#BookReview: Grimm Curiosities by Sharon Lynn Fisher

#BookReview: Grimm Curiosities by Sharon Lynn FisherGrimm Curiosities by Sharon Lynn Fisher
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: Gothic, historical fantasy, historical fiction, historical romance, holiday fiction, holiday romance, paranormal
Pages: 299
Published by 47North on November 5, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

In Victorian England, a young woman inherits her father’s curiosity shop and all its ghostly secrets in a bewitching novel by the author of Salt & Broom.

It’s 1851 in old York. Lizzy Grimm struggles to save her late father’s charmingly creepy yet floundering antique shop, Grimm Curiosities. Then, during a particularly snowy December in this most haunted city in England, things turn…curiouser.

Lizzy meets Antony Carlisle, whose sister suffers from the same perplexing affliction as Lizzy’s mother—both stricken silent and unresponsive after speaking with ghosts. Working closely together to fathom what power has transformed their loved ones and why, Lizzy and Antony discover an important her father’s treasured set of rare books on ancient folktales, enchantments, and yuletide myths. Books that a persistent collector is awfully keen to purchase. Books Lizzy can’t bear to sell.

Every bewitching passage and illustration opens a doorway to something ancient and dangerously inviting. Keys to a mystery Lizzy and Antony are compelled to solve—even if doing so means unleashing one of this bright holiday’s darkest myths.

My Review:

To paraphrase a much more famous Victorian Christmas ghost story, Herbert Grimm was dead, to begin with.

And, while he has a chance to rectify his mistakes and failures from the afterlife, it’s a job that’s much too big for any number of spirits to handle in just one night.

It’s 1851 in cold, snowy, OLD York, and Lizzy Grimm has been doing her best to maintain the curiosity shop she inherited from her father – as well as somehow keep body and soul together for both herself and her mother.

The problem for Lizzy, the many, many problems for Lizzy, is that entirely too many of her father’s former customers and suppliers, both, are unwilling to deal with a woman, and her mother is ill and can’t help with the shop. Mrs. Grimm has disconnected completely from the world and can’t even help herself without supervision.

The rent is 10 weeks behind and getting more behind by the day, Lizzy can barely keep herself and her mother fed and prevent them from freezing to death in the winter cold. Christmas is less than two weeks away and, while business always improves BEFORE the holiday, it hasn’t improved enough to see them through the dearth of the bitter months after.

Which is the day when two men of considerably better means than Lizzy enter the shop and each present her with potential solutions to her woes. Collector Ambrose Stokes wants to purchase some mysterious books of myth and legend that her father set aside with a note not to sell. Antony Carlisle comes in seeking a present for his younger sister. A sister who is in the exact same walking somnambulance state as Lizzy’s mother.

It’s clear from the beginning that Stokes only wants to use her to get at something he covets badly and probably shouldn’t have. Meanwhile Carlisle is obviously searching for both help and friendship – even if he doesn’t recognize that the latter is only a small portion of what he seeks in Lizzy’s company.

Stokes can solve her immediate financial difficulties, while Carlisle is likely to only cause her heartbreak – even if that is far, far, from his intention.

Between them, they open up her world to the true legacy that her father intended to leave her. A legacy that holds the key to every question she’s ever asked, and every answer she never thought she’d need.

Escape Rating B-: I picked this up because it looked like it was just the kind of horror-adjacent story that I generally enjoy. And because it was set in York, the setting of one of my favorite historical mystery series. (If you’re curious about the York of four centuries before this story, check out the Owen Archer series of historical mysteries, beginning with The Apothecary Rose. Because if there is one thing that Lizzy Grimm is right about, it’s that York is absolutely rife with stories just waiting to be told!)

So I was expecting a bit more Halloween and got a whole lot of the Victorian Christmas season instead – mixed with a trip to Narnia and more than a soupçon of historical romance. Even though even a soupçon of actual soup is something that Lizzy has been forced to worry about a LOT.

Also, and I know this is a ‘me’ thing and may not be a ‘you’ thing, Lizzy’s straddle of the line between having agency as the protagonist while being a woman of her time was even more uncomfortable for me than it was for her – and it was plenty uncomfortable for her. It just wasn’t what I was in the mood for and your reading mileage may definitely vary.

What was absolutely fascinating was the way that the supernatural and paranormal crept into the story on ghostly feet, that the gift she thought had passed her by was doing its damndest to warn her that she was heading for her own damnation if she didn’t figure out what was going on on both sides of the actual, honest-to-supernatural, wardrobe before it was too late.

From the standpoint of this reader, it felt like this story had too many irons in its fire. Each of the individual parts had the potential to be a whole, fascinating story, from the ghostly visitations to the world inside the cabinet, to the myths and legends coming to life to the mystery of just who the collector was and what he was up to and last but not least to the class-barrier hopping romance between Carlisle and Lizzy with Carlisle’s overbearing father serving as second-villain.

There were a LOT of fascinating story parts trying to weave themselves into a whole cloth – but they didn’t quite manage it and/or there wasn’t enough book for them to manage in. It had the bones of a good story – but either not quite enough bones or not enough flesh for the story-creature it was meant to be.

Spotlight + Excerpt: A Tainted Heart Bleeds by Sophie Barnes + Giveaway

Spotlight + Excerpt: A Tainted Heart Bleeds by Sophie Barnes + GiveawayA Tainted Heart Bleeds: A Gripping Historical Mystery Romance (House of Croft) by Sophie Barnes
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: historical fiction, historical mystery, historical romance, regency mystery
Series: House of Croft #2
Pages: 440
Published by Sophie Barnes on October 29, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads


He’ll never forgive her deception, or the hold she still has on his heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet woman who swept past his every defense, is a cunning spy working against him. Forced to play a dangerous game where one wrong move could see him destroyed, he must unravel her secrets while hunting a far more sinister threat.
Samantha knew her decision to marry her target would come at a price. Now, having lost her husband’s trust and affection, she’ll do whatever it takes to win it all back – abandon past loyalties, spill her secrets, and catch a killer. But will it be enough to undo the damage?
-One series, one couple, and the brutal challenges they must face-
If you like What Angels Fear, Silent in the Grave, and Murder on Black Swan Lake, you’ll devour Sophie Barnes’ thrilling new series.
Buy A Tainted Heart Bleeds and continue this action-packed adventure today!

Welcome to the second day of the book tour for A Tainted Heart Bleeds by Sophie Barnes, the second book in the compelling Regency mystery series, the House of Croft. I’ve already reviewed both the first book in the series, A Vengeful King Rises, as well as this second book – and loved them both. (Check out my reviews here and here to get all the deets of just how much I was captivated by each. (I’m already on tenterhooks for the third book, A Ruthless Angel Weeps, coming in late January.)

But someone else’s opinion might not be enough to tempt you, especially on a day already filled with as many distractions as this one is. I’m hopeful that if I can’t convince you, that this excerpt from the opening chapter will grab your attention – and not let go.

House of Croft, Book 2

Historical Mystery/Thriller/Romance

Date Published: 10-29-2024

 

 

He’ll never forgive her deception, or the hold she still has on his
heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet
woman who swept past his every defense, is a cunning spy working against
him. Forced to play a dangerous game where one wrong move could see him
destroyed, he must unravel her secrets while hunting a far more sinister
threat.

Samantha knew her decision to marry her target would come at a price. Now,
having lost her husband’s trust and affection, she’ll do
whatever it takes to win it all back – abandon past loyalties, spill
her secrets, and catch a killer. But will it be enough to undo the
damage?

Excerpt from  A Tainted Heart Bleeds by Sophie Barnes
Chapter One

London, August 15th, 1818
Lady Eleanor dropped onto the stool in front of her vanity table. Exhausted from entertaining dinner guests with her parents, she looked forward to climbing into the soothing comfort of her bed.
Something pushing against her leg made her lower her gaze to Milly, the miniature poodle her parents had gifted her with for her sixteenth birthday. Rising onto her hind legs, Milly shifted her paws to better press her damp nose against Eleanor’s thigh, her stubby tail wagging with eager affection.
Eleanor chuckled and scooped the pup into her lap. She raked her fingers through Milly’s fur, scratched her a few times behind one ear, and allowed her to settle comfortably in her lap.
“Are you ready, my lady?” The question was posed by Audrey, Eleanor’s lady’s maid. A short woman with dark brown hair and eyes to match, the servant was five years Eleanor’s senior and possessed a positive outlook to match her own.
Eleanor glanced at her and smiled in response to the warmth she found in Audrey’s eyes. “Yes. Please begin.”
Audrey raised the comb she’d collected earlier and drew it through Eleanor’s hair. Molly snuggled farther into the circle of her arms, nails scratching a little at Eleanor’s lap as she repositioned her legs.
Eleanor sighed and sent her bed a longing glance. The coverlet had been folded back to display the crisp white sheets that beckoned. It would be good to climb between them and let the weariness seep from her body.
Molly’s curls compressed beneath the weight of her hand as Eleanor stroked the fluffy fur. Glancing up, she caught Audrey’s gaze in the mirror, her thoughts returning to the charity visit she’d planned for tomorrow. “Maybe you’re right about the brown woolen spencer. I never wear it, so I might as well include it in the donation.”
“Are you sure?” Audrey set the comb aside and collected a glass bottle containing Warren & Rosser’s Milk of Roses lotion.
The question was a legitimate one since Eleanor had argued against the suggestion yesterday when she and Audrey had prepared the box that would go to St. Augustine’s Church. The spencer had been a gift from her aunt three Christmases ago. It was undoubtedly lovely, but every time she’d put it on she felt it didn’t quite suit her.
“Yes,” she said, her mind made up. “There’s no sense in it taking up space in the wardrobe when it can keep someone less fortunate warm.”
Audrey dabbed a bit of lotion on Eleanor’s face and began rubbing it in with wonderfully soothing circular motions. “I’m always impressed by your kindness, my lady.”
But was she always kind? Guilt gathered in Eleanor’s stomach, becoming so heavy it felt like a block of lead. The choice she’d made for herself – for her future – had not been easy. She hated how selfish it made her feel.
Yet she managed to smile and pretend Audrey’s comment was welcome. “Thank you.”
Audrey responded with a smile of her own and proceeded to plait Eleanor’s hair. The peaceful activity calmed her mind. She allowed herself to focus on what was to come, instead of worrying over the past.
She’d had her say, and in so doing, she’d paved the way to a new adventure.
A surge of excitement filled her breast at this thought. Everything would be fine. All she needed was rest. The maid finished her ministrations and tidied up. Eleanor set Molly down and climbed into bed. The mattress sagged beneath her weight, the cool sheets inviting her to sink deeper.
“Would you like me to close the window before I go?” Audrey asked.
“No. Leave it open.” The afternoon sun pouring into the room several hours before had made it unbearably warm and stuffy. She couldn’t sleep like that.
“I’ll bid you good night then, my lady.” Audrey called for Molly to join her and the dog complied without question, knowing full well that a walk and a treat awaited.
“Good night,” Eleanor replied, “and thank you for your help.”
The maid left and Eleanor reached for her book. This was her favorite time to read, when all was silent and there was no risk of being disturbed. She opened Pamela and flipped to the spot where she’d left off the previous evening.
A gentle breeze streamed through the window, toying with the curtains. Distant laughter reached her ears. It was followed by a horse’s faint whinny. Eleanor’s eyes grew heavy. The book began sagging between her hands.
She yawned and it felt like only a moment had passed before she was startled by a loud noise. Her eyes snapped open, adjusting and observing. The light by which she’d been reading had burned itself out. Her book had slipped from her grasp. She must have fallen asleep.
Light flashed beyond the window. A resounding boom followed. The curtains flapped with wild abandon while rain poured down from the heavens. She blew out a breath and went to close the window. It was just a storm. No need for alarm.
Barefooted, she padded across the Aubusson rug and noted that parts of it were now damp from the rain. She leaned forward through the window’s opening, her abdomen pressing into the sill, wetting her nightgown as she reached for the handle.
Her hand caught the slick wood and she pulled the window shut. A welcome silence followed, cocooning her from the elements. Pausing briefly, she watched water streak down the smooth window pane, saw lightning flash across the sky.
Intent on returning to bed, she took a step back, prepared to close the curtains, and froze when her toes connected with something unpleasant. Not just water, but a thick and squishy substance of sorts. But how could that be? Confused, she dropped her gaze, but the darkness was blinding. She’d need a candle or an oil lamp in order to see.
She straightened and started to turn, her aim to locate the tinderbox she kept on her nightstand, when a pair of large hands captured her throat. She opened her mouth, attempted to scream, but couldn’t even manage a gasp as the fingers dug deeper and cut off her breath.
Terrified, she stared at the window, at her own blurry figure reflected in the wet glass, and the larger man standing behind her. Tears welled in her eyes. She clawed at the hands that gripped her, kicked her attacker’s shins, and did what she could to wriggle free.
None of it worked.
He was much stronger than she, and her strength waned with each breath she was denied. Her heart fluttered desperately. It begged her to keep on fighting. But it was no use.
She had already lost
#
Chief Constable Peter Kendrick removed his hat as he entered Orendel House. Given the circumstances, a somber atmosphere wasn’t surprising. But the gloom he encountered in the elegant foyer was unparalleled.
Servants stood near the walls, slumped like wilting plants. Maids wept while the male servants stared into nothing, their stricken expressions underscoring the horror they’d woken up to. Even the butler struggled to speak when he offered to take Peter’s hat, his voice cracking before he averted his gaze.
“Where are the earl and countess?” Peter asked.
The butler gave his eyes a quick swipe and straightened his posture. “In the parlor with their…remaining children.” Someone sobbed and the old man’s expression twisted with grief. “As you can no doubt imagine, this is terribly difficult for them. They asked me to show you upstairs.”
“Very well.”
He followed the butler, one step at a time, a couple of Runners at his back. They arrived on the landing, their footfalls muted by the plush carpet lining the hardwood floor. A few more paces and then…
The butler paused and gestured toward a door. “Through there. I realize I ought to come with you, but… Do you mind if I remain here?”
“Not at all.” Peter reached Lady Eleanor’s bedchamber doorway and froze. A sick feeling caught hold of his stomach. Ghastly didn’t come close to describing the scene he beheld. This was the sort of thing that could make men lose all hope in humanity. It was…barbaric.
“Good lord,” murmured Anderson, the Runner standing at Peter’s right shoulder.
Anderson’s colleague, Lewis, only managed a faint, “Excu…” before he bolted for the stairs, no doubt hoping to make it outside before he vomited.
Peter swallowed and took a deep breath, then entered the room. It hadn’t been so long ago since another young woman’s body was found – the last in a series of brutal murders that left him baffled for more than a year. But that killer was dead, so it couldn’t be the same man who’d acted here.
Besides, this was different and shockingly worse.
He clenched his jaw, reminded himself that he had a job to accomplish. There was just…so much blood. It felt like the room was bathed in it. And the victim…
Forcing himself to employ an analytical mindset, he considered her position on the bed and the clean blanket draped over her torso and legs.
“I’ll need the usual sketches,” he said.
“Already working on it,” Anderson told him, his voice gruff.
“You may want to wait a moment.” Peter studied Lady Eleanor’s face and the empty eye sockets that seemed to mock him. “Until I’ve removed the blanket.”
“Sir?”
“It doesn’t belong. Someone placed it here after the fact, no doubt to protect her modesty.” He shot a look over his shoulder. “If you’ll please shut the door.”
A firm click followed and then, “Why would the bastard take her eyes?”
“I don’t know. Could be a trophy of sorts. There’s no telling what goes on in such vile creatures’ heads.”
Slowly, with respect and consideration directed toward the poor young woman whose body lay on the bed before him, Peter folded back the blanket and shuddered. Whatever nightgown she’d worn to bed was gone, her naked body left on display.
Air rushed into Peter’s lungs on a sharp inhalation. She’d been stabbed too many times to count, as though her attacker hadn’t been able to stop. And her neck – the skin there was a bright red shade.
Swallowing, he surveyed the rest of the room while Anderson kept on drawing.
A vase lay on the floor near one of the windows, smashed to pieces. The flowers were strewn across the Aubusson rug. They’d probably ended up there during a struggle. Peter lowered himself to a crouch, his fingertips testing a dark brown stain and feeling the wetness. Mud.
“Take notes too, will you?” Peter retreated until he’d reached the bedchamber door. He grabbed the handle. “And cover her with the blanket once you’re done. I’ll question the servants in the meantime.”
#
The parlor was made available for interviews, each servant introduced to Peter by the butler as he showed them into the room. Peter considered the latest arrival. Audrey was her name. Short in stature, with mousish features and lackluster hair, she’d been Lady Eleanor’s lady’s maid.
“I…I don’t…” Audrey gulped.
She dabbed at her watery eyes again. Her handkerchief looked heavy and wet. Peter handed her a fresh one and gave her a moment to try and collect herself. Not easy, he realized, since she’d been the one who’d discovered her mistress’s body when she’d gone to rouse her.
“Did you always wake her in the mornings?” Peter gently asked.
A nod accompanied trembling lips. “She was always so…active. Liked making the…the most of each day. Today… Oh dear. Please forgive me.”
“It’s quite all right,” Peter told her and waited once more for the woman’s tears to abate. “Take your time.”
She swallowed, licked her lips, and seemed to straighten a bit. “We planned to visit St. Augustine with a few donations. My mistress…she was so very kind I…I don’t understand why anyone might have wanted to hurt her.”
“So you can think of no enemies?”
“None.”
“No hopeful suitors she might have spurned?”
Audrey shook her head. “She’s engaged to Mr. Benjamin Lawrence. They were supposed to marry three months ago, toward the end of April, but his horse-riding accident forced a postponement.”
Peter recalled news of the tragedy. The event had turned the young man into a cripple. He’d lost the use of his legs. “She still meant to go through with it, despite what happened?”
“Of course.” Additional tears slid down Audrey’s cheeks. “My mistress loved Mr. Lawrence and intended to stand by him. That’s the sort of person she was.”
And yet, the nature of her death suggested someone had loathed her beyond all reason. Peter made a few notes in his notebook, his pencil scratching the paper with quick and efficient strokes.
“Thank you, Audrey. That will be all for now.” He accompanied her to the door and called for the next servant.
Again, his thoughts wandered back to the murders that took place earlier in the year. Those women had all seemed like proper young ladies. Friends and family had vouched for them. Yet they’d each had a secret that had gotten them killed.
In all likelihood, Lady Eleanor had secrets too. If he was to figure out who killed her, he’d have to discover which of hers had led to her death.
#
There was no greater nuisance than murder.
It was hard to predict how one would play out. Killing Lady Eleanor had been messier than he’d intended. Perhaps because he’d allowed himself to get carried away.
His lips curled. At least he’d had the foresight to stash a change of clothes for himself at St. George’s burial ground. Returning home covered in blood would not have helped him get away with the crime. As he intended to do.
Hands shoved into the pockets of a clean pair of trousers, he stood by his bedchamber window and watched the London traffic go by.
He had no regrets. She’d deserved every part of what he’d done.
His attention focused on the carriages filling the street and on the people hurrying by. It was the busiest hour of the day, when men of consequence made their way to Parliament while those who belonged to the working class went off to start their jobs.
Bow Street would have its hands full this morning. He casually wondered if they were examining Lady Eleanor’s body right now and where the clues they discovered might lead them.
Spotting a young girl who carried a crate of eggs on her head, he tracked her as she walked along the opposite side of the street. A man coming the other way nudged her shoulder as he pushed past her, but failed to disrupt her stride.
She threw a quick glance toward him then stepped off the pavement and hurried between two carriages, making her way to this side of the street.
A couple of street urchins came from the left at a run, most likely fleeing someone whose pocket they’d picked. Leaping into the street at the same exact time as the girl with the eggs attempted to exit, they crashed into her, tripping before regaining their balance and sprinting onward while she was sent reeling.
Down went the crate and all of her eggs, straight into the gutter.
Not one person stopped to inquire about her wellbeing. She was invisible to the crowd – just another lowly individual doing her best to scrape by. Too much trouble for the middle or upper class to get involved with. Too time consuming for the rest.
And yet, as he watched the poor wretch try to salvage the few eggs that somehow remained intact, there was no doubt she’d prefer her situation to Lady Eleanor’s at the moment.
He watched the girl until she’d gathered whatever she could and continued along the street, vanishing from his view before he turned from the window. His gaze went to his bedside table and he crossed to it, retrieved a small key from his jacket pocket, then dropped into a crouch.
With adroitness, he set the key in the lock of the door beneath the drawer and turned it. The door opened and he reached inside, retrieving a jar that he held up against the bright morning light.
A pair of eyes contained in a clear solution stared back at him while his lips twitched with amusement. The last time they’d talked, Lady Eleanor had insisted she’d no desire to see him again.
It was a wish he’d been more than happy to fulfill.

About the Author

USA TODAY bestselling author Sophie Barnes writes historical romance novels
in which the characters break away from social expectations in their quest
for happiness and love. Having written for Avon, an imprint of Harper
Collins, her books have been published internationally in eight languages.
With a fondness for travel, Sophie has lived in six countries, on three
continents, and speaks English, Danish, French, Spanish, and Romanian with
varying degrees of fluency. Ever the romantic, she married the same man
three times—in three different countries and in three different
dresses.

When she’s not busy dreaming up her next swoon worthy romance novel,
Sophie enjoys spending time with her family, practicing yoga, baking,
gardening, watching romantic comedies and, of course, reading.

 

Contact Links

Website

Facebook

Twitter

Goodreads

Pinterest

Instagram

BookBub

 

Purchase Links

Universal Link

Amazon

Barnes and Noble

Kobo

iBooks

Smashwords

 

a Rafflecopter giveaway

 

 

RABT Book Tours & PR

A- #BookReview: A Tainted Heart Bleeds by Sophie Barnes + Giveaway

A- #BookReview: A Tainted Heart Bleeds by Sophie Barnes + GiveawayA Tainted Heart Bleeds: A Gripping Historical Mystery Romance (House of Croft) by Sophie Barnes
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: historical fiction, historical mystery, historical romance, regency mystery
Series: House of Croft #2
Pages: 440
Published by Sophie Barnes on October 29, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads


He’ll never forgive her deception, or the hold she still has on his heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet woman who swept past his every defense, is a cunning spy working against him. Forced to play a dangerous game where one wrong move could see him destroyed, he must unravel her secrets while hunting a far more sinister threat.
Samantha knew her decision to marry her target would come at a price. Now, having lost her husband’s trust and affection, she’ll do whatever it takes to win it all back – abandon past loyalties, spill her secrets, and catch a killer. But will it be enough to undo the damage?
-One series, one couple, and the brutal challenges they must face-
If you like What Angels Fear, Silent in the Grave, and Murder on Black Swan Lake, you’ll devour Sophie Barnes’ thrilling new series.
Buy A Tainted Heart Bleeds and continue this action-packed adventure today!

My Review:

This second book in the House of Croft series begins as the first book did, with the brutal murder of a young and seemingly innocent woman.

But the circumstances, as similar as they are to the opening of A Vengeful King Rises, are not the same – except that both women, and both murders, are shrouded in secrets. Including the motivation behind them.

The murder of Adrian Croft’s sister Evie was designed to set Adrian on a path that he did not wish to walk, but the motives were concealed in the midst of a serial killer’s spree. It wasn’t personal, although the consequences were very personal to Adrian Croft.

This time, the murder is very personal. Lady Eleanor was stabbed over 50 times, up close and very personal indeed. Her murderer believed that she had betrayed him – and perhaps she had, if only in his own eyes and twisted mind. Of course, he took those too. Her eyes. As a grisly trophy.

Croft brought his sister’s killer to justice – even if no one can prove it. Which leads Lord Orendel, Lady Eleanor’s father, to ask Croft to investigate his daughter’s death and provide him a measure of that same justice – even if it can’t be admitted aloud.

It’s not a commission that Croft wants to take. He has problems of his own to deal with – also a result of the events in the first book. The police are pursuing him for his father’s crimes – and his own. The agent they set on his trail inveigled her way into his heart, his bed and his household.

He married her, and only learned of her betrayal after that fact – just as she vowed to be his in all ways. He can’t forgive, he can’t forget, he can’t trust – but he can’t force himself to set her aside, or off to the country, or into a shallow grave. As she deserves.

He has no idea that she’s about to be the saving of him. Again. It’s only a question of whether that will be enough to finally earn his trust – and to save him from the gallows.

Escape Rating A-: I started this series because it appeared to be what you’d get if C.S. Harris’ Sebastian St. Cyr series and Andrea Penrose’s Wrexford & Sloane series had a book baby. Which is very much true, as all three are set in the same Regency period, all involve solving grisly murders and all have a significant and dark romantic enemies to lovers relationship where the enmity has the potential to turn deadly even as the romance heats to boiling.

(Some reviewers have noted a resemblance to Deanna Raybourn’s Lady Julia Grey series, which I have not read – YET – but clearly need to take a look at.)

Now that I’ve read the first two books in the House of Croft trilogy, at this point I have a really, really, strong feeling that I’m oh-so-glad this is a trilogy and doesn’t go on as long as those other series.

Why, you might ask?

The reason is that the House of Croft doesn’t read like three stories that have some overarching elements. In spite of not being the same genre – AT ALL – the House of Croft reads like The Lord of the Rings in that it is ONE story divided into three parts for publishing purposes. Which, by extension, makes A Tainted Heart Bleeds the long dark night of the soul that is The Two Towers – especially the second half of that heartbreaking middle book.

So that’s all a HUGE hint that readers can’t start with this book. I think that one has to begin at the beginning with A Vengeful King Rises – and will probably join me in the proverbial bated breath waiting for the final book in the trilogy, A Ruthless Angel Weeps, in order to see how Adrian and Samantha Croft manage to get whatever it is they truly deserve – whether that’s heaven or hell or just a quick hanging.

The reason for that anticipation and all of that bated breath is that the individual books in the series are extremely and occasionally excruciating compelling, and while they DO wrap up the murder that opens each story, they DO NOT answer any of the gigantic questions hanging over the series – and our protagonists – like a whole ceiling of Swords of Damocles.

I know there is a puppet master – but I don’t even have a hint as to who that puppet master might be. And it’s driving me crazy. I NEED to know who is responsible for the hell that Adrian Croft has been put through – and more importantly – WHY he’s been put through that hell. I also hope to see someone pay, but I’m certain that Adrian and Samantha will have that well in hand by the end.

A Ruthless Angel Weeps will be coming at the end of January – and for this reader it’s not nearly soon enough!

About the Author

USA TODAY bestselling author Sophie Barnes writes historical romance novels
in which the characters break away from social expectations in their quest
for happiness and love. Having written for Avon, an imprint of Harper
Collins, her books have been published internationally in eight languages.
With a fondness for travel, Sophie has lived in six countries, on three
continents, and speaks English, Danish, French, Spanish, and Romanian with
varying degrees of fluency. Ever the romantic, she married the same man
three times—in three different countries and in three different
dresses.

When she’s not busy dreaming up her next swoon worthy romance novel,
Sophie enjoys spending time with her family, practicing yoga, baking,
gardening, watching romantic comedies and, of course, reading.

 

Contact Links

Website

Facebook

Twitter

Goodreads

Pinterest

Instagram

BookBub

 

Purchase Links

Universal Link

Amazon

Barnes and Noble

Kobo

iBooks

Smashwords

 

a Rafflecopter giveaway

 

 

RABT Book Tours & PR

A+ #BookReview: The Crescent Moon Tearoom by Stacy Sivinski

A+ #BookReview: The Crescent Moon Tearoom by Stacy SivinskiThe Crescent Moon Tearoom by Stacy Sivinski
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: cozy fantasy, cozy mystery, historical romance, historical fantasy
Pages: 336
Published by Atria Books on October 1, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A cozy and uplifting debut novel about three clairvoyant sisters who face an unexpected twist of Fate at the bottom of their own delicate porcelain cups.
Ever since the untimely death of their parents, Anne, Beatrix, and Violet Quigley have made a business of threading together the stories that rest in the swirls of ginger, cloves, and cardamom at the bottom of their customers’ cups. Their days at the teashop are filled with talk of butterflies and good fortune intertwined with the sound of cinnamon shortbread being snapped by laced fingers.
That is, until the Council of Witches comes calling with news that the city Diviner has lost her powers, and the sisters suddenly find themselves being pulled in different directions. As Anne’s magic begins to develop beyond that of her sisters’, Beatrix’s writing attracts the attention of a publisher, and Violet is enchanted by the song of the circus—and perhaps a mischievous trapeze artist threatening to sweep her off her feet. It seems a family curse that threatens to separate the sisters is taking effect.
With dwindling time to rewrite their future and help three other witches challenge their own destinies, the Quigleys set out to bargain with Fate. But in focusing so closely on saving each other, will they lose sight of themselves?

My Review:

The Crescent Room Tearoom serves well-to-do ladies with considerably more than just tea from its turn-of-the-20th century location on Chicago’s bustling State Street, already the home of Marshall Field’s and Schlesinger & Mayer.

The Quigley sisters, Anne, Beatrice and Violet, serve slices of the future along with tea, pastries and finger sandwiches. They are witches, and they are all gifted with the ability to tell the future – just like their mother before them.

Like much of Chicago’s magical community, the Quigley sisters hide in plain sight, operating their tearoom just outside the edge of the city’s burgeoning magical district, dispensing true fortunes and sage advice under the guise of gossip, amusement and ladies’ fripperies.

Of course the magical community knows the truth about the Quigley sisters, the triplet daughters of the most gifted seer the Chicago Coven had seen in generations. A woman who gave up her place in the Coven to marry her mundane soulmate, knowing that their lives would end in tragedy.

Because her gift of seeing the future could also be a curse.

A curse that seems to have passed to the sisters now that they have grown up. Their joint operation of the tearoom has given them safety, security and companionship. At least until they discover that they are cursed to lose it all – and that it seems as if the leaders of the Chicago Coven are complicit in that curse.

Just as the curse drives a wedge in their contented companionship, setting them each on paths that pull them away from the shop and from each other, the Coven sets them three seemingly impossible tasks that must be met by an even more impossible deadline – or they will destroy the shop and cast the sisters out of the community.

It’s obviously a plot. If the curse doesn’t get them, the Coven will – and vice versa. Unless, like their parents loving but much too brief happiness, the curse is not really a curse after all.

Escape Rating A+: It’s the way that the whole, entire story does a complete heel turn that makes it work – because the story isn’t AT ALL what the reader thinks it’s going to be at the beginning.

First, I loved the setting. Chicago is still one of my favorite cities, and it’s always seemed magical to me. Part of the reason I loved the Dresden Files series so much – back in that day – was that Harry’s Chicago was ‘my’ Chicago, just with more magic. It’s also a part of what made Veronica Roth’s recent When Among Crows work so well, because it seemed just so downright likely that there’s a magical community hiding in plain sight.

Which is the case in The Crescent Moon Tearoom. This is definitely turn-of-the-last century Chicago, when State Street was already ‘that great street’. The gigantic downtown department stores were still new and celebrated and it was fun to read about Marshall Field’s back in that day, because the building is still something special a century plus later. (I had to look Schlesinger and Mayer up because the store didn’t last but the building did – as Carson, Pirie, Scott.)

Returning to the story – because it’s a wonderful story to return to – what I loved about The Crescent Moon Tearoom was the way that the reader is led down a primrose path, multiple times, making the reveal at the end just that much cozier and more heartwarming.

Because I have to admit that as the story was going along, I wasn’t all that sure about the cozy fantasy label. At first, it reminded me a LOT of Small Town, Big Magic, in that the heroine is cursed, her powers are gone, and the local coven leadership is manipulative to the max and evil to the core. And that’s at the point where the reader thinks the purpose of the story is to reveal the coven’s machinations and thwart their plot.

That it turns out to be entirely different – and much better, more heartwarming and considerably more interesting into the bargain – was the ending I stayed up until 4 in the morning for – and I’m so very glad that I did.

The Crescent Moon Tearoom is the author’s DEBUT novel, and it’s simply fantastic in all of the meanings of that word. The one and only, teeny-tiny, even slightly negative thing I could possibly say about it is that this book does not read like the first in a series. I could be wrong. I’d LOVE to be wrong. But even if I’m right about this book, I will absolutely be on the lookout for her next!

Grade A #BookReview: A Vengeful King Rises by Sophie Barnes + Giveaway

Grade A #BookReview: A Vengeful King Rises by Sophie Barnes + GiveawayA Vengeful King Rises (House of Croft) by Sophie Barnes
Format: eARC
Source: author
Formats available: hardcover, paperback, ebook
Genres: historical fiction, historical mystery, historical romance
Series: House of Croft #1
Pages: 492
Published by Sophie Barnes on July 30, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The only thing more lethal than his need for revenge, is the woman who's tasked with bringing him down.
Adrian Croft dreams of quitting the shady business he stands to inherit, of settling down, and of raising a family free from a life of crime. But when tragedy strikes, this fanciful dream is destroyed. All he wants now is revenge. His anger, however, threatens to cloud his judgment, making it harder for him to recognize danger when it approaches in the form of a beautiful woman.
Trained for covert operations as part of a secret government program, Samantha Carmichael's mission is to give British law enforcement a reason to prosecute the most powerful man in the country. But when common sense and duty begin to blur, can she remain steadfast in her goal, or will her loyalties shift as she gradually loses her heart to the one man she cannot afford to love?
One series, one couple, and the brutal challenges they must face
If you like What Angels Fear, Silent in the Grave, and Murder on Black Swan Lake, you’ll devour Sophie Barnes’ thrilling new series.
Buy A Vengeful King Rises and start this adventure today!

My Review:

The vengeful king that rises in this first book in the House of Croft series is Adrian Croft, the new ‘King of Portman Square’. It’s a position that Adrian never wanted, but has now been thrust upon him – willing or not.

The ‘King of Portman Square’ – at least when that powerful but unofficial title was held by his father or any of the Crofts who came before him, is a title of ill and dangerous repute. A repute that Adrian vowed to set aside after the death of his father.

The Crofts have controlled most of the criminal underbelly of London – if not all of Britain – for generations. During his father’s lifetime Adrian Croft became all too acquainted with everything dirty and dangerous that his father owned – because he was the one who visited each and every establishment to mete out his father’s justice.

Adrian wants to walk the straight and narrow, and for the family to make and maintain its fortunes through legal enterprises instead of gambling, prostitution, and blackmail.

But there are forces raised against his plan in all quarters. There’s a serial killer targeting young women of the aristocracy, killing any that he believes are only pretending to be chaste and virginal. He leaves his victims with a slit throat and a note attached to their corpses with one word – WHORE.

Scotland Yard can’t seem to find the killer, the pressure from above is mounting, and a decision is made to go after Croft – not because he’s the guilty party in THIS crime but because bringing down the vast Croft criminal empire will divert attention away from their inability to stop the gruesome murders.

The government sends in one of their best and most covert agents, Samantha Carmichael, part of a cadre of young female orphans trained as spies in case Napoleon had managed to invade Britain. Her job is to get close to Adrian Croft by any means necessary, find where he keeps his secret blackmail files, and procure rock-solid evidence of his criminal activities.

Even if she has to bed him and/or wed him to make it happen. Even if they both manage to take leave of their senses and lose their hearts in the process.

Escape Rating A: I picked this up because the author is one that I read whenever she has something new – and this book is very new indeed. Meaning that if you are expecting one of her signature frothy Regency romances you’re going to be surprised. A lot. And be utterly captivated and compelled.

This series opener worked well for this reader, because the House of Croft series is what you’d get if two of my favorite historical mystery series, C.S. Harris’ Sebastian St. Cyr and Andrea Penrose’s Wrexford & Sloane, had a book baby – possibly midwifed by Elizabeth Hoyt’s Maiden Lane series. St. Cyr and Wrexford & Sloane expose the gritty, grimy underbelly of the glittering Regency, take place in the aftermath of the Napoleonic Wars, all of their heroes are dark and brooding, and all of the relationships begin on a knife edge of secrets and lies, distrust and betrayal. While Maiden Lane, although set a century earlier, dives deeply into the same mean streets where the House of Croft holds sway.

But  St. Cyr, Wrexford & Sloane and the House of Croft work from different positions. Sebastian St. Cyr is an aristocrat who operates in the halls of power, of which he is not a member, quite, at least not yet., but certainly will be upon the eventual death of his father the powerful and well-connected Earl of Hendon. Wrexford focuses more on scientific advancement and the kind of technical and industrial espionage that leads to grandiose promises and economic crashes. Although both began their secondary interests in investigation after being falsely accused of crimes, they are otherwise completely legit.

Adrian Croft is none of the above. He has no title, but has a great deal of mostly illegally obtained wealth. He has power but seemingly no check on it. He doesn’t merely expose the Regency’s dark underbelly – he has the ability to control it.

Which means that each of these series may be set in the same time and place but they are not looking at it from the same direction.

Adrian comes to his investigation of the serial killer from the perspective of a victim. His young unmarried sister was one of the murderer’s kills. Not because she actually had sullied her reputation but rather because someone put her in the frame in order to force Adrian to take back the reins of the Croft criminal empire in order to hunt down her killer.

That nefarious person is still hiding in the shadows. Although now that he has achieved his objective I can’t help but wonder when we’ll see him again so that loose thread can be tied off – possibly into a hangman’s noose – in a later book in this series.

On the other side of this book’s equation there’s Samantha Carmichael. Because she is not, by any means, a typical Regency heroine. And yet, she’s not anachronistic. That Britain might create a spy program for undercover agents who can hide in plain sight is not implausible. It’s a bit early, historically, but if it were top secret enough we wouldn’t know, would we?

Just as this case is a test for Adrian, it’s also a test for Samantha. Her government handlers expect her to obey orders and yet are forced to give her considerable autonomy in order to carry out her mission. And in that autonomy, and the training to think for herself that it requires, Samantha starts to see the truth about her circumstances and begins to wonder if Adrian Croft is even a quarter as bad as he’s painted.

It’s clearly all going to end in tears and betrayals. The question that will hopefully be explored in the next books in the series, A Tainted Heart Bleeds (October) and A Ruthless Angel Weeps (January) is the question of whether they can find a way past the events that brought them together, or whether they will shatter, separately, together and with shrapnel flying all around.

I’ll be waiting with the proverbial bated breath for the next book, but in the meantime there’s a prequel novella, A Wounded Bird Sings, to tide me over.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

About the Author

USA TODAY bestselling author Sophie Barnes writes historical romance novels
in which the characters break away from social expectations in their quest
for happiness and love. Having written for Avon, an imprint of Harper
Collins, her books have been published internationally in eight languages.
With a fondness for travel, Sophie has lived in six countries, on three
continents, and speaks English, Danish, French, Spanish, and Romanian with
varying degrees of fluency. Ever the romantic, she married the same man
three times—in three different countries and in three different
dresses.

When she’s not busy dreaming up her next swoon worthy romance novel,
Sophie enjoys spending time with her family, practicing yoga, baking,
gardening, watching romantic comedies and, of course, reading.

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A- #BookReview: Always Remember by Mary Balogh

A- #BookReview: Always Remember by Mary BaloghAlways Remember (Ravenswood #3) by Mary Balogh
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: historical fiction, historical romance, regency romance
Series: Ravenswood #3
Pages: 366
Published by Berkley on January 16, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Lady Jennifer Arden and Ben Ellis know that a match between them is out of the question. Yet their hearts yearn for the impossible. Discover a new heartwarming story from New York Times bestselling author and beloved “queen of Regency romance” Mary Balogh.Left unable to walk by a childhood illness, Lady Jennifer, sister of the Duke of Wilby, has grown up to make a happy place for herself in society. Outgoing and cheerful, she has many friends and enjoys the pleasures of high society—even if she cannot dance at balls or stroll in Hyde Park. She is blessed with a large, loving, and protective family. But she secretly dreams of marriage and children, and of walking—and dancing.When Ben Ellis comes across Lady Jennifer as she struggles to walk with the aid of primitive crutches, he instantly understands her yearning. He is a fixer. It is often said of him that he never saw a practical problem he did not have to solve. He wants to help her discover independence and motion—driving a carriage, swimming, even walking a different way. But he must be careful. He is the bastard son of the late Earl of Stratton. Though he was raised with the earl’s family, he knows he does not really belong in the world of the ton.Jennifer is shocked—and intrigued—by Ben’s ideas, and both families are alarmed by the growing friendship and perhaps more that they sense developing between the two. A duke’s sister certainly cannot marry the bastard son of an earl. Except sometimes, love can find a way.

My Review:

At the beginning of the Ravenswood series, back in Remember Love, I compared the late and more or less lamented Earl of Stratton, Caleb Ware, with the late and entirely unlamented Humphrey Westcott, Earl of Riverdale, the discovery of whose marital perfidy kicked off that series, and found both of them wanting in only slightly different ways and degrees.

As that earlier series continued through the stories of all the family members impacted by the lies that were shockingly revealed upon Westcott’s death, the man was never redeemed – not even in memory. In fact, as the impacts of his lies rippled out in the years after his death, the worse a character he became.

Therefore, one of the fascinating things about Caleb Ware, Earl of Stratton, is the way that his memory has been redeemed in the years after his death. Not that he wasn’t unfaithful to his wife from the very beginning of their marriage, and not that he didn’t constantly seek love, approval and attention wherever he went, but the reasons behind his actions become clearer with each book – even though that book is centered around another character entirely.

That is especially true of this third book in the series, after Remember Love and Remember Me, because the male protagonist of this story is Ware’s illegitimate oldest son Ben, whose mother was, as it turns out, truly, the love of Ware’s life.

A woman of his own class who he would have married if he could have, but that would have made her guilty of the same sin as Humphrey Westcott. It would have made Lady Janette Kelliston, who her son only knew as plain ‘Jane Ellis’, a bigamist.

But this is, after all, Ben’s story and not the story of his parents, although his discovery of the truth about that relationship and so much more is a central part of his story. While he does not discover those truths until well into this story, it does set the stage for the things he already does know about himself.

That in spite of his complete and thoroughgoing acceptance by Caleb Ware’s legal family for all of Ben’s life, he is, and always will be, the Earl’s bastard. And therefore, not eligible to marry any of the girls – and now women – he meets as part of his membership in the Ware family.

Which means that when widowed Ben and his three-year-old daughter Joy come to Ravenswood Hall to celebrate the revival of the annual Summer Fete, even though he has marriage on his mind he does not expect to find anyone who would consider him suitable among his family’s aristocratic guests.

Because he is NOT suitable, as the rest of the world is all too willing to remind him. The question is whether he, and the woman with whom he falls in love in spite of all the whispers against it, are willing to damn the consequences and the social opprobrium likely to follow in their wake.

Escape Rating A-: I came into Always Remember with high hopes after a bit of disappointment with Remember Me. I liked the characters of that book well enough, but Lady Philippa Ware was a bit TOO perfect and too privileged to identify with and that affected my reading of her story quite a lot.

The heroine of this entry in the series, Pippa’s now sister-in-law Lady Jennifer Arden, is far from perfect – although she fakes it well. Not the perfect beauty that Pippa absolutely does have, but rather, a perfect amiability – or at least the appearance of it – that allows her to find as much happiness and fulfillment in the life that the lifelong disability that remains after a childhood illness (most likely polio) has left her with as is possible. Which is quite a lot if one puts their mind to it, which Lady Jennifer absolutely does.

So this is a romance between an unconventional hero – at least for a Regency romance – and an equally unusual heroine – for any romance at all. That it is their differences from the others around them that brings them together – even as their differences in social position pulls them apart – that made even the possibilities of this story something I was definitely looking forward to.

Ben Ellis and Lady Jennifer Arden find a bond because they are able to see behind each other’s masks to find the real person within. Both are in positions where they ‘should’ be grateful. He because his father’s family took him in and made him their own – as much as they could and considerably more than he knew he had any right to expect. Lady Jennifer’s entire family has rearranged itself, and continues to do so, in order to make sure that she is taken care of, has as much freedom and opportunity as they believe is safe for her, and in general has a good, well-privileged life with friends and opportunities and someone always available to take care of her.

But they are both in pursuit of the missing pieces in their lives. Ben needs to know about his mother’s family, for the sake of his own identity as well as that of his daughter. Lady Jennifer is twenty-five years old, she needs to find out what her OWN limits are. From her perspective, she has one blighted leg but the rest of her, including most definitely her heart and her brain, are just fine. She is an adult and needs to forge her own path – even if that path is navigated on crutches or in a wheelchair.

Ben sees possibilities for her. She sees answers for him. Together, they forge a path that no one expected, and that some would have preferred they not even begin to try. I half expected the author to contrive a solution that would make Ben legally legitimate no matter the actual circumstances of his birth in order to clear that path, but it made for a much better story that the easy solution was not taken after all, making this a deeply earned HEA that kept me up late because I had to find out how it ended.

Speaking of endings, this could be the ending of the Ravenswood series, but I sincerely hope that it is not. The late – and now reasonably lamented – Earl of Stratton and his Countess had several more children who have yet to find their own HEAs. I’d LOVE to see their stories added to this series!

#BookReview: Remember Me by Mary Balogh

#BookReview: Remember Me by Mary BaloghRemember Me (Ravenswood, #2) by Mary Balogh
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook
Genres: historical fiction, historical romance, regency romance
Series: Ravenswood #2
Pages: 368
Published by Berkley on June 20, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Can Lady Philippa Ware forgive the man who once shattered all her youthful dreams? Discover the passionate and heartwarming new novel on the redemptive power of love from New York Times bestselling author Mary Balogh.
Philippa, elder daughter of the Earl of Stratton, grew up eagerly anticipating a glittering debut and a brilliant marriage. Then her brother caught their father out in a clandestine affair and denounced him publicly. The whole family was disgraced, and Philippa's hopes grew dim, then were fully shattered when she overheard the dashing, handsome Marquess of Roath viciously insult her upon learning of her father's identity. Only years later does Philippa find the courage to go to London at last to meet the ton. She is an instant success and enjoys a close friendship with the granddaughter of a duke. Only one man can spoil everything for her, but surely he will not be in London this year.
The Duke of Wilby is nearing death and has tasked his grandson and heir, Lucas Arden, Marquess of Roath, with marrying and producing a son before it is too late. Lucas, who usually shuns London, goes there early in the Season in the hope of finding an eligible bride before his grandparents come and find one for him. He is instantly attracted to his sister's new friend, until that young lady asks a simple question: "Remember me?" And suddenly he does remember her, as well as the reason why the daughter of the Earl of Stratton is the one woman he can never marry--even if his heart tells him she is the only woman he wants.
Unfortunately for Philippa and Lucas, the autocratic duke and his duchess have other ideas and believe them to be perfect for each other. They will simply not take no for an answer. Telling Philippa the full truth is the hardest thing Lucas has ever faced, and the discovery of it will change them both before they discover the healing power of love.

My Review:

The elderly Duke of Wilby may be the most aptly titled character to ever grace the pages of a Regency romance. Because his will has been done, generally to his satisfaction, for most of his long life, and he fully intends that his will be done one last time before the end that his doctor has predicted comes to pass.

On the whole, Wilby is a rather benevolent dictator when it comes to his family, but he seems to have never been faced with an opposition implacable enough to stand against him that couldn’t be overcome. With the possible exceptions of time, old age and death. Although even there he’s negotiating for better terms – or at least terms of his own choosing.

He has only one surviving heir, his grandson Lucas. Lucas’ father died of recklessness years before, there was no spare, the old Duke had no brothers and the next heir is a cousin that frankly neither he nor Lucas believe is worthy of the title. Someone they know will have no care for the many female members of the family who will be left to his dubious mercy if Lucas dies before he has his own ‘heir and a spare’.

The elderly Duke – and his redoubtable Duchess – are determined that Lucas, now twenty six, will spend the coming Season in London, scouring the Marriage Mart for a bride they all find suitable – whether he wills it or not. For that matter, whether SHE wills it or not as well.

The seemingly immovable object standing in the way of Wilby’s plan is Lady Philippa Stratton, daughter of the late Earl of Stratton. Her brother now holds the title. Pippa is twenty two, wealthy in her own right, and her brother is no longer her guardian. She can do as she pleases when it comes to the Season and the Marriage Mart.

She does not please to marry Lucas Arden. Because once upon a time, just a few years previously when they were both a bit younger and a whole lot less cognizant of the effect a few careless words might have on the people around them, Pippa heard Lucas refer to her as ‘spoiled goods’. Not for any action of hers, but for her father’s indiscreet, utterly scandalous, behavior.

A scandal that touched Lucas every bit as closely as it did Pippa. But eavesdroppers seldom hear anything to their credit, and that was the case here. He owes her an explanation AND an abject apology. But it is water very much under the bridge at this point. That she let his words blight the next four years of her life isn’t ALL on him. Although she still doesn’t owe him the time of day.

But the Duke of Wilby is certain that Pippa and Lucas are perfect for each other. And he’ll move heaven, earth and everything in between in order to get them to see it too. Before his negotiations with his Maker come due.

Escape Rating C+: I had intended to read the third book in the Ravenswood series, Always Remember, this week but when I realized that I’d skipped this second book, Remember Me, I switched things up. I’ll get to Always Remember sometimes in February because it’s still the right month for a LOT of romance.

Howsomever, I ended up with a lot more mixed feelings about Remember Me than I expected after the first book in this series, Remember Love – which I liked rather a lot.

There were a couple of things that kept me from falling quite as hard for this second book in the series, one of which was the sheer proximity to yesterday’s book. Part of the reason I enjoyed A Body at the Séance so much was that I found Mabel Canning’s whole, entire life easy to identify with. She’s not rich, she’s not privileged, she’s a woman making it on her own and her life and times are just close enough that it’s easy to step into her shoes. Possibly except for the murder investigations she keeps falling into but still, she’s someone I’d love to have tea with.

Lady Philippa Ware is certainly a good character, as well as a decent human being, but in comparison with Mabel she’s too rich, too privileged, too beautiful and just too damn perfect to be anything other than a fairy tale princess character – including the title. I liked her, I could see why all the other characters warm to her, but she’s got it so easy in so many ways, in a time and place where so many people did not, that I didn’t love her nearly as much as I did Mabel – or as Lucas and his whole, entire family came to do.

I also need to confess that the conflict in this story, the engine moving the plot forward, the way that the Duke of Wilby in his role as benevolent tyrant pushed so hard to have his will be done, to make all the characters move on his chessboard without ever listening to a word they said about their own lives, is triggering for me in ways I can’t explain. And I fully recognize this is a ‘me’ thing and likely not a ‘you’ thing.

But still, I found myself utterly conflicted between the fact that ‘dammit he was right’ and just how much I wanted someone to push back against him and make it stick that it spoiled the story for me. There are so many ways his pushing and shoving could have and should have gone wrong that I wanted to scream at someone the whole way through.

Your reading mileage may definitely vary. In fact, I hope it does because I think a LOT of people are going to love this book. I’m just not one of them although I certainly expected to be.

Which leads me back around to the NEXT book in this series, the one I thought I’d be reading this week, Always Remember. I’m looking forward to that story because Lucas’ sister, Lady Jennifer Arden, has faced hardships and tragedies in spite of her wealth and status, and it looks like she’ll be finding a life-partner in spite of all the predictions that a woman with a fortune who can’t walk and can only get around in a push chair has no chance to marry anyone who will not be more invested in her fortune than herself. I have high hopes that Pippa’s older half brother Ben, the child of one of her father’s many, many scandals, will prove everyone wrong. Because Jenny deserves her own happy ever after and I’m looking forward to seeing her get it!

Review: A Duke’s Lesson in Charm by Sophie Barnes

Review: A Duke’s Lesson in Charm by Sophie BarnesA Duke's Lesson in Charm (The Gentlemen Authors) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #3
Pages: 274
Published by Sophie Barnes on October 24, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

She was the last person he ever expected to marry…
Callum Davis, Duke of Stratton, never expected to get along with Emily Brooke, but thanks to his ward, he starts to realize she’s pretty good company. The more time he spends with her, the better he likes her. But rather than let their relationship grow at a gradual pace, a pretend courtship leads to a whirlwind romance that quickly collapses when Emily finds out what Callum has written about her. Now he must make every effort to prove his love for her is real, or risk losing her forever.
There is only one person Lady Emily Brooke must avoid at all cost, and that’s the Duke of Stratton. Since her debut, the man has threatened her safety by stepping upon her toes, spilling drinks on her gown, and sending her head first into a fountain. But when he invites her for a walk so the boy in his care can spend time with her dog, she cannot resist. What surprises her most is how charming the duke can be. Until a mistake on his part makes her question his feelings and his intentions.

My Review:

What has made this series so much fun is that it has followed the creation of a romance novel designed to capture the then-recently-late Jane Austen’s fans, not merely through the process of writing the thing but more specifically through the trials and travails of getting it published and into the hands of as many readers as possible.

The first book, A Duke’s Guide to Romance, planted the idea in the heads of three financially embarrassed dukes by a young gentlewoman who binds books in the back of her uncle’s popular bookshop. Along its merry way it introduces Anthony Gibbs, Duke of Westcliffe to Ada Quinn, the love of his life, AND gives both the dukes and the readers a peek into the way that books were printed and published in Jane Austen’s day.

The second book, A Duke’s Introduction to Courtship, moves the story about how books get made into the hands of the potential printers and publishers for the Gentlemen Authors’ completed novel. As Brody Evans, Duke of Corwin, learns the editing and publishing business from the ground up, he falls in love with the printing press’ crackerjack print compositor, Harriet Michaels. Who has done an entirely too convincing job convincing everyone, including Brody, that the print compositor is a young man named Harry.

Their book, A Seductive Scandal, is ready to be put into the hands of its readers. Which is where this third book and my envy come in. Book discovery has probably been an issue for authors, publishers and readers since the first text was chiseled into a stone tablet. It was a problem in Jane Austen’s day, it’s still a problem today and will probably still be a problem for as long as there are so many books and so little time. Meaning forever.

To convince people to buy their book, potential readers need to know it exists and believe that it will be worth their time to read. Which is where the Lady Librarian comes in. The Lady Librarian has the most popular book review column of the day, published in an equally popular and widely distributed newspaper. She has the Gentlemen Authors’ new novel at the top of her TBR (To Be Read) pile, and plans for her review to be published in the Mayfair Chronicle on the morning that A Seductive Scandal arrives in bookshops all over London.

Which it will be. Whether that review will be a paean or a pan is the saga told in A Duke’s Lesson in Charm. Because Lady Emily Brooke has come to believe, after years of clumsy contacts between herself and Callum Davis, Duke of Stratton, that this particular duke has no charm whatsoever.

Callum has no idea that the Lady Librarian is Lady Emily’s alter ego, while Emily is not aware that Callum and his two friends are the true authors of the book she’s been asked to review. The resulting misunderstandings, misidentifications and missteps threaten to scupper any possibility of A Seductive Scandal paddling the Gentlemen Authors’ respective fortunes away from the River Tick. And may just cost Callum and Emily the love of their lives.

Escape Rating A-: This final book in the Gentlemen Authors series is one that I have been anticipating with more than a bit of envy. The romance was lovely, but then ALL the romances in this series have been lovely.

What I was REALLY looking forward to was the story of a heroine who produces something extremely similar to what you are reading right this very minute. Lady Emily Brooke is a book reviewer. It’s the perfect ending to this series about getting a book to its readers, and I was just plain curious to see a bit of how this particular part of the process worked back then.

I do envy Lady Emily the reach of her publication and the size of her audience. She can literally make or break a book, which becomes the final bit of dramatic tension in this story.

But it’s hard to make an entire story about the solitary acts of reading and writing. We’d just be inside Emily’s head the whole way and probably not as entertained by that as she ultimately is by the book.

What we do have is a charming and sometimes fraught romance that manages to be both as filled with non-traditional female agency as the first two books in the series while still telling a story that is a bit closer to what is thought of as a traditional Regency romance.

Unlike the heroines of the first two books, Emily is a member of the ton in good standing. It’s Callum’s reputation that has taken a bit of a hit, both as a result of the behavior that wrecked his finances AND his quiet attempts to keep the bill collectors at bay by selling off some items that he won’t miss and letting go of some staff he can no longer afford to keep.

His title and his person seem to be the only assets Callum has on the ‘Marriage Mart’, and Emily’s father has some serious questions about Callum’s suitability to marry the well-dowered Emily. Her father’s objections are very nicely handled. Too often in historical romances, the father of the bride is a bit of a villain, but the Earl of Rosemont’s reaction to Callum’s suit for Emily’s hand hits all the right notes.

On the way to that suit, one of the best parts of the story is the way that Callum and Emily finally manage to get over their years of disastrous encounters through Callum’s adoption of his young cousin, and said cousin’s insta-love for Emily’s dog Heidi.

Once Heidi helps them leap over their initial apprehensions, their original animosity turns to real friendship, and then more, in the best enemies-to-lovers fashion – at least until a series of self-inflicted misapprehensions nearly breaks them apart.

All in all – and I realize there’s been a LOT of all in this review – A Duke’s Lesson in Charm was a marvelous and utterly fitting ending to what has been a lovely Regency romance series. As always, I can’t wait to see what the author comes up with next!

Review: A Duke’s Introduction to Courtship by Sophie Barnes

Review: A Duke’s Introduction to Courtship by Sophie BarnesA Duke's Introduction to Courtship (The Gentlemen Authors #2) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #2
Pages: 320
Published by Sophie Barnes on September 26, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

Love caught him completely off guard and forced him to question everything…

When Brody Evans, Duke of Corwin, goes incognito at a printing press, he doesn’t anticipate meeting Mr. Michaels, a charming young man with whom he shares an instant connection. Soon he’s questioning everything he believed to be true of himself, while losing his heart in the process. Accepting the way he feels is not only hard, it’s also illegal and downright dangerous. Until he learns the truth and is forced to wonder whether or not the person he fell for is real, or just an illusion.

Dressed as a boy, Harriet Michaels acquires a job at a printing press so she can support herself and her younger sister. It seems like a good idea until she meets Mr. Evans, the new assistant editor. Her attraction toward him cannot be denied, but it must be concealed if she’s to avoid detection and the risk of losing her job. The more time she spends with him, however, the closer she comes to heartache and ruin. For as it turns out, Mr. Evans is not who he claims to be either.

My Review:

This second book in the Gentlemen Authors series has made the theme of the overarching story of the series more apparent while still giving readers a lovely historical romance. Although the romance isn’t nearly as frothy as readers often expect from a Regency romance – and is all the better for it.

There are two stories being told in parallel. The individual story in each book in the series, beginning with A Duke’s Guide to Romance, is the story of a romance between a duke in dire financial straits of his own making and a woman who has been forced to make her way in the world through her own hard work and and has chosen a rather unconventional way of going about it.

At the same time, the overarching story of the series as a whole is a fictionalized version of how a book made its way from being a glimmer in the author’s – or in this case authors’ – eye to being put in the hands of readers.

As this series began, the three dukes have finally gotten their feet back under them after their fathers’ sudden death in a cow pen explosion. Unfortunately along the way of their grief, they seem to have egged each other on in wasting much too much money, even as they held each other up emotionally.

The bills have come due. Ruinously so. Which is where their romance novel, A Seductive Scandal, comes in. They need a plan to make money even though most careers are closed to them, socially speaking. It’s just not done.

In the wake of Jane Austen’s recent death, there’s a vacancy in the publishing landscape that readers are crying out for someone to fill. The three dukes undertake to write a romance novel, à la the late Austen, and succeed beyond their wildest dreams as far as the readability of the book is concerned.

Their next step is to get the damned thing published, which is where this story begins. The Duke of Corwin, Brody Evans, walks by a printing press’ office and spies a ‘Help Wanted’ ad for an assistant editor, beginning immediately. He takes the job, planning to slip their manuscript into the slush pile after several days of doing the work and ingratiating himself with the owner.

He comes to enjoy the job far more than he ever imagined. He’s being paid a pittance from his perspective, but he’s being paid to READ ALL DAY. What’s not to love?

His enjoyment of the job is both increased and confounded by his surprising attraction to the company’s print compositor, Harry Michaels. Harry is the best the printing press’ owner has ever seen at the job, fast, efficient and accurate. He comes early, stays late and makes the whole place hum with productivity.

And he has a secret. Harry Michaels is really Harriet Michaels. A masquerade that she absolutely must keep, because she needs the money to support herself and her younger sister and knows that no job suitable for a woman will pay as much as any job reserved for men.

Which means that Harry must resist Harriet’s attraction for the new assistant editor, ‘Mr. Evans’, no matter how much she wants to give in, even as Mr. Evans’ attraction to Harry Michaels makes him question everything he thought he believed about himself, and wonder just how high a price he’s willing to pay for love.

Escape Rating A: A Duke’s Introduction to Courtship isn’t nearly as frothy a confection as A Duke’s Guide to Romance, and honestly it’s all the better for it. (Not that a good frothy romance can’t be utterly scrumptious as the first book is, but too much of a good thing usually results in a tummy ache – or in this case a headache – from overindulgence in too many sweets.)

We’ve already seen the situation that Brody and his friends are in. It’s not exactly life-threatening, but it is serious from their perspective. First of all, they’ve all been really stupid and they all regret it. They all miss their fathers who were taken from them MUCH too soon. What allows the reader to have sympathy for a group of men who are fantastically well off but merely not as rich as they could be comes down to the way they approach their situation. They are not thinking of themselves but rather of the people who depend on them, and that’s a position that is easier to respect.

What makes this entry in the series work, and also be more serious at the same time, is Harry/Harriet Michaels’ considerably more dire straits. Harriet and her sister are on the knife-edge of poverty. Harriet’s masquerade as Harry makes their situation survivable but just barely. All it will take is one slip and they’ll both be off to the workhouse or working on their backs. Or dead and that seems the most likely. A fact that is brought home to Harriet when Lucy gets sick and Harry is beaten and robbed on the way to fetch a doctor. A doctor that Lucy still needs but that Harry can no longer afford to pay after the robbery.

Harriet is caught between a rock and a hard place, or perhaps a better description would be between Scylla and Charybdis, with sea monsters to either side and slippery rocks underfoot the whole way.

The way that Harriet’s necessary deception leads to Brody’s soul searching added something very special to the whole story, giving his portrayal considerably more depth than might have been expected. Not that this particular scenario hasn’t happened before, and hasn’t been used well, most recently in Jane Dunn’s An Unexpected Heiress, with Cat Sebastian’s Unmasked by the Marquess and even the classic movie Victor/Victoria using the same idea to terrific effect.

Brody’s decision that he loves Harry and damn the consequences, and his subsequent confusion and even sense of betrayal when Harry turned out to be Harriet after all gave the story its final bit of tension AND made Brody’s stake in the situation come much closer to equal Harriet’s than might have been expected.

I’ve written more about this book than I expected because it turned out to be several cuts above what I expected when I started it. I expected froth and fun. What I got went a bit deeper on multiple fronts and still managed to deliver a very satisfying happy ever after at the same time.

I’m really looking forward to the final book in the Gentlemen Authors series, A Duke’s Lesson in Charm, coming next month. Especially since this book should finally reveal to readers just how well the ducally-written romance does at the booksellers!

Review: An Unsuitable Heiress by Jane Dunn

Review: An Unsuitable Heiress by Jane DunnAn Unsuitable Heiress by Jane Dunn
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical romance, regency romance
Pages: 350
Published by Boldwood Books on May 22, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

'Do you realise, Corinna, just how hard it is for a young woman of irregular birth, without family, fortune or friends in the world? Marriage is the only way to get any chance of a life.' Following the death of her mother, Corinna Ormesby has lived a quiet life in the countryside with her cantankerous Cousin Agnes. Her father's identity has been a tantalising mystery, but now at nineteen Corinna knows that finding him may be her only way to avoid marriage to the odious Mr Beech. Deciding to head to London, Corinna dons a male disguise. Travelling alone as a young woman risks scandal and danger, but when, masquerading as a youth, she is befriended by three dashing blades, handsome and capable Alick Wolfe, dandy Ferdinand Shilton and the incorrigible Lord Purfoy, Corinna now has access to the male-only world of Regency England. And when she meets Alick's turbulent brother Darius, a betrayal of trust leads to deadly combat which only one of the brothers may survive. From gambling in gentleman's clubs to meeting the courtesans of Covent Garden, Corinna's country naivety soon falls away. But when she finds her father at last, learns the truth about her parentage and discovers her fortunes transformed, she must quickly decide how to reveal her true identity, while hoping that one young man in particular can see her for the beauty and Lady she really is. Sunday Times bestselling author Jane Dunn brings the Regency period irresistibly to life in a page-turning novel packed with romance, scandal, friendship and colour. Perfect for fans of Jane Austen. Janice Hadlow, Gill Hornby, and anyone with a Bridgerton-shaped hole in their lives.

My Review:

We tend to think of the Regency period, popularized by Georgette Heyer’s glittering comedies of manners and romance, and the Napoleonic Wars, producer of so many dark and brooding romantic heroes to be separate – when they absolutely were not, as is brought home to both the reader and the Earl of Ramsbury in the opening chapter.

An Unsuitable Heiress opens with that self-same Earl feeling a bubble of utmost joy in the news that Napoleon has been defeated at Waterloo, and, considerably more important for the Earl, that his only son and heir is NOT on the battle’s long casualty lists. Only for that hope to crash to the ground a few mornings later, when he receives a dispatch that his son was killed in action in the waning hours of the war.

His title will go to a cousin who, at least as the story begins, is not worthy of it. The title and the lands that go with it are entailed, and no one has any choice in the matter. But the Earl has been fortunate in his fortunes, and has personal holdings he can bequeath wherever he wishes. He wishes to leave his personal holdings to his illegitimate daughter.

He just has to find her before his own heart gives out. Literally.

But Corinna Ormesby is not sitting around waiting to be found. Corinna has left the cousin who reluctantly took her in, out of fear that she’ll be forced into a marriage that will take away what little independence of thought and mind she possesses, and kill her dreams of a life of her own choosing.

So she runs away – by borrowing her best friend’s clothing and pretending to be a man. Because young men have the freedom to go where they want – if they can afford it – and work how they choose. Without requiring a chaperone at every turn. Without being coddled and ‘protected’ in every instance.

As a young woman, as Corinna Ormesby, her life is never, ever her own. As a young man, as mere Cory Ormesby, ‘he’ can buy a ticket on the stage and take ‘himself’ to London to teach drawing at a school to make ‘his’ way, and take the opportunity to search for the mysterious father whose name ‘he’ never knew.

She sees her chance, and she takes it. Straight into a fight with a man three times her size beating his horse, and from there, into the coach of a group of young dandies who are happy to take her under their wing, show her the town, help her find her father and give her the chance she needs to become the person she was always meant to be.

As long as her ruse holds up.

Escape Rating B: If Someone to Love by Mary Balogh (the first book in the Westcott series) and Unmasked by the Marquess by Cat Sebastian had a book baby, it would be An Unsuitable Heiress. (I’ve just realized that this works on two levels, as An Unsuitable Heiress IS a blend of the two books and that by certain measures all of the heiresses in all three books are judged to be a bit – or more than a bit – unsuitable as their respective stories unfold.)

The fun of this story is in Corinna’s eye- and mind-opening introduction to what life is like as a man, or at least a moderately well-off or well-sponsored man, in the Regency period. But that’s not where the drama of this story came in – although that’s certainly where I expected it to be.

At first I saw Corinna as a bit of a sister to Charlotte Sloane in the Wrexford and Sloane series, which also takes place in this same period. They initially seemed like kin not just because Charlotte Sloane frequently dons young male attire in order to have the freedom to go where she wants and do what she needs, but also because she makes her living under a male pseudonym. (At the point I currently am reading in the series, she is kicking and screaming, at least internally, as her increasingly rising profile and finances curtail her freedom to do as she wills and as she must.)

I expected a bit more drama, or at least a bit more of that same kicking if not the screaming, over the reveal of Corinna’s true identity, but as plucky as she is, she’s just not that sort. I also thought that there would be more drama and pathos when Corinna and her father finally did meet, but that was also more of a whimper than a bang – as his heart gave out soon after.

The drama in this story, as the blurb very much alludes to, comes in the long-simmering sibling rivalry between the cousin who inherited her father’s earldom and his younger brother, who just so happens to be one of the group of friends that took ‘Cory’ under their collective wing.

A rivalry which traps Corinna at its center, as cousin Darius wants Corinna in order to get possession of the other half of what he sees as HIS inheritance – no matter how many people he has to ruin along the way – while his younger brother Alick just wants Corinna. Although in the best romantic tradition, he hasn’t figured that out yet.

That Darius has already found a very unsuitable heiress – or at least countess – of his own makes his plans to ‘ruin’ Corinna just that much more dastardly. That this story manages to drive itself into a happy ending in spite of its characters’ actions just adds to the fun, and makes for a delightfully frothy conclusion to the story.