#AudioBookReview: The Bodies in the Library by Marty Wingate

#AudioBookReview: The Bodies in the Library by Marty WingateThe Bodies in the Library (First Edition Library Mystery, #1) by Marty Wingate
Narrator: Fiona Hardingham
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: First Edition Library Mystery #1
Pages: 315
Length: 9 hours and 23 minutes
Published by Berkley on October 8, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Hayley Burke has landed a dream job. She is the new curator of Lady Georgiana Fowling's First Edition library. The library is kept at Middlebank House, a lovely Georgian home in Bath, England. Hayley lives on the premises and works with the finicky Glynis Woolgar, Lady Fowling's former secretary.
Mrs. Woolgar does not like Hayley's ideas to modernize The First Edition Society and bring in fresh blood. And she is not even aware of the fact that Hayley does not know the first thing about the Golden Age of Mysteries. Hayley is faking it till she makes it, and one of her plans to breathe new life into the Society is actually taking flight--an Agatha Christie fan fiction writers group is paying dues to meet up at Middlebank House.
But when one of the group is found dead in the venerable stacks of the library, Hayley has to catch the killer to save the Society and her new job.

My Review:

I have never been so happy to see a dead body in all of my reading life as I was when Tristram Cummins’ corpse was discovered in the library of Middlebank House, the home of the late Lady Georgiana Fowling’s First Edition Society.

Lady Georgiana Fowling died of natural causes – after all the woman was 92! – four years before this story begins. She was a collector of works written by the female authors of the Golden Age of Mystery, particularly Agatha Christie, Dorothy L. Sayers, Marjorie Allingham, Ngaio Marsh and Josephine Tey, among others. Daphne du Maurier’s works are also included in the library, not because she wrote mysteries – not exactly – but because she was a personal favorite of the late Lady Fowling.

Lady Fowling may be dead, but the Board of the charitable society that inherited her house and its contents – along with Lady Fowling’s secretary and personal assistant, Mrs. Glynis Woolgar – seem determined to preserve the library, the house, and its contents like a fly trapped in amber. Even if that is far from what Lady Fowling would have ever desired.

Hayley Burke, the newly appointed curator of the library, is determined to move the Society and its Library into the 21st century. She sees her job as placing the Library as prominently on the list of Bath’s literary-related attractions, such as the nearby Jane Austen Centre, as can possibly be arranged as quickly as can be managed. Or can be gotten past the Board and the Society’s Secretary.

Even though Hayley doesn’t know a thing about the Golden Age of Mystery – she knows plenty about ways that a literary site can put itself on the map, having previously worked – albeit in a rather junior position – at the Jane Austen Centre which has done an excellent job of just that.

The discovery of a body in the Society’s library, the morning after a contentious meeting of a local writers’ group, seems a bit too much like it’s straight out of the pages of one of the Agatha Christie novels sitting on a nearby shelf, The Body in the Library.

Whether inspired by Christie or not, that discovery, and the police investigation that ensues, certainly does put the First Edition Society on the map and at the top of mind of a whole lot of people who would otherwise never have heard of the place – in spite of Hayley’s best efforts.

But it’s not the kind of attention either Hayler or the Society actually wants. Because with all of the amateur and professional sleuths on the premises, someone will eventually deduce that the one person who should be an expert, the curator herself, doesn’t have a clue.

Escape Rating B: As much as I usually enjoy this author – and I’m particularly loving her London Ladies’ Murder Club (starting with A Body on the Doorstep) these days – I remember that I bounced off of this particular book really hard but didn’t remember exactly why.

So when I hit a hard flail and bail last week, in conjunction with a 2-for-1 sale at Audible, I picked this up in audio out of a bit of desperation. I knew that whatever had made me set this book aside when it came out, it couldn’t possibly be the same thing that was driving me away from the book I had just stopped listening to – with extreme prejudice – in the present.

I started the audio of The Bodies in the Library and figured out pretty quickly what drove me away the first time. OMG but Hayley Burke begins this story as a complete and utter doormat, and her doormat persona has invaded every part of her life.

This story is told in the first person, so we’re inside Hayley’s head – and it’s kind of a boring place to be, quite possibly because it seems like there’s no spine holding it up. Her long-distance boyfriend, her adult daughter, and her repressive, stick-up-her-bum colleague all walk all over her at every turn.

I could rant, but I’ll refrain. The work parts of this exhibition of lack of backbone are the one part of Hayley’s situation that make sense, as these two women share both the job and the house and making an actual enemy out of her recalcitrant colleague is the recipe for a very quick job change that Hayley can’t afford to make.

Howsomever, on top of the more personal aspects of her spinelessness it drove me round the twist. At least until Trist, the leader of that writers’ group, is found dead on the floor of the library and the pace of the story picks up while Hayley picks up her big girl panties and finally starts dealing with her life as well as the mystery that has been literally dropped in her lap.

One of the more, let’s call it awkward, parts of Hayley’s character at the beginning is that she doesn’t merely have impostor syndrome – don’t we all on occasion – but that she IS an actual impostor. She’s not REALLY qualified for the well-compensated job she lucked into. Hayley knows nothing about the Golden Age of Mystery as she specialized in 19th century literature for her degree. For a lot of the story, we see her flailing about in an attempt to hide her lack of knowledge – what we don’t see is her actually rectifying that lack until after the body drops. It’s clear that her continuing forays into the world of Golden Age mystery is going to be part of her journey – and will hopefully induce readers to do the same – but early on I found myself wondering, repeatedly and OFTEN, why she didn’t just stream a whole lot of video because they’ve ALL been done. It wouldn’t have been the same as reading the books, but it would certainly have given her a leg up that she desperately needed.

Speaking of media, however, the audio was fine, and it certainly got me over the rough first third of the book that drove me away the first time around. So I’m glad I picked it up – even though once the story finally got started I got more than caught up in it enough to want to find out whodunnit a whole lot faster than audio would allow.

The advent of that body in the library (all due apologies to Agatha Christie because the cases aren’t much the same after all) turns out to be the making of both Hayley and the story as a whole, which is the reason I ended up at a ‘B’ grade in spite of the character’s and the story’s frustrating and glacially paced opening. By the end, the whole thing shows a LOT of promise, to the point where I’m sure I’ll pick up the next book in the series, Murder is a Must, the next time I’m in the mood for a very cozy and gentle mystery.

Or I want to see how the Library’s cat Bunter is doing with the new visitors that Hayley is hopefully bringing to the place!

#BookReview: The Marlow Murder Club by Robert Thorogood

#BookReview: The Marlow Murder Club by Robert ThorogoodThe Marlow Murder Club (Marlow Murder Club, #1) by Robert Thorogood
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: Marlow Murder Club #1
Pages: 340
Published by Poisoned Pen Press on January 7, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

To solve an impossible murder, you need an impossible hero…
Judith Potts is seventy-seven years old and blissfully happy. She lives on her own in a faded mansion just outside Marlow, there’s no man in her life to tell her what to do or how much whisky to drink, and to keep herself busy she sets crosswords for The Times newspaper.
One evening, while out swimming in the Thames, Judith witnesses a brutal murder. The local police don’t believe her story, so she decides to investigate for herself, and is soon joined in her quest by Suzie, a salt-of-the-earth dog-walker, and Becks, the prim and proper wife of the local Vicar.
Together, they are the Marlow Murder Club.
When another body turns up, they realise they have a real-life serial killer on their hands. And the puzzle they set out to solve has become a trap from which they might never escape…

My Review:

Being in a murder-y mood this week, I was searching through the virtually towering TBR pile for mysteries, especially mystery series, that I hadn’t dipped into, and lo and behold The Marlow Murder Club popped to the top of the pile.

Recommended, pretty much everywhere as a readalike for The Thursday Murder Club, which I liked very much the second time I tackled it, I decided to give this other Murder Club a try. Even though that readalike recommendation isn’t quite on the nose – if anything Marlow turned out to be a teensy bit closer to An Elderly Lady is Up to No Good, this still turned out to be a fun cozy that fit right into both that murder-y mood and to be the second book this week featuring surprisingly successful amateur detectives aiding, abetting and looked down upon by less than stellar local police.

At least the local police in Marlow have a really good excuse for their less than stellar performance – and they do manage to redeem themselves in the end, which was certainly not the case in Monday’s A Mischief of Rats or its entire series so far.

Let me go back to the beginning – at least the beginning of The Marlow Murder Club.

One evening, eccentric, reclusive Judith Potts hears a murder. Specifically, she hears a gunshot at her nearest neighbor’s house and punts along the Thames from her house to his to see if he’s alright. He’s not – not that she quite knows that at the time.

So she calls it in, the local police come out to their remote corner just outside Marlow, and discover – absolutely nothing.

Judith can’t let that rest, so she goes over the next day – better prepared – and investigates for herself. She discovers something the police missed – her neighbor’s dead body, caught in the rushes, with a bullet hole in the center of his forehead.

The police try to pass it off as an accident – or even suicide – but Judith is having none of THAT. When a second body turns up, complete with forehead-centered bullet hole, and the bullets are proved to be from the same antique pistol, it’s clear that there’s a serial killer in a tiny, peaceful little Home Counties village that has never experienced anything like this. At all. Ever.

The local police, in the person of Detective Sergeant Tamika Malik, are in over their under-equipped, under-trained and under-staffed heads. There should be a Detective Inspector in charge of this case – but none are available and none will be. Malik makes much too convenient a scapegoat if the crimes go unsolved – which is exactly what her superiors expect from her.

But Malik has been shadowed, dogged, and out-investigated by Judith Potts and her two new friends and accomplices, dog-walker Suzie Harris and parson’s wife Becks Starling. They’ve found clues and leads at every turn, while Malik keeps coming up with exactly nothing.

Malik’s desperate, they’re determined. So she drafts them into service as volunteer consultants. Malik was told to do “everything in her power” to get this case solved – and that’s exactly what she does.

That it works, and the way that it works, surprises everyone in Marlow. Especially the killer.

Escape Rating B: Marlow is very cozy, in spite of the murder spree. But about that murder spree…I’ve seen this particular plot device before, so I recognized what was happening REALLY early on. At that point I didn’t have enough of a picture of Marlow to know precisely whodunnit but I knew precisely how it was done much too early on.

The initial suspect was a bit too smug, and resembled a real-life Lucius Malfoy entirely too much to be anything but the villain. Or at least, a villain, and thereby hung the whole, entire, tale.

That being said, the story still worked, not so much as a mystery but definitely as a cozy. The way that the “club” puts itself together was a hoot, as none of the members intend to band together for anything, with anyone, but they can’t resist not just solving the murder but the sense of camaraderie and outright sisterhood they receive from working together.

So it was great watching the gang pull together, and especially for all of these lonely people – and they are ALL lonely, even married Becks – find common cause, common purpose, and much-needed friendship – even if none of them would ever have admitted that they were in desperate need of all of the above.

The other thing I really liked was that, while the local police were completely overwhelmed by a serial killer in their tiny town, the reasons they were overwhelmed were much easier to understand and empathize with than the lackluster performance of the local constabulary in Monday’s book and its series – although I still like that series and intend to continue it.

The police in the Dr. Nell Ward series often seem distracted and incompetent and made more incompetent by their distractions. DS Malik, on the other hand, has been left in this soup very much over her head, knows it, and does a surprisingly good job of finding people to throw her a lifeline. I felt FOR her to the point that just as much as she drafts the “Marlow Murder Club” in as auxiliaries to the investigation, they adopt her as an auxiliary member of their “club”.

As much as the mystery in this first outing was screamingly obvious, I still stuck with the book and outright enjoyed it for the development of the characters and the setting. I’ll certainly be back for the next book in the series, Death Comes to Marlow, the next time I’m in a murder-y mood!

#BookReview: A Mischief of Rats by Sarah Yarwood-Lovett

#BookReview: A Mischief of Rats by Sarah Yarwood-LovettA Mischief of Rats by Sarah Yarwood-Lovett
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: Dr Nell Ward #3
Pages: 420
Published by Embla Books on February 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBetter World Books
Goodreads

When a driver dies during a glamourous classic car event at her family's estate, Dr Nell Ward is in a race against time to uncover the truth and prevent the killer from making a speedy getaway...
Back in her natural habitat, Dr Nell Ward heads to a woodland pond to survey local newt populations. She's shocked to discover a car submerged in the water - with the driver dead behind the wheel.
Nell recognises the dead man as professional racing driver, and tabloid love rat, Jack Rafferty, whose performance on (and off) Finchmere's racetrack had earned him enemies.
Suspecting this isn't the tragic accident it appears DI James Clark calls upon Nell and her ecological skills to help find the murderer. But she soon finds that more lurks under the surface than she could ever have imagined. Despite the danger, Nell is determined to dredge up the truth from the murky depths of this case, before it's too late...

My Review:

Whichever of her two personas is her alter ego, both of them are entirely too busy during the jam-packed weekend this story takes place.

As Lady Eleanor Ward-Beaumont, daughter of the Earl of Finchmere and his wife, Imelda Beaumont MP, heir to the estate of Finchmere – the weekend of the Finchmere Classic – a Classic Car race, car auction, fun fair and general all purpose extravaganza may be one of Lady Eleanor’s favorite events at the estate but is also a showcase for her family’s stewardship of the land, maintenance of the estate, and everything she’s doing to keep the whole business self-sustaining and profitable for the ones who come after her.

That she is personally involved with one of the cars in the race, a formerly derelict but classic ‘gullwing’ Mercedes-Benz 300 SL that has been converted to an all-electric vehicle just adds to the heightened atmosphere – and the tensions among the car’s crew for the race add bucketloads of stress to a situation that is already fraught.

As Dr. Nell Ward, ecologist and environmental surveyor, she has committed to help a former intern at a nearby nature reserve do some surveying in preparation for an upcoming certification visit early on the morning that the festivities at Finchmere begin.

And both of her personas are on pins and needles as she hoped that she would be able to get to know her romantic partner’s parents as they attend the Classic – in between all the other demands on her time – which are legion even at the start.

When Nell and her friend Mai discover that the reserve’s pristine habitat has been compromised – if not outright ruined – by a car that crashed through and then sank in what had been a carefully rehabilitated pond – WITH a dead body in it – everything crashes along with the car.

Not that the dead man hadn’t honestly earned more than enough enmity for someone to have seen to his demise. But he was supposed to drive Nell’s car in the race. Her partner’s young sister left her custom-made earrings on the dashboard of the wreck. His parents, who already disapprove for multiple reasons – are about to blame Nell for the girl’s involvement – as well as everything else that continues to go wrong over one of the longest weekends in Nell’s life.

At least the police can’t arrest her for the murder this time around. Not that some of them wouldn’t still like to – if only to stop Nell meddling in the investigation. Again.

Escape Rating B-: This third book in the Dr. Nell Ward series, after A Murder of Crows and A Cast of Falcons, follows a pattern that this series seems to have hit in my brain. I keep having mixed feelings about the whole thing – and this entry more than most for reasons I’ll get to, appropriately as you’ll see, at the end.

I’ve been following the series because I like Nell as a character, but I like her nerdiness about her earned profession more than I do her persona as Lady Eleanor, so this book didn’t get as near to a mystery sweet spot for me as others that I follow. All of which means that I hope she gets back a bit more to her environmental work in the next book A Generation of Vipers. We’ll certainly see. Eventually.

But in the meantime, back to A Mischief of Rats. It could be claimed that the dead man was the chief rat in this mystery, but he actually wasn’t. The chief rat, that is. He certainly was one of the rats. That his rat-nature got him killed isn’t a surprise at all. That the road to figuring out how his rattiness rattled the chief rat to the point that it got him killed made for a marvelously twisty mystery, which I want to say had plenty of tasty red herrings but in this case no because rats and tasty do not belong in the same sentence or even the same paragraph.

Still, you get the point. Unlike the first book in the series, while I knew it wasn’t any of the obvious suspects fairly early on – I just didn’t figure out who the real killer was until the point where Nell does – with the police following along behind her. Literally.

The part that left me with extremely mixed feelings was the ending. Not the resolution of the mystery because that was fine and wrapped things up with a really cathartic and rat-free bow. But the personal parts of this story and the way they ended on a terrible crash of a cliffhanger gave me a lot of pause. And that’s literal, as in I will continue the series but I’m going to pause for a bit to let the ending settle.

While part of what I love about cozy mysteries revolves around getting to know the characters and the gang of friends and assistants that they gather around them, Nell seems to have a lot of personal angst and romantic drama that, for this reader at least, takes away from the fun and coziness of the mystery. There’s been a ‘torn between two lovers’ undercurrent going on through these first three books, and I’ve gotta admit that isn’t a place I want this series to go. (It’s part of what turned me off of the Stephanie Plum series – not that she changed her mind but that she couldn’t seem to make it up at all.)

I admit that this is a ‘me’ thing that may not be a ‘you’ thing. Howsomever, for this reader it feels like Nell’s romantic trials and tribulations are a bit over the top, particularly as her rich and aristocratic background – along with her surprisingly functional relationship with her parents – seem to have insulated her from a whole lot of regular stresses and issues to the point where over-the-top is the only direction left.

Which is exactly where this installment of the series ended – up and over the top of the wall and landing upside-down with traction. I’m still kind of reeling over it, to the point where I had to thumb the next couple of books to make sure that this story thread does get resolved no matter how much more angst will be involved in that wrapping.

So, for the most part, I was enjoying the mystery right up until that end, when I crashed right along with it. I’ll be back to see what murders Nell trips over and what terrible things happen in her personal life in A Generation of Vipers, but probably not for a couple of months at least.

We’ll certainly see the next time I get into another murder-y mood.

Grade A #BookReview: Lost Birds by Anne Hillerman

Grade A #BookReview: Lost Birds by Anne HillermanLost Birds (Leaphorn, Chee & Manuelito #27) by Anne Hillerman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, thriller
Series: Leaphorn & Chee #27, Leaphorn, Chee & Manuelito #9
Pages: 304
Published by Harper on April 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From New York Times bestselling author Anne Hillerman, a thrilling and moving chapter in the Leaphorn, Chee & Manuelito series involving several emotionally complex cases that will test the detectives in different ways. Joe Leaphorn may be long retired from the Navajo Tribal Police, but his detective skills are still sharp, honed by his work as a private detective. His experience will be essential to solve a compelling new finding the birth parents of a woman who was raised by a bilagáana family but believes she is Diné based on one solid clue, an old photograph with a classic Navajo child’s blanket. Leaphorn discovers that his client’s adoption was questionable, and her adoptive family not what they seem. His quest for answers takes him to an old trading post and leads him to a deadly cache of long-buried family secrets. As that case grows more complicated, Leaphorn receives an unexpected call from a person he met decades earlier. Cecil Bowleg’s desperation is clear in his voice, but just as he begins to explain, the call is cut off by an explosion and Cecil disappears. True to his nature, Leaphorn is determined to find the truth even as the situation grows dangerous. Investigation of the explosion falls in part to Officer Bernadette Manuelito, who discovers an unexpected link to Cecil’s missing wife. Bernie also is involved in a troubling investigation of her an elderly weaver whose prize-winning sheep have been ruthlessly killed by feral dogs. Exploring the emotionally complex issues of adoption of Indigenous children by non-native parents, Anne Hillerman delivers another thought-provoking, gripping mystery that brings to life the vivid terrain of the American Southwest, its people, and the lore and traditions that make it distinct.

My Review:

“We grow too soon old and too late smart,” a saying that has its roots far from the Navajo tribal lands in the Four Corners area, but nevertheless applies to many of the characters in this 27th entry in the long-running Leaphorn, Chee and Manuelito series.

Especially, but absolutely not exclusively, to the ‘Legendary Lieutenant’ himself, retired Navajo Nation Police Lieutenant Joe Leaphorn – the original protagonist of this series back when it began back in 1970 in The Blessing Way, written by author Anne Hillerman’s father Tony Hillerman.

As this series is written in a kind of ‘perpetual now’, Leaphorn isn’t quite as old as the number of years between 1970 and 2024 would lead one to expect, But he has aged from a man in his prime into retirement – and the start of a second career as a private investigator.

He’s not as young or as fast as he used to be – even if he’s not always willing to admit it – while the first young officer he mentored, Jim Chee, has just been promoted to Lieutenant himself. Leaphorn’s other mentee, Officer Bernie Manuelito, now Chee’s wife, is still grieving a miscarriage, and stinging after losing out on a promotion of her own.

The case they ALL find themselves working on – if not always together – begins with an explosion at a local school. Joe is on the phone with the survivor of one of his earliest cases when he hears the explosion through the phone, the call drops – or the caller does, and Joe is left hanging.

Bernie gets called to the school, because the place is on fire – or at least one specific building is. She’s had some training in dealing with explosions and their aftermath – and this case unfortunately looks like an occasion for her to use those skills.

Which is exactly what it turns out to be. Which is also the last straightforward aspect of the whole case. The ONLY saving grace to the disaster is that it happened on a Saturday morning and no students were present to be caught up in the flames.

With the increasing amount of violence on all school campuses across the country, the Navajo Police, the FBI, and every other possible jurisdiction fear that the conflagration was both cleverly and deliberately set. And they could be right. There are certainly plenty of signs that point that way – including the absence of a custodian with a whole lot of financially troubling motives for something nefarious.

Or, as much as Leaphorn and the cops he trained do not believe in coincidences, that chain of terrible events could be the result of them. After all, the other case that Leaphorn is working on turns out to be riddled with them – to considerably better results.

But it’s the much too personal case that catches up to Leaphorn that forcibly reminds him that time is catching up to him – and that there are some things it is best to say before it is too late.

Escape Rating A: Just as there are three investigators in this story, there are three cases, but the cases are not in parallel, do not intersect and mostly lead back to Joe Leaphorn, which is fitting as he is the place where the whole series began.

The big case, the official investigation into the explosion and fire at the school, is the case that takes up the least of Leaphorn’s time but the most of Bernie Manuelito’s time and effort – and pushes her up against her issues with her job disappointment and her new boss.

But the case of the explosion is the case with the largest number of facets in the present, and the only part that doesn’t do a deep dive into any of the investigators’ pasts or personal lives. Which is a good thing because there is plenty of that on the parts of all of the potential suspects.

That part of the case is interesting because the track it goes down isn’t remotely fruitful – and yet it manages to lead to the correct result in spite of itself and everyone’s assumptions about the hows and the whys of the thing. There turn out to be plenty of arrests to go around – but not for any of the reasons that anyone first suspects.

Leaphorn’s private case is the one that delves into a bit of history, and rights a single tragedy in a vast sea of wrongs that no one has the power to fix in its entirety. It’s this case that the book is titled after, as a “Lost Bird” in the Navajo context is a child who was adopted out of their tribal community. Joe’s client may be one of those “Lost Birds”, one who is determined to find out as much of the truth as is still there to find before everyone left who might have known a bit of that truth passes away.

Last, but not least, are the personal aspects of this series. While Bernie’s ongoing struggle to balance her career as a police officer alongside of her more traditional obligations as daughter and sister often features in this series, and a further chapter of her difficulty in managing that balancing act does occur, the big personal ‘case’ in this case is Leaphorn’s – which is a surprise and a revelation because Leaphorn is a person who very much keeps himself to himself – and this time that’s impossible.

All of which made Lost Birds another enthralling chapter in this long-running saga. While I don’t think a new reader would need to start back at the very, very beginning, picking this series up with Spider Woman’s Daughter, the story where Anne Hillerman picks up her father’s legacy just as Bernie Manuelito investigates the shooting of her mentor and father-figure Leaphorn is a great place to begin.

This entry in the series feels like it might be Joe Leaphorn’s swan song. He comes to some conclusions at the end that leave the impression that he’s going to move from his second act as a private investigator to a third act as a consultant – one that will hopefully put him less in the line of fire. Not that I think the series is going to end – please no – but rather that his role is going to be a bit more reduced. Whatever happens, I’m certainly looking forward to finding out – hopefully this time next year.

A+ #BookReview: A Murder Most French by Colleen Cambridge

A+ #BookReview: A Murder Most French by Colleen CambridgeA Murder Most French (American In Paris Mystery, #2) by Colleen Cambridge
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: culinary mystery, foodie fiction, historical mystery, mystery
Series: American in Paris Mystery #2
Pages: 272
Published by Kensington on April 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Postwar Paris is surging back to life, and its citizens are seizing every opportunity to raise a glass or share a delicious meal. But as American ex-pat Tabitha Knight and chef-in-training Julia Child discover, celebrations can quickly go awry when someone has murder in mind . . .
The graceful domes of Sacré Coeur, the imposing cathedral of Notre Dame, the breathtaking TourEiffel . . . Paris is overflowing with stunning architecture. Yet for Tabitha Knight, the humble building that houses the Cordon Bleu cooking school, where her friend Julia studies, is just as notable. Tabitha is always happy to sample Julia’s latest creation and try to recreate dishes for her Grand-père and Oncle Rafe.
The legendary school also holds open demonstrations, where the public can see its master chefs at work. It’s a treat for any aspiring cook—until one of the chefs pours himself a glass of wine from a rare vintage bottle—and promptly drops dead in front of Julia, Tabitha, and other assembled guests. It’s the first in a frightening string of poisonings that turns grimly personal when cyanide-laced wine is sent to someone very close to Tabitha.
What kind of killer chooses such a means of murder, and why? Tabitha and Julia hope to find answers in order to save innocent lives—not to mention a few exquisite vintages—even as their investigation takes them through some of the darkest corners of France’s wartime past . . .

My Review:

According to Julia Child, “The only real stumbling block is fear of failure. In cooking you’ve got to have a what-the-hell attitude.”

While Child absolutely did say that, she certainly hadn’t said it yet at in 1950, the time this second book in the American in Paris Mystery series takes place, directly after the events of the first book in this delicious historical mystery series, Mastering the Art of French Murder.

Julia Child is too busy learning French cooking, living her larger-than-life life in Paris AND at the beginning of writing her masterpiece, Mastering the Art of French Cooking, when this series takes place.

Meaning that Julia – as much as she steals every scene in which she appears – is not the amateur detective protagonist of this series, even if she is every bit as much an American in post-war Paris as her best (fictional) friend Tabitha Knight.

Tabi probably would not entirely agree with that opening quote from Julia. It’s not fear of failure that dooms so many of Tabi’s cooking forays, it’s the fear of disappointing – yet again – her two messieurs, her elderly grandfather and his partner, her adopted Oncle Rafe.

Tabi does, however, most definitely have a what-the-hell attitude, but it seems to be increasingly focused, not on cooking but on murder. Not committing them, of course, but solving them. It’s an attitude that is immeasurably helped by just how many corpses she seemingly trips over.

The way that corpses seem to follow in her wake, and her inability to ignore the clues that bubble up before her, unfortunately looks like it’s helping police judiciaire Inspecteur Étienne Merveille into entirely too many headaches, if not an early ulcer.

Because somehow, no matter how many times Merveille warns her away, when Tabi rushes in where even angels would fear to tread, Merveille is always on hand to rescue her.

Maybe Tabi is following Julia’s three-part plan for managing men after all – no matter how many times the lady protests too much otherwise.

Escape Rating A+: If you loved the first book in this series – and who didn’t? – you will run, not walk to get this second book because it’s every bit as charming as the first. If you still need a bit of convincing, I’m going to get right to that.

But before I do, if you haven’t read Mastering the Art of French Murder and aren’t sure whether you can start the series here – you can. Everything you need to catch up does get enough of an explanation to make it work. Howsomever, that first book is delightful and delicious so even if you do start here you’ll want to go there immediately afterwards!

Yes, this review is full of squee. It’s that kind of book and that kind of series.

This time around, Tabitha gets involved in the case not because she’s a suspect, but because the murder happens literally right before her eyes – as does the second murder. Also before Julia’s eyes as well, and she absolutely can’t resist egging Tabitha on whenever she falters in her determination the least little bit.

Which is pretty much true for Julia all the way around.

The case is a twisted puzzlement – but in it’s ever increasing list of victims and in its choice of methods. Increasing both Tabitha’s and the reader’s fascination is the way that the string of murders links back to the late war, the simmering resentments of the surviving Resistance fighters and the blot on the French psyche that the collaborators represent.

Then the whole thing dives into the catacombs. Literally as well as figuratively, and the secrets that are hidden among the bones – not all of which are ancient.

When her messieurs receive a beautifully wrapped bottle of pilfered, poisoned wine – just as the first two victims did, Tabitha throws aside her remaining qualms and cautions to throw herself into an investigation that gets her thrown into the pitch black darkness of the catacombs.

Tabitha rescues herself – which is definitely part of her charm for this reader – but she’s afraid she won’t be able to run across Paris fast enough to save her messieurs. Fortunately for Tabi, her apple didn’t fall far from the family tree – and Inspecteur Merveille has been following her a LOT more closely than she imagined.

Their relationship – whatever it might turn out to be – is one of the teasingly dangling threads left at the end of this book. The mystery gets tidily wrapped up, but nearly everyone in Tabi’s life seems to think that Merveille has a tendre for her that would be worth exploring.

If it’s not obvious from all the squeeing, I would love for there to be a third book in this series and possibly more. For one thing, I have to see if Tabitha continues to follow that three-part plan of Julia’s for managing men. Tabi has the first part completed, as she actually managed to feed the man a surprisingly edible – for her at least – Croque Monsieur albeit without the bechamel sauce. Step two in Julia’s plan is to flatter the man which should be easy enough to do as he just saved her life and is quite competent at everything she’s seen of him so far.

Tabitha should have plenty of opportunities as the series continues – which I am oh so hopeful that it will. Because it looks as if investigating murders is looking more and more like it’s Tabitha’s answer to one of Julia’s instructions, to “find something you’re passionate about and keep tremendously interested in it.”

“Bon appetit!”

#AudioBookReview: Close to Death by Anthony Horowitz

#AudioBookReview: Close to Death by Anthony HorowitzClose to Death (Hawthorne & Horowitz, #5) by Anthony Horowitz
Narrator: Rory Kinnear
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Hawthorne and Horowitz #5
Pages: 419
Length: 9 hours and 12 minutes
Published by Harper, HarperAudio on April 11, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In New York Times–bestselling author Anthony Horowitz’s ingenious fifth literary whodunit in the Hawthorne and Horowitz series, Detective Hawthorne is once again called upon to solve an unsolvable case—a gruesome murder in an idyllic gated community in which suspects abound
Riverside Close is a picture-perfect community. The six exclusive and attractive houses are tucked far away from the noise and grime of city life, allowing the residents to enjoy beautiful gardens, pleasant birdsong and tranquility from behind the security of a locked gate.
It is the perfect idyll until the Kentworthy family arrives, with their four giant, gas-guzzling cars, a gaggle of shrieking children and plans for a garish swimming pool in the backyard. Obvious outsiders, the Kentworthys do not belong in Riverside Close, and they quickly offend every last one of their neighbours.
When Giles Kentworthy is found dead on his own doorstep, a crossbow bolt sticking out of his chest, Detective Hawthorne is the only investigator that can be called on to solve the case.
Because how do you solve a murder when everyone is a suspect?

My Review:

There’s an old saying that familiarity breeds contempt. In the case of Giles Kenworthy and the other residents of Riverview Close it seems as if the contempt came pre-installed – at least on his side and well before he actually got to know any of his neighbors. If indeed he ever bothered to try.

Kenworthy seems to be one of those smug, self-involved, ultra-privileged individuals who go through life completely unable to see other people as, well, people. Meaning that he simply doesn’t notice how much the noise and smoke from his backyard barbecues affects the neighbors he can’t be bothered to invite, he doesn’t care that the loud music he plays on his convertible wakes up the entire neighborhood when he comes home in the middle of the night and parks the damn car in the middle of a shared driveway and blocks the neighbors in.

It seems as if Kenworthy’s inconsideration knows no bounds. He’s certainly brought utter disharmony to what was formerly seemed to be a close-knit and completely harmonious little community.

But is being a boor – even to the point of being a total arsehole (it’s arse, they’re English) – enough of a reason to actually murder someone?

That’s the problem that confronted Detective Superintendent Tariq Khan five years ago when he began his investigation of the murder of Giles Kenworthy, in the foyer of his expensive home, with a crossbow bolt through his throat.

And it’s the exact same question confronting Tony Horowitz – along with the ridiculously short deadline his editor has given him for the fifth book in the series following the investigations of former Metropolitan Police Detective Daniel Hawthorne as Tony follows literally behind the man as his bumbling sidekick.

But not this time, not exactly. Because Hawthorne can’t exactly call up an interesting murder to order. So instead of following the detective as he works a case, Tony is stuck with following Hawthorne on a past case through the extensive notes left by Hawthorne’s previous assistant, the considerably less bumbling John Dudley.

Tony is even more curious about the man who preceded him than he is about whodunnit. By this point in his association with Hawthorne he knows that he’s not going to get even close to the solution until Hawthorne leads him there – most likely by the nose at that.

Which leaves Tony doing a bit of snooping on his own – not into Giles Kenworthy’s murder – but into John Dudley’s exit from Daniel Hawthorne’s life. Something that it looks like no one wants him to look into – but that might just lead him back to an entirely different whodunnit.

Escape Rating B+: Hawthorne drives Tony crazy. This series generally drives me crazy. This particular entry drove me so crazy I switched from the audio – which was, as always in this series, and with this narrator, marvelous – to the ebook at the halfway point because I was going nuts trying to figure out anything at all. My luck is no better than Tony’s usually is because the cases Hawthorne ends up investigating are so bizarre AND the man dribbles out clues like a miser drops pennies.

But by that point I was so caught up in the thing that I didn’t thumb to the end to find out whodunnit – I just read faster to get there in one hour instead of five for the audio.

At first, I have to say that I only hung in because of the audio. Because the first section is all set up and it takes more than long enough that the reader is downright grateful when the body finally drops – particularly as the body that drops seems like it couldn’t have belonged to a more deserving fellow.

At that point, the story switches from third person – which just felt WRONG for this series because it is – back to Tony’s first person perspective where he proceeds to hang a lampshade over just how trite and boring that long set up is.

After all, Giles Kenworthy was a seriously deserving murder victim and all of the issues among the residents of Riverview Close – except for the woman suffering from chronic fatigue syndrome and the death of that poor dog – are very much first world problems and rich people’s first world problems at that. Which does lead back to the question of whether the man deserved to be murdered.

(Maybe for the dog, but not the rest. For the rest, maybe some slashed tires, or a thorough egging of both the house AND the open convertible. Or some maybe not-so-petty vandalism. But not murder.)

Normally this series works by following Tony as he follows Hawthorne and bumbles his way through the man’s genius and misanthropy to a solution. This time was a bit different, and I don’t think it entirely worked.

Because Hawthorne is reluctant to have Tony look into this case, parsimonious with clues and information, and doing his damndest to micromanage Tony’s writing process to the point of obstruction, the story is on two tracks.

The first is, obviously, the murder. Which is as twisty as ever and Tony is as lost as always but doggedly pursuing a solution even though he can’t see it because he knows Hawthorne can. At least until that thread of the story goes temporarily – and deliberately – pear-shaped.

But it’s the other track that gave me some pause, because part of the point of the series is that Tony knows little or nothing about Hawthorne and Hawthorne does his best to make sure it stays that way. His mystery is part of, I don’t want to say charm because let’s just say that’s not Hawthorne’s strongest suit, but rather it’s part of the way he works AND what keeps Tony following him. This entry in the series pulled that curtain back a bit in ways that I really hope pay off later because it seemed like some of them belonged more to the author’s James Bond novels than Hawthorne and Horowitz.

In the end, I have to admit that I’m every bit as hooked on this series, as Tony is hooked on following after Hawthorne, sometimes in spite of himself. The books certainly drive me every bit as crazy as Hawthorne does Tony.

Which means that, as differently crazed as this entry was from some of the previous books in the series, I’m still riveted – sometimes in spite of myself. So I’ll be back for the next – whenever either Hawthorne manages to run across a conveniently timed twisted murder – or Tony gets faced with an urgent deadline for book six!

#AudioBookReview: No One Goes Alone by Erik Larson

#AudioBookReview: No One Goes Alone by Erik LarsonNo One Goes Alone by Erik Larson
Narrator: Julian Rhind-Tutt
Format: audiobook
Source: supplied by publisher via Libro.fm
Formats available: audiobook
Genres: horror, mystery, paranormal, suspense
Length: 7 hours and 35 minutes
Published by Random House Audio Publishing Group on September 28, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From New York Times best-selling author Erik Larson comes his first venture into fiction, an otherworldly tale of intrigue and the impossible that marshals his trademark approach to nonfiction to create something new: a ghost story thoroughly grounded in history.
Pioneering psychologist William James leads an expedition to a remote isle in search of answers after a family inexplicably vanishes. Was the cause rooted in the physical world...or were there forces more paranormal and sinister at work? Available only on audio, because as Larson says, ghost stories are best told aloud.
A group of researchers sets sail for the Isle of Dorn in the North Atlantic in 1905 to explore the cause of several mysterious disappearances, most notably a family of four who vanished without a trace after a week-long holiday on the island. Led by Professor James, a prominent member of the Society for Psychical Research, they begin to explore the island’s sole cottage and surrounding landscape in search of a logical explanation.
The idyllic setting belies an undercurrent of danger and treachery, with raging storms and unnerving discoveries adding to the sense of menace. As increasingly unexplainable events unfold, the now-stranded investigators are unsure whether they can trust their own eyes, their instincts, one another - or even themselves.
Erik Larson has written a terrifying tale of suspense, underpinned with actual people and events. Created specifically to entertain audio listeners, this eerie blend of the ghostly and the real will keep listeners captivated till the blood-chilling end.
Featuring Erik Larson reading his Notes for a Narrator.

My Review:

This is a ghost story. Actually, it’s not, because there’s no ghost. No one has ever reported seeing an actual ghost on spooky, creepy, isolated Dorn Island. Oodles of disappearances and other strange phenomena have been recorded, but there has been a singular lack of actual ghosties in a place that even the Society for Psychical Research has flagged as being haunted.

Maybe it’s the humans who occasionally visit who bring the hauntings with them. After all, they certainly bring enough emotional baggage along to conceal any number of ghosts.

That learned society, however, isn’t interested in mere speculation – although they certainly have plenty of that documented in their archives. The Society is looking for proof, for scientific evidence obtained by scientific methods, that will either prove beyond most shadows of doubt that psychic phenomena – including ghosts – are real, or that they are unequivocally not.

A party of researchers, led by pioneering psychologist William James, embarked for the tiny Island of Dorn off the coast of England in 1905. The reader, or in this case listener, follows along in their wake through the eyes of Julian Frost, an up-and-coming engineer in the British Post Office for his expertise with the new wireless telegraphy pioneered by Guglielmo Marconi. The party and the Society entertain some hopes that the sensitive apparatus that pulls telegraph signals from thin air might also manage to record psychic emanations the same way.

As we listen to Frost reading his diary long after the events chronicled within have come to their eerie, deadly, fever dream of a conclusion, we’re right there with this eccentric and increasingly fractious group of confirmed skeptics, reluctant believers, and as it turns out, unwitting experimental subjects and eventual signers of the Official Secrets Act regarding the tale that Frost is telling us much, much later – even though he knows he shouldn’t be revealing anything at all.

Whether this story tells a truth still behind lock and key, or is merely the fevered imaginings of a young man thwarted in love by not one but two beautiful women while the rest of the company looks on and laughs at his frequent humiliation is a question that will haunt the reader long after Frost’s furtive account has come to its surprising end.

Escape Rating B: I need to get this part out of the way because it’s the thing that drove me utterly BANANAS while I was listening to this story. No One Goes Alone was an audio original when it was published three years ago, because the author believes that ghost stories are best when told rather than read. YMMV may vary on that.

Howsomever, it’s been three years. I confess that I fully expected that at some point in those intervening years a text would have been published. My expectation was in error. There is no text. Still. Hence the bananas.

When I began the story, I was sucked right in and couldn’t wait to find out not just whodunnit but how and why it was done. The dramatic tension began on a very low simmer but kept building bit by bit as the water got hotter – so to speak – and an entire, literal rain of frogs started to overheat.

BUUUUT, there’s no text. So I couldn’t just read it quickly – it’s not that long even in audio – and I absolutely could not thumb to the end to get my curiosity assuaged. I got VERY frustrated with the whole thing but I HAD to know. (Now that I do know, I know that if I had flipped to the end it wouldn’t have made sense – but even that would have been informative in its way.)

Which doesn’t mean that I had to enjoy every scrap of that journey towards that knowing.

The story of No One Goes Alone is a very slow-building story, both because of the ponderousness of the early 20th century manners of polite speech and because it’s a story mostly told rather than shown, possibly because of the nature of the way it is told, through the reading of a diary rather than as it is happening before the diary writer’s eyes.

Also, while the narrator did a good job mimicking those slow speech patterns and differentiating between the members of this mixed party, American and British, male and female, young and middle-aged, the narration itself was a bit ponderous. To the point where, even though I normally listen to audiobooks specifically FOR the voice acting, this was a rare audiobook that worked better at 1.1x speed.

At first, the story had a bit of the flavor of Agatha Christie’s And Then There Were None, even though the cast of characters didn’t have anything like the right mix of seething resentments and hatreds to make that plot work without an outside force.

When the penny finally dropped, I realized what this story reminded me of very much was the Ishmael Jones series by Simon R. Green – hence yesterday’s review. Obviously not in the tone of the characters, as Green’s snark would not have played well or fit AT ALL coming from Julian Frost’s pen, but rather in the way that the story worked and the way that the ending came out of a deep left field that subverts the haunted house genre, pulls in elements that are totally unexpected, and does its damndest to make the story part of something bigger, more horrific and considerably more complicated all the way around.

In the Ishmael Jones series, that sharp turn into the even weirder works because the premise of the entire series comes out of that weird – that Jones is an alien masquerading as human and therefore has some superhuman talents and outside of the box enemies.

In No One Goes Alone, this claustrophobic haunted house story is connected instead to a greater, but more amorphous and less defined evil in a way that I’m not sure worked – at least not for this reader – leaving the conclusion to the story plenty chilling but not nearly as cathartic or as much of a resolution as I expected.

Your reading mileage, of course, may vary.

A- #BookReview: The House on Widows Hill by Simon R. Green

A- #BookReview: The House on Widows Hill by Simon R. GreenThe House on Widows Hill (Ishmael Jones #9) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: horror, mystery, paranormal, urban fantasy
Series: Ishmael Jones #9
Pages: 192
Published by Severn House on July 2, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


Ishmael Jones investigates a haunted house . . . but is haunted by his own past in the latest of this quirky paranormal mystery series.

"That house is a bad place. Bad things happen there . . ."
Set high on top of Widows Hill, Harrow House has remained empty for years. Now, on behalf of an anonymous prospective buyer, Ishmael and Penny are spending a night there in order to investigate the rumours of strange lights, mysterious voices, unexplained disappearances, and establish whether the house is really haunted.
What really happened at Harrow House all those years ago? Joined by a celebrity psychic, a professional ghost-hunter, a local historian and a newspaper reporter, it becomes clear that each member of 'Team Ghost' has their own pet theory as to the cause of the alleged haunting. But when one of the group suddenly drops dead with no obvious cause, Ishmael realizes that if he can find out how and why the victim died, he will have the key to solving the mystery.

My Review:

The House on Widows Hill is more of a twist on the typical English country house mystery than even Ishmael Jones and his partner Penny Belcourt usually have to contend with.

And that’s definitely saying something about the cases that the mysterious “Organization” usually assigns to this unconventional pair – even after the case in the previous book, Night Train to Murder, that has literally just dropped them off in Bath when this investigation begins.

Someone high up in that secretive, blacker-than-black-ops ‘Organization’ wants Ishmael and Penny to spend the night at that house on Widows Hill overlooking the city, a house with a reputation so dark that not only has no one lived there since the Victorian Era, but no one even goes near the place.

The place is so creepy that not even the local kids go there on dares, and haven’t for decades. Probably because of the overwhelming sense of impending doom and dread that comes over anyone and everyone who approaches the outer gates.

Someone in the ‘Organization’ is considering buying the place – or that’s what Ishmael and Penny are told, anyway. That night is a ‘one-night-only’ invitation to not just Ishmael and Penny as representatives of the potential buyer, but also to a whole team of “ghost botherers” (as Ishmael calls them) who have been begging – for years it seems – to get inside the old haunt. Along with one intrepid reporter who represents the family that owns the creepy pile – and really would like to get shed of the place once and for all.

The rumor is that the house is haunted – but there have never been any reports of actual ghost sightings. At least not until the first member of the little group of wannabe ghost hunters dies in the midst of what Ishmael is sure is a fraudulent séance. Then again, Ishmael believes that all séances are fraudulent so he’s not disappointed that this one is all a wheeze – although he is peeved that he let himself get caught up in the distraction.

He just wasn’t expecting this particular bit of shenanigans to be a way of covering up murder. But he should have been, even if he’s a bit off his usual game. Because while there may not be any ghosts in the house, there certainly is a real something. Something that’s speaking to Ishmael himself in ways that seem entirely too familiar – even if they are speaking of a past that he can no longer claim as his own.

Escape Rating A-: I normally save this series for around Halloween, but I’m in the midst of a reading quandary that I hoped this book would solve – or at least beat back for a couple of days. I’m in the middle of listening to Erik Larson’s No One Goes Alone, and it reminds me A LOT of the Ishmael Jones series – at least so far. The thing about the Larson ‘book’ is that it’s audio only – there’s no actual book. If there were I’d have finished the damn thing by now, because I’m desperate to find out not just whodunnit but also how and why it was done. ‘Thumbing’ to the end of an audio is just damnably awkward – but I’ve been sorely tempted all the same. (I’ll finish the damn thing this week one way or another! And in case you can’t tell, I’m really, REALLY frustrated by the lack of a text.)

Once the resemblance between the two became clear to me, I picked up The House on Widows Hill, which is the next book in my catchup on this series, in the hopes of getting a bit of resolution by proxy for the book I can’t quite carve out enough time to finish.

It even worked, sorta/kinda. Which is awesomely relieving in a peculiar, reading obsessive kind of way.

So this book was pretty much the right book at the right time, even if my reading did start out as a search for a catharsis by substitution.

The House on Widows Hill very much has the classic haunted house vibe going on – even though with Ishmael and Penny involved the reader begins the story aware that it just isn’t going to go to any of the places that haunted houses normally go. That Ishmael gets shaken out of some of his internal certainties and securities added a bit to the ongoing arc of the series while at the same time ramping up the tension of both this book and the books in the series yet to come.

As I’ve already read the final book in the series so far, Haunted by the Past, I have one more book left in my catchup of this series, and that’s Buried Memories. Which I’ll probably get around to THIS coming Halloween, unless the urge for some of this author’s trademark line in snark hits me sooner and isn’t satisfied by the next book in his Gideon Sable series, Where is Anybody?, scheduled for publication in August.

A+ #BookReview: The Black Hand by Will Thomas + #Giveaway

A+ #BookReview: The Black Hand by Will Thomas + #GiveawayThe Black Hand (Barker & Llewelyn, #5) by Will Thomas
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Barker & Llewelyn #5
Pages: 289
Published by Touchstone on July 1, 2008
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When an Italian assassin's body is found floating in a barrel in Victorian London's East End, enquiry agent Cyrus Barker and his assistant Thomas Llewelyn are called in to investigate. Soon corpses begin to appear all over London, each accompanied by a Mafia Black Hand note. As Barker and Llewelyn dig deeper, they become entangled in the vendettas of rival Italian syndicates -- and it is no longer clear who is a friend or foe.

My Review:

So far, at least, the Barker & Llewelyn series is a bit like a caper movie. Not that Cyrus Barker and his assistant Thomas Llewelyn are committing capers – their job is to either thwart or investigate such goings-on. Instead, just like a good caper movie, the story opens at a climactic moment and then rewinds to the beginning of the story we’ve just been dropped into the middle of so we can see how things came to such a desperate pass.

As those climactic moments are generally life-threatening, and specifically threatening to the life of Thomas Llewelyn, it’s a good thing that we go into that pulse-pounding scene knowing that Llewelyn must have survived. After all, part of his job as private enquiry agent Cyrus Barker’s assistant is to chronicle Barker’s cases – and dead men tell no tales.

The tale that Llewelyn has to tell this time around is the story of a brewing turf war among London’s criminal underbelly. There’s a new player in the old game of gangs and turf and money, but a new player under a very old and familiar name – the Sicilian Mafia.

Muscling for territory in wide-open London with their signature stilettos against native gangs and older immigrant groups who rely on fists, brickbats and other coshes to get their dirty work done, the incomers cut a wide swath, literally, through the forces scrambling to array against them.

Including both Scotland Yard and the Home Office, which is where Barker and Llewelyn get dragooned into the fight. A fight that Barker most certainly did not start, but is utterly determined to finish – no matter how many favors he has to call in, how many compromises he has to make, or how many of his own hostages to fortune he has to put in harm’s way.

Escape Rating A+: There are three – well, at least three – things going on in this book, and every single one of them just adds to the reader’s compulsion to keep turning the pages, starting from that chilling, riveting opening.

The first thing, of course, is the case itself. The Mafia – or at least one arm or finger of that organization – is doing its damndest to carve out a toehold for itself in London – by carving up as many as possible until they get their way.

Barker’s remit – to be handled however he sees fit – is to make London so hot for the Sicilian gangs that they go back to Sicily, before their brand of bloody assassination becomes the norm in London.

But just because Barker has carte blanche from the Home Office, that doesn’t mean they’ll provide him with anything else, and certainly not any of their own forces. They don’t even want Scotland Yard involved but have left Barker to do things as he sees best. After all, they can always blame him for whatever goes wrong after the fact.

He sees best to call in a whole lot of favors, which means that the reader, through Thomas Llewelyn’s eyes and pen, gets to learn a whole lot more about who Barker really is under the persona he has created for himself, where he comes from, and who and what he holds dear. As well as how many rules, regulations, laws and ethics he is willing to bend if not outright break to see this thing through.

Those revelations rock Llewelyn to his foundations but don’t change his mind one single bit about following the man he refers to as ‘the Guv’ anywhere he leads – even into the jaws of hell.

So, there’s the case. Then there’s the deeper dive into Barker’s secrets – a set of revelations that should continue as the series progresses.

Last but not least there’s the resonance to the now in this story that is very much steeped in the ‘then’. Because while the case may be about the Mafia, what’s behind their advent into London is a debate about immigration and immigrants and just how easy or difficult it should be and just how much enforcement is necessary and which way and upon whom the economic impacts have and will fall.

And doesn’t all of that sound bloody familiar?

I’m here for all of the above, but even if just one part of that appeals to you, the fully realized historical setting, the whodunnit, the network of ‘Irregulars’ that Barker and Llewelyn are developing, Llewelyn’s continued training, OR the way that the past links to the present, this series is utterly fan-damn-tastic every single step of the way.

The deeper I read into this series, the better it gets. Each book in the series has been tight, taut, thrilling and compelling, all at the same marvelous time. They’ve just been awesome so far, and I can’t recommend the whole thing highly enough – although I plan to keep trying. I also, of course, plan to keep reading, and suspect that it won’t be long before I pick up the next book in the series, Fatal Enquiry.

~~~~~~ GIVEAWAY ~~~~~~

Because I’ve enjoyed this series so much so far, it was an obvious choice for one of this week’s Blogo-Birthday giveaways – especially as the latest book in the series, Death and Glory, is coming out later this month!

Drumroll please! On this third day of my Blogo-Birthday Celebration, today’s giveaway is the winner’s choice of ANY book in the Barker & Llewelyn series in any format, up to $25 (US) which should be enough to get even Death and Glory if you’re already caught up!

Good luck with today’s giveaway and remember that there’s more to come!

a Rafflecopter giveaway

#BookReview: A Cast of Falcons by Sarah Yarwood-Lovett

#BookReview: A Cast of Falcons by Sarah Yarwood-LovettA Cast of Falcons by Sarah Yarwood-Lovett
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: Dr Nell Ward #2
Pages: 380
Published by Embla Books on October 26, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBetter World Books
Goodreads

When the wedding of her oldest friend ends with a shocking murder, Dr Nell Ward is once again caught up in a web of subterfuge, secrets and lies...
When her childhood friend Percy announces she's engaged to handsome businessman Hawke McAnstruther, Dr Nell Ward rashly offers to host the wedding at Finchmere, her family's estate. But she hadn't anticipated Percy's parents' fiery disapproval of the groom.
The ceremony is barely over before Hawke's shady personal and professional life starts to unravel, and tension ripples through the assembled guests. When the wedding night ends with a shocking death, Nell, best-friend, Rav and DI James Clarke all find themselves embroiled in a murder mystery worthy of Agatha Christie.
Surviving a terrifying threat to her own life, Nell has to face up to the truth. Not just about murder at Finchmere, but about where her heart truly lies...

My Review:

It really couldn’t have happened to a more deserving fellow. Unfortunately the same can’t be said for whoever did the world a favor by bashing Hawke McAnstruther over the head before he could do any further damage to Nell Ward’s best friend Percy and her family.

Which is also, come to think of it, Nell Ward’s family – just at a bit of extension.

It IS too bad, however, that whoever eliminated Hawke from the gene pool before he could contaminate it further, the arsehole (they’re all Brits, only arsehole will do) did the deed at Nell’s family estate, Finchmere, just hours after the conclusion – the epically awful conclusion at that – of Percy’s wedding to the bastard.

Luckily for Percy, she wised up to her new husband’s evil ways in those few scant hours between the ceremony and his spectacular fall from grace onto the floor two or three stories below. So it’s good riddance to bad rubbish – and at that point it might really have been a drunken accident.

The wealth, influence and titles of both Percy’s AND Nell’s family are more than enough to ensure that the official verdict reads exactly that.

The only person who will really miss Hawke is his mother Linda. But not for long, as sometime in the wee hours of the morning someone savagely slit her throat and impaled the murder weapon in her chest to make sure that the job’s been done.

HIS death COULD have been an accident. HER death absolutely could not be accidental, nor is there any scenario where it could have been self-inflicted. Even the police are able to draw the obvious conclusion that there is at least one murderer on the premises – and possibly two.

There are plenty of suspects for Hawke’s murder, as the man was a charming, conniving slimeball who left a trail of ruined companies and broken people in his wake – and clearly planned to do the same to Percy, her family, and her family’s properties.

Motives and suspects abound for HIS murder, but for HERS, not so much. Leaving the police flailing, caught between compromised crime scenes, endless possibilities for sneaking around the stately pile without being seen, and more motives than they can shake a truncheon at.

But Nell Ward, as demonstrated in her first, and all-too-personal, investigation in A Murder of Crows, just can’t keep her nose out of the investigation. She might not be in the frame this time around, but her best friend and her extended family certainly are.

Even if that puts her on the opposite side of the investigation from her current boyfriend, Detective Inspector James Clark, and pushes her straight into the arms of her work partner and best friend Rav.

Exactly the place that Rav has always wanted her to be.

Escape Rating B+: The latest book in this series, A Trace of Hares, is coming out today. I’m reading this series from the beginning, so I’m not there yet, but I wanted to mark the day so here we are. I’m enjoying this series because I really like the protagonist, Nell Ward, and her geeky love of bats and owls as well as her personal and professional advocacy for ecology in general. Although, at least so far, she does seem to have a bit of Midsomer-itis.

Admittedly, from where I’m reading, the series is only two books in and so far she’s been intimately involved with both murders. And based on the blurb for the next book, A Mischief of Rats, that streak of unbelievably bad luck is not running out any time soon. Which it really needs to, as no one’s luck is this bad.

But that’s more of an overall issue that will hopefully resolve itself later down the series. This particular entry in the series, however, was a whole lot of murder-y fun, in spite of the personal consequences for Nell. It’s pretty easy to be a bit gleeful in this one, as the first murder victim was an arsehole, the second murder victim, the arsehole’s mother, proved that his apple didn’t fall all that far from the tree, and frankly the eventual third victim wasn’t all that great an excuse for a human being either even if he was a member of Nell’s extended family.

The family of the suspects may not have been nearly as despicable as the Thrombeys in Knives Out, but comparisons could certainly be drawn.

In the first book, Nell displayed the geeky professional persona of Dr. Nell Ward, while keeping her aristocratic background – among other secrets – hidden for as long as she could. It wasn’t until the local police went so far as to actually arrest her for murder with only vague suspicions and circumstantial evidence that her alter ego of Lady Eleanor Ward-Beaumont, niece to the Duke of Aveshire, daughter of the Earl of Finchmere and his wife, Imelda Beaumont MP, and heir to Finchmere came out – along with her family’s expensive and effective legal counsel.

Not that any of the above stopped Nell from investigating her way out of a rather well-placed frame and clearing her own name. Both of them.

This time around it’s Nell’s ‘lady of the manor’ persona that’s on display – although Nell the ecologist peeks out frequently and eventually manages to solve this murder as well – to the consternation of the police. Again.

I found Nell to be a likable amateur investigator, and certainly felt for her inability to keep herself out of the investigation. After her previous experience, I wouldn’t have trusted the police either – which makes her decision to date the man who investigated her the first time around a bit questionable. While the ‘torn between two (potential) lovers’ dilemma that Nell is in the midst of isn’t my favorite, it was certainly an interesting twist on the theme to experience it more from one of those two lovers’ points of view instead of Nell’s. I’m hoping that she sticks to the choice she made in future books in the series, but we’ll see.

I’m certainly planning to see that for myself as I continue my reading of this series. I’ll be picking up A Mischief of Rats the next time I’m in the mood for a cozy-ish, Midsomer Murders-type mystery. I may not have caught up with the series in time to read and review A Trace of Hares on its publication date, but I have a chance of being ready for the following book, A Swarm of Butterflies, by the time it comes out in August!