Genre: mystery

Review: To Kingdom Come by Will Thomas

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: To Kingdom Come by Will ThomasTo Kingdom Come (Barker & Llewelyn, #2) by Will Thomas
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Barker & Llewelyn #2
Pages: 288
Published by Touchstone Books on May 3, 2005
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

When a bomb destroys the recently formed Special Irish Branch of Scotland Yard, all fingers point to the increasingly brazen factions of Irish dissidents seeking liberation from English rule. Volunteering their services to the British government, Barker and Llewelyn set out to infiltrate a secret cell of the Irish Republican Brotherhood known as the Invisibles. Posing as a reclusive German bomb maker and his anarchist apprentice, they are recruited for the group's ultimate plan: to bring London to its knees and end the monarchy forever.
Their adventures take them from a lighthouse on the craggy coast of Wales to a Liverpool infested with radicals, and even to the City of Light, where Llewelyn goes undercover with Maire O'Casey, the alluring sister of an Irish radical. Llewelyn again finds himself put to the test by his enigmatic employer, studying the art of self-defense and the brutal sport of hurling -- and, most dangerous of all, being schooled in the deadly science of bomb making.

My Review:

What an explosive treat this book turned out to be!

I’ve started at the end a bit there, but that fits right into the story, as it does too. Not that the beginning of the book tells us much – yet – because it shouldn’t. But does make for every bit as dramatic – and yes explosive – opening as that first sentence.

After the events of the first marvelous book in this series, Some Danger Involved, we catch up with Thomas Llewelyn as he’s drowning in the Thames. As we learn later, that’s a fitting metaphor for the entire case, because Llewelyn is in over his head the whole way through.

So, as Llewelyn extracts himself from his watery predicament, the story loops back so that the reader can discover how he ended up in that particularly messy water. A situation which we are pretty sure he survived, as he is the narrator for this entire series as part of his duties as enquiry agent Cyrus Barker’s assistant.

The case that has brought Llewelyn to this pass is steeped in the true history of the late Victorian era, as London is rocked by bombs planted by the Irish Republican Brotherhood. (Not a typo, the IRB was a predecessor/brother organization to the later IRA). In 1884, when this story took place, Irish Home Rule was a rising question in the House of Commons, “Fenian” terrorism was on the rise, and the Special Irish Branch of the Metropolitan Police, formed in 1882, was tasked with rooting out the terrorists but still getting their boots under them as far as being successful at it.

When Barker and Llewelyn enter this particular case, the area around Scotland Yard – including their own offices – has been cratered by bombs planted by one faction or another of the IRB. Exactly by which faction is caught up in an investigation filled with jurisdictional conflicts between the Met’s Special Branch – whose offices were completely destroyed – and the government’s Home Office department.

Barker throws his – and by extension Llewelyn’s – lives and reputations on the line by promising the Home Office – and by extension the Queen – that he and Llewelyn can infiltrate the IRB, discover the actual perpetrators of the bombings, and set them up for capture by whichever department wins the prize of publicity for their arrest. And that they can get the job done in less than a month – before the date when the bombers have promised a bigger and more explosive round of bombings.

It’s Llewelyn’s first – but probably far from last – attempt to work undercover and play the spy. It’s a difficult task for a man who usually wears his heart on his sleeve. It’s also a hard lesson in keeping his emotions to himself – a lesson at which he fails – and not getting too deep into the part he has to play to survive – even if his heart does not.

Escape Rating A+: Diving into the first book in this series, Some Danger Involved, has turned out to be one of my best reading decisions of the whole, entire year. Now two books in, I’m fully committed to reading the whole series because it’s completely absorbing and consistently awesome.

It also fits right into historical mystery series I’ve previously loved. Not just the obvious echoes of Holmes and Watson, but also to the late Anne Perry’s Charlotte and Thomas Pitt series, to the point where I’m wondering if Thomas Llewelyn’s name is a bit of an homage to Pitt. I invoke Pitt specifically here because Thomas Pitt was also involved with the Special Irish Branch in that series after book 21, The Whitechapel Conspiracy, and became its head before he retired at the end of the series. So those parts of the story felt every bit as familiar as the subtle Holmes and Watson call backs and it made this story that much easier to get stuck into.

What kept me glued to my seat (as this turned out to be a one-sitting/one-evening read) was the way that it dove head-first both into the heart of its point-of-view character Thomas Llewelyn and into the hearts and motivations of the Irish Republican Brotherhood faction members, and the difficulty that Llewelyn had separating himself from them and his sympathy for their cause even as he decried their methods and worked to bring them down, doing his best to keep them all from being blown “to kingdom come”.

So I fell every bit as deeply into this book as I did to the first book in the series, Some Danger Involved, the title of which is a quote from Barker’s ‘Help Wanted’ advertisement that Llewelyn applied for in that first book. I will most definitely be back for the third book in this series, The Limehouse Text, in the hopes of figuring out what that title has to do with the story, the next time I need a reading break with a bit of body and a compelling mystery adventure.

Review: Murder Crossed Her Mind by Stephen Spotswood

Posted on by Marlene Harris | Author : | A++ Reviews> book reviews
Review: Murder Crossed Her Mind by Stephen SpotswoodMurder Crossed Her Mind (Pentecost and Parker #4) by Stephen Spotswood
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, large print, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Pentecost and Parker #4
Pages: 384
Published by Doubleday Books on December 5, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The latest action-packed installment in the Nero Award-winning Pentecost & Parker Mystery series follows Lillian and Will tracking the suspicious disappearance of a woman who might have known too much. From the author of Fortune Favors the Dead and Murder Under Her Skin.
Vera Bodine, an elderly shut-in with an exceptional memory, has gone missing and famed detective Lillian Pentecost and her crackerjack assistant Willowjean "Will" Parker have been hired to track her down. But the New York City of 1947 can be a dangerous place, and there's no shortage of people who might like to get ahold of what's in Bodine's head.
Does her disappearance have to do with the high-profile law firm whose secrets she still keeps; the violent murder of a young woman, with which Bodine had lately become obsessed; or is it the work she did with the FBI hunting Nazi spies intent on wartime sabotage? Any and all are on the suspect list, including their client, Forest Whitsun, hotshot defense attorney and no friend to Pentecost and Parker.
The clock is ticking to get Bodine back alive, but circumstances conspire to pull both investigators away from the case. Will is hot on the trail of a stickup team who are using her name--and maybe her gun--for their own ends. While Lillian again finds herself up against murder-obsessed millionaire Jessup Quincannon, who has discovered a secret from her past--something he plans to use to either rein the great detective in . . . or destroy her.
To solve this mystery, and defeat their own personal demons, the pair will have to go nose-to-nose with murderous gangsters, make deals with conniving federal agents, confront Nazi spies, and bend their own ethical rules to the point of breaking. Before time runs out for everyone.

My Review:

It’s still 1947 in this fourth entry in the Pentecost and Parker series, not too long after the conclusion of the previous book, Secrets Typed in Blood, and still very much under the influence of those events.

Willowjean Parker, is private detective Lillian Pentecost’s right-hand woman, still a bit sensitive about her roots as a ‘cirky girl’ and still in a bit of mourning for the people she left behind when she ran away FROM the circus after running away TO that circus to escape her abusive father.

But she’s proud of her accomplishments as a licensed private detective, and embarrassed, chagrined and downright ashamed when she gets mugged by a couple of two-bit con artists working Coney Island, getting coshed with her own sap and losing her favorite purse with its IDs, keys, and brand new – and registered – gun when she breaks up what she believed was an attempted rape – only to get suckered into a situation that she really should have seen coming a mile away.

Which turns out to be a kind of metaphor for this whole case, as in her haste to cover up her own mess she falls right into an even bigger one – and very nearly loses her boss’ trust into the bargain.

It starts as a missing persons case, brought to Pentecost and Parker by their least favorite lawyer, Forest Whitsun. When Whitsun had Pentecost on the stand in their latest confrontation, he implied that she was not just physically incapacitated by her progressing multiple sclerosis, but mentally compromised into that very bad bargain.

Having him show up at their door as a prospective client, that he trusts their expertise enough for him to ask Pentecost to help him locate a missing friend, is rather a surprise. Although not nearly as much of a surprise as discovering that Whitsun has actual friends and that any of them are female and almost, sorta/kinda, mother-figures in a life that seems bereft of all emotional contacts.

That his friend was a hoarder is a shock to everyone’s system. That she was so famous for her prodigious memory that she was the ace-in-the-hole for a high-powered white shoe law firm AND was recruited by the FBI during the late war is an even bigger shock.

That Will finds her body hidden in the piles of detritus choking her apartment – not so much.

But the ensuing shenanigans raise questions about Pentecost’s history, bring up the specters of one of her greatest enemies and poke holes in a whole lot of people’s lives. Because it’s pretty clear that Vera Bodine’s death was related to some secret that someone felt they had to kill to keep.

But the woman knew so many that it’s hard for even Pentecost and Parker to determine which of the many, many motives surrounding this very secretive woman was the one that caused her death.

Before it causes, not a second woman to die, but a third. Or perhaps a fourth.

Escape Rating A++: Murder Crossed Her Mind was an actual, literally, honest-to-goodness one sitting read for me. I started it thinking I’d read for an hour or so before bed, and then just stayed there reading. And stayed. And STAYED. Until it was done nearly four hours later. Hence that A++ rating because I simply could not put this down until Pentecost and Parker knew everything and staged a great – but still slightly speculative – reveal at the end.

Even though they, and I, both know that those things work better on TV than they do in a real case. Then again, their lawyer-client has been compared to Perry Mason, so the TV-worthy ending fits right into the feel of, well, everything.

What continues to make this series shine is the voice of its narrator, ‘Will’ Parker, who serves as Lillian Pentecost’s right-hand and leg-woman, as well as, increasingly as the series goes on, her investigative partner.

What makes this series, let’s call it ‘inspired by’ by the classic Nero Wolfe series, is that while the stories are set in the immediate post-World War II period, and is clearly heading straight into the strait-jacket of the 1950s, Will’s voice feels more contemporary to us even as she observes the times in which she lives.

Which works because, while we know the date of the period Will is narrating for the story, we don’t know when she’s narrating it FROM. It’s obviously later, she’s clearly older, sadder and wiser, but the world changed a LOT from the late 1940s to, for example, the 1970s and 1980s. Will’s in her 20s when this story takes place, so the possibility that she’s looking back from 30 or 40 years on and is still alive to do so is quite plausible and allows her to be a bit outside her time.

What made the case work, both as a mystery and as an interesting story in its own right, was the mysterious figure of Perseverance Bodine at its heart. She had the gift of perfect recall, and that gift gave her a financially secure life while allowing her to work in the shadows. But as a woman, it was all too easy for her to be seen as a mere helper with a freakishly useful talent rather than as the mover and shaker she could have been – or perhaps should have been.

It was also a bit different because it was never about what enemies Vera might have made – because she didn’t. Instead, it was about which secret someone could least afford her to reveal, which made the investigation just that much more complicated.

I was enthralled from the very first page, and this one just didn’t let go of me until the end. I’ve been just as caught up in every single one of the Pentecost and Parker mysteries so far, from their very first outing in Fortune Favors the Dead, through Murder Under her Skin, Secrets Typed in Blood and now this latest entry in the series, which dammit ends on a ginormous cliffhanger. So there’d better be a FIFTH book in this fantastic series! I just hope we don’t have too long to wait…

Review: Hercule Poirot’s Silent Night by Sophie Hannah

Posted on by Marlene Harris | Author : | B- Reviews> book reviews
Review: Hercule Poirot’s Silent Night by Sophie HannahHercule Poirot's Silent Night (New Hercule Poirot Mysteries, #5) by Sophie Hannah
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical mystery, mystery
Series: New Hercule Poirot #5
Pages: 384
Published by William Morrow on October 24, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The world’s greatest detective, Hercule Poirot – legendary star of Agatha Christie’s Murder on the Orient Express, Death on the Nile and A Haunting in Venice – puts his little grey cells to work solving a baffling Christmas mystery.
CAN HERCULE POIROT SOLVE A BAFFLING MURDER MYSTERY IN TIME FOR CHRISTMAS?
It’s 19 December 1931. Hercule Poirot and Inspector Edward Catchpool are called to investigate the murder of a man in the apparent safe haven of a Norfolk hospital ward. Catchpool’s mother, the irrepressible Cynthia, insists that Poirot stays in a crumbling mansion by the coast, so that they can all be together for the festive period while Poirot solves the case. Cynthia’s friend Arnold is soon to be admitted to that same hospital and his wife is convinced he will be the killer’s next victim, though she refuses to explain why.
Poirot has less than a week to solve the crime and prevent more murders, if he is to escape from this nightmare scenario and get home in time for Christmas. Meanwhile, someone else – someone utterly ruthless – also has ideas about what ought to happen to Hercule Poirot . . .

My Review:

Scotland Yard Inspector Edward Catchpool and his friend and mentor Hercule Poirot are just settling in to a two-week staycation (even if that term had not been invented yet) in London, staying in Poirot’s rather palatial apartment at Whitehaven Mansions, attended by Poirot’s inestimable butler, George, for the duration of the holidays.

Catchpool, in particular, was determined to spend his Christmas hols with his friend Poirot and absolutely NOT with his mother, the overbearing Cynthia Catchpool. The moment Cynthia lies her way into Poirot’s office, we understand EXACTLY why Catchpool intended to spend his holidays as far away from his mother as he could manage.

Because Cynthia Catchpool is the perfect example of another term that hadn’t been invented yet. She was a ‘helicopter parent’ long before that term was even on the horizon, someone who swoops into her son’s life – or frankly anyone’s life – and absolutely does not listen to a single thing she has to say.

She is determined that Catchpool and Poirot will return with her to the  blustery Norfolk coast in late December to solve a murder and spend Christmas with her and the friends she’s visiting,and will not take ‘NO’ for an answer, no matter how many times it’s shouted at her.

But when she describes the circumstances of the murder to Poirot, Catchpool knows instantly that he is at least somewhat doomed. Christmas itself may be saved, but Poirot gets a look in his eye that Catchpool knows all too well – that something about this case has caught the attention of Poirot’s ‘little grey cells’.

What fascinates Poirot so much that he is willing to disrupt his holiday plans? The man who has been murdered is someone who could not possibly have been intended to be murdered. So why is he dead?

Poirot must know. He must solve the case. Before the truly execrable cuisine served at Frellingsloe House causes him to die from starvation. Or poison.

Escape Rating B-: Looking back at my reviews of the previous books in this New Hercule Poirot series by Sophie Hannah (The Monogram Murders, Closed Casket, The Mystery of Three Quarters, and The Killings at Kingfisher Hill) I’ve had mixed feelings about pretty much all the books in the series, and this latest entry is absolutely no exception.

I’m beginning to think that the problem is that I like the concept more than the execution (ahem, pun not exactly intended but…) and that’s true in this entry in the series as well. Although I did find this one more readable than The Killings at Kingfisher Hill, I ended this book feeling every bit as sorry for Catchpool this time, if not a bit more, than I did then.

Because this time he’s very much put upon by Poirot AND his mother. Who I fully confess I hated as a character from her very first appearance to the point where I mentally cringed every time she appeared on the page. Her overbearing helicopter parenting, no matter how anachronistic that term, was a trial from beginning to end. The story did need her gossiping nature, I’m just not sure it needed her utter assholishness about it. Or at least I didn’t need it considering that she did not get nearly the bashing she deserved.

The case itself went to some interesting psychological places, as it turned out to be wrapped around the idea of reinventing oneself and how deeply one can get consumed by burying that past so completely that anything that touches on it causes a psychological break. I liked that Poirot and Catchpool had differing interpretations of those causes, particularly as Poirot’s reasoning felt more germane to the times while Catchpool’s was perhaps a bit anachronistic but more humane.

A lot of the ‘action’ of the story, particularly the ‘fair play’ aspects of the mystery and its resolution, were handled as more ‘telling’ than showing, as the two detectives were often working separately, and only caught up at irregular intervals through meticulous reports – which is how the reader gets caught up as well.

I’m left with a bag of mixed feelings about this one. I liked it better than The Killings at Kingfisher Hill, not as much as The Mystery of Three Quarters and Closed Casket, but still enjoying the concept as a whole. We’ll see how I’m feeling about the whole thing if Poirot and Catchpool catch another case a year or two from now.

Review: Chaos Terminal by Mur Lafferty

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: Chaos Terminal by Mur LaffertyChaos Terminal (The Midsolar Murders, #2) by Mur Lafferty
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: mystery, science fiction, science fiction mystery
Series: Midsolar Murders #2
Pages: 369
Published by Ace on November 7, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Mallory Viridian would rather not be an amateur detective, and fled to outer space to avoid it…but when one of the new human arrivals on a space shuttle is murdered, she’s back in the game.
Mallory Viridian would rather not be an amateur detective, thank you very much. But no matter what she does, people persist in dying around her—and only she seems to be able to solve the crime. After fleeing to an alien space station in hopes that the lack of humans would stop the murders, a serial killer had the nerve to follow her to Station Eternity. (Mallory deduced who the true culprit was that time, too.)
Now the law enforcement agent who hounded Mallory on Earth has come to Station Eternity, along with her teenage crush and his sister, Mallory’s best friend from high school. Mallory doesn’t believe in coincidences, and so she’s not at all surprised when someone in the latest shuttle from Earth is murdered. It’s the story of her life, after all.
Only this time she has more than a killer to deal with. Between her fugitive friends, a new threat arising from the Sundry hivemind, and the alarmingly peculiar behavior of the sentient space station they all call home, even Mallory’s deductive abilities are strained. If she can’t find out what’s going on (and fast), a disaster of intergalactic proportions may occur.…

My Review:

The title for this one works both ways. There’s plenty of chaos at this terminal, and much of it is terminal. But that’s not exactly a surprise with Mallory Viridian on the case. Even if part of the chaos at Station Eternity happens BECAUSE Mallory Viridian is on the case.

And entirely too much of the rest of it happens because not ALL of Mallory Viridian is on the case. To the point where Mallory isn’t even aware that there’s a case at all until someone literally drags her to the scene of the crime, and Mallory finally figures out that whatever has gone wrong on Station Eternity has gone wrong with her as well.

It’s not actually a surprise that something has gone wrong AROUND Mallory, or even that something has gone wrong WITH Mallory. Mallory is a chaos magnet of the first order, and both of those things are always happening whenever Mallory is around.

Because people always end up dead in Mallory’s vicinity. Not because she’s some kind of serial killer, but because the kind of chaos that Mallory attracts – and is then both blamed for and stuck with solving, not necessarily in that order – is the chaos that surrounds murder. She doesn’t perpetrate it, she doesn’t cause it, but wherever Mallory is, murder happens.

What Mallory is still adjusting to, and the reason that Mallory isn’t initially aware of the problems that the station is having, are directly related to Mallory’s discovery about herself and all those murders in the first book in the Midsolar Murders series, Station Eternity.

Mallory was bitten by a wasp as a child. But it wasn’t a wasp. Mallory was bitten by an advance scout for the Sundry, an alien insect species that either infiltrated Earth or arose there long before First Contact. The Sundry, as a hivemind and as a species, like gathering data and are attracted to chaos because there’s plenty of data to parse in chaotic conditions.

It’s unfortunate for Mallory that the scout that bit her was from a hivemind that was particularly attracted to the chaos around murder investigations, leading to pretty much everything that happens in Mallory’s life afterwards.

Leading Mallory to the isolation of Station Eternity – as a mere four humans aren’t enough to generate the coincidences that lead to Mallory’s brand of murder chaos.

There are, however, plenty of other species living and working aboard the station, including the chameleon-like Phantasmagore and the rocky Gneiss. And the Sundry, who in their love of chaos and data make a specialty of handling the semi-autonomous functions of spaceships and space stations.

But something is wrong with the Sundry aboard Station Eternity – and it’s wrong with Mallory as well. It’s so wrong that when a whole shipload of humans arrives on the Station, Mallory isn’t panicking about the near-certainty of murder in her vicinity. Not even as the coincidences start piling up. Suddenly there are entirely too many humans aboard Eternity, and too many of them know Mallory entirely too well.

It’s only when the bodies start dropping that Mallory finally figures out that the murders aren’t the only thing going wrong on the station, and that she’ll have to solve those murders without her murder-solving mojo – or get it back.

If she can.

Escape Rating B: One of the things that made the first book in this series, Station Eternity, so damn much fun was its relentless pace. From the moment we meet Mallory, the chaos starts swirling, Mallory starts panicking, and the whole thing is off to the races.

But when we get back to Mallory in Chaos Terminal, Mallory is not feeling herself. At all. She thinks it’s some kind of space flu. Whatever it is, she’s so far from firing on all thrusters she isn’t even aware that a huge chunk of what makes Mallory BE Mallory is totally offline.

The story isn’t told from Mallory’s first person perspective, but she is very much the reader’s perspective on events, which means that Mallory being in a complete fog for the first third of the book means that we are as well.

So it’s a third of the way into the story before Mallory’s fog lifts and the real action kicks into gear. At that point, it’s suddenly, thankfully and blissfully gangbusters, but it’s a LONG slog to get there and I very nearly didn’t.

The story, and the mystery, in Chaos Terminal is wrapped around cleaning up the many, many fascinating loose ends that were left laying on the deck of Eternity after the chaotic, nearly cataclysmic events of that first book – especially Mallory’s own, personal loose ends.

Which means that Chaos Terminal is probably not the best place to start the Midsolar Murders because a LOT of this story was set up in that first book. Howsomever, if you got caught up in Mallory’s bloody, madcap situation then, there’s a lot of fun in seeing most of those loose ends get tied up, quite possibly in a series of Gordian Knots, here in this second outing.

In spite of the science fictional setting – which is utterly fascinating – this SF mystery is pretty much character driven. Meaning that if you like Mallory as a character and enjoy her multi-species Scooby Gang, it will probably work for you. I did like Mallory a LOT in Station Eternity, so I came into Chaos Terminal expecting to love it as well. I think it works a bit less well than that first book because Mallory REALLY isn’t herself for that long beginning, and the less polished and/or less likable characters’ rough edges are very much on display while Mallory is getting her act together.

But I do like Mallory Viridian as a character, and as a human perspective on humanity’s first toehold in this near-future, post-First Contact, wider galactic universe. A universe that is not only not centered on humans, but doesn’t even seem to be centered on humanoids, making it every bit as fascinating a character as Mallory herself.

Which means that I absolutely will be back to see who, or what, ends up dead when Mallory’s next investigation/adventure/crisis appears!

Review: Some Danger Involved by Will Thomas

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Some Danger Involved by Will ThomasSome Danger Involved (Barker & Llewelyn, #1) by Will Thomas
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Barker & Llewelyn #1
Pages: 290
Published by Touchstone on May 18, 2004
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

An atmospheric debut novel set on the gritty streets of Victorian London, Some Danger Involved introduces detective Cyrus Barker and his apprentice, Thomas Llewelyn, as they work to solve the gruesome murder of a young scholar.
When a student bearing a striking resemblance to artists' renderings of Jesus Christ is found murdered -- by crucifixion -- in London's Jewish ghetto, 19th-century private detective Barker must hire an assistant to help him solve the sinister case. Out of all who answer an ad for a position with "some danger involved," the eccentric and enigmatic Barker chooses downtrodden Llewelyn, a gutsy young man whose murky past includes recent stints at both an Oxford college and an Oxford prison. As Llewelyn learns the ropes of his position, he is drawn deeper and deeper into Barker's peculiar world of vigilante detective work, as well as the dark heart of London's teeming underworld. Together they pass through chophouses, stables, and clandestine tea rooms, tangling with the early Italian mafia, a mad professor of eugenics, and other shadowy figures, inching ever closer to the shocking truth behind the murder.

My Review:

Fair warning, this review is going to be LONG, even for me. I really, truly, seriously LOVED this book – even more than I expected. And I had pretty high hopes going in.

We first meet our protagonists in a tried-and-true manner that does an excellent job of hinting at the mysteries and the reveals yet to come.

Cyrus Barker is a ‘private enquiry agent’ (read as private detective), in search of a new assistant, while down-so-low-bottom-looks-like-up Thomas Llewelyn, formerly of both Oxford University and Oxford Castle & Prison, has nothing left either to live for or to live on. He sees Barker’s advertisement as a decision point. Either he’ll get the job or he’ll throw himself in the Thames.

Of course, he gets the job – otherwise we wouldn’t have this marvelous book to read, let alone the series that follows.

But the job that he gets is nothing like he expected. On the one hand, his new employer likes to hold all his cards VERY close to his vest. Llewelyn is constantly flying blind, expected to figure things out by the seat of his pants.

Pants – along with every other stitch of clothing he has on – purchased for him by his employer, who is also providing food, board, education, and all the books the former scholar can read in his spare time – of which there is admittedly little.

Most important, Barker gives him purpose, keeps his mind fully engaged, and sets him to the task of learning the ins and outs of his new job while thinking on his feet and occasionally employing his fists.

But the ‘Help Wanted’ listing said that there was ‘some danger involved’ in the job, as the title of the book indicates. Barker’s previous assistant was killed while performing that job. Llewelyn will have to keep his wits about him every second to make sure that he doesn’t suffer the same fate.

Working with Cyrus Barker promises to be the making of him, IF he manages to survive it. We’ll certainly see how well he manages in the books ahead!

Escape Rating A+: I generally require my comfort reads to have a bit of body to hold my interest. I mean that literally, as my comfort reads tend to be historical mysteries, preferably in series, so that when I have a ‘bail and flail’ day – or week – there’s always another known quantity of a book to sweep me into its world.

Buuuut, I’m caught up with one series I was using as comfort reading, the Sebastian St. Cyr series. And I’m nearly caught up with its readalike series, Wrexford & Sloane. Which left me scrabbling for another, which is very much where Barker & Llewelyn came in.

This first entry in the Barker & Llewelyn series turned out to be a comfort read on not just one but multiple levels, which is pretty amazing.

Most importantly, the partnership of Barker & Llewelyn is at its very beginning in this book, and they are fascinating – partly because of the second reason. The period in which this series takes place is the Victorian era, the bailiwick of the Great Detective and his equally famous amanuensis. In other words, Barker & Llewelyn could easily find themselves in competition with Sherlock Holmes – even more than they already are.

It’s not difficult to see Barker as Holmes and Llewelyn as his Watson, but that famous duo serves mostly as a jumping off point for our protagonists in this series. This isn’t a true Holmes pastiche as the Lady Sherlock or The Daughter of Sherlock Holmes series, or the TV series Sherlock and Elementary, are.

Not that Barker doesn’t have similarities to Holmes, but more in the sense that any capable senior partner in a detective duo shares at least some characteristics with the Great Detective. What sets Barker apart is the way that Barker is, well, set apart.

Detectives are often outsiders in their own cultures, it’s what gives them the ability to observe in detachment and solve the case. Sherlock Holmes is an outsider because of his idiosyncrasies, as is made extremely apparent in the modern interpretations. However, from what little we know of Holmes’ earlier life, he’s at least a member of the squirearchy and was raised in at least upper middle class comfort with all of its privileges.

Barker has been an outsider all of his life, an English orphan abandoned in China, making his way around the globe from a rough start as a cabin boy, initially seeing the world from outside the British Empire and from the bottom up. He’s earned his place by working his way into it.

He’s also a considerably more human character than Holmes frequently is. Barker often hides the real depths of his humanity to outsiders, but it is always present to his intimates. It’s a much fuller portrait of a Victorian detective, and also one that, through Barker’s haphazard but global education, manages to credibly eschew the common prejudices of his day that Holmes exhibits in the original text.

Llewelyn is just as fascinating a character as Barker, and just as much of an outsider, although he comes at that perspective from an entirely different direction. He’s very much the apprentice in this first book, and so it should be. We’re just starting to get hints of how he ended up in depths of the slough of despond he is in when he arrives as Barker’s office for the first time, and his education in the arts of the ‘enquiry agent’ as Barker prefers to be called provide an in-depth introduction to their world.

On a personal note, part of what made this such a special comfort read for this reader is that the story takes place among the Jewish community of London in 1884 as a gruesome murder causes the leaders of that community to fear that a pogrom just like the ones that they or their families fled in Eastern Europe is about to boil over in London.

Much of the story is steeped in that community, and requires Barker to display his own familiarity with its customs and ways AND his respect for its people to Llewelyn. Even more importantly, the inside/outsiderness of the Jewish community in London, and Llewelyn’s open-mindedness to learning about it lets readers into a time and a place that history often sweeps under the carpet.

(Although my own family was still spread across Eastern Europe at this time period, I have pictures of my great-grandfather, and this would have been his generation, letting me connect to this story on a deeper level than I expected – which is where those multiple levels of comfort read come comfortably in.)

So I began Some Danger Involved in the hopes that the danger promised would lead me to a book and a series that would hold me in its thrall until the very last page, and give me something to look forward to whenever I next need a reading pick-me-up.

This first of Barker & Llewelyn’s investigations more than delivered, and I expect to dive back into their world in the next book in the series, To Kingdom Come, sometime over the holidays. If I can make myself wait even that long!

Review: Night Train to Murder by Simon R. Green

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Night Train to Murder by Simon R. GreenNight Train to Murder (Ishmael Jones #8) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, paranormal, urban fantasy
Series: Ishmael Jones #8
Pages: 192
Published by Severn House on March 3, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads


When a body is discovered in a locked toilet cubicle on the late-night train to Bath, Ishmael Jones is faced with his most puzzling case to date.

When Ishmael Jones and his partner Penny are asked to escort a VIP on the late-night train to Bath, it would appear to be a routine case. The Organisation has acquired intelligence that an attempt is to be made on Sir Dennis Gregson's life as he travels to Bath to take up his new position as Head of the British Psychic Weapons Division. Ishmael's mission is to ensure that Sir Dennis arrives safely.
How could anyone orchestrate a murder in a crowded railway carriage without being noticed and with no obvious means of escape? When a body is discovered in a locked toilet cubicle, Ishmael Jones has just 56 minutes to solve a seemingly impossible crime before the train reaches its destination.

My Review:

Reading Reality is having a bit of a theme going in the days leading up to Halloween, and this visit with Ishmael Jones and his partner Penny Belcourt is just horror-adjacent enough to be a part of it.

And I was having a hankering for some high-quality snarkitude and this author ALWAYS delivers!

Ishmael Jones is a fascinating character – to himself most of all at times. He’s an alien. Specifically, he’s a version of E.T. with no way to phone home because he doesn’t remember where it is. When he crash-landed his ship in 1963 the ship’s last act was to transform him into a human adult the best that it could – and erase all his memories of who and/or what he used to be.

It didn’t exactly do a BAD job at Ishmael’s transformation. He blends in just fine. But he doesn’t change or age, so he’s looked like a man in his mid-30s for almost 60 years at this point and has the same problem that vampires often do in paranormal stories. He has to move on every so often before too many people start to notice too much.

Ishmael’s solution has been to work for a series of agencies so black and so secret that they don’t even know what their own right and left hands are doing – let alone anyone else’s. They keep his secrets and in return he keeps theirs and does the kind of dirty work that actual humans aren’t capable of for very long – if at all.

His work and romantic partner, Penny Belcourt, knows as many of his secrets as Ishmael himself does. They met on a case, the first one in this series, The Dark Side of the Road, a story that began as a rather typical English country house mystery that went seriously far into the Dark Side of multiple Forces.

Ishmael and Penny are the coyly-named Organization’s best agents, so it’s not exactly a surprise for them to be ordered to report for a top secret, rush-rush and hush-hush job, not even to London’s St. Pancras Station. It’s just annoying and both of them are at least somewhat annoyed by being handed tickets to an express train to Bath with not nearly enough information about their instructions to guard a high-ranking politician who has just been promoted to an equally high-ranking top-secret job on said politician’s imminent journey to take up his new post via that London to Bath train.

The trip will take less than two hours. It shouldn’t be that difficult to keep the man alive for that length of time on a moving train that will not stop to take on anyone or anything until it reaches its destination.

But if it were an easy job the Organization wouldn’t be putting its best agents on the case. And they are, so it isn’t. It’s just that it’s even more clandestine and hush-hush than even Ishmael and Penny suspected. And they suspected a lot, and everyone, from the very beginning.

Escape Rating A-: There are two things I find pretty much endlessly fun about this particular series. One, of course and always, is the author’s trademark snarkitude. It’s a signature that follows him everywhere from urban fantasy like his Nightside series to science fiction such as his Deathstalker series to the genre-mashup that is the Ishmael Jones series.

The other thing is a particular feature of the Ishmael Jones series, and it’s that this series is a genre-mashup of pretty much everything. It’s a bit of SF in Ishmael’s alien origins, a bit of urban fantasy in that he often faces monsters that are believed at the outset to be things that go bump in the night, and there’s generally a bit of horror in that whatever he’s investigating leaves a thoroughly gruesome trail of dead bodies and parts thereof.

But ultimately – or at its heart or a bit of both – the Ishmael Jones series are mysteries. Someone gets dead early on in each book, if there isn’t already a corpse laying around at the start. It’s up to Ishmael and Penny to figure out whodunnit and put a stop to them one way or another before the story reaches its inevitably grisly end.

What makes the mystery so much creepy fun is that as the mystery deepens there’s always a sneaking suspicion that the perpetrator is paranormal in some way, and that in the end that suspicion is nearly always a very tasty red herring. This particular mystery takes that assumption one better, as there is, for once, something actually paranormal going on but it isn’t either the monster or even the victim.

Because one of the things that this series does so very well, and with so much high-quality snark and occasional sheer bloody-mindedness, is that the worst monsters in this or any other universe are inevitably human. And that’s what keeps me coming back to this series, over and over and over again.

If this series sounds like it might be your jam, or if you’ve ever wanted to see just how far a classic-type mystery like a country house mystery or a strangers on a train type mystery can be led very, very far astray, take a look at The Dark Side of the Road and see if you like the view from that side.

I’ll be continuing with my journey with Ishmael Jones and Penny Belcourt with the next book in the series, The House on Widows Hill, the next time I have a yen for either high-quality snark, horror-adjacent mystery, or a bit of both!

Review: The Last Devil to Die by Richard Osman

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: The Last Devil to Die by Richard OsmanThe Last Devil to Die (Thursday Murder Club, #4) by Richard Osman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, thriller
Series: Thursday Murder Club #4
Pages: 432
Published by Pamela Dorman Books on September 19, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Shocking news reaches the Thursday Murder Club.
An old friend in the antiques business has been killed, and a dangerous package he was protecting has gone missing.
As the gang springs into action they encounter art forgers, online fraudsters and drug dealers, as well as heartache close to home.
With the body count rising, the package still missing and trouble firmly on their tail, has their luck finally run out? And who will be the last devil to die?

My Review:

The first ‘devil’ to die in this fourth entry in the Thursday Murder Club series is an old friend who helped them solve the case in the previous book in the series, The Bullet That Missed. Kuldesh Sharma was an antiques dealer who was lucky enough to be making a decent living in a business where too many people get caught up in buying things they love rather than trading in things they can sell at a profit.

But his luck ran out on a lonely country road with a bullet in his head that absolutely did not miss this time around.

Technically, his luck ran out earlier that Boxing Day, when he was one of the few antique shops open for business on a day when the local heroin importers needed someplace to hold onto a box for them. It was an offer he knew he couldn’t refuse, lest he end up exactly the way he did, dead with his store ransacked.

Those events aren’t linked the way that anyone expects them to be, and thereby hangs a tale. Specifically, this tale of bad luck and worse choices, an utter inability on the part of several unlucky individuals to distinguish friend from foe, a trail of bodies both guilty and innocent, and a small box that may not be bigger on the inside but is certainly a great deal larger in some dimensions than it appears.

Escape Rating A: The Last Devil to Die turned out to be the perfect capstone to this series so far, but I had more than a bit of an approach/avoidance problem to reading it all the way to the bitter end.

I also had the same hard time writing this up because there’s a point near that end that gave me the weepies. Seriously, I started crying. If you read the whole series so far, there’s a strong possibility that you will, too. It’s not exactly unexpected but it does invoke one hell of a lot of feels. Those tears rain over this entire review. Consider yourself warned.

What makes this case so convoluted is that, at least at the beginning, NO ONE really knows what it’s about – but everyone has made assumptions in that regard. Which makes the whole thing fall directly into that cliché about ‘assume’ and asses.

To the police, at least in the persons of the Thursday Murder Club’s police buddies Chris and Donna, it’s all about the heroin, or at least it’s about the local drug kingpins chasing the heroin. Because it would be a really serious feather in Chris and Donna’s caps if they could manage to nail those bastards to the wall.

But there’s a big deal officer from London who has come to take over the case and thrown our friends off the case – with rather extreme prejudice. Leading Chris and Donna to continue their investigation following rather more closely in the footsteps of the Thursday Murder Club – at least in regards to extra-legal methods – than either of them is strictly comfortable with.
Whatever the police think this case is about, the local drug gangs seem to be making a much bigger fuss over a mere 100,000 pounds worth of heroin. That not 100,000 pounds of heroin, which would be a pretty big deal, but rather a small amount of the stuff worth 100,000 pounds.

Big difference. Huge difference. Orders of magnitude difference. It’s only after the Thursday Murder Club follows that trail of bodies that Elizabeth Best puts together what it’s really all about, in a scene worthy of the best of the classic murder mysteries – even if the trail and the reasons for it are anything but old fashioned.

What makes this series work as a whole is that, in spite of how fanciful the idea of a bunch of septuagenarians solving murders might be and often is, and as quirky and eccentric as the members of the Club absolutely are, there’s nothing silly or twee about the way they go about their business.

And it’s not just that they are as deadly serious as the corpses they discover, but also that they are pragmatic and savvy about their place in the world, that they have many more days behind them then ahead of them, that they are often discounted because of that, and that the end is coming for all of them and it’s important how they occupy that time and take care of that end as it comes.

I appreciate their perspective and their approach to their lives at this stage of them even more than I might have otherwise, as I’m now in my mid-60s and honestly I’d like to be them when I grow up. Preferably without having to deal with a string of dead bodies every other month, but the way they all work together and make a difference in the world, as well as their beautiful and supportive friendship, is something to aspire to.

There’s a hint at the end that the Thursday Murder Club will be tying up the loose ends of a case tangential to the one they investigated in The Bullet that Missed when this series continues. Which, according to the author’s afterword, won’t come as immediately as fans would prefer, but will happen once the Club and their legion of fans recover from their grief over The Last Devil to Die.

Review: Prophet by Sin Blache and Helen MacDonald

Posted on by Marlene Harris | Author : | A+ Reviews> audio reviews> audiobooks> book reviews
Review: Prophet by Sin Blache and Helen MacDonaldProphet by Sin Blaché, Helen Macdonald
Narrator: Jake Fairbrother, Ryan Forde Iosco, Charlotte Davey
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: espionage, mystery, science fiction, thriller
Pages: 480
Length: 17 hours and 1 minute
Published by Grove Press, Recorded Books on August 8, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Daring, surprising and superbly plotted, this is a fresh, thrilling page-turner from a dynamic new duo in genre fiction
Your happiest memory is their deadliest weapon.
THIS IS PROPHET.
It knows when you were happiest. It gives life to your fondest memories and uses them to destroy you. But who has created it? And what do they want?
An all-American diner appears overnight in a remote British field. It's brightly lit, warm and inviting but it has no power, no water, no connection to the real world. It's like a memory made flesh - a nostalgic flight of fancy. More and more objects materialise: toys, fairground rides, pets and other treasured mementos of the past.
And the deaths quickly follow.Something is bringing these memories to life, then stifling innocent people with their own joy. This is a weapon like no other. But nobody knows who created it, or why.
Sunil Rao seems a surprising choice of investigator. Chaotic and unpredictable, the former agent is the antithesis of his partner Colonel Adam Rubenstein, the model of a military man. But Sunil has the unique ability to distinguish truth from lies: in objects, words and people, in the past and in real time. And Adam is the only one who truly knows him, after a troubled past together. Now, as they battle this strange new reality, they are drawn closer than ever to defend what they both hold most dear.
For Prophet can weaponise the past. But only love will protect the future.

My Review:

From the opening of Prophet, two things are immediately clear. Sunil Rao and Adam Rubenstein are both FINE, and the situation they are in is already FUBAR.

Whatever is going on – which neither they nor the reader know yet – Adam and Rao are both Fucked-up, Insecure, Neurotic (and) Egotistical (although Rao is way more of the last than Adam) and the world is already Fucked Up Beyond All Recognition. FINE and FUBAR to the max, both of them and all of it.

In other words, they’re both hot messes and not a single thing that happens in Prophet helps either of them get any better.

Pretty much the opposite, in fact.

Calling Sunil Rao a human lie detector isn’t nearly enough of a description. It is TRUE, which matters a lot because that’s what Rao, as he prefers to be called, really does. He can tell when someone or something is true. Which explains why Rao gets called in – and out of a psychiatric institute after a suicide attempt – to the sight of something that so clearly does not belong even as he’s staring at the manifestation of it.

Come to think of it, Rao’s ‘gift’, for lack of a better word, also explains the psych hold, as well as why his work partner/keeper, Lt. Colonel Adam Rubenstein, has been brought in to make sure that Rao doesn’t go off the rails, again, no matter how much the situation they have been dragged into might justify it.

And that’s where both the thriller and the SFnal aspects come into this story. Prophet isn’t a person, there is no one predicting the future. And it’s not ‘profit’, which is what I first thought when I heard the title and hadn’t yet seen it in print.

Although, that’s for select definitions of both of those things, as there is a cabal that intends to make profit on Prophet in the long run, and they do believe that they can control the future with it. They’re oh-so-far off base on both counts.

Prophet is a drug. It’s an attempt to weaponize nostalgia. Which would be one hell of a power IF the side effects could be dealt with. At least the side effects that are a bug and NOT an actual feature. (As we already know because it’s already sorta/kinda happening IRL)

But Prophet isn’t exactly what anyone thought it was, and Rao’s special talent isn’t exactly what anyone has been led to believe, while Adam’s motivations for letting himself get roped into this FUBAR are not what anyone who thinks they are in charge of the whole thing has any reason to have a clue about.

Which leads to this story about finding those clues, the truth about Prophet, who thinks they’re behind it and what actually is. The truth about what Rao can really do. The truth about who Rao and Adam really are. The truth about the relationship between them that they have spent years trying to hide from themselves and each other.

And especially the truth about the nature of the universe, which is not a place that anyone would have predicted this story would go – but is oh-so-utterly fascinating once it gets there.

Escape Rating A+: The thing about Prophet as a story is that it is damn difficult to categorize. It’s kind of like Michael Crichton and Robert Ludlum had a book baby, and as wild and crazy as that thought is the whole thing still needs a lot of midwives and stepparents to get a glimpse at just how much is packed into the story.

But still, that’s a start. (It’s also a clue that any expectations that Prophet will have any resemblance at all to co-author Helen MacDonald’s H is for Hawk are going to be thoroughly disappointed.)

At first it all seems a bit SFnal, of the laboratory school of science fiction – much like Michael Crichton’s Jurassic Park and The Andromeda Strain. Prophet is created in a laboratory, and tested in a more-or-less scientific fashion. Or at least a scientific fashion for scientists who had their ethics surgically removed – which would also be science fiction. (We hope, we really, really do!)

But the way the story works is as a kind of mystery/thriller, particularly of the spy thriller school. Which is interesting because espionage fiction is usually about governments spying on other governments and that’s not what’s happening here. It’s not even, exactly, corporate espionage. Although it’s not exactly not either. (There are a LOT of things in Prophet that are not exactly what they seem but not exactly not what they seem, all at the same time.)

It’s more that Adam and Rao are kind of but not exactly undercover within the organization that is working with Prophet, playing with things they don’t understand, and trying their damndest to figure out what the hell is going on.

Which leads to the mystery. At first it’s the mystery of what created a 1950s era, American-style diner in the middle of the English countryside in a literal instant with someone actually watching the whole time. And what keeps happening to the people who get exposed to Prophet, whether accidentally or on purpose. Mostly on purpose.

Along with the mystery of why Adam Rubenstein is immune and Sunil Rao can safely extract it from people who have been exposed. It’s all a puzzle and a mystery and Adam and Rao become deeply invested in solving it – because they must.

Mixed in with ALL of that, and it’s a lot, is the relationship between Rao and Adam that is, that isn’t, that might be, that can’t be, and that is always more and different than anyone thinks it is. Which includes themselves. And quite possibly, the multiverse.

The inability to figure out what box Prophet falls into will drive some readers bananas. Certainly it gave the reading group that recommended it to me a whole bunch of very mixed reactions because it’s not easily defined. They collectively liked it and were not sure about it at the same time.

What carries the story, and carries the reader through the story, is the ever-evolving, often hidden, always on the verge of heartbreak relationship between Sunil Rao and Adam Rubenstein. They are not who they appear to be – not even to each other. Their histories are both shared and opaque to each other. And they’re both so FINE (in the sense of the acronym) that they are on the edge of mutually assured destruction almost all the time. And yet, they’re always on the same page and always have the same goals, even if it doesn’t seem that way at first, not even to them.

If the reader falls for them and their relationship, and I did, the story is an absolute WOW from beginning to end. An end which still manages to be a bit deus ex machina in spite of the reader being able to see it coming a mile away AND the way that it’s not the deus that saves the day. It’s the machina.

I listened to this one all the way to the end, and the readers were terrific every step of the way, even when they were voicing each other’s characters because the story is told in three, sometimes dueling, first person perspectives. This is the kind of first-person narration I love listening to, because the readers were so good and the story so compelling and the characterization, both in the text and in voice was so very much each of them individually that I really did feel like I was in their heads. Which made for an awesome listening experience.

One of my ongoing frustrations with multiple narrators in audiobooks, as much as I utterly love the style and how much it adds to the storytelling, is that while the list of narrators is credited, it’s seldom detailed into precisely who narrates whom. In this particular production, I believe that Jake Fairbrother ‘played’ Rao and Ryan Forde Iosco took Adam’s part, but I can’t be 100% certain of that in the way that I’m sure that Charlotte Davey voices Veronica, the absolutely psychopathic researcher in charge of Prophet R&D.

To sum things up, Prophet is absolutely bonkers in the best of all possible ways. If you like laboratory-based SF, the implications of the story are fascinating. If you love espionage fiction, especially if you miss it and wonder how those kind of stories are going to be told post-Cold War, this is a fantastic exploration of who might still be spying on whom and why. And if you love a good bromance/buddy thriller, especially one that has the potential for more, Prophet could be your jam across the board, and even better in audio.

It absolutely, positively was mine.

Review: Payback in Death by J.D. Robb

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: Payback in Death by J.D. RobbPayback in Death (In Death, #57) by J.D. Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: futuristic, mystery, romantic suspense, suspense, thriller
Series: In Death #57
Pages: 368
Published by St. Martin's Press on September 5, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A retired colleague's suspicious death puts Lt. Eve Dallas on the case in Payback in Death, the electrifying new novel from #1 New York Times bestselling author J.D. Robb.
Lt. Eve Dallas is just home from a long overdue vacation when she responds to a call of an unattended death. The victim is Martin Greenleaf, retired Internal Affairs Captain. At first glance, the scene appears to be suicide, but the closer Eve examines the body, the more suspicious she becomes.
An unlocked open window, a loving wife and family, a too-perfect suicide note—Eve's gut says it's a homicide. After all, Greenleaf put a lot of dirty cops away during his forty-seven years in Internal Affairs. It could very well be payback—and she will not rest until the case is closed.

My Review:

The case in Payback in Death is a fascinating one that could just as easily work in a contemporary police procedural as it does in their near-future world, because cases about ‘who watches the watchers’ are always relevant, and raise interesting questions about just how much of that watching is necessary and who watches the watchers who watch.

There’s a rabbit hole there that this story doesn’t have to go down, because retired NYPSD Internal Affairs captain Martin Greenleaf honored his badge and his service during a career spent on that often thankless watch.

Now he’s dead, and it’s Dallas’ job to stand for him. Because whoever killed him did a really poor job of faking his suicide. The man was murdered in his own home, and left for his wife to find. But fate intervened in the person of a detective that Greenleaf mentored. A detective who may have struck out once and badly with Dallas, but who knows she’ll bring her best to the case of the man who stood in for his father.

Which, in the end, is what this case turns out to be about. Father-figures, and the devastation they leave in their wake when they go down. Whether that happens in the line of duty – as it did for Martin Greenleaf in spite of his retirement – or whether it happens because someone like Greenleaf discovers that a man who should have at least been a hero to his family, was someone that those watchers not only watched, but ultimately discovered had feet of clay up to the knees.

Escape Rating B: At this point, I’m here to see how all my ‘book friends’ are doing after whatever happened in the previous book in the series (which in this case was Encore in Death). I just plain enjoy spending time with Dallas and Roarke’s ever-growing ‘family’ and am always happy to catch up with the gang. It doesn’t matter whether the particular case is all that interesting, and it doesn’t matter what kind of case it is. I just like these folks a lot and want to be sure they’re all still okay.

That being said, at 57 books and counting, the In Death series breaks down into three kinds of stories. First are the cases that are just cases – like the case in Payback in Death. It’s appropriately puzzling, the motives are twisted and the clues are deeply buried at first and convoluted to the end, and it’s an important case that requires that Dallas and company bring their “A” game to get it solved, but in the end it’s still just a case that gives the NYPSD a chance to prove they are the best at what they do – which they are.

The second kind of story are the ones where someone is threatening one or more members of Dallas and Roarke’s extended family. Those get messy. Always interesting, often revelatory about their pasts as well as their present, but those cases stick much closer to home and get more emotional, no matter how many of NYPSD’s finest get involved by the end.

And then there’s the third kind of story, which can dig itself into either of the above. The stories that are trips to the angst factory because they bring back the specters of either Roarke’s or Dallas’ horrifyingly terrible, thoroughly abusive childhoods. Those stories are always hard because I’ve come to care about all the characters a great deal and I hate seeing them suffer again in their present over the crap in their pasts.

This was a case that turned out to be just a case – no matter how much the perpetrator tried to make it more than that. And failed.

But it was still riveting and held my interest from the first page to the last because the story was every bit as relevant today as it is in Dallas’ time. Cops are human – and all of Dallas’ crew are certainly that, from Peabody’s pink coats to Reinecke’s eye-watering ties to Dallas’ own inability to make sense out of cliches and figures of speech – because they mostly don’t if you dissect the words.

Someone does need to watch the watchers, to police the police, to make sure that flawed human beings, because we are all flawed human beings including the police, don’t take the ability to use force and even deadly force to the point where it becomes perceived as the right to do so – because it isn’t.

Part of what made this work for me was the way that it went into the amount of painstaking work that was required to dig through everything that Greenleaf had been part of in a long career to see where the motives might be, no matter how deeply buried they were.

And that the investigation displayed yet again the reasons that Dallas and her squad are the best at what they do.

The part that cast a bit of a pall over the riveting case was that the ‘B’ plot of the story, the sidebar case of the now (former) detective who went off the rails and took a swing at Dallas, didn’t feel like it got either explained or resolved – or at least not to this reader’s satisfaction.

Which did not stop me from reading Payback in Death in a single sitting, as I often do with each, always much anticipated, entry in this series. Obviously, I’ll be back in Dallas’ early 2060s New York City for book 58(!), Random in Death, coming in January, 2024. I’m already full of anticipation!

Review: The Bullet That Missed by Richard Osman

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Bullet That Missed by Richard OsmanThe Bullet That Missed (Thursday Murder Club, #3) by Richard Osman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, thriller
Series: Thursday Murder Club #3
Pages: 413
Published by Pamela Dorman Books on September 15, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

One Thursday afternoon in the seniors' center, a decade-old cold case --their favorite kind-- leads the Thursday Murder Club to a local news legend and a murder with no body and no answers. A new foe they call "Viking", wants Elizabeth to kill former KGB chief Viktor, or he will kill her sweet best friend Joyce. Activist marked for death Ron and psychiatrist Ibrahim chase clues for Viking's identity, and investigate mob-queen prisoner from last book.
This third adventure ranges from a prison cell with espresso machine to a luxury penthouse with swimming pool high in the sky.

My Review:

How far would you go to save your best friend’s life? What lengths would you go to? Perhaps a better question would be to ask what lengths wouldn’t you go to? Because that is certainly one of the big questions at the heart of The Bullet That Missed.

First, there’s a cold case, because that’s what the Thursday Murder Club does in its Thursday meetings – it investigates cold cases.

The case they pick this time is close to home, both in time and in distance. Ten years ago, a young reporter disappeared, and has been presumed dead for most of a decade. Bethany Waites was working on a huge story about smuggling cell phones and tax fraud. Millions of pounds disappeared so thoroughly into the labyrinth of money laundering that the money was never found. Which didn’t stop the police from sending one of the perpetrators went to jail for it, while the likely instigator managed to stay out of legal trouble – most likely by doing something else seriously illegal.

But the reporter left her apartment one night, her car was found on the shore bloodied but empty after having been pushed over a cliff, and the woman was never seen again. She’s still much missed, by her friends, her colleagues, and most especially her mentor who never got over her death.

One of the seemingly trivial issues surrounding that very non-traditional event was that the young, female reporter was receiving nasty little threatening messages dropped in her purse, left on her desk and even stuck to her car.

Just as Elizabeth Best is receiving ten years later, although the messages Elizabeth is receiving are much more specifically life threatening rather than the job-threatening ‘mean-girl’ type messages Bethany was getting.

A mysterious personage has threatened Elizabeth that if she doesn’t kill a particular former KGB agent, both Elizabeth and her best friend Joyce will be killed instead. Joyce first, of course, so that Elizabeth has time to reflect on the folly of her (non) actions.

But the man that the mysterious criminal Elizabeth ends up calling “the Viking”, because he very much resembles one wants so very, very dead, is also a friend. An old and dear friend who Elizabeth would very much like to save as she doesn’t have many of those around – not just anymore but ever.

The cases don’t really intersect when Elizabeth and company get involved in them. They really, really don’t. But, and it turns out to be a big, huge, but, ten years isn’t all that long ago, especially in a small town like Cooper’s Chase.

Because all of the players for the cold case are still around for the fresh case. All except one.

Escape Rating A-: There are two ways of looking at the adventures of the Thursday Murder Club. On the one hand, the mostly fun side of the equation, there are the murder cases that seem to find their way to the club’s door – even if Elizabeth has to push them in that direction more than a bit. And sometimes they push back – as the Viking’s part of this entry in the series does.

But then there’s the much more serious side, the one that can be summed up as “old age is not for sissies’. Because it isn’t and they aren’t and none of them are remotely planning to go gentle into that good night no matter how hard some people – including Elizabeth’s oldest and dearest enemies – try to shove them in that direction. With a surprising amount of extreme prejudice.

Then again, one does get the impression that Elizabeth Best is the spiritual sister of Hetty Lang from NCIS: LA and Victoria Winslow, the character that Helen Mirren played in the movies RED and RED 2.

But seriously, the mystery – in spite of or because of the increasing number of victims – is the fun part of the story. It’s also the part that changes most from book to book in a series.

The real reason that people keep coming back to any particular mystery series over and over again (this is book 3 in this series already, after The Thursday Murder Club and The Man Who Died Twice) is because we get involved with the lives of the ‘Scooby gang’ that does the solving of the murders and not so much the murders themselves.

So what makes the Thursday Murder Club work as a series is the way that it revolves around and utilizes the strengths and weaknesses of the members of the club. The particular charm of this series is that it neither shies away from the issues of aging nor does it turn the idea of septuagenarians successfully solving crimes into anything twee or cutesy. (If you remember the Mrs. Pollifax series by Dorothy Gilman, that got both cutesy and twee over the course of its run.)

The members of the Thursday Murder Club are also all dealing with loss (realistically but differently according to each of their personalities), either in the past or the present, but are still very much living in the here and now – and dealing successfully with it – something we don’t see nearly enough.

I was tempted to say something like ‘they still have a lot to give’ which doesn’t convey the right sentiment because it implies they’re an exception to some rule in the same way that telling a woman she doesn’t look her age may be intended as a compliment but actually reinforces the idea that looking whatever age she is isn’t good enough – when it should be.

I’d say that Elizabeth, Joyce, Ibrahim and Ron have always had a lot to give and have never stopped giving it. While giving readers a terrific mystery to savor along the way.

Speaking of which, they have one more mystery to give us this year. The Last Devil to Die will be out later this month. And it’s already on my reading calendar because I can’t wait!