when the scientist's disturbing behavior begins to threaten the crew.

While Kyle struggles to comprehend himself and Melhaus, the ship's crew, led by their strong-willed commander, Bruce Thompson, attempt to fathom a planet where none of the precepts of science seem to apply. A world where every preconceived notion of what constitutes life must be re-examined and challenged.

Two journeys: One inward, one outward.Culminating at the same destination.

Guest Review by Amy:

Interstellar exploration is hard, even if you have a wormhole to make the trip shorter. They only pick the best of the best, but the first crew that went to the planet labeled “231-P5” … had problems. The stress of the trip, being alone with only each other for months on end, the situation they found themselves in, no one’s entirely sure. This crew is carefully hand-picked: five scientists, one…wait, what? A writer? And a poodle?

Months out there in space, and our intrepid wordsmith has fallen for the ship’s doctor, one Kelly Takara, but Kyle Lorenzo is sort of afraid of commitment. Things are tense, and only get more so as the expedition’s physicist, Dr. Larry Melhaus, starts acting even more strange than usual.

Escape Rating: B+. The first chapter or two of this book didn’t quite grab me the first time I picked it up about a year ago. I chalked it up to the mood I was in at the time, and threw it back on my TBR heap for later consideration. When I decided to give it another whirl last week, I discovered that the problem with the book wasn’t me. Well, not exactly.

I’m reminded of the first time I watched 2001: A Space Odyssey. While visually stunning, there is an awful lot of the early part of the film that, to me as a then-very-young person, just didn’t serve the plot in a meaningful way. That’s the problem I had with the first couple of chapters of Orb. Author Gary Tarulli gets us deeply into the head of a literary-minded person, and it reminded me rather a lot of the existential maunderings I had to read in freshman lit classes in the late 1980s: slightly less-exciting than cold oatmeal with no butter.

Let me say right now that that’s not necessarily a bad thing. Existentialist fiction, if I may paint it with that deliberately-broad term, isn’t by definition bad, despite what I just said about my poor freshman lit teacher’s choices. I just didn’t expect it to come at me in a book labeled “Science Fiction.” And far be it from me to dish on a self-published author–as self-published first works go, this one isn’t bad, really–it just took me a while to catch on to what Tarulli was trying to give us. I’m a slow learner, sometimes.

When our crew arrives, early-ish in the book, at the water world that they are there to explore, the sci-fi story starts to emerge, and it’s a good one. The intelligence that populates the planet is so wildly different from ours that our crew struggles with first-contact matters in unexpected ways, and watching Dr. Melhaus’ slow-motion implosion gives us a nice dose of tension, if not quite a villain. Kyle’s internal dialogue over his relationship with Kelly Takara is fairly-understandable, and watching him progress into that relationship is a sweet counterpoint to the precarious situation the crew is in.

“Not quite a villain,” I just said–there’s really no villain, as such, in this story. Our cast of characters spends the whole book discovering a place and flavor of life that is incomprehensibly different from ours, and spends even more time discovering … themselves. This is a book that, if you can digest it, will make you think about things rather a lot. It did me. This book is not escapist fiction, not like lots of other reviews I’ve brought you here at Reading Reality; it’s a thinker’s book. Read it with that in mind, and I’m sure you’ll get something out of it, as I have.

Review: How Long ‘Til Black Future Month by N.K. Jemisin

Review: How Long ‘Til Black Future Month by N.K. JemisinHow Long 'til Black Future Month? by N.K. Jemisin
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction
Pages: 416
Published by Orbit on November 27, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In these stories, Jemisin sharply examines modern society, infusing magic into the mundane, and drawing deft parallels in the fantasy realms of her imagination. Dragons and hateful spirits haunt the flooded city of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A black mother in the Jim Crow south must figure out how to save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story “The City Born Great,” a young street kid fights to give birth to an old metropolis’s soul.

My Review:

Have you ever taken a good, hard look at which groups get special “days” or “months” and which ones don’t? There’s no such thing as “WASP month” to celebrate White, Anglo-Saxon, Protestants, because they are considered the so-called “norm” even though they are increasingly not the majority even in the U.S. Especially when you take out the FEMALE WASPs, because Women’s History Month is its own thing, along with holidays and/or months that celebrate non-Anglo origins, non-Christian religions, and, particularly relevant to this book (and this month) non-White people.

It’s a damn good question, isn’t it? Just how long will it be until everyone is celebrated all the damn time, and we don’t need to call out non-male (also non-straight and non-cis) people? How long will it be until Black Future Month?

As the author points out, there has been very little science fiction that includes non-white characters or posits a future as seen from the perspective of people of color. Also relatively few from a female perspective, or a non-cis, non-het perspective, or, again, any perspective other than male WASPs.

I’m not going to include treatments of religion in the future because that’s all over the map in its own way. My favorite treatment of Earth religions in the future is the Babylon 5 episode The Parliament of Dreams. And I really am digressing this time.

I recognize that I’m talking around the book, rather than about the book. I’m trying not to just SQUEE and it’s hard.

On my one hand, the collection is absolutely awesome from beginning to end. I loved every story, and that’s extremely rare for me in a short story collection.

On my other hand, all of the stories in this collection have been previously published. So anyone who follows this author has probably read some if not all of them. But for those looking at this author for the first time after her record-setting accomplishment of winning the Hugo Award for best novel three years in a row (for three books in a trilogy at that), this is a great (and accessible) place to start.

Personally speaking, I loved her Hundred Thousand Kingdoms but bounced hard off The Fifth Season – twice. After reading this collection, I’ll try it again – probably in audio this time.

Escape Rating A+: This is a marvelous collection of this author’s short works, providing a set of wonderfully readable stories, introducing new readers to a terrific, award-winning author (these two things are unfortunately not always synonymous), providing a perspective on the development of said author, a bit of dialog with the history of the genre, and, last but definitely not least, making any reader of SF wonder why the historical perspective of the genre (ironic, I know) has been so narrow-visioned.

A great read from beginning to end!