A- #BookReview: This World is Not Yours by Kemi Ashing-Giwa

A- #BookReview: This World is Not Yours by Kemi Ashing-GiwaThis World Is Not Yours by Kemi Ashing-Giwa
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: horror, science fantasy
Pages: 176
Published by Tor Nightfire on September 10, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This World is Not Yours by USA Today bestseller Kemi Ashing-Giwa is the perfect blend of S.A. Barnes' space horror and Cassandra Khaw's beautiful but macabre worlds. An action-packed, inventive novella about a toxic polycule consumed by jealousy and their attempts to survive on a hostile planet.
After fleeing her controlling and murderous family with her fiancée Vinh, Amara embarks on a colonization project, New Belaforme, along with her childhood friend, Jesse.
The planet, beautiful and lethal, produces the Gray, a “self-cleaning” mechanism that New Belaforme’s scientists are certain only attacks invasive organisms, consuming them. Humans have been careful to do nothing to call attention to themselves until a rival colony wakes the Gray.
As Amara, Vinh, and Jesse work to carve out a new life together, each is haunted by past betrayals that surface, expounded by the need to survive the rival colony and the planet itself.
There’s more than one way to be eaten alive.

My Review:

This one seemingly begins in the middle, and it kind of does, but also kind of doesn’t. Yes, that’s a bit cryptic but sometimes so is this story – in a good, creepy and utterly chilling way.

The chapter numbers count down and not up, and it’s a countdown. I knew from the beginning it wasn’t counting down to anything good, as that first chapter makes it seem like the situation has already gone to hell in a handcart. The second chapter initially made it seem as if the story might be counting backwards, as the people who definitely broke apart in that first chapter are together – or back together – in the second.

It’s only as I read further that I figured out that the chapter numbers were a countdown to something terrible that hadn’t yet happened. As though a bomb was going to explode when the count reached zero – which it sorta/kinda did, but not in the way that I was expecting.

So consider that countdown a shadow of things to come, that whatever it’s counting down towards is going to be destruction, or annihilation, or both. Definitely both.

There’s a saying that “Mother Nature always bats last, and she always bats 1.000.” On the colony world of New Belaforme, it’s at least her third time at bat, and this time she has actual hands to hold that otherwise metaphorical weapon.

And this time around she’s aiming past the metaphorical bleachers all the way around the world and out into the stars.

Escape Rating A-: There are multiple ways to approach this story, just as there are multiple ways that it approaches its ultimate designation as SF horror. Expect to be increasingly creeped out as the story creeps its way into that ending.

But in the beginning, it’s the story of a triad relationship that’s teetering on the edge of self-destruction before it gets tipped all the way over into utter annihilation. Jesse, Vinh and Amara absolutely do love each other, but it’s not a good or healthy kind of love because it’s riddled with lies. Lots and lots of lies.

All of which are based on each thinking they’re not “good” enough for the others – although each has very different definitions of good. They’re all putting up a front, they’re all pretending that everything is hunky-dory, that Jesse is their best friend and Vinh and Amara have a happy marriage – in spite of Amara’s family’s violent disapproval of her marriage to a woman who has no money, no connections and seemingly no prospects.

They cling to each other because none of them have anyone else, and they cling to their still-struggling colony planet because they think they can make a go of it out of the reach of Amara’s family’s vast influence.

It all works, barely, until their colony is invaded by their on-planet rivals, and the resulting rules and restrictions claimed to be necessary for survival and success tear their little world apart by adding an additional player to their game.

And in those myriad upsets of their own private status quo, the planet steps in and uses them for its own purposes. Because it’s had just about enough of its human pests and it’s time to start over. Again.

I have to admit that I was expecting to discover that Amara’s family were actually the “big bad” in this scenario, that they had engineered the invasion in the expectation that their wayward child would return to the suffocating family fold. It’s not like that story hasn’t been told before, after all.

Instead, this is a story where this planet’s equivalent of Gaia manifests as an actual persona, and she has a mission and an agenda to keep the planet in ecological balance at ALL costs. Once she’s decided that the humans are incapable of being anything other than what they are – greedy and rapacious – well, a planet’s gotta do what a planet’s gotta do.

Which is where the horror comes in. It’s very much the SFnal kind of horror, like S.A. Barnes’ Dead Silence and Ghost Station, or Ness Brown’s The Scourge Between Stars, but because this is set on a planet and not in the black of space, the results are different, but just as chilling because the planet gets a say in who she’ll allow to live on her and humans have just not made the cut. And that’s where the horror intersects a bit with the weird and eldritch worlds that Cassandra Khaw plays with our minds in.

Consider this compelling story in the scary borderland between SF horror and fantasy horror, between magical realism and spaceships consumed by monsters out of the black and make sure you read it with the lights on.

But if you had a good, creepy, chilling reading time with any of the above, This World Is Not Yours will creep you right out in the very best way..

#BookReview: She Who Knows: Firespitter by Nnedi Okorafor

#BookReview: She Who Knows: Firespitter by Nnedi OkoraforShe Who Knows by Nnedi Okorafor
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: African Futurism, science fantasy, science fiction
Series: She Who Knows #1
Pages: 176
Published by DAW on August 20, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, Firespitter is the first in the She Who Knows trilogy
When there is a call, there is often a response.
Najeeba knows.
She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.
Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

My Review:

The story begins, as so many of this author’s stories do, with a young African woman on the cusp of change in a world that has already changed and been changed from the one we know now.

In the case of this particular story and this particular young woman and this particular version of the future, Najeeba is thirteen when the story begins, and is about to go on a journey. A journey that members of her family take every year – but a journey that females are not supposed to undertake at all.

Not that there are laws against it, but there are rules – rules enforced by a social contract that have ossified into restrictions that no one challenges. Not until Najeeba comes in and tells her parents that she feels the call of the ancestral salt road every bit as much – if not a bit more and a bit sooner – than her father and her brothers.

In the desert, salt is life. Finding the best salt, the purest AND prettiest blocks of it, and selling them for the best price in distant markets, keeps her family and her village alive and prosperous. Most of the time.

Because her people have historically been considered unclean, untouchable outcasts. A judgment that Najeeba’s inclusion in the annual salt harvest is guaranteed to make worse AND more violent – even as it confers upon Najeeba the kind of power that is guaranteed to bring down retribution – both human and divine.

And gives birth, literally and figuratively, to a woman who will change the world.

Escape Rating B+: She Who Knows is the first book in a prequel trilogy of novellas to the author’s award-winning novel Who Fears Death. In a way that story literally gives birth to this one as this one gives birth to that, as Najeeba, “she who knows”, is the mother of Onyesonwu, “who fears death”.

I haven’t read Who Fears Death, although I have a copy in both text and audio and plan to listen to it. While it has certainly climbed up the virtually towering TBR pile after finishing She Who Knows, I don’t feel like I missed anything by reading this book first. After all, it IS a prequel and not a sequel. It sets the stage for Who Fears Death without giving anything away or providing spoilers.

What it does remind me of, a lot, is the author’s Desert Magician’s Duology, particularly Shadow Speaker. Not only do Najeeba’s and Eiji’s stories start from a similar place, as both begin their stories as girls on the cusp of womanhood, gifted or cursed (depending on one’s perspective) with magical powers, but both choose difficult paths that their birth cultures reserve for men and they also find themselves telling – and being told – their stories by and to strange desert sorcerers.

They are not products of the same Afrocentric future world, but their worlds are similar nonetheless. Meaning that if you like one, or if you have enjoyed ANY of the author’s previous and/or successive works such as the Binti Trilogy, there’s a very good chance you’ll fall right into She Who Knows as well.

In the end – and also as a beginning – this is a great introduction to Who Fears Death AND The Book of Phoenix, which is a much earlier prequel chronologically to Onye’s story. Not only is this a great story in its own right, but it’s also short which means that it provides an introduction in an easily consumed little package. And if that consumption leaves you with a taste for more – as it very much did this reader – this is, oh-so-thankfully, the first novella in the projected trilogy of equally short and undoubtedly equally salty and delicious stories.

I am definitely looking forward to the rest of Najeeba’s story, which will be continued in next year’s One Way Witch. In the meantime I can’t wait to see how the mother’s experiences in this book and the rest of the trilogy are reflected in the child in Who Fears Death.