Genre: literary fiction

Review: Days at the Morisaki Bookshop by Satoshi Yagisawa

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Days at the Morisaki Bookshop by Satoshi YagisawaDays at the Morisaki Bookshop by Satoshi Yagisawa, Eric Ozawa
Narrator: Catherine Ho
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: paperback, ebook, audiobook
Genres: books and reading, literary fiction, world literature
Series: Days at the Morisaki Bookshop #1
Pages: 160
Length: 5 hours
Published by Harper Perennial, HarperAudio on July 4, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Hidden in Jimbocho, Tokyo, is a booklover's paradise. On a quiet corner in an old wooden building lies a shop filled with hundreds of second-hand books.

Twenty-five-year-old Takako has never liked reading, although the Morisaki bookshop has been in her family for three generations. It is the pride and joy of her uncle Satoru, who has devoted his life to the bookshop since his wife Momoko left him five years earlier.

When Takako's boyfriend reveals he's marrying someone else, she reluctantly accepts her eccentric uncle's offer to live rent-free in the tiny room above the shop. Hoping to nurse her broken heart in peace, Takako is surprised to encounter new worlds within the stacks of books lining the Morisaki bookshop.

As summer fades to autumn, Satoru and Takako discover they have more in common than they first thought. The Morisaki bookshop has something to teach them both about life, love, and the healing power of books.

My Review:

Takako has sunk into a slough of despond, depressed beyond imagining after learning that her boyfriend had been engaged to someone else during the entire year of their relationship. As they worked together – along with his fiancee! – Takako has quit her job to get away from the pain, and seems to be intent on leaving the waking world behind.

It’s a bit like the opening of Cassandra in Reverse – without the time travel. Or at least, without Cassandra’s peculiar method of traveling through time.

Takako, with more than a bit of a push from her mother, finds herself being herded in a direction she had no intention of going. But helping her uncle Satoru with his used bookstore – while living rent free above the shop – is at least half a step up from returning home and letting her mother remind her she’s a failure at every turn.

Which is where the story stops resembling Cassandra in Reverse, as the only time travel that Takako is capable of is the kind that happens when you step into the pages of a book and are whisked away, whether to the past, the present, or the future.

As the days slip past, at first slowly – and mostly in sleep – Takako emerges from her blanket-wrapped cocoon and becomes involved with what’s inside her uncle’s store. At first it’s the customers, and then it’s the books and then it’s the whole neighborhood.

The store and the books within it are the saving of Takako. And as her year of taking a vacation from her life saves her, so is she able to save her uncle as well.

Escape Rating A-: This is simply a lovely story. It’s a bit of a combination of Cassandra in Reverse, The Girl Who Reads on the Métro and The Cat Who Saved Books, but it’s considerably more down to earth than any of those antecedents.

This is not a highly dramatic story. After the opening, where Takako learns that her boyfriend is a narcissistic asshat, there are no big scenes until very nearly the end. Rather, the story quietly unspools as we climb into that cocoon with Takako and then watch her gently pull herself out.

The story of those Days at the Morisaki Bookshop is really a story about the way that books cushion us, comfort us and save us. It’s about the joy of discovery and the even greater joy of sharing that discovery. It’s a story that starts out quietly sad and quietly and charmingly goes on its way to becoming quietly happy.

Which made this little book an unexpected comfort read and an equally unexpected comfort listen. I fell into Takako’s life just as she fell into sleep, but the waking up was considerably less traumatic for the reader than it was for the character – who was perfectly embodied by the narrator. I didn’t feel like I was reading a book, I felt like Takako was telling me the story of her year at her uncle’s bookshop and what happened after.

And it was an utterly charming story, extremely well told, every step of her way. It was exactly what I was looking for, and I hope that when you’re looking for a lovely read or listen to let you slip into a world of books, it will be that for you, too.

Review: Dear Chrysanthemums by Fiona Sze-Lorrain

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
Review: Dear Chrysanthemums by Fiona Sze-LorrainDear Chrysanthemums: A Novel in Stories by Fiona Sze-Lorrain
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical fiction, literary fiction
Pages: 176
Published by Scribner on May 2, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads


A startling and vivid debut novel in stories from acclaimed poet and translator Fiona Sze-Lorrain featuring deeply compelling Asian women who reckon with the past, violence, and exile—set in Shanghai, Beijing, Singapore, Paris, and New York.

“Cooking for Madame Chiang” set in 1946: Two cooks work for Madame Chiang Kai-shek and prepare a foreign dish craved by their mistress, which becomes a political weapon and and leads to their tragic end. “Death at the Wukang Mansion” set in 1966: Punished for her extramarital affair, a dancer is transferred to Shanghai during the Cultural Revolution and assigned to an ominous apartment in building whose other residents often depart in coffins. “The White Piano” set in 1996: A budding Asian pianist from New York settles down in Paris and is assaulted when a mysterious piano arrives from Singapore. “The Invisible Window” set in 2016: After their exile following the Tiananmen massacre, three women gather in a French cathedral to renew their friendship and reunite in their grief and faith.
Evocative, vivid, disturbing, and written with a masterful ear for language, Dear Chrysanthemums renders both a devastating portrait of diasporic life and inhumanity, as well as a tender web of shared memory, artistic expression, and love.

My Review:

In the beginning, or at least the chronological beginning of this “novel in stories”, there are two women in a third woman’s kitchen. That story, “Cooking for Madame Chiang, 1946” manages to both tell a complete story AND weave together all the threads that permeate the entire work in a way that seems to achieve more depth and more interconnectivity the more I think about it.

The two women in that kitchen, Little Green and Chang’er, are cooking for Madame Chiang Kai-Shek in 1946 after the end of the Second Sino-Japanese War, known in the West as World War II and just prior to the Chinese Communist Revolution.

All the stories in this collected novel relate back to those three women and what they represent, sometimes figuratively, often literally as many of the stories are centered around Chang’er’s descendants.

So this is a collection of stories of women’s perspectives on 20th century China, as seen through the eyes of Chang’er and her daughters and granddaughters who became part of the Chinese Diaspora in Singapore, while Little Green’s story is hers alone as her service to the Westernized Madame Chiang made her a target of the Revolution.

Some of the stories’ connections to Chang’er and Little Green are not obvious at first (“Death at the Wukang Mansion, 1966” is one such story) and are only revealed as the reader follows the course of the braided novel back and forth through time.

It is also symbolic that all of these stories take place in years that end in the number six, from the 1946 of “Cooking for Madame Chiang” to the 2016 of “The Invisible Window”. The number six in Chinese divination signifies a “smooth life”, something that none of the women in these interconnected stories manages to achieve.

But in their less than smooth lives we get glimpses of the choppy seas that each of them navigated, whether they remained in China or fled to far-distant shores, and how the experiences that led or followed them impacted the rest of their lives – and their century.

Escape Rating B+: I left this collection feeling both enchanted and teased. Each story is a bit of a treasure hunt and a chef’s kiss wrapped into one. The treasure is figuring out how each woman connects to the others. The chef’s kiss is in the way that each story is complete in itself, beautifully told, but still leaves the reader wishing for more – not necessarily more of that story in particular, but more of the history and background in general. The way the stories are each told make it clear that there are vast depths to be explored that this collection can only hint at.

I was also struck by the way that Dear Chrysanthemums manages to achieve the result that last week’s Daughters of Muscadine fell short of. Both are attempts to tell a kind of braided, linked story through a collection of stories, but Daughters missed that connectedness where Dear Chrysanthemums achieved it in every story through that treasure hunt of hints and references and casting back on long lives lived after tragedy and loss.

While there were a couple of stories that either didn’t work for me at the initial read (“Death at the Wukang Mansion”) or didn’t work at all (“The White Piano”), for the most part this collection told fascinating stories of women’s lives that hinted at so much to explore beneath the surface. I was initially a bit reluctant (last week’s reads were really frustrating) but I’m happy I picked up this gem after all.

Review: You Are Here by Karin Lin-Greenberg

Posted on by Marlene Harris | Author : | audio reviews> audiobooks> B- Reviews> book reviews
Review: You Are Here by Karin Lin-GreenbergYou Are Here by Karin Lin-Greenberg
Narrator: Jennifer Aquino
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: literary fiction
Pages: 304
Length: 8 hours and 39 minutes
Published by Counterpoint, HighBridge a division of Recorded Books on May 2, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The inhabitants of a small town have long found that their lives intersect at one focal point: the local shopping mall. But business is down, stores are closing, and as the institution breathes its last gasp, the people inside it dream of something different, something more. You Are Here brings this diverse group of characters vividly to life.
The only hair stylist at Sunshine Clips secretly watches YouTube primers on how to draw and paint, just as her awkward young son covertly studies new illusions for his magic act. His friend and magician's assistant, a high school cashier in the food court, has attracted the unwanted attention of a strange boy at school. She tells no one except the mall's chain bookstore manager, a failed academic living in the tiny house he built in his mother-in-law's backyard. His family is watched over by the judgmental old woman next door, whose weekly trips to Sunshine Clips hide a complicated and emotional history and will spark the moment when everything changes for them all.
Exploring how the stories we tell ourselves about ourselves are inextricably bound to the places we call home, You Are Here is a keenly perceptive and deeply humane portrait of a community in transition, ultimately illuminating the magical connections that can bloom from the ordinary wonder of our everyday lives.

My Review:

You are here, in an America where the driving economic engine and social-type phenomenon called a “shopping mall” is clearly dying. All you have to do is look at the vacant storefronts in even the largest and seemingly busiest malls around you. Or at the vast acreage of sparsely populated parking lots that surround them.

There are lots of stories about what happens in small towns when the largest employer in the area leaves or dies. Stories about the economic depression and eventual death of the town it once supported.

But what happens when a shopping mall dies? (We’re probably in the process of finding out in real life, as they do seem to be dying all over.) Greenways Mall in upstate New York has been dying for years at the point where this book picks up its action.

Or rather, the lack thereof, which is the problem in a nutshell. There is very little going on at the mall. It’s dying and everyone knows it. It’s been dying for years, to the point where its actual demise won’t be much of a blip in the local economy. Not many stores are still open, not very many people still work there, not many people, even in the neighborhood, still shop there. It’s a vicious circle, cycling rapidly towards the drain.

But the lack of traffic in the mall, writ large, does not mean that the place isn’t the hub of several people’s lives and/or their economic mainstay. They are the central figures in You Are Here, Tina Huang who is the last stylist at Sunshine Clips and her little boy Jackson who spends his after school hours doing his homework at the salon. Kevin, the manager of the chain bookstore outlet, is killing time in a dead end job because he can’t make up his mind about what he really wants to be doing with his life. And all too aware that his wife is running out of patience with his lack of pretty much everything except crazy business ideas that will only eat up money they don’t have.

Then there’s Ro Goodson, an elderly widow who comes to the mall because she’s lonely. She’s Tina’s only regular customer, and she’s a fixture at Greenways. A disapproving one who bestows judgemental advice on everyone she meets, making it clear that none of them are measuring up to whatever standards have ossified inside her barely polite and unconsciously bigoted head.

The mall and its denizens all seem accepting of their fate, trapped in a cycle where nothing good ever seems to happen, until something truly terrible occurs to shake them out of their respective sloughs of despond. It may be the making of each of them. Or it may mow them under.

Time will, as it always does, tell.

Escape Rating B-: The premise of this book has a tremendous amount of potential. Shopping malls, once a bright fixture of the landscape, are dying pretty much everywhere. So there are lots of Greenways Malls out there and probably one near where you live just as there is here. So this sounded like it would have lots of story potential. Which it does.

The question for the reader is whether or not the book in hand lived up to that potential. As you might surmise from the rating, I ended up with very mixed feelings.

One of the parts that is done very well is that each of the individual characters, from 9-year-old Jackson Huang to 89-year-old Ro Goodson, is distinct and distinctly well portrayed. We get to know who these people are and how and why they’ve ended up in this crumbling place – and just how much of their lives will crumble with it.

But not a lot happens in You Are Here. It’s a slice-of-life kind of story, where every character is shuffling along in their rut – except for 9-year-old Jackson – and can’t see over the edges of the rut they’ve worn down for themselves.

Even the big event that knocks everything off course is downplayed as it happens very late in the book. The chapter with the most verve is actually an epilogue, where we learn the effects of that event nearly a decade later.

The story as it goes along is a story of quiet desperation told in plots and subplots that knit together well but don’t seem to go much of anywhere until that sharp break almost at the end.

And that was pretty much where this story fell down for me on not one but two fronts. As I said above, the characters are distinct and well-drawn, which should have made this a great book for audio. But it wasn’t, which was pretty jarring after the marvelous performance of The Wager earlier this week.

In the case of You Are Here the narrator is very precise but her reading is flat. She doesn’t voice the characters enough to make each one as distinct as they are in the text. I had to drop the audio and switch to text very early in the story just to keep going with this one, as my reading group recommended it and I wanted to see what all the fuss was about.

The other reason this didn’t work for me as well as it did for others in that group is that it is VERY much in the literary fiction tradition, which means that not much really happens but the characters angst about it a lot. If that’s your jam this will work for you, but if it’s not, it likely won’t.

Which is too bad, because this slow build of a novel confronts a whole lot of serious issues in 21st century life, and does a great job of making the reader feel those issues through those well-drawn, distinct, characters. For this reader, that made You Are Here an interesting but not compelling book.

Short and Unsatisfactory: Books and Reviews

Posted on by Marlene Harris | Author : | book reviews
Short and Unsatisfactory: Books and ReviewsThe Piano Tuner by Chiang-sheng Kuo, Howard Goldblatt, Sylvia Li-Chun Lin
Format: eARC
Source: publisher
Formats available: hardcover, ebook, audiobook
Genres: literary fiction
Pages: 168
Published by Arcade Publishing on January 3, 2023
Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Winner of every major literary award in Taiwan, an elegiac and deceptively quiet novel about love and loss, broken dreams and desolate hearts—and music   A widower grieving for his young wife. A piano tuner concealing a lifetime of secrets. An out-of-tune Steinway piano. A journey of self-discovery across time and continents, from a dark apartment in Taipei’s red-light district to snow-clad New York. At the heart of the story is the nameless narrator, the piano tuner. In his forties, he is balding and ugly, a loser by any standard. But he was once a musical prodigy. What betrayal and what heartbreak made him walk away from greatness? Long hailed in Taiwan as a “writer’s writer,” Chiang-Sheng Kuo delivers a stunningly powerful, compact novel in The Piano Tuner. It’s a book of sounds: both of music and of the heart, from Rachmaninoff to Schubert, from Glenn Gould to Sviatoslav Richter, from untapped potential to unrequited love. With a cadence and precision that bring to mind Thomas Mann’s Death in Venice, Kazuo Ishiguro’s Nocturnes, and Yasunari Kawabata’s Snow Country, this short novel may be a portrait of the artist as a “failure,” but it also describes a pursuit of the ultimate beauty in music and in love. 

I’ve been caught between two books this week that should not have anything in common – and yet they do. And not just my reaction to both of them. So here you have two short but not so sweet reviews.

The Piano Tuner by Chiang-Sheng Kuo

This is the story of one man, his late wife, her music career and the piano tuner who lovingly tends her pianos. Or at least that’s how it starts, as the man, the widower Lin, is in the throes of dealing with his late wife’s music studio. Which is where he comes upon the aforementioned piano tuner. There’s a reason the book is named for that piano tuner, as it is really his story, told backwards, forwards and sideways, about his life and especially the choices he made to become a tuner of pianos instead of the concert pianist his prodigal talents would have allowed him to be. Through his life, we see both the choices that he let slip away – and the ones that he never believed were truly his to begin with – as well as his acceptance of his role as the trusted person working in the shadows who makes genius possible for others.

Escape Rating C: As the story slips from past to present, and from the piano tuner’s past to the widower’s past, it speaks of both of them interchangeably both the first person and the third person in a way that never allows the reader to be certain who is “I”, that first-person voice, as the narrative continues. It’s a confusion that kept tripping me up and dropping me out of the story, even as I already felt distanced from it by its steeping in classical music and the performance thereof.

Daughters of Muscadine by Monic Ductan
Format read: eARC provided by the publisher via Edelweiss
Formats available: hardcover, ebook
Genre: Literary Fiction
Pages:144
Published by on November 14, 2023
Purchasing Info: Author’s Website, Publisher’s Website, Amazon, Barnes & Noble,  Bookshop.org
Goodreads

Two events tie together the nine stories in Monic Ductan’s gorgeous the 1920s lynching of Ida Pearl Crawley and the 1980s drowning of a high school basketball player, Lucy Boudreaux. Both forever shape the people and the place of Muscadine, Georgia, in the foothills of Appalachia. The daughters of Muscadine are Black Southern women who are, at times, outcasts due to their race and also estranged from those they love. A remorseful woman tries to connect with the child she gave up for adoption; another, immersed in loneliness, attempts to connect with a violent felon. Two sisters love each other deeply even when they cannot understand one another. A little girl witnessing her father’s slow death realizes her own power and lack thereof. A single woman weathers the excitement—and rigors—of online dating. Covering the last one hundred years, these are stories of people whose voices have been suppressed and erased for too Black women, rural women, Appalachian women, and working-class women. Ductan presents the extraordinary nature of everyday lives in the tradition of Alice Walker, Deesha Philyaw, James McBride, and Dorothy Allison in an engaging, engrossing, and exciting new voice.

My Review:

Daughters of Muscadine is another book that got derailed by that question of who is “I”. These are linked short stories, all taking place in a small town in northeast Georgia that is part of the Appalachian Region. The stories are linked by two events, the lynching of Pearl Crawley in 1920, and the drowning of Lucy Boudreaux in the 1980s. Both stories are told by one of Pearl’s descendants, as Pearl still haunts the area decades after her death.

The idea that all of the stories in this collection are linked into a sort-of novel is an interesting one, but the execution of that idea fell apart at “I”. Many of the stories are told in that first-person “I” voice, but the possessor of that “I” changes from story to story without explanation. So they didn’t link the way I (there’s that “I” again) expected. Or much at all.

Escape Rating D+: I shouldn’t have picked this up right now, because it won’t be published until November. But more than half of the short stories in this linked collection have been previously published so I don’t feel as bad about that as I otherwise might. But I got lost, over and over, because the speakers seemed to change without much warning and just didn’t link into a whole. I think this just needed something it didn’t have in the way of an introduction to each story to set them into the narrative as a whole. The description in the blurb was awesome, but the book unfortunately did not live up to it.

My two cents and your reading mileage may vary.

Review: Yellowface by R.F. Kuang

Posted on by Marlene Harris | Author : | book reviews> C Reviews
Review: Yellowface by R.F. KuangYellowface by R.F. Kuang
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: literary fiction
Pages: 336
Published by William Morrow on May 16, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

What's the harm in a pseudonym? New York Times bestselling sensation Juniper Song is not who she says she is, she didn't write the book she claims she wrote, and she is most certainly not Asian American--in this chilling and hilariously cutting novel from R. F. Kuang.
Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks.
So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.
So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree.
But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.
With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.

My Review:

In the beginning, Yellowface read like a bit of a thriller. In that beginning, 20something Yale MFA graduates Athena Liu and June Hayward are both published authors. But Athena is a self-absorbed cross-genre media darling, and June Hayward is just a typical white, MFA graduate writer whose first novel didn’t even get a paperback reprint.

Or at least, that’s how it seems from June’s own self-absorbed, self-justifying and self-flagellating perspective.

But a night on the town leads to a drunken pancake eating binge in Athena’s expensive DC apartment leads to the media darling’s accidental death by pancake. She glues her own throat closed when a partially uncooked pancake gets stuck in her windpipe. It’s completely tragic, more than a bit comic – and a huge opportunity for her hard-done-by and totally ignored but only friend.

The only copy of Athena’s latest manuscript is waiting by Athena’s typewriter for a curious, desperate and determined fellow author to pick up on her way out the door – after she’s cleared of any possibility of murdering her friend. Because she honestly didn’t.

Which may be the last honest thing that June Hayward says or does in reference to the late Athena Liu. Because once she’s edited that poor, orphan manuscript and presented it as her own, lying to pretty much everyone about pretty much everything is her only way forward.

To literary fame and stardom. To paranoia. To exposure. To infamy.

Escape Rating C: I probably re-wrote this review two or three times – and several more times in my head. Because first I needed to rant a bit. Then I needed to look back at the rant and bring it back down to Earth. Then I needed to have a cocoa and a lie down as I realized that I’d gone off the rails in contradictory directions.

Because there’s so much to unpack in the story of Yellowface – and in what it’s saying about the publishing industry and the way that some authors get anointed and others are cast in shadow. The way that racism and other isms affect both parts of that equation, the anointing and the shadowing, and that the humans involved in all of it throw their own biases over everything – with both the best and the worst of intentions and whether they intend to at all or not.

But, and this is the very big but where my own reading of the book went more than a bit pear-shaped, is that no matter how much truth is being told – and a TON of truth is being told – it still has to be readable and it still has to tell a good story. And that’s where Yellowface fell down on its job – at least for this reader.

I’ll confess that I would have been all in if this had been the thriller I was originally hoping it would be. Someone IS stalking June, but the revenge that is going to be served cold is on ice and locked in a deep-freeze by the time we get to it. The fast pace of a thriller got bogged down in the slow, angst-riddled, self-absorbed pace of literary fiction. June’s endless self-flagellation and self-deception just got boring because there was so much of it.

As the story is told in June’s first-person perspective, we spend the story inside her head and that was a place I tired of being imprisoned in relatively early on.

The meat of the story is intended to be a satire of the publishing industry and its long history of racism and cultural appropriation and the erasure of Asian voices as well as any other voices that are outside the so-called mainstream as defined by Western white society that it has created to center itself above all others.

But the method of satire used in Yellowface is exaggeration. The others are Incongruity, Reversal and Parody. All are used but it’s the exaggeration that stood out. Everything that the author had to say about the way that the publishing industry treats authors outside of its self-defined ‘mainstream’ read as utterly true. It’s all real and it’s all pretty much that bad.

Howsomever, just as June’s self-deception and self-flagellation is so constant that the reader feels equally flagellated, so too with the endless drumbeat of how truly awful conditions in the publishing industry in general and how pervasive situations are in the world at large, reaches a crescendo that never lets up or moves on with the story.

I left Yellowface with conflicting thoughts and feelings. The author had a lot of very important things to say about serious issues, but the vehicle through which those things were conveyed did not work for this reader. Your reading mileage may definitely vary. A LOT of readers have LOVED this book. I’m just not one of them.

Review: Sea Change by Gina Chung

Posted on by Marlene Harris | Author : | book reviews> C+ Reviews
Review: Sea Change by Gina ChungSea Change by Gina Chung
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: literary fiction
Pages: 288
Published by Vintage on March 28, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A novel about a woman tossed overboard by heartbreak and loss, who has to find her way back to stable shores with the help of a giant Pacific octopus.
Ro is stuck. She's just entered her thirties, she's estranged from her mother, and her boyfriend has just left her to join a mission to Mars. Her days are spent dragging herself to her menial job at a mall aquarium, and her nights are spent drinking sharktinis (mountain dew and copious amounts of gin, plus a hint of jalapeno). With her best friend pulling away to focus on her upcoming wedding, Ro's only companion is Dolores, a giant Pacific octopus who also happens to be Ro's last remaining link to her father, a marine biologist who disappeared while on an expedition when Ro was a teenager.
When Dolores is sold to a wealthy investor intent on moving her to a private aquarium, Ro finds herself on the precipice of self-destruction. Wading through memories of her youth, Ro has one last chance to come to terms with her childhood trauma, recommit to those around her, and find her place in an ever-changing world. A VINTAGE ORIGINAL

My Review:

There’s a blurb at the front of the book, a letter from the book’s editor, comparing Sea Change to the documentary My Octopus Teacher and one of my favorite books from last year, Remarkably Bright Creatures by Shelby Van Pelt. I picked this up because of that surface resemblance to Remarkably Bright Creatures and one of my other favorite books from last year, Ray Nayler’s The Mountain in the Sea.

But there is too much Ro and not enough Lo for either of those resemblances to work. How much that does or does not work for an individual reader will be, like beauty, in the eye of the beholder.

First, Ro is the human we follow in Sea Change, and Lo is Dolores, the octopus providing her with a bit of stability in her self-inflicted chaos as well as a fragile link with her childhood memories of a really good day with her long missing, presumed dead father.

Ro’s dad is a scientist who helped capture Dolores, a giant Pacific octopus who had adapted to life in the ecologically damaged Bering Vortex between Alaska and Russia.

(It’s not specified exactly where or what this is, but it seems likely to be a combination of or an intrusion into the Bering Sea by the existing Polar Vortex. I could be completely off-base. One of the frustrating things about Sea Change is that it seems to be set in a near-future of our current world, but just how near or far is confusingly obscured. There are people who remember the song Hotel California from their own youth – as I do – but climate change is considerably further amuck than current conditions and a colony spaceship to MARS lifts off during the course of the story. The near-ish future setting of The Mountain in the Sea wasn’t half so vaguely frustrating.)

Ro’s life is a hot mess. And a cold mess. And most definitely an alcohol-soaked mess. The story is told from Ro’s (short for Aurora’s) first-person perspective, and it weaves her past into her present to give the reader an intimate portrait of how Ro thinks she got to be in the mess she’s in.

Everyone Ro loves leaves her, one way or another. Her father pursued science at least in part to get away from her mother, until he got all the way away and his ship went down in the Bering Sea. Her mother is emotionally distant, constantly disparaging and always angry, blaming Ro not just for her own mistakes but her lost father’s as well. Ro’s best friend has cut her off because Ro has been retreating too far into too many bottles to even be present for wedding plans. And her boyfriend broke up with her to go to Mars.

The only ‘person’ left in her life is Dolores, and even she’s being sold to a private collector. Much of the story consists of watching Ro flail around and sink deeper into a slough of despond. I wanted this to be like Remarkably Bright Creatures, where even in spite of the crap all of the human characters have been through, they find real, demonstrable hope at the end.

Sea Change, ends with possible hope but it’s a whole lot less certain and considerably more fragile, as is Ro. Where Remarkably Bright Creatures turned out to be more on the Relationship Fiction side of the genre equation, Sea Change fell squarely – or perhaps sprawled with many tentacles – on the side of literary fiction, which is just not my jam.

Escape Rating C+: For this reader, Sea Change was just ‘Too much Ro and not enough Lo’ as I said near the top. I hoped this would tilt more to the magical realism side of the equation, so that Dolores could be more of a character. Because Marcellus was so much of a character, Remarkably Bright Creatures was, in the end, more fun for me as a reader, even though it does go to some dark places in the middle and has a touch of bittersweetness in its ending. The Mountain in the Sea was very much in the vein of the science fiction of ideas where those ideas centered around communication with some really intelligent octopuses in a world gone mad. It wasn’t as purely fun as Remarkably Bright Creatures turned out to be but it was fascinating and absorbing every step of its surprising way.

Howsomever, if you’re looking for something lit-ficcy with tentacles, and a journey that doesn’t have a truly cathartic end but at least a somewhat hopeful one, Sea Change might be just right for you. My reaction to literary fiction is a ‘me thing’ and not necessarily a ‘you thing’. So if you love books that fall on the lit-fic side of the equation, give Sea Change a try. You might find it to be your jam after all.

Review: Remarkably Bright Creatures by Shelby Van Pelt

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Remarkably Bright Creatures by Shelby Van PeltRemarkably Bright Creatures by Shelby Van Pelt
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: literary fiction, magical realism, relationship fiction
Pages: 360
Published by Ecco on May 3, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A novel tracing a widow's unlikely connection with a giant Pacific octopus.
After Tova Sullivan's husband died, she began working the night shift at the Sowell Bay Aquarium, mopping floors and tidying up. Keeping busy has always helped her cope, which she's been doing since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago.
Tova becomes acquainted with curmudgeonly Marcellus, a giant Pacific octopus living at the aquarium. Marcellus knows more than anyone can imagine but wouldn't dream of lifting one of his eight arms for his human captors--until he forms a remarkable friendship with Tova.
Ever the detective, Marcellus deduces what happened the night Tova's son disappeared. And now Marcellus must use every trick his old invertebrate body can muster to unearth the truth for her before it's too late.

My Review:

Remarkably Bright Creatures is a story about higher numbered chances than merely second and the long tentacle of coincidence that helps them happen.

Initially, they don’t seem to have much in common. A man whose prime isn’t very prime, who seems to have thrown away all his chances. An aging woman who has lost both her husband and her son, living lonely but determinedly in the house her parents built. And a giant Pacific octopus eking out his final days in the tiny Sowell Bay Aquarium on Puget Sound.

But Marcellus the octopus, whose placard outside his tank lists him as a “remarkably bright creature”, is as clever as he is bright. He’s also an intelligent observer of human behavior and a bit of an escape artist. There isn’t much else to do, all alone in his tank.

So he occasionally squeezes himself out to graze on the sea cucumbers – or even hazard a trip to the staff break room when the smell of leftover Chinese takeaway is too tempting to resist.

Which is how Tova Sullivan finds him, outside of his tank, caught in a tangle of wires and electrical cords and about to suffer what Marcellus calls “The Consequences” of being out of a tank for more than 20 minutes. Which he can calculate.

Marcellus is, after all, a remarkably bright creature.

Tova rescues him from the tangle. Not only that, but she doesn’t report Marcellus nighttime excursions to the aquarium’s director. It’s their little secret and the beginning of their unlikely friendship.

A friendship that ultimately results in both of them achieving the dreams they never admitted that they held. Not even to themselves.

Giant Pacific Octopus at the National Aquarium in Washington DC

Escape Rating A-: This book turned out to be WAY more charming than I expected. It was recommended by someone in my reading group so I was expecting a decent to good read, but this turned out to be just lovely.

This is kind of a quiet story, where things happen slowly and truths emerge over time. To the point where it borders on literary fiction a bit. But instead of being dark and gloomy where nothing happens and everyone argues a lot – which is how I tend to see litfic – the situations all start out a bit gloomy but everyone gets better. Even Marcellus.

At first you kind of wonder how Cameron’s story is going to link up to Tova’s and Marcellus’. And that coming together takes a while and goes off on a couple of tangents as it meanders along. But once it does, it all fits together beautifully.

What holds the story together – besides Marcellus’ tentacles – is Tova. Her son disappeared without a trace when he was just 18. Her husband has passed away. She’s alone – and yet she’s not. She has friends, she has a job, she makes sure she has purpose. And yet she also has concerns about what will happen to her when she can’t live on her own anymore.

Being Tova, she doesn’t wallow. Instead, she takes steps to determine her own future for her own self. In her situation I’d want to be her when I grew up. She’s a character to both admire and empathize with. To the point where we want her to get a better ending than it looks like she’s headed for when the story begins.

Cameron is not initially all that likable. He’s not bad, and he’s taken some seriously rough knocks, but he’s not good at taking responsibility for himself. And at 30 it’s past time he did. He arrives in Sowell Bay searching for his sperm donor in the hopes of a big financial score. He’s doomed to be disappointed – and it’s the making of him.

Marcellus – who is much more present as a character than one might think – is an absolute gem. At the same time, his intellectual presence in the story, his perspective on the events that he helps to bring about, is both fascinating and a bit equivocal. Anyone who wants to believe that all of the thoughts and actions ascribed to Marcellus are in the minds of Tova and Cameron – in the same way that we all believe we know what our pets are thinking when we most likely don’t – the story still works – and works well.

But it’s so much better if you let yourself believe that Marcellus is helping Tova and Cameron all along – and that they are helping him as well.

I enjoyed Remarkably Bright Creatures a whole lot more than I ever expected to. And in that way that when you are conscious of something you suddenly start seeing it everywhere – like getting a new car and being aware of all the cars of the same make and model sharing the road with you – I liked this so much that I started seeing books with octopi characters everywhere. In addition to Sy Montgomery’s The Soul of an Octopus from a few years ago there’s The Mountain in the Sea by Ray Nayler coming out in October, and Sea Change by Gina Chung next year.

I’m going to hunt me down some more octopi to read about while I look forward to seeing what this author comes up with next!

Review: Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin

Posted on by Marlene Harris | Author : | B- Reviews> book reviews
Review: Tomorrow and Tomorrow and Tomorrow by Gabrielle ZevinTomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: literary fiction, relationship fiction
Pages: 416
Published by Knopf Publishing Group on July 5, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

In this exhilarating novel by the best-selling author of The Storied Life of A. J. Fikry two friends--often in love, but never lovers--come together as creative partners in the world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality.
On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn't heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won't protect them from their own creative ambitions or the betrayals of their hearts.
Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin's Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.

My Review:

That “Love is all there is, is all we know of Love” is from the pen of Emily Dickinson, a poet who was near and dear to Sadie Green’s heart. But Dickinson’s poem, as ineffably true as it is, does not specify the type of love to which it refers. It’s often taken to mean romantic love. In this story, while there is plenty of love to go around, the form of love at its heart is not Eros but Philia, the love of friends and equals.

The relationship that stars, and sings, and occasionally weeps with grief or is frozen by neglect and misunderstanding in Tomorrow and Tomorrow and Tomorrow is the 30 year friendship and partnership between Sam Masur and Sadie Green, who meet at a children’s hospital in New York when they are on the cusp of adolescence.

They are both stuck at that hospital. Sam is about to undergo yet another surgery to stabilize the damage to his foot that he incurred during the accident that killed his mother. Sadie has been shuffled out of her sister’s room because Alice, who has leukemia, is also being a temperamental bitch to her younger sister – and their parents are indulging Alice because, after all, she has cancer and Sadie is healthy.

Sam and Sadie discover that they both LOVE computer games. Love to play them, love to talk about them, love to share them with anyone who will listen – which mostly means each other.

But Sam thinks Sadie is his friend – and he’s not wrong. But Sadie starts out thinking that helping Sam while away the hours is her public service project for her upcoming Bat Mitzvah. The revelation of her deception breaks them in two.

Until they meet again in Boston, where Sadie is now going to Harvard while Sam is at MIT. And their friendship knits itself and them back together as though they had never parted – although the faultline created in that first and biggest deception lies deeply buried and waiting to erupt again.

The friendship between Sam and Sadie, in all its depth and all its incipient heartbreak, is rooted in their shared love of gaming. It’s the mid-1990s, and computer and video gaming is at that golden age where it has become a big business but the games can still be built by just a few dedicated people who are willing to eat, sleep and breathe the game until it comes out or they burnout – whichever comes first.

Sam and Sadie, with the help of Sam’s roommate Marx, decide to make a game. They sacrifice their senior year in college to do it. And the rest, as they say, is history. Just not the one anyone would expect.

Escape Rating B-: Everyone seems to love this book. The ratings on both Goodreads and Amazon are at 4.4 out of 5. I’m saying this up front because I have to say that I’m just not seeing it – or at least not seeing it the way that so many people seem to.

For me, at least, this one sits on the border between relationship fiction and literary fiction, with a bit too much of a tilt towards the litfic side – which is not my personal preference.

At the same time, I loved the parts about the video game industry. I played many of the games referred to in the story, and still play video games. The way their company starts out, how it develops, the fights, the ups and the downs, reminded me fondly of the reporting on the industry at the time.

But the video game industry is used more as a vehicle than anything else. It’s about the work of being an entrepreneur at a time when the work can be done by a small, intimate group who live for each other, die for each other, and breathe each other’s air, day in and day out until the work is done.

And then they start all over again because the work is an integral part of the love they have for each other. And it’s also the central point of gaming as a whole, that there’s always another game, another life, and that endings are never permanent. Until they are.

More than anything else, Tomorrow is the story of a 30-year friendship between two very scared and flawed people who love each other and more importantly know each other more and better than anyone else in their lives. Even though they grow apart as often as they grow together, they’re still in reference to each other no matter what.

So I loved the video game parts, both the playing of them and the discussion of them and especially the creation of them. And the way their friendship ebbed and flowed turned these characters into real people. Almost as if they were the player characters in a game that I was playing rather than a book I was reading.

But the last third of the book felt rather more literary fiction than relationship as the situation got bleaker and bleaker and it seemed as if there was no light at the end of that tunnel that the story was dragging towards. It read like the full quote from Macbeth that the title is taken from was a bit too much of a metaphor for the entire book.

Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

Clearly, I had mixed feelings about the whole thing, and probably will for quite some time. There is one thing about the story, or at least about something that is often said about it, about which I have no mixed feelings at all.

There have been quite a few comparisons drawn between Tomorrow and Ready Player One, including among my reading group which probably led me astray. It seems like an easy choice, as both stories are imbued with nostalgia for what are now classic games. But Ready Player One is an action-packed adventure story. It has a pace and a verve that keep the reader compulsively following the action. Tomorrow is a much quieter, slower-paced story. Obviously, both of them have massive audiences. And there will be some overlap between those audiences. But readers coming into Tomorrow thinking it will be like Ready Player One are going to be in for one hell of a disappointing shock and probably vice versa. An opinion which is very much my 2 cents and your reading mileage may vary.

Review: The Women of Pearl Island by Polly Crosby

Posted on by Marlene Harris | Author : | B Reviews> blog tours> book reviews
Review: The Women of Pearl Island by Polly CrosbyThe Women of Pearl Island by Polly Crosby
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, literary fiction
Pages: 352
Published by Park Row on December 7, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

"A luminous and beautiful novel that gently lures the reader into a captivating story with a mystery at its heart." – Jennifer Saint, bestselling author of Ariadne
Set on a secluded island off the British coast, The Women of Pearl Island is a moving and evocative story of family secrets, natural wonders and a mystery spanning decades.
When Tartelin answers an ad for a personal assistant, she doesn't know what to expect from her new employer, Marianne, an eccentric elderly woman. Marianne lives on a remote island that her family has owned for generations, and for decades her only companions have been butterflies and tightly held memories of her family.
But there are some memories Marianne would rather forget, such as when the island was commandeered by the British government during WWII. Now, if Marianne can trust Tartelin with her family's story, she might finally be able to face the long-buried secrets of her past that have kept her isolated for far too long.

My Review:

The setting for The Women of Pearl Island is absolutely beautiful, totally fascinating, and stunning in its strange and hidden history. The secrets that the island keeps are explosive, but not nearly as explosive as those kept by Marianne Stourbridge as the story begins.

The story is set in two timelines, the primary one in 2018, as the elderly Miss Stourbridge, the owner of the crumbling island of Dohhalund hires the grieving, escaping Tartelin Brown to serve as her personal assistant, general factotum, and all around helper and housemate.

As Tartelin explores the island, both on behalf of her employer and as part of her own increasing fascination with the mysterious locale, the story slips between Tartelin and Marianne’s somewhat fractious present to Marianne’s past growing up on the island that has been passed down through her mother’s family for generations. The island that Marianne Stourbridge now owns – at least what is left of it.

There are secrets buried in Marianne’s past, lost offshore on the parts of the island that have fallen into the sea in the years since 1955. The year that all the residents of Dohhalund were evacuated from their homes by order of the British military. They claimed to be testing explosives and that it would be too dangerous for the civilian population to remain.

Not that Marianne Stourbridge ever listened to what people in authority were telling her. Not now and certainly not then.

Escape Rating B: The most compelling character in this timeslip story is Dohhalund itself, a fictitious island in the North Sea within sight of both the United Kingdom to whom it belongs and the Netherlands from which it gets much of its language – at least as related to food – and its customs.

(Dohhalund is fictitious, but its geography and ecology are based on the real Orford Ness.)

Something obviously happened in 1955 on the island, a catastrophic event that Marianne Stourbridge has returned to the island to prove. Based on her previous research, and on her requests to Tartelin, it is clear to the reader if not to Tartelin that what Marianne is searching for proof of is a secret nuclear test. The evidence is everywhere among the wildlife of the island.

That the civilian population was evicted in 1955 and the island remained interdicted under military reserve for more than 50 years is a bit of a clue.

Because the most compelling character in the story is the island itself, The Women of Pearl Island reads as more than a bit lit-ficcy. It seems like not a lot is happening, the story isn’t moving all that quickly, and not many of the characters are happy about much of anything. But it still sucks the reader in like the tide that surrounds the island.

The part of the story that Tartelin is telling in 2018 feels like the stronger – or at least the more interesting – part of the book. Tartelin is still grieving the recent death of her mother, and she’s come to the island, to this strange, ambiguous job with this secretive and cantankerous old woman in order to get away from her grief and her memories – only to find herself dropped into the mystery of Marianne’s.

But Marianne’s story of the pivotal years of her childhood is told from her perspective in 1928. Not her perspective ON 1928, but her perspective IN 1928. She was 15 at the time, cosseted, protected and privileged, and she is immature, selfish and self-absorbed. Not that we all aren’t at least some of that at 15 – and even later. But it does not make her a remotely likeable character.

Tartelin, on the other hand, as frozen within herself as she arrives, is much more sympathetic. Her journey is one of reaching out and getting past, and it’s slow and sometimes hesitant, but she is getting there and it makes her the more dynamic of the two women.

But not quite as dynamic as the island itself, and the strange, sad but ultimately magical tale of it that she discovers as part of her own journey.

Review: The Four Winds by Kristin Hannah

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Four Winds by Kristin HannahThe Four Winds by Kristin Hannah
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, literary fiction
Pages: 464
Published by St. Martin's Press on February 2, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

From the #1 New York Times bestselling author of The Nightingale and The Great Alone comes an epic novel of love and heroism and hope, set against the backdrop of one of America’s most defining eras—the Great Depression.
Texas, 1934. Millions are out of work and a drought has broken the Great Plains. Farmers are fighting to keep their land and their livelihoods as the crops are failing, the water is drying up, and dust threatens to bury them all. One of the darkest periods of the Great Depression, the Dust Bowl era, has arrived with a vengeance.
In this uncertain and dangerous time, Elsa Martinelli—like so many of her neighbors—must make an agonizing choice: fight for the land she loves or go west, to California, in search of a better life. The Four Winds is an indelible portrait of America and the American Dream, as seen through the eyes of one indomitable woman whose courage and sacrifice will come to define a generation.

My Review:

Today is the Presidents Day Holiday in the U.S., so I went looking through the virtually towering TBR pile for something with an Americana theme. Which led me straight to The Four Winds by Kristin Hannah. While the Great Depression happened everywhere, the Dust Bowl feels like a distinctly American bit of history. At least this particular telling of it certainly is. Just as the topsoil of Texas and the Great Plains States blew east as far as Washington D.C., many of the people living in the former – and future – breadbasket of America blew west to California.

Like many of the people who went west, in that or any other era of American history, these former farmers – and doctors, lawyers, bankers and businessmen – and their families went west to make a better life for their families. Or at least a life where the very land that once sustained them wasn’t killing them with every breath.

The story, this era of devastation and loss, is seen through two women, Elsa (Elsinore) Wolcott Martinelli and her daughter Loreda. The story begins with Elsa, over-protected and under-loved, a 25-year-old woman who sees the life her upper-class parents have mapped out for her and wants none of it.

Elsa is no beauty, and she was diagnosed with a heart condition in her early teens. Her parents expect her to live the life of an invalid, doomed to spinsterhood and expected to sit quietly and self-effacingly in a corner, waiting until her parents become elderly and need her to take care of them.

Elsa wants a life for herself. One evening she goes out in secret and meets a man who is just as lonely and feels just as trapped as she does. In stolen moments together, she discovers love while he honestly just finds a temporary escape.

At least until the child they make changes all of their plans. And the dry years and the dust take away everything they ever dreamed of. It’s left up to Elsa to take her children somewhere that they might have a chance.

Or at least somewhere that the land itself won’t kill them – although there will be plenty of other things and people that just might do the same.

Escape Rating A-: I’m having a bit of a mixed feelings reaction to this book and in an unusual way. Those mixed feelings are because I recognize that this book is really, really good, while at the same time feeling like it’s not for me.

And I’m thinking that’s because for historical fiction, which it very much is, The Four Winds definitely borders on Literary Fiction which is generally not my jam. So I’m torn.

The alternative explanation is that the historical parts really drew me in, but the character of Elsa didn’t. On the one hand, she’s an indomitable spirit, surviving in a situation that would bring anyone to their knees – as it certainly does Elsa.

The difference is that Elsa doesn’t so much rise up until the very end as she puts her head down and keeps on keeping on for the sake of her children Loreda and Anthony. But she doesn’t so much exhibit courage or selflessness as she does a lack of self. She’s been beaten down her whole life and now she beats herself down whenever her situation isn’t doing a hard enough job at it.

I think that is where the story verges on Literary Fiction as she’s downtrodden internally even before she’s trodden down externally.

But the history wrapped into this is intensely compelling. It’s as though the author reached into the Dust Bowl Migration photographs by Dorothea Lange and just pulled out all of the emotion and backstory and poured it onto the page. If you’re not seeing the iconic image of the woman with her children as you’re reading this you need to take a good, hard look at Lange’s work because the images are still absolutely soul-searing 80-plus years later.

And those scorching is on every page of The Four Winds. Not just the despair of the land and the life blowing away – and into everyone’s lungs – in Texas, but the hate and derision on the face of so many Californians when they arrive. The inhumane treatment that Elsa and her children – and all of the other migrant workers – receive in California echoes through the years right up to the present and the way that immigrants are spoken about, written about and treated to this very day.