Review: Rebel by Beverly Jenkins + Giveaway

Review: Rebel by Beverly Jenkins + GiveawayRebel (Women Who Dare, #1) by Beverly Jenkins
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical romance
Series: Women Who Dare #1
Pages: 384
Published by Avon on May 28, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The first novel in USA Today Bestselling Author Beverly Jenkins' compelling new series follows a Northern woman south in the chaotic aftermath of the Civil War...

Valinda Lacey's mission in the steamy heart of New Orleans is to help the newly emancipated community survive and flourish. But soon she discovers that here, freedom can also mean danger. When thugs destroy the school she has set up and then target her, Valinda runs for her life—and straight into the arms of Captain Drake LeVeq.

As an architect from an old New Orleans family, Drake has a deeply personal interest in rebuilding the city. Raised by strong women, he recognizes Valinda's determination. And he can't stop admiring—or wanting—her. But when Valinda's father demands she return home to marry a man she doesn't love, her daring rebellion draws Drake into an irresistible intrigue.

My Review:

Considering that a big part of the romance in this book is all about Drake LeVeq persuading Valinda Lacey to let her inner hellion out of the straight-jacket her father has tried to wrap it in, this book would have been better titled Hellion than Rebel.

And that’s about the only quibble I have with this book. It is simply marvelous from beginning to end. Sometimes heartbreaking, but marvelous every step of the way.

(Don’t let that bit about heartbreaking worry you, there is an HEA for our hero and heroine. But some of what they have to go through to get there, and what the Black community of post-Civil War New Orleans – and in the rest of the country –  had to experience both before and after Freedom, that is frequently heartbreaking, all the more so because it doesn’t feel over.)

Rebel is a story on two levels, and it works excellently on both of them.

On one level, it’s a romance. On the other, complementary level, its historical fiction about the Black experience in Reconstruction era New Orleans in specific, and in U.S. in general during that period.

In the end, figuring out that they love each other is the easy part of their story. Working their way through and/or around the forces arrayed against them is the hard part. The combination of the two is what makes Rebel terrific – and terrifically readable – all the way around.

Escape Rating A+: Yes, I know I’m squeeing. This was a book that I just loved, even though I often have difficulties with historical romance these days. Those difficulties occur because historical romance heroines have a high tightrope to walk, in that they both have to be women who have enough agency for me to identify with and be women who can at least plausibly fit into the time and place where their story is set.

Valinda succeeds because she has a tremendous amount of agency that springs directly out of her time, place and circumstances. While her disgusting father does his best/worst to clip the wings of her spirit, that he expects her to be meek and submissive is plausible for the time period.

That, as a Black woman in the late 19th century she feels both duty-bound and able to support herself and make her own living and give of her best for the betterment of her people feels equally plausible and downright likely. The world is not going to be handed to her, and she’s seen the results of submitting meekly to her father’s will in the lives of her mother and older sister. It’s all too easy for 21st century women to see themselves in her pride in her work and her ambitions.

That growing up in her family circumstances has left her with no belief in love makes perfect sense and fits her right into the company of many romantic heroines who learned early that their marriages would be business deals and not love matches. That the marriage her father wants for her is more vile than that puts him in the bad company of many fathers of romantic heroines. Valinda spends the book rightfully dreading his appearance in New Orleans, and he lives down to all of her fears.

But her hopes by that point have been placed in Drake LaVeg, a man who has grown up in a family filled with love, led by his strong, determined and successful mother. It’s Drake and his family who coax the real Valinda out from the restrictions her father placed around her.

At the same time, this book does its best to portray the circumstances under which Drake’s and Valinda’s community was forced to endure. The freedom granted by the Union victory in the Civil War was precious – and it was under attack by all sides at all times. Those attacks were often legal, governmental and bureaucratic. Even the illegal attacks were sanctioned by the government and the powers-that-be.

So much of the circumstances that surround and intrude upon the romance feel viscerally wrong and historically accurate at the same time. And should make readers reflect that not nearly as much has changed as we like to believe.

In the end, Rebel is a romance that provides a historically accurate setting that we don’t read about often enough, featuring a dashing hero, a heroine with intense agency, and a promise of more to come.

I can’t wait to meet the rest of the Women Who Dare!

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

To celebrate the release of REBEL by Beverly Jenkins, we’re giving away a paperback copy of Tempest by Beverly Jenkins to one lucky winner!

LINK: http://bit.ly/2Hr1RLq

GIVEAWAY TERMS & CONDITIONS:  Open to US shipping addresses only. One winner will receive a paperback copy of Tempest by Beverly Jenkins. This giveaway is administered by Pure Textuality PR on behalf of Avon Books.  Giveaway ends 6/10/2019 @ 11:59pm EST.

Review: Anything but a Duke by Christy Carlyle + Giveaway

Review: Anything but a Duke by Christy Carlyle + GiveawayAnything But a Duke (The Duke's Den, #2) by Christy Carlyle
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical romance
Series: Duke's Den #2
Pages: 368
Published by Avon on April 30, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Self-made man Aidan Iverson has seen more closed doors in his thirty years than he’s ever cared to count. As a member of the elite Duke’s Den, he has all the money he could possibly need, but the one thing he can’t purchase is true power. If roguish Aidan can’t buy his way into society’s hallowed halls, he’ll resort to a more extreme measure: marriage.

Brought up to be a proper lady, the only thing Diana Ashby desires is to be left alone to the creation of her own devices. But when her dreams are crushed, she must find another way to secure the future of her invention. Knowing his desire to enter her world, Diana strikes a deal to arrange Aidan’s marriage to the perfect lady—as long as that lady isn’t her. She doesn’t need any distractions from her work, particularly of the sinfully handsome variety.

As Diana and Aidan set out to find him an aristocratic match, neither are prepared for the passion that ignites between them or the love they can’t ignore.

In the Duke’s Den, can happiness ever be a winning prospect?

My Review:

I picked up Anything But a Duke because I absolutely adored the first book in the Duke’s Den series, A Duke Changes Everything. So naturally I wanted to see what happened next to the Duke’s Den gambling den and investors’ club.

While the two things that go on in the Duke’s Den may seem like opposites, they also aren’t. Because the three owners of the Duke’s Den, Nicholas Lyon (hero of A Duke Changes Everything), Aiden Iverson (the hero of our current tale) and Rhys Forrester (presumably the hero of the next book) invest in inventions. Often very large inventions on a grand scale, but not always. But whether those inventions will succeed or fail is really just gambling under a different name – and a slightly more respectable one at that.

Think of the Duke’s Den as a historical version of Shark Tank. The rules seem to be very similar – but without the posturing for TV cameras. (And OMG the original international version of Shark Tank is called Dragons’ Den!)

Diana Ashby has come to the Duke’s Den, just as inventors come to Shark Tank, to convince them to invest in her household, housewide, vacuuming system. It’s ingenious in its way, a system that once installed in an establishment, will vacuum every room with merely the priming of a suction pump.

While Diana is unable to immediately convince the members to invest in her device, she IS able to get a stay of execution on their refusal – because Aiden Iverson clumsily broke her model. And because once upon a time, not so very long ago, she saved his life.

There’s a spark that runs hot between them, so in a bit of self-deception they decide to use each other – as an excuse to remain in each other’s company just a bit longer.

Diana needs funding for her inventions. She’s under a deadline from her mother to either get funding within a month or finally throw herself into the “marriage mart”. Fully aware that marriage will probably make her miserable. Not that she might not want to get married and have a household and family of her own, but that under the current laws any husband can and probably will force her to stop inventing – and she needs to invent rather as much as she needs to breathe – possibly more.

Iverson needs to marry into the aristocracy. He has plenty of money, but his origins, both that they are common and that they are secret, keep him from the highest strata of society. And it’s that strata that controls memberships and inclusion into the areas that he needs to be in to bring the inventions he funds to their fullest potential.

They make a bargain. Diana will find Iverson an aristocratic wife, and he will fund her vacuum invention and help her find a buyer.

But no woman can live up to the fire in Diana, and no invention – no matter how successful – can make Diana feel as alive as Iverson does.

The question is whether they can step back from what they both said they wanted to what they truly need – each other.

Escape Rating B+: Anything But a Duke is a whole lot of fun. I’ll confess it’s not quite as much fun as A Duke Changes Everything (which was pretty amazeballs), but it is a terrific historical romance and I enjoyed every minute of it!

One of the things that I really liked about Anything But a Duke is that the characters, while part of the upper classes (that’s a whole ‘nother topic we won’t get into here) were neither of them actually titled members of the aristocracy.

Rather they were both upper-middle class, and both had mixed feelings and reactions about that situation. Diana feels stuck because she really wants to work on her inventions, but is being forced to submit to being “a lady” with all of the restrictions that are involved.

Meanwhile her brother is out drinking and gambling and wasting money that the family cannot publicly admit they don’t have. Diana’s mother needs her to make an “good” marriage to save the family from penury. (I have thoughts about her brother – and they are not complimentary thoughts in the slightest – but this isn’t his story.)

Iverson, on the other hand, is a self-made man. His mother abandoned both him and his sister to the workhouse. He’s not even sure that “Iverson” is his true name and has absolutely no idea who his father was. His lack of pedigree keeps him from getting into places that he needs to get into to further the inventions he invests in. He’s willing to make an arranged marriage, offering his money to save some aristocratic family’s position in order to get the entree into society he requires.

Diana and Iverson really do belong together. It’s obvious to the reader – in a very good way – and seems to be obvious to everyone except the two of them for the longest time. The way that the tension builds between them is delicious – even more so because it isn’t fake in any way but is inherent in the situation in which they have placed themselves.

And Diana is a wonderful character for 21st Century readers to identify with! I’m not sure her position is historically accurate, but it feels plausible enough to work – and work well.

One final note, there have been a rash of historical romances where the hero unexpectedly becomes a duke, with mixed results. Based on the title, I expected that to happen here, and I was so happy when it didn’t. Part of what makes Iverson so interesting is that he isn’t part of the nobility. I really liked seeing a hero and heroine who are not, were not and do not become aristocrats. It’s a refreshing change and I hope to see more of it!

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

To celebrate the release of ANYTHING BUT A DUKE by Christy Carlyle, we’re giving away one paperback set of A Duke Changes Everything and Anything But a Duke!

LINK:  http://bit.ly/2WmtcTY

GIVEAWAY TERMS & CONDITIONS:  Open to US shipping addresses only. One winner will receive a paperback set of A Duke Changes Everything and Anything But a Duke by Christy Carlyle. This giveaway is administered by Pure Textuality PR on behalf of Avon Romance.  Giveaway ends 5/16/2019 @ 11:59pm EST. Avon Romance will send the winning copies out to the winner directly.

Review; Tightrope by Amanda Quick + Excerpt

Review; Tightrope by Amanda Quick + ExcerptTightrope (Burning Cove, #3) by Amanda Quick
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical romance, romantic suspense
Series: Burning Cove #3
Pages: 320
Published by Berkley on May 7, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From the Author's website: An unconventional woman and a man shrouded in mystery walk a tightrope of desire as they race against a killer to find a machine that could change the world.

Former trapeze artist Amalie Vaughn moved to Burning Cove to reinvent herself, but things are not going well. After spending her entire inheritance on a mansion with the intention of turning it into a bed-and-breakfast, she learns too late that the villa is said to be cursed. When the first guest, Dr. Norman Pickwell, is murdered by his robot invention during a sold-out demonstration, rumors circulate that the curse is real.

In the chaotic aftermath of the spectacle, Amalie watches as a stranger from the audience disappears behind the curtain. When Matthias Jones reappears, he is slipping a gun into a concealed holster. It looks like the gossip that is swirling around him is true—Matthias evidently does have connections to the criminal underworld.

Matthias is on the trail of a groundbreaking prototype cipher machine. He suspects that Pickwell stole the device and planned to sell it. But now Pickwell is dead and the machine has vanished. When Matthias’s investigation leads him to Amalie’s front door, the attraction between them is intense, but she knows it is also dangerous. Amalie and Matthias must decide if they can trust each other and the passion that binds them, because time is running out.

My Review:

And we finally get the link – or at least a tangential link –  if not to Scargill Cove (which I still think must be just up the coast) then to the Arcane Society. It’s there if you squint – and I was certainly squinting for it – but if you haven’t read any of the author’s Arcane Society books in any of its eras under any of her names, Tightrope still works well as a standalone, as the latest entry in the Burning Cove series, and as a terrific story of a heroine in jeopardy and the man who comes – not to rescue her – but to stand beside her as she rescues herself.

Just like the other books in this series, The Girl Who Knew Too Much and The Other Lady Vanishes, this story begins with a particularly gruesome murder, and with our heroine on the run. Even if in this particular case our heroine doesn’t actually know it.

Amalie’s running is just a bit less fraught than either Irene’s (Girl) or Adelaide’s (Lady), as Amalie Vaughan may be suspected of having murdered the rigger in her last circus, but she was never officially charged with anything. Nor should she have been.

After all, she didn’t murder him – he tried to murder her.

But when another murder happens almost literally on her doorstep, she can’t help but wonder if bad luck is following her. After all, she bought the Hidden Cove Inn at a bargain basement price after the events of The Other Lady Vanishes, when a noted Hollywood psychic threw herself from the roof.

Now one of her guests has been killed just down the road in the middle of his own show – by his very own robot! Amalie can’t help but wonder if she’s doomed to fail. All the Hollywood reporters who stake out Burning Cove are certain to give her inn endless pages of bad publicity – especially after someone breaks into the place in the middle of the night.

The only question is whether the purpose of the break-in is to search the late robot inventor’s room – or to finish up the job that the rigger intended at that last circus performance.

When rumored mobster (and real life covert agent) Matthias Jones convinces Amalie that he needs to stay at Hidden Cove both to protect her AND to keep an eye on things, it’s just the beginning of the adventure.

Because there’s much more going on in Burning Cove than just a crazy inventor and a runaway machine. And the chemistry between Matthias and Amalie is more incendiary than anything ever cooked up in his great-great-great-grandfather’s alchemical laboratory.

Escape Rating A-: Tightrope was a whole lot of fun, just like the other two books in Burning Cove. And also like all of the author’s books in the Arcane Society/Harmony series. But Burning Cove is only tangentially (very tangentially) related to the Arcane Society, and you certainly don’t have to have read any of that to enjoy this. It also stands alone relative to the other books in the Burning Cove series. But if you have read the whole thing, it is interesting to see the characters from the previous books again.

Burning Cove is a fascinating place. It’s close enough to LA for the Hollywood stars to use it both as a getaway and as a place to see and be seen.

One of the many fascinating side characters in Tightrope is fading actor Vincent Hyde, someone who was best known for his many horror films but who has come to Burning Cove to stay at Amalie’s “psychic murder mansion” in the hopes of generating some much-needed publicity for his failing career.

Vincent Hyde’s name sounds like an homage to the great horror actor Vincent Price, but the progress, or rather the downward trajectory of his career sounds a lot like the career of Bela Lugosi, a career which ended in the deliciously execrable cult classic, Plan 9 from Outer Space.

Hyde’s presence in the story, and in Burning Cove, is just the tip of one of the many layers of the story. Hyde is in town to meet with one of the legendary Hollywood gossip columnists – a woman who can make or break his remaining career. She’s in town to follow up on the inventor’s “death by robot” and so are a surprising number of others.

Because this is Hollywood, or close enough, and no one is exactly who they seem to be. Not Amalie, not Matthias, and certainly not Luther Pell, the man who seems to be running Burning Cove.

The story begins because a crazy circus performer has made a career of staging the last and final performance of too many beautiful trapeze artists – without a net. It ends with spies and secrets.

In the middle there’s a marvelous adventure, a combustible romance, and the exploration of a relationship that dives deeply into the value of trust and the danger of lies. Lies to oneself, lies to loved ones – and lies told at the highest levels of government.

It’s the 1930s, war is coming. Gentlemen may not read each other’s mail, but governments certainly do.

Excerpt from Tightrope

“There is no need to fear robots,” Dr. Pickwell declared. It was clear that the suggestion that robots would displace workers annoyed him. He raised his voice to be heard above the murmurs of the crowd. “I urge you to consider that these machines could take the place of soldiers. Wars of the future will be fought with robots, not human beings. Think of the lives that will be saved.”

“You’re mad,” someone else shouted. “You want to create robots that can kill? What if these machines of yours decide to turn on their creators and try to destroy us?”

“Don’t be ridiculous,” Pickwell snapped. “Robots are nothing more than mechanical devices. Fundamentally, they are no different than the cars we drive or the radios that we use to get our news.”

“Futuro looks mighty dangerous to me,” the man in the front row called.

“Nonsense,” Pickwell said. “Allow me to demonstrate how useful Futuro can be. Futuro, what is the forecast for tomorrow?”

The robot answered in a scratchy, hollow voice. “There will be fog in the morning but by noon the day will turn warm and sunny. No rain is expected.”

Pickwell faced his audience. “Think about how useful it would be to have Futuro in your home at your beck and call. It won’t be long before there will be robots that can cook and clean and do the laundry.”

But the crowd was no longer paying any attention to Pickwell, because Futuro had once again lurched into motion.

“What’s that thing doing?” Hazel whispered.

“I have no idea,” Amalie said.

They watched along with everyone else as the robot opened the suitcase that it had just placed on the bench. Pickwell finally realized that he had lost the attention of the crowd. He turned away from the podium to see what was going on at the bench.

Futuro reached into the suitcase and took out a gun.

There was a collective gasp from the audience.

“No,” Pickwell shouted. “Futuro, I command you to put down the gun.”

The robot pulled the trigger. Twice. The shots boomed throughout the theater.

Pickwell jerked under the impact of the bullets. He opened his mouth to cry out but he could not speak. He collapsed onto his back.

Futuro calmly clanked offstage, disappearing behind the curtain.

Stunned, Amalie stared at the unmoving figure on the stage. It was a trick, she thought. It had to be some sort of bizarre charade designed to shock the audience.

Most of the crowd evidently believed the same thing. The majority of the people in the seats did not move. They appeared stunned.

But not everyone was frozen in shock. Amalie glimpsed motion out of the corner of her eye. When she turned to look, she saw that Luther Pell and the stranger who had accompanied him to the theater had left their seats and were making their way to the stage steps. They were moving fast, almost as if they had been anticipating trouble.

When they reached the stage they were joined by Oliver Ward, who had managed to move with surprising speed, considering that he had a noticeable limp and was obliged to use a cane. His wife, Irene, was not far behind. She had a notebook in one hand.

Luther Pell and the stranger vanished behind the curtain. Ward crouched beside Pickwell and unfastened the inventor’s tuxedo jacket to expose a blood-soaked white shirt.

The theater manager evidently had been watching the demonstration from the last row. He rushed down the center aisle toward the stage.

“Is there a doctor in the house?” he shouted.

Amalie saw a middle-aged man in the center section make his way quickly down the aisle.

“I’m a doctor,” he said in a loud voice. “Call an ambulance.”

The manager disappeared through a side door, presumably in search of a telephone.

Onstage, Ward was using both hands to try to staunch the bleeding. The doctor arrived and quickly took charge.

Luther Pell reappeared from behind the curtains. He looked at Oliver Ward and shook his head. Ward looked grim.

The stranger finally emerged from behind the curtain. He was in the act of reaching inside his white evening jacket. Amalie caught a glimpse of something metallic just before the elegantly tailored coat fell neatly back into place.

It took her a couple of seconds to comprehend what she had just seen. Then understanding struck. Like any self-respecting mobster, Luther Pell’s friend from out of town had come to the theater armed with a gun.

Review: A Duke in Disguise by Cat Sebastian

Review: A Duke in Disguise by Cat SebastianA Duke in Disguise (Regency Imposters, #2) by Cat Sebastian
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Regency Impostors #2
Pages: 384
Published by Avon Impulse on April 9, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

One reluctant heir

If anyone else had asked for his help publishing a naughty novel, Ash would have had the sense to say no. But he’s never been able to deny Verity Plum. Now he has his hands full illustrating a book and trying his damnedest not to fall in love with his best friend. The last thing he needs is to discover he’s a duke’s lost heir. Without a family or a proper education, he’s had to fight for his place in the world, and the idea of it—and Verity—being taken away from him chills him to the bone.

One radical bookseller

All Verity wants is to keep her brother out of prison, her business afloat, and her hands off Ash. Lately it seems she’s not getting anything she wants. She knows from bitter experience that she isn’t cut out for romance, but the more time she spends with Ash, the more she wonders if maybe she’s been wrong about herself.

One disaster waiting to happen

Ash has a month before his identity is exposed, and he plans to spend it with Verity. As they explore their long-buried passion, it becomes harder for Ash to face the music. Can Verity accept who Ash must become or will he turn away the only woman he’s ever loved?

My Review:

I finished this a week or so ago, but unlike my usual habit, I did not immediately write up the review. It took me a few days to figure out why I didn’t want to revisit the book.

I think it’s that I was disappointed.

I expected to love this book. The first book in the series, Unmasked by the Marquess, was filled with light and verve and was just amazeballs. The author had managed to take a genre that has been done to death and took it into an entirely new direction with its genderqueer heroine (Robin thinks of herself as “she”, so she is the heroine, after all) and its unashamedly bisexual hero.

That they don’t just find each other, but fall in love and marry, and that the titular Marquess loves Robin exactly as she is, male clothing, behavior and ALL, was remarkably refreshing. And a whole lot of fun.

After that, and after her two highly regarded male/male Regency series, The Turners and Seducing the Sedgwicks, I was expecting something other than the rather traditional male/female romance I got in A Duke in Disguise.

This is an author whose Twitter bio proclaims her as “writer of Marxist tracts with boning…” In A Duke in Disguise, we got plenty of the Marxist tracts, as heroine Verity Plum heads a publishing house that publishes radical political tracts – and is branching out into publishing very dirty books with plenty of boning.

That Verity is politically active, and that she very definitely works for her living, makes her a bit different from the standard Regency heroine. Verity isn’t just part of the radical political movement, she’s also unashamedly bisexual and is completely unwilling to marry – because marriage will cost her the independence she both needs and prizes.

But the hero of this tale feels like he’s a bit too much cut from the standard Regency hero mold. In fact, he reminds me a teensy bit of the hero of A Most Unlikely Duke (although I liked that book considerably more), in that he has no clue that he is a duke until a series of fortunate (actually unfortunate from his perspective) coincidences returns him to the family who gave him away for adoption when he was a toddler.

Before he discovers he’s a duke, James Ashby makes his living as a highly skilled engraver. He’s the artist who is designing the plates for that dirty book that Verity plans to publish.

Ash, as he’s called, Verity and her brother Roger, have been friends for years, forming a family-of-choice for the seemingly orphaned Ash. However, Ash has been in love with Verity for years – merely too afraid to risk the friendship he needs for a romantic relationship that he’s sure has very little chance of working out.

His angsty pining over Verity gets to be a bit much after awhile – and feels very traditional at the same time – albeit with the proverbial shoe on the other foot. He pines after her, while she is aware of the sexual tension and the risk that it might be more – or might explode in their faces – but it doesn’t break her heart or interfere with her rational processes in quite the same way – at least not for a considerable while into the story.

When Ash discovers he’s the heir to a dukedom, he finally decides to risk a relationship with Verity – because he believes it will be brief. He assumes that once she discovers that he is part of the aristocracy they both loathe, she will leave him behind without a second thought.

And he will have some beautiful but bittersweet memories to keep him warm in the cold company he must keep in order to rescue his aunt and all of his family’s dependents from the murderous impulses of the man who will otherwise inherit the title and the power that goes with it.

In the end, Ash gives up love for duty, and Verity, surprising to both of them, gives up independence for love. It does all tie up neatly with a bow.

I expected more fun and much less tradition.

Escape Rating B-: I was disappointed in comparison with the previous book in the series, but that doesn’t mean that A Duke in Disguise was not a fun read – because it mostly was. I’ll also confess that I thought that Verity was a much more interesting character than Ash – in spite of his sudden and unexpected elevation.

She was different from the usual run of Regency heroines, while still being plausible. Ash, in spite of the illness that caused his family to send him away, felt too much like he was cut from the standard cloth.

The story reminds me rather a lot of Dare to Love a Duke by Eva Leigh, in a couple of important ways. Ash, like the hero of that story, conceals his heritage in order to spend time with the woman he loves – a woman he believes that he will have to give up because of their relative positions in society – and a woman who he believes will not want to be part of that society with the restrictions that it places on the women in it.

Unfortunately, the two books also resemble each other in the way that both were good reads in themselves but slightly disappointing compared to their predecessors in their respective series. Your reading mileage may vary.

Review: The Infamous Duchess by Sophie Barnes + Giveaway

Review: The Infamous Duchess by Sophie Barnes + GiveawayThe Infamous Duchess (Diamonds in the Rough, #4) by Sophie Barnes
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical romance, regency romance
Series: Diamonds in the Rough #4
Pages: 384
Published by Avon on March 26, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads


A woman with a shocking past…

Branded a money-hungry con artist for marrying the elderly Duke of Tremaine days before his death, Viola Cartwright has found refuge in her work at St. Agatha’s Hospital. No one must know the painful reason behind her marriage. She steers clear of attachments—until Henry Lowell, heir to the Viscount Armswell, lands on her operating table after a duel. Charming and wickedly handsome, Lowell is one of London’s most inveterate scoundrels. Yet he may not be all that he appears.


And the man who can promise a future filled with love…

Posing as an unrepentant rake has helped Lowell avoid women pursuing him only for his title. But now that duty has finally called on him to marry, he finds himself entranced by the mysterious, independent-minded Viola. Then her late husband’s son returns from overseas, contesting Viola’s inheritance. Lowell longs to help her and sets out to convince Viola that a strategic union may be the best way to save all she holds dear. But can he also persuade her to take a chance on love…?

My Review:

The longer this series goes on, the more it reminds me of the Maiden Lane series by Elizabeth Hoyt. Considering how excellent and popular that series was, that’s a terrific thing!

What has made this series so interesting has been the way that either the hero, the heroine, or both, are definitely unconventional for their time while still seeming to be at least plausible. That unconventionality has made the characters more readily identifiable with for 21st readers while not feeling so far out of the realm of the possible as to whiplash the reader out of the story.

In the case of both Viola, Dowager Duchess of Tremaine and Henry Lowell, a viscount’s heir, there is plenty that draws them out of the ordinary while not shifting them into the impossible.

Viola has been a part of the series from relatively early on. Her business partner is Dr. Florian Lowell, an excellent physician AND the heir to a dukedom. Florian’s story was told in the previous book in the series, The Illegitimate Duke.

Viola was trained as a surgeon by her late father, and often works with Florian in the operating theater as well as running the hospital where they work. Viola’s late husband left her a small fortune, and she used that inheritance to start the hospital.

But her late husband was an elderly man when she married him, and society sees her as a conniving gold-digger. So she shuns society in return. Running the hospital is her work, her duty and her fulfillment. She doesn’t care about society – except in so far as she can use her notoriety to raise funds to further develop the hospital.

Henry Lowell is Florian’s brother. He’s also a rake of the first order and seems to find himself in more than his fair share of duels.

That’s how Viola and Henry meet – in the wake of yet another duel. Florian has to patch up his brother. One wonders if at least some of Florian’s original interest in medicine might have been born out of necessity – as Henry gets into more than his fair share of trouble.

But the near-brush with death has Henry re-examining his life. It’s time for him to settle down and start a family, to provide an heir for the title he hopes not to inherit for a long time. He obviously loves his grandparents very much and has no desire to inherit anytime soon.

Henry and Viola have a lot in common. They are both on the outs with society and they both have acquired undeserved and undesirable reputations. They are also both practical-minded people and both are in business for themselves and are successful at and responsible to those businesses.

And they have an intense chemistry that neither wants to deny, although perhaps they both should.

When Viola’s past returns to not merely haunt her, but to strive to take all she has earned away from her, it is her relationship with Henry that provides her with strength – along with even greater vulnerability.

But it is her unconventionality that finally saves the day.

Escape Rating B: Like all of the books in this series, The Infamous Duchess is a lot of frothy fun with just a bit of an unconventional bite to keep things interesting.

(It is not necessary to read the entire series to get into the action in this fourth entry, but they are delicious. Start with A Most Unlikely Duke to see exactly what I mean.

A couple of things about this story that I’m still thinking about.

One is that the portrayal of the cruelty and vindictiveness of Regency society does make one wonder what made it such a fruitful period for romance in general, and why anyone would aspire to be part of that society in particular. While there are some likeable individuals and even families, overall the ton seems petty and venal and just plain nasty. But then again, isn’t that just people?

While both the heroine and the hero of this story are, as is usual, extremely pretty and or handsome, they are both surprisingly deep characters in a lot of very unusual ways. Even more surprising is the way that their unconventionality dovetails together so neatly.

Part of what I enjoyed about Viola was the depth of her character, but also the unusual breadth of her experience. Like many of the protagonists in this series, Viola did not come from the upper classes. Her father was a physician, making her solidly a member of the small middle class. That her marriage raised her to the peerage is not surprising – and neither is the amount of gossip and downright disgust it engendered. That she’s made so very much good out of her circumstances shows a great deal of strength of character. And it is wonderful that it is that strength that draws the hero to her – as much as if not more so than her looks.

It’s also marvelous that he believes from the very beginning that she is the most beautiful woman in any room – even though she does not see herself that way and that objectively she probably would not have been considered a “diamond of the first water”.

Another part of her experience that is out of the ordinary is that while Viola’s marriage was never consummated because of her elderly husband’s illness, she is not a virgin. And the cause of that particular “lack” was the result of her being taken advantage of by her husband’s son – before she married. That the consequences of that act, while in their way shameful and heartbreaking did not lead to either pregnancy, poverty, prostitution or all of the above is refreshing.

And it leads to the dramatic tension of the story – but not in any of the ways that one might expect. It certainly made for a very interesting twist as well as a lingering sense of creeping menace.

There is (obviously as shown above) a villain in this piece, and he’s extremely villainous – almost to the point of caricature. A part of me wants to think of him as a “Snidely Whiplash”, complete with evil cackle, twirling mustache, and tying the heroine to the metaphorical tracks, but the disgusting pustule in this book is so horrible that even Snidely would be rightfully insulted to be considered as part of his company.

Evil does mostly get its just desserts, after a truly frightening climactic scene, but one of his henchmen manages to miss being properly punished, so that part of the story feels a bit unfinished. Perhaps in a later book in the series we’ll see him get his.

Speaking of later books, the series clearly continues. We watched the hero and heroine of the next story meet as The Infamous Duchess concluded, and their entry in the series looks like a real treat!

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

To celebrate the release of THE INFAMOUS DUCHESS by Sophie Barnes, we’re giving away a paperback set of the first three books in the series━A Most Unlikely Duke, The Duke of Her Desire, and The Illegitimate Duke!

Link:   http://bit.ly/2SXHs2Y

GIVEAWAY TERMS & CONDITIONS:  Open to US shipping addresses only. One winner will receive a paperback set of the first three books in the series━A Most Unlikely Duke, The Duke of Her Desire, and The Illegitimate Duke.  This giveaway is administered by Pure Textuality PR on behalf of Avon Books. Giveaway ends 4/5/2019 @ 11:59pm EST. Avon Romance will send the winning copies out to the winner directly. Limit one entry per reader and mailing address.  Duplicates will be deleted.

Review: Lady Derring Takes a Lover by Julie Anne Long

Review: Lady Derring Takes a Lover by Julie Anne LongLady Derring Takes a Lover (The Palace of Rogues #1) by Julie Anne Long
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical romance
Series: Palace of Rogues #1
Pages: 373
Published by Avon on February 26, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A mistress. A mountain of debt. A mysterious wreck of a building.

Delilah Swanpool, Countess of Derring, learns the hard way that her husband, "Dear Dull Derring," is a lot more interesting—and perfidious—dead than alive. It's a devil of an inheritance, but in the grand ruins of the one building Derring left her, are the seeds of her liberation. And she vows never again to place herself at the mercy of a man.

But battle-hardened Captain Tristan Hardy is nothing if not merciless. When the charismatic naval hero tracks a notorious smuggler to a London boarding house known as the Rogue's Palace, seducing the beautiful, blue-blooded proprietress to get his man seems like a small sacrifice.

They both believe love is a myth. But a desire beyond reason threatens to destroy the armor around their hearts. Now a shattering decision looms: Will Tristan betray his own code of honor…or choose a love that might be the truest thing he's ever known?

My Review:

Lady Derring Takes a Lover is absolutely delightful. And it was exactly what I was in the mood for, which made it even better.

In a way, this story reminds me of Someone to Love by Mary Balogh – which is high praise considering just how many “best of the year” lists that book turned up on!

There’s a similarity between the two books because they both effectively begin with Dickens’ Christmas Carol opening, “Marley was dead: to begin with.” Because both stories have their effective beginning with the death of someone else.

To make them resemble each other even more, there’s nothing “dear” about the lately departed in either Someone to Love or Lady Derring Takes a Lover. In both cases, the late and unlamented was a bastard. Not the literal kind, but the kind that leaves disaster in his wake.

In the case of “Dull Derring”, he’s left behind a mountain of unpaid bills, a destitute Countess and an equally destitute mistress. I do not mean destitute in the relative sense of having to scale back their extravagant lifestyles. I mean completely skint. Stony broke. Not having two pence to rub together.

But they do manage to rub along together, surprisingly enough. They shouldn’t have anything to do with one another, the lady and the courtesan. They should hate, or at least resent, each other on sight.

Instead they band together, both broke but not in the least heartbroken, and both completely disillusioned with men and the world that believes their only existence should be in relationship to some man who will expect them to suppress their wants and needs and personalities to flatter his ego while leaving them to clean up his messes.

Delilah Swanpool, the “Lady Derring” of the title, has one and only one asset – along with the jewels that her late husband’s mistress, Angelique Breedlove, advises her to sew into the hems of her dresses on her way out the door. Derring owned one building outright, in his own name, not entailed to his estate and not mortgaged beyond its value. Free and clear.

And located on the Thames docks. Not the most salubrious neighborhood, not even for Mrs. Breedlove, let alone Lady Derring. But it’s what they have. It’s all they have except grit and determination and a strong desire to never be dependent on any man ever again.

Their dream of opening a wholesome boarding house in an area that is much more likely to host a brothel – in fact their building used to BE a brothel – seems naive, and is almost doomed from the outset.

Their determination not to depend on any unreliable man – and in their opinion ALL men are inherently unreliable just by being men – is undermined, at least for Lady Derring, with the advent of Captain Tristan Hardy of the King’s Blockade into their attempt to create a bit of domestic bliss for the assortment of people who find their little out of the way genteel boardinghouse.

Because Derring owned that old building in that odd location for a reason. A reason that put the late unlamented squarely in the sights of the Blockade. Hardy knows that Derring was up to his mortgaged neck in smuggling, and he’ll do anything to roll up the last big smuggling gang in England.

No matter how many heads, or hearts, he has to break in the process. Including his own.

Escape Rating A: This is one of those books that just plain is a great time for the reader. I had a blast. Until 2:30 in the morning, because I was having too much fun to stop before the end.

At the beginning, I said this reminded me of the utterly awesome Someone to Love in the way that it starts. But Delilah also reminded me a bit of one of my favorite heroines, Amelia Peabody Emerson, from Elizabeth Peters’ historical mystery series that begins with Crocodile on the Sandbank. Not in time or place, because the stories are more than half a century apart, but in attitude.

Although it is never stated outright, it’s clear from context that Lady Derring Takes a Lover takes place during the reign of George IV, the former Prince Regent who gave his title to an era. Both Delilah Swanpool and Amelia Peabody know how women are supposed to think and act, the way that they are supposed to behave. And both reject those “supposes” and “oughts” and “shoulds”, albeit under different circumstances. And both find themselves liberated by that rejection. Also both want to be seen for who they are and as they are, and not as society, particularly men, believe they should be.

Also they both discover that they really like sex, even though neither expects to and both have a difficult time discussing the act – but definitely not a difficult time doing it and thoroughly enjoying it. Whether they should or not.

There are three stories going on in Lady Derring Takes a Lover, and they play off each other and intertwine with each other in ways that really worked for me.

There’s the obvious, Lady Derring does indeed take a lover. But the romance between Delilah and Tristan, while filled with sexual tension and coming to a well-deserved happy ending, doesn’t feel like the heart of the book.

The two parts that do feel like that heart are the creation of Delilah and Angelique’s desperate business partnership, along with their surprising creation of their boarding house, and Tristan’s quest to find the smugglers – a quest which reminded me a bit of last week’s The Woman in the Lake, because we again see smugglers not as romantic antiheroes, but as members of organized crime.

I loved the way that Delilah and Angelique end up in business together. They’re desperate and cynical and scared and determined to make a home not just for themselves but for others. They build a strong friendship from a very unlikely beginning and it just works. The way they take in such a disparate bunch of people and weave them into an unlikely family of choice was fun to read, in spite of them also being taken in by two of their boarders.

They have a dream that they make come true – without the help of man to make it all come together.

And while Tristan’s hunt for the smugglers was certainly the stuff of derring-do (pun intended, because the late Lord Derring mostly didn’t) it’s a story that wove itself around everything else – as well as providing the crisis necessary to push for the HEA. And I’m equally glad that the crisis did not involve the heroines in jeopardy, as such crises do entirely too often.

There’s a niggling voice in the back of my head saying that this delightful froth of a book played much too fast and loose with historical accuracy – but I can’t prove that. And I enjoyed it so much that I don’t care nearly as much as I should.

A good time was definitely had by this reader. I can’t wait for the next book in the series, Angel in a Devil’s Arms – which looks to bring about Angelique’s much deserved HEA.

 

Review: When Love Leads to Scandal by Sophie Barnes + Giveaway

Review: When Love Leads to Scandal by Sophie Barnes + GiveawayWhen Love Leads to Scandal (Townsbridges #1) by Sophie Barnes
Format: eARC
Source: author
Formats available: ebook
Genres: historical romance
Series: Townsbridges #1
Pages: 96
Published by Sophie Barnes on February 19th 2019
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

Two people fated to be together…

Recently engaged to the Earl of Langdon, Lady Bethany is content with the knowledge that she’s made a wonderful match for herself. Until a chance encounter with a handsome stranger makes her wish she was still unattached – a sentiment that grows even stronger when circumstance causes her to spend more time in this gentleman’s company.

And the duty that threatens to come between them…

Charles Townsbridge is not prepared to learn that the mystery woman he met in the park, the very same woman he cannot get out of his head, is in fact his best friend’s fiancée. Determined to do the right thing, he tasks himself with quashing the attraction, only to discover that the heart cannot be so easily controlled.

My Review:

Think of this as a historical version of the trope about falling for your significant other’s best friend – just with a whole lot of added consequences.

After a Transatlantic crossing where they had a chance to get to know one another, Lady Bethany agreed to marry Robert, the Earl of Langdon. It seemed like an excellent match – and it possibly might have been. Except for that whole best friend problem.

And because Robert basically saw their engagement as a business transaction, one where once the contract was signed and sealed he didn’t have to put forth any future effort to win the woman who had agreed to become his wife.

He had plenty of other unspoken expectations as well. Love didn’t enter into it – and it honestly didn’t for Bethany, either. But she did hope that when they got to know one another that they would have a solid foundation on which to build a marital partnership of some kind.

He couldn’t be bothered. Which probably goes to show just how much he cared in the first place.

On that very infamous other hand, Bethany met his best friend Charles Townsbridge in the park. Chasing after her runaway bonnet. And felt the spark that had completely eluded her in all of her meetings with Langdon.

She could have considered it just a passing fancy. Or a bored impulse. Or pretty much anything except that spark of an attraction she was no longer eligible to feel.

But Charles felt it too. Leaving him determined to suppress his desires at every turn. Of which there were entirely too many – because Bethany’s fiance trusted his best friend to take care of the woman he couldn’t be bothered to even take tea with.

Nothing happened. There was no affair. Plenty of temptation, but just the barest hint of flirting – and even that only after being thrown together too many times. They were both completely honorable – and both suffering in silence. A silence they both planned to take to their graves.

Lucky for ALL of them, Athena Townsbridge was completely unwilling to let her brother suffer alone for the rest of his life – no matter how much scandal SHE had to cause, with his permission – or without.

Escape Rating B+: This book feels like the absolute ultimate read in UST. That’s “unresolved sexual tension” for those who are not familiar with the acronym from reading fanfic.

The story here is delicious. It’s also appropriately short. I say that because the tension between Bethany and Charles is palpable from their very first meeting, to the point where it quickly becomes painful for them to be together, and equally painful for the reader to watch.

What makes the story is that they are both trying to do the honorable thing. She affianced herself to Langdon quite willingly – albeit not with nearly enough information. Also, he seems to have put on an act of being truly interested in her while they were aboard ship, only for him to completely drop the act once the contract was signed.

He doesn’t come off very well, and he shouldn’t.

But Charles and Bethany both feel stuck. There will be a terrible scandal if she cancels the engagement and it will all fall on her and her family. While they can weather the storm, it could easily mean the difference between her making a good marriage and not marrying at all.

It’s just a mess, and we feel for both of them the whole way through. Robert, not so much.

All of the adults are trying to do the responsible thing, which makes it doubly delicious when Charles’ young sister decides to hell with leaving everyone to wallow in their misery. I hope she gets her own romance sometime later in this series. She’s already earned her own HEA!

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

a Rafflecopter giveaway

Review: Duchess by Deception by Marie Force

Review: Duchess by Deception by Marie ForceDuchess by Deception (Gilded, #1) by Marie Force
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical romance
Series: Gilded #1
Pages: 320
Published by Zebra on January 29, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In New York Times bestselling author Marie Force's dazzling historical romance debut, the clock is ticking for a wealthy Duke who must marry by his thirtieth birthday—or lose his title...

Derek Egan, the dashing Duke of Westwood, is well aware of his looming deadline. But weary of tiresome debutantes, he seeks a respite at his country home in Essex—and encounters a man digging on his property. Except he's not a man. He's a very lovely woman. Who suddenly faints at his feet.

Catherine McCabe's disdain for the aristocracy has already led her to flee an arranged marriage with a boorish Viscount. The last thing she wants is to be waylaid in a Duke's home. Yet, she is compelled to stay by the handsome, thoughtful man who introduces himself as the Duke's estate manager.

Derek realizes two things immediately: he is captivated by her delicate beauty, and to figure out what she was up to, Catherine must not know he is the Duke. But as they fall passionately in love, Derek's lie spins out of control. Will their bond survive his deception, not to mention the scorned Viscount's pursuit? Most important, can Catherine fall in love all over again—this time with the Duke?

My Review:

I finished Duchess by Deception feeling sadly disappointed. I wondered if it might be me, that this might be a genre that just didn’t work for me anymore. Because I expected a whole lot better from the author of the Fatal romantic suspense series.

Then I looked at some of the other reviews on Goodreads and discovered that I am far from alone in my feelings. Which leaves me feeling better about the other historical romances in my virtually towering TBR pile – but somewhat at a loss for words about this book.

Duchess by Deception is a historical romance that includes an extended ride on the “Troperville Trolley”. There are enough all-too-common tropes and cliches packed into this book for three stories – and it might have been better if it had been three separate stories.

Because there are three stories here. The first is the one about the Duke of Westwood and his nuptial deadline. If he doesn’t marry by the day of his 30th birthday he’ll be forced to relinquish the title in favor of his nasty, greedy, grasping uncle. And his birthday is at the end of the week as the story begins.

So of course he runs off to his country estate instead of staying in London to find a bride. He discovers a young man digging holes at his estate who is immediately revealed to be not merely female but actually a damsel in distress who is on the run from a fate worse than death.

Yes, my eyes are rolling.

That they fall instantly in love is, of course, a given.

Then the misunderstandammits start rolling in. Because he doesn’t tell her he’s a duke since she hates the aristocracy, even though she is part of it. And he doesn’t tell her he has to marry by the end of the week because, well, he’s already lying to her about being the duke’s estate manager instead of the duke himself.

So when the dastardly villain her father has literally sold her to starts investigating the area around the duke’s estate, he whisks her away to Gretna Green for a hasty marriage over the anvil.

Then the same thing nearly happens to her sister. And that’s not the half of it.

Escape Rating D+: I haven’t dragged the D+ out in a while. I didn’t so much finish this book as skim it to see how it ended. Because there is a third plot thread that is even crazier than the first two.

There’s a whole lot of insta-love going on here, well past the point where it’s believable or even plausible. Not only does the duke fall instantly for his future duchess when she faints in his arms, but then his cousin falls equally precipitously for her sister across a crowded ballroom.

Really? The family seems prone to falling sickness, or possibly insanity.

We don’t have a chance to see either relationship actually develop. What we do get is a lot of sex scenes substituting for the development of the romance. I like a good sex scene as much as the next romance reader, but porn-without-plot is not a substitute for an actual plot. YMMV.

The villains of the piece were both caricatures, and yes, there are two. One is a leering pig of a villain, and the other is a greedy, grasping, murderous villain. Who have no relationship to each other. Which stretches the long arm of coincidence a bit too long for a single book.

And both women forgive their father for selling them to the leering pig WAY too easily.

This story had promise. Actually, it had multiple promises. It just didn’t live up to any of them.

Review: Dare to Love a Duke by Eva Leigh

Review: Dare to Love a Duke by Eva LeighDare to Love a Duke (The London Underground, #3) by Eva Leigh
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical romance, regency romance
Series: London Underground #3
Pages: 384
Published by Avon on December 24, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads


For a dashing duke and the proprietress of a secret, sensual club in the London Underground, passion could lead to love… if they dare

Thomas Powell, the new Duke of Northfield, knows he should be proper and principled, like his father. No more dueling, or carousing, or frequenting masked parties where Londoners indulge their wildest desires. But he’s not ready to give up his freedom just yet. The club is an escape, a place where he can forget about society and the weight of his title… and see her, the woman he’s wanted forever.

Lucia—known as Amina—manages the Orchid Club, a secret society where fantasies become reality. But for Lucia, it’s strictly business, profitable enough to finance her dream: a home for the lost girls of the streets. Surrounded by lovers, she only observes, unwilling risk her future for any man. No member has ever intrigued her...until him, the masked stranger whose heated looks sear her skin. After months of suppressed longing, they dare to give in to temptation…

But the late duke’s legacy comes with a shocking secret, and the scandal threatens to destroy everything Tom loves… his family, the Orchid Club, and even Lucia.

My Review:

This is the third book in the author’s London Underground series, and it makes a fine and fitting conclusion to that series. But it also works as a standalone. The story in this entry bears some resemblance to the circumstances in the first two (From Duke Till Dawn and Counting on a Countess) but the reader knowing where they are and who the characters are in Dare to Love a Duke is not dependent on having read the other books first.

Not that they are not a lot of fun in their own right!

As has been true in the previous books in the series, the romance here is between a newly minted nobleman and a woman of not merely lesser rank and status but also someone who has been operating on the shady side of the street in one way or another. The heroine of From Duke Till Dawn is a confidence trickster, while the heroine of Counting on a Countess is a smuggler. There weren’t a lot of legal, well-paying professions for women during the Regency, or let’s face it, for centuries before or after.

The heroine of Dare to Love a Duke is the manager of an unusual but not exclusive sex club. A club that admits anyone and everyone. All the participants are masked. Anything goes, and anyone can have sex with anyone else – or multiple anyone elses. The only requirement is that consent is king, queen and knave. People can, and do, do whatever they want – but only what they want. No force, no coercion, no “persuasion”. Only freely given consent.

The hero is the newly invested Duke of Northfield. His father has just died and Tom has inherited the title, along with a whole slew of expectations and a tonne of responsibility. On what he believed was his last night of relative freedom, he finally seduces, or is seduced by, or they both simply give in to the sexual chemistry that has always swirled between himself and Lucia, the manager of the Orchid Club.

Only to discover the following morning that his father can’t possibly have been the paragon of virtue that he claimed to be – because Lucia comes to the Duke of Northfield’s house to deliver the monthly profits from her club which he owns – only to discover that the new duke is the man she just spent a long and very pleasurable night with.

The situation is a mess. If it comes out, it will be a scandal that will affect his mother’s place in society and his sister’s prospects for marriage – not that those aren’t already threatened enough.

Tom’s father was a staunch Tory, a member of the conservative political faction that wants to preserve the status quo, keep power in the hands of the wealthy aristocrats, and oppress the poor, the nascent middle-class, and pretty much anyone else who isn’t one of them.

His father’s friends are pressuring him to remain in their faction, and are holding his sister’s marriage to the man she loves as hostage. Sparing her will force him to reject the stirrings of his own conscience.

When he can’t decide he turns to Lucia, spending a weekend in the house he owns while working incognito as one of the team. A few short days working himself to exhaustion, while spending blissful nights with Lucia, give him the space he needs to decide whose man he will be, and at what price.

The courage of his convictions nearly costs him everything – but it also gives him the greatest prize of all.

Escape Rating B+: Eva Leigh also writes action-adventure romances as Zoe Archer, or perhaps it’s more accurate to say that Zoe Archer also writes historical romances as Eva Leigh. In either case, one of the reasons that I love this author is that she does an excellent job of writing heroines who are able to kick ass, figuratively always and occasionally also literally, while still fitting into their time and place.

This is particularly important when it comes to historical romance. I’ve frequently talked about the tightrope walking involved in creating historical heroines with enough agency for 21st century readers to identify with while making sure that these standout women still feel like they fit into their setting. A book I reviewed last week failed to walk this tightrope, and when that happens it does break the willing suspension of disbelief At least for this reader.

Lucia has had a difficult life, and it’s a life that has left scars. She’s not a pampered princess in a gilded cage. She’s had to make her own way in the world since she was 12, and she’s done it any way she could. Including on her back. It’s brutal but it’s also realistic – there just weren’t that many options. Being forced to make her own way has given her very different attitudes from the kind of privileged ladies that have often been the heroines of historical romance. She knows how to take care of herself because she’s had to. And she’s all too aware that in the end she only has herself to rely upon. No one has ever rescued her, and until she meets Tom she has no reason to believe that anyone ever will.

She’s aware of what society thinks of her, but she’s also all too aware that pride and propriety will not fill an empty belly or keep a roof over one’s head. She tries not hurt anyone, but she does what she must and she lives with the consequences.

On the one hand, Tom has had an easy life. And on the other, he is suddenly weighed down by a huge responsibility – and it’s a responsibility he takes seriously. He knows that he’s privileged and he wants to use his position to make life better for others as much as he can. He’s between a rock and a hard place when his father’s old allies attempt to blackmail him into following their dictates instead of his conscience. His dilemma is made all too real by throwing his sister’s happiness under the carriage wheels rather than his own. He is caught between warring duties – his duty to protect his sister and his duty to help others.

It was a relief when he finally told his sister what his choices were and what the cost would be – and that she agreed with him all the way – as their mother initially does not. And when the feces hits the oscillating device his sister stands by him.

In the end, as with the other books in this series, the story is about the unconventional couple finding a way to defy convention, rise above it, and grab their happy ever after with all hands.

 

Review: Not the Duke’s Darling by Elizabeth Hoyt

Review: Not the Duke’s Darling by Elizabeth HoytNot the Duke’s Darling (Greycourt, #1) by Elizabeth Hoyt
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical romance
Series: Greycourt #1
Pages: 496
Published by Forever on December 18, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

New York Times bestselling author Elizabeth Hoyt brings us the first book in her sexy and sensual Greycourt Series!

Freya de Moray is many things: a member of the secret order of Wise Women, the daughter of disgraced nobility, and a chaperone living under an assumed name. What she is not is forgiving. So when the Duke of Harlowe, the man who destroyed her brother and led to the downfall of her family, appears at the country house party she's attending, she does what any Wise Woman would do: she starts planning her revenge.

Christopher Renshaw, the Duke of Harlowe, is being blackmailed. Intent on keeping his secrets safe, he agrees to attend a house party where he will put an end to this coercion once and for all. Until he recognizes Freya, masquerading amongst the party revelers, and realizes his troubles have just begun. Freya knows all about his sins—sins he'd much rather forget. But she's also fiery, bold, and sensuous—a temptation he can't resist. When it becomes clear Freya is in grave danger, he'll risk everything to keep her safe. But first, Harlowe will have to earn Freya's trust-by whatever means necessary.

Features a bonus novella from New York Times bestselling author Grace Burrowes!

My Review:

This is going to be a mixed feelings review. I’m all over the map about this one – and I didn’t expect to be. While I haven’t read ALL of the author’s Maiden Lane series, I’ve generally liked the ones I have read quite a bit.

But this one, well, yes and no.

On the one hand, it starts out with a bang, with Freya helping a desperate woman and her child escape from the man who wants to abuse them both. This particular escape isn’t about sex, it’s about money. The child is the rightful earl, her husband is dead, and his cousin plans to basically imprison the little boy and ransack the estate during his minority while keeping the boy’s mother away from him so she can’t support or protect him.

Women and young children were chattel, this chilling scenario was entirely possible – and legal. Freya has rescued both the mother and child, and is spiriting them away to a ship bound for America. But her pursuers are relentless, so she jumps into a nobleman’s carriage – only to discover that the nobleman in question is someone she knows – and loathes.

It should have been the start of a wild adventure, but the tension kind of fizzles out. Or at least it did for me.

While we do eventually find out why Freya hates the Duke of Harlowe so much (and those issues do reach resolution) what we really don’t get nearly enough information about is why Freya is participating in the rescue in the first place.

Not that the woman and her baby don’t need rescue, and not that someone shouldn’t do it. But how Freya got involved in the situation is murky. She’s a “Wise Woman”, a member of an order of independent women that has existed since the Roman occupation, if not before. She’s the “Macha” of the Wise Women, a title that seems to mean covert agent and spy as the situation requires.

But the Wise Women, while potentially interesting, never seem to get enough explanatory background, or at least not for this reader. What it felt like was simply a quick and dirty way of providing the 19th century heroine with the education, attitudes and perspectives that would appeal to 21st century readers. She’s so close to us that she feels anachronistic for her time.

That also seems to make her perfect for Christopher Renshaw, the aforementioned Duke of Harlowe, if they can get past the gigantic amount of baggage that stands between them.

Because the real backstory of this series seems to be the long-ago Greycourt scandal. Fifteen years ago, Harlowe, Freya’s brother Ranulf, and Julian Greycourt were the best of friends. Until one night when Julian’s sister tried to run off with Ranulf de Moray, and somehow she got herself killed and Ran got the blame. As well as a beating that cost him his dominant hand and his family’s place in society.

Freya has blamed Harlowe all these years, but as he eventually explains to her, he never believed that her brother was guilty of murder. And all three of the young men were, in fact, very, very young, only 18, and none of them had the position or the maturity to prevent the ensuing mess. Now he does, but the damage has already been done.

Personally, I believe that the overarching story in this series will be the eventual discovery of what happened that night, and that the individual books in the series are going to focus on all of the people who were affected by the scandal. Not just Harlowe and Freya, but eventually Julian Greycourt, the Greycourt sisters who were Freya’s friends once upon a time, Freya’s brother Ranulf, and whoever the hell the guilty party or parties turn out to be.

But we are not there yet. Much of this particular entry instead focuses on Freya’s activities with the Wise Women and their foes the Dunkelders, who believe that the Wise Women are witches who should be burned at the stake. They aren’t witches, but then, the great majority of those who were the victims of the witch hunts weren’t either.

Along with yet another rescue of another woman who desperately needs it.

The problems I have with the story all come back to the Wise Women. We don’t know enough for that piece of the story to really work. The Greycourt scandal grabbed my interest, as did the eventual romance between Harlowe and Freya, but it always felt like there was a hole in the back of the story – like a tooth cavity that you can’t stop sticking your tongue into – even though it hurts every time.

Escape Rating B-: I keep harping on the problem with the Wise Women, or rather the lack of enough information about the Wise Women. That’s because Freya’s participation in the group provides her with too many 21st century attitudes for too little data. One of the issues with historical romance is the difficulty of giving readers a heroine who has enough agency that we can identify with her while still having her fit into her time and place. And Freya doesn’t manage to walk that tightrope, at least not for this reader.

Your mileage may vary, or your version of the tightrope may be a bit wider than mine.